﻿1
00:00:01,869 --> 00:00:03,171
Judy: HI, FOLKS,
YOU'VE REACHED JUDY LYNN,

2
00:00:03,204 --> 00:00:04,805
THE LAST WOMAN STANDING.

3
00:00:04,838 --> 00:00:06,040
IF YOU'RE CALLING FOR TICKETS
TO SATURDAY'S SHOW,

4
00:00:06,074 --> 00:00:07,208
IT'S SOLD OUT.

5
00:00:07,241 --> 00:00:08,676
FOR FUTURE PERFORMANCE DATES,

6
00:00:08,709 --> 00:00:10,344
PLUS THE LATEST RAVINGS
AND RANTINGS ON MY VLOG,

7
00:00:10,378 --> 00:00:13,647
GO TO
www.last-woman-standing.com

8
00:00:13,681 --> 00:00:15,349
OR IF YOU'D LIKE,
LEAVE A MESSAGE HERE.

9
00:00:16,850 --> 00:00:19,753
Woman: HI, JUDY.
JUST WANTED TO HEAR YOUR VOICE.

10
00:00:19,787 --> 00:00:22,690
AND YOUR FATHER AND I ARE DYING
TO LEARN HOW YOUR NIGHT WENT.

11
00:00:22,723 --> 00:00:25,293
CALL ME.
LOVE YOU. BYE.

12
00:00:27,328 --> 00:00:29,297
Man: OKAY.
TRYING YOU EVERYWHERE.

13
00:00:29,330 --> 00:00:31,699
I'VE LEFT SIX MESSAGES
ON YOUR CELL, AND I'M WORRIED.

14
00:00:31,732 --> 00:00:32,766
WHAT'S UP?

15
00:00:36,337 --> 00:00:37,638
Man #2: HEY, JUDY,
YOUR MOTHER'S GETTING WORRIED

16
00:00:37,671 --> 00:00:39,473
BECAUSE WE HAVEN'T HEARD
FROM YOU.

17
00:00:39,507 --> 00:00:42,376
HOW'S THE SHOW GOING?
CALL WHEN YOU HAVE A SECOND.

18
00:00:46,214 --> 00:00:48,482
THE AIR CONDITIONER WAS
TURNED ALL THE WAY DOWN TO 62,

19
00:00:48,516 --> 00:00:50,118
SO IT'S HARD TO SAY,

20
00:00:50,151 --> 00:00:52,753
BUT I'M GUESSING SHE'S BEEN DEAD
AT LEAST 36 HOURS.

21
00:00:59,360 --> 00:01:00,594
SEXUAL ASSAULT?

22
00:01:00,628 --> 00:01:02,596
SEX, MAYBE.

23
00:01:02,630 --> 00:01:05,333
UH, ASSAULT?

24
00:01:05,366 --> 00:01:07,535
THERE'S A BOTTLE OF LUBRICANT
ON THE FLOOR OVER HERE.

25
00:01:07,568 --> 00:01:08,702
PEACH FLAVORED.

26
00:01:13,507 --> 00:01:17,845
WELL, SHE'S STILL GOT HER WALLET
WITH OVER $200 CASH,

27
00:01:17,878 --> 00:01:20,448
SO IT'S NOT A ROBBERY.

28
00:01:20,481 --> 00:01:24,318
MAN, THAT IS
A NASTY HEAD WOUND.

29
00:01:24,352 --> 00:01:27,221
WHAT HAPPENED TO HER LIP?

30
00:01:27,255 --> 00:01:28,622
SHE BIT IT.

31
00:01:28,656 --> 00:01:31,625
THE SKULL FRACTURE
DIDN'T KILL HER.

32
00:01:31,659 --> 00:01:34,728
SHE WAS SMOTHERED TO DEATH
WITH THIS PILLOW.

33
00:01:34,762 --> 00:01:37,665
IT LEFT BLOOD TRANSFER
ON HER FACE.

34
00:01:39,400 --> 00:01:41,869
SEE THE THREADS
IN HER TEETH?

35
00:01:43,804 --> 00:01:45,206
SHE WAS CHEWING
THROUGH THIS PILLOW,

36
00:01:45,239 --> 00:01:47,741
FIGHTING TO BREATHE.

37
00:01:47,775 --> 00:01:51,512
SHE KNEW SHE WAS DYING.

38
00:01:51,545 --> 00:01:53,647
SHE KNEW IT
UP UNTIL HER LAST BREATH.

39
00:01:56,650 --> 00:01:58,386
ANYBODY BACK THERE?
Buzz: I AM.

40
00:01:58,419 --> 00:02:00,221
COULD YOU GET ME UNPLUGGED?

41
00:02:00,254 --> 00:02:01,389
SURE.

42
00:02:01,422 --> 00:02:03,524
OH, I'M SORRY, CHIEF.

43
00:02:03,557 --> 00:02:06,394
UH, I'M JUST TRYING
TO TAKE THIS STUFF WITH US.

44
00:02:06,427 --> 00:02:08,229
RIGHT.

45
00:02:08,262 --> 00:02:09,397
HI, CHIEF.

46
00:02:13,567 --> 00:02:15,536
SORRY IT TOOK ME SO LONG.
I'LL TAKE IT FROM HERE.

47
00:02:15,569 --> 00:02:17,505
CAPTAIN RAYDOR'S WAITING.
ONE SECOND, ONE SECOND,
COMMANDER.

48
00:02:17,538 --> 00:02:18,739
YES, LIEUTENANT?

49
00:02:18,772 --> 00:02:20,408
YEAH, SO IN CASE
YOU HAVEN'T SEEN HER NAME

50
00:02:20,441 --> 00:02:21,675
ON EVERY POSTER
IN THE PLACE,

51
00:02:21,709 --> 00:02:23,311
THE VICTIM'S NAME
WAS JUDY LYNN.

52
00:02:23,344 --> 00:02:26,514
SHE WAS
AN ACTRESS/DATA-ENTRY CLERK.

53
00:02:26,547 --> 00:02:27,881
BUILDING MANAGER
SAYS SHE LIVED ALONE,

54
00:02:27,915 --> 00:02:30,918
SO THERE WAS NO NEED
FOR A WARRANT.

55
00:02:30,951 --> 00:02:34,655
HER NAILS LOOK PERFECT,

56
00:02:34,688 --> 00:02:36,424
SO IT WASN'T MUCH OF A FIGHT,
WAS IT?

57
00:02:36,457 --> 00:02:37,925
PROBABLY NOT.

58
00:02:37,958 --> 00:02:40,561
LOOKS LIKE JUDY WAS
EITHER SHOVED OR  --

59
00:02:40,594 --> 00:02:42,963
OR THROWN INTO THE WALL.

60
00:02:42,996 --> 00:02:46,567
SMASHES HER HEAD ON THE CORNER
OF THIS PICTURE FRAME, CHIEF.

61
00:02:46,600 --> 00:02:48,536
SHE FALLS,

62
00:02:48,569 --> 00:02:50,404
LIES ON THE FLOOR,
BLEEDING.

63
00:02:50,438 --> 00:02:52,373
THEN GETS CARRIED
BACK TO THE BED

64
00:02:52,406 --> 00:02:53,907
TO HAVE A PILLOW PUT
OVER HER FACE,

65
00:02:53,941 --> 00:02:55,876
WHICH IS LIKE SOME KIND
OF WEIRDO THING TO DO.

66
00:02:55,909 --> 00:02:57,311
BUT SHE HAD
HER NAILS DONE,

67
00:02:57,345 --> 00:02:58,446
HAD MAKEUP ON.

68
00:02:58,479 --> 00:02:59,580
MAYBE SHE'D JUST BEEN
ON A DATE.

69
00:02:59,613 --> 00:03:00,981
WELL, THAT'S HOW
YOU MEET WEIRDOS.

70
00:03:01,014 --> 00:03:02,950
CHIEF...

71
00:03:02,983 --> 00:03:04,985
UH, BUZZ,
UH, IF YOU HAVE ALL THIS,

72
00:03:05,018 --> 00:03:06,920
WOULD YOU PLEASE DOCUMENT
THE BODY,

73
00:03:06,954 --> 00:03:08,856
ESPECIALLY THE LIPS?

74
00:03:08,889 --> 00:03:10,824
YES, CHIEF.
THANK YOU.

75
00:03:10,858 --> 00:03:13,694
WHERE'S THE GENTLEMAN
WHO CALLED THIS IN?
HE'S IN THE LIVING ROOM.

76
00:03:17,665 --> 00:03:19,467
UH, BACK HERE, PLEASE.

77
00:03:19,500 --> 00:03:22,703
CHIEF, YOU'RE SUPPOSED
TO BE PREPARING

78
00:03:22,736 --> 00:03:24,572
FOR YOUR FINAL INTERVIEW
WITH THE MAYOR.

79
00:03:24,605 --> 00:03:25,806
YEAH, I'LL NEED
TO RESCHEDULE THAT.

80
00:03:25,839 --> 00:03:27,975
NO, Y-Y-YOU CAN'T DO THAT.

81
00:03:28,008 --> 00:03:29,443
LOOK, CHIEF...

82
00:03:29,477 --> 00:03:30,844
I CAN HANDLE
THIS INVESTIGATION.

83
00:03:30,878 --> 00:03:33,013
YOU ONLY CAUGHT THIS MURDER

84
00:03:33,046 --> 00:03:35,015
'CAUSE HOLLYWOOD'S GOT
NO OVERTIME LEFT.

85
00:03:35,048 --> 00:03:37,918
TECHNICALLY...
THIS ISN'T EVEN A MAJOR CRIME.

86
00:03:39,052 --> 00:03:40,754
WHY DON'T YOU TELL
THE VICTIM'S PARENTS THAT?

87
00:03:40,788 --> 00:03:41,855
EXCUSE ME.

88
00:03:45,058 --> 00:03:47,361
UH, STUART,
THIS IS CHIEF JOHNSON.

89
00:03:47,395 --> 00:03:50,398
CHIEF, STUART DIRECTED
THE VICTIM IN A ONE-WOMAN SHOW.

90
00:03:50,431 --> 00:03:51,899
HE ALSO DISCOVERED
THE BODY.

91
00:03:51,932 --> 00:03:55,703
THIS IS LIKE SOME KIND
OF COSMIC MISTAKE.

92
00:03:55,736 --> 00:03:57,004
I MEAN,
HOW COULD THIS HAPPEN?

93
00:03:57,037 --> 00:03:59,039
WE'RE TRYING
TO FIGURE THAT OUT.

94
00:03:59,072 --> 00:04:00,808
NOW, I'M JUST GONNA ASK YOU
A FEW QUESTIONS

95
00:04:00,841 --> 00:04:03,043
AND THEN WE'RE GONNA GET YOU
A RIDE HOME, OKAY?

96
00:04:03,076 --> 00:04:05,346
JUDY WAS
YOUR...COLLEAGUE?

97
00:04:05,379 --> 00:04:07,348
COLLEAGUE?

98
00:04:07,381 --> 00:04:09,049
YES,
SHE WAS MY COLLEAGUE.

99
00:04:09,082 --> 00:04:10,384
BUT SHE WAS --

100
00:04:10,418 --> 00:04:13,287
WE WERE
VERY, VERY GOOD FRIENDS.

101
00:04:14,355 --> 00:04:15,723
OH, MY GOD.

102
00:04:15,756 --> 00:04:18,659
A-AND YOU DROPPED BY
THIS MORNING BECAUSE...

103
00:04:18,692 --> 00:04:21,061
JUDY NEVER MISSES
A TECH REHEARSAL.

104
00:04:21,094 --> 00:04:22,996
SO WHEN SHE DIDN'T SHOW UP
LAST NIGHT

105
00:04:23,030 --> 00:04:25,633
AND DIDN'T ANSWER HER PHONE
AND NEVER CALLED ME BACK,

106
00:04:25,666 --> 00:04:28,068
I KNEW SOMETHING WAS WRONG.
I KNEW IT.

107
00:04:28,101 --> 00:04:31,071
SO I DROVE OVER, AND I-I MADE
GIFFORD OPEN THE DOOR FOR ME.

108
00:04:31,104 --> 00:04:33,006
GIFFORD IS
THE BUILDING MANAGER.

109
00:04:33,040 --> 00:04:35,343
SO WAS THE DOOR LOCKED
WHEN YOU GOT HERE?

110
00:04:35,376 --> 00:04:36,910
YEAH.
DEAD BOLT AND BOTTOM.

111
00:04:36,944 --> 00:04:38,812
DID YOU NOTICE ANYONE VISITING
JUDY THE NIGHT BEFORE LAST,

112
00:04:38,846 --> 00:04:40,781
OR DID SHE GO OUT
WITH ANYONE?

113
00:04:40,814 --> 00:04:42,316
I DON'T KNOW, REALLY.

114
00:04:42,350 --> 00:04:43,684
THE TENANTS MOSTLY BUZZ UP
THEIR OWN GUESTS.

115
00:04:43,717 --> 00:04:46,019
IN A REFRESHING CHANGE
OF PACE,

116
00:04:46,053 --> 00:04:47,688
THEY HAVE
WORKING SURVEILLANCE CAMERAS

117
00:04:47,721 --> 00:04:48,889
AT EVERY ENTRANCE
AND EXIT.

118
00:04:48,922 --> 00:04:51,592
VIDEOS ARE HERE.
OKAY.

119
00:04:51,625 --> 00:04:54,928
OKAY, STUART, I JUST HAVE
A FEW MORE QUESTIONS.

120
00:04:54,962 --> 00:04:57,531
UM, SINCE YOU WERE
SO CLOSE TO JUDY,

121
00:04:57,565 --> 00:04:59,833
C-CAN YOU TELL ME IF SHE WAS
GOING OUT WITH ANYONE?

122
00:04:59,867 --> 00:05:01,802
THE WHOLE WORLD
COULD TELL YOU THAT.

123
00:05:01,835 --> 00:05:04,405
THAT'S WHAT HER LAST
VLOG POSTING WAS ABOUT.

124
00:05:04,438 --> 00:05:05,439
HER WHAT?

125
00:05:05,473 --> 00:05:06,840
WELL, YOU'RE POLICE PEOPLE,

126
00:05:06,874 --> 00:05:09,477
SO YOU PROBABLY HAVEN'T HEARD
ABOUT HER PLAY,

127
00:05:09,510 --> 00:05:10,711
"LAST WOMAN STANDING"?

128
00:05:10,744 --> 00:05:12,613
NOT BEFORE TODAY. NO.

129
00:05:12,646 --> 00:05:13,714
OKAY, WELL...

130
00:05:13,747 --> 00:05:15,616
IT WAS
ACTUALLY AN EXTENSION

131
00:05:15,649 --> 00:05:17,985
OF THIS REALLY POPULAR VLOG
SHE STARTED,

132
00:05:18,018 --> 00:05:20,921
THIS ONLINE VIDEO DIARY
SHE KEPT

133
00:05:20,954 --> 00:05:23,090
ON HER STRUGGLE
TO GET WORK AS AN ACTOR

134
00:05:23,123 --> 00:05:26,527
AND HOW ALL THE GIRLS
THAT SHE STARTED OUT WITH

135
00:05:26,560 --> 00:05:29,630
HAVE BASICALLY GIVEN UP
THEIR OWN ASPIRATIONS FOR MEN,

136
00:05:29,663 --> 00:05:31,999
WHICH LEFT JUDY
THE LAST WOMAN STANDING.

137
00:05:32,032 --> 00:05:34,602
THE PLAY
WAS A BIG SUCCESS.

138
00:05:34,635 --> 00:05:36,136
EXCEPT --
I DON'T KNOW --

139
00:05:36,169 --> 00:05:37,971
GUYS, THEY JUST COMPLETELY
STOPPED ASKING HER OUT,

140
00:05:38,005 --> 00:05:39,873
SO SHE JOINED
AN INTERNET DATING SITE.

141
00:05:39,907 --> 00:05:41,875
AND I --

142
00:05:41,909 --> 00:05:45,413
I SORT OF ENCOURAGED HER
TO DO IT.

143
00:05:45,446 --> 00:05:47,080
OH, GOD.

144
00:05:47,114 --> 00:05:51,084
C-CAN YOU TELL ME THE NAME
OF THIS DATING SITE?

145
00:05:51,118 --> 00:05:53,554
Judy:
LAGuysAndDolls.com.

146
00:05:53,587 --> 00:05:57,024
AND, YES, I CHOSE IT BECAUSE
I'M A MUSICAL-THEATER WHORE.

147
00:05:57,057 --> 00:05:58,459
PLUS, IT'S FREE.

148
00:05:59,527 --> 00:06:01,629
SO, I MADE UP A USER-NAME,

149
00:06:01,662 --> 00:06:03,731
SINCE GUYS
WON'T ASK ME OUT ANYMORE.

150
00:06:03,764 --> 00:06:05,399
HOWEVER...

151
00:06:05,433 --> 00:06:06,934
APPARENTLY,

152
00:06:06,967 --> 00:06:10,103
"LAST WOMAN STANDING"
MADE IT SEEM LIKE I HATED MEN.

153
00:06:10,137 --> 00:06:11,472
AND I DON'T.

154
00:06:12,640 --> 00:06:14,908
IN FACT...

155
00:06:14,942 --> 00:06:16,910
I ALREADY HAVE A DATE
WITH ONE.

156
00:06:18,679 --> 00:06:19,913
BUT NOT TO WORRY.

157
00:06:19,947 --> 00:06:22,450
I STILL WON'T
HAVE TO CHANGE MYSELF

158
00:06:22,483 --> 00:06:24,918
TO BECOME WHAT OTHERS EXPECT,

159
00:06:24,952 --> 00:06:26,787
BECAUSE THANKS TO
LAGuysAndDolls.com,

160
00:06:26,820 --> 00:06:29,523
I CAN CREATE
A COMPLETELY FAKE IDENTITY

161
00:06:29,557 --> 00:06:31,892
WHILE STILL KEEPING
THE ONE I HAVE.

162
00:06:31,925 --> 00:06:34,495
HEY, YOU GUYS
WANT TO SEE MY PROFILE?

163
00:06:34,528 --> 00:06:35,963
Tao: OKAY.

164
00:06:35,996 --> 00:06:38,198
JUDY POSTED THIS VIDEO BLOG
ENTRY TO HER SERVER

165
00:06:38,231 --> 00:06:41,735
TUESDAY EVENING, 7:05 P.M.

166
00:06:41,769 --> 00:06:43,203
OH, HE'S HERE.

167
00:06:45,005 --> 00:06:47,508
AND, NO, I AM NOT GONNA GIVE
YOU HIS REAL NAME.

168
00:06:47,541 --> 00:06:50,010
WELL, OF COURSE NOT.
WHY MAKE OUR JOB ANY EASIER?

169
00:06:50,043 --> 00:06:52,780
BUT ONLINE,
HE GOES BY "DREAMWEAVER."

170
00:06:52,813 --> 00:06:55,148
AND HE'S CUTE.

171
00:06:55,182 --> 00:06:59,086
PLUS, HE TOLD ME MY PICTURE
MADE ME LOOK LIKE TROUBLE.

172
00:06:59,119 --> 00:07:00,621
YEAH,
I'LL PASS IT ALONG.

173
00:07:00,654 --> 00:07:02,155
CHIEF, MORALES --

174
00:07:02,189 --> 00:07:03,791
HOLD ON ONE SECOND.

175
00:07:03,824 --> 00:07:04,925
SO --


YES?

176
00:07:04,958 --> 00:07:06,827
MORALES
CAN'T CONFIRM RAPE,

177
00:07:06,860 --> 00:07:09,530
BUT HE'S GOT A GOOD DNA SAMPLE
TO GO WITH ALL THE FINGERPRINTS

178
00:07:09,563 --> 00:07:11,198
WE GOT OFF THE BOTTLE
OF LUBRICANT.

179
00:07:11,231 --> 00:07:12,800
THANK YOU.

180
00:07:12,833 --> 00:07:15,569
HOW DO I LOOK?
FIRST DATE IN OVER TWO YEARS.

181
00:07:15,603 --> 00:07:17,237
Tao:
OKAY -- DREAMWEAVER.

182
00:07:17,270 --> 00:07:18,539
DREAMWEAVER.

183
00:07:18,572 --> 00:07:21,775
AND, DAD...DON'T WAIT UP.

184
00:07:22,943 --> 00:07:24,578
NO!

185
00:07:24,612 --> 00:07:26,714
WE NEED TO MEET HIM.

186
00:07:26,747 --> 00:07:28,081
YES, LIEUTENANT?

187
00:07:28,115 --> 00:07:29,950
I HAVE DREAMWEAVER'S PROFILE
FROM THE WEBSITE.

188
00:07:29,983 --> 00:07:31,218
NO PHOTO AND NO PASSWORDS

189
00:07:31,251 --> 00:07:33,053
TO EITHER HIS
OR JUDY'S ACCOUNT.

190
00:07:33,086 --> 00:07:36,590
"I LIKE DINNER AND A MOVIE.
HOW ABOUT YOU?

191
00:07:36,624 --> 00:07:38,692
"I WORK WITH MY HEAD,
TRAIN WITH MY BODY,

192
00:07:38,726 --> 00:07:41,028
"LIVE WITH MY HEART.

193
00:07:41,061 --> 00:07:43,230
LOOKING TO GET MY SMILE BACK.
NO DRUGS, PLEASE."

194
00:07:43,263 --> 00:07:46,266
SHE'D STILL WANT A
PICTURE BEFORE GOING
OUT WITH HIM, CHIEF.

195
00:07:46,299 --> 00:07:49,136
YEAH, JUDY SAID HE WAS CUTE,
SO HE MUST'VE SENT HER ONE.

196
00:07:49,169 --> 00:07:52,272
THERE'S NO PHOTO IN HER E-MAIL.
NOTHING ABOUT A DATE.

197
00:07:52,305 --> 00:07:54,875
THAT'S NOT HOW IT'S DONE, TAO.

198
00:07:55,909 --> 00:07:58,278
WHAT? I'VE TRIED IT.

199
00:07:59,580 --> 00:08:01,081
THE ONLY WAY
TO EXCHANGE INFO

200
00:08:01,114 --> 00:08:03,016
IS THROUGH YOUR ACCOUNT
ON THE WEBSITE.

201
00:08:04,284 --> 00:08:07,755
NOTHING ELSE ON HER COMPUTER
ABOUT DATING,

202
00:08:07,788 --> 00:08:09,156
JUST LETTERS HOME,

203
00:08:09,189 --> 00:08:10,624
LETTERS TO AGENTS.

204
00:08:10,658 --> 00:08:12,626
SHE COMMUNICATED
WITH HER CABLE PROVIDER.

205
00:08:12,660 --> 00:08:14,161
LOTS OF PROBLEMS --

206
00:08:14,194 --> 00:08:17,030
TRYING TO FIGURE OUT WHEN EITHER
SHE OR HER BUILDING MANAGER

207
00:08:17,064 --> 00:08:18,098
COULD LET THEM IN.

208
00:08:18,131 --> 00:08:19,700
LOTS OF APPOINTMENTS.

209
00:08:19,733 --> 00:08:21,635
Provenza: YEAH, WELL,
DAMN CABLE COMPANIES.

210
00:08:21,669 --> 00:08:23,771
THEY SAY THEY'RE GONNA BE THERE
BETWEEN 8:00 AND 6:00.

211
00:08:23,804 --> 00:08:24,905
THEY SHOW UP AT 7:00.

212
00:08:24,938 --> 00:08:26,640
[ CHUCKLES,
CLEARS THROAT ]

213
00:08:26,674 --> 00:08:28,075
YOU KNOW,
SHE LIVED IN AN OLDER BUILDING.

214
00:08:28,108 --> 00:08:30,911
MAYBE SHE HAD A HARD TIME
FINDING THAT SWEET SPOT

215
00:08:30,944 --> 00:08:33,914
WHERE TELEVISION, COMPUTERS,
PHONE, ROUTERS, ALL --

216
00:08:33,947 --> 00:08:35,883
UH, EXCUSE ME, LIEUTENANT.

217
00:08:35,916 --> 00:08:37,150
UM, JUDY
AND THIS DREAMWEAVER

218
00:08:37,184 --> 00:08:39,052
MAY HAVE EXCHANGED
PHONE NUMBERS,

219
00:08:39,086 --> 00:08:41,589
SO, UH, LET'S DUMP HER PHONES
AND SEE WHO SHE WAS TALKING TO.

220
00:08:41,622 --> 00:08:44,592
OKAY. AND LET'S SERVE
THIS DATING SITE WITH
A WARRANT, PLEASE.

221
00:08:44,625 --> 00:08:46,660
I WANT TO MEET
MR. DREAMWEAVER MYSELF,

222
00:08:46,694 --> 00:08:48,662
AND I WANT HIS ACCOUNT
INFORMATION IN FULL.

223
00:08:48,696 --> 00:08:49,663
ALREADY ON HOLD
WITH THE JUDGE.

224
00:08:49,697 --> 00:08:50,664
Gabriel: CHIEF?

225
00:08:50,698 --> 00:08:52,265
WE'RE READY.

226
00:08:52,299 --> 00:08:54,334
Flynn: SO, WE HAVE FOOTAGE
FROM ALL THE SECURITY CAMERAS

227
00:08:54,367 --> 00:08:56,069
FROM THE VICTIM'S BUILDING.

228
00:08:56,103 --> 00:08:58,806
OKAY, NOW,
THE CAMERA OVER THE FRONT DOOR

229
00:08:58,839 --> 00:09:00,841
PANS THE WHOLE AREA
AT ABOUT A, WHAT,

230
00:09:00,874 --> 00:09:03,343
135

231
00:09:03,376 --> 00:09:06,213
UH, WELL, THE CAMERA GOES BACK
AND FORTH ALL THE TIME, YEAH.

232
00:09:06,246 --> 00:09:09,683
Flynn: BETWEEN 6:00
AND 7:00 P.M., GIFFORD HERE SAYS

233
00:09:09,717 --> 00:09:11,018
THAT ALL THE PEOPLE WE SEE

234
00:09:11,051 --> 00:09:11,885
GOING IN AND OUT OF THE BUILDING
ARE TENANTS.

235
00:09:11,919 --> 00:09:13,821
UNTIL 7:02,

236
00:09:13,854 --> 00:09:15,689
WHEN THIS CAMARO PULLS UP

237
00:09:15,723 --> 00:09:19,226
AND THE GUY WITH THE SPORTS COAT
HERE GETS OUT.

238
00:09:19,259 --> 00:09:20,794
NEVER GET A LOOK
AT HIS FACE.

239
00:09:20,828 --> 00:09:23,330
THAT'S 'CAUSE
HE'S TEXTING THE WHOLE TIME.

240
00:09:23,363 --> 00:09:25,966
DO YOU KNOW THIS MAN,
GIFFORD?
I DON'T THINK SO.

241
00:09:25,999 --> 00:09:28,101
WELL, HOW DO YOU KNOW HE'S NOT
A TENANT FROM THE BUILDING?

242
00:09:29,236 --> 00:09:30,938
THAT'S A 1970 Z28 CAMARO.

243
00:09:30,971 --> 00:09:33,707
NO ONE IN OUR BUILDING
HAS A RIDE LIKE THAT.

244
00:09:33,741 --> 00:09:34,975
OKAY, NOW, JUDY,
ON THE OTHER HAND,

245
00:09:35,008 --> 00:09:36,243
DRIVES
A SILVER NISSAN ALTIMA.

246
00:09:36,276 --> 00:09:38,311
WHICH WE HAVE
ON THE SECURITY CAMERA

247
00:09:38,345 --> 00:09:40,681
OVER THE EXIT TO THE GARAGE.

248
00:09:42,015 --> 00:09:43,851
Flynn: NOW, THAT'S THE VICTIM
BEHIND THE WHEEL.

249
00:09:43,884 --> 00:09:46,720
CHECK OUT
THE PASSENGER'S COAT.

250
00:09:48,756 --> 00:09:50,390
DREAMWEAVER.

251
00:09:50,423 --> 00:09:51,892
THEY LEAVE...

252
00:09:51,925 --> 00:09:54,394
TIME PASSES...

253
00:09:54,427 --> 00:09:58,231
DINNER AND A MOVIE.
WHY DIDN'T THEY TAKE HIS CAR?

254
00:09:58,265 --> 00:10:00,000
HE HAD
A GREAT PARKING SPOT,

255
00:10:00,033 --> 00:10:02,335
AND -- I DON'T KNOW --
MAYBE JUDY WANTED HIM

256
00:10:02,369 --> 00:10:04,371
TO COME UP TO HER PLACE
AFTERWARDS.

257
00:10:04,404 --> 00:10:06,073
RIGHT.
LOVE AT FIRST SIGHT.

258
00:10:06,106 --> 00:10:09,142
JUDY'S CAR COMES BACK
AT 11:03 P.M.

259
00:10:09,176 --> 00:10:11,745
TOO DARK TO SEE ANYONE.

260
00:10:11,779 --> 00:10:13,280
Buzz:
MORE TIME PASSES...

261
00:10:13,313 --> 00:10:15,649
WHEN, YOU KNOW...

262
00:10:15,683 --> 00:10:17,718
HE HAS SEX WITH THE GIRL
AND THEN KILLS HER.

263
00:10:17,751 --> 00:10:19,286
AT LEAST
I HOPE THAT'S THE ORDER.

264
00:10:19,319 --> 00:10:22,756
AND THEN HERE HE COMES AGAIN
AT THE FRONT DOOR.

265
00:10:22,790 --> 00:10:24,858
NOW, WE STILL DON'T SEE
HIS FACE, BUT LOOK HERE.

266
00:10:24,892 --> 00:10:26,059
HE STOPS.

267
00:10:26,093 --> 00:10:27,427
'CAUSE WHEN THE CAMERA
PANS BACK,

268
00:10:27,460 --> 00:10:28,729
HE'S STILL THERE.

269
00:10:28,762 --> 00:10:30,898
WHY DID HE STAND THERE
FOR SO LONG?

270
00:10:30,931 --> 00:10:33,433
NO IDEA, CHIEF.

271
00:10:35,202 --> 00:10:37,270
HEY. I'VE BEEN LOOKING FOR YOU.
CAN WE TALK FOR A SECOND?

272
00:10:37,304 --> 00:10:40,040
SURE.

273
00:10:42,309 --> 00:10:43,944
WHAT IS THE DEAL HERE?

274
00:10:43,977 --> 00:10:46,213
THE MAYOR'S EXPECTING
TO INTERVIEW YOU TOMORROW

275
00:10:46,246 --> 00:10:47,815
TO BE CHIEF,

276
00:10:47,848 --> 00:10:49,349
AND NOW YOU WANT TO CANCEL
THAT APPOINTMENT?

277
00:10:49,382 --> 00:10:51,118
LOOK, I-I PICKED UP A MURDER
THIS MORNING,

278
00:10:51,151 --> 00:10:52,786
AND I JUST DON'T THINK
THAT NOW --
COME ON.

279
00:10:52,820 --> 00:10:54,154
YOU'VE ALMOST CAUGHT THE GUY
ALREADY.

280
00:10:54,187 --> 00:10:55,155
TAYLOR CAN TAKE IT FROM HERE.
NO PROBLEM.

281
00:10:56,757 --> 00:10:57,791
COME ON.

282
00:11:03,096 --> 00:11:04,431
WHAT IS GOING ON?

283
00:11:04,464 --> 00:11:08,235
I'VE THOUGHT ABOUT IT, WILL,
AND HONESTLY, I...

284
00:11:08,268 --> 00:11:10,838
I JUST -- I DON'T WANT TO BE
CHIEF OF POLICE.

285
00:11:20,480 --> 00:11:22,282
THANK YOU.

286
00:11:22,315 --> 00:11:23,717
CAPTAIN.

287
00:11:23,751 --> 00:11:25,218
CHIEF,
THANKS FOR MAKING THE TIME.

288
00:11:25,252 --> 00:11:28,188
WELL, I HOPE
WE'RE NOT WASTING IT.

289
00:11:28,221 --> 00:11:30,057
I THINK IT MIGHT BE
CAPTAIN RAYDOR WHO'S
BEEN WASTING HER TIME,

290
00:11:30,090 --> 00:11:31,792
SINCE SHE'S SPENT HOURS
WAITING FOR YOU

291
00:11:31,825 --> 00:11:33,460
AND DAYS FIGURING OUT HOW TO
PREPARE YOU

292
00:11:33,493 --> 00:11:35,362
FOR WHAT MAY BE
A ONCE-IN-A-LIFETIME OPPORTUNITY

293
00:11:35,395 --> 00:11:37,798
TO BE THE NEXT CHIEF.

294
00:11:37,831 --> 00:11:39,967
SO, WHEN YOU SAY YOU'RE
NOT INTERESTED IN THE JOB,

295
00:11:40,000 --> 00:11:41,434
IT'S --
IT'S VERY DISAPPOINTING.

296
00:11:41,468 --> 00:11:43,236
DIDN'T YOU TELL ME YOURSELF

297
00:11:43,270 --> 00:11:46,073
THAT I HAD NO REAL CHANCE
AT BEING CHIEF?

298
00:11:46,106 --> 00:11:48,375
THAT YOU WERE ONLY PERMITTING ME
TO SUBMIT AN AP--

299
00:11:48,408 --> 00:11:50,243
EXCUSE ME
NO, THAT'S -- THAT'S --

300
00:11:50,277 --> 00:11:51,812
THAT'S NOT WHAT I SAID.
I DID NOT SAY THAT.

301
00:11:51,845 --> 00:11:53,413
YES, YOU DID.

302
00:11:53,446 --> 00:11:55,983
YOU PERMITTED ME TO APPLY
AS A SORT OF STALKING HORSE --

303
00:11:56,016 --> 00:11:57,484
YOU DID NOT.

304
00:11:57,517 --> 00:12:00,353
I DID NOT
GIVE HER PERMISSION.

305
00:12:01,421 --> 00:12:02,856
OKAY,
I THINK WE CAN ALL AGREE

306
00:12:02,890 --> 00:12:04,091
THAT THERE WERE
SOME SERIOUS FLAWS

307
00:12:04,124 --> 00:12:07,194
IN MY APPROACH
TO CAMPAIGN TO BE CHIEF.

308
00:12:07,227 --> 00:12:09,096
FOR ONE THING,
I'M NO LONGER IN THE RUNNING.

309
00:12:09,129 --> 00:12:10,530
BUT IT IS NOW
IN MY BEST INTEREST --

310
00:12:10,563 --> 00:12:12,866
IN ALL OF OUR
BEST INTEREST --

311
00:12:12,900 --> 00:12:14,401
THAT THE MAYOR APPOINT YOU
AS OUR NEXT BOSS.

312
00:12:14,434 --> 00:12:16,369
AND IF YOU
JUST QUIT NOW...

313
00:12:16,403 --> 00:12:18,405
PEOPLE WILL THINK
YOU'RE HIDING SOMETHING.

314
00:12:18,438 --> 00:12:20,173
OR WORSE,
YOU'LL SEEM LIKE A FLAKE

315
00:12:20,207 --> 00:12:21,875
OR LIKE YOU BROKE
UNDER PRESSURE.

316
00:12:21,909 --> 00:12:24,377
WHATEVER YOU DO, YOU CAN'T
JUST CANCEL THIS INTERVIEW,

317
00:12:24,411 --> 00:12:25,946
AND YOU CAN'T RESCHEDULE.

318
00:12:25,979 --> 00:12:27,948
BECAUSE WHEN THE MAYOR CALLS
FOR A MEETING

319
00:12:27,981 --> 00:12:29,282
WITH HIS CHIEF OF POLICE,

320
00:12:29,316 --> 00:12:31,084
HE EXPECTS HIM -- OR HER --
TO SHOW UP.

321
00:12:31,118 --> 00:12:33,020
WELL, WHEN PEOPLE ARE SMOTHERED
TO DEATH IN THEIR HOMES,

322
00:12:33,053 --> 00:12:34,454
THEY EXPECT ME
TO SHOW UP, TOO.

323
00:12:34,487 --> 00:12:37,157
OKAY, I DON'T KNOW WHAT
IT WAS LIKE IN ATLANTA, HONEY,

324
00:12:37,190 --> 00:12:40,293
BUT WHEN YOU APPLY FOR
CHIEF OF POLICE IN LOS ANGELES

325
00:12:40,327 --> 00:12:43,530
AND YOU DON'T GET THE JOB,
THERE ARE BIG CONSEQUENCES.

326
00:12:43,563 --> 00:12:44,898
YEAH, FIRST, I GET FIRED.

327
00:12:44,932 --> 00:12:46,233
YOU DON'T KNOW THAT.

328
00:12:46,266 --> 00:12:49,336
AND THEN,
EVERY SUCCESS HE'S HAD,

329
00:12:49,369 --> 00:12:51,839
LIKE, UH, MAJOR CRIMES,
FOR INSTANCE,

330
00:12:51,872 --> 00:12:54,174
WELL, THAT GETS
COMPLETELY DISMANTLED.

331
00:12:54,207 --> 00:12:56,109
CHIEF...

332
00:12:56,143 --> 00:12:58,578
IF YOU DON'T AT LEAST ATTEND
THIS FINAL INTERVIEW,

333
00:12:58,611 --> 00:13:02,582
THE WOMEN OF THE L.A.P.D.
WILL BE COMPLETELY DEMORALIZED,

334
00:13:02,615 --> 00:13:05,318
AND MANY OF THEM
WILL NEVER FORGIVE YOU.

335
00:13:05,352 --> 00:13:06,486
EVER.

336
00:13:09,089 --> 00:13:12,325
WELL, CAN I JUST SKIP
THE WHOLE PREP PART?

337
00:13:12,359 --> 00:13:14,895
I'LL JUST GO IN THERE
AND BE MYSELF.

338
00:13:14,928 --> 00:13:17,464
THAT IS A TERRIBLE IDEA.

339
00:13:19,066 --> 00:13:20,600
COME IN.

340
00:13:20,633 --> 00:13:22,069
EXCUSE ME.

341
00:13:22,102 --> 00:13:23,270
UH, CHIEF,
WE DON'T HAVE AN ADDRESS,

342
00:13:23,303 --> 00:13:25,272
A WORK HISTORY,
OR A SOCIAL YET,

343
00:13:25,305 --> 00:13:27,975
BUT THE WARRANT
ON THE DATING SITE

344
00:13:28,008 --> 00:13:30,210
GOT US A NAME
AND A PICTURE.

345
00:13:30,243 --> 00:13:31,544
MEET MARC TORRES,

346
00:13:31,578 --> 00:13:34,281
A.K.A. DREAMWEAVER.

347
00:13:34,314 --> 00:13:36,316
HAVE A GOOD IDEA
WHERE TO FIND HIM.
WHERE?
WHERE?

348
00:13:37,284 --> 00:13:38,618
HE'S GOT ANOTHER DATE.

349
00:13:38,651 --> 00:13:41,088
THIS AFTERNOON.

350
00:13:44,391 --> 00:13:46,226
WELL, WE CAN'T ARREST HIM

351
00:13:46,259 --> 00:13:49,196
UNLESS WE MATCH HIS DNA
TO WHAT WAS FOUND IN THE VICTIM.

352
00:13:49,229 --> 00:13:50,898
SO LET'S KEEP HIM
UNDER TIGHT SURVEILLANCE

353
00:13:50,931 --> 00:13:52,432
OVER THE NEXT TWO DAYS
AND TRY AND GET --

354
00:13:55,035 --> 00:13:56,336
FOR HEAVEN'S SAKE, COMMANDER,

355
00:13:56,369 --> 00:13:58,105
Y-YOU KNOW HOW TO HANDLE THIS,
DON'T YOU?

356
00:13:58,138 --> 00:14:00,840
YES. THANK YOU.

357
00:14:02,142 --> 00:14:03,243
UH...

358
00:14:03,276 --> 00:14:06,246
LET'S GO, DETECTIVE.
COME ON.

359
00:14:06,279 --> 00:14:07,514
OKAY. UH, SURE.

360
00:14:07,547 --> 00:14:09,082
THANK YOU.

361
00:14:27,300 --> 00:14:29,002
HEY, GUYS.

362
00:14:29,036 --> 00:14:30,971
HEY, GUY, TORRES IS HERE.

363
00:14:31,004 --> 00:14:32,672
I GOT THE PLATE ON HIS CAMARO.
YOU READY?

364
00:14:32,705 --> 00:14:37,544
THAT'S 3, HENRY, X-RAY,
LINCOLN, 8, 0, 7.

365
00:14:37,577 --> 00:14:39,046
DID YOU GET THAT?

366
00:14:39,079 --> 00:14:42,182
I LOST MY WEB CONNECTION.
I LOST SANCHEZ.

367
00:14:45,718 --> 00:14:48,688
HERE. YOU CAN HOOK UP TO
THE INTERNET WITH MY OVERDRIVE.

368
00:14:48,721 --> 00:14:50,357
PASSWORD'S THERE.
HMM.

369
00:14:51,691 --> 00:14:52,692
COOL.

370
00:14:58,065 --> 00:14:59,432
FLYNN: Okay, Taylor,

371
00:14:59,466 --> 00:15:02,035
THE DIRTBAG IS GOING
INTO THE COFFEE SHOP NOW.

372
00:15:02,069 --> 00:15:04,404
CAN WE GET
TO HIS VEHICLE?

373
00:15:07,674 --> 00:15:11,444
JULIO SAYS
TORRES WILL HAVE HIS BACK TO US.

374
00:15:11,478 --> 00:15:14,447
DID YOU READ WHAT HE WROTE
TO THE NEW GIRL HE'S MEETING?

375
00:15:14,481 --> 00:15:15,682
"GREAT PICTURE.

376
00:15:15,715 --> 00:15:17,450
"I'VE READ YOUR PROFILE,

377
00:15:17,484 --> 00:15:20,020
BUT, TO BE COMPLETELY HONEST,
YOU LOOK LIKE TROUBLE."

378
00:15:20,053 --> 00:15:22,255
THAT'S THE EXACT SAME THING
HE SAID TO JUDY.

379
00:15:22,289 --> 00:15:23,456
WELL, IT WORKED.

380
00:15:23,490 --> 00:15:26,559
THIS GUY MADE OVER 11 DATES
ON THIS SITE

381
00:15:26,593 --> 00:15:28,061
USING THE SAME LINE.

382
00:15:28,095 --> 00:15:29,396
TAYLOR?

383
00:15:29,429 --> 00:15:30,730
TAYLOR: We're checking
on all those girls

384
00:15:30,763 --> 00:15:31,731
to make sure they're okay.

385
00:15:31,764 --> 00:15:33,333
Listen up.

386
00:15:33,366 --> 00:15:36,203
I JUST GOT MARC TORRES' ADDRESS
FROM DMV.

387
00:15:36,236 --> 00:15:39,272
IF WE'RE GOING TO GET
A SEARCH WARRANT FOR HIS HOME,

388
00:15:39,306 --> 00:15:41,074
NOW LOOKS LIKE A PERFECT TIME.

389
00:15:41,108 --> 00:15:44,211
WHAT MAKES TOMORROW BETTER
THAN ANY OTHER DAY?

390
00:15:44,244 --> 00:15:46,346
BECAUSE THE MAYOR'S
JUST FINISHED INTERVIEWING

391
00:15:46,379 --> 00:15:48,448
THE OTHER FOUR APPLICANTS
FOR CHIEF OF POLICE.

392
00:15:48,481 --> 00:15:49,749
AND YOU'RE THE ONLY WOMAN,

393
00:15:49,782 --> 00:15:51,985
SO YOU'LL MAKE
FOR A VIVID CONTRAST.

394
00:15:52,019 --> 00:15:55,322
I THINK
THAT WE SHOULD CAPITALIZE

395
00:15:55,355 --> 00:15:57,724
ON YOUR
FEMININE STRENGTHS.

396
00:15:57,757 --> 00:15:59,226
WHICH ARE?

397
00:15:59,259 --> 00:16:01,995
UH, DON'T TAKE THIS
THE WRONG WAY, CHIEF.

398
00:16:02,029 --> 00:16:03,763
BECAUSE
I HAVE ALWAYS ADMIRED

399
00:16:03,796 --> 00:16:06,633
WITH HOW LITTLE YOU CARE
ABOUT CURRENT FASHION.

400
00:16:06,666 --> 00:16:08,368
AND THE -- THE PURSE.

401
00:16:08,401 --> 00:16:09,502
THAT...

402
00:16:09,536 --> 00:16:10,670
THAT PURSE.

403
00:16:10,703 --> 00:16:12,372
COME ON.
THAT -- THE -- THE PURSE.

404
00:16:14,541 --> 00:16:17,744
THIS PURSE HELPS PEOPLE
UNDERESTIMATE YOU,

405
00:16:17,777 --> 00:16:20,113
WHICH I THINK,
YOU KNOW, IS A GOOD THING

406
00:16:20,147 --> 00:16:21,648
WHEN IT COMES
TO CRIMINALS.

407
00:16:21,681 --> 00:16:24,084
BUT THE MAYOR -- HE'S SOMEBODY
YOU REALLY WANT TO IMPRESS,

408
00:16:24,117 --> 00:16:25,552
SO I WAS WONDERING
IF WE COULD --

409
00:16:25,585 --> 00:16:27,620
YOU KNOW, CAPTAIN,
I HAVE A LOT OF NICE CLOTHES.

410
00:16:27,654 --> 00:16:29,322
I JUST DON'T LIKE
TO OVERDRESS AT WORK.

411
00:16:29,356 --> 00:16:31,391
ABSOLUTELY.

412
00:16:31,424 --> 00:16:33,026
AND YOU KNOW WHAT?

413
00:16:33,060 --> 00:16:34,361
THERE'S NO ONE THAT WOULD EVER
ACCUSE YOU OF THAT.

414
00:16:34,394 --> 00:16:37,464
BUT WE WANT THE MAYOR'S
FIRST IMPRESSION OF YOU

415
00:16:37,497 --> 00:16:41,668
TO BE AS A WOMAN CAPABLE
OF HANDLING A LOT OF POWER,

416
00:16:41,701 --> 00:16:44,537
TO LOOK AT YOU
AND THINK SOMETHING LIKE...

417
00:16:46,539 --> 00:16:47,740
WOW.

418
00:16:47,774 --> 00:16:49,409
YOU LOOK GREAT.

419
00:16:49,442 --> 00:16:50,610
YOU TOO.
YOU TOO.

420
00:16:50,643 --> 00:16:52,079
IT'S ALWAYS A RELIEF

421
00:16:52,112 --> 00:16:54,647
WHEN PEOPLE RESEMBLE
THEIR PICTURES A LITTLE.

422
00:16:54,681 --> 00:16:56,416
WELL, YOU LOOK EVEN BETTER
THAN YOURS.

423
00:17:02,389 --> 00:17:03,823
YOU KNOW,
I HAD A SPEECH READY,

424
00:17:03,856 --> 00:17:04,691
JUST IN CASE YOUR FIRST
INCLINATION WAS TO RUN.

425
00:17:04,724 --> 00:17:06,393
WHICH WAS?

426
00:17:06,426 --> 00:17:09,229
I KNOW THAT I'M MAYBE
NOT WHAT YOU HAD IN MIND...

427
00:17:09,262 --> 00:17:11,364
YOU MEAN
BECAUSE I'M A WOMAN.

428
00:17:11,398 --> 00:17:13,100
NO. NO, NO.

429
00:17:13,133 --> 00:17:16,203
BECAUSE MOST CANDIDATES
FOR CHIEF OF POLICE

430
00:17:16,236 --> 00:17:18,138
RUN POPULARITY CONTESTS,

431
00:17:18,171 --> 00:17:20,140
AND YOU'RE NOT
ESPECIALLY POLITICAL,

432
00:17:20,173 --> 00:17:21,708
WELL-LIKED,
OR EVEN FRIENDLY.

433
00:17:21,741 --> 00:17:24,644
I'M NOT INTERESTED
IN POLITICS AT ALL.

434
00:17:24,677 --> 00:17:26,113
EXACTLY.

435
00:17:26,146 --> 00:17:27,814
AND THEREFORE,
YOU WON'T BLAME THE MAYOR

436
00:17:27,847 --> 00:17:29,449
FOR THE L.A.P.D.'s
BUDGETARY CRISIS

437
00:17:29,482 --> 00:17:31,318
OR PUBLICLY DEMAND
THAT HE FIX IT.

438
00:17:31,351 --> 00:17:32,819
CHIEF...

439
00:17:34,587 --> 00:17:35,588
OKAY.

440
00:17:35,622 --> 00:17:37,157
THERE IS A REASON

441
00:17:37,190 --> 00:17:39,292
THAT THIS IS A SHORT MEETING
IN THE AFTERNOON,

442
00:17:39,326 --> 00:17:41,428
BECAUSE ALL THE MAYOR
REALLY WANTS TO KNOW IS

443
00:17:41,461 --> 00:17:44,331
HOW THE TWO OF YOU
WILL GET ALONG.

444
00:17:44,364 --> 00:17:45,632
I HOPE YOU DON'T MIND

445
00:17:45,665 --> 00:17:48,468
THIS LITTLE -- I DON'T KNOW --
SPEED DATE.

446
00:17:48,501 --> 00:17:50,670
OH, NO. I GET IT.
TOTALLY.

447
00:17:50,703 --> 00:17:52,305
THINK OF IT AS A...

448
00:17:52,339 --> 00:17:53,740
CHEMISTRY TEST.

449
00:18:07,920 --> 00:18:10,890
AND THERE WAS THIS ONE THING
I WANTED TO KNOW ABOUT.

450
00:18:10,923 --> 00:18:12,259
WHAT THING?

451
00:18:12,292 --> 00:18:14,761
"HONESTLY,
YOU LOOK LIKE TROUBLE"?

452
00:18:14,794 --> 00:18:17,464
WHAT DID YOU MEAN BY THAT?

453
00:18:18,765 --> 00:18:19,832
LOOK...

454
00:18:19,866 --> 00:18:21,401
I GOT DUMPED
ABOUT A YEAR AGO.

455
00:18:23,370 --> 00:18:26,306
AND I WASN'T SURE
THAT I WAS, YOU KNOW,

456
00:18:26,339 --> 00:18:28,908
READY TO PUT MYSELF
BACK OUT THERE.

457
00:18:28,941 --> 00:18:32,312
BUT THEN I SAW YOUR PROFILE
AND YOUR PICTURE.

458
00:18:32,345 --> 00:18:34,647
I DON'T KNOW.
MY HEART MOVED A LITTLE.

459
00:18:34,681 --> 00:18:36,683
NO WAY THIS RAP WORKS.

460
00:18:36,716 --> 00:18:38,218
YEAH.

461
00:18:38,251 --> 00:18:41,688
IF IT DOES,
I'LL BE USING IT WORD FOR WORD.

462
00:18:41,721 --> 00:18:43,723
MAYBE IT'S JUST ME, BUT...

463
00:18:43,756 --> 00:18:45,392
THAT SOUNDED
A LITTLE REHEARSED.

464
00:18:45,425 --> 00:18:47,260
YOU TELL HIM, JENNY.

465
00:18:47,294 --> 00:18:49,496
WOW.
YOU'RE A LITTLE CYNICAL.

466
00:18:49,529 --> 00:18:51,198
NO.

467
00:18:51,231 --> 00:18:52,632
I'M A LOT CAUTIOUS.

468
00:18:59,839 --> 00:19:03,810
SO, I STUCK THE TRACKING DEVICE
UNDERNEATH THE FRONT FENDER.

469
00:19:03,843 --> 00:19:08,681
SO NOW, LET'S SEE WHAT WE HAVE
IN THE WAY OF...

470
00:19:08,715 --> 00:19:12,285
FINGERPRINTS, MR. TORRES.

471
00:19:12,319 --> 00:19:14,821
I HAVE TO GET BACK
TO WORK.

472
00:19:14,854 --> 00:19:15,955
YEAH.

473
00:19:15,988 --> 00:19:18,425
UM...

474
00:19:18,458 --> 00:19:20,360
SO...

475
00:19:20,393 --> 00:19:21,494
MOVIES NEXT WEEK OR...?

476
00:19:21,528 --> 00:19:22,595
MAYBE.

477
00:19:23,730 --> 00:19:24,697
ALL RIGHT.

478
00:19:24,731 --> 00:19:26,165
BYE.

479
00:20:05,905 --> 00:20:07,974
ALL RIGHT, BUZZ.
LET'S GO.

480
00:20:21,588 --> 00:20:23,490
LITTLE UPDATE, CHIEF?
Brenda: RIGHT.

481
00:20:23,523 --> 00:20:24,791
PARDON ME.

482
00:20:24,824 --> 00:20:26,493
WE GOT OUR DNA SAMPLE
FROM TORRES,

483
00:20:26,526 --> 00:20:27,960
AND IT'S OFF TO THE LAB.

484
00:20:27,994 --> 00:20:31,698
WE ALSO MATCHED FINGERPRINTS
OFF HIS CAR

485
00:20:31,731 --> 00:20:33,466
TO THOSE
IN THE VICTIM'S APARTMENT.

486
00:20:33,500 --> 00:20:37,737
NOW, TAO THINKS HE MIGHT'VE
PAUSED OUTSIDE JUDY'S BUILDING

487
00:20:37,770 --> 00:20:40,573
BECAUSE SOMEONE KEYED HIS CAR
WHILE HE WAS INSIDE.

488
00:20:40,607 --> 00:20:41,674
WE DON'T KNOW.

489
00:20:41,708 --> 00:20:42,842
LOOK,
WE HAVE A PROBLEM.

490
00:20:42,875 --> 00:20:44,677
WHAT'S THAT?

491
00:20:46,513 --> 00:20:48,715
MARC TORRES
IS ON ANOTHER DATE.

492
00:20:48,748 --> 00:20:50,817
WHAT?!

493
00:20:50,850 --> 00:20:52,852
THE YOUNG LADY WAS WAITING
FOR HIM ON A CORNER IN
LARCHMONT VILLAGE.

494
00:20:52,885 --> 00:20:54,687
WE DON'T KNOW WHO SHE IS
OR WHERE SHE CAME FROM.

495
00:20:54,721 --> 00:20:56,589
WHAT WE DO KNOW IS

496
00:20:56,623 --> 00:20:57,957
THAT HE TOOK HER
TO DINNER AND A MOVIE.

497
00:20:57,990 --> 00:20:59,526
JUST LIKE JUDY.
AND NOW?

498
00:20:59,559 --> 00:21:00,893
NOW HE'S JUST PARKED

499
00:21:00,927 --> 00:21:03,663
BENEATH AN APARTMENT BUILDING
ON MELROSE.

500
00:21:03,696 --> 00:21:06,333
BUT, UH...
IT'S NOT HIS HOME ADDRESS.

501
00:21:06,366 --> 00:21:08,000
CHIEF, YOU ALREADY --
ONE SECOND.
ONE SECOND.

502
00:21:08,034 --> 00:21:09,736
COMMANDER,
UNDER NO CIRCUMSTANCES

503
00:21:09,769 --> 00:21:11,371
IS MARC TORRES
TO BE LEFT ALONE

504
00:21:11,404 --> 00:21:13,005
WITH ANOTHER WOMAN
IN HER APARTMENT.

505
00:21:13,039 --> 00:21:15,608
GOT IT.
THANK YOU.

506
00:21:15,642 --> 00:21:17,610
SPOT 42.
42!

507
00:21:17,644 --> 00:21:18,745
WHOSE SPOT IS THAT?!

508
00:21:18,778 --> 00:21:20,079
UH, APARTMENT 207.

509
00:21:20,112 --> 00:21:22,582
ALL RIGHT, TAKE US THERE!
COME ON, TAKE US!

510
00:21:26,353 --> 00:21:27,454
LET'S GO!

511
00:21:28,655 --> 00:21:30,723
COME ON!

512
00:21:31,391 --> 00:21:32,759
WHOA! WHOA!

513
00:21:32,792 --> 00:21:34,026
WHAT THE HELL?!

514
00:21:34,060 --> 00:21:35,562
Woman:
WHAT ARE YOU DOING?!

515
00:21:37,096 --> 00:21:39,332
L.A.P.D., MR. TORRES!

516
00:21:39,366 --> 00:21:40,767
NOW, YOU STOP MOVING!

517
00:21:40,800 --> 00:21:43,703
WHAT DID I DO?
OW! WHAT DID I DO?

518
00:21:43,736 --> 00:21:45,905
WHAT ARE YOU DOING?!
WE'RE SAVING YOUR LIFE!

519
00:21:45,938 --> 00:21:47,073
FROM MY FIANCé?!

520
00:21:49,409 --> 00:21:50,643
FIANCé?

521
00:21:50,677 --> 00:21:52,912
WHY ARE YOU TREATING MARC
LIKE THIS?

522
00:21:56,082 --> 00:21:59,018
TO BE COMPLETELY HONEST
WITH YOU, MA'AM,

523
00:21:59,051 --> 00:22:00,887
HE LOOKS LIKE TROUBLE.

524
00:22:13,400 --> 00:22:14,133
SO, UNLESS YOU ARRESTED
THIS DREAMWEAVER IDIOT

525
00:22:14,166 --> 00:22:15,935
FOR CHEATING ON HIS FIANCéE --

526
00:22:15,968 --> 00:22:18,104
NOT A CRIMINAL OFFENSE,
BY THE WAY -- WE GOT
NOTHING ON HIM.

527
00:22:18,137 --> 00:22:21,107
I GAVE THE ORDER TO ARREST
MARC TORRES, NOT THEM.

528
00:22:21,140 --> 00:22:23,510
I WAS WITH YOU.
YOU DID NOT GIVE THAT ORDER.

529
00:22:23,543 --> 00:22:24,977
YEAH,
YOU WERE NOT IN CHARGE.

530
00:22:25,011 --> 00:22:26,513
IT WAS EITHER TAYLOR
OR PROVENZA

531
00:22:26,546 --> 00:22:27,980
WHO MADE THE CALL
TO BREAK IN WITHOUT A WARRANT.

532
00:22:28,014 --> 00:22:29,916
SO, WHY DID YOU THINK
IT WAS WORTH IT

533
00:22:29,949 --> 00:22:32,118
TO BUST IN ON THIS COUPLE
WITHOUT ENOUGH EVIDENCE
TO HOLD THIS GUY?

534
00:22:32,151 --> 00:22:33,786
YOU MEAN BESIDES THE FACT

535
00:22:33,820 --> 00:22:36,456
THAT HE KILLED HIS DATE
FROM THE NIGHT BEFORE LAST?

536
00:22:36,489 --> 00:22:38,725
DID YOU WANT US
TO LET HIM MURDER SOMEONE

537
00:22:38,758 --> 00:22:41,093
WHILE UNDER
L.A.P.D. SURVEILLANCE?

538
00:22:41,127 --> 00:22:43,129
BECAUSE THEN WE COULD HAVE
HELD HIM WITHOUT ANY PROBLEMS.

539
00:22:43,162 --> 00:22:44,764
BUT WE WON'T HAVE
ANY PROBLEMS ANYWAY

540
00:22:44,797 --> 00:22:46,799
IF YOU LET ME JUST TALK
TO THE GUY FOR 10 MINUTES.

541
00:22:46,833 --> 00:22:48,735
I REALLY DON'T
WANT HER INVOLVED.

542
00:22:48,768 --> 00:22:50,937
UH, EXCUSE ME.

543
00:22:50,970 --> 00:22:54,474
UH, DO YOU REALLY NEED ME
TO ASK THIS GUY THESE QUESTIONS?

544
00:22:54,507 --> 00:22:55,742
YES. THANK YOU.

545
00:22:55,775 --> 00:22:57,510
WE CAN ARREST MARC TORRES
IN 10 MINUTES

546
00:22:57,544 --> 00:22:59,446
IF EVERYONE WILL JUST CALM DOWN
AND LET ME DO MY JOB.

547
00:22:59,479 --> 00:23:01,614
OKAY

548
00:23:01,648 --> 00:23:04,651
I THOUGHT Y'ALL WANTED ME
TO BE YOUR BOSS.

549
00:23:05,084 --> 00:23:06,152
GENTLEMEN.

550
00:23:07,720 --> 00:23:08,721
CAPTAIN.

551
00:23:11,691 --> 00:23:13,125
MR. TORRES,

552
00:23:13,159 --> 00:23:15,161
I'M DEPUTY CHIEF
BRENDA LEIGH JOHNSON
OF THE L.A.P.D.,

553
00:23:15,194 --> 00:23:17,964
AND THIS IS SPECIAL AGENT
FRITZ HOWARD OF THE FBI.

554
00:23:17,997 --> 00:23:20,633
WE WANT TO THANK YOU SO MUCH
FOR COOPERATING WITH US.

555
00:23:20,667 --> 00:23:22,034
WHY THE HELL AM I HERE?

556
00:23:22,068 --> 00:23:23,770
WE'RE JUST ABOUT TO GET
TO THE BOTTOM OF THAT.

557
00:23:23,803 --> 00:23:25,438
DETECTIVE SANCHEZ,
WOULD YOU PLEASE

558
00:23:25,472 --> 00:23:28,040
UNCUFF MARC, HERE,
SO THAT HE'S COMFORTABLE?

559
00:23:29,476 --> 00:23:31,043
THANK YOU SO MUCH.

560
00:23:31,077 --> 00:23:33,513
ALL RIGHT, THEN,
FIRST THINGS FIRST.

561
00:23:33,546 --> 00:23:35,782
THE FBI HAS A FEW QUESTIONS
THAT THEY NEED YOU TO ANSWER

562
00:23:35,815 --> 00:23:37,850
BECAUSE OF
A COMPUTER SERVER ISSUE.

563
00:23:37,884 --> 00:23:39,185
WE'VE GOT
YOUR FIANCéE, DEBBIE,

564
00:23:39,218 --> 00:23:40,820
WAITING FOR YOU
IN THE NEXT ROOM.

565
00:23:40,853 --> 00:23:43,690
AGENT HOWARD,
IF YOU'D LIKE TO START.

566
00:23:43,723 --> 00:23:46,793
MR. TORRES...

567
00:23:46,826 --> 00:23:49,195
DO YOU KNOW THIS WOMAN,
JUDY LYNN?

568
00:23:49,228 --> 00:23:52,064
UH,
YOU SAID DEBBIE'S HERE?

569
00:23:52,098 --> 00:23:55,067
SHE IS, WAITING FOR YOU.
AND SHE'S VERY CONFUSED.

570
00:23:55,101 --> 00:23:57,069
CHIEF JOHNSON,
DO YOU MIND?

571
00:23:57,103 --> 00:23:58,505
OH, NO. NOT AT ALL.
SO SORRY.

572
00:23:58,538 --> 00:23:59,739
GO AHEAD.

573
00:23:59,772 --> 00:24:01,674
DO YOU KNOW THIS WOMAN,
JUDY LYNN?

574
00:24:01,708 --> 00:24:03,510
NO.

575
00:24:03,543 --> 00:24:04,544
NO.

576
00:24:04,577 --> 00:24:05,945
DID --

577
00:24:07,179 --> 00:24:09,816
DID YOU GO ON A DATE WITH HER
THE NIGHT BEFORE LAST?

578
00:24:09,849 --> 00:24:11,684
NOPE.
NO.

579
00:24:11,718 --> 00:24:13,820
WERE YOU EVER
IN HER APARTMENT?
NO.

580
00:24:13,853 --> 00:24:15,154
NO.

581
00:24:15,187 --> 00:24:16,556
DID YOU EVER
HAVE SEX WITH HER?

582
00:24:16,589 --> 00:24:17,757
OF COURSE NOT.

583
00:24:17,790 --> 00:24:18,958
I'M ENGAGED. GOD.

584
00:24:18,991 --> 00:24:21,694
THAT'S GREAT, JUST GREAT.
BRILLIANT.

585
00:24:21,728 --> 00:24:23,563
THAT'S ALL FOR ME.

586
00:24:23,596 --> 00:24:25,532
I BELIEVE CHIEF JOHNSON
HAS SOME QUESTIONS FOR YOU NOW.

587
00:24:25,565 --> 00:24:27,934
DO YOU KNOW THIS WOMAN,
JUDY LYNN?
I JUST TOLD YOU NO.

588
00:24:28,901 --> 00:24:30,570
HERE IS
ALL THE COMMUNICATION,

589
00:24:30,603 --> 00:24:33,973
INCLUDING PICTURES
AND E-MAILS EXCHANGED

590
00:24:34,006 --> 00:24:35,174
BETWEEN YOU
AND JUDY LYNN,

591
00:24:35,207 --> 00:24:37,510
USING AN INTERNET
DATING WEBSITE

592
00:24:37,544 --> 00:24:40,513
CALLED LAGuysAndDolls.com.

593
00:24:41,881 --> 00:24:43,650
THAT'S JUDY?

594
00:24:43,683 --> 00:24:47,587
UH, WELL, YEAH, I-I MIGHT'VE
WRITTEN TO HER MAYBE,

595
00:24:47,620 --> 00:24:48,955
BUT SHE LOOKS DIFFERENT
THAN HER OTHER PHOTOS.

596
00:24:48,988 --> 00:24:51,558
DID YOU EVER GO
TO HER APARTMENT?

597
00:24:51,591 --> 00:24:52,625
NO. NEVER.

598
00:24:54,561 --> 00:24:58,598
THESE ARE PICTURES
TAKEN FROM THE SECURITY CAMERAS

599
00:24:58,631 --> 00:25:01,133
ABOVE THE FRONT DOOR
OF JUDY LYNN'S BUILDING.

600
00:25:01,167 --> 00:25:05,738
YOU'LL NOTICE YOU
IN YOUR SPORT COAT

601
00:25:05,772 --> 00:25:07,239
EXITING YOUR VEHICLE

602
00:25:07,273 --> 00:25:11,544
AND AGAIN, HERE,
ENTERING THE BUILDING.

603
00:25:13,045 --> 00:25:15,648
WOW. UM...

604
00:25:15,682 --> 00:25:17,750
I-I KNOW SOMEBODY
WHO LIVES IN THAT SAME PLACE.

605
00:25:17,784 --> 00:25:19,151
SO...

606
00:25:19,185 --> 00:25:20,887
THAT'S A COINCIDENCE.

607
00:25:20,920 --> 00:25:22,655
REALLY?

608
00:25:24,791 --> 00:25:28,294
HERE IS A FINGERPRINT THAT
WAS TAKEN OFF OF YOUR VEHICLE.

609
00:25:28,327 --> 00:25:29,762
AND THIS ONE...

610
00:25:29,796 --> 00:25:33,132
WAS TAKEN
FROM INSIDE JUDY'S APARTMENT

611
00:25:33,165 --> 00:25:36,135
OFF A BOTTLE
OF PEACH-FLAVORED LUBRICANT.

612
00:25:36,168 --> 00:25:37,904
THEY MATCH PERFECTLY.

613
00:25:37,937 --> 00:25:41,540
IS THAT A COINCIDENCE, TOO,
MR. TORRES?

614
00:25:43,342 --> 00:25:45,311
DID YOU HAVE SEX
WITH JUDY LYNN?

615
00:25:45,344 --> 00:25:48,214
BECAUSE
DETECTIVE SANCHEZ HERE

616
00:25:48,247 --> 00:25:51,183
TOOK A STRAW THAT YOU WERE USING
FROM YOUR DATE THIS AFTERNOON,

617
00:25:51,217 --> 00:25:53,853
AND IF THE DNA THAT WE COLLECTED
OFF THAT STRAW

618
00:25:53,886 --> 00:25:55,321
MATCHES WHAT WE FOUND
IN JUDY LYNN --

619
00:25:55,354 --> 00:25:57,189
ALL RIGHT!
WHAT DO YOU WANT FROM ME?

620
00:25:57,223 --> 00:26:00,326
I WENT ON A DATE WITH HER.
WE HAD SEX.

621
00:26:00,359 --> 00:26:02,061
AND THEN I GOT OUT OF THERE
AS FAST AS I COULD.

622
00:26:02,094 --> 00:26:03,863
BECAUSE YOU KNOW WHAT?
SHE KIND OF FREAKED ME OUT.

623
00:26:03,896 --> 00:26:05,364
FREAKED YOU OUT HOW?

624
00:26:05,397 --> 00:26:07,133
WHEN WE GOT TO HER PLACE,
SHE PRACTICALLY ATTACKED ME.

625
00:26:07,166 --> 00:26:09,135
A-AND THEN -- THEN
SHE GOT ALL HYSTERICAL

626
00:26:09,168 --> 00:26:10,703
WHEN I TOLD HER
I HAD TO LEAVE.

627
00:26:10,737 --> 00:26:13,305
AND SHE KEYED MY CAR
WHEN I WAS IN THE SHOWER.

628
00:26:13,339 --> 00:26:14,340
BITCH.

629
00:26:14,373 --> 00:26:15,675
JUDY ATTACKED YOU?

630
00:26:17,176 --> 00:26:19,278
DID Y'ALL
GET INTO A FIGHT?

631
00:26:19,311 --> 00:26:22,014
BECAUSE I DON'T KNOW WHAT SHE
LOOKED LIKE WHEN YOU LEFT HER,

632
00:26:22,048 --> 00:26:23,282
BUT HERE'S HOW SHE LOOKED
WHEN I MET HER.

633
00:26:27,319 --> 00:26:29,822
THE NIGHT
Y'ALL WENT TO THE MOVIES,

634
00:26:29,856 --> 00:26:31,390
JUDY LYNN
WAS BRUTALLY MURDERED.

635
00:26:31,423 --> 00:26:33,960
AND NOW, MR. TORRES,
YOU LIED ABOUT KNOWING HER,

636
00:26:33,993 --> 00:26:35,628
YOU LIED ABOUT GOING
ON A DATE WITH HER,

637
00:26:35,662 --> 00:26:37,096
YOU LIED ABOUT BEING
IN HER APARTMENT,

638
00:26:37,129 --> 00:26:39,231
AND YOU LIED
ABOUT HAVING SEX WITH HER!

639
00:26:39,265 --> 00:26:41,701
WHEN YOU SAY IT ALL OUT LOUD
LIKE THAT, IT SOUNDS PRETTY BAD.

640
00:26:41,734 --> 00:26:44,704
YEAH, I LIED.

641
00:26:44,737 --> 00:26:46,205
MY FIANCéE'S
IN THE NEXT ROOM.

642
00:26:46,238 --> 00:26:48,374
I DIDN'T EVEN KNOW
WHAT THIS WAS ABOUT, ALL RIGHT?

643
00:26:48,407 --> 00:26:50,009
BUT I HAVE A LOT OF COPS
IN MY FAMILY,

644
00:26:50,042 --> 00:26:52,845
AND YOU DON'T HAVE
ENOUGH EVIDENCE TO HOLD ME.

645
00:26:52,879 --> 00:26:54,814
AND LYING TO THE POLICE
ISN'T AGAINST THE LAW.

646
00:26:54,847 --> 00:26:56,348
THAT'S TRUE.

647
00:26:56,382 --> 00:26:58,150
BUT IT IS A CRIME
TO LIE TO THE FBI.

648
00:27:01,020 --> 00:27:02,855
THAT MEANS YOU'RE UNDER ARREST,
MR. TORRES.

649
00:27:05,024 --> 00:27:06,726
YEAH?

650
00:27:06,759 --> 00:27:08,861
YOU WANT TO PLAY IT
THAT WAY?

651
00:27:08,895 --> 00:27:10,663
I WANT A LAWYER.

652
00:27:10,697 --> 00:27:13,800
WELL, LET'S HOPE HIS DNA MATCHES
WHAT WE FOUND IN THE VICTIM.

653
00:27:13,833 --> 00:27:17,169
WILL YOU MAKE SURE SHE GETS
ACROSS THE STREET TOMORROW?

654
00:27:17,203 --> 00:27:19,105
I'LL WALK HER MYSELF.

655
00:27:20,973 --> 00:27:23,275
I'LL OPEN A FILE ON HIM
IF YOU WANT.

656
00:27:23,309 --> 00:27:25,778
BUT WHEN HE'S ARRAIGNED,
YOU'RE GONNA WANT TO SWAP

657
00:27:25,812 --> 00:27:28,147
THOSE "LYING TO A FEDERAL AGENT"
CHARGES WITH MURDER.

658
00:27:28,180 --> 00:27:30,883
WELL, THAT'S SOMETHING
TO LOOK FORWARD TO.

659
00:27:30,917 --> 00:27:33,686
DON'T BE LATE.
YOU GOT A BIG DAY TOMORROW.

660
00:27:37,456 --> 00:27:39,926
SO EVERYONE KEEPS TELLING ME.

661
00:27:44,764 --> 00:27:46,332
Debbie:
IT'S NOT HOW IT LOOKS.

662
00:27:46,365 --> 00:27:49,068
IF HE WERE A DRUNK, OF COURSE,
IT WOULD BE MORE OBVIOUS,

663
00:27:49,101 --> 00:27:52,171
BUT ADDICTION
IS ADDICTION.

664
00:27:52,204 --> 00:27:54,774
AND HE JUST
FELL OFF THE WAGON.

665
00:27:54,807 --> 00:27:58,344
MS. SHRINER, YOUR FIANCé HAS HAD
11 DATES THAT WE KNOW OF

666
00:27:58,377 --> 00:28:00,112
OVER THE PAST TWO WEEKS.

667
00:28:00,146 --> 00:28:03,182
LOOK, YOUR BOYFRIEND DIDN'T
JUST "FALL OFF THE WAGON."

668
00:28:03,215 --> 00:28:04,450
HE JUMPED WITH BOTH FEET.

669
00:28:07,319 --> 00:28:10,122
IT'S NOT MARC.
IT'S THE DISEASE.

670
00:28:10,156 --> 00:28:13,392
AND THESE
HORRIBLY ENABLING WOMEN

671
00:28:13,425 --> 00:28:16,128
THAT ADVERTISE THEMSELVES
ONLINE.

672
00:28:16,162 --> 00:28:18,464
THESE -- THESE WHORES.

673
00:28:18,497 --> 00:28:19,932
I HATE THEM!

674
00:28:20,967 --> 00:28:23,269
SORRY FOR INTERRUPTING.

675
00:28:23,302 --> 00:28:26,205
UM...

676
00:28:26,238 --> 00:28:29,475
PARDON ME, MS. SHRINER.

677
00:28:33,112 --> 00:28:35,481
I WAS GOING THROUGH
JUDY'S COMPUTER,

678
00:28:35,514 --> 00:28:38,217
AND I FOUND THE LAST ENTRY
TO HER VLOG.

679
00:28:38,250 --> 00:28:39,418
MM-HMM.

680
00:28:39,451 --> 00:28:43,222
BUT...SHE DIED
BEFORE POSTING IT.

681
00:28:43,255 --> 00:28:44,857
THANK YOU.

682
00:28:45,524 --> 00:28:48,194
YOU GOT THE LEFT TO THE RIGHT
AND THE RIGHT TO THE LEFT.

683
00:28:48,227 --> 00:28:50,763
YES, THAT -- LEFT.
OH, FOR HEAVEN'S SAKES!

684
00:28:50,797 --> 00:28:52,064
NO, THE RIGHT --
TERRIBLE, TERRIBLE.

685
00:28:52,098 --> 00:28:53,099
YEAH, YOU GOT IT.

686
00:28:57,136 --> 00:28:58,404
OKAY.

687
00:29:00,539 --> 00:29:03,375
I CAN'T TALK...LONG, BUT...

688
00:29:05,912 --> 00:29:10,049
THIS IS RAW, ALL RIGHT.

689
00:29:10,082 --> 00:29:13,953
HE SAID THAT...
I GAVE HIM THAT RUSH YOU FEEL

690
00:29:13,986 --> 00:29:17,389
WHEN YOU MEET
THE FIRST PERSON YOU LIKE

691
00:29:17,423 --> 00:29:20,526
WHO REALLY LIKES YOU BACK.

692
00:29:20,559 --> 00:29:23,229
AND...

693
00:29:23,262 --> 00:29:26,232
I FELL FOR IT.

694
00:29:26,265 --> 00:29:29,869
AND THEN THE SECOND --
AND I MEAN THE VERY SECOND --

695
00:29:29,902 --> 00:29:31,503
HE WAS THROUGH,

696
00:29:31,537 --> 00:29:34,440
HE GOT OFF ME
AND HE SAID HE HAD TO GO

697
00:29:34,473 --> 00:29:38,010
AND COULD HE
TAKE A SHOWER FIRST.

698
00:29:40,312 --> 00:29:43,082
GOD, I'M AN IDIOT.

699
00:29:46,585 --> 00:29:49,121
LAST WOMAN DATING
IS OFFICIALLY OVER.

700
00:29:50,389 --> 00:29:52,992
BUT NOT BEFORE THE PART
WHERE I TELL HIM OFF...

701
00:29:54,626 --> 00:29:59,899
...WHICH IS COMING UP NEXT.

702
00:29:59,932 --> 00:30:03,302
SO, THAT'S HOW IT WENT
FOR THAT SO-CALLED WHORE

703
00:30:03,335 --> 00:30:07,539
LAST TIME
YOUR FIANCé HAD A RELAPSE.

704
00:30:07,573 --> 00:30:09,008
THAT'S HOW SHE FELT.

705
00:30:10,409 --> 00:30:13,980
YOU SEE MARC'S JACKET,
THERE ON THE BED BEHIND HER?

706
00:30:16,548 --> 00:30:18,117
I'M SORRY FOR THIS WOMAN.

707
00:30:19,886 --> 00:30:21,587
AND I KNOW
HOW IT MUST SEEM TO YOU,

708
00:30:21,620 --> 00:30:26,392
LIKE MARC AND SHE GOT
INTO SOME KIND OF FIGHT, BUT...

709
00:30:32,031 --> 00:30:33,432
IT'S NOT HOW IT LOOKS.

710
00:30:41,340 --> 00:30:44,410
WHOA. SLOW DOWN THERE, MISS.
I'LL WALK YOU OUT.

711
00:30:47,646 --> 00:30:49,882
YOU THINK
SHE'S TELLING THE TRUTH?

712
00:30:49,916 --> 00:30:51,583
I DON'T KNOW,
BUT SHE'S RIGHT ABOUT ONE THING.

713
00:30:51,617 --> 00:30:53,252
BUZZ...

714
00:30:54,921 --> 00:30:56,956
IT'S NOT HOW IT LOOKS.

715
00:31:14,406 --> 00:31:15,674
Tao:
ANYBODY BACK THERE?

716
00:31:15,707 --> 00:31:17,043
Buzz: YEAH, I AM.

717
00:31:18,710 --> 00:31:20,479
COULD YOU GET ME UNPLUGGED?

718
00:31:20,512 --> 00:31:21,647
SURE.

719
00:31:54,146 --> 00:31:56,282
HELLO, LIEUTENANT TAO?
I WAS --

720
00:31:57,416 --> 00:32:00,619
FINE. THANK YOU.
I WAS LOOKING AT THE --

721
00:32:00,652 --> 00:32:04,590
YES, IT IS VERY EXCITING.
THE INTERVIEW.

722
00:32:04,623 --> 00:32:06,225
BUT I WAS --

723
00:32:06,258 --> 00:32:07,293
LIEUTENANT!

724
00:32:07,326 --> 00:32:09,361
I HAVE A PROBLEM.

725
00:32:09,395 --> 00:32:12,198
MARC TORRES SAID
THAT THE VICTIM KEYED HIS CAR,

726
00:32:12,231 --> 00:32:13,465
BUT SHE COULDN'T HAVE.

727
00:32:13,499 --> 00:32:15,401
WHILE HE WAS IN THE SHOWER,

728
00:32:15,434 --> 00:32:18,670
JUDY MADE A VERY EMOTIONAL ENTRY
TO HER ONLINE DIARY.

729
00:32:18,704 --> 00:32:23,009
SO, MY QUESTION IS,
"WHO SCRATCHED THE CAMARO?"

730
00:32:23,042 --> 00:32:25,277
HERE'S WHAT I NEED YOU TO DO.
OKAY?

731
00:32:30,082 --> 00:32:33,019
NOW, JUDY'S VLOG
AGAIN, BUZZ.

732
00:32:38,690 --> 00:32:40,259
CHIEF...

733
00:32:40,292 --> 00:32:43,262
YOU LOOK GREAT.

734
00:32:43,295 --> 00:32:45,531
WELL, THANK YOU, CAPTAIN.

735
00:32:45,564 --> 00:32:47,333
I'VE MADE A RESERVATION FOR US
DOWN THE --

736
00:32:47,366 --> 00:32:49,401
OH, I DON'T HAVE TIME
FOR BREAKFAST, ACTUALLY.

737
00:32:49,435 --> 00:32:51,637
WHY?

738
00:32:51,670 --> 00:32:53,139
WHAT ARE YOU DOING?

739
00:32:53,172 --> 00:32:55,407
TRYING TO FIND OUT
THE EXACT TIME

740
00:32:55,441 --> 00:32:57,009
MARC TORRES' CAR WAS KEYED.

741
00:33:00,446 --> 00:33:02,681
OKAY, YOU'RE GOING
BACKWARDS...

742
00:33:02,714 --> 00:33:04,250
BACKWARDS...
Buzz: WAIT.

743
00:33:04,283 --> 00:33:06,018
HOLD IT.

744
00:33:06,052 --> 00:33:07,686
THERE IT IS.

745
00:33:07,719 --> 00:33:09,121
SEE? NO SCRATCH.

746
00:33:09,155 --> 00:33:10,189
AND THEN...

747
00:33:12,724 --> 00:33:14,693
SCRATCH.

748
00:33:14,726 --> 00:33:16,162
WE DON'T SEE WHO DID IT.

749
00:33:16,195 --> 00:33:17,263
NO, CHIEF.

750
00:33:17,296 --> 00:33:18,697
WHAT DOES THAT MEAN?

751
00:33:18,730 --> 00:33:21,267
IT MEANS I'VE BEEN SPENDING
A LOT OF THE MORNING

752
00:33:21,300 --> 00:33:23,035
LOOKING FOR THINGS
I CAN'T SEE.

753
00:33:23,069 --> 00:33:25,271
THAT SCRATCH HAPPENED
AT 9:45 P.M.,

754
00:33:25,304 --> 00:33:26,672
WHEN JUDY WAS ON HER DATE.

755
00:33:26,705 --> 00:33:29,641
WOULD YOU BRING MARC TORRES
UP FROM HOLDING, PLEASE?

756
00:33:29,675 --> 00:33:31,177
I MAY NEED HIM.

757
00:33:31,210 --> 00:33:34,080
AND, UM, YOUR BAG OF TRICKS,
TOO. THANK YOU.

758
00:33:34,113 --> 00:33:35,281
CHIEF,
SURELY THIS CAN WAIT.

759
00:33:35,314 --> 00:33:36,715
I WON'T MISS MY APPOINTMENT,
CAPTAIN!

760
00:33:36,748 --> 00:33:38,050
I PROMISE.

761
00:33:38,084 --> 00:33:40,052
I PROMISE,
I PROMISE, I PROMISE.

762
00:33:53,665 --> 00:33:56,468
GIFFORD, I WANT TO THANK YOU
SO MUCH FOR LETTING US IN.

763
00:33:56,502 --> 00:33:58,137
WE SHOULDN'T BE
BUT A MINUTE.

764
00:33:58,170 --> 00:33:59,271
YOU'RE MAKING
A BIG MISTAKE.

765
00:33:59,305 --> 00:34:00,606
HEY, YOU DON'T TALK

766
00:34:00,639 --> 00:34:01,707
UNLESS YOU'RE REVOKING
YOUR RIGHT TO AN ATTORNEY.

767
00:34:02,641 --> 00:34:04,376
OH, UH, GIFFORD,
SINCE YOU HELPED

768
00:34:04,410 --> 00:34:06,478
THE CABLE COMPANY GET
EVERYTHING INSTALLED,

769
00:34:06,512 --> 00:34:07,679
DO YOU THINK YOU COULD
HELP US PUT IT BACK
THE WAY WE FOUND IT?

770
00:34:07,713 --> 00:34:08,747
SURE.
THANKS.

771
00:34:11,250 --> 00:34:14,186
YOU READY TO TALK YET,
MR. TORRES?

772
00:34:14,220 --> 00:34:15,287
NO?
MIND THE BLOOD.

773
00:34:17,256 --> 00:34:21,793
SO, I THINK THE COMPUTER
WAS SET RIGHT HERE.

774
00:34:22,828 --> 00:34:26,365
DO YOU REMEMBER WHERE THE
LUBRICANT CAME FROM, MR. TORRES?

775
00:34:26,398 --> 00:34:29,268
DON'T ANSWER THAT, SIR.
YOUR LAWYER WOULD BE VERY UPSET.

776
00:34:29,301 --> 00:34:31,237
DON'T WORRY.
I'M NOT TALKING.

777
00:34:31,270 --> 00:34:33,172
WELL, YOU KNOW WHAT?
YOU DON'T HAVE TO TALK,
BUT YOU DO HAVE TO WATCH.

778
00:34:33,205 --> 00:34:35,374
UH, GIFFORD, DO YOU MIND
PULLING THESE THROUGH,

779
00:34:35,407 --> 00:34:36,642
PLUGGING IT IN
ON THE OTHER SIDE?

780
00:34:36,675 --> 00:34:39,111
SURE.
THANKS.

781
00:34:45,217 --> 00:34:47,353
WHAT THE HELL
ARE YOU DOING, LADY?

782
00:34:47,386 --> 00:34:49,855
JUST ADMIRING HOW WELL
YOU SET UP THAT CLOSET FOR JUDY.

783
00:34:49,888 --> 00:34:53,125
SHE HAD TROUBLE GETTING
HER MODEM AND HER ROUTER

784
00:34:53,159 --> 00:34:55,127
AND HER PHONE TO WORK
FROM THE OTHER ROOM.

785
00:34:55,161 --> 00:34:56,628
I WONDER WHY,
BECAUSE WE CHECKED,

786
00:34:56,662 --> 00:34:58,797
AND NO ONE ELSE IN THE BUILDING
HAD ANY TROUBLE AT ALL.

787
00:34:58,830 --> 00:35:02,234
ANYWAY, SOMEHOW,
YOU HELPED THE CABLE COMPANY

788
00:35:02,268 --> 00:35:04,803
GET IT ALL HOOKED UP FOR HER
IN HERE.

789
00:35:04,836 --> 00:35:07,673
'CAUSE YOU WATCHED OUT FOR HER,
DIDN'T YOU, GIFFORD?

790
00:35:07,706 --> 00:35:11,410
A-AND THAT'S WHY YOU DRILLED
THIS HOLE IN THE WALL?

791
00:35:11,443 --> 00:35:13,212
FOR ALL THE CABLES
TO GO THROUGH?

792
00:35:13,245 --> 00:35:14,880
THAT'S A BIG HOLE,
GIFFORD.

793
00:35:14,913 --> 00:35:17,249
Y-YOU CAN SIT ON THAT STOOL

794
00:35:17,283 --> 00:35:19,285
AND LOOK INTO JUDY'S ROOM
WITHOUT BEING SEEN

795
00:35:19,318 --> 00:35:20,919
AND WATCH OVER HER
FOR HOURS.

796
00:35:20,952 --> 00:35:22,821
I NEVER DID THAT.
REALLY?

797
00:35:22,854 --> 00:35:24,423
YOU KNOW, I WONDER

798
00:35:24,456 --> 00:35:26,158
IF THE DNA EVIDENCE
ON THE BOTTOM OF THAT CLOSET

799
00:35:26,192 --> 00:35:27,926
WILL BACK YOU UP ON THAT?

800
00:35:27,959 --> 00:35:30,696
SURE YOU CLEANED UP
AFTER YOURSELF, GIFFORD?

801
00:35:30,729 --> 00:35:33,865
YOU KNOW WHAT ELSE
CAN'T BE SEEN

802
00:35:33,899 --> 00:35:36,302
ON HER VLOG ENTRIES?

803
00:35:36,335 --> 00:35:38,570
THE PILLOW USED
TO SMOTHER JUDY TO DEATH.

804
00:35:38,604 --> 00:35:41,307
THAT'S BECAUSE
IT CAME FROM THIS CLOSET.

805
00:35:41,340 --> 00:35:42,774
THAT'S WHY WE NEVER SAW IT
IN HER BEDROOM

806
00:35:42,808 --> 00:35:44,343
ON ANY OF HER VLOGS.

807
00:35:44,376 --> 00:35:46,712
JUST LIKE WE COULDN'T SEE
WHO KEYED HER DATE'S CAR

808
00:35:46,745 --> 00:35:49,781
BECAUSE YOU KNEW HOW TO AVOID
THE SECURITY CAMERA OUT FRONT.

809
00:35:49,815 --> 00:35:51,383
I NEVER SCRATCHED
THAT CAR.

810
00:35:51,417 --> 00:35:54,186
YOU WANT TO SEE THE GOLD PAINT
ON THIS KEY

811
00:35:54,220 --> 00:35:57,489
YOU SO KINDLY LEFT
IN THE FRONT DOOR FOR US?

812
00:35:58,890 --> 00:36:01,460
NOW, THAT WE CAN SEE.
NOW, LISTEN TO ME, GIFFORD.

813
00:36:01,493 --> 00:36:05,464
I HAVE A FEELING THAT WHAT
HAPPENED IN THAT HALLWAY WAS
JUST A TERRIBLE ACCIDENT.

814
00:36:05,497 --> 00:36:09,201
BUT IF I'M RIGHT ABOUT THAT,
I-I NEED TO HEAR IT FROM YOU.

815
00:36:09,235 --> 00:36:10,669
LOOK...

816
00:36:11,970 --> 00:36:13,905
I LIKED HER.

817
00:36:13,939 --> 00:36:15,474
I LIKED HER A LOT.

818
00:36:15,507 --> 00:36:19,611
AND I ONLY WANTED
TO LOOK AT --

819
00:36:19,645 --> 00:36:21,613
W-WATCH OVER HER,
LIKE YOU SAID.

820
00:36:21,647 --> 00:36:23,315
AND THAT'S WHAT YOU WERE DOING
THE OTHER NIGHT

821
00:36:23,349 --> 00:36:24,983
WHEN SHE CAME HOME
FROM HER DATE.

822
00:36:25,016 --> 00:36:26,785
YOU WERE
JUST WATCHING OVER HER.

823
00:36:26,818 --> 00:36:28,220
MAINLY.

824
00:36:28,254 --> 00:36:29,855
YEAH.

825
00:36:29,888 --> 00:36:32,224
AND NORMALLY, SHE TAKES A SHOWER
BEFORE GOING TO BED.

826
00:36:32,258 --> 00:36:33,525
AND THAT'S WHEN I GO.

827
00:36:33,559 --> 00:36:36,828
BUT SHE WAS UPSET
AFTER THAT ASSHOLE LEFT.

828
00:36:36,862 --> 00:36:40,766
SHE JUST LAID DOWN ON THE BED
FOR A LONG TIME.

829
00:36:40,799 --> 00:36:42,901
I THOUGHT SHE WAS ASLEEP.

830
00:36:42,934 --> 00:36:47,539
WHEN I TRIED TO GET OUT...

831
00:36:47,573 --> 00:36:50,376
SHE HEARD ME.

832
00:36:50,409 --> 00:36:53,412
I GOT BACK IN THE CLOSET,
BUT IT WAS TOO LATE.

833
00:36:53,445 --> 00:36:55,514
SHE OPENED THE DOOR,
AND --

834
00:36:55,547 --> 00:36:57,783
A-AND YOU HELD UP
THIS PILLOW,

835
00:36:57,816 --> 00:36:59,618
BECAUSE SHE WAS HITTING YOU,
RIGHT?

836
00:36:59,651 --> 00:37:01,520
I MEAN, YOU WERE JUST PROBABLY
TRYING TO GET OUT THIS DOOR.

837
00:37:01,553 --> 00:37:03,255
BUT SHE WOULDN'T
LET ME GO.
RIGHT!

838
00:37:09,328 --> 00:37:11,330
I DIDN'T EVEN KNOW
I COULD PUSH ANYONE THAT HARD.

839
00:37:13,599 --> 00:37:15,267
IT HAPPENED SO FAST.

840
00:37:19,371 --> 00:37:21,807
YOU WERE JUST TRYING
TO PROTECT YOURSELF.

841
00:37:21,840 --> 00:37:24,310
A-AND YOU TRIED TO HELP HER,
DIDN'T YOU, AFTER SHE FELL?

842
00:37:26,512 --> 00:37:27,713
SHOW ME.

843
00:37:29,348 --> 00:37:30,949
WELL...

844
00:37:30,982 --> 00:37:32,418
SHE WAS KNOCKED OUT
FOR A SECOND,

845
00:37:32,451 --> 00:37:35,287
SO I...

846
00:37:35,321 --> 00:37:38,424
I PUT THE PILLOW UNDER HER HEAD
TO STOP THE BLEEDING,

847
00:37:38,457 --> 00:37:39,658
AND THEN I...

848
00:37:39,691 --> 00:37:42,294
I CARRIED HER
TO THE BED.

849
00:37:44,062 --> 00:37:46,565
BUT THEN SHE STARTED
THE SCREAMING ALL OVER AGAIN.

850
00:37:46,598 --> 00:37:48,800
SO YOU WERE JUST TRYING
TO MUFFLE THE NOISE

851
00:37:48,834 --> 00:37:50,302
SO SHE DIDN'T WAKE
THE WHOLE BUILDING.

852
00:37:50,336 --> 00:37:53,004
I COULDN'T THINK
OF ANYTHING ELSE TO DO.

853
00:37:53,038 --> 00:37:54,740
SHE WAS SO LOUD.

854
00:37:57,476 --> 00:37:59,044
I THINK...

855
00:37:59,077 --> 00:38:00,512
I THINK YOU'VE DONE
A VERY GOOD JOB

856
00:38:00,546 --> 00:38:01,847
EXPLAINING ALL THIS,
GIFFORD.

857
00:38:07,018 --> 00:38:09,755
SO, GIFFORD...

858
00:38:09,788 --> 00:38:14,360
I'LL TELL YOU WHAT WE NEED
TO FINISH OUR REPORT.

859
00:38:14,393 --> 00:38:16,662
I'M GOING TO TELL YOU
YOUR RIGHTS.

860
00:38:16,695 --> 00:38:19,097
AND THEN YOU'RE GOING TO
WRITE DOWN EXACTLY,

861
00:38:19,130 --> 00:38:21,867
EVERYTHING YOU SAID
ABOUT THIS ACCIDENT.

862
00:38:21,900 --> 00:38:24,403
AND THEN WE'LL BE DONE.
OKAY?

863
00:38:24,436 --> 00:38:25,971
OKAY.

864
00:38:29,475 --> 00:38:31,443
OKAY.

865
00:38:35,481 --> 00:38:36,848
UH...

866
00:38:38,917 --> 00:38:40,819
OH, WELL, YOU KNOW,
THERE WOULDN'T HAVE BEEN

867
00:38:40,852 --> 00:38:42,421
ANY PAINT LEFT
ON GIFFORD'S KEYS,

868
00:38:42,454 --> 00:38:43,755
SO WE HAD TO SCRATCH
YOUR CAR AGAIN.

869
00:38:43,789 --> 00:38:45,757
WHAT?
SORRY ABOUT THAT.

870
00:38:45,791 --> 00:38:48,694
OH, AND, UH, I NEEDED A WITNESS
TO THE CONFESSION.

871
00:38:48,727 --> 00:38:51,563
GOSH, I WONDER
IF YOUR TESTIMONY AT THE TRIAL

872
00:38:51,597 --> 00:38:52,764
IS GONNA AFFECT
YOUR WEDDING PLANS.

873
00:38:52,798 --> 00:38:53,899
I'LL TELL YOU WHAT.

874
00:38:53,932 --> 00:38:55,534
YOU SPRING
FOR THE PAINT JOB,

875
00:38:55,567 --> 00:38:57,903
AND I'LL GET THE FBI
TO DROP THE CHARGES, OKAY?

876
00:39:25,597 --> 00:39:27,733
I WAS TEMPTED
TO BRING A UNIFORM ESCORT

877
00:39:27,766 --> 00:39:29,535
TO TAKE YOU
ACROSS THE STREET.

878
00:39:29,568 --> 00:39:32,504
OH, THAT'S NOT NECESSARY.

879
00:39:32,538 --> 00:39:33,839
MAY I ASK YOU A QUESTION?

880
00:39:33,872 --> 00:39:36,442
SURE, CAPTAIN. WHY NOT?

881
00:39:40,946 --> 00:39:42,781
NO, I DON'T.

882
00:39:42,814 --> 00:39:44,483
AND AS A WOMAN,

883
00:39:44,516 --> 00:39:47,453
DON'T YOU FEEL AN OBLIGATION
TO AT LEAST GIVE IT A TRY?

884
00:39:47,486 --> 00:39:50,021
AS A WOMAN, I FEEL I'VE EARNED
THE RIGHT TO OPTIONS,

885
00:39:50,055 --> 00:39:52,190
AND ONE OF MY OPTIONS
SHOULD BE TO SAY NO.

886
00:39:52,223 --> 00:39:55,827
YOU DON'T THINK THAT I WANTED
TO SPEND MY CAREER

887
00:39:55,861 --> 00:39:57,529
IN INTERNAL AFFAIRS,

888
00:39:57,563 --> 00:39:59,931
DOING A JOB THAT LEAVES ME
DISLIKED AND MISTRUSTED

889
00:39:59,965 --> 00:40:01,833
BY MY FELLOW OFFICERS
EVERY DAY OF MY LIFE?

890
00:40:01,867 --> 00:40:03,902
NO, I CHOSE I.A.
BECAUSE I THOUGHT IT WAS

891
00:40:03,935 --> 00:40:05,671
THE QUICKEST WAY
TO ACHIEVE RANK.

892
00:40:05,704 --> 00:40:08,774
AND I ALSO THOUGHT IT'D BE GOOD
FOR THE DEPARTMENT

893
00:40:08,807 --> 00:40:10,942
TO SEE A WOMAN
IN A CAPTAIN'S UNIFORM.

894
00:40:10,976 --> 00:40:14,813
AND, OF COURSE, YOU GOT
YOUR JOB THE OLD-FASHIONED WAY.

895
00:40:14,846 --> 00:40:16,815
HOW'S THAT?

896
00:40:16,848 --> 00:40:18,450
BY SLEEPING WITH THE BOSS.

897
00:40:20,118 --> 00:40:21,587
THAT'S NOT AN INSULT.

898
00:40:21,620 --> 00:40:24,089
IT IS A TIME-HONORED WAY
OF MOVING FORWARD.

899
00:40:24,122 --> 00:40:26,858
BUT THOSE ROADS ARE NOT OPEN
TO EVERYONE,

900
00:40:26,892 --> 00:40:30,529
AND YOU HAVE THE CHANCE TO MAYBE
CHANGE THAT A LITTLE.

901
00:40:30,562 --> 00:40:32,163
SO, YOU'RE SAYING
I SHOULD TAKE THE JOB

902
00:40:32,197 --> 00:40:33,231
WHETHER I WANT IT OR NOT.

903
00:40:33,264 --> 00:40:34,700
YES.

904
00:40:34,733 --> 00:40:38,704
PLEASE MAKE
THE OH-SO-TERRIBLE SACRIFICE

905
00:40:38,737 --> 00:40:40,105
OF ACCEPTING A PROMOTION

906
00:40:40,138 --> 00:40:43,041
THAT OFFERS YOU MORE MONEY,
PRESTIGE, AND POWER

907
00:40:43,074 --> 00:40:45,110
THAN ANY OTHER JOB
IN THE CITY.

908
00:40:45,143 --> 00:40:47,846
AND IF IT WILL HELP YOU
WITH THE SUFFERING,

909
00:40:47,879 --> 00:40:50,582
YOU'LL NOT ONLY BE
A POSITIVE ROLE MODEL

910
00:40:50,616 --> 00:40:53,118
FOR LITTLE GIRLS
ALL OVER THIS COUNTRY,

911
00:40:53,151 --> 00:40:57,055
BUT I PERSONALLY
WILL FEEL VERY...

912
00:41:00,191 --> 00:41:02,861
I WILL FEEL VERY PROUD

913
00:41:02,894 --> 00:41:06,765
TO HAVE A CHIEF
THAT I CAN TRULY ADMIRE.

914
00:41:10,068 --> 00:41:12,203
WELL, THANK YOU, CAPTAIN.

915
00:41:16,908 --> 00:41:18,844
IT'S MY PLEASURE, CHIEF.

916
00:41:35,761 --> 00:41:37,162
SEE YA.

