1 00:00:17,333 --> 00:00:18,867 IS THIS GONNA BE YOUR ATTITUDE THE WHO DAY? 2 00:00:18,900 --> 00:00:20,633 'CAUSE IT IS REALLY IRRITATING. 3 00:00:20,667 --> 00:00:22,800 I'M NOT TALKING TO YOU UNTIL I GET MY iPod AND PHONE BACK. 4 00:00:22,833 --> 00:00:25,467 WELL, THAT'S NOT HAPPENING UNTIL YOU APOLOGIZE. 5 00:00:25,500 --> 00:00:27,600 I APOLOGIZED TO UNCLE FRITZ, AND HE ACCEPTED MY APOLOGY. 6 00:00:27,633 --> 00:00:29,800 WELL, YOU DIDN'T APOLOGIZE TO ME YET, 7 00:00:29,833 --> 00:00:31,633 WHICH SHOULDN'T BE THAT HARD TO DO 8 00:00:31,667 --> 00:00:34,233 CONSIDERING I TOLD YOU EXACTLY WHAT I WANT TO HEAR. 9 00:00:38,200 --> 00:00:39,500 I'M SORRY, AUNT BRENDA, 10 00:00:39,533 --> 00:00:41,567 FOR DRUGGING YOU WITH THE POT BROWNIES I MADE 11 00:00:41,600 --> 00:00:44,333 AND FOR PUTTING UNCLE FRITZ IN A TERRIBLE POSITION. 12 00:00:45,900 --> 00:00:47,100 I'M NOT FEELING IT. 13 00:00:47,133 --> 00:00:48,900 OH, MY GOD, FORGET IT. I DON'T CARE. 14 00:00:50,333 --> 00:00:51,633 WELL, YOU BETTER CARE, 15 00:00:51,667 --> 00:00:53,133 BECAUSE IF I DON'T START BELIEVING 16 00:00:53,167 --> 00:00:54,433 THAT YOU'VE DEVELOPED A THOUGHT IN YOUR HEAD 17 00:00:54,467 --> 00:00:55,900 FOR ANYONE OTHER THAN YOURSELF, 18 00:00:55,933 --> 00:00:58,200 THEN WHEN GRANDPA COMES TO PICK YOU UP NEXT WEEK -- 19 00:00:58,233 --> 00:00:59,800 HEY, WATCH OUT! 20 00:00:59,833 --> 00:01:01,833 OH! 21 00:01:01,867 --> 00:01:04,600 Charlie: WHY ARE ALL THESE PEOPLE RUNNING? 22 00:01:04,633 --> 00:01:06,033 CHARLIE, DON'T OPEN YOUR WINDOW! WHAT'S HAPPENING? 23 00:01:06,067 --> 00:01:07,433 SOMEBODY'S SHOOTING IN THE PARKING LOT! 24 00:01:11,900 --> 00:01:14,433 YOU KNOW YOU'RE IN THE RED ZONE, RIGHT? 25 00:01:14,467 --> 00:01:15,800 THE RED ZONE IS FOR POLICE. 26 00:01:15,833 --> 00:01:18,233 I AM THE RED ZONE. KEEP YOUR HEAD DOWN. 27 00:01:18,267 --> 00:01:19,933 STAY IN THE CA-- DOWN! 28 00:01:19,967 --> 00:01:21,933 STAY IN THE CAR. 29 00:02:26,400 --> 00:02:28,900 HELP ME, PLEASE. PLEASE, HELP. 30 00:02:38,867 --> 00:02:40,833 I'M A POLICE OFFICER. WHAT'S YOUR NAME? 31 00:02:40,867 --> 00:02:42,267 UH, JAKE. 32 00:02:42,300 --> 00:02:45,633 OH, GOD. I-I-I THINK -- I THINK I'M SHOT. 33 00:02:45,667 --> 00:02:47,133 I-I'M BLEEDING. 34 00:02:47,167 --> 00:02:48,433 OKAY, JAKE, DON'T MOVE. 35 00:02:48,467 --> 00:02:49,933 I WANT YOU TO TAKE THIS SWEATER 36 00:02:49,967 --> 00:02:51,933 AND PRESS IT AGAINST YOUR BELLY, OKAY? 37 00:02:51,967 --> 00:02:53,067 LIKE THAT. OKAY. 38 00:02:53,100 --> 00:02:55,433 GOOD. DO YOU KNOW WHO SHOT YOU? 39 00:02:55,467 --> 00:02:56,533 UH, NO. 40 00:02:56,567 --> 00:02:58,100 WAS IT A BOY OR A GIRL? 41 00:02:58,133 --> 00:03:01,233 UH, I-I-I-I THINK IT WAS A BOY. OKAY. 42 00:03:01,267 --> 00:03:04,167 [ SIREN CHIRPS, CAR DOOR CLOSES ] 43 00:03:04,200 --> 00:03:06,367 OH, GOD, PLEASE, PLEASE DON'T LEAVE ME! 44 00:03:06,400 --> 00:03:08,033 NO, I -- PLEASE, PLEASE. 45 00:03:08,067 --> 00:03:10,033 I'M NOT GOING ANYWHERE. I'M NOT GOING ANYWHERE. 46 00:03:10,067 --> 00:03:11,400 I JUST WANT TO MAKE SURE 47 00:03:11,433 --> 00:03:13,567 THAT THE AMBULANCE KNOWS WHERE YOU ARE, OKAY? 48 00:03:13,600 --> 00:03:15,400 OKAY. OKAY. 49 00:03:15,433 --> 00:03:17,367 OH! 50 00:03:17,400 --> 00:03:20,367 CHARLIE! I TOLD YOU TO WAIT IN THE CAR! 51 00:03:20,400 --> 00:03:22,267 I DIDN'T HEAR ANYTHING, SO I THOUGHT I'D COME OVER HERE. 52 00:03:22,300 --> 00:03:24,067 I BROUGHT YOU YOUR -- YOUR BAG AND YOUR PHONE. 53 00:03:24,100 --> 00:03:26,467 HEY, SOMEONE -- SOMEBODY NEEDS TO CALL MY MOM. 54 00:03:26,500 --> 00:03:29,033 DON'T WORRY, DON'T WORRY. SOMEONE IS GONNA CALL YOUR MOM. 55 00:03:29,067 --> 00:03:30,100 FREEZE! DON'T YOU WORRY. 56 00:03:30,133 --> 00:03:31,600 DEPUTY CHIEF JOHNSON. 57 00:03:31,633 --> 00:03:34,767 I'VE GOT TWO DOWN -- ONE DEAD AND ONE UNDER THE CAR. 58 00:03:36,433 --> 00:03:38,700 I WANT A FOUR-BLOCK PERIMETER AND FIELD-INTERVIEW CARDS 59 00:03:38,733 --> 00:03:41,433 ON EVERY PERSON THAT YOU STOP. YES, MA'AM. 60 00:03:41,467 --> 00:03:43,400 AND GET THAT AMBULANCE BACK HERE. GOT IT. 61 00:03:43,433 --> 00:03:45,033 LIEUTENANT. 62 00:03:52,667 --> 00:03:55,500 HIS MOTHER'S NAME IS PATRICIA BURRELL. 63 00:03:55,533 --> 00:03:58,267 SHE'S A FLIGHT ATTENDANT FOR ROYAL ASIAN AIRLINES. 64 00:03:58,300 --> 00:04:00,100 THANK YOU. OFFICER, COME WITH ME. 65 00:04:04,367 --> 00:04:06,233 I'M RIDING WITH JAKE. 66 00:04:06,267 --> 00:04:09,033 I WANT YOU TO TAKE THIS YOUNG LADY 67 00:04:09,067 --> 00:04:11,433 AND FOLLOW THE AMBULANCE TO THE HOSPITAL IN MY CAR. 68 00:04:11,467 --> 00:04:13,467 YOU WAIT FOR ME IN THE E.R., 69 00:04:13,500 --> 00:04:15,233 AND Y DON'T LET HER OUT OF YOUR SIGHT, DO YOU UNDERSTAND? 70 00:04:15,267 --> 00:04:16,567 Officer: YES, MA'AM. 71 00:04:20,533 --> 00:04:22,833 OKAY, I'M RIGHT HERE, JAKE. 72 00:04:22,867 --> 00:04:24,667 I'M WITH YOU THE WHOLE WAY. 73 00:04:34,367 --> 00:04:36,867 IS -- IS MY -- IS MY MOM COMING? 74 00:04:36,900 --> 00:04:39,433 YES, SHE IS, JUST AS SOON AS POSSIBLE. 75 00:04:39,467 --> 00:04:41,867 S-SORRY ABOUT THE SWEATER. 76 00:04:41,900 --> 00:04:44,733 DON'T YOU WORRY ABOUT THAT. 77 00:04:44,767 --> 00:04:47,033 I PROMISE I'LL BE HERE THE MINUTE YOU WAKE UP. 78 00:04:58,667 --> 00:05:00,133 FLYNN. 79 00:05:01,333 --> 00:05:03,500 KEYS. THANK YOU. 80 00:05:03,533 --> 00:05:05,067 IS HE GONNA MAKE IT? 81 00:05:05,100 --> 00:05:07,300 IT'S HARD TO KNOW. SIT THERE AND DON'T MOVE. 82 00:05:08,767 --> 00:05:11,000 LIEUTENANT, DID YOU LOCATE JAKE'S MOTHER? 83 00:05:11,033 --> 00:05:12,633 WELL, WE KNOW THAT SHE'S ON THE WAY TO HANOI. 84 00:05:12,667 --> 00:05:15,433 WE JUST HAVEN'T BEEN ABLE TO, UH, GET IN TOUCH WITH HER YET. 85 00:05:15,467 --> 00:05:17,700 DID JAKE SAY ANYTHING BEFORE THE DOCTORS TOOK HIM? 86 00:05:18,533 --> 00:05:19,467 NO. 87 00:05:20,833 --> 00:05:21,967 GENTLEMEN, CAN WE... 88 00:05:23,667 --> 00:05:25,767 Woman: DR. BENDER TO THE MENTAL WARD, PLEASE. 89 00:05:25,800 --> 00:05:26,900 DR. BENDER. 90 00:05:26,933 --> 00:05:28,333 DID YOU I.D. THE VICTIM YET? 91 00:05:28,367 --> 00:05:30,333 UH, YES. UH... 92 00:05:30,367 --> 00:05:33,900 HIS NAME IS... TOMAS DeLEON, 93 00:05:33,933 --> 00:05:35,467 UH, AGE 17. 94 00:05:35,500 --> 00:05:37,500 HE DIED WITH A BACKPACK FULL OF POT. 95 00:05:39,800 --> 00:05:41,333 SO HE'S A DRUG DEALER. 96 00:05:41,367 --> 00:05:42,767 LOOKS LIKE IT. 97 00:05:42,800 --> 00:05:43,667 SO THAT MIGHT MAKE THAT BOY IN SURGERY 98 00:05:43,700 --> 00:05:45,167 ONE OF HIS CUSTOMERS. 99 00:05:45,200 --> 00:05:47,300 WERE THEY VICTIMS OF A ROBBERY? 100 00:05:47,333 --> 00:05:48,900 WELL, IF IT WAS, IT DIDN'T GO VERY WELL. 101 00:05:48,933 --> 00:05:52,800 TOMAS HAD A BIG ROLL OF CASH ON HIM, MOSTLY SMALL BILLS. 102 00:05:52,833 --> 00:05:54,033 ANY OTHER WITNESSES? 103 00:05:54,067 --> 00:05:55,433 UM...WELL, YEAH, 104 00:05:55,467 --> 00:05:57,900 A COUPLE OF PEOPLE SAID THEY SAW SOMEONE WITH A GUN. 105 00:05:57,933 --> 00:05:59,433 REALLY 106 00:05:59,467 --> 00:06:02,600 A WOMAN IN A BROWN DRESS WITH BLOND CURLY HAIR. 107 00:06:02,633 --> 00:06:05,000 OH. THAT'S HORRIBLE. 108 00:06:05,033 --> 00:06:06,500 WELL, NOT COMPLETELY. 109 00:06:06,533 --> 00:06:08,233 ONE OF THE WITNESSES DESCRIBED YOU 110 00:06:08,267 --> 00:06:10,367 AS BEING IN YOUR EARLY 30s. 111 00:06:15,600 --> 00:06:18,600 EXCUSE ME, GENTLEMEN. DID YOU SEE WHERE -- 112 00:06:18,633 --> 00:06:20,433 SHE WAS RIGHT HERE. 113 00:06:25,167 --> 00:06:26,433 Charlie: DO YOU HAVE CHANGE FOR A SODA? 114 00:06:26,467 --> 00:06:29,300 I TOLD YOU NOT TO MOVE! 115 00:06:29,333 --> 00:06:31,367 I HAD TO GO TO THE BATHROOM. I DON'T CARE! 116 00:06:31,400 --> 00:06:32,967 AND WHEN I SAY STAY IN THE CAR, I MEAN STAY IN THE CAR. 117 00:06:33,000 --> 00:06:34,933 I COULD HAVE SHOT YOU! 118 00:06:34,967 --> 00:06:36,867 I WAS TRYING TO HELP. I DIDN'T ASK FOR YOUR HELP. 119 00:06:36,900 --> 00:06:39,500 HOW WAS I SUPPOSED -- DON'T YOU INTERRUPT ME! 120 00:06:44,300 --> 00:06:46,167 I HAVE TO GET TO WORK. 121 00:06:46,200 --> 00:06:47,500 SINCE YOU SEEM TO BE 122 00:06:47,533 --> 00:06:49,833 SO INTERESTED IN HOW THIS BOY IS DOING, 123 00:06:49,867 --> 00:06:52,867 YOU CAN STAY HERE WITH HIM WHEN HE GETS OUT OF SURGERY. WHAT? 124 00:06:52,900 --> 00:06:55,100 CALL ME THE SECOND HE WAKES UP. WHY ME? 125 00:06:55,133 --> 00:06:56,700 I'M GIVING YOU THE CHANCE 126 00:06:56,733 --> 00:06:59,233 TO SHOW THAT YOU CAN CARE ABOUT SOMEONE OTHER THAN YOURSELF 127 00:06:59,267 --> 00:07:00,933 FOR A FEW MINUTES, SOMEONE WITH REAL PROBLEMS. 128 00:07:00,967 --> 00:07:03,533 SO SIT HERE AND THINK ABOUT HOW LUCKY YOU ARE 129 00:07:03,567 --> 00:07:05,667 THAT YOU'RE OUT HERE AND NOT IN THERE. 130 00:07:14,700 --> 00:07:15,967 FLYNN. 131 00:07:18,833 --> 00:07:21,433 OUR DEAD BOY IS TOMAS DeLEON. 132 00:07:21,467 --> 00:07:23,833 AND OUR EYEWITNESS, JAKE BURRELL, 133 00:07:23,867 --> 00:07:26,500 IS IN EMERGENCY SURGERY AND MIGHT NOT MAKE IT. 134 00:07:26,533 --> 00:07:28,400 WE NEED TO BE READY TO DO THIS WITHOUT HIM. 135 00:07:28,433 --> 00:07:30,133 WHAT WAS GOING ON IN THAT PARKING LOT? 136 00:07:30,167 --> 00:07:32,700 DRUGS. OBVIOUSLY. 137 00:07:32,733 --> 00:07:34,100 ALL THIS POT WAS FROM OUR VICTIM, 138 00:07:34,133 --> 00:07:36,867 TOMAS DeLEON'S, BACKPACK. 139 00:07:36,900 --> 00:07:39,167 CHIEF, IF THIS IS THE START OF A TURF WAR, 140 00:07:39,200 --> 00:07:40,633 YOU NEED NARCOTICS INVOLVED. 141 00:07:40,667 --> 00:07:41,833 THEY KNOW THE PLAYERS. 142 00:07:41,867 --> 00:07:43,367 YOU'RE RIGHT, COMMANDER. 143 00:07:43,400 --> 00:07:45,600 IF THAT'S WHAT THIS IS, WE NEED TO BE PREPARED. 144 00:07:45,633 --> 00:07:47,500 WAS THE DEAD BOY IN A GANG? NO. 145 00:07:47,533 --> 00:07:50,100 HIS OLDER BROTHER, OSCAR DeLEON, WAS. 146 00:07:50,133 --> 00:07:51,200 SERVED THREE YEARS FOR DISTRIBUTION, 147 00:07:51,233 --> 00:07:52,800 OUT FOR TWO MONTHS. 148 00:07:52,833 --> 00:07:56,233 WELL, MAYBE BIG BROTHER WAS USING LITTLE BROTHER 149 00:07:56,267 --> 00:07:58,067 TO KEEP HIS OWN NOSE CLEAN. 150 00:07:58,100 --> 00:08:00,533 Gabriel: OR TO KEEP IT FROM GETTING BLOWN OFF BY ANOTHER GANG. 151 00:08:00,567 --> 00:08:02,467 HOW MANY SHOTS WERE FIRED? 152 00:08:02,500 --> 00:08:04,233 WE FOUND FIVE 9mm CASINGS 153 00:08:04,267 --> 00:08:05,900 SPACED ABOUT 1 TO 2 FEET APART. 154 00:08:05,933 --> 00:08:07,333 LOOKS LIKE THE KILLER WAS SHOOTING ON THE MOVE. 155 00:08:07,367 --> 00:08:10,000 AND THE CAR OUR WITNESS JAKE WAS HIDING UNDER -- 156 00:08:10,033 --> 00:08:12,033 TURNS OUT IT'S REGISTERED TO TOMAS. 157 00:08:12,067 --> 00:08:14,033 WE'RE TOWING IT TO THE PRINT SHED. 158 00:08:14,067 --> 00:08:16,400 OKAY. 159 00:08:16,433 --> 00:08:19,900 LET'S DO THE NOTIFICATION FOR THE DeLEON FAMILY HERE 160 00:08:19,933 --> 00:08:23,100 AND SEE IF WE CAN HAVE HIS BROTHER, OSCAR, PRESENT. 161 00:08:23,133 --> 00:08:24,933 SURE, CHIEF. MAYBE HE CAN TELL US 162 00:08:24,967 --> 00:08:27,433 WHO WOULD WANT HIS LITTLE BROTHER DEAD. 163 00:08:27,467 --> 00:08:31,367 THAT'S NOT TOMAS' BACKPACK. I NEVER SAW IT BEFORE. 164 00:08:31,400 --> 00:08:33,733 YOU SEE IT BEFORE? 165 00:08:33,767 --> 00:08:35,367 NO. 166 00:08:38,133 --> 00:08:40,233 IS THIS YOUR LITTLE BROTHER'S BACKPACK? 167 00:08:41,333 --> 00:08:42,900 OSCAR? 168 00:08:42,933 --> 00:08:46,200 TOMAS IS A GOOD BOY, NEVER ANY TROUBLE. 169 00:08:46,233 --> 00:08:47,367 I SEE. 170 00:08:47,400 --> 00:08:50,033 WHEN WAS THE LAST TIME YOU SAW YOUR SON? 171 00:08:50,067 --> 00:08:52,000 THIS MORNING, AROUND 9:00. 172 00:08:52,033 --> 00:08:53,433 HE HAD BREAKFAST, 173 00:08:53,467 --> 00:08:55,933 AND HE WAS WORRIED ABOUT BEING LATE FOR HIS JOB. 174 00:08:55,967 --> 00:08:58,167 REALLY? AND WHERE...IS HIS JOB? 175 00:08:58,200 --> 00:09:01,667 IT'S IN A...COFFEE PLACE SOMEWHERE IN HOLLYWOOD. 176 00:09:01,700 --> 00:09:03,367 I'M NOT SURE. 177 00:09:03,400 --> 00:09:06,167 I'M SORRY. YOU ARRESTED THE WRONG BOY. 178 00:09:08,967 --> 00:09:11,267 TELL ME, HOW DOES A BOY 179 00:09:11,300 --> 00:09:16,100 WORKING IN A COFFEE SHOP MAKE $800 IN TIPS BEFORE NOON? 180 00:09:18,600 --> 00:09:22,233 WE -- WE TOLD YOU -- THIS IS NOT, UM -- 181 00:09:22,267 --> 00:09:25,067 IT'S NOT HIS BACKPACK. 182 00:09:28,167 --> 00:09:31,700 CAN YOU IDENTIFY HIS CAR? 183 00:09:31,733 --> 00:09:34,333 YES, THAT'S...HIS. 184 00:09:34,367 --> 00:09:38,000 HMM, WELL, WHEN TOMAS BOUGHT HIS NEW CAR LAST MONTH, 185 00:09:38,033 --> 00:09:41,200 SOMEHOW HE PAID FOR IT IN CASH. 186 00:09:41,233 --> 00:09:42,933 NO, HE SAID HE GOT A LOAN. 187 00:09:42,967 --> 00:09:45,233 NO. HE WAS SELLING DRUGS. 188 00:09:45,267 --> 00:09:48,133 AND I WANT TO KNOW WHO HE WAS WORKING FOR. 189 00:09:48,167 --> 00:09:49,767 ANY IDEAS, OSCAR? 190 00:09:49,800 --> 00:09:52,233 I GOT NO IDEAS. 191 00:09:56,767 --> 00:09:59,067 ALL RIGHT, THEN. 192 00:09:59,100 --> 00:10:01,533 MR. AND MRS. DeLEON, OSCAR, 193 00:10:01,567 --> 00:10:04,500 IT IS MY SAD DUTY TO INFORM YOU 194 00:10:04,533 --> 00:10:08,067 HAT YOUR SON, TOMAS, WAS SHOT AND KILLED... NO! 195 00:10:08,100 --> 00:10:10,667 ...IN A PARKING LOT BEHIND A SCHOOL WHERE HE WAS SELLING -- 196 00:10:10,700 --> 00:10:12,833 YOU SHOULD HAVE BEEN THE ONE WHO WAS DEAD! 197 00:10:12,867 --> 00:10:16,600 YOU GOT HIM KILLED! YOU GOT HIM KILLED! I WASN'T THERE! 198 00:10:16,633 --> 00:10:18,700 ALL RIGHT, ALL RIGHT! WHOA, WHOA, WHOA! EASY! EASY! 199 00:10:18,733 --> 00:10:21,167 EASY! HEY! YOU SHOULD HAVE NEVER GOTTEN OUT OF JAIL! 200 00:10:21,200 --> 00:10:23,667 I WISH THEY NEVER LET YOU GO! 201 00:10:23,700 --> 00:10:26,267 HEY. WHERE DO YOU THINK YOU'RE GOING? 202 00:10:26,300 --> 00:10:29,467 LET HIM GO...DETECTIVE. 203 00:10:29,500 --> 00:10:31,700 WE HAVE NOTHING TO HOLD HIM ON. 204 00:10:33,333 --> 00:10:35,900 AT THE MOMENT. 205 00:10:43,633 --> 00:10:45,333 I HAD TO LEAVE HER AT THE HOSPITAL. 206 00:10:45,367 --> 00:10:48,667 I THOUGHT WE AGREED CHARLIE NEEDS CONSTANT SUPERVISION. 207 00:10:48,700 --> 00:10:51,667 LOOK, I PROMISED MY WITNESS HE WOULDN'T BE ALONE. 208 00:10:51,700 --> 00:10:53,833 CHARLIE SEEMED TO SHOW SOME INTEREST IN HIM, 209 00:10:53,867 --> 00:10:56,267 SO I THOUGHT, WHY NOT GIVE HER THE RESPONSIBILITY 210 00:10:56,300 --> 00:10:57,767 OF LOOKING IN ON THE BOY? 211 00:10:57,800 --> 00:10:59,400 IT MIGHT HELP HER TO GROW UP A LITTLE. 212 00:10:59,433 --> 00:11:00,800 BUT UNLIKE YOU, BRENDA, 213 00:11:00,833 --> 00:11:02,767 SHE DOESN'T DEAL WITH DEATH ALL THE TIME. 214 00:11:02,800 --> 00:11:03,900 SHE JUST SAW TWO KIDS BLEEDING OUT ON THE PAVEMENT. 215 00:11:03,933 --> 00:11:05,333 DID YOU EVER STOP AND THINK 216 00:11:05,367 --> 00:11:07,533 THAT LEAVING HER IN AN EMERGENCY ROOM BY HERSELF 217 00:11:07,567 --> 00:11:09,133 MIGHT NOT BE THE BEST IDEA IN THE WORLD? 218 00:11:09,167 --> 00:11:10,633 NO, I THOUGHT NOW SHE'D GET TO SEE WHAT HAPPENS 219 00:11:10,667 --> 00:11:12,100 WHEN A DRUG DEAL GOES WRONG. 220 00:11:12,133 --> 00:11:15,167 SO WHAT? THIS IS YOUR OWN LITTLE SCARED 221 00:11:15,200 --> 00:11:17,067 WHY NOT LOCK HER IN COUNTY FOR THE NIGHT? 222 00:11:18,233 --> 00:11:20,500 I SHOULD HAVE HEARD FROM HER BY NOW. 223 00:11:20,533 --> 00:11:24,367 I'M GONNA CALL HER, TELL HER TO MEET US DOWNSTAIRS. 224 00:11:26,200 --> 00:11:28,267 [ RINGTONE PLAYS LOUD ROCK MUSIC ] 225 00:11:28,300 --> 00:11:31,133 OOH. OH, NO. 226 00:11:37,433 --> 00:11:40,933 YOU LEFT HER AT THE HOSPITAL WITHOUT HER PHONE. 227 00:11:40,967 --> 00:11:42,533 I THOUGHT WE AGREED AFTER SHE APOLOGIZED TO ME, 228 00:11:42,567 --> 00:11:43,867 YOU'D GIVE IT BACK TO HER. 229 00:11:43,900 --> 00:11:45,667 WELL, SHE DIDN'T APOLOGIZE TO ME... 230 00:11:45,700 --> 00:11:47,000 PROPERLY. 231 00:11:47,033 --> 00:11:49,833 I MEAN, SHE STARTED TO, BUT THEN SHE WAS -- 232 00:11:49,867 --> 00:11:51,567 I DON'T KNOW -- POUTING. 233 00:11:57,400 --> 00:12:00,367 WELL, HE'S THROUGH SURGERY AND ALREADY OUT OF ANESTHESIA 234 00:12:00,400 --> 00:12:02,800 AND TALKING TO HIS SISTER, SO THAT'S GOOD. 235 00:12:02,833 --> 00:12:04,300 HIS SISTER? 236 00:12:04,333 --> 00:12:05,833 OH, YEAH. SHE'S BEEN GLUED TO HIM. 237 00:12:05,867 --> 00:12:07,067 OH, UM... 238 00:12:07,100 --> 00:12:09,700 OKAY, UH, L-LET ME SEE MY FACE. 239 00:12:09,733 --> 00:12:11,267 OKAY. 240 00:12:15,267 --> 00:12:16,733 OH, GOD, MY HAIR. 241 00:12:16,767 --> 00:12:17,933 DON'T WORRY. 242 00:12:17,967 --> 00:12:19,333 YOU LOOK GREAT. 243 00:12:19,367 --> 00:12:20,367 REALLY? 244 00:12:20,400 --> 00:12:23,800 OKAY, THAT'S ENOUGH FOR NOW. 245 00:12:23,833 --> 00:12:25,633 HE NEEDS TO REST. 246 00:12:25,667 --> 00:12:26,867 UH, BE RIGHT THERE. 247 00:12:26,900 --> 00:12:29,433 I HAVE TO GO. 248 00:12:29,467 --> 00:12:32,300 I HAVE, UM, OTHER... UH... 249 00:12:32,333 --> 00:12:34,100 PATIENTS TO SEE, SO, NICE TO MEET YOU. 250 00:12:34,133 --> 00:12:37,100 YEAH, UH, W 251 00:12:37,133 --> 00:12:40,333 OF COURSE. AS SOON AS I CAN. 252 00:12:40,367 --> 00:12:43,133 I JUST HAVE TO... CHECK THE SCHEDULE. 253 00:12:45,833 --> 00:12:48,467 JAKE. 254 00:12:48,500 --> 00:12:51,333 IT'S GOOD TO SEE YOU UP AND, UM... 255 00:12:51,367 --> 00:12:53,833 EXCUSE ME JUST A SECOND, JUST -- JUST ONE MOMENT. 256 00:12:57,000 --> 00:12:58,233 I HAVE TO CHECK THE SCHEDULE? 257 00:12:58,267 --> 00:12:59,733 HE THINKS I'M A YOUTH VOLUNTEER. 258 00:12:59,767 --> 00:13:01,433 AND THE NURSES THINK YOU'RE HIS SISTER? 259 00:13:01,467 --> 00:13:03,500 THEY ONLY ALLOW FAMILY MEMBERS IN THE I.C.U. 260 00:13:03,533 --> 00:13:05,767 THANK GOD I HEARD YOU USE HIS MOM'S NAME. 261 00:13:05,800 --> 00:13:08,467 OBVIOUSLY, JAKE KNOWS I'M NOT HIS SISTER, 262 00:13:08,500 --> 00:13:10,333 SO I TOLD HIM I WAS A YOUTH VOLUNTEER. 263 00:13:10,367 --> 00:13:11,767 IT'S EASIER THAN EXPLAINING YOU'RE MY AUNT. 264 00:13:12,667 --> 00:13:15,667 YOU TWO ARE SO RELATED. 265 00:13:15,700 --> 00:13:18,300 I TOLD YOU TO CALL ME THE SECOND HE WOKE UP. 266 00:13:18,333 --> 00:13:19,533 YOU WOULDN'T GIVE ME BACK MY PHONE. 267 00:13:21,967 --> 00:13:23,067 DID HE SAY ANYTHING 268 00:13:23,100 --> 00:13:24,600 ABOUT WHAT HAPPENED IN THE PARKING LOT? 269 00:13:24,633 --> 00:13:26,400 NO. I WAS TRYING TO MAKE HIM FEEL BETTER. 270 00:13:26,433 --> 00:13:27,567 I'M NOT A NARC. 271 00:13:27,600 --> 00:13:29,100 Fritz: OKAY, I THINK CHARLIE HERE 272 00:13:29,133 --> 00:13:31,133 HAS FULFILLED HER RESPONSIBILITIES PRETTY WELL, 273 00:13:31,167 --> 00:13:32,233 WOULDN'T YOU SAY, HONEY? YES. 274 00:13:32,267 --> 00:13:33,400 I WOULD. THANK YOU. 275 00:13:33,433 --> 00:13:35,133 THANK YOU VERY MUCH, CHARLIE. 276 00:13:35,167 --> 00:13:36,833 I PROMISED HIM A PLAYLIST. 277 00:13:36,867 --> 00:13:39,400 If that's designed to get your iPod back, it's not working. 278 00:13:39,433 --> 00:13:41,900 YOU KNOW WHAT -- Fritz: HEY, YOU REALLY WANT TO PUNISH HER? 279 00:13:41,933 --> 00:13:44,533 WHAT DO YOU SAY I TAKE THIS VOLUNTEER DOWN TO THE CAFETERIA? 280 00:13:44,567 --> 00:13:46,700 I UNDERSTAND THE PIZZA'S HORRIBLE. 281 00:13:46,733 --> 00:13:48,633 THANK YOU, UNCLE FRITZ. 282 00:13:53,333 --> 00:13:57,633 Jake: TH-- THERE WAS THIS -- THERE WAS THIS FLASH. 283 00:13:59,567 --> 00:14:02,833 AND HIS HEAD JUST WENT... 284 00:14:04,700 --> 00:14:06,600 I-I HIT -- I HIT THE GROUND. 285 00:14:06,633 --> 00:14:08,200 SO HE WAS SHOT FIRST. 286 00:14:08,233 --> 00:14:10,367 DID YOU SEE THE PERSON SHOOTING? 287 00:14:10,400 --> 00:14:12,233 NO. 288 00:14:12,267 --> 00:14:16,333 HE -- HE WAS BEHIND THE OTHER GUY THAT GOT SHOT. 289 00:14:16,367 --> 00:14:20,000 ALL -- ALL I DID WAS GET UNDER THE CAR. 290 00:14:20,033 --> 00:14:23,933 DID YOU KNOW TOMAS DeLEON, THE GUY WHO WAS KILLED? 291 00:14:23,967 --> 00:14:27,100 OR WHAT HE WAS DOING IN THAT PARKING LOT? 292 00:14:30,867 --> 00:14:33,867 JAKE, WE DIDN'T FIND ANY DRUGS ON YOU, 293 00:14:33,900 --> 00:14:35,467 AND I HAVE NO EVIDENCE THAT YOU WERE BUYING. 294 00:14:35,500 --> 00:14:38,133 THE WAY I SEE IT, YOU'VE GOT ENOUGH TROUBLE. 295 00:14:38,167 --> 00:14:40,700 I'M ONLY INTERESTED IN THE PERSON WHO WAS SHOOTING. 296 00:14:40,733 --> 00:14:42,800 CAN YOU DESCRIBE HIM FOR ME? 297 00:14:42,833 --> 00:14:46,067 I-I-I NEVER -- I NEVER SAW HIS FACE. 298 00:14:46,100 --> 00:14:49,900 THE SHOOTING STARTED, AND I WENT UNDER THE CAR, 299 00:14:49,933 --> 00:14:53,233 AND THEN THE SHOOTING STOPPED. 300 00:14:53,267 --> 00:14:58,767 AND WHEN I LOOKED, I JUST -- I SAW SOMEONE WALKING AWAY. 301 00:14:58,800 --> 00:15:04,233 AND T-THE NEXT PERSON I SAW WAS YOU. 302 00:15:04,267 --> 00:15:09,267 PLEASE DON'T TELL MY MOM WHY I WAS THERE. 303 00:15:10,467 --> 00:15:13,167 HER ONLY WORRY IS THAT YOU GET BETTER, BELIEVE ME. 304 00:15:13,200 --> 00:15:15,067 YOU TALKED TO HER? 305 00:15:15,100 --> 00:15:16,767 YES, I DID. 306 00:15:16,800 --> 00:15:18,100 IS SHE COMING? 307 00:15:18,133 --> 00:15:20,467 SHE IS COMING JUST AS FAST AS THAT PLANE CAN FLY. 308 00:15:21,633 --> 00:15:24,167 I'M SURE SHE TOLD THE CAPTAIN TO STEP ON IT. 309 00:15:31,900 --> 00:15:34,500 YOU'RE GONNA BE OKAY. OKAY? 310 00:15:37,833 --> 00:15:40,067 WE'VE GOT HIM PUMPED FULL OF ANTIBIOTICS AT THE MOMENT. 311 00:15:40,100 --> 00:15:41,433 LARGE INTESTINE WAS PERFORATED, 312 00:15:41,467 --> 00:15:43,133 SO INFECTION IS A BIG CONCERN. 313 00:15:43,167 --> 00:15:44,600 IF HE MAKES IT THROUGH TOMORROW NIGHT, 314 00:15:44,633 --> 00:15:45,633 HE'S GOT A CHANCE. 315 00:15:45,667 --> 00:15:48,633 HOW MANY BULLETS DID YOU RECOVER? 316 00:15:48,667 --> 00:15:50,900 NO COMPLETE BULLETS, ONLY FRAGMENTS. 317 00:15:50,933 --> 00:15:51,933 FRAGMENTS? 318 00:15:51,967 --> 00:15:53,333 SHRAPNEL, BASICALLY. 319 00:15:53,367 --> 00:15:55,100 HE HAD MULTIPLE ENTRANCE WOUNDS. 320 00:15:55,133 --> 00:15:56,800 THE BULLETS HIT SOMETHING AND SHATTERED 321 00:15:56,833 --> 00:15:58,467 BEFORE ENTERING HIS BODY. 322 00:15:58,500 --> 00:16:00,367 SURGICALLY SPEAKING, THAT'S A LITTLE MORE CHALLENGING. 323 00:16:00,400 --> 00:16:03,800 RIGHT, RIGHT. YES, I UNDERSTAND. THANK YOU. THANK YOU. 324 00:16:03,833 --> 00:16:04,933 UH, LIEUTENANT TAO? 325 00:16:04,967 --> 00:16:07,500 Tao: I THINK WE CAN EXPLAIN THE SHRAPNEL. 326 00:16:07,533 --> 00:16:10,167 THESE CHALK LINES REPRESENT THE PARKING SPACE 327 00:16:10,200 --> 00:16:11,500 WHERE JAKE BURRELL WAS SHOT. 328 00:16:11,533 --> 00:16:13,167 Sanchez: WE WENT BACK AND DID LEAD WIPES 329 00:16:13,200 --> 00:16:15,200 ON SOME CHIPS IN THE PAVEMENT 330 00:16:15,233 --> 00:16:17,667 AND FOUND THREE BULLET IMPACT POINTS. 331 00:16:17,700 --> 00:16:20,000 WELL, THAT'S THREE BULLETS, BUT I REMEMBER FIVE CASINGS. 332 00:16:20,033 --> 00:16:20,867 LET'S DO A COUNT. 333 00:16:20,900 --> 00:16:22,400 LORD. 334 00:16:22,433 --> 00:16:23,867 ALL RIGHT. 335 00:16:23,900 --> 00:16:26,500 UH, UH, THE CORONER FOUND ONE BULLET IN THE DEAD BOY. 336 00:16:26,533 --> 00:16:30,033 JAKE DIVES UNDER THE S.U.V., 337 00:16:30,067 --> 00:16:33,267 AND THE SHOOTER FIRES BULLETS 2 AND 3... 338 00:16:33,300 --> 00:16:34,667 POW, POW! 339 00:16:34,700 --> 00:16:37,967 ...WHICH HIT HERE AND HERE, AND BULLET 4... 340 00:16:38,000 --> 00:16:40,900 POW! ...WHICH HITS HERE, FURTHER UP. 341 00:16:40,933 --> 00:16:43,667 ALL STRIKE THE PAVEMENT, CREATING SHRAPNEL 342 00:16:43,700 --> 00:16:44,867 AS JAKE IS BACKING UP, 343 00:16:44,900 --> 00:16:46,500 STRIKING HIM IN THE ABDOMEN. 344 00:16:48,733 --> 00:16:52,533 TO HERE, WHERE HIS BLOOD POOLS. 345 00:16:52,567 --> 00:16:54,100 AT WHICH POINT, 346 00:16:54,133 --> 00:16:56,100 THE SHOOTER LOWERS HIMSELF FOR A BETTER ANGLE, 347 00:16:56,133 --> 00:16:57,900 AIMING FOR A HEAD SHOT. 348 00:16:57,933 --> 00:17:02,367 HOWEVER, THE BULLET DOES NOT HIT THE PAVEMENT... 349 00:17:02,400 --> 00:17:04,267 DOES NOT STRIKE JAKE. 350 00:17:04,300 --> 00:17:06,667 IT HITS THE GAS TANK. 351 00:17:07,733 --> 00:17:10,333 OH, I SENSE A BIG FINISH COMING UP. 352 00:17:10,367 --> 00:17:13,367 IT LANDS... 353 00:17:13,400 --> 00:17:16,300 IN...A BRICK OF WEED 354 00:17:16,333 --> 00:17:19,900 PACKED INSIDE THIS HALF OF THIS FAKE GAS TANK. 355 00:17:21,667 --> 00:17:24,033 BUT IF THIS WAS ALL ABOUT DRUGS 356 00:17:24,067 --> 00:17:26,300 AND HIS S.U.V. WAS LOADED WITH MARIJUANA, 357 00:17:26,333 --> 00:17:28,167 WHY DIDN'T THEY JUST DRIVE AWAY WITH IT? 358 00:17:28,200 --> 00:17:32,033 RIGHT. AND WHAT DECENT GANGSTER LEAVES $800 BEHIND? 359 00:17:32,067 --> 00:17:35,967 YOU KNOW, YOU COULD HAVE SPARED ME THIS DOG-AND-PONY SHOW 360 00:17:36,000 --> 00:17:38,367 AND JUST TOLD ME OUT FRONT 361 00:17:38,400 --> 00:17:40,033 THAT THE SHOOTER FIRED ONCE AT DeLEON 362 00:17:40,067 --> 00:17:41,500 AND FOUR TIMES AT JAKE BURRELL. 363 00:17:41,533 --> 00:17:43,167 CHIEF. 364 00:17:43,200 --> 00:17:45,733 I WANTED TO GIVE YOU THE FULL PICTURE! 365 00:17:47,367 --> 00:17:50,367 UH, CHIEF, WE -- WE NEED TO GO BACK TO THE HOSPITAL. 366 00:17:50,400 --> 00:17:52,933 NO, NO, NO, NO, NO. 367 00:17:52,967 --> 00:17:55,767 WE THINK JAKE WAS THE TARGET ALL ALONG. 368 00:18:00,667 --> 00:18:03,967 BUZZ, DO YOU THINK YOU COULD PLACE A CAMERA AND A MICROPHONE 369 00:18:04,000 --> 00:18:06,967 IN AN I.C.U. ROOM WITHOUT BEING NOTICED? 370 00:18:07,000 --> 00:18:08,533 SURE. I'VE GOT SOME NEW WIRELESS UNITS 371 00:18:08,567 --> 00:18:09,967 THAT ARE PRETTY SMALL, 372 00:18:10,000 --> 00:18:11,700 AND I COULD PROBABLY PUT THEM ON AN I.V. STAND 373 00:18:11,733 --> 00:18:13,333 WITHOUT ANYONE NOTIC-- GREAT. 374 00:18:13,367 --> 00:18:15,633 PACK UP YOUR AWAY KIT, AND BE READY TO GO IN FIVE MINUTES. 375 00:18:15,667 --> 00:18:17,567 THANK YOU. 376 00:18:17,600 --> 00:18:19,600 SERGEANT, I WANT CLEARANCE FROM THE HOSPITAL 377 00:18:19,633 --> 00:18:21,600 TO PUT A VIDEO FEED IN JAKE BURRELL'S ROOM. 378 00:18:21,633 --> 00:18:23,433 I'M GUESSING THEY WON'T LIKE THAT. 379 00:18:23,467 --> 00:18:25,600 TELL THEM WE'RE AFRAID FOR HIS SAFETY IF YOU HAVE TO. 380 00:18:25,633 --> 00:18:27,567 CHIEF, YOU GONNA INTERVIEW THE BOY AGAIN? 381 00:18:27,600 --> 00:18:29,200 I DON'T THINK SO, LIEUTENANT. 382 00:18:29,233 --> 00:18:32,200 YOU SAID YOU PROMISED JAKE SOME MUSIC? 383 00:18:32,233 --> 00:18:33,100 YEAH? 384 00:18:33,133 --> 00:18:35,433 HE'S ALL ALONE. 385 00:18:35,467 --> 00:18:37,833 I THINK IT WOULD BE GOOD FOR HIM. 386 00:18:37,867 --> 00:18:40,133 WHAT ABOUT MY PHONE? 387 00:18:41,300 --> 00:18:42,700 HEY, WHOA, WHOA, WHOA, WAIT. 388 00:18:45,200 --> 00:18:46,567 * AND * 389 00:18:46,600 --> 00:18:50,167 * OH, I'VE GOT ONE MORE SONG * 390 00:18:59,167 --> 00:19:01,633 THAT'S, UH... THAT'S COOL. 391 00:19:01,667 --> 00:19:03,233 REALLY? 392 00:19:03,267 --> 00:19:05,467 WELL, IT'S, UH, KIND OF GIRLY. 393 00:19:05,500 --> 00:19:08,267 YEAH, YOU CAN'T REALLY DANCE TO IT, I GUESS. 394 00:19:12,600 --> 00:19:15,367 HEY, H-HOW LONG CAN YOU STAY TODAY? 395 00:19:15,400 --> 00:19:17,633 AWHILE. WHY? 396 00:19:17,667 --> 00:19:20,833 OH, UM...MY MOM DOESN'T GET IN TILL TOMORROW, 397 00:19:20,867 --> 00:19:23,100 SO I'M A LITTLE ON MY OWN. 398 00:19:24,633 --> 00:19:27,033 I'LL -- I'LL TRY AND STAY, THEN. 399 00:19:27,067 --> 00:19:28,600 THANKS. 400 00:19:29,667 --> 00:19:31,800 OH...MY GOD. MY MOM... 401 00:19:31,833 --> 00:19:33,200 Provenza: I'VE MADE UP MY MIND. 402 00:19:33,233 --> 00:19:35,067 I'M GONNA ASK LAUREN TO MARRY ME. 403 00:19:35,100 --> 00:19:37,600 ...THEY GAVE HER THE PHONE IN THE AIRPORT IN HANOI, 404 00:19:37,633 --> 00:19:40,767 AND SHE WAS ALL FREAKING OUT AND STUFF. I'M GOING TO ASK HER. 405 00:19:41,933 --> 00:19:45,533 I THINK SHE MIGHT EVEN BE MAD AT ME. 406 00:19:45,567 --> 00:19:48,233 SHE'LL GET OVER IT WHEN SHE SEES YOU. 407 00:19:48,267 --> 00:19:50,700 YOU'LL BE BETTER TOMORROW. 408 00:19:50,733 --> 00:19:53,367 I HOPE SHE DOESN'T FIND OUT I WAS BUYING POT. 409 00:19:53,400 --> 00:19:55,933 WHAT IS IT WITH PARENTS AND POT? 410 00:19:55,967 --> 00:19:58,133 IT'S LIKE NONE OF THEM EVER TRIED IT. 411 00:19:58,167 --> 00:20:00,533 I DON'T THINK POT'S THAT BIG OF A DEAL. 412 00:20:00,567 --> 00:20:02,933 [ INHALES SHARPLY, GROANS ] 413 00:20:02,967 --> 00:20:05,167 ARE YOU OKAY? 414 00:20:05,200 --> 00:20:08,100 YEAH. UM... 415 00:20:09,467 --> 00:20:11,267 IT JUST KIND OF HURTS A LITTLE BIT. 416 00:20:14,000 --> 00:20:17,633 HEY, LOOK, YOU KNOW, IF -- IF YOU HAVE OTHER PATIENTS -- I DON'T. 417 00:20:18,967 --> 00:20:22,200 I MEAN, IT'S SLOW TODAY, SO... 418 00:20:23,967 --> 00:20:26,900 WELL, WHAT -- WHAT ABOUT, UM... 419 00:20:28,400 --> 00:20:32,400 DO YOU, LIKE, DO THIS VOLUNTEER THING, UH, ALONE, 420 00:20:32,433 --> 00:20:36,200 OR...DOES YOUR BOYFRIEND DO IT WITH YOU SOMETIMES? 421 00:20:36,233 --> 00:20:37,867 OH, NO. 422 00:20:37,900 --> 00:20:39,667 I DON'T HAVE A BOYFRIEND ANYMORE. 423 00:20:39,700 --> 00:20:41,067 WE BROKE UP A FEW MONTHS AGO. 424 00:20:41,100 --> 00:20:44,033 OKAY, YEAH, S-SAME HERE. 425 00:20:44,067 --> 00:20:47,400 A-ACTUALLY, YOU KNOW, I GOT DUMPED. 426 00:20:47,433 --> 00:20:48,600 WHY? 427 00:20:48,633 --> 00:20:50,967 OH. 428 00:20:51,000 --> 00:20:53,533 IT WAS INTENSE, YOU KNOW? 429 00:20:53,567 --> 00:20:56,333 LIKE, AT FIRST... 430 00:20:56,367 --> 00:21:00,233 WE WEREN'T, YOU KNOW, UH, HOOKING UP A LOT. 431 00:21:00,267 --> 00:21:04,233 THEN ONCE WE DID, IT WAS LIKE -- 432 00:21:04,267 --> 00:21:05,867 IT WAS LIKE YOU HAD TO DO IT ALL THE TIME? 433 00:21:05,900 --> 00:21:08,000 YEAH. 434 00:21:08,033 --> 00:21:11,200 WITH MY BOYFRIEND, IT WAS LIKE EVERY DAY, EVERYWHERE. 435 00:21:11,233 --> 00:21:12,833 LIKE, YOU KNOW, "WHAT ABOUT... 436 00:21:12,867 --> 00:21:13,900 YOUR PARENTS' BEDROOM?" 437 00:21:17,067 --> 00:21:19,900 UM... YOUR PARENTS' BEDROOM? 438 00:21:19,933 --> 00:21:21,400 WHY? 439 00:21:21,433 --> 00:21:22,800 I DON'T KNOW. 440 00:21:22,833 --> 00:21:24,333 I GUESS IT JUST... 441 00:21:24,367 --> 00:21:27,467 SORT OF BECAME MORE ABOUT HIM THAN US, 442 00:21:27,500 --> 00:21:28,833 AND THEN IT'S HARD TO GO BACK. 443 00:21:28,867 --> 00:21:30,300 NO. 444 00:21:31,867 --> 00:21:34,167 I GUESS WITH THE RIGHT PERSON, THOUGH, IT COULD BE... 445 00:21:34,200 --> 00:21:36,667 OH, TOTALLY. ...DIFFERENT. 446 00:21:36,700 --> 00:21:37,967 TOTALLY. 447 00:21:38,000 --> 00:21:39,667 YEAH, I DON'T KNOW. 448 00:21:41,967 --> 00:21:44,133 I-I... 449 00:21:44,167 --> 00:21:48,033 I MAY, UH, NEVER EVEN FIND OUT. 450 00:21:48,067 --> 00:21:51,367 UH, VANESSA IS... 451 00:21:51,400 --> 00:21:53,067 M-MY GIRLFRIEND'S NAME. 452 00:21:53,100 --> 00:21:54,300 UM... 453 00:21:54,333 --> 00:21:57,000 SHE GOT, UH, PREGNANT. 454 00:21:57,033 --> 00:21:58,733 OH, MY GOD. 455 00:21:58,767 --> 00:22:00,833 YEAH, SO I'M GOING TO BE A FATHER. 456 00:22:00,867 --> 00:22:03,233 OH, MY GOD. AND SHE DUMPED YOU? 457 00:22:03,267 --> 00:22:05,367 I-I TOLD HER, LIKE, 458 00:22:05,400 --> 00:22:08,667 WE COULD GET MARRIED, OR, YOU KNOW, I-I'D HELP HER... 459 00:22:10,700 --> 00:22:14,700 ...THAT WE COULD FIND A WAY TO TAKE CARE OF THE KID 460 00:22:14,733 --> 00:22:17,367 SO IT WOULDN'T... 461 00:22:17,400 --> 00:22:21,400 GROW UP WITHOUT A FATHER... LIKE I DID. 462 00:22:24,267 --> 00:22:25,733 BUT VANESSA -- 463 00:22:25,767 --> 00:22:28,967 SHE TOLD ME SHE NEVER WANTED TO SEE ME AGAIN. 464 00:22:29,000 --> 00:22:31,267 WHY? 465 00:22:31,300 --> 00:22:34,567 SHE DIDN'T KNOW WHAT TO SAY TO HER DAD. 466 00:22:34,600 --> 00:22:37,567 SHE -- SHE KEPT WANTING TO, LIKE, 467 00:22:37,600 --> 00:22:39,700 HIDE EVERYTHING THAT WAS GOING ON. 468 00:22:39,733 --> 00:22:42,233 BUT SHE STARTED TO SHOW, I GUESS, 469 00:22:42,267 --> 00:22:43,700 BECAUSE A COUPLE WEEKS AGO, 470 00:22:43,733 --> 00:22:45,667 I GOT A PHONE CALL FROM HER FATHER 471 00:22:45,700 --> 00:22:47,633 SAYING THAT IF HE EVER SAW ME 472 00:22:47,667 --> 00:22:49,400 HANGING AROUND HIS DAUGHTER AGAIN, 473 00:22:49,433 --> 00:22:50,767 THAT HE'D KILL ME. 474 00:22:50,800 --> 00:22:54,533 SO I -- I GUESS I DID SOMETHING WRONG. 475 00:22:54,567 --> 00:22:57,700 I-I'VE MESSED UP A LOT THIS YEAR. 476 00:22:57,733 --> 00:22:59,633 Brenda: STOP THERE, BUZZ. 477 00:22:59,667 --> 00:23:02,400 Taylor: ALL RIGHT. 478 00:23:02,433 --> 00:23:06,400 NARCOTICS HAS GIVEN YOU A LIST OF OSCAR DeLEON'S ENEMIES. 479 00:23:06,433 --> 00:23:08,333 THE VICTIM WAS DEALING DRUGS. 480 00:23:08,367 --> 00:23:10,167 YEAH. WHAT -- WHAT HAPPENED TO THE DRUGS? 481 00:23:10,200 --> 00:23:13,967 AND SHE WANTS TO THROW ALL THAT OUT FOR TEEN PREGNANCY. WHY? 482 00:23:14,000 --> 00:23:16,600 THE SHOOTER ONLY HIT TOMAS ONCE. HE SHOT AT JAKE FOUR TIMES. 483 00:23:16,633 --> 00:23:18,267 I THINK THIS PREGNANT GIRLFRIEND 484 00:23:18,300 --> 00:23:20,433 COULD BE A MUCH STRONGER MOTIVE THAN THE POT. 485 00:23:20,467 --> 00:23:21,833 WELL, THAT'S TOO BAD, THEN, 486 00:23:21,867 --> 00:23:23,700 BECAUSE EVEN IF JAKE WAS THE TARGET, 487 00:23:23,733 --> 00:23:25,567 YOU HAD NO PERMISSION TO MAKE THIS RECORDING. 488 00:23:25,600 --> 00:23:28,133 THIS GIRL IS MY NIECE, AND SHE'S A WITNESS. 489 00:23:28,167 --> 00:23:29,800 I HAD EVERY RIGHT TO RECORD HER 490 00:23:29,833 --> 00:23:32,033 FOR...HER OWN PROTECTION. 491 00:23:32,067 --> 00:23:34,567 ARE YOU HER LEGAL GUARDIAN? WELL, NO. 492 00:23:34,600 --> 00:23:37,200 THEN YOU CANNOT ACT ON HER BEHALF. 493 00:23:37,233 --> 00:23:39,000 ANYTHING YOU USE FROM THIS INTERVIEW 494 00:23:39,033 --> 00:23:40,533 WOULD BE FRUIT OF THE POISONOUS TREE. 495 00:23:41,633 --> 00:23:43,200 OKAY, FINE. 496 00:23:43,233 --> 00:23:46,067 IF I CAN'T USE THIS DVD, I'LL USE WHAT'S ON IT. 497 00:23:46,100 --> 00:23:47,367 BUT YOU'LL HAVE TO GET THE INFORMATION 498 00:23:47,400 --> 00:23:48,733 FROM SOME OTHER SOURCE. 499 00:23:48,767 --> 00:23:50,533 AND DON'T YOU WORRY -- I HAVE A GREAT ONE. 500 00:23:50,567 --> 00:23:52,067 PARDON ME. 501 00:23:55,200 --> 00:23:57,100 Fritz: YOU COULDN'T HAVE LIKED THAT. I DIDN'T. 502 00:23:57,133 --> 00:23:59,433 BUT THE PIZZA -- IT COULDN'T HAVE -- IT WAS TOO MUSHY. 503 00:23:59,467 --> 00:24:01,733 IT WAS MUSHY, EXACTLY. THIS IS FANTASTIC. 504 00:24:01,767 --> 00:24:03,067 HELLO! 505 00:24:03,100 --> 00:24:04,433 OH, HEY, HONEY, THERE YOU ARE! 506 00:24:04,467 --> 00:24:06,700 HEY, LISTEN, WE WERE KIND OF WAITING FOR YOU, 507 00:24:06,733 --> 00:24:09,467 BUT IT'S COMPLETELY MY FAULT. 508 00:24:09,500 --> 00:24:10,800 LOOK -- SWISS STEAK. 509 00:24:10,833 --> 00:24:13,933 OH. THAT'S SO NICE. 510 00:24:13,967 --> 00:24:15,900 CHARLIE MADE DINNER AGAIN. 511 00:24:15,933 --> 00:24:18,067 OH, WELL, THANK YOU, CHARLIE. 512 00:24:19,033 --> 00:24:20,300 HERE, YOU GOT TO TASTE SOME. 513 00:24:21,133 --> 00:24:22,600 HERE YOU GO. THANKS. 514 00:24:22,633 --> 00:24:24,867 OH, AND YOU'VE GOT TO HAVE SOME OF THESE POTATOES. 515 00:24:24,900 --> 00:24:27,167 THEY'RE AMAZING. 516 00:24:27,200 --> 00:24:29,167 I THINK IT WAS GOOD FOR JAKE 517 00:24:29,200 --> 00:24:31,733 TO SPEND ALL THAT TIME WITH YOU TODAY, DON'T YOU? 518 00:24:31,767 --> 00:24:33,367 I GUESS. 519 00:24:33,400 --> 00:24:36,533 I'M SURE HE ENJOYED THE MUSIC. 520 00:24:36,567 --> 00:24:39,967 AND I IMAGINE HE TOLD YOU MORE ABOUT HIS LIFE 521 00:24:40,000 --> 00:24:41,267 AND THINGS LIKE THAT. 522 00:24:47,400 --> 00:24:49,600 'CAUSE I'M -- I'M WORRIED ABOUT HIM -- 523 00:24:49,633 --> 00:24:51,433 JAKE. 524 00:24:51,467 --> 00:24:52,600 WHY? 525 00:24:52,633 --> 00:24:54,633 UH... 526 00:24:54,667 --> 00:24:58,067 I HAVE REASON TO BELIEVE THAT HIS LIFE IS IN DANGER. 527 00:24:58,100 --> 00:24:59,700 IT SEEMED LIKE HE WAS GETTING BETTER TO ME. 528 00:24:59,733 --> 00:25:01,300 NO, I-I'M NOT TALKING ABOUT THE INJURIES. 529 00:25:01,333 --> 00:25:04,067 I'M SAYING THAT I NO LONGER BELIEVE 530 00:25:04,100 --> 00:25:05,867 THAT JAKE WAS JUST A WITNESS. 531 00:25:05,900 --> 00:25:07,833 I-I THINK HE WAS THE PRINCIPAL TARGET. 532 00:25:07,867 --> 00:25:09,733 REALLY? WHY ARE WE TALKING ABOUT THAT? 533 00:25:09,767 --> 00:25:11,067 BECAUSE OF THE PHYSICAL EVIDENCE, 534 00:25:11,100 --> 00:25:13,233 WHICH IS WHY, CHARLIE... 535 00:25:14,767 --> 00:25:17,167 ...IF JAKE SAID ANYTHING TO YOU TODAY 536 00:25:17,200 --> 00:25:19,200 ABOUT HIS LIFE THAT MIGHT BE A REASON 537 00:25:19,233 --> 00:25:21,000 FOR SOMEONE TO WANT TO HURT HIM -- 538 00:25:21,033 --> 00:25:22,167 HE DIDN'T. 539 00:25:23,833 --> 00:25:24,833 NO? 540 00:25:26,367 --> 00:25:27,867 NOTHING AT ALL? 541 00:25:27,900 --> 00:25:29,567 NOPE. 542 00:25:31,567 --> 00:25:33,500 WHAT ABOUT HIS GIRLFRIEND -- VANESSA? 543 00:25:33,533 --> 00:25:35,367 HOW DID YOU KNOW ABOUT -- 544 00:25:37,633 --> 00:25:39,400 YOU SPIED ON ME, DIDN'T YOU? 545 00:25:39,433 --> 00:25:41,233 NO. I TAPED YOU. 546 00:25:41,267 --> 00:25:44,033 BRENDA, YOU CAN'T PUT CHARLIE IN THE MIDDLE OF THIS. 547 00:25:44,067 --> 00:25:46,033 SHE'S BEEN IN THE MIDDLE FROM THE VERY BEGINNING. 548 00:25:48,033 --> 00:25:49,800 LOOK... 549 00:25:49,833 --> 00:25:52,700 IF YOU DON'T WANT TO REPEAT YOUR CONVERSATION WITH JAKE, 550 00:25:52,733 --> 00:25:56,533 THIS IS A PREPARED STATEMENT WHERE YOU CONFIRM 551 00:25:56,567 --> 00:25:58,033 THAT JAKE TOLD YOU 552 00:25:58,067 --> 00:26:02,800 ABOUT GETTING HIS GIRLFRIEND, VANESSA, PREGNANT. 553 00:26:02,833 --> 00:26:04,500 AND YOU ARE GOING TO SIGN IT. 554 00:26:04,533 --> 00:26:06,200 NO. I'M NOT SIGNING ANYTHING. 555 00:26:07,900 --> 00:26:09,867 OKAY. THIS IS A DVD -- 556 00:26:09,900 --> 00:26:11,833 A RECORDING OF EVERYTHING YOU SAID IN THAT HOSPITAL ROOM -- 557 00:26:11,867 --> 00:26:13,000 ABOUT THE POT, 558 00:26:13,033 --> 00:26:15,067 ABOUT WHAT YOU DID IN YOUR PARENTS' BEDROOM 559 00:26:15,100 --> 00:26:16,000 WITH YOUR BOYFRIEND. 560 00:26:16,033 --> 00:26:17,567 OH...MY GOD. 561 00:26:17,600 --> 00:26:20,300 IT'S ALL GOING DIRECTLY TO YOUR ADDRESS, FedEx'd. 562 00:26:20,333 --> 00:26:21,800 YOU WOULDN'T DO THAT. BRENDA! 563 00:26:21,833 --> 00:26:23,067 I'M TRYING TO PROTECT THIS BOY'S LIFE. 564 00:26:23,100 --> 00:26:24,667 SHE'S TRYING TO PROTECT HIS SECRETS. 565 00:26:24,700 --> 00:26:26,167 WHICH DO YOU THINK IS MORE IMPORTANT? 566 00:26:26,200 --> 00:26:29,300 YOU ARE THE MOST HORRIBLE PERSON I HAVE EVER MET! 567 00:26:29,333 --> 00:26:31,933 TELL THE WORLD THAT. 568 00:26:31,967 --> 00:26:34,500 SIGN THE PAPER, GET YOUR CELL PHONE BACK. 569 00:26:34,533 --> 00:26:35,867 AND YOU CAN CALL EVERYONE YOU KNOW 570 00:26:35,900 --> 00:26:37,267 AND TELL THEM WHAT A MONSTER I AM 571 00:26:37,300 --> 00:26:39,233 FOR TRYING TO STOP SOMEONE FROM KILLING JAKE. 572 00:26:40,867 --> 00:26:44,400 OR I GIFT WRAP THIS DVD AND SEND IT TO YOUR PARENTS -- 573 00:26:44,433 --> 00:26:45,267 YOUR CHOICE. 574 00:26:53,233 --> 00:26:55,333 RECORDING ME. 575 00:26:55,367 --> 00:26:57,867 I'M ONLY DOING THIS TO PROTECT JAKE! 576 00:26:57,900 --> 00:27:01,033 NO ONE BELIEVES THAT, INCLUDING YOU. 577 00:27:07,767 --> 00:27:09,100 INCLUDING ME. 578 00:27:10,367 --> 00:27:13,167 I HAD TO DO THIS TO LEGALLY CLOSE MY CASE. 579 00:27:13,200 --> 00:27:14,800 AND THIS WAS THE ONLY WAY TO DO THAT? 580 00:27:22,667 --> 00:27:24,233 I DIDN'T LIE TO HER. 581 00:27:31,900 --> 00:27:34,033 AUNT BRENDA, QUICK! WE HAVE TO GO TO THE HOSPITAL RIGHT NOW! 582 00:27:34,067 --> 00:27:36,267 CHARLIE, WAIT, WAIT. ARE YOU OKAY? YEAH. 583 00:27:36,300 --> 00:27:38,000 I CALLED JAKE, AND I TOLD HIM EVERYTHING ABOUT WHO I AM 584 00:27:38,033 --> 00:27:40,433 AND ABOUT HOW YOU SPIED ON US AND EVERYTHING! 585 00:27:40,467 --> 00:27:42,067 CHARLIE, SLOW DOWN, SLOW DOWN. WHAT DID YOU DO? 586 00:27:42,100 --> 00:27:43,633 WAIT, HUSH, HUSH, HUSH. WHAT DID YOU DO? 587 00:27:43,667 --> 00:27:45,267 I-I CALLED JAKE, AND HE SOUNDED AWFUL. 588 00:27:45,300 --> 00:27:47,467 I -- HE HAD THIS REALLY BAD FEVER, 589 00:27:47,500 --> 00:27:49,567 AND THE NURSES MADE HIM GET OFF THE PHONE! OKAY. 590 00:27:49,600 --> 00:27:51,867 I'M -- I'M GOING TO GET MY CLOTHES ON. NO, CHARLIE! 591 00:27:51,900 --> 00:27:54,400 NO, IT WILL ONLY TAKE A SECOND! Fritz: CHARLIE, NO, NO, WAIT. 592 00:27:54,433 --> 00:27:57,233 I-I TOLD HIM I WAS COMING! WELL, YOU SHOULDN'T HAVE DONE THAT. 593 00:27:57,267 --> 00:28:00,633 HE'S NOT GONNA TALK TO YOU! I TOLD HIM EVERYTHING YOU DID! WELL, YOU SHOULDN'T HAVE DONE THAT, EITHER! 594 00:28:00,667 --> 00:28:02,733 YOU HAVE TO LET ME SEE HIM! OKAY, ALL RIGHT, ALL RIGHT. 595 00:28:02,767 --> 00:28:05,433 LOOK, CHARLIE -- WHERE IS MY PURSE? 596 00:28:05,467 --> 00:28:06,800 I'LL FIND YOUR PURSE. I'LL FIND YOUR PURSE. 597 00:28:06,833 --> 00:28:07,900 STAY HERE. 598 00:28:07,933 --> 00:28:09,633 OHH. 599 00:28:09,667 --> 00:28:12,733 YOU SAID YOURSELF THAT I'M IN THE MIDDLE OF THIS. 600 00:28:12,767 --> 00:28:14,233 CHARLIE, I PROMISE YOU -- 601 00:28:14,267 --> 00:28:16,833 I WILL DO EVERYTHING I CAN TO HELP THIS BOY. 602 00:28:16,867 --> 00:28:18,233 SHE'S TELLING YOU THE TRUTH. 603 00:28:18,267 --> 00:28:20,033 WHAT'S GONNA HAPPEN TO HIM? 604 00:28:21,367 --> 00:28:23,333 AS SOON AS I FIND OUT, I WILL CALL YOU. 605 00:28:25,733 --> 00:28:28,067 THANK YOU. 606 00:28:28,100 --> 00:28:30,667 DRIVE CAREFULLY, ALL RIGHT? 607 00:28:36,767 --> 00:28:39,000 WHAT NOW? 608 00:28:39,033 --> 00:28:40,667 NOW I WAIT UP WITH YOU. 609 00:28:42,000 --> 00:28:45,533 DOCTOR, UM, I'M SORRY. 610 00:28:45,567 --> 00:28:47,767 I JUST NEED TO KNOW IF JAKE CAN HANDLE 611 00:28:47,800 --> 00:28:49,900 BEING INTERVIEWED AT THE MOMENT? 612 00:28:49,933 --> 00:28:51,367 WE GOT HIM MAXED OUT ON MORPHINE, 613 00:28:51,400 --> 00:28:52,733 SO HE'LL BE IN AND OUT. 614 00:28:52,767 --> 00:28:54,433 DO YOU KNOW IF HE SPOKE TO HIS MOTHER YET? 615 00:28:54,467 --> 00:28:55,767 HALF AN HOUR AGO. 616 00:28:55,800 --> 00:28:57,667 SHE'S ON A PLANE COMING IN FROM HONOLULU, 617 00:28:57,700 --> 00:28:59,600 BUT SHE'S STILL ABOUT THREE HOURS AWAY. 618 00:28:59,633 --> 00:29:01,867 HE'S NEVER GONNA LAST THAT LONG. 619 00:29:07,300 --> 00:29:08,967 UH, CHIEF, CHIEF. 620 00:29:10,333 --> 00:29:11,767 UH, WE DON'T TECHNICALLY NEED IT, 621 00:29:11,800 --> 00:29:13,933 BUT CONSIDERING THAT, UH, WE TAPED HIM 622 00:29:13,967 --> 00:29:16,167 WITHOUT HIS PERMISSION YESTERDAY -- 623 00:29:16,200 --> 00:29:19,000 RIGHT. I'LL ASK. OKAY. 624 00:29:28,867 --> 00:29:30,467 JAKE? 625 00:29:30,500 --> 00:29:33,500 MOM... 626 00:29:33,533 --> 00:29:37,100 MOM. MOM, YOU -- Y-YOU MADE IT. 627 00:29:37,133 --> 00:29:41,267 NO, NO, JAKE, IT'S -- IT'S ME, BRENDA, FROM THE POLICE. 628 00:29:43,033 --> 00:29:45,800 BUT YOUR MOM'S COMING. SHE'LL BE HERE ANY MINUTE. 629 00:29:49,533 --> 00:29:54,200 IS, UH -- IS -- IS CHARLIE HERE? 630 00:29:54,233 --> 00:29:57,200 UH, NO. NO. 631 00:29:57,233 --> 00:29:59,767 BUT SHE TOLD ME TO TELL YOU THAT SHE'S THINKING ABOUT YOU. 632 00:30:01,267 --> 00:30:04,600 NOW, JAKE, I'M -- I'M SORRY, 633 00:30:04,633 --> 00:30:06,900 BUT I HAVE TO RECORD OUR CONVERSATION. 634 00:30:06,933 --> 00:30:08,233 ALL RIGHT, THEN? 635 00:30:08,267 --> 00:30:10,033 YOU'RE ASKING ME THIS TIME? 636 00:30:10,067 --> 00:30:13,233 YES. I AM -- I'M SORRY ABOUT THAT. 637 00:30:13,267 --> 00:30:14,133 THAT'S OKAY. 638 00:30:15,967 --> 00:30:18,833 NOW, I'M GONNA KEEP THIS SHORT, 639 00:30:18,867 --> 00:30:20,900 BUT I WANT TO ASK YOU AGAIN -- 640 00:30:20,933 --> 00:30:23,333 DO YOU REMEMBER ANYTHING ELSE ABOUT THE SHOOTING? 641 00:30:25,500 --> 00:30:27,133 NO. NO. 642 00:30:27,167 --> 00:30:29,367 YOU SAID THAT YOU SAW SOMEONE LEAVING 643 00:30:29,400 --> 00:30:31,967 AND -- AND THAT IT WAS A BOY AND NOT A GIRL. 644 00:30:32,000 --> 00:30:34,100 HOW -- HOW DID YOU KNOW THAT? 645 00:30:35,533 --> 00:30:37,467 I, UM... 646 00:30:40,067 --> 00:30:43,600 I-I SAW HIS -- HIS FEET... 647 00:30:43,633 --> 00:30:45,667 AS HE WAS RUNNING AWAY -- 648 00:30:45,700 --> 00:30:48,467 HIS... 649 00:30:48,500 --> 00:30:50,633 HIKING BOOTS... 650 00:30:50,667 --> 00:30:52,533 UH, TAN. 651 00:30:52,567 --> 00:30:55,467 TAN HIKING BOOTS. THAT'S GOOD. THAT'S VERY, VERY GOOD. 652 00:30:55,500 --> 00:30:58,433 DID, UH, Y 653 00:30:59,767 --> 00:31:02,367 I-I DID. I DID. 654 00:31:02,400 --> 00:31:04,300 AND SHE TOLD ME TO TELL YOU 655 00:31:04,333 --> 00:31:07,167 THAT SHE LOVES YOU VERY, VERY MUCH. 656 00:31:07,200 --> 00:31:10,800 SHE KNOWS MORE THAN YOU REALIZE. 657 00:31:10,833 --> 00:31:13,967 SHE KNOWS ALL ABOUT... 658 00:31:14,000 --> 00:31:17,133 THE PROBLEM THAT YOU HAD WITH YOUR... 659 00:31:17,167 --> 00:31:18,800 GIRLFRIEND. 660 00:31:18,833 --> 00:31:22,833 WHAT'S UH, VANESSA, VANESSA... 661 00:31:22,867 --> 00:31:24,400 ALMASSIAN. 662 00:31:24,433 --> 00:31:26,933 VANESSA ALMASSIAN -- RIGHT. 663 00:31:26,967 --> 00:31:30,533 SHE KNOWS ALL ABOUT THAT, AND SHE DOESN'T CARE AT ALL. 664 00:31:32,300 --> 00:31:33,767 SHE LOVES YOU JUST THE SAME. 665 00:31:33,800 --> 00:31:39,033 SO THERE IS NOTHING TO WORRY ABOUT. 666 00:31:39,067 --> 00:31:40,900 THAT'S -- THAT'S GOOD. 667 00:31:54,600 --> 00:31:57,267 UH, GOOD MORNING, SERGEANT. 668 00:31:57,300 --> 00:32:01,167 WELL, IT'S 4:14 A.M., TO BE EXACT. 669 00:32:01,200 --> 00:32:03,433 YEAH. 670 00:32:03,467 --> 00:32:06,133 I WANT YOU TO LOOK UP A NAME -- 671 00:32:06,167 --> 00:32:08,433 VANESSA ALMASSIAN. 672 00:32:08,467 --> 00:32:09,933 I DON'T KNOW. 673 00:32:09,967 --> 00:32:15,100 PROBABLY A-L-M-A-S-I-A-N, MAYBE TWO S's. 674 00:32:15,133 --> 00:32:18,267 YES, SERGEANT, NOW. 675 00:32:18,300 --> 00:32:20,433 HUH 676 00:32:44,233 --> 00:32:47,533 MOM MAMA. MOM. 677 00:32:47,567 --> 00:32:48,700 N-- 678 00:32:50,233 --> 00:32:53,533 Y 679 00:32:53,567 --> 00:32:55,333 YOU MADE IT. 680 00:32:55,367 --> 00:32:57,233 YES, I MADE IT. 681 00:32:57,267 --> 00:32:59,233 I KNEW YOU WOULD MAKE IT. 682 00:32:59,267 --> 00:33:02,433 MOMMY. 683 00:33:02,467 --> 00:33:05,300 I'MSORRY. 684 00:33:05,333 --> 00:33:07,633 NO. 685 00:33:07,667 --> 00:33:10,667 DON'T BE SORRY. 686 00:33:10,700 --> 00:33:12,600 I LOVE YOU NO MATTER WHAT. 687 00:33:12,633 --> 00:33:16,633 SO MUCH -- SO MUCH TROUBLE, THOUGH. 688 00:33:16,667 --> 00:33:19,067 NO. NO, NO, NO. NO TROUBLE AT ALL. 689 00:33:21,333 --> 00:33:22,533 YOU SURE? 690 00:33:22,567 --> 00:33:25,133 I'M POSITIVE. POSITIVE. 691 00:34:07,800 --> 00:34:10,533 NO, NO, NO, NO, NO, NO. 692 00:34:39,900 --> 00:34:41,833 SORRY. 693 00:34:41,867 --> 00:34:43,167 THANKS. 694 00:34:43,200 --> 00:34:44,633 I SPOKE WITH SERGEANT GABRIEL. 695 00:34:44,667 --> 00:34:47,133 HE CALLED BACK WITH A HIT ON THE NAME ALMASSIAN. 696 00:34:47,167 --> 00:34:48,533 REALLY 697 00:34:48,567 --> 00:34:51,800 FROM AN INTERVIEW CARD FROM THE CRIME SCENE. 698 00:34:51,833 --> 00:34:54,500 THERE WAS ACTUALLY SOMEBODY THERE WITH THAT LAST NAME. 699 00:34:54,533 --> 00:34:56,200 OH. AND WE'VE GOT AN ADDRESS. 700 00:34:56,233 --> 00:34:58,100 AND THEY'RE GETTING A SEARCH WARRANT. 701 00:34:58,133 --> 00:35:00,900 SO -- SO WHY DON'T YOU SIT DOWN AND JUST TAKE IT EASY? NO, NO, NO. 702 00:35:00,933 --> 00:35:02,767 I HAVE TO GO DOWNSTAIRS AND WAIT FOR JAKE'S MOTHER. 703 00:35:02,800 --> 00:35:04,567 I CAN DO THAT. 704 00:35:06,333 --> 00:35:08,533 I CAN DO THAT. 705 00:35:08,567 --> 00:35:12,333 SO, SIT... CATCH YOUR BREATH. 706 00:35:12,367 --> 00:35:14,500 FLYNN'S GONNA DROP BY AND PICK YOU UP 707 00:35:14,533 --> 00:35:16,033 AS SOON AS THEY GET THE WARRANT. 708 00:35:16,067 --> 00:35:17,600 OKAY. 709 00:35:19,367 --> 00:35:21,033 OH, I'M FINE, REALLY. 710 00:35:21,067 --> 00:35:22,500 TAKE IT. 711 00:35:27,333 --> 00:35:28,933 YOU NEVER KNOW. 712 00:35:49,067 --> 00:35:50,733 GENTLEMEN, DO WE KNOW IF THE ALMASSIANS ARE HOME? 713 00:35:50,767 --> 00:35:52,267 WELL, THE FATHER'S DUE AT WORK IN ABOUT -- 714 00:35:52,300 --> 00:35:53,800 UH, ABOUT AN HOUR. 715 00:35:53,833 --> 00:35:56,200 BEST GUESS IS THE SON AND DAUGHTER ARE STILL INSIDE. 716 00:35:56,233 --> 00:35:58,233 HERE'S THE, UH, INTERVIEW CARD FROM THE CRIME SCENE. 717 00:35:58,267 --> 00:35:59,400 OKAY. THANK YOU. 718 00:35:59,433 --> 00:36:00,933 SERGEANT, LET'S MAKE SURE 719 00:36:00,967 --> 00:36:02,433 THAT ALL THE EXITS ARE COVERED WHILE I'M INSIDE. 720 00:36:02,467 --> 00:36:04,633 WE GOT IT, CHIEF. 721 00:36:10,033 --> 00:36:12,200 GENTLEMEN, WOULD YOU PLEASE STAY OUT OF SIGHT FOR THE MOMENT? 722 00:36:12,233 --> 00:36:13,333 LET'S SEE HOW MANY ANSWERS 723 00:36:13,367 --> 00:36:15,867 I CAN GET BEFORE I INVITE Y'ALL INSIDE. 724 00:36:19,733 --> 00:36:21,233 MR. ALMASSIAN? 725 00:36:21,267 --> 00:36:22,567 YES? 726 00:36:22,600 --> 00:36:24,967 I'M DEPUTY CHIEF BRENDA LEIGH JOHNSON OF THE L.A.P.D. 727 00:36:25,000 --> 00:36:26,400 I NEED TO ASK YOU SOME QUESTIONS, SIR. 728 00:36:26,433 --> 00:36:27,800 I'M ON MY WAY TO WORK. 729 00:36:27,833 --> 00:36:31,267 DO YOU KNOW A YOUNG MAN BY THE NAME OF JAKE BURRELL? 730 00:36:31,300 --> 00:36:33,067 YOU NEED TO TALK TO MY DAUGHTER. 731 00:36:37,633 --> 00:36:40,433 VANESSA, THIS IS 732 00:36:40,467 --> 00:36:42,500 DEPUTY CHIEF BRENDA LEIGH JOHNSON, THE L.A.P.D. 733 00:36:42,533 --> 00:36:45,700 SHE WANTS TO KNOW ABOUT JAKE. SO WHAT HAPPENED? 734 00:36:45,733 --> 00:36:47,167 HE RAPE ANOTHER GIRL? DAD! 735 00:36:47,200 --> 00:36:49,267 I TOLD YOU WE SHOULD CALL THE COPS. 736 00:36:49,300 --> 00:36:52,833 NOW LOOK -- HE'S DONE IT AGAIN! 737 00:36:52,867 --> 00:36:55,167 NOW, THIS IS A SERIOUS MATTER, VANESSA. 738 00:36:55,200 --> 00:36:57,900 I EXPECT A SERIOUS ANSWER. DID JAKE RAPE YOU? 739 00:36:59,767 --> 00:37:03,033 DON'T LOOK AT HIM! LOOK AT ME! DID HE RAPE YOU? 740 00:37:03,067 --> 00:37:05,700 TELL HER WHAT YOU TOLD ME AND YOUR BROTHER. 741 00:37:09,267 --> 00:37:11,467 I SEE YOU'RE PREGNANT. 742 00:37:11,500 --> 00:37:12,600 YEAH. 743 00:37:12,633 --> 00:37:14,367 IS JAKE BURRELL THE FATHER? 744 00:37:14,400 --> 00:37:15,767 YEAH. 745 00:37:15,800 --> 00:37:17,133 TELL HER WHAT HAPPENED! 746 00:37:17,167 --> 00:37:19,967 GO AHEAD, VANESSA, TELL ME WHAT HAPPENED. 747 00:37:20,000 --> 00:37:21,433 NO. 748 00:37:21,467 --> 00:37:24,500 SHE WOULD RATHER BRING SHAME TO HER WHOLE FAMILY. 749 00:37:27,100 --> 00:37:29,800 MR. ALMASSIAN, DO YOU OWN A GUN? 750 00:37:29,833 --> 00:37:32,167 YEAH. WHAT'S THAT GOT TO DO WITH ANYTHING? WHERE IS IT? 751 00:37:32,200 --> 00:37:34,367 WHERE IS IT?! 752 00:37:34,400 --> 00:37:36,467 IT'S IN THE TOP DRAWER OF THAT TABLE BY THE FRONT DOOR. 753 00:37:36,500 --> 00:37:39,433 I THINK YOU SHOULD TELL ME WHAT'S GOING ON! 754 00:37:42,033 --> 00:37:44,400 OKAY. 755 00:37:44,433 --> 00:37:47,767 WE HAVE A WARRANT TO SEARCH YOUR HOUSE. 756 00:37:47,800 --> 00:37:50,300 YOU HAVE A WARRANT?! HERE'S WHAT YOU DO -- YOU COOPERATE. 757 00:37:50,333 --> 00:37:52,133 DO YOU UNDERSTAND ME?! YOU COOPERATE! 758 00:37:52,167 --> 00:37:53,733 YOU THINK YOU'RE ASHAMED NOW? 759 00:37:53,767 --> 00:37:56,067 WAIT TILL I TAKE YOU AND YOUR PREGNANT DAUGHTER TO JAIL 760 00:37:56,100 --> 00:37:57,267 IN FRONT OF THE NEIGHBORS. 761 00:37:57,300 --> 00:37:59,500 JUST GIVE ME A REASON! CHIEF. 762 00:38:01,700 --> 00:38:03,267 IS THERE ANYONE ELSE IN THE HOUSE 763 00:38:03,300 --> 00:38:04,433 BESIDES THE TWO OF YOU, SIR? 764 00:38:04,467 --> 00:38:06,067 MY SON, ALEX. HE'S SLEEPING. 765 00:38:06,100 --> 00:38:09,133 Tao: SIR, I THINK YOU AND YOUR DAUGHTER SHOULD GRAB A CHAIR 766 00:38:09,167 --> 00:38:10,567 AND STAY SEATED. 767 00:38:15,767 --> 00:38:19,367 MR. ALMASSIAN, WHERE WERE YOU AT 9:00 YESTERDAY MORNING? 768 00:38:19,400 --> 00:38:21,967 I WAS AT WORK. CALL MY BOSS. 769 00:38:22,000 --> 00:38:23,433 AND YOUR DAUGHTER? SHE WAS HERE. 770 00:38:23,467 --> 00:38:25,867 WHAT ABOUT YOUR SON? HE WAS HERE, TOO. 771 00:38:25,900 --> 00:38:27,867 NOT ACCORDING TO THIS FIELD-INTERVIEW CARD. 772 00:38:27,900 --> 00:38:29,467 AN OFFICER STOPPED YOUR SON 773 00:38:29,500 --> 00:38:31,400 YESTERDAY TWO BLOCKS FROM WHERE A YOUNG MAN 774 00:38:31,433 --> 00:38:32,667 WAS SHOT AND KILLED 775 00:38:32,700 --> 00:38:34,400 AND JAKE BURRELL WAS FATALLY WOUNDED. 776 00:38:34,433 --> 00:38:35,767 WHAT? WHAT? 777 00:38:35,800 --> 00:38:37,733 JAKE DIED THIS MORNING FROM GUNSHOT WOUNDS. 778 00:38:37,767 --> 00:38:40,100 CHIEF! LOOK WHAT I FOUND IN ONE OF THE BEDROOMS! 779 00:38:43,333 --> 00:38:45,667 MR. ALMASSIAN, WHERE IS YOUR SON?! 780 00:38:45,700 --> 00:38:49,167 WHERE IS HE?! HEY! HEY! OUT FRONT! 781 00:38:49,200 --> 00:38:50,100 HE'S RUNNING AWAY! 782 00:38:52,200 --> 00:38:54,300 HEY! GET DOWN! 783 00:38:54,333 --> 00:38:56,000 GET ON THE GROUND! 784 00:38:57,733 --> 00:38:59,400 HEY, LEAVE HIM ALONE! WHAT'S HE DONE?! 785 00:38:59,433 --> 00:39:01,367 STAY BACK! 786 00:39:01,400 --> 00:39:03,800 WHAT'S HAPPENING TO ALEX?! WE'RE ARRESTING ALEX FOR MURDER. 787 00:39:03,833 --> 00:39:06,167 WHAT?! THIS IS ALL YOUR FAULT! 788 00:39:06,200 --> 00:39:08,900 WHAT WHAT DID I DO? 789 00:39:08,933 --> 00:39:10,633 YOU'RE THE ONE WHO GOT HIM SO MAD! 790 00:39:10,667 --> 00:39:12,267 BUT JAKE RAPED YOU! 791 00:39:12,300 --> 00:39:14,033 NO, HE DIDN'T! 792 00:39:14,067 --> 00:39:15,900 HE DIDN'T. 793 00:39:15,933 --> 00:39:19,233 YOU CALLED ME A WHORE. WHAT WAS I SUPPOSED TO SAY? 794 00:39:19,267 --> 00:39:20,967 HOW ABOUT THE TRUTH? 795 00:39:21,000 --> 00:39:22,633 IF YOU TOLD THE TRUTH FROM THE BEGINNING, 796 00:39:22,667 --> 00:39:23,967 JAKE WOULD STILL BE ALIVE! 797 00:39:24,000 --> 00:39:26,467 IT'S OVER, CHIEF. IT'S OVER. 798 00:39:27,767 --> 00:39:29,200 NO, IT ISN'T. 799 00:39:29,233 --> 00:39:32,000 I STILL HAVE A NOTIFICATION TO DO. 800 00:39:36,200 --> 00:39:37,933 COME ON. GET UP. 801 00:39:47,667 --> 00:39:48,800 IS THAT HER? 802 00:39:48,833 --> 00:39:50,000 I THINK IT IS. 803 00:39:55,000 --> 00:39:57,500 YOU TOLD ME YOU WERE GONNA CALL. WHY DIDN'T YOU CALL? 804 00:39:57,533 --> 00:40:00,433 UH, I'M SORRY. 805 00:40:00,467 --> 00:40:02,967 THINGS GOT VERY BUSY, AND, UM... 806 00:40:03,967 --> 00:40:05,300 ...I ENDED UP MAKING AN ARREST. 807 00:40:05,333 --> 00:40:07,833 OH, SO YOU FOUND THE GUY WHO SHOT JAKE. 808 00:40:07,867 --> 00:40:09,533 I DID. I DID, THANKS TO CHARLIE. 809 00:40:12,400 --> 00:40:14,900 I WANT TO TELL YOU THAT, BECAUSE OF YOUR HELP 810 00:40:14,933 --> 00:40:17,800 AND THE WAY THAT YOU TOOK CARE OF JAKE, 811 00:40:17,833 --> 00:40:19,500 WE ARRESTED THE KILLER TODAY. 812 00:40:19,533 --> 00:40:20,967 REALLY? 813 00:40:21,000 --> 00:40:23,100 REALLY. 814 00:40:28,033 --> 00:40:29,200 BUT... 815 00:40:31,867 --> 00:40:33,333 WHAT HAPPENED TO JAKE? 816 00:40:38,633 --> 00:40:41,033 IN -- IN GUNSHOT WOUNDS, THERE'S ALWAYS... 817 00:40:43,200 --> 00:40:45,967 ...THERE'S ALWAYS A SERIOUS CHANCE OF INFECTION. 818 00:40:46,000 --> 00:40:47,667 ARE YOU SAYING HE DIED? 819 00:40:49,700 --> 00:40:51,367 YES, HE DID. 820 00:40:52,800 --> 00:40:54,367 CHARLIE, I-I'M SO SORRY 821 00:40:54,400 --> 00:40:56,633 THAT I PUT YOU IN SUCH A TERRIBLE POSITION. 822 00:40:56,667 --> 00:40:58,667 I AM SO -- I SHOULD HAVE BEEN THERE. 823 00:41:00,500 --> 00:41:02,567 THERE WAS NOTHING YOU COULD HAVE DONE. 824 00:41:02,600 --> 00:41:05,167 I COULD HAVE SAID GOODBYE. 825 00:41:05,200 --> 00:41:07,767 WHY DIDN'T YOU LET ME SAY GOODBYE? 826 00:41:07,800 --> 00:41:09,533 OH, CHARLIE. 827 00:41:09,567 --> 00:41:11,567 YOU KEPT ME HERE WHEN YOU KNEW HE WAS DYING. 828 00:41:11,600 --> 00:41:14,133 YOU HAVE EVERY RIGHT TO BE ANGRY. YOU DIDN'T EVEN GIVE ME A CHANCE. 829 00:41:14,167 --> 00:41:16,667 I HAVE NOT TREATED YOU PROPERLY. WHY DIDN'T YOU GIVE ME A CHANCE? 830 00:41:16,700 --> 00:41:18,333 WELL -- WELL, LET ME -- LET ME ANSWER YOU. 831 00:41:18,367 --> 00:41:20,267 LET -- LET ME ANSWER YOU. I... 832 00:41:22,800 --> 00:41:25,667 LOOK, JAKE -- HE WAS IN VERY BAD SHAPE, 833 00:41:25,700 --> 00:41:28,767 AND HE HAD A VERY LIMITED AMOUNT OF TIME TO TALK, 834 00:41:28,800 --> 00:41:31,400 SO I HAD TO MAKE A DECISION BETWEEN... 835 00:41:31,433 --> 00:41:34,467 FINDING OUT WHO KILLED HIM AND -- AND -- 836 00:41:34,500 --> 00:41:35,800 AND LETTING YOU SAY GOODBYE, 837 00:41:35,833 --> 00:41:38,133 AND I CHOSE TO FIND OUT WHO KILLED HIM. 838 00:41:43,633 --> 00:41:45,567 DID I MAKE THE RIGHT CHOICE? 839 00:41:49,933 --> 00:41:51,733 HE... 840 00:41:54,233 --> 00:41:56,667 HE ASKED ABOUT YOU. 841 00:41:56,700 --> 00:41:59,967 CHARLIE, HE -- HE KNEW YOU WERE HIS FRIEND. 842 00:42:00,000 --> 00:42:00,067 HE KNEW THAT. HE DID ASK ABOUT YOU.