1 00:00:05,567 --> 00:00:07,233 WELL... 2 00:00:07,267 --> 00:00:10,633 GOOD MORNING TO YOU, JOEL. 3 00:00:10,667 --> 00:00:11,933 OOH. 4 00:00:11,967 --> 00:00:14,267 WAKEY, WAKEY, EGGS AND BAKEY. 5 00:00:20,467 --> 00:00:22,033 ANOTHER LATE NIGHT, HUH? 6 00:00:22,067 --> 00:00:24,200 OH, I'M SORRY. DID I WAKE YOU WHEN I CAME IN? 7 00:00:24,233 --> 00:00:28,633 NO, BUT I CAN TELL EXACTLY WHAT YOU DID AFTER YOU GOT HOME. 8 00:00:30,833 --> 00:00:33,433 YOU POURED A GLASS OF WINE, YOU HAD SOME POPCORN... 9 00:00:34,900 --> 00:00:37,867 ...AND FELL ASLEEP WATCHING THE TV. 10 00:00:40,933 --> 00:00:41,800 OH. 11 00:00:41,833 --> 00:00:43,967 HA. 12 00:00:44,000 --> 00:00:46,233 LET ME ASK YOU A QUESTION. 13 00:00:46,267 --> 00:00:48,567 ARE YOUR SHOES AFRAID OF THE DARK? NO. 14 00:00:48,600 --> 00:00:50,267 THEN COULD YOU PUT THEM IN THE CLOSET, PLEASE? 15 00:00:55,867 --> 00:00:57,267 AND IS IT TOO MUCH TO ASK 16 00:00:57,300 --> 00:00:59,967 TO AT LEAST PUT YOUR DIRTY DISHES IN THE SINK 17 00:01:00,000 --> 00:01:01,133 AFTER YOU USE THEM? 18 00:01:01,167 --> 00:01:02,967 I WORKED A 14-HOUR DAY YESTERDAY. 19 00:01:03,000 --> 00:01:05,133 I WAS REALLY TIRED WHEN I GOT HOME. 20 00:01:05,167 --> 00:01:07,467 I'LL STRAIGHTEN UP NOW. WHY ARE YOU SO MAD? 21 00:01:07,500 --> 00:01:11,133 I JUST TOLD YOU. 22 00:01:12,200 --> 00:01:14,033 THE HOUSE IS A MESS. 23 00:01:16,067 --> 00:01:17,900 BUT YOU SEEM EXTRA UPSET. 24 00:01:30,800 --> 00:01:32,467 ONE SECOND. 25 00:01:35,100 --> 00:01:36,900 WAIT, I -- WAIT! 26 00:01:36,933 --> 00:01:38,467 WAIT! 27 00:01:38,500 --> 00:01:39,900 WAIT, WAIT! DON'T... 28 00:01:41,933 --> 00:01:43,467 ...WALK OUT. 29 00:01:50,833 --> 00:01:53,133 COME IN. 30 00:01:53,167 --> 00:01:54,600 SORRY, WILL. I -- 31 00:01:59,000 --> 00:02:00,733 OH. 32 00:02:00,767 --> 00:02:02,300 CAPTAIN RAYDOR. HI. 33 00:02:02,333 --> 00:02:04,633 CHIEF JOHNSON. 34 00:02:04,667 --> 00:02:07,667 THANKS FOR TAKING TIME TO JOIN US THIS MORNING. 35 00:02:08,900 --> 00:02:10,800 I LEFT JUST AS SOON AS I -- 36 00:02:10,833 --> 00:02:12,367 SIT. SIT. 37 00:02:14,400 --> 00:02:15,800 CAPTAIN RAYDOR HAS COME TO ME 38 00:02:15,833 --> 00:02:17,733 WITH A, UH, DELICATE SITUATION 39 00:02:17,767 --> 00:02:19,200 INVOLVING ONE OF HER DETECTIVES 40 00:02:19,233 --> 00:02:21,033 IN FORCE INVESTIGATION DIVISION. 41 00:02:21,067 --> 00:02:24,200 BEFORE WE BEGIN TO DISCUSS THIS ISSUE, 42 00:02:24,233 --> 00:02:25,467 CHIEF, I WOULD LIKE YOU AND YOUR DIVISION 43 00:02:25,500 --> 00:02:27,367 TO KEEP THIS INVESTIGATION 44 00:02:27,400 --> 00:02:30,467 INTO DETECTIVE MOORE'S PRIVATE LIFE ENTIRELY CONFIDENTIAL. 45 00:02:30,500 --> 00:02:33,067 WHO'S DETECTIVE MOORE? W-WAIT A MINUTE. 46 00:02:33,100 --> 00:02:35,167 I CAN'T PROMISE CONFIDENTIALITY 47 00:02:35,200 --> 00:02:38,233 UNLESS I KNOW EXACTLY WHAT IT IS THAT YOU'RE ASKING ME TO DO. 48 00:02:42,367 --> 00:02:44,667 A FEW WEEKS AGO, CAPTAIN RAYDOR BEGAN TO NOTICE 49 00:02:44,700 --> 00:02:47,800 CHANGES IN ONE OF HER DETECTIVES, ALLY MOORE. 50 00:02:47,833 --> 00:02:49,200 WHAT KIND OF CHANGES? 51 00:02:49,233 --> 00:02:51,700 UM, DETECTIVE MOORE BECAME GRADUALLY 52 00:02:51,733 --> 00:02:55,967 MORE ANXIOUS, UNFOCUSED, AND THEN THIS MORNING, I -- 53 00:03:00,000 --> 00:03:01,733 THIS MORNING, I NOTICED SOME BRUISES 54 00:03:01,767 --> 00:03:03,800 ON THE BACK OF HER NECK AND HER ARM, 55 00:03:03,833 --> 00:03:07,733 AND WHEN I ASKED HER ABOUT THEM, SHE TOLD ME SHE HAD FALLEN. 56 00:03:07,767 --> 00:03:09,400 BUT YOU DIDN'T BELIEVE HER. 57 00:03:09,433 --> 00:03:12,133 THE BRUISES WERE INCONSISTENT WITH HER EXPLANATION, 58 00:03:12,167 --> 00:03:14,000 AND, NO, I DO NOT BELIEVE HER, 59 00:03:14,033 --> 00:03:18,433 AND I AM WORRIED ABOUT HER SAFETY. 60 00:03:18,467 --> 00:03:21,500 ALL RIGHT, THEN. SO I SHOULD TALK TO HER. 61 00:03:21,533 --> 00:03:24,700 UM, BEFORE YOU DO, I'M TRYING TO AVOID CREATING PROBLEMS, 62 00:03:24,733 --> 00:03:26,600 AND IF I'M -- IF I'M OVERREACTING 63 00:03:26,633 --> 00:03:28,133 TO WHAT I SAW, IF I'M WRONG ABOUT THIS -- 64 00:03:28,167 --> 00:03:29,533 BUT IF YOU'RE RIGHT, 65 00:03:29,567 --> 00:03:31,667 THEN THIS IS AN ASSAULT ON ONE OF OUR EMPLOYEES, 66 00:03:31,700 --> 00:03:33,333 WHICH CANNOT BE IGNORED 67 00:03:33,367 --> 00:03:36,333 AND WHICH CAPTAIN RAYDOR SHOULD NOT INVESTIGATE ON HER OWN. 68 00:03:36,367 --> 00:03:39,967 SO I WOULD LIKE MAJOR CRIMES TO DISCREETLY 69 00:03:40,000 --> 00:03:42,033 EXAMINE THE LIFE OF DETECTIVE MOORE 70 00:03:42,067 --> 00:03:43,433 AND REPORT BACK TO ME. 71 00:03:43,467 --> 00:03:45,533 I-I CAN'T START A CRIMINAL INVESTIGATION 72 00:03:45,567 --> 00:03:48,000 UNLESS SHE FILES A COMPLAINT OF SOME KIND. 73 00:03:48,033 --> 00:03:51,700 I WAS HOPING, CHIEF, THAT MAYBE YOU WOULD BE ABLE 74 00:03:51,733 --> 00:03:54,733 TO SEE PAST THE OBSTACLES IN THIS PARTICULAR SITUATION. 75 00:03:54,767 --> 00:03:57,233 THE OBSTACLES THAT YOU'RE TALKING ABOUT 76 00:03:57,267 --> 00:03:59,533 ARE THE JUSTICE SYSTEM, AND I CAN'T CREATE CHARGES 77 00:03:59,567 --> 00:04:01,267 OUT OF THIN AIR -- I NEED EVIDENCE! 78 00:04:01,300 --> 00:04:03,767 OF COURSE YOU DO, BUT YOU CAN EASILY 79 00:04:03,800 --> 00:04:06,267 DO AN OBLIQUE INTERVIEW WITH THAT HUSBAND. 80 00:04:06,300 --> 00:04:08,767 I'M SORRY. W-WHO'S IN CHARGE OF THIS INVESTIGATION? 81 00:04:08,800 --> 00:04:10,333 YOU ARE. 82 00:04:10,367 --> 00:04:11,967 CAPTAIN RAYDOR, I PROMISE YOU 83 00:04:12,000 --> 00:04:14,767 THAT CHIEF JOHNSON WILL PURSUE THIS INQUIRY VIGOROUSLY, 84 00:04:14,800 --> 00:04:16,267 BUT LET'S LEAVE TO HER 85 00:04:16,300 --> 00:04:18,133 THE WHEN AND WHERE SHE WILL APPROACH THE HUSBAND. 86 00:04:18,167 --> 00:04:21,467 IN THE MEANTIME, WE WILL TREAD VERY LIGHTLY HERE. 87 00:04:21,500 --> 00:04:23,433 IS THAT CLEAR? 88 00:04:23,467 --> 00:04:25,100 OF COURSE. 89 00:04:25,133 --> 00:04:27,467 UM, IF WE'RE GOING TO DO THIS BY THE BOOK, 90 00:04:27,500 --> 00:04:29,200 I SHOULD START BY GETTING A STATEMENT 91 00:04:29,233 --> 00:04:32,833 FROM DETECTIVE MOORE'S IMMEDIATE SUPERIOR OFFICER. 92 00:04:32,867 --> 00:04:35,167 I FIGURED YOU'D ASK THAT, SO I PREPARED ONE. 93 00:04:36,867 --> 00:04:39,733 "AT APPROXIMATELY 8:45 A.M. THIS MORNING, 94 00:04:39,767 --> 00:04:42,667 "I OBSERVED DETECTIVE ALLY MOORE IN A SLEEVELESS SHIRT. 95 00:04:42,700 --> 00:04:44,467 "I SPOTTED..." 96 00:04:45,933 --> 00:04:47,400 "I SPOTTED..." 97 00:04:47,433 --> 00:04:49,233 "...VISIBLE BRUISES ON THE BACK OF HER NECK 98 00:04:49,267 --> 00:04:52,400 "AND THEN A SECOND BRUISE ON THE BACK SIDE OF HER UPPER-LEFT ARM. 99 00:04:52,433 --> 00:04:54,100 "WHEN ASKED ABOUT THESE INJURIES, 100 00:04:54,133 --> 00:04:55,900 "DETECTIVE MOORE INSISTED THAT THEY WERE CAUSED BY A FALL 101 00:04:55,933 --> 00:04:57,700 FOR WHICH SHE NEEDED NO MEDICAL ATTENTION," 102 00:04:57,733 --> 00:04:59,733 SIGNED CAPTAIN SHARON RAYDOR. 103 00:04:59,767 --> 00:05:01,867 WE ARE NOT TO MENTION DETECTIVE MOORE 104 00:05:01,900 --> 00:05:03,667 BY NAME OUTSIDE OF THIS OFFICE, 105 00:05:03,700 --> 00:05:06,000 WHICH MEANS THAT WE TREAD LIGHTLY. 106 00:05:06,033 --> 00:05:08,300 TREADING LIGHTLY FOR ONE OF RAYDOR'S PEOPLE. 107 00:05:08,333 --> 00:05:09,867 WELL, NOW, THERE'S IRONY FOR YOU. 108 00:05:09,900 --> 00:05:11,700 CHIEF, I HAVE THE BACKGROUND INFORMATION 109 00:05:11,733 --> 00:05:13,300 FOR THE HUSBAND, SHAWN MOORE. 110 00:05:13,333 --> 00:05:16,033 6'4", 230 POUNDS, CONSTRUCTION SUPERVISOR, 111 00:05:16,067 --> 00:05:17,933 COLLECTING UNEMPLOYMENT FOR THE PAST NINE MONTHS, 112 00:05:17,967 --> 00:05:19,100 BUT NO RECORD. 113 00:05:19,133 --> 00:05:21,067 YOU WANT ME TO BRING HIM IN? 114 00:05:21,100 --> 00:05:22,300 NO. 115 00:05:22,333 --> 00:05:24,667 WE'RE TREADING LIGHTLY. 116 00:05:24,700 --> 00:05:26,267 Tao: WE COULD QUIETLY CANVASS THE NEIGHBORHOOD, 117 00:05:26,300 --> 00:05:28,000 SEE IF ANYONE'S SEEN OR HEARD ANYTHING. 118 00:05:28,033 --> 00:05:29,933 OH, THAT'S AN EXCELLENT IDEA, LIEUTENANT. 119 00:05:29,967 --> 00:05:31,600 HELP YOURSELF. THANK YOU. 120 00:05:31,633 --> 00:05:33,567 Gabriel: DETECTIVE MOORE'S PERSONNEL PACKET. 121 00:05:33,600 --> 00:05:36,133 I PUT HER IN INTERVIEW 2. SHE'S NERVOUS AS HELL. 122 00:05:36,167 --> 00:05:38,633 TOLD HER WE HAD AN OVERLAPPING INVESTIGATION WITH F.I.D. 123 00:05:38,667 --> 00:05:40,433 THANK YOU, DETECTIVE. 124 00:05:40,467 --> 00:05:41,967 WELL, WE'LL SEE WHAT SHE HAS TO SAY. 125 00:05:42,000 --> 00:05:43,933 CHIEF, I THINK THIS IS A COMPLETE WASTE OF TIME. 126 00:05:43,967 --> 00:05:45,600 IF MOORE DID NOT REPORT HER HUSBAND TO RAYDOR, 127 00:05:45,633 --> 00:05:47,433 WHAT MAKES YOU THINK SHE'S GONNA TALK TO US? 128 00:05:47,467 --> 00:05:49,367 LOOK, THERE'S NO POINT IN BEING REASONABLE ABOUT THIS. 129 00:05:49,400 --> 00:05:50,900 WE'VE BEEN ORDERED TO LOOK INTO IT, 130 00:05:50,933 --> 00:05:53,533 SO THAT'S EXACTLY WHAT WE'RE GONNA DO. 131 00:05:55,000 --> 00:05:57,900 SHE NEEDED A BROOM. 132 00:06:05,033 --> 00:06:07,267 IS THAT MY PERSONNEL PACKET? 133 00:06:07,300 --> 00:06:10,333 YES...DETECTIVE, AND I COMPLIMENT YOU 134 00:06:10,367 --> 00:06:13,333 ON THE NUMBER OF EXCELLENT EVALUATIONS YOU'VE COMPILED. 135 00:06:13,367 --> 00:06:15,933 CAPTAIN RAYDOR SEEMS TO HOLD YOU IN HIGH ESTEEM. 136 00:06:15,967 --> 00:06:17,900 AS I DO HER. 137 00:06:17,933 --> 00:06:20,600 I-I WAS JUST WONDERING WHICH ONE OF MY INVESTIGATIONS 138 00:06:20,633 --> 00:06:24,567 WOULD HAVE BUMPED UP AGAINST SOMETHING IN MAJOR CRIMES. 139 00:06:24,600 --> 00:06:26,900 ALL RIGHT, THEN, LET'S BE DIRECT, 140 00:06:26,933 --> 00:06:28,533 BECAUSE I APPRECIATE DIRECT, 141 00:06:28,567 --> 00:06:30,600 AND I SEE HERE THAT YOU HAVE COMPLETED 142 00:06:30,633 --> 00:06:32,867 OUR DOMESTIC-VIOLENCE SEMINAR. 143 00:06:34,800 --> 00:06:37,267 OH, MY GOD. 144 00:06:37,300 --> 00:06:40,800 DETECTIVE, FIRST THING I WANT TO DO IS ASSURE YOU 145 00:06:40,833 --> 00:06:43,100 THAT THIS INTERVIEW IS ENTIRELY CONFIDENTIAL. 146 00:06:43,133 --> 00:06:45,833 NOTHING YOU SAY HERE WILL LEAVE THIS ROOM. 147 00:06:45,867 --> 00:06:46,700 FINE. 148 00:06:46,733 --> 00:06:48,033 ALL RIGHT, THEN. 149 00:06:48,067 --> 00:06:50,300 SO, HOW ARE THINGS AT HOME? 150 00:06:51,867 --> 00:06:53,500 CAPTAIN RAYDOR SPOKE TO YOU? 151 00:06:53,533 --> 00:06:57,633 AGAIN, DETECTIVE, HOW ARE THINGS AT HOME? 152 00:06:57,667 --> 00:07:00,233 UH, AS I TOLD HER, THINGS ARE FINE. 153 00:07:00,267 --> 00:07:02,467 I DON'T KNOW WHY CAPTAIN RAYDOR WOULD INVOLVE YOU TO BEGIN WITH. 154 00:07:02,500 --> 00:07:05,033 REALLY? 155 00:07:05,067 --> 00:07:06,500 I-IS THIS WHAT YOU WERE WEARING 156 00:07:06,533 --> 00:07:09,067 WHEN THE CAPTAIN FIRST SAW YOU THIS MORNING? 157 00:07:09,100 --> 00:07:12,933 NO, I WAS... CHANGING DOWNSTAIRS. 158 00:07:12,967 --> 00:07:14,733 WOULD YOU PLEASE STAND UP, REMOVE YOUR JACKET, 159 00:07:14,767 --> 00:07:16,700 AND TURN AROUND? 160 00:07:19,800 --> 00:07:21,733 SINCE WE'RE NOT INTERVIEWING A SUSPECT, 161 00:07:21,767 --> 00:07:24,633 I THINK YOU CAN ZOOM IN AND TOGGLE DOWN. 162 00:07:29,433 --> 00:07:31,467 HMM. THAT'S NOT GOOD. 163 00:07:31,500 --> 00:07:33,267 UH, MAY I SEE YOUR NECK, PLEASE? 164 00:07:33,300 --> 00:07:35,133 TOGGLE UP, BUZZ. 165 00:07:37,267 --> 00:07:39,433 NO. IT'S NOT. 166 00:07:39,467 --> 00:07:41,767 WHERE DID YOU GET THOSE BRUISES? 167 00:07:41,800 --> 00:07:43,900 AS I TOLD CAPTAIN RAYDOR, I FELL. 168 00:07:43,933 --> 00:07:46,767 ONTO SOMEONE'S OPEN HAND? 169 00:07:46,800 --> 00:07:48,433 I WONDER WHAT YOUR HUSBAND, SHAWN, WOULD SAY 170 00:07:48,467 --> 00:07:50,167 IF I QUESTIONED HIM ABOUT THOSE BRUISES. 171 00:07:50,200 --> 00:07:52,833 LEAVE MY HUSBAND OUT OF THIS. 172 00:07:57,500 --> 00:07:59,300 ALL RIGHT, THEN. 173 00:07:59,333 --> 00:08:00,933 I CAN'T FORCE YOU TO FILE A REPORT, 174 00:08:00,967 --> 00:08:02,633 BUT IT IS IMPORTANT THAT YOU UNDERSTAND 175 00:08:02,667 --> 00:08:05,433 THAT, AS YOUR SUPERVISORS, IF WE SUSPECT DOMESTIC ABUSE, 176 00:08:05,467 --> 00:08:07,033 WE ARE REQUIRED TO DOCUMENT IT. 177 00:08:07,067 --> 00:08:08,300 FINE. CONSIDER IT DOCUMENTED. 178 00:08:08,333 --> 00:08:10,167 WITH PICTURES. 179 00:08:10,200 --> 00:08:12,667 I AM SENDING YOU DOWN TO THE S.I.D. PHOTO LAB. NO WAY. 180 00:08:12,700 --> 00:08:15,700 IF YOU REFUSE TO COOPERATE, I NEED TO DOCUMENT THAT, TOO... 181 00:08:15,733 --> 00:08:17,133 AS INSUBORDINATION. 182 00:08:17,167 --> 00:08:19,667 SO, YOU AND CAPTAIN RAYDOR SEE A FEW BRUISES 183 00:08:19,700 --> 00:08:21,000 AND NOW YOUR OVERREACTING 184 00:08:21,033 --> 00:08:23,767 BECOMES PART OF MY PERMANENT FILE? 185 00:08:23,800 --> 00:08:25,767 DO YOU REALIZE WHAT YOU'RE DOING? 186 00:08:25,800 --> 00:08:28,267 I'M JUST FOLLOWING RULES. 187 00:08:28,300 --> 00:08:32,267 AND IT WOULD HELP IF YOU DID THE SAME. 188 00:08:52,033 --> 00:08:54,067 NOT EVEN A RESTRAINING ORDER YET? 189 00:08:54,100 --> 00:08:56,567 Taylor: SHE'S PROBABLY AFRAID TO FILE. 190 00:08:56,600 --> 00:08:59,433 BIG GUY LIKE THAT HITTING HER. 191 00:08:59,467 --> 00:09:02,367 WELL, YOU DID WHAT YOU COULD. 192 00:09:03,367 --> 00:09:04,667 THAT'S IT? 193 00:09:04,700 --> 00:09:06,867 CHIEF POPE TOLD ME YOU ASKED FOR DISCRETION. 194 00:09:06,900 --> 00:09:10,267 YES, AND, UH, HE ALSO ASKED 195 00:09:10,300 --> 00:09:12,200 THAT THIS CASE BE TAKEN SERIOUSLY, 196 00:09:12,233 --> 00:09:13,967 AND YET I CAN SEE THAT THERE'S NO ONE ELSE HERE. 197 00:09:14,000 --> 00:09:15,600 THAT'S BECAUSE THEY'RE ALL OUT CANVASSING 198 00:09:15,633 --> 00:09:17,033 DETECTIVE MOORE'S NEIGHBORHOOD, 199 00:09:17,067 --> 00:09:18,767 LOOKING FOR SOMETHING THAT I CAN FOLLOW UP ON. 200 00:09:18,800 --> 00:09:21,133 THIS IS ABUSE, PLAIN AND SIMPLE. 201 00:09:21,167 --> 00:09:22,333 YOU DIDN'T GET AN ADMISSION 202 00:09:22,367 --> 00:09:23,867 OF ABUSE FROM HER EITHER, CAPTAIN. 203 00:09:23,900 --> 00:09:25,333 AND HAVE YOU CONSIDERED 204 00:09:25,367 --> 00:09:26,867 WHAT THE HUSBAND'S ATTORNEY MIGHT DO 205 00:09:26,900 --> 00:09:28,533 IF IT TURNS OUT HE'S INNOCENT? 206 00:09:28,567 --> 00:09:31,833 SHOOT. I COULD WRITE THOSE HEADLINES. 207 00:09:31,867 --> 00:09:34,600 WELL, YOU ARE WORRIED ABOUT HEADLINES, COMMANDER, 208 00:09:34,633 --> 00:09:36,200 AND I'M WORRIED ABOUT ONE OF MY EMPLOYEES 209 00:09:36,233 --> 00:09:38,733 GETTING THE CRAP BEAT OUT OF HER. 210 00:09:38,767 --> 00:09:40,700 IS THERE NO WAY TO TALK TO THE HUSBAND? 211 00:09:40,733 --> 00:09:42,533 THAT'S WHAT I'D DO. 212 00:09:42,567 --> 00:09:44,767 YOU'RE NOT IN CHARGE HERE, AND I DON'T HAVE WHAT I NEED 213 00:09:44,800 --> 00:09:46,233 TO CONFRONT SHAWN MOORE. 214 00:09:46,267 --> 00:09:48,467 YOU GET PEOPLE TO CONFESS TO MURDER ALL THE TIME 215 00:09:48,500 --> 00:09:50,767 AND YOU'RE TELLING ME THAT, WITH THESE PICTURES IN HAND, 216 00:09:50,800 --> 00:09:53,967 YOU CAN'T PICK UP THE PHONE AND CALL ALLY'S HUSBAND 217 00:09:54,000 --> 00:09:57,100 AND ASK HIM HOW SHE BECAME SO SEVERELY BEATEN? 218 00:09:57,133 --> 00:09:58,967 CAPTAIN! 219 00:09:59,000 --> 00:10:00,200 I CARE ABOUT THIS KIND OF VIOLENCE 220 00:10:00,233 --> 00:10:02,933 EVERY BIT AS MUCH AS YOU DO. 221 00:10:04,433 --> 00:10:07,433 OKAY. 222 00:10:07,467 --> 00:10:10,567 I'LL TAKE YOUR WORD FOR IT. 223 00:10:10,600 --> 00:10:14,567 AND I WILL EXPECT A MORE THOROUGH REPORT LATER. 224 00:10:14,600 --> 00:10:18,033 THANK YOU. 225 00:10:19,867 --> 00:10:20,833 THOROUGH. 226 00:10:29,667 --> 00:10:32,300 Brenda: FRITZI? 227 00:10:32,333 --> 00:10:34,300 FRITZI? 228 00:10:34,333 --> 00:10:36,867 NO, NO, NO, NO, NO, NO, NO, NO, NO. 229 00:10:36,900 --> 00:10:38,833 NOT ON THE TABLE. NOT ON THE TABLE. 230 00:10:38,867 --> 00:10:40,500 WHAT ARE YOU DOING UP THERE, HUH? 231 00:10:40,533 --> 00:10:41,567 HUH? 232 00:10:41,600 --> 00:10:44,200 WHAT ARE YOU DO 233 00:10:44,233 --> 00:10:46,067 HMM! 234 00:10:46,100 --> 00:10:47,933 PBHT! 235 00:11:17,600 --> 00:11:20,600 CHIEF. CHIEF. WE GOT, UH, POPE DOWN -- 236 00:11:20,633 --> 00:11:23,233 LIEUTENANT! SST! 237 00:11:23,267 --> 00:11:25,400 CHIEF JOHNSON, IF YOU COULD. 238 00:11:25,433 --> 00:11:27,100 I'm sorry. 239 00:11:36,333 --> 00:11:38,433 WHAT WAS THAT ALL ABOUT? 240 00:11:38,467 --> 00:11:39,967 I TAKE IT YOUR INTERVIEW WITH DETECTIVE MOORE 241 00:11:40,000 --> 00:11:41,667 REGARDING HER DOMESTIC-ABUSE SITUATION 242 00:11:41,700 --> 00:11:43,233 DIDN'T GO WELL YESTERDAY? 243 00:11:43,267 --> 00:11:44,833 DID CAPTAIN RAYDOR CALL YOU? 244 00:11:44,867 --> 00:11:47,833 NO, I SPOKE WITH HER IN PERSON AT THE CRIME SCENE. 245 00:11:47,867 --> 00:11:49,567 WHAT CRIME SCENE? 246 00:11:50,933 --> 00:11:53,300 AT APPROXIMATELY 1:00 A.M. THIS MORNING, 247 00:11:53,333 --> 00:11:57,033 A 911 CALL WAS PUT OUT FROM DETECTIVE MOORE'S RESIDENCE. 248 00:11:57,067 --> 00:11:58,733 WHEN THE RESPONDING OFFICER ARRIVED, 249 00:11:58,767 --> 00:12:02,000 HER HUSBAND, SHAWN, FIRED AT HIM WITH HER WEAPON. 250 00:12:02,033 --> 00:12:04,533 THE OFFICER RETURNED FIRE, KILLING HIM. 251 00:12:04,567 --> 00:12:05,833 OH. 252 00:12:05,867 --> 00:12:08,033 SO ALLY ISN'T DEAD? 253 00:12:08,067 --> 00:12:11,567 BUT THE HUSBAND IS, GOING ON EIGHT HOURS NOW. 254 00:12:11,600 --> 00:12:13,100 F.I.D. WAS SENT TO THE SCENE 255 00:12:13,133 --> 00:12:14,800 BECAUSE IT'S AN OFFICER-INVOLVED SHOOTING, 256 00:12:14,833 --> 00:12:16,200 WHICH CAPTAIN RAYDOR BELIEVES 257 00:12:16,233 --> 00:12:18,133 IS A DIRECT RESULT OF YOUR NOT TAKING 258 00:12:18,167 --> 00:12:19,767 DETECTIVE MOORE'S PROBLEM SERIOUSLY ENOUGH, 259 00:12:19,800 --> 00:12:22,333 AND I'M INCLINED TO AGREE WITH HER. 260 00:12:22,367 --> 00:12:24,167 YOUR FAILURE TO INTERVIEW THE HUSBAND 261 00:12:24,200 --> 00:12:27,100 ENDANGERED THE LIVES OF TWO L.A.P.D. OFFICERS. 262 00:12:27,133 --> 00:12:28,567 LET ME BE CLEAR ABOUT THIS. 263 00:12:28,600 --> 00:12:31,267 DETECTIVE MOORE WOULD NOT FILE CHARGES, 264 00:12:31,300 --> 00:12:33,667 AND YOU INSISTED ON DISCRETION -- 265 00:12:33,700 --> 00:12:36,333 "TREAD LIGHTLY" -- WHICH IS EXACTLY HOW I PROCEEDED. 266 00:12:36,367 --> 00:12:37,600 IF THIS HAD BEEN A MURDER, 267 00:12:37,633 --> 00:12:39,367 YOU WOULD HAVE BEEN HERE ALL NIGHT. 268 00:12:39,400 --> 00:12:41,533 IN A MURDER CASE, I DON'T NEED A CRIMINAL COMPLAINT. 269 00:12:41,567 --> 00:12:43,133 THERE'S A DEAD BODY. 270 00:12:43,167 --> 00:12:45,300 YEAH, WELL, YOU GOT ONE OF THOSE NOW! YOU HAPPY?! 271 00:12:45,333 --> 00:12:46,700 BECAUSE WHEN THE PRESS GETS WORD 272 00:12:46,733 --> 00:12:49,333 THAT WE KNEW ONE OF OUR OFFICERS WAS IN DANGER 273 00:12:49,367 --> 00:12:51,733 AND WE DID NOT MOVE AGGRESSIVELY TO FIX IT -- 274 00:12:51,767 --> 00:12:55,967 AND LET ME BE CLEAR, YOU DID NOT MOVE AGGRESSIVELY! 275 00:12:56,000 --> 00:12:58,400 LOOK -- WHY DIDN'T YOU INTERVIEW THE HUSBAND?! 276 00:12:58,433 --> 00:12:59,800 ANSWER THAT! 277 00:12:59,833 --> 00:13:01,867 IT'S BECAUSE CAPTAIN RAYDOR SUGGESTED IT! 278 00:13:01,900 --> 00:13:04,367 AND DON'T TRY TO PRETEND OTHERWISE! 279 00:13:08,367 --> 00:13:10,700 MAYBE YOU JUST DON'T CARE ANYMORE 280 00:13:10,733 --> 00:13:12,667 ABOUT HOW THIS MIGHT AFFECT THE DEPARTMENT, 281 00:13:12,700 --> 00:13:16,333 BUT UNDERSTAND THIS -- I DO CARE. 282 00:13:16,367 --> 00:13:18,067 YOU AND YOUR SQUAD WILL GO 283 00:13:18,100 --> 00:13:20,633 TO DETECTIVE MOORE'S HOUSE IMMEDIATELY, 284 00:13:20,667 --> 00:13:22,733 AND THE DOMESTIC-ABUSE CASE WILL REMAIN OPEN 285 00:13:22,767 --> 00:13:25,233 UNTIL YOU HAVE PROVEN, TO MY SATISFACTION, 286 00:13:25,267 --> 00:13:26,800 THAT WE DID EVERYTHING POSSIBLE 287 00:13:26,833 --> 00:13:30,000 TO AVOID WHAT HAPPENED LAST NIGHT! 288 00:14:04,600 --> 00:14:07,567 BUZZ, HOW DID YOU GET HERE SO MUCH FASTER THAN WE DID? 289 00:14:07,600 --> 00:14:10,533 MY GPS IS REALLY GOOD. 290 00:14:10,567 --> 00:14:11,567 WHY DON'T WE GET GPS? 291 00:14:11,600 --> 00:14:14,567 IT'S CALLED A MAP. 292 00:14:31,967 --> 00:14:34,833 OFFICER. 293 00:14:40,833 --> 00:14:42,467 EXCUSE ME, CHIEF. 294 00:14:42,500 --> 00:14:44,667 I HAVE MY HANDS FULL HERE ALREADY, 295 00:14:44,700 --> 00:14:46,267 AND GIVEN THE CIRCUMSTANCES, 296 00:14:46,300 --> 00:14:49,800 I'M JUST NOT SURE WHAT ELSE THERE IS FOR YOU TO DO. 297 00:14:49,833 --> 00:14:51,767 I'VE ALREADY HEARD IT, CAPTAIN, 298 00:14:51,800 --> 00:14:54,000 FROM SOMEONE HIGHER RANKING THAN YOU. 299 00:14:54,033 --> 00:14:55,233 I'LL NEED A BRIEFING. 300 00:14:55,267 --> 00:14:56,767 YOUR CASE IS OVER. 301 00:14:56,800 --> 00:14:58,133 NOT ACCORDING TO CHIEF POPE. 302 00:14:58,167 --> 00:15:00,200 SO... 303 00:15:01,367 --> 00:15:04,633 AFTER YOU, CAPTAIN, AFTER YOU. 304 00:15:07,500 --> 00:15:09,100 Raydor: AT 1:02 A.M. THIS MORNING, 305 00:15:09,133 --> 00:15:12,400 A 911 CALL WAS PLACED FROM THIS RESIDENCE 306 00:15:12,433 --> 00:15:14,200 BY DETECTIVE ALLY MOORE, 307 00:15:14,233 --> 00:15:15,500 WITH WHOM I-I DO BELIEVE 308 00:15:15,533 --> 00:15:18,667 MAJOR CRIMES IS SLIGHTLY FAMILIAR. 309 00:15:18,700 --> 00:15:21,700 ALLY MANAGED TO LOCK HERSELF INSIDE THE BATHROOM LONG ENOUGH 310 00:15:21,733 --> 00:15:23,533 TO CRY FOR HELP TO THE OPERATOR. 311 00:15:23,567 --> 00:15:24,900 WHILE THE RADIO CALL WENT OUT, 312 00:15:24,933 --> 00:15:26,500 HER HUSBAND KNOCKED DOWN THE DOOR, 313 00:15:26,533 --> 00:15:28,933 DRAGGED HER ACROSS THE FLOOR AND, AT SOME POINT, 314 00:15:28,967 --> 00:15:31,700 SMASHED HER FACE AGAINST THIS DOORFRAME. 315 00:15:31,733 --> 00:15:36,433 SERGEANT RYAN DUNN WAS THE FIRST ONE ON THE SCENE AT 1:05 A.M. 316 00:15:36,467 --> 00:15:37,400 SO, HE ENTERED HERE? 317 00:15:37,433 --> 00:15:39,533 YES, WITH WEAPON DRAWN. 318 00:15:39,567 --> 00:15:42,200 NOW, SHAWN MOORE, YOUR SUSPECT, WAS RIGHT HERE, 319 00:15:42,233 --> 00:15:45,567 AND HE WAS IN POSSESSION OF HIS WIFE'S GUN. 320 00:15:45,600 --> 00:15:46,367 HERE? 321 00:15:46,400 --> 00:15:47,700 RIGHT. 322 00:15:47,733 --> 00:15:49,400 MR. MOORE FIRED AT SERGEANT DUNN. 323 00:15:49,433 --> 00:15:50,933 AND MISSED. 324 00:15:50,967 --> 00:15:54,167 SERGEANT DUNN RETURNED FIRE, HITTING MR. MOORE TWICE, 325 00:15:54,200 --> 00:15:57,833 AND YOUR SUSPECT COLLAPSED RIGHT HERE. 326 00:15:57,867 --> 00:16:00,567 AND WHERE'S ALLY MOORE RIGHT NOW? 327 00:16:00,600 --> 00:16:03,733 ALLY IS AT UCLA HOSPITAL RECEIVING TREATMENT 328 00:16:03,767 --> 00:16:06,233 FOR THE CONCUSSION SHE RECEIVED DURING THE ATTACK, 329 00:16:06,267 --> 00:16:08,833 OR MAYBE PERHAPS IT WAS JUST ANOTHER BAD FALL. 330 00:16:08,867 --> 00:16:10,300 I R-- 331 00:16:10,333 --> 00:16:13,333 I-I DON'T WANT TO SECOND-GUESS YOUR CASE. 332 00:16:13,367 --> 00:16:16,167 OKAY. UH, I'M GOING TO NEED TO SPEAK TO SERGEANT DUNN. 333 00:16:16,200 --> 00:16:18,333 SORRY. 334 00:16:18,367 --> 00:16:19,867 REGARDLESS OF WHAT CHIEF POPE MIGHT THINK, 335 00:16:19,900 --> 00:16:23,067 SERGEANT DUNN'S O.I.S. FALLS UNDER MY JURISDICTION, 336 00:16:23,100 --> 00:16:24,567 AND YOU'RE NOT GOING TO TALK TO HIM 337 00:16:24,600 --> 00:16:26,200 UNTIL I FINISH MY REPORT. 338 00:16:26,233 --> 00:16:28,167 OKAY, LET'S MAKE THIS EASIER. 339 00:16:28,200 --> 00:16:31,567 I ORDER YOU TO MAKE SERGEANT DUNN AVAILABLE IMMEDIATELY 340 00:16:31,600 --> 00:16:33,800 TO BE INTERVIEWED BY A NEUTRAL THIRD PARTY. 341 00:16:33,833 --> 00:16:36,067 AND WHO MIGHT THAT BE? 342 00:16:36,100 --> 00:16:39,100 HOW YOU DOING, SERGEANT? GOOD TO SEE YOU. 343 00:16:39,133 --> 00:16:41,200 Monroe: SERGEANT DUNN HAS ALREADY GIVEN HIS STATEMENT, 344 00:16:41,233 --> 00:16:43,200 WHICH COULDN'T HAVE BEEN MORE CLEAR AND STRAIGHTFORWARD. 345 00:16:43,233 --> 00:16:45,700 YEAH, WE KNOW. SO, WHY ARE WE HERE? 346 00:16:45,733 --> 00:16:46,933 JUST A FEW QUESTIONS. AND HE'S GONE OVER HIS ACTION WITH CAPTAIN RAYDOR. 347 00:16:46,967 --> 00:16:48,367 WHAT MORE DO YOU PEOPLE NEED? 348 00:16:48,400 --> 00:16:50,067 Gabriel: LOOK, SERGEANT DUNN HAS ONLY HAD 349 00:16:50,100 --> 00:16:53,133 ONE OTHER OFFICER-INVOLVED SHOOTING HIS ENTIRE CAREER. 350 00:16:53,167 --> 00:16:56,400 F.I.D. CLEARED HIM BEFORE. THEY'LL DO IT AGAIN. 351 00:16:56,433 --> 00:16:58,967 MAJOR CRIMES HAS A CASE RELATED TO THE SUSPECT 352 00:16:59,000 --> 00:17:00,667 WHO WAS SHOT TO DEATH LAST NIGHT. 353 00:17:00,700 --> 00:17:04,000 THAT'S ALL. 354 00:17:04,033 --> 00:17:05,100 WHAT DO YOU WANT TO KNOW? 355 00:17:05,133 --> 00:17:07,267 FIRST... 356 00:17:07,300 --> 00:17:10,633 HAD YOU EVER MET DETECTIVE MOORE BEFORE LAST NIGHT? 357 00:17:10,667 --> 00:17:12,733 NO. WELL, NOT TO MY KNOWLEDGE. 358 00:17:12,767 --> 00:17:14,833 SO, YOU WERE COMPLETELY UNAWARE 359 00:17:14,867 --> 00:17:17,600 THAT THE L.A.P.D. HAD MOUNTED AN INQUIRY 360 00:17:17,633 --> 00:17:18,933 AS TO WHETHER DETECTIVE MOORE 361 00:17:18,967 --> 00:17:21,867 WAS THE TARGET OF DOMESTIC ABUSE? 362 00:17:21,900 --> 00:17:24,867 WELL, LOOKS LIKE WHOEVER WAS CONDUCTING THAT INVESTIGATION 363 00:17:24,900 --> 00:17:26,933 DROPPED THE BALL. 364 00:17:28,367 --> 00:17:29,267 YEAH. 365 00:17:29,300 --> 00:17:31,300 YOU KNOW WHAT, SERGEANT? 366 00:17:31,333 --> 00:17:33,667 YOU DON'T KNOW JACK ABOUT THAT, 367 00:17:33,700 --> 00:17:35,833 SO WHY DON'T YOU JUST STICK TO YOUR OWN ACTIONS? 368 00:17:35,867 --> 00:17:38,167 HOW ABOUT THAT? 369 00:17:40,433 --> 00:17:41,467 UH...YES, SIR. 370 00:17:41,500 --> 00:17:43,233 GOOD. 371 00:17:43,267 --> 00:17:46,367 NOW...YOU WERE FIRST ON THE SCENE, CORRECT? 372 00:17:46,400 --> 00:17:48,500 YES, SIR. WHEN I HEARD THE RADIO CALL. 373 00:17:48,533 --> 00:17:50,267 AND HOW QUICKLY WERE YOU ABLE TO RESPOND? 374 00:17:50,300 --> 00:17:53,033 LESS THAN 3 MINUTES. 1:05 A.M. 375 00:17:53,067 --> 00:17:55,767 I PARKED. I GOT OUT OF THE CAR. 376 00:17:57,133 --> 00:17:59,000 I HEARD SCREAMING INSIDE THE HOUSE. 377 00:17:59,033 --> 00:18:00,500 I KICKED IN THE FRONT DOOR. 378 00:18:00,533 --> 00:18:02,267 I ENTERED WITH MY WEAPON DRAWN. 379 00:18:02,300 --> 00:18:03,867 AND WHAT DID YOU SEE? 380 00:18:03,900 --> 00:18:07,467 A WHITE MALE, 30 TO 40, 6'3" OR MORE, 381 00:18:07,500 --> 00:18:10,033 POINTING A GUN AT A WOMAN ON THE FLOOR AT HIS FEET. 382 00:18:10,067 --> 00:18:12,633 AND THEN WHAT? I ORDERED THE GUY TO DROP THE GUN. 383 00:18:12,667 --> 00:18:15,900 DROP IT NOW! HE TURNED AND FIRED AT ME, SO I RETURNED FIRE. 384 00:18:15,933 --> 00:18:17,133 HE KEPT MOVING TOWARD ME. 385 00:18:17,167 --> 00:18:19,400 I FIRED AGAIN. HE HIT THE FLOOR. 386 00:18:19,433 --> 00:18:21,667 I KICKED THE GUN OUT OF HIS HAND. 387 00:18:21,700 --> 00:18:23,567 THAT'S WHEN I CLEARED THE HOUSE. 388 00:18:23,600 --> 00:18:26,167 I SAW THE VICTIM HAD A BLOODY GASH ON HER HEAD, 389 00:18:26,200 --> 00:18:27,800 SO I CALLED PARAMEDICS. 390 00:18:27,833 --> 00:18:29,967 AND DETECTIVE MOORE'S STATE OF MIND? 391 00:18:30,000 --> 00:18:33,267 WELL, SHE KEPT SCREAMING AT ME FOR SHOOTING HER HUSBAND. 392 00:18:33,300 --> 00:18:37,167 SCREAMING AT YOU FOR SHOOTING HER HUSBAND. 393 00:18:37,200 --> 00:18:40,367 TELL ME -- SERGEANT, DID DETECTIVE MOORE MENTION 394 00:18:40,400 --> 00:18:46,400 HOW HER HUSBAND HAPPENED TO GET HER GUN? 395 00:18:46,433 --> 00:18:48,733 UM, WHAT DO YOU MEAN? 396 00:18:48,767 --> 00:18:51,067 WELL, I-I'M JUST WONDERING, 397 00:18:51,100 --> 00:18:52,500 IF SHE WAS SO AFRAID OF HER HUSBAND, 398 00:18:52,533 --> 00:18:57,033 WHY -- WHY WOULD YOU KEEP A GUN IN YOUR HOUSE? 399 00:18:57,067 --> 00:18:58,067 I DON'T KNOW. 400 00:18:58,100 --> 00:19:00,133 TO PROTECT HERSELF. 401 00:19:00,167 --> 00:19:02,567 WAIT. DID -- DID DETECTIVE MOORE SAY THAT? 402 00:19:02,600 --> 00:19:04,367 WELL...YEAH. 403 00:19:04,400 --> 00:19:06,533 SHE SAID HER HUSBAND HAD BEEN ABUSING HER, 404 00:19:06,567 --> 00:19:10,233 AND THAT'S WHY SHE KEPT HER GUN IN THE HOUSE. 405 00:19:10,267 --> 00:19:13,567 AND BEFORE I COULD ASK ANY MORE QUESTIONS, BACKUP ARRIVED. 406 00:19:13,600 --> 00:19:15,700 THE PARAMEDICS CAME, AND -- 407 00:19:15,733 --> 00:19:18,533 AT, UH, LET'S SEE. 1:07 A.M. 408 00:19:18,567 --> 00:19:20,033 YES, SIR. 409 00:19:20,067 --> 00:19:21,467 THANK YOU, SERGEANT. 410 00:19:21,500 --> 00:19:23,233 THANK YOU, MR. MONROE. 411 00:19:23,267 --> 00:19:26,600 WELL, I THINK THAT WE CAN ALL AGREE 412 00:19:26,633 --> 00:19:30,400 THAT, AS IT REGARDS YOUR DOMESTIC-ABUSE INVESTIGATION, 413 00:19:30,433 --> 00:19:33,567 THIS INTERVIEW IS DAMAGING. 414 00:19:33,600 --> 00:19:35,800 YES, CAPTAIN. IT CERTAINLY IS. 415 00:19:43,967 --> 00:19:46,800 Brenda: WELL, FIRST OFF, SERGEANT DUNN RATTLED OFF 416 00:19:46,833 --> 00:19:48,267 ABOUT 500 THINGS THAT HE DID DURING TWO MINUTES 417 00:19:48,300 --> 00:19:52,000 AT THE CRIME SCENE BEFORE BACKUP ARRIVED. 418 00:19:52,033 --> 00:19:54,133 WHERE'S THE BOX WITH THE, UH, CHICKEN AND THE BEEF 419 00:19:54,167 --> 00:19:55,700 AND THE PORK AND THE SHRIMP THING I LIKE? 420 00:19:55,733 --> 00:19:57,733 WHAT'S IT CALLED AGAIN? 421 00:19:57,767 --> 00:19:59,333 THE HAPPY FAMILY. 422 00:19:59,367 --> 00:20:00,200 MM. 423 00:20:00,233 --> 00:20:02,733 IT'S RIGHT HERE. 424 00:20:02,767 --> 00:20:04,667 THANK YOU. 425 00:20:04,700 --> 00:20:07,100 HOT MUSTARD? 426 00:20:07,133 --> 00:20:08,267 THEY FORGOT IT AGAIN. 427 00:20:08,300 --> 00:20:09,700 OH! 428 00:20:09,733 --> 00:20:13,167 UHH! 429 00:20:13,200 --> 00:20:15,400 WHEN I SPOKE TO DETECTIVE MOORE YESTERDAY, 430 00:20:15,433 --> 00:20:17,667 I DID EVERYTHING BUT STAND ON MY HEAD 431 00:20:17,700 --> 00:20:19,667 TO CONVINCE HER TO FILE A REPORT, 432 00:20:19,700 --> 00:20:21,067 BUT SHE WOULDN'T DO IT, 433 00:20:21,100 --> 00:20:23,300 AND -- AND -- AND WILL STARTS YELLING AT ME 434 00:20:23,333 --> 00:20:24,633 FOR IGNORING THE HUSBAND. 435 00:20:24,667 --> 00:20:25,867 I DIDN'T IGNORE THE HUSBAND! 436 00:20:25,900 --> 00:20:27,400 YOU WOULD NEVER IGNORE THE HUSBAND. 437 00:20:27,433 --> 00:20:31,700 EXACTLY! IT'S COMPLETELY UNFAIR. 438 00:20:31,733 --> 00:20:34,300 AND DON'T YOU THINK IT'S UNFAIR? 439 00:20:34,333 --> 00:20:35,600 YEAH. 440 00:20:35,633 --> 00:20:37,167 IT'S REALLY UNFAIR. 441 00:20:37,200 --> 00:20:39,100 SO, WHY DON'T YOU QUIT? 442 00:20:39,133 --> 00:20:40,400 QUIT WHAT? 443 00:20:40,433 --> 00:20:42,567 YOUR JOB, IF IT'S SO HORRIBLE. 444 00:20:42,600 --> 00:20:44,967 OH, COME ON. I CAN'T QUIT. 445 00:20:45,000 --> 00:20:47,300 WELL, THEN PLEASE STOP COMPLAINING ABOUT IT. 446 00:20:47,333 --> 00:20:49,600 MAYBE YOU DON'T REALIZE, BUT EVER SINCE YOU'VE COME HOME, 447 00:20:49,633 --> 00:20:53,267 YOU HAVE ONLY TALKED ABOUT YOU, YOUR JOB, AND THE FOOD -- 448 00:20:53,300 --> 00:20:56,333 "MY MURDER, MY VICTIM, THE MUSTARD." 449 00:20:56,367 --> 00:20:58,367 HOW ABOUT ASKING HOW MY DAY WENT? 450 00:20:58,400 --> 00:20:59,933 YOU KNOW, "HEY, FRITZ, 451 00:20:59,967 --> 00:21:02,733 HOW'S YOUR -- YOUR LITTLE JOB AT THE FBI?" 452 00:21:02,767 --> 00:21:04,700 HEY, WAIT A MINUTE. THAT'S NOT FAIR. 453 00:21:04,733 --> 00:21:06,733 I NEVER MAKE LIGHT OF YOUR JOB. 454 00:21:06,767 --> 00:21:11,533 I-I-I WAS JUST ABOUT TO ASK YOU HOW YOUR DAY WAS...HONEY. 455 00:21:11,567 --> 00:21:15,167 D-DON'T...DON'T BE MAD. 456 00:21:15,200 --> 00:21:16,133 YOU WANT TO KNOW HOW MY DAY WAS? 457 00:21:16,167 --> 00:21:18,400 YES, I DO. 458 00:21:18,433 --> 00:21:20,533 IT WAS EXTREMELY FRUSTRATING, 459 00:21:20,567 --> 00:21:23,033 AND NOW I'M EXHAUSTED, SO I'M GOING TO BED. 460 00:21:23,067 --> 00:21:25,867 YOU CAN FINISH OFF THE HAPPY FAMILY BY YOURSELF, 461 00:21:25,900 --> 00:21:28,233 AND COULD YOU PLEASE JUST... 462 00:21:28,267 --> 00:21:30,533 PUT EVERYTHING AWAY WHEN YOU'RE FINISHED? 463 00:21:30,567 --> 00:21:33,333 OF COURSE I'LL DO THAT. 464 00:21:38,233 --> 00:21:41,300 YOU'RE AWFULLY TOUCHY LATELY. 465 00:21:41,333 --> 00:21:46,233 WHAT'S THAT ALL ABOUT? 466 00:21:46,267 --> 00:21:49,400 SO, IN TWO DAYS OF CANVASSING, NO ONE HAS EVER HEARD ANYTHING 467 00:21:49,433 --> 00:21:50,733 IN DETECTIVE MOORE'S NEIGHBORHOOD -- 468 00:21:50,767 --> 00:21:52,633 NO YELLING, NO ARGUING, NO GUNSHOTS, 469 00:21:52,667 --> 00:21:54,333 SO I'M THINKING THEY MUST HAVE 470 00:21:54,367 --> 00:21:56,267 A MIND-YOUR-OWN-BUSINESS CLAUSE IN THEIR MORTGAGES. 471 00:21:56,300 --> 00:21:57,767 LIEUTENANT FLYNN, 472 00:21:57,800 --> 00:22:00,667 WERE YOU ABLE TO TIME SERGEANT DUNN'S ACTIONS? 473 00:22:00,700 --> 00:22:02,033 I DID A WALK-THROUGH OF THE CRIME SCENE, 474 00:22:02,067 --> 00:22:03,333 INCLUDING THE CONVERSATION 475 00:22:03,367 --> 00:22:05,500 THAT DUNN HAD WITH MOORE OUTSIDE THE HOUSE. 476 00:22:05,533 --> 00:22:07,500 HE WOULD HAD TO HAVE BEEN THERE LIKE... 477 00:22:07,533 --> 00:22:08,700 FOUR MINUTES BY HIMSELF. 478 00:22:08,733 --> 00:22:10,200 BUT BACKUP SHOWED UP IN TWO. 479 00:22:10,233 --> 00:22:11,700 Tao: ANOTHER LITTLE COMPLICATION -- 480 00:22:11,733 --> 00:22:13,133 PRELIM FOR THE MORGUE 481 00:22:13,167 --> 00:22:15,000 SAYS THE TWO SHOTS FIRED AT SHAWN MOORE -- 482 00:22:15,033 --> 00:22:17,167 ONE HIT HIM IN THE SPINE, THE OTHER ONE HIT HIM IN THE BRAIN. 483 00:22:17,200 --> 00:22:18,133 SO HE COULDN'T HAVE BEEN ADVANCING 484 00:22:18,167 --> 00:22:20,133 WHEN DUNN FIRED AT HIM. 485 00:22:20,167 --> 00:22:24,533 WELL, HE WAS EITHER INSTANTLY PARALYZED OR INSTANTLY DEAD. 486 00:22:24,567 --> 00:22:27,400 CHIEF, DETECTIVE MOORE'S WAITING FOR YOU IN INTERVIEW 2, 487 00:22:27,433 --> 00:22:29,667 AND CAPTAIN RAYDOR'S HERE. 488 00:22:29,700 --> 00:22:30,667 THANK YOU, BUZZ. 489 00:22:30,700 --> 00:22:32,367 OH! 490 00:22:32,400 --> 00:22:34,367 THAT WOMAN! 491 00:22:37,033 --> 00:22:40,733 I SEE YOU HAVE ALLY MOORE WAITING IN AN INTERVIEW ROOM. 492 00:22:40,767 --> 00:22:42,367 YES, CAPTAIN, I'M STILL TRYING TO FINISH UP 493 00:22:42,400 --> 00:22:43,633 WITH MY DOMESTIC-ABUSE CASE. 494 00:22:43,667 --> 00:22:45,633 HATE TO BE THE BEARER OF BAD NEWS, 495 00:22:45,667 --> 00:22:48,467 BUT YOU'RE NOT GONNA BE MAKING AN ARREST IN THAT CASE, CHIEF. 496 00:22:48,500 --> 00:22:50,033 YOUR SUSPECT IS DEAD. 497 00:22:50,067 --> 00:22:50,933 IF ANYONE'S GONNA INTERVIEW ALLY MOORE, 498 00:22:50,967 --> 00:22:52,300 IT'S GONNA BE ME. 499 00:22:52,333 --> 00:22:54,433 CAPTAIN, I CERTAINLY UNDERSTAND THE DESIRE 500 00:22:54,467 --> 00:22:55,967 TO WANT TO PROTECT ONE OF YOUR OWN. 501 00:22:56,000 --> 00:22:57,900 WELL, SOMEBODY HAS TO DO IT 502 00:22:57,933 --> 00:23:00,300 BECAUSE YOU CERTAINLY DIDN'T, CHIEF. 503 00:23:00,333 --> 00:23:02,700 WE'RE IN THE MIDDLE OF AN OFFICER-INVOLVED SHOOTING. 504 00:23:02,733 --> 00:23:04,233 ALLY MOORE'S A PERCIPIENT WITNESS. 505 00:23:04,267 --> 00:23:05,800 YOU KNOW WHAT, CAPTAIN? 506 00:23:05,833 --> 00:23:08,400 MAJOR CRIMES HAS A DOMESTIC-ABUSE CASE 507 00:23:08,433 --> 00:23:09,867 THAT'S ALSO STILL OPEN. 508 00:23:09,900 --> 00:23:13,433 THAT IS UNTIL CHIEF POPE SAYS OTHERWISE. 509 00:23:13,467 --> 00:23:15,333 SO, IF YOU REALLY WANT TO LESSEN 510 00:23:15,367 --> 00:23:18,500 THE BURDEN ON DETECTIVE MOORE, YOU... 511 00:23:18,533 --> 00:23:23,133 YOU TWO SHOULD, UM, QUESTION HER TOGETHER. 512 00:23:26,167 --> 00:23:28,000 OKAY. 513 00:23:28,033 --> 00:23:29,800 YOU KNOW WHAT? THAT'S FINE. 514 00:23:29,833 --> 00:23:32,533 UM, EXCUSE US, COMMANDER. 515 00:23:34,233 --> 00:23:37,100 AFTER YOU. 516 00:23:39,267 --> 00:23:41,767 OH, GOD. 517 00:23:43,200 --> 00:23:45,667 THIS IS SO HORRIBLE. I AM SO SORRY. 518 00:23:45,700 --> 00:23:50,000 YOU DO NOT NEED TO APOLOGIZE, DETECTIVE. 519 00:23:50,033 --> 00:23:51,233 I HAVE TO. 520 00:23:51,267 --> 00:23:53,467 BECAUSE OF MY REFUSAL TO COOPERATE, 521 00:23:53,500 --> 00:23:56,067 AN OFFICER WAS FORCED TO PUT HIS LIFE AT RISK, 522 00:23:56,100 --> 00:23:59,067 AND MY HUSBAND IS DEAD. 523 00:23:59,100 --> 00:24:03,700 WELL, YOU'RE NOT THE ONLY ONE RESPONSIBLE FOR THAT. 524 00:24:03,733 --> 00:24:06,767 I SHOULDN'T HAVE TRIED TO HANDLE IT BY MYSELF. 525 00:24:06,800 --> 00:24:08,300 HANDLE WHAT YOURSELF? 526 00:24:08,333 --> 00:24:10,300 WHEN YOU SENT ME TO GET MY PHOTOGRAPHS, 527 00:24:10,333 --> 00:24:11,967 I KNEW IT WOULDN'T BE LONG BEFORE SOMEBODY 528 00:24:12,000 --> 00:24:14,600 WAS GONNA TALK TO SHAWN, SO WHEN I GOT HOME THAT NIGHT, 529 00:24:14,633 --> 00:24:16,900 I TOLD HIM THAT HE'D GONE TOO FAR 530 00:24:16,933 --> 00:24:18,233 AND THAT HE COULDN'T HIT ME ANYMORE 531 00:24:18,267 --> 00:24:20,500 BECAUSE I COULDN'T HIDE IT ANYMORE, 532 00:24:20,533 --> 00:24:23,533 AND HE GOT MAD AT ME. 533 00:24:23,567 --> 00:24:25,133 AND THAT'S WHEN HE ATTACKED YOU. 534 00:24:25,167 --> 00:24:26,600 YES. 535 00:24:26,633 --> 00:24:29,933 AND YOU LOCKED YOURSELF IN THE BATHROOM. 536 00:24:29,967 --> 00:24:30,533 YES. 537 00:24:30,567 --> 00:24:32,533 DIALED 911 -- 538 00:24:32,567 --> 00:24:34,233 UH, CAPTAIN...why don't we let Detective Moore tell the story? 539 00:24:34,267 --> 00:24:36,233 OH. I'M SORRY. 540 00:24:36,267 --> 00:24:37,700 PLEASE, CONTINUE. 541 00:24:37,733 --> 00:24:40,833 UM, I TOLD THE OPERATOR THAT... 542 00:24:40,867 --> 00:24:43,200 MY HUSBAND WAS TRYING TO KILL ME 543 00:24:43,233 --> 00:24:45,467 AND TO SEND HELP. 544 00:24:45,500 --> 00:24:48,233 I THINK... I WAS SCREAMING. 545 00:24:48,267 --> 00:24:50,500 SHAWN KNOCKED DOWN THE BATHROOM DOOR, 546 00:24:50,533 --> 00:24:51,900 AND THEN HE DRAGGED ME INTO THE LIVING ROOM, 547 00:24:51,933 --> 00:24:53,400 MOSTLY BY MY HAIR, 548 00:24:53,433 --> 00:24:55,900 AND THEN HE SMASHED MY FACE INTO SOMETHING -- 549 00:24:55,933 --> 00:24:57,567 I DON'T EVEN KNOW WHAT -- 550 00:24:57,600 --> 00:25:01,967 AND I COULDN'T SEE FOR A MOMENT, AND MY FACE WENT HOT, 551 00:25:02,000 --> 00:25:06,267 AND THEN I SAW HE HAD MY GUN IN HIS HANDS, 552 00:25:06,300 --> 00:25:08,233 AND THEN THERE WAS YELLING, 553 00:25:08,267 --> 00:25:11,867 AND THEN SHAWN MOVED AWAY FROM ME, 554 00:25:11,900 --> 00:25:13,633 AND... THEN I HEARD GUNSHOTS. 555 00:25:13,667 --> 00:25:15,567 LET ME ASK YOU THIS -- 556 00:25:15,600 --> 00:25:20,167 HOW EXACTLY DID YOUR HUSBAND GAIN POSSESSION OF YOUR WEAPON? 557 00:25:20,200 --> 00:25:21,633 UH... 558 00:25:21,667 --> 00:25:23,100 WELL, W 559 00:25:23,133 --> 00:25:27,067 YOUR HUSBAND FIRED AT SERGEANT DUNN USING YOUR GUN. 560 00:25:27,100 --> 00:25:28,333 HOW DID HE GET IT? 561 00:25:28,367 --> 00:25:29,633 OH. 562 00:25:29,667 --> 00:25:31,767 UM, WELL, HE KNEW WHERE I KEPT IT. 563 00:25:31,800 --> 00:25:34,133 WHICH WAS WHERE, EXACTLY? 564 00:25:34,167 --> 00:25:35,667 IN MY VEHICLE. 565 00:25:35,700 --> 00:25:37,467 SO, I D-- I DIDN'T THINK THAT SHAWN 566 00:25:37,500 --> 00:25:40,000 COULD GET TO MY GUN IF IT WAS OUT OF THE HOUSE, 567 00:25:40,033 --> 00:25:44,400 BUT MAYBE HE -- HE GOT MY KEYS WHEN I WAS IN THE BATHROOM. 568 00:25:44,433 --> 00:25:46,333 YEAH. 569 00:25:46,367 --> 00:25:48,200 WILL YOU APOLOGIZE TO SERGEANT DUNN FOR ME? 570 00:25:48,233 --> 00:25:49,800 BECAUSE I THINK THAT I YELLED AT HIM 571 00:25:49,833 --> 00:25:51,833 WHEN HE TRIED TO SAVE ME. 572 00:25:51,867 --> 00:25:56,700 AND I'M SORRY FOR THAT. 573 00:26:02,033 --> 00:26:04,267 CHIEF JOHNSON, I HAVE SOME CONCERNS 574 00:26:04,300 --> 00:26:06,900 ABOUT SERGEANT DUNN'S ORIGINAL STATEMENT. 575 00:26:06,933 --> 00:26:08,267 WHY, CAPTAIN? 576 00:26:08,300 --> 00:26:09,900 BECAUSE OF EVERYTHING HE ACCOMPLISHED 577 00:26:09,933 --> 00:26:12,467 IN THE VERY SHORT AMOUNT OF TIME BEFORE BACKUP ARRIVED? 578 00:26:12,500 --> 00:26:13,733 OR IS IT THE CONTRADICTORY PHYSICAL EVIDENCE 579 00:26:13,767 --> 00:26:15,467 FROM THE MORGUE? 580 00:26:15,500 --> 00:26:17,933 OR COULD IT BE THE PLACEMENT OF DETECTIVE MOORE'S GUN? 581 00:26:17,967 --> 00:26:19,800 WELL, I AM CURIOUS ALSO 582 00:26:19,833 --> 00:26:22,200 WHY DETECTIVE MOORE AND SERGEANT DUNN'S STATEMENT 583 00:26:22,233 --> 00:26:24,867 REGARDING HER WEAPON ARE SO DRASTICALLY DIFFERENT. 584 00:26:24,900 --> 00:26:26,933 IT'S THE ONE QUESTION THEY DIDN'T EXPECT US TO ASK. 585 00:26:26,967 --> 00:26:28,167 SO, YOU DO BELIEVE THEY KNEW EACH OTHER 586 00:26:28,200 --> 00:26:29,167 PRIOR TO THIS INCIDENT. 587 00:26:29,200 --> 00:26:31,300 OH, YES, CAPTAIN, I DO. 588 00:26:35,300 --> 00:26:36,733 SO, WHAT PROOF DO YOU HAVE THAT SERGEANT DUNN 589 00:26:36,767 --> 00:26:38,267 AND DETECTIVE MOORE KNEW EACH OTHER? 590 00:26:38,300 --> 00:26:40,500 THEY DENIED IT. 591 00:26:40,533 --> 00:26:42,800 OKAY, LET'S TALK ABOUT WHAT I MEAN BY "PROOF," 592 00:26:42,833 --> 00:26:45,300 BECAUSE WHEN I USE THAT WORD, I MEAN SOME PHYSICAL EVIDENCE 593 00:26:45,333 --> 00:26:48,367 THAT WE CAN ALL LOOK AT, YOU KNOW, AND GO, "AHH!" 594 00:26:48,400 --> 00:26:50,000 FINE. HOW ABOUT THIS? 595 00:26:50,033 --> 00:26:52,333 F.I.D.'s PHOTOS FROM THE CRIME SCENE. 596 00:26:52,367 --> 00:26:54,500 LOOK -- SERGEANT DUNN PARKED HIS PATROL CAR 597 00:26:54,533 --> 00:26:56,400 RIGHT IN FRONT OF THE HOUSE. 598 00:26:56,433 --> 00:26:58,367 TO WHICH HE HAD BEEN DISPATCHED. 599 00:26:58,400 --> 00:27:00,467 IT WAS DARK, ADDRESSES ARE HARD TO SEE, 600 00:27:00,500 --> 00:27:03,200 AND YOU NEVER PARK A PATROL CAR DIRECTLY IN FRONT OF THE HOUSE. 601 00:27:03,233 --> 00:27:05,167 OKAY, WHEN I SAY "PHYSICAL EVIDENCE," 602 00:27:05,200 --> 00:27:09,667 I MEAN, YOU KNOW, FINGERPRINTS, DNA, OR -- OR HOW ABOUT PHONE RECORDS? 603 00:27:09,700 --> 00:27:10,933 E 604 00:27:10,967 --> 00:27:12,533 NO E-MAILS. 605 00:27:12,567 --> 00:27:15,167 DID ANYONE EVER ACTUALLY SEE THEM TOG 606 00:27:15,200 --> 00:27:16,567 WHY DON'T I JUST STOP GUESSING 607 00:27:16,600 --> 00:27:18,867 AND JUST TELL ME EXACTLY HOW YOU CONCLUDED 608 00:27:18,900 --> 00:27:21,267 THAT DUNN AND MOORE HAD A RELATIONSHIP OF SOME KIND?! 609 00:27:21,300 --> 00:27:23,633 COME IN! 610 00:27:25,233 --> 00:27:27,367 WHAT IS THAT, CAPTAIN? 611 00:27:27,400 --> 00:27:30,567 SERGEANT DUNN'S OFFICER-INVOLVED-SHOOTING REPORT 612 00:27:30,600 --> 00:27:31,967 FROM THREE YEARS AGO. 613 00:27:32,000 --> 00:27:35,767 THAT'S ONE O.I.S. REPORT? IT IS. 614 00:27:35,800 --> 00:27:37,433 AND ALONG WITH SERGEANT ELLIOT, 615 00:27:37,467 --> 00:27:40,900 THERE WAS A SECOND RELATIVELY NEW F.I.D. DETECTIVE 616 00:27:40,933 --> 00:27:42,633 WHO ASSISTED HIM IN THE INVESTIGATION 617 00:27:42,667 --> 00:27:44,700 OF SERGEANT DUNN'S CASE. 618 00:27:46,100 --> 00:27:48,800 DETECTIVE ALLY MOORE. 619 00:27:51,067 --> 00:27:52,833 SO DUNN AND MOORE HAD MET. 620 00:27:52,867 --> 00:27:56,233 OH, I BET THEY WERE MORE THAN JUST FRIENDS. 621 00:27:58,567 --> 00:28:02,100 ALL RIGHT. WHAT'S THE NEXT STEP? 622 00:28:02,133 --> 00:28:04,333 THESE ARE THE BULLETS FIRED FROM DUNN'S GUN THREE YEARS AGO 623 00:28:04,367 --> 00:28:06,967 DURING HIS OFFICER-INVOLVED SHOOTING... 624 00:28:07,000 --> 00:28:09,833 AND THESE ARE THE BULLETS THAT WERE FIRED 625 00:28:09,867 --> 00:28:13,833 INTO SHAWN MOORE'S BODY TWO NIGHTS AGO. 626 00:28:13,867 --> 00:28:15,333 THE BULLETS DON'T MATCH UP. 627 00:28:15,367 --> 00:28:18,533 THEY DO NOT. BUT WAIT. 628 00:28:18,567 --> 00:28:19,567 THERE'S MORE. 629 00:28:19,600 --> 00:28:20,900 GOD! 630 00:28:20,933 --> 00:28:22,500 THIS IS THE BULLET 631 00:28:22,533 --> 00:28:25,433 THAT WAS FIRED AT SERGEANT DUNN BY SHAWN MOORE 632 00:28:25,467 --> 00:28:27,433 THE NIGHT BEFORE LAST. 633 00:28:29,300 --> 00:28:30,700 ARE YOU TELLING US, 634 00:28:30,733 --> 00:28:32,767 IN AS LONG A WAY AS POSSIBLE, OF COURSE, 635 00:28:32,800 --> 00:28:36,133 THAT THE BULLET FIRED AT SERGEANT DUNN 636 00:28:36,167 --> 00:28:38,900 CAME FROM HIS OWN GUN? 637 00:28:38,933 --> 00:28:40,100 YES. 638 00:28:41,800 --> 00:28:44,400 O-O-OKAY. SO, WAIT A MINUTE. 639 00:28:44,433 --> 00:28:46,667 DUNN'S GUN... 640 00:28:46,700 --> 00:28:48,067 I'M CONFUSED. 641 00:28:48,100 --> 00:28:50,100 WHAT LIEUTENANT TAO IS TRYING TO SAY 642 00:28:50,133 --> 00:28:51,900 IS THAT DURING THE RESCUE OF ALLY MOORE, 643 00:28:51,933 --> 00:28:53,767 THE BULLETS FIRED FROM SERGEANT DUNN'S GUN 644 00:28:53,800 --> 00:28:56,233 WERE NOT FIRED FROM SERGEANT DUNN'S GUN. 645 00:28:56,267 --> 00:28:57,667 EXACTLY. 646 00:28:57,700 --> 00:28:59,333 OKAY, SO, WHERE ARE THE BALLISTICS 647 00:28:59,367 --> 00:29:00,867 FROM DETECTIVE MOORE'S WEAPON? 648 00:29:00,900 --> 00:29:02,733 NOT BACK YET. 649 00:29:02,767 --> 00:29:04,467 BUT IT'S BEING RUSHED. 650 00:29:04,500 --> 00:29:05,433 WELL, NOT FAST ENOUGH, LIEUTENANT, 651 00:29:05,467 --> 00:29:06,467 BECAUSE I DON'T HAVE IT. 652 00:29:06,500 --> 00:29:08,967 NOW -- 653 00:29:12,200 --> 00:29:14,633 UH, ALL RIGHT, EVERYONE. 654 00:29:14,667 --> 00:29:16,567 I NEED TO KNOW EXACTLY WHERE DUNN AND MOORE ARE 655 00:29:16,600 --> 00:29:17,733 AT THIS VERY MOMENT, PLEASE. 656 00:29:17,767 --> 00:29:20,267 THANK YOU SO MUCH. 657 00:29:21,600 --> 00:29:23,200 ARE YOU GOING TO ALL THIS TROUBLE 658 00:29:23,233 --> 00:29:25,500 JUST TO SHOW THERE WAS A MOTIVE FOR THE DOMESTIC ABUSE? 659 00:29:25,533 --> 00:29:28,233 FIRST YOU YELL AT ME FOR NOT MOVING AGGRESSIVELY ENOUGH, 660 00:29:28,267 --> 00:29:31,767 AND NOW YOU'RE QUESTIONING ME FOR MOVING TOO AGGRESSIVELY. 661 00:29:31,800 --> 00:29:33,000 OKAY, I'M NOT GONNA SECOND-GUESS YOU ON THE CRIME. 662 00:29:33,033 --> 00:29:34,400 THANK YOU. 663 00:29:34,433 --> 00:29:37,033 BUT THIS, I THINK, YOU'RE GONNA MISS. 664 00:29:37,067 --> 00:29:38,433 MISS WHAT? 665 00:29:38,467 --> 00:29:41,833 THIS TEAM YOU'VE CREATED, THESE PEOPLE. 666 00:29:41,867 --> 00:29:43,733 HONESTLY, FROM THE WAY YOU WERE HANDLING THIS CASE AT THE BEGINNING, 667 00:29:43,767 --> 00:29:45,700 I THOUGHT YOU HAD CHECKED OUT ALREADY. 668 00:29:45,733 --> 00:29:48,267 WILL, WHAT ON EARTH ARE YOU TALKING ABOUT? 669 00:29:49,667 --> 00:29:52,867 YOU'RE MOVING BACK TO D.C., RIGHT? 670 00:29:52,900 --> 00:29:55,367 LOOK, I KNOW ABOUT FRITZ'S PROMOTION. 671 00:29:55,400 --> 00:29:57,433 OH. 672 00:29:57,467 --> 00:29:59,500 GET -- COME WITH ME. 673 00:30:00,800 --> 00:30:03,100 WHAT PROMOTION? 674 00:30:03,133 --> 00:30:05,167 OH, UH... MAYBE I'M WRONG. 675 00:30:05,200 --> 00:30:06,900 UH, YEAH, YOU KNOW WHAT? 676 00:30:06,933 --> 00:30:08,333 I'M -- I'M -- I'M -- I THINK I'M WRONG. 677 00:30:08,367 --> 00:30:11,100 WRONG ABOUT WHAT? 678 00:30:11,133 --> 00:30:12,300 OKAY, SOMEBODY AT D.O.J. TOLD ME 679 00:30:12,333 --> 00:30:13,867 THAT FRITZ HAD BEEN OFFERED COMMAND 680 00:30:13,900 --> 00:30:16,700 OF THE FBI's CRITICAL INCIDENT RESPONSE TEAM. 681 00:30:16,733 --> 00:30:19,700 I KNOW NOTHING ABOUT THIS -- NOTHING! 682 00:30:19,733 --> 00:30:21,133 WELL, WHY DIDN'T YOU SAY SOMETHING? 683 00:30:21,167 --> 00:30:22,433 WELL, BECAUSE I DIDN'T THINK 684 00:30:22,467 --> 00:30:23,833 THERE WAS ANYTHING I COULD DO ABOUT IT, 685 00:30:23,867 --> 00:30:26,300 AND I WAS PISSED OFF THAT YOU HADN'T TOLD ME. 686 00:30:26,333 --> 00:30:28,033 OH, I CANNOT BELIEVE THIS! SO, WAIT A MINUTE. HOLD ON. 687 00:30:28,067 --> 00:30:29,700 SO YOU'RE NOT GOING? 688 00:30:29,733 --> 00:30:31,833 LOOK, EVEN IF I WAS THINKING ABOUT LEAVING, 689 00:30:31,867 --> 00:30:34,700 DON'T YOU THINK I'D COME TO YOU FIRST? 690 00:30:36,700 --> 00:30:38,367 WHY? 691 00:30:38,400 --> 00:30:41,567 WHY WOULD FRITZ NOT MENTION THIS TO ME? 692 00:30:41,600 --> 00:30:43,567 MAYBE BECAUSE HE DIDN'T WANT YOU TO KNOW 693 00:30:43,600 --> 00:30:45,067 AND THAT'S WHAT YOU DO 694 00:30:45,100 --> 00:30:48,100 WHEN YOU WANT TO KEEP A SECRET -- YOU HIDE IT. 695 00:30:48,133 --> 00:30:50,567 YOU KNOW, EVEN IN -- IN THE BEST OF RELATIONSHIPS, 696 00:30:50,600 --> 00:30:51,767 SOMETIMES THERE'S STUFF 697 00:30:51,800 --> 00:30:54,100 THAT PEOPLE WANT TO KEEP TO THEMSELVES. 698 00:30:54,133 --> 00:30:58,200 HE DIDN'T WANT ME TO KNOW, SO HE KEPT IT HIDDEN. 699 00:30:58,233 --> 00:30:59,800 OH, NO. 700 00:30:59,833 --> 00:31:02,500 OH, NO, NO. 701 00:31:02,533 --> 00:31:04,300 OH. 702 00:31:04,333 --> 00:31:06,033 OH, MY. 703 00:31:06,067 --> 00:31:07,467 LIEUTENANT PROVENZA? 704 00:31:07,500 --> 00:31:10,100 I GOT DUNN ON ONE LINE, MOORE ON THE OTHER. 705 00:31:10,133 --> 00:31:12,433 HAVE THEM BOTH MEET ME AT THE MORGUE, PLEASE. 706 00:31:12,467 --> 00:31:15,467 WHAT ARE YOU GONNA DO AT THE MORGUE? 707 00:31:15,500 --> 00:31:18,333 WHAT I SHOULD HAVE DONE YESTERDAY. 708 00:31:18,367 --> 00:31:19,800 WHICH IS? 709 00:31:19,833 --> 00:31:22,533 FIND OUT WHAT SHAWN MOORE HAS TO TELL ME. 710 00:31:30,000 --> 00:31:31,800 Y-YES, THAT'S HIM. THAT'S SHAWN. 711 00:31:31,833 --> 00:31:33,467 THANK YOU SO MUCH, DETECTIVE MOORE. 712 00:31:33,500 --> 00:31:35,167 AND AGAIN, I APOLOGIZE 713 00:31:35,200 --> 00:31:37,833 FOR YOUR HAVING TO COME DOWN HERE TO MAKE THE IDENTIFICATION. 714 00:31:37,867 --> 00:31:40,833 THE PAPERWORK WAS MISPLACED. 715 00:31:40,867 --> 00:31:42,400 CHIEF, SERGEANT DUNN. 716 00:31:42,433 --> 00:31:45,600 THANK YOU SO MUCH, LIEUTENANT. 717 00:31:50,300 --> 00:31:53,167 UH, I BELIEVE THE TWO OF YOU HAVE ALREADY MET. 718 00:31:53,200 --> 00:31:54,333 YEAH. 719 00:31:54,367 --> 00:31:56,200 GOOD TO SEE YOU, DETECTIVE. 720 00:31:56,233 --> 00:31:58,433 YOU SEEM CALMER THAN YOU DID THE OTHER DAY. 721 00:31:58,467 --> 00:32:02,233 YES, I'M BETTER. THANK YOU. 722 00:32:02,267 --> 00:32:03,767 WHAT'S GOING ON HERE? 723 00:32:03,800 --> 00:32:06,533 OH, I'M JUST FINISHING UP MY INVESTIGATION 724 00:32:06,567 --> 00:32:08,233 INTO YOUR OFFICER-INVOLVED SHOOTING. 725 00:32:08,267 --> 00:32:10,367 THIS IS YOUR SECOND IN THREE YEARS, CORRECT? 726 00:32:10,400 --> 00:32:11,933 THAT'S RIGHT. 727 00:32:11,967 --> 00:32:13,933 AND IF I'M NOT MISTAKEN, DETECTIVE MOORE 728 00:32:13,967 --> 00:32:15,767 WAS INVOLVED IN BOTH? 729 00:32:19,867 --> 00:32:21,633 OH, THERE'S NO NEED TO DENY IT, DETECTIVE. 730 00:32:21,667 --> 00:32:23,567 IT'S WELL-DOCUMENTED. 731 00:32:23,600 --> 00:32:26,400 YOU TWO OBVIOUSLY KNOW EACH OTHER. 732 00:32:26,433 --> 00:32:28,733 YOU'VE EVEN BEEN TO DETECTIVE MOORE'S HOUSE, SERGEANT DUNN. 733 00:32:28,767 --> 00:32:30,300 I KNOW THAT BECAUSE OF WHERE YOU PARKED 734 00:32:30,333 --> 00:32:32,367 ON THE NIGHT OF YOUR SO-CALLED ACTION. 735 00:32:32,400 --> 00:32:33,967 AND THAT INDICATES 736 00:32:34,000 --> 00:32:37,167 NOT ONLY DO THE TWO OF YOU KNOW EACH OTHER PROFESSIONALLY 737 00:32:37,200 --> 00:32:40,533 BUT YOU'RE ON SOMETHING LIKE INTIMATE TERMS. 738 00:32:40,567 --> 00:32:44,033 RYAN, DON'T SAY ANYTHING. 739 00:32:44,067 --> 00:32:45,800 THAT'S ALL RIGHT, DETECTIVE. 740 00:32:45,833 --> 00:32:48,033 YOUR HUSBAND CAN TELL US EVERYTHING WE NEED TO KNOW. 741 00:32:48,067 --> 00:32:50,833 FOR EXAMPLE, THE WAY HE WAS SHOT. 742 00:32:50,867 --> 00:32:51,900 HMM. 743 00:32:51,933 --> 00:32:54,133 ONE OF THE ROUNDS HIT HERE 744 00:32:54,167 --> 00:32:56,167 ON THE OUTSIDE-RIGHT PECTORAL, 745 00:32:56,200 --> 00:32:59,567 DID SOME HEAVY-DUTY DAMAGE, TOO. 746 00:32:59,600 --> 00:33:01,333 THERE'S ALSO... 747 00:33:01,367 --> 00:33:06,067 A SLIGHTLY UPPER TRAJECTORY TO THIS ENTRANCE WOUND, 748 00:33:06,100 --> 00:33:09,500 SO READJUSTING THE MUSCULATURE... 749 00:33:11,100 --> 00:33:14,067 ...UNTIL BOTH THE ENTRY AND INTERNAL WOUNDS ARE ALIGNED, 750 00:33:14,100 --> 00:33:16,133 WE CAN SEE THAT WHEN HE WAS SHOT... 751 00:33:16,167 --> 00:33:18,533 SHAWN'S ARMS WERE RAISED, 752 00:33:18,567 --> 00:33:21,600 SO HE COULDN'T HAVE BEEN AIMING A GUN AT ANYONE. 753 00:33:23,233 --> 00:33:26,867 WHICH MAKES YOUR STATEMENT, SERGEANT, COMPLETE BULLSHIT. 754 00:33:26,900 --> 00:33:28,500 SPEAKING OF WHICH, 755 00:33:28,533 --> 00:33:30,500 THE BULLETS THAT WE PULLED FROM SHAWN'S BODY HERE 756 00:33:30,533 --> 00:33:35,133 DON'T MATCH THOSE FROM YOUR SHOOTING THREE YEARS AGO. 757 00:33:35,167 --> 00:33:39,067 SO I ASKED MYSELF, "HOW COULD THAT POSSIBLY BE?" 758 00:33:39,100 --> 00:33:43,033 AND THEN WE DECIDED TO TEST DETECTIVE MOORE'S WEAPON, 759 00:33:43,067 --> 00:33:45,333 AND THE RESULTS WERE ABSOLUTELY FASCINATING 760 00:33:45,367 --> 00:33:49,267 BECAUSE, ALTHOUGH THE BARREL OF YOUR GUN DOESN'T MATCH 761 00:33:49,300 --> 00:33:51,367 YOUR PREVIOUS OFFICER-INVOLVED SHOOTING, 762 00:33:51,400 --> 00:33:53,133 THE BARREL OF HER GUN DOES. 763 00:33:53,167 --> 00:33:55,033 SO, IF YOU ARRIVED AT DETECTIVE MOORE'S HOUSE 764 00:33:55,067 --> 00:33:59,033 AND KNOCKED DOWN THE DOOR AND SHAWN MOORE WAS ALREADY DEAD, 765 00:33:59,067 --> 00:34:01,733 ALL YOU HAD TO DO WAS... 766 00:34:01,767 --> 00:34:06,567 FIRE YOUR WEAPON AT THE WALL AND THEN... 767 00:34:11,200 --> 00:34:15,600 ...SWITCH BARRELS WITH ALLY... 768 00:34:15,633 --> 00:34:17,833 ...AND YOUR BIG, FAT LIE WOULD HAVE BEEN CONFIRMED 769 00:34:17,867 --> 00:34:19,400 BY THE PHYSICAL EVIDENCE. 770 00:34:19,433 --> 00:34:21,233 BALLISTICS WOULD HAVE SHOWN 771 00:34:21,267 --> 00:34:24,400 THAT SERGEANT DUNN HERE KILLED YOUR HUSBAND INSTEAD OF YOU. 772 00:34:24,433 --> 00:34:25,900 THE ONLY QUESTION 773 00:34:25,933 --> 00:34:29,400 AS FAR AS I'M CONCERNED, DETECTIVE, IS THIS -- 774 00:34:29,433 --> 00:34:32,600 DID SERGEANT DUNN PLAN ON HELPING YOU MURDER YOUR HUSBAND 775 00:34:32,633 --> 00:34:35,233 OR IS THIS SOMETHING THAT YOU CONVINCED HIM TO COVER UP 776 00:34:35,267 --> 00:34:36,867 WHEN HE ARRIVED ON THE SCENE? 777 00:34:36,900 --> 00:34:39,800 IT WASN'T MURDER! IT WAS -- IT WAS SELF-DEFENSE! 778 00:34:39,833 --> 00:34:40,967 LOOK AT HER FACE! 779 00:34:41,000 --> 00:34:43,233 RYAN, TRUST ME. BE QUIET. 780 00:34:43,267 --> 00:34:45,067 YES, RYAN, BE QUIET! 781 00:34:45,100 --> 00:34:47,633 AND LOOK AT HER, PARTICULARLY HER ARM. 782 00:34:47,667 --> 00:34:49,333 OFFICERS. 783 00:34:49,367 --> 00:34:51,100 WHAT? NO! HEY! 784 00:34:51,133 --> 00:34:54,133 DOCTOR, WOULD YOU PLEASE? LET ME GO! 785 00:34:54,167 --> 00:34:56,333 WHAT THE HELL ARE YOU DOING? 786 00:34:56,367 --> 00:35:00,767 PROVING THAT THE HAND THAT DID THIS WAS NOT YOUR HUSBAND'S HAND. 787 00:35:00,800 --> 00:35:02,900 LOOK AT THE OUTLINE OF THE FINGERS ON ALLY'S ARM. 788 00:35:02,933 --> 00:35:06,533 SEE HOW SMALL THEY ARE COMPARED TO HER HUSBAND? 789 00:35:08,600 --> 00:35:10,500 SHAWN MOORE DID NOT CAUSE THESE INJURIES. 790 00:35:10,533 --> 00:35:12,567 ALLY DID THIS TO HERSELF. 791 00:35:12,600 --> 00:35:14,500 ALTHOUGH I HAVE TO COMPLIMENT YOU, DETECTIVE. 792 00:35:14,533 --> 00:35:18,467 YOU PLAYED THE ROLE OF THE ABUSED WIFE PERFECTLY. 793 00:35:18,500 --> 00:35:20,533 YOU BEHAVED LIKE A TEXTBOOK VICTIM, 794 00:35:20,567 --> 00:35:23,200 EXCEPT FOR ONE THING... 795 00:35:23,233 --> 00:35:25,400 YOU DIDN'T HIDE YOUR INJURIES VERY WELL. 796 00:35:25,433 --> 00:35:27,833 BECAUSE THE PLAN YOU MADE TO KILL YOUR HUSBAND 797 00:35:27,867 --> 00:35:29,900 DEPENDED ON ME SEEING 798 00:35:29,933 --> 00:35:33,333 HOW BADLY INJURED YOU APPEARED TO BE. 799 00:35:33,367 --> 00:35:37,633 WHAT -- I -- WHY WOULD SHE DO ALL THAT? 800 00:35:37,667 --> 00:35:40,033 TO GAIN YOUR SYMPATHY... 801 00:35:40,067 --> 00:35:42,233 AND YOUR GUN. 802 00:35:44,167 --> 00:35:46,067 WHICH BRINGS ME BACK TO MY QUESTION. 803 00:35:46,100 --> 00:35:48,833 SERGEANT DUNN, DID YOU CONSPIRE WITH ALLY MOORE 804 00:35:48,867 --> 00:35:51,133 TO KILL HER HUSBAND? 805 00:35:51,167 --> 00:35:54,200 DID YOU?! 806 00:36:05,133 --> 00:36:08,800 YOU DON'T WANT TO GO ANYWHERE, SON. 807 00:36:08,833 --> 00:36:12,500 SO FAR, YOU'VE ONLY LOST YOUR JOB. 808 00:36:12,533 --> 00:36:15,433 YOUR FREEDOM'S STILL UP FOR GRABS. 809 00:36:15,467 --> 00:36:17,133 I DIDN'T PLAN ANYONE'S MURDER. Gabriel: WAIT, WAIT. 810 00:36:17,167 --> 00:36:18,400 BEFORE YOU SAY ANYTHING, SERGEANT, 811 00:36:18,433 --> 00:36:20,867 FIRST YOU NEED TO WAIVE YOUR RIGHTS. 812 00:36:20,900 --> 00:36:21,900 OH, GOD. 813 00:36:21,933 --> 00:36:23,733 LISTEN TO ME, SERGEANT. 814 00:36:23,767 --> 00:36:26,133 I WANT TO BELIEVE THAT YOU WERE MANIPULATED BY ALLY MOORE. 815 00:36:26,167 --> 00:36:27,567 I WAS, AND SO WAS CAPTAIN RAYDOR. 816 00:36:27,600 --> 00:36:29,200 BUT I NEED TO KNOW 817 00:36:29,233 --> 00:36:31,400 EXACTLY HOW MUCH OF WHAT HAPPENED TO SHAWN MOORE 818 00:36:31,433 --> 00:36:33,367 WAS PLANNED AND WHAT YOU THOUGHT OF ON THE SPOT, 819 00:36:33,400 --> 00:36:34,867 BECAUSE IF YOU KNEW 820 00:36:34,900 --> 00:36:36,700 IN ADVANCE THAT SHE WAS GOING TO MURDER -- 821 00:36:36,733 --> 00:36:40,633 NO, HOLD ON, JUST... 822 00:36:41,733 --> 00:36:43,367 OKAY. 823 00:36:43,400 --> 00:36:44,967 I WAIVE MY RIGHTS. 824 00:36:45,000 --> 00:36:46,967 LOOK, WHEN YOU GUYS BEGAN YOUR INVESTIGATION, 825 00:36:47,000 --> 00:36:49,267 ALLY TOLD ME SHE COULDN'T RISK ANOTHER BEATING FROM SHAWN. 826 00:36:49,300 --> 00:36:51,200 BUT HE WASN'T BEATING HER. I DIDN'T KNOW THAT! 827 00:36:51,233 --> 00:36:53,300 I-I THOUGHT HE WAS, 828 00:36:53,333 --> 00:36:56,567 AND SHE BEGGED ME TO STAY CLOSE TO THE HOUSE THAT NIGHT... 829 00:36:56,600 --> 00:36:59,467 ...KNOWING YOU'D BE THE FIRST TO RESPOND TO THE 911 CALL. 830 00:36:59,500 --> 00:37:02,600 DID YOU KNOW THAT SHE WAS GONNA KILL HER HUSBAND? 831 00:37:05,367 --> 00:37:09,100 STAGE THE CRIME SCENE? 832 00:37:09,133 --> 00:37:12,333 SMASH HER OWN HEAD UP AGAINST THE DOORFRAME? 833 00:37:12,367 --> 00:37:13,600 AAH! 834 00:37:13,633 --> 00:37:14,533 AAH! 835 00:37:15,667 --> 00:37:17,333 LISTEN... 836 00:37:17,367 --> 00:37:21,533 THE ONLY THING I TOLD HER WAS TO "PROTECT YOURSELF." 837 00:37:21,567 --> 00:37:24,267 I NEVER SAID "SHOOT YOUR HUSBAND." 838 00:37:24,300 --> 00:37:26,700 WHEN I WENT TO THE HOUSE, SHAWN WAS DEAD! 839 00:37:26,733 --> 00:37:28,400 ALLY WAS BLEEDING, 840 00:37:28,433 --> 00:37:30,733 AND -- AND I THOUGHT AFTER ALL SHE'D BEEN THROUGH 841 00:37:30,767 --> 00:37:32,133 THAT I SHOULD SAY I KILLED THE GUY, 842 00:37:32,167 --> 00:37:33,533 AND THE ONLY WAY TO MAKE THAT WORK 843 00:37:33,567 --> 00:37:35,300 WAS TO FIRE OFF A ROUND INTO THE WALL 844 00:37:35,333 --> 00:37:38,600 AND THEN SWITCH THE BARRELS OF THE TWO GUNS. 845 00:37:43,467 --> 00:37:46,033 OH. 846 00:37:46,067 --> 00:37:49,200 MAYBE SHE SUGGESTED IT. 847 00:37:55,900 --> 00:37:58,533 LOOK, THE ONLY REASON I DID IT 848 00:37:58,567 --> 00:38:02,367 WAS BECAUSE OF WHAT HAPPENED TO HER FACE. 849 00:38:02,400 --> 00:38:04,467 I MEAN, WHY WOULD SHE DO THAT TO HERSELF? 850 00:38:04,500 --> 00:38:08,400 BECAUSE SHE'S A LITTLE SOCIOPATH. 851 00:38:08,433 --> 00:38:12,100 AND I HOPE, FOR YOUR SAKE, THAT SHE CONFIRMS YOUR STORY. 852 00:38:24,367 --> 00:38:26,333 YOU ARE NOT GONNA BELIEVE 853 00:38:26,367 --> 00:38:28,467 WHY ALLY MOORE WANTED TO KILL HER HUSBAND. 854 00:38:28,500 --> 00:38:30,200 YOU MEAN THERE'S A BETTER REASON 855 00:38:30,233 --> 00:38:32,433 THAN THE AFFAIR SHE WAS HAVING WITH SERGEANT DUNN? 856 00:38:32,467 --> 00:38:35,333 WELL, THAT ALL DEPENDS ON HOW YOU FEEL ABOUT REAL ESTATE. 857 00:38:35,367 --> 00:38:38,400 ALLY AND SHAWN MOORE HAD AN INTEREST-ONLY LOAN 858 00:38:38,433 --> 00:38:41,033 ON THEIR HOUSE THAT WAS ABOUT TO RESET, 859 00:38:41,067 --> 00:38:44,167 AND THEY WERE GOING TO LOSE THEIR HOME UNLESS -- 860 00:38:44,200 --> 00:38:45,567 UNLESS ONE OF THEM DIED 861 00:38:45,600 --> 00:38:47,500 AND THE MORTGAGE INSURANCE KICKED IN. 862 00:38:49,267 --> 00:38:54,200 WELL, IT IS AWFULLY HARD TO REFINANCE THESE DAYS. 863 00:38:54,233 --> 00:38:57,067 I WOULD ALSO LIKE TO SAY THAT I AM FULLY AWARE 864 00:38:57,100 --> 00:38:59,167 THAT AT THE BEGINNING OF THIS INVESTIGATION, 865 00:38:59,200 --> 00:39:01,800 I WAS A TOTAL BITCH. 866 00:39:01,833 --> 00:39:03,833 I'D SAY IT WAS MORE IN THE MIDDLE... 867 00:39:04,800 --> 00:39:06,367 ...A-AND NEAR THE END. 868 00:39:06,400 --> 00:39:08,100 BUT I STILL BELIEVE THAT IF YOU HAD TALKED 869 00:39:08,133 --> 00:39:09,767 TO THE HUSBAND EARLIER THAT HE MIGHT -- 870 00:39:09,800 --> 00:39:11,267 HE MIGHT STILL BE ALIVE. 871 00:39:11,300 --> 00:39:14,200 YES, I'VE THOUGHT ABOUT THAT 872 00:39:14,233 --> 00:39:16,033 AND ABOUT HOW I MIGHT HAVE RESISTED 873 00:39:16,067 --> 00:39:17,300 TALKING TO HIM BECAUSE -- 874 00:39:17,333 --> 00:39:19,733 BECAUSE I SUGGESTED IT. 875 00:39:19,767 --> 00:39:21,433 IT'S POSSIBLE. 876 00:39:21,467 --> 00:39:24,067 UM, BUT, UM, I DID WANT TO SAY 877 00:39:24,100 --> 00:39:27,500 THAT, UH, I-I DO THINK THAT IT MIGHT BE BENEFICIAL 878 00:39:27,533 --> 00:39:29,433 FOR THE L.A.P.D. IF WE WERE TO WORK A BIT BETTER TOGETHER. 879 00:39:29,467 --> 00:39:31,133 IF YOU WOULD JUST DO WHAT I SAY. 880 00:39:32,267 --> 00:39:33,500 HA HA HA. 881 00:39:38,633 --> 00:39:40,267 THE THING IS... 882 00:39:41,533 --> 00:39:43,333 WE JUST DON'T LIKE EACH OTHER. 883 00:39:43,367 --> 00:39:45,000 NO. WE DON'T. NO, MNH-MNH. 884 00:39:45,033 --> 00:39:46,333 OH, MY GOODNESS, NO. AND YOU KNOW WHAT? 885 00:39:46,367 --> 00:39:48,667 THAT IS A VERY DIFFICULT DYNAMIC TO CHANGE. 886 00:39:48,700 --> 00:39:50,867 IT IS. IT'S VERY HARD ON EVERYONE. 887 00:39:50,900 --> 00:39:52,867 MM-HMM. OKAY. WELL, GOOD. 888 00:39:52,900 --> 00:39:55,667 THANK YOU SO MUCH FOR A FINAL REPORT. SURE. 889 00:39:55,700 --> 00:39:58,000 THANK YOU. UM... 890 00:39:58,033 --> 00:39:59,233 HAVE A GOOD NIGHT, CHIEF. 891 00:39:59,267 --> 00:40:00,700 GOOD NIGHT. GOOD NIGHT TO YOU. 892 00:40:12,433 --> 00:40:13,767 HI. 893 00:40:13,800 --> 00:40:14,600 HEY. 894 00:40:14,633 --> 00:40:16,033 WHAT ARE YOU DOING? 895 00:40:16,067 --> 00:40:17,900 YOU WERE TAKING A LONG TIME TO GET HOME. 896 00:40:17,933 --> 00:40:19,800 I WAS LOOKING FOR SOMETHING TO SNACK ON, 897 00:40:19,833 --> 00:40:21,633 BUT EVERYTHING IN HERE IS SPOILED. 898 00:40:21,667 --> 00:40:23,300 IS THAT FROM THE CUBAN CHICKEN PLACE? 899 00:40:23,333 --> 00:40:24,700 YEAH, THERE WAS A LINE, 900 00:40:24,733 --> 00:40:27,533 SO I-IT TOOK LONGER THAN I THOUGHT IT WOULD. 901 00:40:33,333 --> 00:40:34,733 WHY -- W-WHY DIDN'T YOU TELL ME 902 00:40:34,767 --> 00:40:36,533 ABOUT THE PROMOTION YOU WERE OFFERED? 903 00:40:41,767 --> 00:40:43,700 WHY DIDN'T I TELL YOU? 904 00:40:46,667 --> 00:40:48,200 YOU WANT TO MOVE BACK TO D.C.? 905 00:40:50,800 --> 00:40:52,633 THAT'S WHAT I THOUGHT. 906 00:40:54,367 --> 00:40:58,167 PLUS, WE'D HAVE TO GIVE UP 2/3 OF OUR INCOME. 907 00:40:58,200 --> 00:40:59,733 PLUS, YOU'D HAVE TO FIND ANOTHER JOB. 908 00:40:59,767 --> 00:41:02,533 PLUS... PLUS, PLUS, PLUS. 909 00:41:02,567 --> 00:41:07,333 SO, IS -- IS -- IS MY JOB HOLDING YOU BACK? 910 00:41:12,067 --> 00:41:14,500 I DIDN'T USED TO THINK SO. 911 00:41:14,533 --> 00:41:17,833 I-I HONESTLY THOUGHT GOING INTO REHAB 912 00:41:17,867 --> 00:41:20,433 MEANT I WOULD NEVER EVEN BE CONSIDERED 913 00:41:20,467 --> 00:41:23,100 FOR A PROMOTION AGAIN, 914 00:41:23,133 --> 00:41:25,100 BUT I WAS WRONG, 915 00:41:25,133 --> 00:41:27,700 AND THEY MAY COME TO ME EVENTUALLY 916 00:41:27,733 --> 00:41:31,267 WITH SOMETHING I REALLY WANT TO DO. 917 00:41:31,300 --> 00:41:35,067 THAT WOULD MEAN WE'D HAVE TO SIT DOWN AND... 918 00:41:35,100 --> 00:41:38,467 YOU KNOW...SERIOUSLY DISCUSS THE IDEA OF MOVING. 919 00:41:40,333 --> 00:41:43,000 THAT'S JUST THE SECOND-BEST REASON I'VE HEARD TODAY 920 00:41:43,033 --> 00:41:45,133 FOR NOT BUYING A HOUSE. 921 00:41:45,167 --> 00:41:47,733 HEY. 922 00:41:47,767 --> 00:41:50,133 MAYBE I'VE BEEN IRRITABLE ABOUT JUST THE IDEA 923 00:41:50,167 --> 00:41:52,933 OF ASKING YOU TO CHOOSE BETWEEN ME AND YOUR CAREER 924 00:41:52,967 --> 00:41:56,267 BECAUSE... 925 00:41:56,300 --> 00:41:57,900 I DIDN'T KNOW WHICH ONE YOU'D PICK. 926 00:42:28,733 --> 00:42:32,100 Want to see me choose between you and my career? 927 00:42:33,867 --> 00:42:35,233 MMM. 928 00:42:35,267 --> 00:42:38,467 MMM. 929 00:42:38,500 --> 00:42:40,800 MMM!