1 00:01:47,775 --> 00:01:50,578 I FOUND A CLUE -- TO A MURDER. 2 00:01:54,448 --> 00:01:56,184 OH. 3 00:01:56,217 --> 00:01:58,419 YOU GUYS HANDLE MURDERS, RIGHT? 4 00:01:58,452 --> 00:02:00,188 UH-HUH. 5 00:02:00,221 --> 00:02:02,656 SO, WHAT'S THIS BIG CLUE? 6 00:02:02,690 --> 00:02:05,559 IT'S ALL ON THIS DISPOSABLE PHONE -- 7 00:02:05,593 --> 00:02:08,262 TEXT MESSAGES. 8 00:02:08,296 --> 00:02:09,597 LET ME SEE. 9 00:02:09,630 --> 00:02:10,898 WHOA. 10 00:02:10,931 --> 00:02:12,433 UM... 11 00:02:12,466 --> 00:02:14,902 WHAT IS IT WORTH TO YOU? 12 00:02:14,935 --> 00:02:17,571 ARE YOU NUTS? 13 00:02:17,605 --> 00:02:21,342 I SHOULD ARREST YOU RIGHT NOW FOR WASTING OUR TIME. 14 00:02:21,375 --> 00:02:22,710 WHAT'S YOUR NAME AGAIN? 15 00:02:22,743 --> 00:02:25,213 SAM LINSKY. 16 00:02:25,246 --> 00:02:27,481 UM, LOOK, OKAY. 17 00:02:27,515 --> 00:02:29,917 I GOT LIKE 20 HOURS COMMUNITY SERVICE LEFT. 18 00:02:29,950 --> 00:02:33,254 YOU GUYS ARE COPS. YOU GUYS CAN MAKE THAT GO AWAY, RIGHT? 19 00:02:33,287 --> 00:02:34,755 WHAT WAS YOUR OFFENSE? 20 00:02:34,788 --> 00:02:36,690 I THREW A BANANA PEEL OUT OF MY CAR 21 00:02:36,724 --> 00:02:38,392 RIGHT IN FRONT OF THE CALIFORNIA HIGHWAY PATROL. 22 00:02:38,426 --> 00:02:40,294 SO YOU LITTERED IS WHAT YOU DID. 23 00:02:40,328 --> 00:02:42,763 WELL, I -- A BANANA PEEL'S BIODEGRADABLE. 24 00:02:42,796 --> 00:02:45,933 AND I WAS DRIVING -- I WAS DRIVING A HYBRID. 25 00:02:48,402 --> 00:02:51,372 THIS IS A REAL CRIME. THIS IS MURDER. 26 00:02:58,346 --> 00:03:00,948 GIVE ME THE PHONE, AND I'LL SEE WHAT WE CAN DO. 27 00:03:08,556 --> 00:03:09,990 THAT'S GOOD. 28 00:03:10,023 --> 00:03:13,561 CHECK OUT THOSE TEXT MESSAGES -- PRETTY SCARY STUFF. 29 00:03:13,594 --> 00:03:14,695 SHUT UP. 30 00:03:18,999 --> 00:03:21,602 THEY'RE TALKING ABOUT OFFING SOME DUDE, RIGHT? 31 00:03:21,635 --> 00:03:22,936 AM I RIGHT? 32 00:03:26,907 --> 00:03:28,676 WHERE DID YOU FIND THIS? 33 00:03:28,709 --> 00:03:30,578 UH, BY THE 110. 34 00:03:30,611 --> 00:03:32,313 I'M SORRY. 35 00:03:32,346 --> 00:03:35,249 SOMETHING OUT THERE IS REALLY AFFECTING MY ALLERGIES. 36 00:03:35,283 --> 00:03:36,250 OH, MY -- 37 00:03:43,924 --> 00:03:47,728 I CAN'T EVEN MAKE OUT THE LETTERS. 38 00:03:47,761 --> 00:03:49,497 LIEUTENANT, MY FUTURE SISTER-IN-LAW 39 00:03:49,530 --> 00:03:50,664 IS ON HER WAY TO MY HOUSE RIGHT NOW, 40 00:03:50,698 --> 00:03:51,832 AND I WAS SUPPOSED TO COOK DINNER. 41 00:03:51,865 --> 00:03:53,334 ARE YOU SURE THIS IS IMPORTANT? 42 00:03:53,367 --> 00:03:55,803 MY GUT SAYS YEAH. OHH. 43 00:03:55,836 --> 00:03:57,471 OKAY. 44 00:03:59,740 --> 00:04:01,909 WHY ARE THE WORDS SO TINY? 45 00:04:01,942 --> 00:04:05,413 WHO WERE THEY TEXTING TO -- MICE? 46 00:04:05,446 --> 00:04:06,980 HEY, LOOK. 47 00:04:07,014 --> 00:04:08,949 COME WITH ME, 48 00:04:08,982 --> 00:04:11,719 AND WE'LL FIX IT SO THAT WE CAN ALL READ IT AT THE SAME TIME. 49 00:04:15,723 --> 00:04:16,690 OH! 50 00:04:16,724 --> 00:04:17,725 GO ON. GET! 51 00:04:17,758 --> 00:04:18,726 OH... 52 00:04:18,759 --> 00:04:20,428 Gabriel: "I LOVE YOU. 53 00:04:20,461 --> 00:04:21,662 "YOU LOVE ME. 54 00:04:21,695 --> 00:04:23,897 CAN'T WE JUST RUN AWAY TOGETHER?" 55 00:04:23,931 --> 00:04:27,501 "AFTER, WE CAN BE TOGETHER FOREVER, 56 00:04:27,535 --> 00:04:29,703 AND WE'LL HAVE ALL THE MONEY FOR OURSELVES." 57 00:04:29,737 --> 00:04:32,373 "I MISS YOUR VOICE." 58 00:04:32,406 --> 00:04:34,642 "WE CAN'T USE OUR OWN PHONES ANYMORE. 59 00:04:34,675 --> 00:04:36,577 "BERGMAN'S/6. VERMILLION/7. 60 00:04:36,610 --> 00:04:37,978 "TAI PEI/MURRAY/930. 61 00:04:38,011 --> 00:04:40,814 PLEASE DON'T LET HIM COME HOME AND PAW ME." 62 00:04:40,848 --> 00:04:41,949 "I H8 HIM." 63 00:04:41,982 --> 00:04:44,452 "HE HAS 2 DIE. DEAD. DEAD. DEAD." 64 00:04:44,485 --> 00:04:45,719 Provenza: OH, YEAH. 65 00:04:45,753 --> 00:04:47,521 SOUNDS LIKE OUR KIND OF GIRL, ALL RIGHT. 66 00:04:47,555 --> 00:04:48,956 Flynn: YEAH. OKAY, BUZZ. 67 00:04:48,989 --> 00:04:51,859 SCROLL DOWN TO THE PLACE THAT I SHOWED YOU, PLEASE. 68 00:04:51,892 --> 00:04:53,894 YEAH. "IT'S DONE." 69 00:04:53,927 --> 00:04:55,329 "ARE YOU SURE?" 70 00:04:55,363 --> 00:04:56,530 "HE'S DEAD." 71 00:04:56,564 --> 00:04:57,798 "ARE YOU OKAY?" 72 00:04:57,831 --> 00:04:59,567 "IT'S MY JOB. I'M FINE. 73 00:04:59,600 --> 00:05:02,002 LOOKS LIKE AN ACCIDENT. NO ONE WILL KNOW." 74 00:05:02,035 --> 00:05:03,737 "CALL U SOON." 75 00:05:03,771 --> 00:05:06,640 IT'S HIS JOB? WAS SHE DATING A HIT MAN? 76 00:05:06,674 --> 00:05:08,809 AND TWO DAYS LATER. 77 00:05:08,842 --> 00:05:10,811 "WE HAVE 2 MEET. NEED TO C U." 78 00:05:10,844 --> 00:05:12,913 Daniels: "MUST B MOURNING. WE CAN'T TALK." 79 00:05:12,946 --> 00:05:13,947 "PLEASE." 80 00:05:13,981 --> 00:05:15,416 "STAY AWAY. 81 00:05:15,449 --> 00:05:16,684 I'LL TEXT U WHEN IT'S SAFE." 82 00:05:16,717 --> 00:05:19,086 OKAY. AND THEN TWO DAYS AFTER THAT? 83 00:05:19,119 --> 00:05:20,988 "WHERE ARE U? 84 00:05:21,021 --> 00:05:23,023 Y DIDN'T YOU SAY IT WOULD BE LIKE THIS?" 85 00:05:23,056 --> 00:05:26,794 SHE STOPS ANSWERING HIM. THE REST ARE ALL INCOMING. 86 00:05:26,827 --> 00:05:29,663 "U CAN'T DO THIS TO ME." "DON'T IGNORE ME." 87 00:05:29,697 --> 00:05:32,633 "YOU USED ME," AND -- AND... 88 00:05:32,666 --> 00:05:35,369 AND...WOW. 89 00:05:37,671 --> 00:05:40,107 SHE USED HER BOYFRIEND TO KILL HER HUSBAND 90 00:05:40,140 --> 00:05:42,510 AND THEN CUT OFF COMMUNICATION. 91 00:05:44,412 --> 00:05:47,581 NOW WE KNOW WHY SHE TOSSED THE PHONE. 92 00:05:47,615 --> 00:05:48,916 ALL RIGHT, LIEUTENANT TAO, 93 00:05:48,949 --> 00:05:50,618 WHAT DO WE KNOW ABOUT THESE PHONE NUMBERS? 94 00:05:50,651 --> 00:05:52,019 BOTH ARE REGISTERED AS PREPAID, 95 00:05:52,052 --> 00:05:53,921 BUT I'M TRYING TO FIND OUT WHERE THEY WERE SOLD. 96 00:05:53,954 --> 00:05:56,857 BUT THERE WERE NO VOICE CALLS ON EITHER ONE, JUST TEXTS. 97 00:05:56,890 --> 00:05:58,526 WANT ME TO CALL THE OTHER NUMBER, CHIEF? 98 00:05:58,559 --> 00:05:59,960 NO. WE CAN'T ALERT THE SUSPECTS. 99 00:05:59,993 --> 00:06:01,629 WE DON'T EVEN HAVE A VICTIM YET. 100 00:06:01,662 --> 00:06:03,130 IT'S DYING. 101 00:06:03,163 --> 00:06:05,599 WHAT? THE CELLPHONE'S LOSING ITS CHARGE. 102 00:06:05,633 --> 00:06:08,569 OH, FOR HEAVEN'S SAKES. LET ME TAKE A LOOK AT THAT. 103 00:06:08,602 --> 00:06:10,003 IT'S ALL RIGHT, CHIEF. 104 00:06:10,037 --> 00:06:12,506 THE TEXT IS STILL IN THE PHONE, AND I TYPED IT UP. 105 00:06:12,540 --> 00:06:13,741 IT'S PRINTING RIGHT NOW. 106 00:06:15,075 --> 00:06:16,644 HERE YOU GO. 107 00:06:16,677 --> 00:06:17,845 THANK YOU. AND I ALSO HAVE... 108 00:06:19,980 --> 00:06:21,949 NO! WHAT? 109 00:06:21,982 --> 00:06:25,753 I LEFT MY BAG OF CHARGERS AT HOME. OH. 110 00:06:25,786 --> 00:06:27,054 DID I? 111 00:06:27,087 --> 00:06:28,756 THEY GOT TO BE HERE SOMEWHERE. 112 00:06:28,789 --> 00:06:31,592 SO, A WEEK AGO LAST WEDNESDAY, SHE TEXTED THE WORDS 113 00:06:31,625 --> 00:06:34,061 "BERGMAN'S," "VERMILLION," "TAI PEI" 114 00:06:34,094 --> 00:06:36,096 WITH NUMBERS BY THEM, LIKE... 115 00:06:36,129 --> 00:06:37,931 TIMES, MAYBE? A SCHEDULE? 116 00:06:37,965 --> 00:06:40,568 BERGMAN'S COULD BE THE DEPARTMENT STORE -- 117 00:06:40,601 --> 00:06:42,570 PROBABLY FIVE OF THEM IN LOS ANGELES. 118 00:06:42,603 --> 00:06:45,639 VERMILLION IS A COLOR, CHIEF -- PART OF THE RED FAMILY. 119 00:06:45,673 --> 00:06:47,140 IT'S A SHADE DARKER THAN PERSIMMON. 120 00:06:47,174 --> 00:06:48,976 THAT'S HELPFUL. 121 00:06:49,009 --> 00:06:51,211 AND TAI PEI IS THE CAPITAL OF TAIWAN. 122 00:06:51,244 --> 00:06:54,582 THAT'S ALSO A GREAT CHINESE JOINT ON VENTURA. 123 00:06:54,615 --> 00:06:56,216 BUT I THINK YOU'RE ON TO SOMETHING, CHIEF. 124 00:06:56,249 --> 00:06:58,051 IT SOUNDS LIKE THE VICTIM'S ITINERARY. 125 00:06:58,085 --> 00:07:01,689 SO TAI PEI AND MURRAY COULD BE A NAME ON A RESERVATION 126 00:07:01,722 --> 00:07:02,790 OR AN EMPLOYEE. 127 00:07:13,967 --> 00:07:15,636 ALL RIGHT -- DETECTIVE DANIELS, 128 00:07:15,669 --> 00:07:17,938 PLEASE HAVE THE CORONER'S OFFICE COMPILE A LIST 129 00:07:17,971 --> 00:07:20,908 OF ALL THE MEN WHO DIED IN THE COUNTY LAST WEEK. 130 00:07:20,941 --> 00:07:22,543 LET'S INCLUDE VENTURA, RIVERSIDE, 131 00:07:22,576 --> 00:07:23,844 AND ORANGE COUNTIES AS WELL. 132 00:07:23,877 --> 00:07:25,779 LIEUTENANT PROVENZA, LET'S COMPARE 133 00:07:25,813 --> 00:07:28,048 WEDNESDAY NIGHT'S RESERVATIONS FROM THAT CHINESE RESTAURANT, 134 00:07:28,081 --> 00:07:30,784 UH, TAI PEI, WITH THE NAMES OF THE DEAD PEOPLE 135 00:07:30,818 --> 00:07:32,119 ON DETECTIVE DANIELS' LIST. 136 00:07:32,152 --> 00:07:33,687 SERGEANT GABRIEL, LET'S DO THE SAME 137 00:07:33,721 --> 00:07:35,523 WITH THE CUSTOMERS FROM BERGMAN'S. 138 00:07:35,556 --> 00:07:36,790 AND LET'S SEE IF THERE'S ONE NAME 139 00:07:36,824 --> 00:07:39,059 THAT COMES UP ON ALL THREE LISTS. 140 00:07:39,092 --> 00:07:42,062 AND, LIEUTENANT TAO, I WANT TO KNOW EVERYTHING I CAN 141 00:07:42,095 --> 00:07:44,765 ABOUT THOSE CELLPHONES, PLEASE. 142 00:07:44,798 --> 00:07:46,567 AND, DETECTIVE SANCHEZ, 143 00:07:46,600 --> 00:07:50,103 IF YOU COULD FIND OUT WHAT "VERMILLION" MIGHT ACTUALLY BE. 144 00:07:50,137 --> 00:07:52,740 OH, I'M SO BEHIND! 145 00:08:00,280 --> 00:08:01,515 HEY, HONEY! 146 00:08:01,549 --> 00:08:03,517 OH-HO! SISTER! 147 00:08:03,551 --> 00:08:05,152 SISTER, SISTER, SISTER, SISTER, SISTER, SISTER, SISTER! 148 00:08:05,185 --> 00:08:07,187 CLAIRE. 149 00:08:07,220 --> 00:08:10,057 CLAIRE! CLAIRE, CLAIRE, CLAIRE. 150 00:08:10,090 --> 00:08:12,292 MY SISTER CLAIRE. 151 00:08:12,325 --> 00:08:13,794 YOU'RE GONNA BREAK HER. 152 00:08:13,827 --> 00:08:15,262 RELAX, FRITZI. 153 00:08:15,295 --> 00:08:17,230 YOU KNOW HOWARD WOMEN DON'T BREAK SO EASILY. 154 00:08:17,264 --> 00:08:19,266 I'M NOT A HOWARD WOMAN JUST YET. 155 00:08:19,299 --> 00:08:20,734 JUST ONE MORE WEEK TO GO. 156 00:08:20,768 --> 00:08:21,969 AND WHAT A WEEK IT'S GONNA BE, 157 00:08:22,002 --> 00:08:23,771 BECAUSE I AM HERE TO HELP YOU. 158 00:08:23,804 --> 00:08:25,739 TAKE A GANDER. 159 00:08:25,773 --> 00:08:27,741 OH. I MADE A SPROUT SALAD. 160 00:08:27,775 --> 00:08:30,077 I HAVE A VEGETARIAN CHICKEN POTPIE, 161 00:08:30,110 --> 00:08:32,279 MY SELF-AWARD-WINNING TOFURKEY, 162 00:08:32,312 --> 00:08:35,549 AND FOR DESSERT, WE HAVE CAROB-AND-WALNUT SOUFFLé. 163 00:08:35,583 --> 00:08:36,917 I HOPE YOU LIKE VEGAN. 164 00:08:36,950 --> 00:08:39,720 OH, CLAIRE. YOU SHOULDN'T HAVE. 165 00:08:39,753 --> 00:08:41,154 I-I WAS GONNA COOK. 166 00:08:41,188 --> 00:08:42,255 OH, NO, NO, NO. 167 00:08:42,289 --> 00:08:43,557 SHE INSISTED. 168 00:08:43,591 --> 00:08:44,892 AND YOU WEREN'T HERE. 169 00:08:44,925 --> 00:08:47,895 OH, I'M SORRY. I-I-I WAS, UH, DELAYED. 170 00:08:47,928 --> 00:08:50,564 AND, UH, UM, ON -- ON THE WAY HOME, 171 00:08:50,598 --> 00:08:54,201 I HAD TO PICK UP A CHARGER FOR A DISPOSABLE PHONE. 172 00:08:54,234 --> 00:08:58,171 UM, SORRY. LET ME JUST, UH, PLUG IN THIS CELLPHONE. 173 00:08:58,205 --> 00:08:59,973 I NEED IT FOR MY CASE. 174 00:09:01,174 --> 00:09:02,943 MUST BE PRETTY INTERESTING. 175 00:09:02,976 --> 00:09:04,845 I SEE A LOT OF SHADOWS AROUND THAT PHONE. 176 00:09:04,878 --> 00:09:07,648 VERY SPOOKY. WOULD YOU LIKE FOR ME TO HOLD IT A MOMENT? 177 00:09:07,681 --> 00:09:10,350 WHY? Fritz: OH, DIDN'T I TELL YOU, HONEY? 178 00:09:10,383 --> 00:09:13,053 CLAIRE'S DECIDED SHE'S A PSYCHIC. 179 00:09:13,086 --> 00:09:15,188 OH. REALLY? 180 00:09:15,222 --> 00:09:16,890 OH, I-I DID NOT KNOW THAT. 181 00:09:16,924 --> 00:09:19,259 ACTUALLY, IT'S NOT A DECISION, IT'S A GIFT. 182 00:09:19,292 --> 00:09:21,094 I'VE HAD IT SINCE I WAS A CHILD. 183 00:09:21,128 --> 00:09:22,996 REMEMBER THE TIME I SAVED YOUR LIFE? 184 00:09:23,030 --> 00:09:24,998 I WARNED YOU NOT TO STEP OUT OF THE TREE HOUSE. 185 00:09:25,032 --> 00:09:26,934 YEAH, BECAUSE YOU PULLED THE LADDER AWAY. 186 00:09:26,967 --> 00:09:28,602 LOOK, I DON'T WANT TO FIGHT. 187 00:09:28,636 --> 00:09:30,270 ANYWAY, I PREFER THE WORD "INTUITIONIST." 188 00:09:30,303 --> 00:09:33,140 PEOPLE HEAR THE WORD "PSYCHIC," AND THEY THINK "WACK JOB." 189 00:09:33,173 --> 00:09:35,308 HEY, WHAT KIND OF DRESSING DO YOU WANT ON YOUR SPROUT SALAD? 190 00:09:35,342 --> 00:09:38,612 I HAVE RED CURRY PEPPERCORN, AND I HAVE ORGANIC GODDESS. 191 00:09:38,646 --> 00:09:40,981 OH! DON'T TELL ME! I KNOW EXACTLY WHAT YOU WANT! 192 00:09:41,014 --> 00:09:43,116 OH. 193 00:09:43,150 --> 00:09:44,251 I'M GONNA GRAB A SCOTCH. 194 00:09:44,284 --> 00:09:46,654 NO. HONEY. 195 00:09:46,687 --> 00:09:48,021 Claire: SO YOU DON'T KNOW THE NAME OF YOUR VICTIM YET? 196 00:09:48,055 --> 00:09:49,690 Brenda: NOT YET. 197 00:09:49,723 --> 00:09:51,692 OKAY, WELL, NOWADAYS, I MOSTLY JUST READ AURAS. 198 00:09:51,725 --> 00:09:53,794 AS A MATTER OF FACT, I EVEN STARTED MY OWN CONSULTING COMPANY 199 00:09:53,827 --> 00:09:55,295 CALLED CLAIRE-VOYANCE. 200 00:09:55,328 --> 00:09:58,298 HA! ISN'T THAT CUTE? REMIND ME TO GIVE YOU A CARD. 201 00:09:58,331 --> 00:10:00,868 BUT IN ADDITION TO ROMANTIC AND FINANCIAL ADVICE, 202 00:10:00,901 --> 00:10:03,170 I SOMETIMES HELP LOCAL LAW ENFORCEMENT AGENCIES 203 00:10:03,203 --> 00:10:05,639 BACK IN JERSEY WITH MURDERS AND MISSING PERSONS. 204 00:10:05,673 --> 00:10:06,840 OH, THANK YOU. 205 00:10:06,874 --> 00:10:08,308 H-HOW MANY CASES HAVE YOU SOLVED? 206 00:10:08,341 --> 00:10:10,310 UM, WELL, MOSTLY I JUST GIVE TIPS, 207 00:10:10,343 --> 00:10:13,113 BUT I THINK I'VE CONTRIBUTED TO ABOUT 100 INVESTIGATIONS. 208 00:10:13,146 --> 00:10:15,248 HMM. 209 00:10:15,282 --> 00:10:18,251 I THOUGHT YOU HAD AN EXERCISE STUDIO OF SOME KIND. 210 00:10:18,285 --> 00:10:21,288 YEAH, BACK IN PRINCETON CALLED BODILY MOVEMENTS. 211 00:10:21,321 --> 00:10:22,856 BUT I HAD TO SHUT IT DOWN. 212 00:10:22,890 --> 00:10:25,225 I GOT CAUGHT IN THE MIDDLE OF A POWER STRUGGLE 213 00:10:25,258 --> 00:10:26,426 IN THE YOGA COMMUNITY. 214 00:10:27,928 --> 00:10:30,063 IT'S STILL PENDING. 215 00:10:30,097 --> 00:10:31,832 BUT I'M THINKING ABOUT MOVING TO SANTA FE. 216 00:10:31,865 --> 00:10:34,401 I'D BE CLOSER TO YOU GUYS. FUN! 217 00:10:34,434 --> 00:10:37,404 I EVEN OFFERED TO HELP FRITZI HERE WITH THIS EL JEFE CASE, 218 00:10:37,437 --> 00:10:39,673 BUT I THINK HE'S TOO EMBARRASSED TO HAVE ME AROUND THE OFFICE. 219 00:10:39,707 --> 00:10:42,743 THAT'S NOT TRUE. MORE TOFURKEY, ANYONE? 220 00:10:42,776 --> 00:10:44,978 NO? THAT'S OKAY. 221 00:10:45,012 --> 00:10:46,880 IT KEEPS. 222 00:10:46,914 --> 00:10:49,382 WELL, MAYBE YOU COULD HELP ME WITH MY MURDER CASE. 223 00:10:49,416 --> 00:10:51,885 REALLY? OH, BRENDA, THAT'D BE GREAT. 224 00:10:51,919 --> 00:10:53,687 AND YOU AND I CAN GET TO KNOW EACH OTHER BETTER. 225 00:10:53,721 --> 00:10:55,188 YES. YEAH, THAT'S -- THAT'S TERRIFIC. 226 00:10:55,222 --> 00:10:56,690 HONEY, YOU WANT TO HELP ME CLEAR? 227 00:10:56,724 --> 00:10:57,958 OH, SURE. SIT. 228 00:10:59,126 --> 00:11:00,327 YOU'RE OUR GUEST. 229 00:11:00,360 --> 00:11:01,962 OKAY. THANKS. OH, I'M SO EXCITED! 230 00:11:01,995 --> 00:11:03,163 BE RIGHT BACK. ME TOO. 231 00:11:07,234 --> 00:11:09,336 TO THINK THAT I'VE BEEN SOLVING CASES THE OLD-FASHIONED WAY 232 00:11:09,369 --> 00:11:12,205 WHEN HELP WAS JUST A TELEPATHIC MESSAGE AWAY. 233 00:11:12,239 --> 00:11:14,241 LOOK, BEFORE YOGA... 234 00:11:14,274 --> 00:11:15,809 MM-HMM. 235 00:11:15,843 --> 00:11:18,478 ...SHE TRIED GLASSBLOWING AND MAKING HER OWN SOAP. 236 00:11:18,511 --> 00:11:20,480 SO THE REASON I DIDN'T SAY ANYTHING 237 00:11:20,513 --> 00:11:22,916 ABOUT THIS PSYCHIC STUFF WAS BECAUSE I HONESTLY THOUGHT -- 238 00:11:22,950 --> 00:11:25,352 OH, YOU'VE BEEN WORKING SO HARD, 239 00:11:25,385 --> 00:11:27,921 AND THINGS ARE SLOW FOR US. 240 00:11:27,955 --> 00:11:31,158 IT'S MY TURN TO ENTERTAIN THE RELATIVES. 241 00:11:31,191 --> 00:11:32,760 CLAIRE MAY BE A BIT TOUCHED, 242 00:11:32,793 --> 00:11:35,162 BUT SHE SEEMS PERFECTLY HARMLESS. 243 00:11:35,195 --> 00:11:37,364 SHE MIGHT ENJOY COMING TO MY WORK AND SEEING WHAT I DO. 244 00:11:37,397 --> 00:11:38,866 WHAT? NO! 245 00:11:38,899 --> 00:11:40,367 NO, NO, NO, NO! 246 00:11:40,400 --> 00:11:42,870 I WOULDN'T LET HER ANYWHERE NEAR A MURDER CASE. 247 00:11:42,903 --> 00:11:45,472 DO YOU REMEMBER WHEN THE FBI SENT 30 AGENTS IN 248 00:11:45,505 --> 00:11:48,742 TO DRAIN THAT LAKE IN VIRGINIA, LOOKING FOR ANTHRAX? 249 00:11:49,943 --> 00:11:51,244 THAT WAS HER! OH. 250 00:11:53,881 --> 00:11:56,149 WHAT? WHAT IS THE MATTER? 251 00:11:56,183 --> 00:11:57,384 HE'S NOT DONE KILLING! 252 00:11:57,417 --> 00:11:59,286 WHAT, DO YOU HAVE ANOTHER VISION? 253 00:11:59,319 --> 00:12:02,055 NO, THE PHONE'S WORKING, BUT HE LEFT A TEXT MESSAGE. 254 00:12:04,091 --> 00:12:05,058 LOOK! 255 00:12:07,294 --> 00:12:09,763 "U R DEAD." 256 00:12:30,383 --> 00:12:33,086 OH! 257 00:12:33,120 --> 00:12:34,321 OH, FOR HEAVEN'S SAKES. 258 00:12:34,354 --> 00:12:36,156 OH, YOU SCARED ME TO DEATH. 259 00:12:37,524 --> 00:12:39,993 WHY IS YOUR WHOLE SQUAD HERE ON A SATURDAY? 260 00:12:40,027 --> 00:12:42,863 BECAUSE KILLERS WORK WEEKENDS, TOO, WILL, 261 00:12:42,896 --> 00:12:45,933 AND, UH, WE GOT A CELLPHONE YESTERDAY THAT -- 262 00:12:45,966 --> 00:12:47,434 YEAH, I READ GABRIEL'S REPORT. 263 00:12:47,467 --> 00:12:49,036 AN UNIDENTIFIED WOMAN 264 00:12:49,069 --> 00:12:51,371 MAY OR MAY NOT HAVE TALKED HER UNIDENTIFIED BOYFRIEND 265 00:12:51,404 --> 00:12:54,007 INTO MURDERING HER -- YES -- UNIDENTIFIED HUSBAND. 266 00:12:54,041 --> 00:12:55,308 WELL, THERE ARE A FEW GAPS, 267 00:12:55,342 --> 00:12:56,977 BUT WE'RE WORKING HARD ON FINDING OUT 268 00:12:57,010 --> 00:12:59,079 WHO THESE PEOPLE ARE -- OR WERE, ANYWAY. 269 00:12:59,112 --> 00:13:01,081 AND EVEN IF THIS WAS A HOMICIDE, WHAT'S THE BIG RUSH? 270 00:13:01,114 --> 00:13:02,415 IT COULD HAVE HAPPENED OVER A WEEK AGO. 271 00:13:02,449 --> 00:13:04,151 THE KILLER SENT A TEXT MESSAGE LAST NIGHT 272 00:13:04,184 --> 00:13:06,854 THREATENING TO OFF HIS GIRLFRIEND. WHY? 273 00:13:06,887 --> 00:13:09,456 IT LOOKS LIKE SHE DUMPED HIM AFTER HE MURDERED HER HUSBAND, 274 00:13:09,489 --> 00:13:11,391 SO WE'RE NOT JUST TRYING TO SOLV A MURDER, WILL, 275 00:13:11,424 --> 00:13:13,226 WE'RE TRYING TO PREVENT ONE. 276 00:13:13,260 --> 00:13:15,128 WHAT ARE YOU DOING HERE ON A SATURDAY, ANYWAY? 277 00:13:15,162 --> 00:13:17,364 WELL, WE HAVE PERSONNEL ISSUES. 278 00:13:17,397 --> 00:13:19,366 I'VE LOST A LOT OF EXPERIENCED PEOPLE IN C.I., 279 00:13:19,399 --> 00:13:21,001 AND I NEED TO FIND REPLACEMENTS. 280 00:13:21,034 --> 00:13:23,403 IT'S GONNA MEAN A PROMOTION FOR SOMEBODY. 281 00:13:23,436 --> 00:13:25,939 N-NOT FROM MY TEAM. 282 00:13:25,973 --> 00:13:27,975 I HAVE LIMITED PLACES FROM WHICH I CAN PULL, 283 00:13:28,008 --> 00:13:31,378 SO YES, BRENDA, MAYBE FROM MAJOR CRIMES. 284 00:13:31,411 --> 00:13:35,082 BUT I'M NOT PREPARED TO TALK ABOUT THAT JUST YET, OKAY? 285 00:13:35,115 --> 00:13:36,516 ALL I WANT TO MAKE VERY CLEAR NOW 286 00:13:36,549 --> 00:13:39,119 IS THAT IF YOU DON'T FIND A VICTIM TODAY, 287 00:13:39,152 --> 00:13:40,453 NO MORE OVERTIME. 288 00:13:40,487 --> 00:13:43,991 BUT WHO WOULD YOU TAKE FROM M 289 00:13:44,024 --> 00:13:45,458 YOU KNOW WHAT? 290 00:13:45,492 --> 00:13:47,127 LET'S DEAL WITH THE FUTURE WHEN IT GETS HERE, OKAY? 291 00:13:47,160 --> 00:13:49,362 JUST TRY NOT TO SPEND ALL DAY ON THIS CASE, OKAY? 292 00:13:58,671 --> 00:14:01,341 OH, SISTER! OH, I HAVE GOOD NEWS! 293 00:14:01,374 --> 00:14:04,077 LIEUTENANT PROVENZA HERE SHOWED ME ALL THE TEXT MESSAGES, 294 00:14:04,111 --> 00:14:06,346 AND I WAS ABLE TO GET AN IMAGE OF THE KILLER'S FACE. 295 00:14:06,379 --> 00:14:09,182 WHILE YOU WERE OUT, I CALLED IN A SKETCH ARTIST. 296 00:14:09,216 --> 00:14:11,284 NO. REALLY. 297 00:14:12,019 --> 00:14:13,486 OH. 298 00:14:13,520 --> 00:14:16,023 AND THEN LATER WE'RE GONNA MAKE BALLOON ANIMALS. 299 00:14:16,056 --> 00:14:17,257 OH. 300 00:14:17,290 --> 00:14:19,192 WELL, THE VICTIM... 301 00:14:19,226 --> 00:14:20,894 YES, I... 302 00:14:20,928 --> 00:14:26,299 ...I SEE -- I SEE A RIVER AND A BRIDGE 303 00:14:26,333 --> 00:14:27,634 AND A NEARBY TRAIN... 304 00:14:27,667 --> 00:14:30,570 AND -- AND A BARKING DOG IN THE BACKGROUND. 305 00:14:30,603 --> 00:14:34,141 AND -- AND AN ODD-LOOKING TREE. 306 00:14:34,174 --> 00:14:36,977 A RIVER, A TRAIN, AND A BARKING DOG. 307 00:14:37,010 --> 00:14:40,113 THROW IN A PICKUP TRUCK, AND WE'VE GOT A COUNTRY SONG. 308 00:14:44,151 --> 00:14:48,021 EXCUSE ME FOR A MINUTE. I'LL BE RIGHT BACK. 309 00:14:48,055 --> 00:14:51,658 Brenda: WELL, THANK YOU SO MUCH, CLAIRE. 310 00:14:51,691 --> 00:14:53,994 YOU BE CAREFUL OUT THERE. 311 00:14:54,027 --> 00:14:55,662 CHIEF? 312 00:14:55,695 --> 00:14:58,131 YES. 313 00:14:58,165 --> 00:15:01,101 I'VE NEVER HAD A USEFUL TIP FROM A PSYCHIC EVER. 314 00:15:01,134 --> 00:15:02,535 SHE'S NOT A PSYCHIC. 315 00:15:02,569 --> 00:15:04,637 SHE'S AN INTUITIONIST AND MY FUTURE SISTER-IN-LAW. 316 00:15:04,671 --> 00:15:05,638 OH, COME ON. 317 00:15:05,672 --> 00:15:07,240 DO YOU HAVE ANY IDEA 318 00:15:07,274 --> 00:15:09,042 WHO'S IN DANGER OF BEING MURDERED LATER ON TODAY? 319 00:15:09,076 --> 00:15:12,045 NO? WELL, THEN LET'S KEEP MOVING, SHALL WE? 320 00:15:12,079 --> 00:15:14,214 WHERE ARE WE ON THESE TEXT MESSAGES 321 00:15:14,247 --> 00:15:15,448 THAT LOOK LIKE A SCHEDULE -- 322 00:15:15,482 --> 00:15:17,284 BERGMAN'S, VERMILLION, TAI PEI? 323 00:15:17,317 --> 00:15:19,319 AH, THERE ARE NINE BERGMAN'S STORES 324 00:15:19,352 --> 00:15:21,088 BETWEEN ORANGE COUNTY AND VENTURA. 325 00:15:21,121 --> 00:15:23,256 THE CORPORATE OFFICE SENT OVER A COMPLETE LIST 326 00:15:23,290 --> 00:15:26,293 OF EVERY CREDIT-CARD TRANSACTION FROM LAST WEDNESDAY. 327 00:15:26,326 --> 00:15:28,228 UH, UNFORTUNATELY, NONE OF THEM MATCHES UP 328 00:15:28,261 --> 00:15:30,097 WITH THE 23 MALE DEATHS IN L.A. 329 00:15:30,130 --> 00:15:32,332 OR THE SURROUNDING COUNTIES ON THAT DAY. 330 00:15:32,365 --> 00:15:34,601 LIEUTENANT PROVENZA! YES, MA'AM? 331 00:15:34,634 --> 00:15:36,203 WHAT DO YOU KNOW ABOUT VERMILLION? 332 00:15:36,236 --> 00:15:38,972 OH, UH, NO -- STILL -- STILL WORKING ON THAT. 333 00:15:39,006 --> 00:15:40,507 BUT, UH, YESTERDAY AFTER WORK, 334 00:15:40,540 --> 00:15:43,543 I DID STOP BY TAI PEI FOR DINNER. 335 00:15:43,576 --> 00:15:45,645 AND, UH, WEDNESDAY BEFORE LAST, 336 00:15:45,678 --> 00:15:48,448 THERE WAS A RESERVATION FOR A GUY, LAST NAME MURRAY -- 337 00:15:48,481 --> 00:15:50,183 TABLE FOR TWO AT 9:30. 338 00:15:50,217 --> 00:15:52,519 MANAGER SAYS MURRAY WAITED HALF AN HOUR, 339 00:15:52,552 --> 00:15:54,087 DINED ALONE, PAID CASH. 340 00:15:54,121 --> 00:15:55,555 LIEUTENANT TAO, 341 00:15:55,588 --> 00:15:56,723 WHAT DO WE KNOW ABOUT THOSE PREPAID CELLPHONES? 342 00:15:56,756 --> 00:15:58,291 Tao: THE PHONES WERE PURCHASED 343 00:15:58,325 --> 00:16:00,693 FROM THE SAME CONVENIENCE STORE 10 DAYS AGO -- 344 00:16:00,727 --> 00:16:02,529 ALSO FOR CASH. 345 00:16:02,562 --> 00:16:05,632 BUT THE SECURITY-CAMERA TAPE IS ON A SEVEN-DAY LOOP, 346 00:16:05,665 --> 00:16:07,500 SO THE FOOTAGE IS ALREADY GONE. 347 00:16:07,534 --> 00:16:09,269 AND THE GUY BEHIND THE COUNTER 348 00:16:09,302 --> 00:16:11,704 DOESN'T REMEMBER WHO HE SOLD THE PHONES TO. 349 00:16:13,606 --> 00:16:15,108 AH! 350 00:16:15,142 --> 00:16:18,145 THE FIRST MARRIAGE WAS DEVOURED BY JEALOUSY. 351 00:16:18,178 --> 00:16:21,581 THE HUSBAND WANTED HIS WIFE TO STOP WORKING. 352 00:16:21,614 --> 00:16:25,652 HE THOUGHT SHE WAS HAVING AN AFFAIR WITH A CO-WORKER. 353 00:16:27,620 --> 00:16:29,722 SHE D HAVE AN AFFAIR WITH A COLLEAGUE, 354 00:16:29,756 --> 00:16:32,225 BUT THAT WAS BEFORE -- NO! I SEE A SEQUOIA! 355 00:16:32,259 --> 00:16:34,527 NO! A-A TREE! NO, NO. 356 00:16:34,561 --> 00:16:37,530 SHE HAD FEELINGS FOR SOMEONE ELSE -- 357 00:16:37,564 --> 00:16:40,433 A MAN DANGEROUS TO HER HEART. 358 00:16:40,467 --> 00:16:43,070 WOW, WAIT. I SHOULD BE, LIKE, RECORDING THIS. 359 00:16:43,103 --> 00:16:45,772 LIEUTENANT FLYNN, WHY DON'T YOU STOP BY THE CONVENIENCE STORE 360 00:16:45,805 --> 00:16:47,207 WHERE THOSE PHONES WERE BOUGHT 361 00:16:47,240 --> 00:16:48,708 AND TALK TO THE GUY WHO SOLD THEM, 362 00:16:48,741 --> 00:16:50,177 SEE IF YOU CAN JOG HIS MEMORY? 363 00:16:50,210 --> 00:16:51,578 CHIEF, YOU CAN'T BE SERIOUS. 364 00:16:51,611 --> 00:16:53,446 I MEAN, THOSE PEOPLE WOULDN'T REMEMBER A MAN 365 00:16:53,480 --> 00:16:55,482 WHO CAME IN WITH AN ELEPHANT TO BUY A QUART OF MILK. 366 00:16:55,515 --> 00:16:57,484 THEN WHY DON'T YOU TAKE CLAIRE WITH YOU? 367 00:16:57,517 --> 00:16:59,119 WHAT? 368 00:16:59,152 --> 00:17:00,720 Claire: IF I COULD JUST HOLD THE CLERK'S HAND, 369 00:17:00,753 --> 00:17:04,091 I MIGHT BE ABLE TO SEE THE KILLER THROUGH HIS MIND'S EYE. 370 00:17:04,124 --> 00:17:06,226 SOUND GOOD, LIEUTENANT? 371 00:17:06,259 --> 00:17:07,827 SOUNDS GREAT, CHIEF. 372 00:17:07,860 --> 00:17:10,397 COME ON, I'LL GIVE YOU A RIDE-ALONG. 373 00:17:10,430 --> 00:17:12,565 OH, TERRIFIC. JUST A SECOND. 374 00:17:12,599 --> 00:17:14,201 I just want to see this for a second. 375 00:17:14,234 --> 00:17:17,070 UHH. OH. 376 00:17:18,338 --> 00:17:20,507 MY PHONE CHARGERS! 377 00:17:20,540 --> 00:17:24,544 NO, UNH-UNH. MAKE HIM BALD, COMPLETELY BALD. 378 00:17:24,577 --> 00:17:27,714 YEAH. GOOD JOB, EVERYONE! SEE YOU LATER! 379 00:17:27,747 --> 00:17:30,217 THANK YOU! BYE! 380 00:17:30,250 --> 00:17:32,385 FLYNN. WHAT? 381 00:17:32,419 --> 00:17:34,854 OOH, I'VE GOT A BAD FEELING ABOUT THIS. 382 00:17:34,887 --> 00:17:36,689 YEAH. ME TOO. 383 00:17:40,660 --> 00:17:42,162 Tao: CHIEF? 384 00:17:42,195 --> 00:17:44,464 CLAIRE MIGHT BE ON TO SOMETHING. 385 00:17:44,497 --> 00:17:46,666 THERE'S THE LITERAL AND THERE'S THE ABSTRACT. 386 00:17:46,699 --> 00:17:48,468 OH, COME ON. 387 00:17:48,501 --> 00:17:51,471 NOT EVERYTHING IN THIS UNIVERSE IS VISIBLE TO THE NAKED EYE. 388 00:17:51,504 --> 00:17:53,606 SHE MAY BE TALKING IN IMAGES. 389 00:17:53,640 --> 00:17:55,642 Sanchez: UH, YEAH. CHIEF, "VERMILLION" IS A PLAY. 390 00:17:55,675 --> 00:17:57,210 OOH! 391 00:17:57,244 --> 00:17:58,878 IT'S "A GOTHIC TALE OF LOVE AND WITCHCRAFT 392 00:17:58,911 --> 00:18:01,314 SET ON THE VERMILLION RIVER IN LOUISIANA." 393 00:18:01,348 --> 00:18:03,616 IT RUNS IN WESTWOOD TILL THE END OF THE MONTH. 394 00:18:03,650 --> 00:18:06,186 THEY'RE FAXING OVER A LIST OF CREDIT-CARD ORDERS, 395 00:18:06,219 --> 00:18:08,821 BUT IT'S A 99-SEAT EQUITY-WAIVER HOUSE, 396 00:18:08,855 --> 00:18:11,358 AND THE THEATER MANAGER SAID EVERYONE SHOWED UP. 397 00:18:11,391 --> 00:18:13,193 THEY TURNED AWAY PEOPLE ON STANDBY. 398 00:18:13,226 --> 00:18:14,427 Tao: CHIEF! OH! 399 00:18:14,461 --> 00:18:16,496 YES, LIEUTENANT. WHAT IS IT? 400 00:18:16,529 --> 00:18:18,231 VERMILLION'S A RIVER. 401 00:18:18,265 --> 00:18:19,732 OH. 402 00:18:19,766 --> 00:18:21,501 JUST LIKE CLAIRE SAID. OH, FOR HEAVEN'S SAKES. 403 00:18:21,534 --> 00:18:23,570 SO, ASSUMING OUR VICTIM IS A REAL PERSON, 404 00:18:23,603 --> 00:18:25,205 HE MADE IT TO THE PLAY. 405 00:18:25,238 --> 00:18:28,341 EVERYBODY SHOWED UP. SO HE WAS IN WESTWOOD. 406 00:18:28,375 --> 00:18:29,876 BUT NEVER MADE IT TO TAI PEI. 407 00:18:32,879 --> 00:18:34,647 LIEUTENANT PROVENZA, WHAT IS THE FASTEST WAY 408 00:18:34,681 --> 00:18:36,816 BETWEEN THE THEATER AND THE RESTAURANT? 409 00:18:36,849 --> 00:18:38,618 WELL, THE 405, 410 00:18:38,651 --> 00:18:41,188 BUT ONLY SOME POOR TOURIST WOULD TAKE THAT. 411 00:18:41,221 --> 00:18:43,623 LOCALS WOULD DO BEVERLY GLEN OR SEPULVEDA. 412 00:18:43,656 --> 00:18:44,624 WHY? 413 00:18:44,657 --> 00:18:46,426 DETECTIVE DANIELS, 414 00:18:46,459 --> 00:18:48,595 PLEASE TAKE A LOOK AT THE LIST WE GOT FROM THE MORGUE 415 00:18:48,628 --> 00:18:52,499 AND FIND ME SOMEONE WHO DIED WEDNESDAY BEFORE LAST BETWEEN... 416 00:18:52,532 --> 00:18:56,936 THE THEATER AT 7:00 AND TAI PEI AT 9:30. 417 00:18:56,969 --> 00:18:59,706 Taylor: THE VICTIM OF THE CAR ACCIDENT, SHAWN THOMPSON, 418 00:18:59,739 --> 00:19:01,341 WAS A MAJOR HORROR FILM PRODUCER. 419 00:19:01,374 --> 00:19:02,909 AND YES, CHIEF, HE IS MARRIED. 420 00:19:02,942 --> 00:19:04,611 HIS WIFE'S CHRISTINE THOMPSON. 421 00:19:04,644 --> 00:19:06,646 TRAFFIC DID A DETAILED INVESTIGATION. 422 00:19:06,679 --> 00:19:10,350 NOW, THE VEHICLE, A 2008 LEXUS SEDAN, 423 00:19:10,383 --> 00:19:12,652 DROVE RIGHT OFF THE CLIFF FROM OVER THERE. 424 00:19:12,685 --> 00:19:14,387 THE CAR WAS INSPECTED. 425 00:19:14,421 --> 00:19:16,723 EVERYTHING WAS FULLY FUNCTIONAL EXCEPT THE AIR BAGS. 426 00:19:16,756 --> 00:19:17,890 THEY WERE TURNED OFF. 427 00:19:19,226 --> 00:19:21,561 UH, WHAT'S THE INTEREST? 428 00:19:21,594 --> 00:19:23,196 CHIEF! UGH! 429 00:19:23,230 --> 00:19:24,831 LOOK! 430 00:19:24,864 --> 00:19:26,599 WHAT IS IT, LIEUTENANT? 431 00:19:26,633 --> 00:19:29,569 A BRIDGE -- JUST LIKE CLAIRE SAID WE WOULD FIND. 432 00:19:29,602 --> 00:19:30,837 WHO'S CLAIRE? 433 00:19:30,870 --> 00:19:32,539 SHE'S A PSYCHIC, AND SHE'S -- 434 00:19:32,572 --> 00:19:34,207 YOU GUYS ARE CONSULTING A PSYCHIC? 435 00:19:34,241 --> 00:19:37,444 NO, WE'RE NOT. EXCUSE ME, LIEUTENANT. 436 00:19:37,477 --> 00:19:40,347 UH, WERE THERE ANY SKID MARKS AROUND THIS ACCIDENT 437 00:19:40,380 --> 00:19:41,781 OR SIGNS OF A COLLISION? 438 00:19:41,814 --> 00:19:44,851 NO, NO. LOOKS LIKE HE JUST LOST CONTROL OF THE CAR. 439 00:19:46,819 --> 00:19:48,555 WAS THERE A 911 CALL? 440 00:19:48,588 --> 00:19:52,725 PERSON REPORTING CALLED FROM THAT PAY PHONE OVER THERE. 441 00:19:52,759 --> 00:19:54,761 THEY DIDN'T STICK AROUND TO CHAT, THOUGH. 442 00:19:54,794 --> 00:19:57,630 NO OTHER WITNESSES CAME FORWARD. 443 00:19:57,664 --> 00:19:59,499 LIEUTENANT, I WANT THE 10 CALLS 444 00:19:59,532 --> 00:20:02,435 MADE BEFORE AND AFTER THE 911 CALL, PLEASE. 445 00:20:02,469 --> 00:20:04,271 LET'S, UH, SEE WHAT ELSE WE HAVE HERE. 446 00:20:04,304 --> 00:20:05,805 UM... 447 00:20:05,838 --> 00:20:09,509 YEAH, THE SHORT-FORM AUTOPSY SAYS MR. THOMPSON'S INJURIES 448 00:20:09,542 --> 00:20:12,279 WERE CONSISTENT WITH AN AUTO ACCIDENT. 449 00:20:12,312 --> 00:20:13,846 HE WASN'T WEARING A SEAT BELT. 450 00:20:13,880 --> 00:20:16,349 HIS BLOOD ALCOHOL CAME BACK .04. 451 00:20:16,383 --> 00:20:18,017 WHERE WOULD HE HAVE HAD A DRINK? 452 00:20:18,050 --> 00:20:20,320 HOW ABOUT INTERMISSION AT THE PLAY? 453 00:20:20,353 --> 00:20:22,322 DO YOU HAVE TO USE THAT TONE? 454 00:20:22,355 --> 00:20:23,956 I MEAN, IT'S -- IT'S THE TONE. IT'S -- IT'S -- 455 00:20:23,990 --> 00:20:26,293 UH, EXCUSE ME. 456 00:20:26,326 --> 00:20:28,261 ANYTHING ELSE, COMMANDER? 457 00:20:28,295 --> 00:20:29,729 NO, THE ONLY OTHER THING I KNOW 458 00:20:29,762 --> 00:20:31,798 IS THAT MR. THOMPSON'S WIFE, CHRISTINE, 459 00:20:31,831 --> 00:20:34,334 TOOK HER HUSBAND'S DEATH PRETTY BADLY. 460 00:20:35,735 --> 00:20:37,637 SHE MAY BE TAKING IT WORSE THAN YOU KNOW. 461 00:20:37,670 --> 00:20:38,638 EXCUSE ME. 462 00:20:52,419 --> 00:20:55,788 Provenza: CHRISTINE THOMPSON HAS IT PRETTY GOOD. 463 00:20:55,822 --> 00:20:58,558 Tao: IF SHE'S STILL ALIVE. 464 00:20:58,591 --> 00:21:00,327 I DON'T KNOW. 465 00:21:00,360 --> 00:21:03,330 IT LOOKS LIKE WE TOOK A WRONG TURN IN TRANSYLVANIA TO ME. 466 00:21:03,363 --> 00:21:05,565 BUZZ IT AGAIN, BUZZ. 467 00:21:05,598 --> 00:21:07,567 I KNEW YOU WERE GONNA SAY THAT. 468 00:21:07,600 --> 00:21:10,570 DETECTIVE, DO YOU THINK YOU CAN FORCE OPEN THIS GATE? 469 00:21:10,603 --> 00:21:13,706 WELL, DON'T HAVE TO, CHIEF. 470 00:21:13,740 --> 00:21:15,041 THE LOCK'S BUSTED. 471 00:21:15,074 --> 00:21:17,710 THERE'S A DOG BARKING IN THE BACKGROUND. 472 00:21:19,379 --> 00:21:22,515 JUST LIKE CLAIRE SAID. OH, FOR HEAVEN'S SAKE. 473 00:21:22,549 --> 00:21:24,484 YES, LIEUTENANT. IT'S UNCANNY. 474 00:21:25,552 --> 00:21:26,619 ALL RIGHT, EVERYBODY. 475 00:21:26,653 --> 00:21:28,054 Taylor: LOOK, LOOK, CHIEF. 476 00:21:28,087 --> 00:21:29,856 WHY DON'T YOU LET ME CALL IN FOR A SEARCH WARRANT? 477 00:21:29,889 --> 00:21:31,491 NO, I DON'T THINK THERE'S TIME. 478 00:21:31,524 --> 00:21:32,859 I'M NOW OFFICIALLY ACTING ON A TIP. 479 00:21:32,892 --> 00:21:34,727 FROM WHO 480 00:21:34,761 --> 00:21:36,363 WE HAVE EXIGENT CIRCUMSTANCES. 481 00:21:36,396 --> 00:21:37,930 CHRISTINE THOMPSON'S LIFE WAS THREATENED. 482 00:21:37,964 --> 00:21:39,666 ALL RIGHT, DETECTIVE. 483 00:21:52,445 --> 00:21:55,081 CAR'S RUNNING IN THE GARAGE! 484 00:22:07,960 --> 00:22:09,496 DON'T MOVE! DON'T MOVE! 485 00:22:09,529 --> 00:22:11,631 RELAX, GENTLEMEN. HE'S NOT ARMED. 486 00:22:14,634 --> 00:22:16,736 Provenza: OH, THANK YOU. 487 00:22:16,769 --> 00:22:19,506 AW. 488 00:22:19,539 --> 00:22:22,542 YEAH, NO PULSE. SHE'S LONG GONE, CHIEF. 489 00:22:24,677 --> 00:22:26,012 SO HER BOYFRIEND THREATENS TO KILL HER, 490 00:22:26,045 --> 00:22:27,013 SO SHE COMMITS SUICIDE? 491 00:22:27,046 --> 00:22:28,715 HOW DOES THAT MAKE SENSE? 492 00:22:30,182 --> 00:22:31,918 WOULD SOMEONE PLEASE CALL THE PARAMEDICS? 493 00:22:31,951 --> 00:22:33,820 I WANT HER TAKEN OUT OF HERE IN AN AMBULANCE. 494 00:22:33,853 --> 00:22:35,388 BUT, CHIEF, SHE'S DEAD. 495 00:22:35,422 --> 00:22:37,590 WELL, THEN YOU BETTER HURRY. 496 00:22:38,925 --> 00:22:39,959 YES, MA'AM. 497 00:22:39,992 --> 00:22:41,794 OH...MY...GOD. 498 00:22:41,828 --> 00:22:43,563 WHAT? CHIEF, LOOK. 499 00:22:46,032 --> 00:22:48,167 A TRAIN. 500 00:22:48,200 --> 00:22:51,103 THE RIVER, THE BRIDGE, THE BARKING DOGS, THE TRAIN -- 501 00:22:51,137 --> 00:22:53,706 EVERYTHING CLAIRE SAID. 502 00:22:53,740 --> 00:22:55,675 IT'S ALL HAPPENING. 503 00:22:59,011 --> 00:23:00,480 AAH! 504 00:23:02,615 --> 00:23:04,484 CHIEF? 505 00:23:04,517 --> 00:23:06,152 YES, LIEUTENANT. I'LL BE RIGHT THERE. 506 00:23:06,185 --> 00:23:08,821 JUST -- JUST A WORD. I'M -- I'M SORRY. 507 00:23:08,855 --> 00:23:11,624 UM, I DON'T KNOW IF YOU'VE NOTICED, 508 00:23:11,658 --> 00:23:13,493 BUT, UH, GABRIEL AND DANIELS 509 00:23:13,526 --> 00:23:16,829 CAN HARDLY STAND TO BE IN THE SAME ROOM TOGETHER ANYMORE. 510 00:23:16,863 --> 00:23:18,164 I ALREADY ISSUED AN ORDER 511 00:23:18,197 --> 00:23:20,967 FOR THEM TO SORT OUT THEIR ROMANTIC PROBLEMS. 512 00:23:21,000 --> 00:23:23,803 YOU -- YOU ARE AN EXCELLENT LEADER, CHIEF, 513 00:23:23,836 --> 00:23:29,442 BUT...YOU CAN'T JUST BOSS AROUND THE HUMAN HEART. 514 00:23:29,476 --> 00:23:30,743 LIEUTENANT, I AM IN THE MIDDLE 515 00:23:30,777 --> 00:23:32,211 OF A DOUBLE HOMICIDE INVESTIGATION. 516 00:23:32,244 --> 00:23:34,013 I DON'T WANT TO TALK ABOUT THIS RIGHT NOW. 517 00:23:34,046 --> 00:23:36,916 WELL, I DON'T WANT TO TALK ABOUT IT, EITHER, BUT, LOOK. 518 00:23:36,949 --> 00:23:40,152 SANCHEZ WAS GONE FOR FOUR MONTHS ON A DISABILITY LEAVE, 519 00:23:40,186 --> 00:23:41,788 AND THEN -- 520 00:23:41,821 --> 00:23:43,690 AND THEN GABRIEL TOOK A WEEK OFF FOR SOME TRAINING, 521 00:23:43,723 --> 00:23:46,192 AND DANIELS WAS OFF AT SOME HOMELAND SECURITY LABS 522 00:23:46,225 --> 00:23:47,994 FOR TWO WEEKS. 523 00:23:48,027 --> 00:23:49,796 I MEAN, LOOK, I MAY NOT BE A PSYCHIC, 524 00:23:49,829 --> 00:23:51,531 BUT AS AN EXPERIENCED CIVIL SERVANT, 525 00:23:51,564 --> 00:23:53,099 I CAN TELL YOU THIS -- 526 00:23:53,132 --> 00:23:55,735 THE BRASS WILL NOT LET YOU DO WITH SIX PEOPLE 527 00:23:55,768 --> 00:23:58,671 WHAT YOU'VE PROVEN YOU CAN DO WITH FIVE. 528 00:24:02,709 --> 00:24:04,110 CHIEF POPE TOLD ME THIS MORNING 529 00:24:04,143 --> 00:24:06,212 THAT HE MAY HAVE TO PROMOTE SOMEONE FROM MAJOR CRIMES 530 00:24:06,245 --> 00:24:08,047 TO THE C.I. DIVISION. 531 00:24:08,080 --> 00:24:09,882 WELL, THERE IT IS, THEN. THERE IT IS. 532 00:24:09,916 --> 00:24:11,518 AND I'M TELLING YOU, CHIEF. 533 00:24:11,551 --> 00:24:15,021 H-HE COULD TAKE SANCHEZ OR TAO OR EVEN FLYNN. 534 00:24:15,054 --> 00:24:17,123 AND OUR PROBLEM WOULD STILL BE THE SAME, 535 00:24:17,156 --> 00:24:19,091 AND IT'S SITTING RIGHT OUT THERE. 536 00:24:22,161 --> 00:24:24,230 LET'S TALK ABOUT THIS TOMORROW. 537 00:24:24,263 --> 00:24:25,832 CHIEF. 538 00:24:25,865 --> 00:24:27,166 OH! 539 00:24:27,199 --> 00:24:29,035 THAT'S TWICE IN ONE DAY! 540 00:24:29,068 --> 00:24:31,070 SPEAK OF THE DEVIL. 541 00:24:32,839 --> 00:24:34,073 WHAT'S THAT ABOUT? 542 00:24:34,106 --> 00:24:35,542 UH, NOTHING, NOTHING. WHAT'S UP? 543 00:24:35,575 --> 00:24:36,776 UH, I WAS AT THE MORGUE 544 00:24:36,809 --> 00:24:38,545 CHECKING ON A MURDER FOR HARBOR DIVISION, 545 00:24:38,578 --> 00:24:40,112 AND DR. MORALES COMPLAINED 546 00:24:40,146 --> 00:24:43,115 THAT YOU HAD A "CREEPY LADY" DOWN THERE WITH LIEUTENANT FLYNN 547 00:24:43,149 --> 00:24:44,216 TALKING TO A CORPSE. 548 00:24:44,250 --> 00:24:45,918 SHE'S NOT A CREEPY LADY. 549 00:24:45,952 --> 00:24:47,854 HER NAME IS CLAIRE, AND SHE'S MY FUTURE SISTER-IN-LAW. 550 00:24:47,887 --> 00:24:49,756 SHE HELPED US FIND THE VICTIM. REALLY 551 00:24:49,789 --> 00:24:51,724 UH, CLAIRE DID NOT HELP US FIND THE VICTIM. 552 00:24:51,758 --> 00:24:53,693 Sanchez: BUT SHE GUIDED A SKETCH ARTIST 553 00:24:53,726 --> 00:24:55,762 INTO A DRAWING OF THE KILLER, SIR. 554 00:24:56,729 --> 00:24:57,930 CHECK IT OUT. 555 00:25:09,676 --> 00:25:15,748 HMM. THAT'S FUNNY. 556 00:25:15,782 --> 00:25:19,852 SO, FRITZ'S SISTER IS A PSYCHIC. 557 00:25:19,886 --> 00:25:22,288 NO, SHE'S AN INTUITIONIST. 558 00:25:22,321 --> 00:25:24,557 OKAY. 559 00:25:24,591 --> 00:25:25,892 HMM. 560 00:25:25,925 --> 00:25:28,260 WELL, TELL CLAIRE THAT I HAVE A GOOD ALIBI 561 00:25:28,294 --> 00:25:31,297 FOR THE SUICIDE THAT YOU FOUND TODAY, 562 00:25:31,330 --> 00:25:33,600 WHICH BRINGS ME TO THE QUESTION I CAME HERE TO ASK. 563 00:25:33,633 --> 00:25:34,801 OH, ONE SECOND. 564 00:25:34,834 --> 00:25:37,236 UH, SERGEANT, DID, UM -- DID THE, UH... 565 00:25:38,871 --> 00:25:40,607 SERGEANT GABRIEL, 566 00:25:40,640 --> 00:25:42,141 DID CHRISTINE THOMPSON'S ATTEMPTED SUICIDE 567 00:25:42,174 --> 00:25:43,275 MAKE IT TO THE EVENING NEWS? 568 00:25:43,309 --> 00:25:44,877 UH, TOP STORY. 569 00:25:44,911 --> 00:25:46,613 THEY'RE SAYING SHE'S GONNA MAKE IT. 570 00:25:46,646 --> 00:25:47,880 OKAY, SO EXACTLY HOW DEAD DOES THIS WOMAN HAVE TO BE 571 00:25:47,914 --> 00:25:49,281 BEFORE WE ANNOUNCE IT? 572 00:25:49,315 --> 00:25:50,950 IF THE KILLER THINKS THAT SHE'S STILL ALIVE, 573 00:25:50,983 --> 00:25:52,885 WE CAN USE THAT TO OUR ADVANTAGE WHEN WE CATCH HIM. 574 00:25:52,919 --> 00:25:55,354 OH, MAY WE JUST DISCUSS THE PROS AND CONS 575 00:25:55,387 --> 00:25:57,824 OF WHETHER THERE IS A MURDER HERE? 576 00:25:57,857 --> 00:25:59,025 Gabriel: UM, PRO. 577 00:25:59,058 --> 00:26:00,326 CHRISTINE HAD A GASH IN HER HEAD, 578 00:26:00,359 --> 00:26:01,928 SUGGESTING THE KILLER KNOCKED HER OUT 579 00:26:01,961 --> 00:26:03,295 AND THREW HER TO THE GROUND AND STARTED THE ENGINE. 580 00:26:03,329 --> 00:26:04,797 Daniels: CON. 581 00:26:04,831 --> 00:26:06,365 SHE HAD SECOND THOUGHTS ABOUT SUICIDE, 582 00:26:06,398 --> 00:26:08,968 TRIED TO GET OUT OF THE CAR, WAS OVERCOME BY FUMES, 583 00:26:09,001 --> 00:26:10,269 FELL, AND HIT HER HEAD. 584 00:26:10,302 --> 00:26:13,072 THE LOCK ON THE FRONT GATE WAS BROKEN, 585 00:26:13,105 --> 00:26:14,841 SUGGESTING FORCED ENTRY. 586 00:26:14,874 --> 00:26:16,609 BUT WE DON'T KNOW WHEN THE LOCK WAS BROKEN. 587 00:26:16,643 --> 00:26:18,077 AND NO PRINTS. 588 00:26:18,110 --> 00:26:21,080 SO WHY KILL YOURSELF 589 00:26:21,113 --> 00:26:22,649 AFTER YOU'VE GONE THROUGH ALL THE TROUBLE 590 00:26:22,682 --> 00:26:23,950 TO HAVE YOUR HUSBAND MURDERED? 591 00:26:23,983 --> 00:26:26,886 CLEARLY, THERE ARE MANY POSSIBLE EXPLANATIONS, 592 00:26:26,919 --> 00:26:28,755 BUT WE DO HAVE THAT CELLPHONE 593 00:26:28,788 --> 00:26:31,023 THAT LED US RIGHT TO SHAWN THOMPSON AND HIS WIFE. 594 00:26:31,057 --> 00:26:33,760 AND WHEN WE WENT TO FIND OUT WHAT WAS LEFT OF THE CAR, 595 00:26:33,793 --> 00:26:36,128 WE FOUND A DRESS FROM BERGMAN'S THAT HE PICKED UP FOR HIS WIFE 596 00:26:36,162 --> 00:26:38,931 LAST WEDNESDAY AT 6:00 P.M. 597 00:26:38,965 --> 00:26:40,900 SO, MR. THOMPSON'S SCHEDULE FOR THE DAY HE DIED 598 00:26:40,933 --> 00:26:43,803 WAS EXACTLY WHAT THE TEXT MESSAGE SAID IT WOULD BE. 599 00:26:43,836 --> 00:26:45,905 Tao: WE DUMPED THE PAY PHONE BY THE SCENE OF THE ACCIDENT, 600 00:26:45,938 --> 00:26:48,274 AND WHEN MR. THOMPSON DROVE HIS CAR OFF THE ROAD, 601 00:26:48,307 --> 00:26:51,978 SOMEONE CALLED FOR A CAB -- AMERICAN USA TAXI. 602 00:26:52,011 --> 00:26:54,180 YEAH, FLYNN STOPPED THERE ON HIS WAY BACK FROM THE MORGUE 603 00:26:54,213 --> 00:26:55,414 TO TALK TO THE CABDRIVER. 604 00:26:55,447 --> 00:26:59,151 OH, MY GOD! YOU MADE THE ARREST! 605 00:26:59,185 --> 00:27:00,720 NO, CLAIRE. 606 00:27:00,753 --> 00:27:03,622 THIS IS MY BOSS, ASSISTANT CHIEF WILL POPE. 607 00:27:04,156 --> 00:27:05,124 OH. 608 00:27:05,157 --> 00:27:06,726 OH, I MUST HAVE SENSED YOU 609 00:27:06,759 --> 00:27:08,928 HOVERING AROUND THE CASE OR SOMETHING. 610 00:27:08,961 --> 00:27:11,698 MM. YEAH, I DO THAT SOMETIMES. I-I HOVER. 611 00:27:13,232 --> 00:27:15,668 EXCUSE ME. 612 00:27:15,702 --> 00:27:17,670 WELL, MAJOR CRIMES SEEMS TO HAVE HAD 613 00:27:17,704 --> 00:27:19,238 SOME VERY GOOD HUNCHES ON THIS. 614 00:27:19,271 --> 00:27:22,174 BUT UNLESS YOU'RE PLANNING TO HOLD A SéANCE, 615 00:27:22,208 --> 00:27:24,310 THE VICTIMS ARE NOT GOING TO TELL YOU HOW THEY DIED. 616 00:27:24,343 --> 00:27:27,747 SO LET'S FIND SOME PHYSICAL EVIDENCE FROM, YOU KNOW, 617 00:27:27,780 --> 00:27:31,417 OUR PLANE OF EXISTENCE AND WRAP THIS UP, ALL RIGHT? 618 00:27:31,450 --> 00:27:33,052 GOOD NIGHT, EVERYBODY. 619 00:27:33,085 --> 00:27:34,320 PLEASANT DREAMS. 620 00:27:34,353 --> 00:27:36,322 MM. 621 00:27:36,355 --> 00:27:38,991 OH. SKEPTICS. 622 00:27:39,025 --> 00:27:41,260 SOME PEOPLE JUST WON'T BELIEVE WHAT THEY CAN'T SEE. 623 00:27:41,293 --> 00:27:42,862 LIKE JURIES. 624 00:27:42,895 --> 00:27:44,430 LIEUTENANT FLYNN, ANYTHING? 625 00:27:44,463 --> 00:27:46,699 OKAY, WELL, I SPOKE TO THE CABDRIVER, 626 00:27:46,733 --> 00:27:48,400 AND HE SAID WEDNESDAY NIGHT BEFORE LAST, 627 00:27:48,434 --> 00:27:50,803 HE PICKED UP A FARE AT THE BUS STOP 628 00:27:50,837 --> 00:27:53,005 WHERE SHAWN THOMPSON'S CAR WENT OFF THE ROAD. 629 00:27:53,039 --> 00:27:55,207 BUT ALL HE COULD REMEMBER ABOUT THE PASSENGER 630 00:27:55,241 --> 00:27:57,744 WAS THAT HE WAS A WHITE GUY YOUNGER THAN ME. 631 00:27:57,777 --> 00:28:00,112 SO WE'RE BACK TO NOWHERE. Tao: NOT EXACTLY. 632 00:28:01,748 --> 00:28:06,418 LIKE CLAIRE, I CAN ALSO SEE THE INVISIBLE. 633 00:28:06,452 --> 00:28:08,755 GIVE ME A PERSON'S PHONES, 634 00:28:08,788 --> 00:28:10,890 AND I CAN DRAW YOU A PICTURE OF THEIR ENTIRE LIFE, 635 00:28:10,923 --> 00:28:13,960 MAYBE EVEN TELL YOU THEIR DESTINY. 636 00:28:15,527 --> 00:28:18,364 AND WHEN I AM DONE 637 00:28:18,397 --> 00:28:20,366 WE... 638 00:28:20,399 --> 00:28:23,069 WILL HAVE FULFILLED CLAIRE'S PROPHECY. 639 00:28:28,140 --> 00:28:29,308 I DUMPED ALL THE PHONES 640 00:28:29,341 --> 00:28:31,443 REGISTERED TO CHRISTINE THOMPSON. 641 00:28:31,477 --> 00:28:34,346 I THEN CREATED A LIST OF THE MOST COMMONLY USED NUMBERS 642 00:28:34,380 --> 00:28:37,316 IN THE PAST MONTHS LEADING UP TO HER HUSBAND'S DEATH. 643 00:28:37,349 --> 00:28:39,786 THIS WAS HER HUSBAND, SHAWN. 644 00:28:39,819 --> 00:28:42,121 THEY SPOKE A LOT DURING THE DAY. 645 00:28:42,154 --> 00:28:44,423 OVER HERE -- MOTHER FROM SHERMAN OAKS. 646 00:28:44,456 --> 00:28:48,761 SHE HAD A SISTER IN CONNECTICUT SHE SPOKE TO ON A WEEKLY BASIS. 647 00:28:50,797 --> 00:28:52,098 AND THEN THIS NUMBER. 648 00:28:54,867 --> 00:28:56,168 A. RABER. 649 00:28:56,202 --> 00:29:00,840 THE NUMBER FIRST APPEARS FOUR MONTHS AGO. 650 00:29:00,873 --> 00:29:04,543 WATCH HOW THE RELATIONSHIP DEVELOPS. 651 00:29:04,576 --> 00:29:10,249 IN THE BEGINNING, THEY SPEAK ONCE EVERY TWO OR THREE DAYS. 652 00:29:10,282 --> 00:29:13,152 THEN THINGS HEAT UP. 653 00:29:13,185 --> 00:29:15,855 THEY TALK ALL THE TIME. 654 00:29:15,888 --> 00:29:17,523 AND THEN THIS. 655 00:29:21,928 --> 00:29:23,029 WHAT? 656 00:29:23,062 --> 00:29:25,231 NOTHING. 657 00:29:25,264 --> 00:29:26,966 THEY SUDDENLY STOP SPEAKING. 658 00:29:26,999 --> 00:29:30,402 AND ON THAT EXACT SAME DAY, TWO PREPAID CELLPHONES 659 00:29:30,436 --> 00:29:33,405 ARE PURCHASED FROM A CONVENIENCE STORE. 660 00:29:33,439 --> 00:29:35,541 SO THEY BEGAN TEXTING BEFORE HER HUSBAND'S MURDER. 661 00:29:38,911 --> 00:29:41,180 WELL, HOW DOES THIS FULFILL MY PROPHECY EXACTLY? 662 00:29:41,213 --> 00:29:47,086 WE FOUND THE BRIDGE, THE RIVER, THE TRAIN, THE BARKING DOG. 663 00:29:47,119 --> 00:29:49,321 WHAT COULD BE MORE ODD-LOOKING... 664 00:29:50,522 --> 00:29:52,925 ...THAN A PHONE TREE? 665 00:29:52,959 --> 00:29:55,327 I DID IT! I REALLY DID IT! 666 00:29:55,361 --> 00:29:58,130 THIS IS EXCITING! WHO'S A. RABER? 667 00:29:59,265 --> 00:30:02,001 DON'T YOU ALREADY KNOW? 668 00:30:04,003 --> 00:30:05,337 Sanchez: HIS NAME IS ANDREW RABER. 669 00:30:05,371 --> 00:30:07,940 HE'S A STUNT MAN FOR TELEVISION AND FILM. 670 00:30:07,974 --> 00:30:09,942 ANDREW RABER. 671 00:30:09,976 --> 00:30:11,610 ALL RIGHT. 672 00:30:11,643 --> 00:30:14,080 HIS FILM CREDITS INCLUDE "HOUSE OF DEATH," 673 00:30:14,113 --> 00:30:16,248 "SORORITY DEATH HOUSE," "CAMP MURDER 1," 674 00:30:16,282 --> 00:30:17,884 "CAMP MURDER 2" -- 675 00:30:17,917 --> 00:30:19,919 YEAH, AND ALL THOSE MASTERPIECES 676 00:30:19,952 --> 00:30:24,090 WERE PRODUCED BY THE SAME GUY -- ONE SHAWN THOMPSON. 677 00:30:24,123 --> 00:30:25,591 SO SHAWN KNEW ANDREW. 678 00:30:25,624 --> 00:30:27,526 AND BASED ON HER CELLPHONE RECORDS, 679 00:30:27,559 --> 00:30:29,896 CHRISTINE KNEW HIM, TOO. 680 00:30:29,929 --> 00:30:33,866 WE PULLED MR. RABER'S HIGHLIGHT REEL OFF OF HIS WEBSITE. 681 00:30:33,900 --> 00:30:36,002 GO AHEAD, BUZZ. 682 00:30:38,137 --> 00:30:40,272 I THINK YOU'RE GONNA FIND THIS INTERESTING, CHIEF. 683 00:30:47,346 --> 00:30:48,614 WAIT FOR IT. 684 00:30:52,684 --> 00:30:53,852 ALL RIGHT. 685 00:30:58,524 --> 00:30:59,959 OKAY. WATCH THIS, CHIEF. 686 00:31:03,095 --> 00:31:04,130 AND THIS. 687 00:31:06,265 --> 00:31:09,001 BUZZ, UH, STOP IT THERE AND ROLL IT BACK. 688 00:31:09,035 --> 00:31:10,402 PLAY THAT LAST PART AGAIN, PLEASE. 689 00:31:10,436 --> 00:31:11,603 ALL RIGHTY. 690 00:31:15,341 --> 00:31:16,976 OH, WOULD YOU LOOK AT THAT? 691 00:31:17,009 --> 00:31:18,978 "IT'S MY JOB," HE SAID. 692 00:31:19,011 --> 00:31:21,013 CRASHING VEHICLES AND FALLING OUT OF CARS. 693 00:31:21,047 --> 00:31:23,382 AND HE DOES. MIGHT AS WELL HAVE FILMED THE MURDER. 694 00:31:23,415 --> 00:31:25,117 BUT WITH NO WITNESSES. 695 00:31:26,485 --> 00:31:28,120 I JUST CAN'T BELIEVE THIS IS OUR GUY. 696 00:31:28,154 --> 00:31:29,521 HOW WAS I SO THROWN OFF? 697 00:31:29,555 --> 00:31:32,358 THAT'S NOT HOW I PICTURED HIM AT ALL. 698 00:31:32,391 --> 00:31:34,326 "NOT HOW I PICTURED HIM." 699 00:31:35,995 --> 00:31:37,229 LIEUTENANT FLYNN, 700 00:31:37,263 --> 00:31:38,397 I NEED YOU TO GET THE CABDRIVER IN HERE 701 00:31:38,430 --> 00:31:40,266 AND THE SKETCH ARTIST, TOO. 702 00:31:40,299 --> 00:31:42,969 OKAY, BUT WHO'S SHE GONNA DRAW? 703 00:31:44,370 --> 00:31:46,305 THE KILLER. 704 00:31:52,044 --> 00:31:55,214 Gabriel: SO, YOU'RE A STUNT MAN, RIGHT? 705 00:31:55,247 --> 00:31:56,215 YEAH. 706 00:31:56,248 --> 00:31:57,616 THAT'S COOL. 707 00:31:57,649 --> 00:32:00,486 WHAT'S THE CRAZIEST STUNT YOU EVER DID? 708 00:32:00,519 --> 00:32:01,954 COME ON IN. OH, HELLO. 709 00:32:01,988 --> 00:32:03,422 HI. 710 00:32:03,455 --> 00:32:05,524 WHY DID YOU BRING THIS RABER GUY IN ON A SUNDAY 711 00:32:05,557 --> 00:32:07,359 WHEN YOU HAVE NOTHING ON HIM? 712 00:32:07,393 --> 00:32:09,495 BECAUSE HE'S ALREADY KILLED TWO PEOPLE, 713 00:32:09,528 --> 00:32:13,165 AND I DON'T LIKE THE IDEA OF HIM RUNNING AROUND ON HIS OWN. 714 00:32:13,199 --> 00:32:14,400 ALL RIGHT. 715 00:32:14,433 --> 00:32:15,968 AND YOU CAN PROVE HE'S A KILLER? 716 00:32:16,002 --> 00:32:19,005 WELL, I HAVE A CABDRIVER COMING IN WHO -- 717 00:32:19,038 --> 00:32:20,139 WHO SAW NOTHING. AND? 718 00:32:20,172 --> 00:32:21,540 AND I HAVE A SKETCH ARTIST WHO -- 719 00:32:21,573 --> 00:32:24,243 RIGHT. WHO JUST DREW A PICTURE OFF THE MONITOR. AND? 720 00:32:24,276 --> 00:32:26,412 AND I HAVE CHRISTINE THOMPSON. 721 00:32:26,445 --> 00:32:28,380 WHO IS DEAD. NOT COMPLETELY. 722 00:32:30,349 --> 00:32:31,550 TECHNICALLY, THOUGH, 723 00:32:31,583 --> 00:32:33,485 BY THE STANDARDS OF THE JUSTICE SYSTEM 724 00:32:33,519 --> 00:32:37,023 AND, YOU KNOW, REALITY -- DEAD. 725 00:32:37,056 --> 00:32:38,991 I HAVE A PLAN, SIR, AND THE SOONER I EXECUTE IT, 726 00:32:39,025 --> 00:32:41,360 THE FASTER WE'LL ALL BE ABLE TO GET OFF THE CLOCK. 727 00:32:41,393 --> 00:32:42,494 SO, SHALL I? 728 00:32:42,528 --> 00:32:44,030 MM-HMM. 729 00:32:44,063 --> 00:32:45,131 THANK YOU. 730 00:32:45,164 --> 00:32:46,565 OH, BUZZ. 731 00:32:46,598 --> 00:32:48,634 UH, LET ME KNOW AS SOON AS THE CABDRIVER COMES IN. 732 00:32:48,667 --> 00:32:50,102 YES, MA'AM. 733 00:32:50,136 --> 00:32:52,171 OH, NO. NO, NO. YOU WAIT HERE. 734 00:32:57,509 --> 00:32:59,611 YOU'RE A VIRGO, AREN'T YOU? 735 00:32:59,645 --> 00:33:01,580 STAY OUT OF MY HEAD, LADY. 736 00:33:03,815 --> 00:33:06,652 YEAH, WELL, HALF THE STUFF YOU SEE IN MOVIES ISN'T REAL. 737 00:33:06,685 --> 00:33:09,988 RIGHT. AND WHAT ABOUT THE OTHER HALF? 738 00:33:12,158 --> 00:33:13,592 Brenda: ANDREW RABER? 739 00:33:13,625 --> 00:33:15,561 I'M DEPUTY CHIEF BRENDA LEIGH JOHNSON. 740 00:33:15,594 --> 00:33:17,563 THANK YOU SO MUCH FOR COMING IN. 741 00:33:17,596 --> 00:33:19,098 HOW ARE YOU THIS MORNING? 742 00:33:19,131 --> 00:33:20,599 A LITTLE ANNOYED. 743 00:33:20,632 --> 00:33:22,034 OH, REALLY? WHY IS THAT? 744 00:33:22,068 --> 00:33:23,469 YOU GUYS PULL ME OUT OF MY HOUSE, 745 00:33:23,502 --> 00:33:25,404 DRAG ME DOWNTOWN, AND READ ME MY RIGHTS 746 00:33:25,437 --> 00:33:27,306 WITHOUT AN EXPLANATION. 747 00:33:27,339 --> 00:33:30,176 IT'S LIKE GUANTANAMO BAY IN THIS PLACE. 748 00:33:30,209 --> 00:33:32,378 OH, LOOK AT THOSE TERRIBLE SCRAPES ON YOUR HAND! 749 00:33:32,411 --> 00:33:34,413 HOW'D YOU GET THOSE? 750 00:33:34,446 --> 00:33:37,149 I'M A STUNT MAN. GET BANGED AROUND A LOT. 751 00:33:37,183 --> 00:33:38,717 I'M THE GUY YOU DON SEE IN MOVIES. 752 00:33:38,750 --> 00:33:40,652 PART OF THE SHOWBIZ MAGIC. 753 00:33:40,686 --> 00:33:42,421 WELL, SPEAKING OF SHOWBIZ, 754 00:33:42,454 --> 00:33:45,491 WE HAVE A COUPLE OF QUESTIONS FOR YOU ABOUT A MOVIE PRODUCER. 755 00:33:45,524 --> 00:33:47,493 A MR. SHAWN THOMPSON? 756 00:33:47,526 --> 00:33:50,296 I BELIEVE THAT YOU'RE A REGULAR PLAYER IN HIS HORROR FILMS. 757 00:33:50,329 --> 00:33:52,098 Gabriel: AS YOU MAY KNOW, 758 00:33:52,131 --> 00:33:55,501 MR. THOMPSON TRAGICALLY DIED IN A CAR ACCIDENT LAST WEEK. 759 00:33:55,534 --> 00:33:57,803 YEAH. IT'S PRETTY SHOCKING. 760 00:33:57,836 --> 00:34:00,372 AND JUST YESTERDAY, IT SEEMED THAT HIS WIFE, CHRISTINE, 761 00:34:00,406 --> 00:34:02,374 LOCKED HERSELF IN HER GARAGE WITH HER BENTLEY RUNNING -- 762 00:34:02,408 --> 00:34:04,143 ALMOST DIED. 763 00:34:04,176 --> 00:34:06,145 YEAH, I SAW SOMETHING ABOUT THAT ON THE NEWS. IS SHE OKAY? 764 00:34:06,178 --> 00:34:07,546 THANKS TO HER BARKING DOGS. 765 00:34:07,579 --> 00:34:10,216 A NEIGHBOR CALLED 911 -- SAVED HER LIFE. 766 00:34:10,249 --> 00:34:11,617 WE'RE HERE. 767 00:34:11,650 --> 00:34:13,519 WE'VE GOT HER IN PROTECTIVE CUSTODY. 768 00:34:13,552 --> 00:34:15,721 PROTECTIVE CUSTODY? WHY? 769 00:34:15,754 --> 00:34:18,090 CHIEF, THE CABDRIVER'S ARRIVED, 770 00:34:18,124 --> 00:34:19,391 AND THEY'RE MOVING INTO POSITION. 771 00:34:21,493 --> 00:34:23,629 Brenda: WELL, UH, WE HAVE REASON TO BELIEVE 772 00:34:23,662 --> 00:34:25,364 THAT WHAT HAPPENED TO CHRISTINE 773 00:34:25,397 --> 00:34:28,634 WAS LESS ATTEMPTED SUICIDE AND MORE OF AN ATTEMPTED MURDER, 774 00:34:28,667 --> 00:34:31,837 WHICH IS WHY WE WANTED TO TALK TO YOU. 775 00:34:31,870 --> 00:34:33,705 TO ME 776 00:34:33,739 --> 00:34:35,874 WELL, YOU WERE HAVING AN AFFAIR WITH CHRISTINE, WEREN'T YOU? 777 00:34:35,907 --> 00:34:38,544 ARE YOU KIDDING? 778 00:34:38,577 --> 00:34:40,179 HAVING A -- NO. 779 00:34:40,212 --> 00:34:41,513 WHO TOLD YOU THAT? I NEVER -- 780 00:34:41,547 --> 00:34:43,482 UH, HOLD ON. HOLD ON -- 781 00:34:43,515 --> 00:34:45,484 BEFORE YOU SAY SOMETHING YOU'RE GONNA HAVE TO TAKE BACK LATER. 782 00:34:45,517 --> 00:34:47,219 LET ME SHOW YOU WHAT WE HAVE. 783 00:34:48,520 --> 00:34:49,655 PHONE RECORDS. 784 00:34:49,688 --> 00:34:51,657 THESE SHOW THAT YOU AND CHRISTINE 785 00:34:51,690 --> 00:34:54,360 SPOKE SEVERAL TIMES A DAY FOR MONTHS. 786 00:34:56,395 --> 00:34:57,729 WE, UH -- 787 00:34:57,763 --> 00:35:00,166 I MET CHRISTINE ON ONE OF SHAWN'S FILMS. 788 00:35:00,199 --> 00:35:02,334 SHE VISITED THE SET DURING ONE OF THE STUNTS, 789 00:35:02,368 --> 00:35:05,337 BUT, I SWEAR, IT WAS JUST A FRIENDSHIP. 790 00:35:05,371 --> 00:35:06,905 ASK HIM IF HE RIDES A MOTORCYCLE. 791 00:35:06,938 --> 00:35:08,174 WHAT ARE YOU DOING?! 792 00:35:08,207 --> 00:35:09,408 I'M SEEING A MOTORCYCLE. 793 00:35:09,441 --> 00:35:10,709 GIVE THAT TO ME! BUT -- NO! BUT -- 794 00:35:10,742 --> 00:35:13,245 LET GO! I'M SEEING AN ANGRY WIND! 795 00:35:13,279 --> 00:35:15,581 BRENDA, THIS IS IMPORTANT! ASK ABOUT THE ANGRY WIND! 796 00:35:15,614 --> 00:35:17,683 Provenza: I AM TIRED OF FARTING AROUND WITH YOU, LADY! 797 00:35:17,716 --> 00:35:19,585 BRENDA -- GIVE ME THIS MICROPHONE RIGHT NOW! 798 00:35:19,618 --> 00:35:20,452 Daniels: NO, CLAIRE... NO, NO... 799 00:35:20,486 --> 00:35:21,920 NO! 800 00:35:21,953 --> 00:35:23,922 I'M TELLING YOU, IF YOU TOUCH THIS MICROPHONE AGAIN, 801 00:35:23,955 --> 00:35:25,491 WHEN THE CHIEF COMES OUT OF THERE, 802 00:35:25,524 --> 00:35:27,526 YOU MAY BE SPEAKING TO DEAD PEOPLE IN PERSON. 803 00:35:27,559 --> 00:35:28,627 NOW, YOU GET. 804 00:35:33,699 --> 00:35:35,234 OH. 805 00:35:35,267 --> 00:35:37,336 DO YOU RECOGNIZE THIS DISPOSABLE CELLPHONE? 806 00:35:37,369 --> 00:35:39,338 SHOULD I? 807 00:35:39,371 --> 00:35:41,640 UH, CHRISTINE GAVE ME THAT WHEN WE RESCUED HER. 808 00:35:41,673 --> 00:35:43,275 SHE SAID YOU BOUGHT IT FOR HER 809 00:35:43,309 --> 00:35:44,376 AND ANOTHER ONE JUST LIKE IT 810 00:35:44,410 --> 00:35:45,711 AND THAT YOU USED THEM 811 00:35:45,744 --> 00:35:47,913 TO HELP HER PLAN THE MURDER OF HER HUSBAND. 812 00:35:47,946 --> 00:35:49,715 THAT'S A LIE. 813 00:35:49,748 --> 00:35:52,218 THIS PHONE TEXTS SHAWN'S ENTIRE SCHEDULE 814 00:35:52,251 --> 00:35:53,819 THE DAY OF THE ACCIDENT -- 815 00:35:53,852 --> 00:35:56,855 THE DEPARTMENT STORE, THE PLAY, THE CHINESE RESTAURANT. 816 00:35:56,888 --> 00:35:58,557 BUT HE NEVER MADE IT TO THE RESTAURANT, DID HE? 817 00:35:58,590 --> 00:36:00,359 BECAUSE YOU DROVE HIS CAR OFF A CLIFF. 818 00:36:00,392 --> 00:36:01,427 WHAT?! HEY! 819 00:36:01,460 --> 00:36:03,495 SIT...DOWN. 820 00:36:04,530 --> 00:36:05,964 SHE'S A LYING BITCH. 821 00:36:05,997 --> 00:36:07,933 I'VE NEVER SEEN THAT PHONE BEFORE IN MY LIFE. 822 00:36:07,966 --> 00:36:10,502 I'VE ALWAYS BEEN FASCINATED BY MOVIE STUNTS. 823 00:36:10,536 --> 00:36:12,871 TELL ME -- DID YOU KNOCK SHAWN OUT 824 00:36:12,904 --> 00:36:14,706 AND THEN POINT HIS CAR TOWARD THE CLIFF, 825 00:36:14,740 --> 00:36:16,342 AND THEN ROLL OUT AT THE LAST SECOND, OR -- 826 00:36:16,375 --> 00:36:18,644 LISTEN TO ME. I WASN'T THERE. 827 00:36:18,677 --> 00:36:20,212 AFTER YOU STAGED THE ACCIDENT, 828 00:36:20,246 --> 00:36:21,680 YOU USED A PAY PHONE TO CALL A TAXICAB 829 00:36:21,713 --> 00:36:23,582 THAT PICKED YOU UP AT A BUS STOP DOWN THE STREET. 830 00:36:23,615 --> 00:36:25,351 DO YOU REMEMBER THAT CABDRIVER? 831 00:36:25,384 --> 00:36:27,353 'CAUSE HE REMEMBERS YOU. 832 00:36:30,622 --> 00:36:33,359 HELLO, SIR. GOOD TO SEE YOU AGAIN. 833 00:36:33,392 --> 00:36:35,227 THANK YOU SO MUCH, BILLY. 834 00:36:37,829 --> 00:36:39,531 LET'S GO. 835 00:36:39,565 --> 00:36:41,300 WAS THAT HIM? I WAS JUST GUESSING. 836 00:36:41,333 --> 00:36:42,934 WE'VE BEEN DOING A LOT OF THAT LATELY. 837 00:36:42,968 --> 00:36:43,969 WHO'S BILLY? 838 00:36:44,002 --> 00:36:45,871 SHE MEANT YOU, EINSTEIN. 839 00:36:45,904 --> 00:36:48,340 IN ADDITION TO THE CABDRIVER, WE HAVE OTHER WITNESSES 840 00:36:48,374 --> 00:36:51,610 THAT SAW YOU LEAVING THE CRIME SCENE. 841 00:36:51,643 --> 00:36:53,512 THERE -- THERE WERE WITNESSES? 842 00:36:53,545 --> 00:36:54,980 IT WAS DARK OUTSIDE. 843 00:36:55,013 --> 00:36:57,483 YOU MIGHT NOT HAVE SEEN THEM, BUT THEY SAW YOU. 844 00:36:57,516 --> 00:36:58,950 AND THIS IS THE PICTURE 845 00:36:58,984 --> 00:37:00,352 THAT THEY HELPED OUR SKETCH ARTIST DRAW. 846 00:37:00,386 --> 00:37:02,354 NOTICE THE SIMILARITY? 847 00:37:02,388 --> 00:37:03,622 YOUR GIRLFRIEND'S PRETTY UPSET 848 00:37:03,655 --> 00:37:04,890 YOU TRIED TO KILL HER, ANDREW. 849 00:37:04,923 --> 00:37:06,492 AND AFRAID. 850 00:37:06,525 --> 00:37:07,826 SHE SAID SHE WAS JUST JOKING AROUND 851 00:37:07,859 --> 00:37:10,296 WHEN SHE TALKED TO YOU ABOUT KILLING HER HUSBAND. 852 00:37:10,329 --> 00:37:11,997 SHE WAS STUNNED THAT YOU ACTUALLY DID IT 853 00:37:12,030 --> 00:37:15,367 AND EVEN MORE SURPRISED WHEN YOU LOCKED HER IN THE GARAGE 854 00:37:15,401 --> 00:37:16,368 WITH THE CAR RUNNING. 855 00:37:16,402 --> 00:37:19,305 OH, MY GOD. 856 00:37:19,338 --> 00:37:20,572 NOW, YOU LISTEN TO ME. 857 00:37:20,606 --> 00:37:22,508 IF YOU DON'T TELL ME WHAT HAPPENED, 858 00:37:22,541 --> 00:37:24,543 I'M GONNA HAVE TO GO WITH CHRISTINE'S VERSION OF THE EVENTS. 859 00:37:24,576 --> 00:37:28,013 SHE'LL WALK, AND YOU'LL END UP FACING THE DEATH PENALTY. 860 00:37:28,046 --> 00:37:30,048 BUT IF SHE SOLICITED THIS MURDER 861 00:37:30,081 --> 00:37:33,018 AND SUGGESTED THAT YOU AND SHE WOULD LIVE ON SHAWN'S MONEY -- 862 00:37:33,051 --> 00:37:35,854 OH, I NEVER GAVE A DAMN ABOUT SHAWN'S MONEY! 863 00:37:37,323 --> 00:37:39,725 I ONLY LOVED CHRISTINE. 864 00:37:39,758 --> 00:37:42,494 AND...I THOUGHT SHE LOVED ME. 865 00:37:42,528 --> 00:37:45,297 S-SHE MADE ALL THESE PROMISES TO ME. 866 00:37:46,732 --> 00:37:47,899 AND AFTER I DID IT... 867 00:37:49,801 --> 00:37:52,304 ...WHAT SHE ASKED ME TO DO... 868 00:37:52,338 --> 00:37:54,773 ...SHE BLEW ME OFF. 869 00:37:56,041 --> 00:37:58,510 SHE BLEW HIM OFF... 870 00:37:58,544 --> 00:38:00,045 LIKE AN ANGRY WIND. 871 00:38:02,381 --> 00:38:04,783 SHE USED ME TO GET SHAWN'S MONEY. 872 00:38:05,751 --> 00:38:07,519 BITCH! 873 00:38:10,656 --> 00:38:12,724 I THOUGHT SHE LOVED ME. 874 00:38:12,758 --> 00:38:15,026 I NEED SOME PROOF IF I'M GONNA CHARGE CHRISTINE. 875 00:38:24,470 --> 00:38:26,672 SHE BOUGHT HIM THE TICKETS TO "VERMILLION." 876 00:38:28,674 --> 00:38:31,377 AND SHE GAVE ME THE OTHER SET OF KEYS TO HIS CAR. 877 00:38:36,748 --> 00:38:38,550 I WAS, UH... 878 00:38:38,584 --> 00:38:40,986 HIDING IN THE BACKSEAT WHEN HE CAME OUT OF THE THEATER. 879 00:38:43,822 --> 00:38:46,458 HE WAS ALIVE WHEN I DID IT. 880 00:38:46,492 --> 00:38:48,093 HE, UH... 881 00:38:48,126 --> 00:38:51,730 SCREAMED AT ME -- "WHY?" 882 00:38:51,763 --> 00:38:54,633 AND I TOLD HIM WHY. 883 00:38:56,935 --> 00:38:59,070 "BECAUSE CHRISTINE WANTS IT THIS WAY." 884 00:39:04,843 --> 00:39:07,112 [ INHALES DEEPLY, CHUCKLES ] 885 00:39:08,814 --> 00:39:10,482 I SHOULD HAVE PUT HARLEY AND DAVIDSON 886 00:39:10,516 --> 00:39:12,050 IN THE GARAGE WITH HER. 887 00:39:15,587 --> 00:39:17,389 IT'S YOUR CLASSIC ROAD BIKE. 888 00:39:20,426 --> 00:39:22,394 HARLEY AND DAVIDSON? 889 00:39:22,428 --> 00:39:24,129 HER STUPID DOGS. 890 00:39:24,162 --> 00:39:25,964 OH. 891 00:39:27,633 --> 00:39:29,768 YOU, UH... 892 00:39:29,801 --> 00:39:31,437 YOU BELIEVE ME, DON'T YOU? 893 00:39:31,470 --> 00:39:32,938 OH, YES. 894 00:39:32,971 --> 00:39:34,506 I THINK I DO. 895 00:39:35,907 --> 00:39:37,743 THEN DO ME A FAVOR, WILL YOU? 896 00:39:37,776 --> 00:39:38,777 WHAT'S THAT? 897 00:39:41,212 --> 00:39:43,815 TELL CHRISTINE I'LL SEE HER IN HELL. 898 00:39:46,818 --> 00:39:47,953 GUESS WHAT. 899 00:39:49,621 --> 00:39:51,557 SHE'S ALREADY THERE. 900 00:40:32,764 --> 00:40:37,636 Claire: SAUTéED CORN MUSH TOPPED WITH NATURE'S CANDY. 901 00:40:37,669 --> 00:40:38,570 THERE YOU GO. 902 00:40:38,604 --> 00:40:39,871 OH. 903 00:40:39,905 --> 00:40:42,641 SO, YOU TWO OFF TO CATCH THE BAD GUYS? 904 00:40:42,674 --> 00:40:45,811 WELL, WE MIGHT. WE MADE A PRETTY GOOD PAIR. 905 00:40:45,844 --> 00:40:48,580 ACTUALLY, I DIDN'T HELP OUT ALL THAT MUCH, BUT I HAVE TO SAY, 906 00:40:48,614 --> 00:40:51,149 WATCHING YOUR FUTURE WIFE AT WORK MADE ME THINK THAT MAYBE 907 00:40:51,182 --> 00:40:52,984 I SHOULD GIVE UP THE CONSULTING BUSINESS 908 00:40:53,018 --> 00:40:54,753 AND GET INTO LAW ENFORCEMENT FULL TIME. 909 00:40:54,786 --> 00:40:58,189 WHAT'S GOING ON WITH THIS, UH, EL JEFE CASE? 910 00:40:58,223 --> 00:40:59,991 SETTING UP FOR THE BIG TAKEDOWN AS WE SPEAK. 911 00:41:00,025 --> 00:41:01,627 NOT MUCH LEFT TO DO. 912 00:41:01,660 --> 00:41:03,962 OKAY, WELL, IF YOU NEED ME, YOU KNOW, I'M READY -- 913 00:41:03,995 --> 00:41:05,597 NO, NO, NO, NO. WE'RE ALL SET. 914 00:41:05,631 --> 00:41:08,166 YOU GOT TO KEEP YOURSELF FREE FOR BRENDA HERE. 915 00:41:08,199 --> 00:41:10,201 BYE, SWEETIE. SEE YOU TONIGHT. 916 00:41:10,235 --> 00:41:11,202 BYE. BYE. 917 00:41:11,236 --> 00:41:13,004 THAT -- HMM. 918 00:41:15,073 --> 00:41:16,074 BYE! BYE. 919 00:41:16,107 --> 00:41:18,076 WATCH OUT FOR LEFT TURNS! 920 00:41:18,109 --> 00:41:19,811 OOH! 921 00:41:19,845 --> 00:41:21,246 WHAT? 922 00:41:21,279 --> 00:41:23,515 NEVER MIND. JUST DON'T READ ANYTHING OUT LOUD. 923 00:41:24,716 --> 00:41:26,652 THANKS, CLAIRE. 924 00:41:26,685 --> 00:41:27,819 SEE YA. 925 00:41:33,191 --> 00:41:35,561 I CAN SEE HOW CRAZY YOU ARE ABOUT MY BROTHER. 926 00:41:35,594 --> 00:41:38,163 I AM. I REALLY AM. 927 00:41:38,196 --> 00:41:39,798 HEY, LISTEN. 928 00:41:39,831 --> 00:41:42,133 I'M SORRY ABOUT THE MISTAKE I MADE THE OTHER DAY. 929 00:41:42,167 --> 00:41:43,702 WHAT'S THAT? 930 00:41:43,735 --> 00:41:46,538 OH, REMEMBER THE VISION I HAD ABOUT THE CASE? 931 00:41:46,572 --> 00:41:48,940 I SAID THE VICTIM WAS ON HER SECOND MARRIAGE 932 00:41:48,974 --> 00:41:51,176 AND THAT HER FIRST MARRIAGE ENDED BADLY? 933 00:41:51,209 --> 00:41:53,211 WELL, YOU CAN'T BE RIGHT ABOUT EVERYTHING. 934 00:41:53,244 --> 00:41:54,980 YEAH, BUT I WAS REALLY OFF. 935 00:41:55,013 --> 00:41:57,583 AND I KEPT TRYING TO FIGURE OUT WHAT IT WAS. 936 00:41:57,616 --> 00:42:00,619 AND THEN I REALIZED THAT I HAD MY SIGNALS CROSSED. 937 00:42:00,652 --> 00:42:02,320 I WASN'T TALKING ABOUT THE MURDER. 938 00:42:02,353 --> 00:42:04,756 I WAS TALKING ABOUT YOU. 939 00:42:06,124 --> 00:42:07,325 ABOUT ME? 940 00:42:07,358 --> 00:42:08,894 YEAH. 941 00:42:08,927 --> 00:42:12,263 YOU HAD AN AFFAIR WITH AN OFFICE CO-WORKER -- 942 00:42:12,297 --> 00:42:15,634 A BALD OFFICE CO-WORKER -- WHICH ENDED BADLY. 943 00:42:15,667 --> 00:42:18,904 SO THEN YOU MARRIED YOUR FIRST HUSBAND ON THE REBOUND, 944 00:42:18,937 --> 00:42:22,674 AND HE WAS A-A JEALOUS MONSTER. 945 00:42:22,708 --> 00:42:24,142 AND THAT ENDED POORLY. 946 00:42:24,175 --> 00:42:25,977 SO THEN YOU JUST GOT AFRAID 947 00:42:26,011 --> 00:42:28,079 AND JUST TIRED OF FALLING FOR THE WRONG GUY, 948 00:42:28,113 --> 00:42:31,282 WHICH IS WHY YOU'VE BEEN PUTTING OFF MARRYING MY BROTHER. 949 00:42:33,852 --> 00:42:34,886 YOU'RE AFRAID. 950 00:42:36,021 --> 00:42:38,189 I...I HAVE BEEN AFRAID. 951 00:42:41,392 --> 00:42:42,794 WAIT A MINUTE. 952 00:42:42,828 --> 00:42:44,863 DID FRITZ TELL YOU ABOUT ALL THAT? 953 00:42:44,896 --> 00:42:47,198 NO! ABSOLUTELY NOT. NO WAY. 954 00:42:47,232 --> 00:42:49,367 IT WAS LIEUTENANT FLYNN. WHAT?! 955 00:42:49,400 --> 00:42:51,703 YEAH. WE ALSO TALKED ABOUT YOUR CANDY DRAWER. YOU DIDN'T! 956 00:42:51,737 --> 00:42:53,639 YEAH. BUT I GOT ONE, TOO! 957 00:42:53,672 --> 00:42:55,674 REALLY? WE'RE EXACTLY THE SAME! 958 00:42:55,707 --> 00:42:59,711 WE'RE GONNA GET ALONG JUST FINE! HA! GOD! 959 00:42:59,745 --> 00:43:02,614 OH, SISTER, SISTER, SISTER, SISTER, SISTER, SISTER, SISTER! 960 00:43:02,648 --> 00:43:04,582 OW.