1 00:00:47,715 --> 00:00:51,319 CLAY, WHY ARE YOU USING THAT THING TO CUT A COFFEE CAKE? 2 00:00:51,352 --> 00:00:52,553 HERE. 3 00:00:52,586 --> 00:00:55,556 BRENDA LEIGH! FRITZI! 4 00:00:55,589 --> 00:00:58,359 Y'ALL COME AND GET IT WHILE IT'S STILL HOT! 5 00:01:02,230 --> 00:01:03,231 OH. 6 00:01:06,767 --> 00:01:08,102 TA-DA! 7 00:01:11,739 --> 00:01:14,342 WHO ELSE IS COMING FOR BREAKFAST? 8 00:01:14,375 --> 00:01:15,509 SWITZERLAND? 9 00:01:15,543 --> 00:01:18,078 DON'T BE SILLY. 10 00:01:21,215 --> 00:01:23,817 SHOPPED IN PALM SPRINGS YESTERDAY. 11 00:01:23,851 --> 00:01:26,254 MADE BREAKFAST IN L.A. THIS MORNING. 12 00:01:26,287 --> 00:01:28,156 I JUST LOVE THAT RV. 13 00:01:28,189 --> 00:01:29,790 WE'RE GONNA GO FROM HERE UP TO ALASKA 14 00:01:29,823 --> 00:01:31,792 AND THEN COME BACK THROUGH THE YUKON TERRITORY. 15 00:01:31,825 --> 00:01:34,362 WE'LL BE DONE BY THANKSGIVING. 16 00:01:34,395 --> 00:01:37,398 OH, UNLESS WE NEED TO COME BACK SOONER, YOU KNOW? 17 00:01:37,431 --> 00:01:41,302 [ HUMMING "HERE COMES THE BRIDE" ] 18 00:01:45,273 --> 00:01:48,642 I HEAR CANADA'S PRETTY IN THE FALL. 19 00:01:48,676 --> 00:01:50,911 CLAY, WE TALKED ABOUT THIS. 20 00:01:50,944 --> 00:01:52,913 IT DOESN'T MATTER WHEN THEY GET MARRIED 21 00:01:52,946 --> 00:01:54,715 AS LONG AS THEY'RE HAPPY. 22 00:01:54,748 --> 00:01:57,251 ANYBODY WANT SOME MORE BISCUITS AND GRAVY? 23 00:01:57,285 --> 00:02:00,888 YOU KNOW WHAT MAKES ME HAPPY? WEDDINGS. 24 00:02:00,921 --> 00:02:02,856 I JUST LOVE WEDDINGS. 25 00:02:02,890 --> 00:02:05,293 DON'T YOU LIKE WEDDINGS, SON? 26 00:02:05,326 --> 00:02:07,295 OH. 27 00:02:08,329 --> 00:02:10,431 THE PHONE. 28 00:02:13,234 --> 00:02:14,602 HELLO? 29 00:02:14,635 --> 00:02:17,305 OH, YES, SERGEANT. MORNING. 30 00:02:17,338 --> 00:02:20,641 OH. OKAY. 31 00:02:20,674 --> 00:02:22,610 WHERE? 32 00:02:22,643 --> 00:02:24,178 Y-YES. 33 00:02:24,212 --> 00:02:25,746 UH, OKAY, FINE. I-I'LL BE RIGHT THERE. 34 00:02:25,779 --> 00:02:27,448 I'M SO SORRY TO CUT THIS SHORT, 35 00:02:27,481 --> 00:02:30,484 BUT THERE'S BEEN A MURDER AT A MOVIE STUDIO. 36 00:02:30,518 --> 00:02:31,752 AND -- 37 00:02:31,785 --> 00:02:34,522 AND THIS WAS SUCH A GREAT BREAKFAST, TOO. 38 00:02:34,555 --> 00:02:35,656 I... 39 00:02:44,398 --> 00:02:47,535 HONEY...I THOUGHT WE HAD AN AGREEMENT 40 00:02:47,568 --> 00:02:49,937 THAT YOU WOULD NEVER LEAVE ME ALONE WITH YOUR PARENTS AGAIN. 41 00:02:49,970 --> 00:02:51,739 OH, I HAD NO CHOICE, FRITZI. 42 00:02:51,772 --> 00:02:53,407 AND I DIDN'T EVEN KNOW THEY WERE COMING 43 00:02:53,441 --> 00:02:54,775 UNTIL THEY SHOWED UP LAST NIGHT. 44 00:03:09,457 --> 00:03:11,525 I GOT IT. 45 00:03:15,529 --> 00:03:16,997 AH. I -- 46 00:03:18,499 --> 00:03:20,368 SPECIAL AGENT FRITZ HOWARD, FBI. 47 00:03:20,401 --> 00:03:21,802 OH, YOU'RE KIDDING. 48 00:03:21,835 --> 00:03:23,404 OH, THAT'S -- THAT'S -- NO, HORRIBLE. 49 00:03:23,437 --> 00:03:24,472 OH, THAT IS BAD. 50 00:03:24,505 --> 00:03:26,474 UH-HUH. HORRIBLE. 51 00:03:26,507 --> 00:03:27,775 NO, NO, NO. 52 00:03:27,808 --> 00:03:29,543 I'LL BE THERE AS SOON AS POSSIBLE. 53 00:03:29,577 --> 00:03:31,779 OKAY. THERE'S A BOMB THREAT AT THE AIRPORT. 54 00:03:31,812 --> 00:03:33,447 OH. 55 00:03:33,481 --> 00:03:35,949 WELL, THIS HAS GOT TO BE THE MOST DANGEROUS CITY 56 00:03:35,983 --> 00:03:37,451 ON THE PLANET EARTH. 57 00:03:37,485 --> 00:03:39,587 NO, I-I'M ON MY WAY. 58 00:03:39,620 --> 00:03:42,590 BUT WE CAN'T LEAVE MAMA AND DADDY HERE BY THEMSELVES. 59 00:03:42,623 --> 00:03:44,558 HONEY -- BRENDA LEIGH, DON'T WORRY ABOUT US. 60 00:03:44,592 --> 00:03:46,827 WE'LL BE FINE. WON'T WE, DEAR? 61 00:03:46,860 --> 00:03:49,363 YEAH, AND THERE'S NO REASON WHY THEY CAN'T COME ALONG WITH ONE OF US. 62 00:03:49,397 --> 00:03:50,398 WHAT WOULD YOU GUYS RATHER DO? 63 00:03:50,431 --> 00:03:51,699 YOU CAN COME WITH ME NOW, 64 00:03:51,732 --> 00:03:53,701 SPEND A FEW HOURS IN A MAKESHIFT TENT 65 00:03:53,734 --> 00:03:55,803 WATCHING AN EXTREMELY SLOW-MOVING ROBOT, 66 00:03:55,836 --> 00:03:58,506 OR YOU CAN HEAD OFF TO A HOLLYWOOD MOVIE STUDIO. 67 00:03:58,539 --> 00:03:59,507 EITHER WAY. 68 00:04:02,710 --> 00:04:04,678 OH, GOODNESS. 69 00:04:04,712 --> 00:04:08,549 IS THIS WHERE THEY DO "DANCING WITH THE STARS"? 70 00:04:28,101 --> 00:04:31,505 Mike: I'D LIKE TO WELCOME YOU TO VINTAGE STUDIOS. 71 00:04:31,539 --> 00:04:33,674 I'LL BE YOUR TOUR GUIDE. MY NAME IS MIKE. 72 00:04:33,707 --> 00:04:34,742 BYE. 73 00:04:34,775 --> 00:04:36,043 OOH. BYE, Y'ALL. 74 00:04:36,076 --> 00:04:37,845 I'M GONNA TAKE YOUR PICTURE. HAVE FUN. 75 00:04:37,878 --> 00:04:39,513 NICE TO SEE YOU. HOW NICE. 76 00:04:41,349 --> 00:04:44,017 OUR, UH, VICTIM'S NAME IS RACHEL HUGHES. 77 00:04:44,051 --> 00:04:46,354 SHE'S A 33-YEAR-OLD WHITE FEMALE. 78 00:04:46,387 --> 00:04:49,056 SHE WORKS AS A, UH, HAIR STYLIST ON "TRAUMA UNIT." 79 00:04:49,089 --> 00:04:50,758 HMM? 80 00:04:50,791 --> 00:04:53,361 IT'S A TELEVISION SHOW. FILMS HERE ON THE LOT. 81 00:04:53,394 --> 00:04:55,429 WE'VE ALREADY STARTED CRIMINAL-BACKGROUND CHECKS 82 00:04:55,463 --> 00:04:56,964 ON ALL THE CAST AND CREW MEMBERS. 83 00:04:56,997 --> 00:04:58,666 WHERE WAS THE BODY FOUND? 84 00:04:58,699 --> 00:05:00,368 SHE WAS STUFFED IN A JOCKEY BOX. 85 00:05:00,401 --> 00:05:03,937 THAT'S WHAT THEY CALL THE, UH, STORAGE LOCKERS 86 00:05:03,971 --> 00:05:05,639 UNDERNEATH THE TRUCK. 87 00:05:05,673 --> 00:05:06,874 THIS MORNING, AN ELECTRICIAN 88 00:05:06,907 --> 00:05:08,909 WENT INTO THIS PARTICULAR JOCKEY BOX, 89 00:05:08,942 --> 00:05:10,478 LOOKING FOR SOME EXTRA CABLE. 90 00:05:10,511 --> 00:05:13,381 FOUND HER INSIDE. 91 00:05:13,414 --> 00:05:14,415 OKAY. 92 00:05:31,031 --> 00:05:32,733 DEFENSIVE WOUNDS ON HER KNUCKLES. 93 00:05:32,766 --> 00:05:35,636 SCRAPE MARKS ON HER ELBOWS AND ANKLES. 94 00:05:35,669 --> 00:05:38,806 THERE'S SCUFF MARKS ON THE SIDES OF HER SHOES AND HEELS. 95 00:05:38,839 --> 00:05:40,007 SO SHE WAS DRAGGED. 96 00:05:40,040 --> 00:05:41,675 YEAH, THERE'S A TRAIL OF BLOOD 97 00:05:41,709 --> 00:05:43,744 THAT LEADS FROM THE HAIR-AND-MAKEUP TRAILER 98 00:05:43,777 --> 00:05:44,745 TO THIS ONE HERE. 99 00:05:49,683 --> 00:05:51,519 OH, THESE MARKS HERE. 100 00:05:51,552 --> 00:05:54,588 DID THE CORONER'S INVESTIGATOR SAY WHAT CAUSED THEM? NO. 101 00:05:56,657 --> 00:05:58,459 AND NO ONE HEARD SCREAMING? 102 00:05:58,492 --> 00:06:00,561 ACCORDING TO STUDIO SECURITY, NO ONE HEARD A THING. 103 00:06:04,465 --> 00:06:08,702 OH, UH, RACHEL STAYED LATE AFTER FILMING STOPPED YESTERDAY -- 104 00:06:08,736 --> 00:06:10,538 NOT A LOT OF PEOPLE AROUND. 105 00:06:10,571 --> 00:06:12,039 AND WE KNOW THIS HOW? 106 00:06:12,072 --> 00:06:14,675 WELL, RACHEL SHARED A TRAILER WITH A MAKEUP ARTIST -- 107 00:06:14,708 --> 00:06:16,009 KIM REYNOLDS. 108 00:06:16,043 --> 00:06:19,580 AND KIM LEFT LAST NIGHT AROUND 8:00 P.M. 109 00:06:19,613 --> 00:06:23,383 SHE SAID THAT RACHEL WAS WAITING FOR SOMEONE. 110 00:06:26,153 --> 00:06:28,522 ANY IDEA WHO? 111 00:06:35,095 --> 00:06:37,731 MAKEUP GIRL -- UH, WOMAN -- 112 00:06:37,765 --> 00:06:39,733 SAID THAT RACHEL WAS HANGING OUT 113 00:06:39,767 --> 00:06:42,470 WAITING FOR ONE OF HER PRIVATE CLIENTS. 114 00:06:43,236 --> 00:06:44,805 NO NAME, HUH? 115 00:06:44,838 --> 00:06:46,640 WELL, ACCORDING TO THIS MAKEUP GIRL -- 116 00:06:46,674 --> 00:06:49,677 UH, WOMAN -- RACHEL WAS THE KIND OF PERSON 117 00:06:49,710 --> 00:06:51,645 WHO KEPT HER SCHEDULE ON HER CELLPHONE, 118 00:06:51,679 --> 00:06:53,514 WHICH SHE LEFT AT HOME YESTERDAY. 119 00:06:53,547 --> 00:06:55,649 NOW, RACHEL'S KEYS ARE MISSING, 120 00:06:55,683 --> 00:06:57,050 BUT HER CAR IS STILL HERE. 121 00:06:58,652 --> 00:07:01,221 DID RACHEL HAVE A BOYFRIEND OR A HUSBAND? 122 00:07:01,254 --> 00:07:02,923 ANYONE COME LOOKING FOR HER? 123 00:07:02,956 --> 00:07:04,825 YEAH, DETECTIVE DANIELS IS CHECKING ON THAT NOW. 124 00:07:04,858 --> 00:07:07,561 ALL RIGHT. THANK YOU. 125 00:07:19,640 --> 00:07:21,842 WELL, WHOEVER ATTACKED RACHEL -- 126 00:07:21,875 --> 00:07:24,912 THEY SLAMMED HER HEAD UP AGAINST THE MIRROR. 127 00:07:27,648 --> 00:07:29,049 AND SHE DIDN'T GET A CHANCE 128 00:07:29,082 --> 00:07:32,252 TO CLEAN UP AFTER HER PRIVATE CLIENT. 129 00:07:32,285 --> 00:07:37,190 AND IT LOOKS LIKE ALL THIS HAIR IS FROM THE SAME HEAD. 130 00:07:37,224 --> 00:07:39,893 YEAH, AND WE HAVE AN IDEA WHOSE HEAD IT MIGHT BE. 131 00:07:39,927 --> 00:07:41,762 RACHEL HUGHES WAS MARRIED. 132 00:07:41,795 --> 00:07:43,964 BUT SIX MONTHS AGO, SHE FILED FOR DIVORCE 133 00:07:43,997 --> 00:07:45,733 AND HAD A RESTRAINING ORDER 134 00:07:45,766 --> 00:07:47,100 ISSUED AGAINST HER HUSBAND, RYAN. 135 00:07:47,134 --> 00:07:48,836 Provenza: SECURITY LOGS. 136 00:07:48,869 --> 00:07:51,204 THIS IS EVERYBODY WHO ENTERED THE LOT IN THE LAST 24 HOURS. 137 00:07:51,238 --> 00:07:53,741 NOW, GUESS WHO DROPPED BY FOR A VISIT. 138 00:07:53,774 --> 00:07:55,075 RYAN HUGHES. 139 00:07:55,108 --> 00:07:58,211 LAST NIGHT -- 8:24 P.M. 140 00:07:58,245 --> 00:08:00,213 LOOKS LIKE RACHEL'S HUSBAND 141 00:08:00,247 --> 00:08:02,750 WASN'T TAKING HIS RESTRAINING ORDER VERY SERIOUSLY. 142 00:08:03,984 --> 00:08:05,753 WHERE DOES HE LIVE? 143 00:08:05,786 --> 00:08:07,721 NO NEW ADDRESS FOR HIM ANYWHERE. 144 00:08:07,755 --> 00:08:08,989 ALL RIGHT. 145 00:08:09,022 --> 00:08:11,124 SERGEANT GABRIEL, LIEUTENANT FLYNN, 146 00:08:11,158 --> 00:08:14,094 LET'S HEAD OVER TO THE VICTIM'S HOUSE AND FIND THAT CELLPHONE. 147 00:08:14,127 --> 00:08:15,629 IS THAT A CURRENT ADDRESS? 148 00:08:15,663 --> 00:08:17,665 UH, THE ADDRESS ON THE RESTRAINING ORDER 149 00:08:17,698 --> 00:08:19,800 MATCHES THE ONE ON HER DRIVER'S LICENSE. Brenda: OKAY. 150 00:08:19,833 --> 00:08:21,168 LIEUTENANT PROVENZA, 151 00:08:21,201 --> 00:08:23,103 WOULD YOU PLEASE ORGANIZE SOME INTERVIEWS 152 00:08:23,136 --> 00:08:25,539 WITH ALL THE PEOPLE WHO WERE AT THE STUDIO LAST NIGHT? 153 00:08:25,573 --> 00:08:27,808 OKAY. 154 00:08:27,841 --> 00:08:29,777 AND, DETECTIVE DANIELS, 155 00:08:29,810 --> 00:08:32,680 WOULD YOU AND DETECTIVE SANCHEZ 156 00:08:32,713 --> 00:08:35,716 PLEASE FIND RYAN HUGHES FOR ME? 157 00:08:35,749 --> 00:08:38,151 I'D RATHER LIKE TO TALK TO HIM. 158 00:08:44,692 --> 00:08:47,661 OH, THAT BLOOD LOOKS SO REAL. 159 00:08:47,695 --> 00:08:50,097 CLAY, SMILE. 160 00:08:52,265 --> 00:08:53,701 THANK YOU. 161 00:08:53,734 --> 00:08:56,036 LIEUTENANT PROVENZA, YOU REMEMBER MY PARENTS. 162 00:08:56,069 --> 00:08:59,072 WELL, OF COURSE. HELLO, THERE, WILLIE RAY. 163 00:08:59,106 --> 00:09:01,809 CLAY. TO WHAT DO WE OWE THIS PLEASURE? 164 00:09:01,842 --> 00:09:04,612 I THINK SOMEBODY GOT MURDERED. 165 00:09:04,645 --> 00:09:07,815 Y'ALL ARE FINISHED WITH THE TOUR 166 00:09:07,848 --> 00:09:09,683 OH, IT WAS JUST LIKE A DREAM. 167 00:09:09,717 --> 00:09:11,018 OF A BIG TRAILER LOT. 168 00:09:12,219 --> 00:09:13,587 WELL, UH, I NEED TO RUN AN ERRAND, 169 00:09:13,621 --> 00:09:15,122 BUT LIEUTENANT PROVENZA 170 00:09:15,155 --> 00:09:16,924 WILL ORGANIZE A RIDE FOR Y'ALL BACK TO THE OFFICE. 171 00:09:16,957 --> 00:09:18,759 OH, I'LL DO BETTER THAN THAT, CHIEF. 172 00:09:18,792 --> 00:09:22,295 HOW WOULD THE TWO OF YOU LIKE TO WATCH SOME FILMING? 173 00:09:22,329 --> 00:09:24,932 OH, MY GOODNESS, MY GOODNESS. 174 00:09:24,965 --> 00:09:26,900 REALLY? COME ON, WILLIE RAY. 175 00:09:26,934 --> 00:09:28,969 LET ME SHOW YOU WHERE THE MAGIC HAPPENS. 176 00:09:29,002 --> 00:09:31,605 LIEUTENANT, I'LL BET YOU SAY THAT TO ALL THE GIRLS. 177 00:09:33,040 --> 00:09:35,776 I BET HE DOES SAY THAT TO ALL THE GIRLS. 178 00:09:35,809 --> 00:09:36,910 I KNOW HIS TYPE. 179 00:09:38,879 --> 00:09:40,280 HOW LONG YOU GONNA BE? 180 00:09:40,313 --> 00:09:42,115 I JUST NEED TO HOP BY THE VICTIM'S HOUSE. 181 00:09:42,149 --> 00:09:43,984 YOU'LL HARDLY KNOW I'M GONE. 182 00:09:55,395 --> 00:09:58,231 GOD, YOU SCARED THE CRAP OUT OF ME. 183 00:09:58,265 --> 00:10:00,267 Brenda: SO SORRY. EXCUSE ME. 184 00:10:00,300 --> 00:10:02,169 HI, I'M DEPUTY CHIEF BRENDA LEIGH JOHNSON 185 00:10:02,202 --> 00:10:03,203 FROM THE L.A.P.D. 186 00:10:03,236 --> 00:10:06,273 AND YOU ARE? RYAN HUGHES. 187 00:10:06,306 --> 00:10:09,009 OH. 188 00:10:09,042 --> 00:10:11,111 UM...IT'S SO NICE TO MEET YOU, SIR. 189 00:10:12,813 --> 00:10:15,916 WE THOUGHT, UH -- WE WERE LOOKING FOR YOUR WIFE. 190 00:10:15,949 --> 00:10:17,785 RACHEL DOESN'T LIVE HERE ANYMORE. 191 00:10:17,818 --> 00:10:19,853 AND I WAS ON MY WAY TO THE GYM, SO... 192 00:10:19,887 --> 00:10:21,689 WELL, MAYBE YOU COULD HELP US THEN. 193 00:10:21,722 --> 00:10:23,290 CAN WE COME IN, ASK YOU A FEW QUESTIONS? 194 00:10:23,323 --> 00:10:25,225 DO YOU HAVE A WARRANT? NO. 195 00:10:29,362 --> 00:10:33,300 OUT HERE'S GOOD. WHAT DO YOU WANT TO KNOW? 196 00:10:33,333 --> 00:10:35,102 WHEN WAS THE LAST TIME YOU SAW YOUR WIFE? 197 00:10:35,135 --> 00:10:38,305 UH, I DON'T REMEMBER, EXACTLY. 198 00:10:38,338 --> 00:10:40,273 DO YOU KNOW HOW TO GET IN TOUCH WITH HER? 199 00:10:40,307 --> 00:10:42,943 SHE WORKS ON A TELEVISION SHOW -- "TRAUMA UNIT." 200 00:10:42,976 --> 00:10:45,245 SHE'S NOT THERE TODAY. 201 00:10:45,278 --> 00:10:47,147 OKAY, THEN. TRY HER CELLPHONE. 202 00:10:47,180 --> 00:10:49,382 NO ANSWER. WHERE IS SHE STAYING, SIR? 203 00:10:49,416 --> 00:10:51,151 LOOK, MY WIFE AND I ARE SEPARATED. 204 00:10:51,184 --> 00:10:52,953 SHE WON'T EVEN GIVE ME HER NEW ADDRESS. 205 00:10:52,986 --> 00:10:55,022 IS THAT BECAUSE OF THE RESTRAINING ORDER ISSUED AGAINST YOU? 206 00:10:55,055 --> 00:10:57,324 NICE HAIRCUT, CHAMP. RACHEL'S WORK, I TAKE IT. 207 00:10:57,357 --> 00:10:59,727 FROM LAST NIGHT, RIGHT? ISN'T THAT WHY YOUR NAME'S ON THE SECURITY LIST? 208 00:11:02,462 --> 00:11:04,932 I KNEW IT! TAKE IT EASY. 209 00:11:04,965 --> 00:11:07,000 SHE TOLD ME I COULD BE THERE, OKAY? 210 00:11:07,034 --> 00:11:09,703 WELL, SHE DIDN'T LIKE THE WAY THE VISIT ENDED. 211 00:11:09,737 --> 00:11:11,705 RYAN HUGHES, YOU'RE UNDER ARREST 212 00:11:11,739 --> 00:11:14,074 FOR THE VIOLATION OF YOUR RESTRAINING ORDER. 213 00:11:14,107 --> 00:11:15,776 HANDS BEHIND YOUR BACK, PLEASE. 214 00:11:15,809 --> 00:11:17,477 YOU HAVE THE RIGHT TO REMAIN SILENT. 215 00:11:17,510 --> 00:11:20,447 ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU IN A COURT OF LAW. 216 00:11:20,480 --> 00:11:22,015 YOU HAVE THE RIGHT TO AN ATTORNEY. 217 00:11:22,049 --> 00:11:23,250 IF YOU CANNOT AFFORD AN ATTORNEY, 218 00:11:23,283 --> 00:11:25,953 ONE WILL BE APPOINTED TO YOU BY THE STATE. 219 00:11:32,793 --> 00:11:34,127 YOU KNOW, WE DON'T HAVE ANYONE FROM THE L.A.P.D. 220 00:11:34,161 --> 00:11:36,997 AT THIS AIRPORT BOMBING, NOT A SINGLE OFFICER. 221 00:11:37,030 --> 00:11:40,000 UH, WE'RE NOT AT L.A.X. WE'RE IN ONTARIO. 222 00:11:40,033 --> 00:11:42,803 OH. ONTARIO. 223 00:11:42,836 --> 00:11:45,272 Hey, look, we're trying to keep this low-profile. 224 00:11:45,305 --> 00:11:48,241 SO TRY NOT MENTIONING IT TO EVERYONE YOU KNOW, OKAY? 225 00:11:48,275 --> 00:11:50,177 Brenda: Detective Sanchez is still completely out of it 226 00:11:50,210 --> 00:11:51,845 because of the death of his brother. 227 00:11:51,879 --> 00:11:53,480 AND WHAT AM I SUPPOSED TO DO WITH MY PARENTS? 228 00:11:53,513 --> 00:11:55,415 I'VE GOT A SUSPECT IN THE INTERVIEW ROOM 229 00:11:55,448 --> 00:11:57,217 WHO PROBABLY BEAT HIS WIFE TO DEATH LAST NIGHT. 230 00:11:57,250 --> 00:11:58,351 PROBABLY?! 231 00:11:58,385 --> 00:12:00,020 WELL, WHEN CAN YOU COME HOME? 232 00:12:00,053 --> 00:12:03,256 HONEY, I-I CAN'T LEAVE THE MOBILE COMMAND UNIT 233 00:12:03,290 --> 00:12:05,092 UNTIL WE KNOW THERE'S NO BOMB OUT HERE. 234 00:12:05,125 --> 00:12:07,127 BESIDES, WILLIE RAY AND CLAY ARE OLD ENOUGH 235 00:12:07,160 --> 00:12:10,063 TO STAY IN OUR APARTMENT FOR A FEW HOURS BY THEMSELVES. 236 00:12:10,097 --> 00:12:11,932 WE HAVE CABLE. 237 00:12:11,965 --> 00:12:14,101 OH, NO. I DON'T WANT THEM AT THE APARTMENT BY THEMSELVES. 238 00:12:14,134 --> 00:12:16,336 THEY'LL -- THEY'LL DO THINGS. 239 00:12:16,369 --> 00:12:18,238 I'LL TAKE CARE OF YOUR PARENTS, CHIEF. 240 00:12:18,271 --> 00:12:21,141 NO. I CAN'T IMPOSE ON YOU AGAIN. WE'RE WORKING. 241 00:12:21,174 --> 00:12:24,011 I'M LOSING ANOTHER 15 SICK DAYS NEXT MONTH. 242 00:12:24,044 --> 00:12:25,312 LOOK, YOU'VE ARRESTED THE HUSBAND. 243 00:12:25,345 --> 00:12:27,347 THIS CASE IS EFFECTIVELY OVER. 244 00:12:27,380 --> 00:12:28,481 ALL RIGHT, FINE. 245 00:12:28,515 --> 00:12:29,516 FRITZI... 246 00:12:29,549 --> 00:12:31,785 YEAH. 247 00:12:31,819 --> 00:12:33,153 LIEUTENANT PROVENZA 248 00:12:33,186 --> 00:12:35,088 HAS VOLUNTEERED TO TAKE CARE OF MY POOR PARENTS, 249 00:12:35,122 --> 00:12:38,091 SO THANKS SO MUCH FOR YOUR HELP. 250 00:12:46,466 --> 00:12:49,169 LIEUTENANT, ARE YOU SURE ABOUT THIS? OH, CHIEF. 251 00:12:49,202 --> 00:12:52,339 NOW, THE SUSPECT WILL BE IN TEARS IN 20 MINUTES. 252 00:12:52,372 --> 00:12:56,276 HOLD HIS HAND, WRITE HIM UP, THE END. 253 00:12:56,309 --> 00:12:58,511 HONEY, I THINK YOUR MOTHER AND I 254 00:12:58,545 --> 00:13:00,347 OUGHT TO GO ON AND GET OUT OF YOUR WAY. 255 00:13:00,380 --> 00:13:03,216 YOU'RE NOT IN THE WAY, DADDY. DON'T BE SILLY. 256 00:13:03,250 --> 00:13:06,153 BUT IF Y'ALL HAVE HAD ENOUGH HERE, LIEUTENANT PROVENZA 257 00:13:06,186 --> 00:13:08,889 HAS KINDLY OFFERED TO DRIVE YOU BACK TO THE APARTMENT. 258 00:13:08,922 --> 00:13:10,223 OH, NO, NO, NO, NO. 259 00:13:10,257 --> 00:13:11,591 WE DON'T, UH, WANT TO BE IN THE WAY. 260 00:13:11,624 --> 00:13:12,860 WE'LL JUST TAKE A CAB. 261 00:13:12,893 --> 00:13:14,127 OH, I WOULDN'T HEAR OF IT. 262 00:13:14,161 --> 00:13:15,829 CHIEF, YOU DO WHAT YOU NEED TO DO, 263 00:13:15,863 --> 00:13:17,330 AND I'LL ENTERTAIN YOUR PARENTS. 264 00:13:17,364 --> 00:13:19,399 WE DON'T NEED ENTERTAINING. 265 00:13:19,432 --> 00:13:21,601 I'M ENTERTAINING ENOUGH ON MY OWN. 266 00:13:21,634 --> 00:13:24,104 CLAY, WHAT'S WRONG WITH YOU? 267 00:13:24,137 --> 00:13:27,941 LIEUTENANT PROVENZA, WE'LL DRIVE BY THE GROCERY STORE, 268 00:13:27,975 --> 00:13:30,177 AND I'LL PICK UP SOME THINGS FOR DINNER. 269 00:13:30,210 --> 00:13:33,613 OH, WILLIE RAY, THAT SOUNDS WONDERFUL TO ME. 270 00:13:33,646 --> 00:13:36,216 WELL, IF YOU'RE TOO BUSY, 271 00:13:36,249 --> 00:13:40,253 I GUESS I'LL JUST HAVE TO GET TO KNOW YOUR FRIENDS. 272 00:13:45,158 --> 00:13:47,594 PLEASE TELL ME WE FOUND WHERE RACHEL HUGHES WAS LIVING. 273 00:13:47,627 --> 00:13:49,362 NO ONE AT THE STUDIO CAN TELL US, 274 00:13:49,396 --> 00:13:52,199 AND HER PAYCHECKS GO DIRECTLY TO A P.O. BOX. 275 00:13:52,232 --> 00:13:55,202 Sanchez: AND SHE NEVER UPDATED HER NEXT-OF-KIN INFORMATION. 276 00:13:55,235 --> 00:13:59,172 SO THE GUY THAT WE'RE SUPPOSED TO NOTIFY IS HER HUSBAND. 277 00:13:59,206 --> 00:14:01,274 OKAY, SO, LET'S USE HER SOCIAL SECURITY NUMBER 278 00:14:01,308 --> 00:14:03,210 AND SEE IF WE CAN FIND SOMEONE IN HER FAMILY. 279 00:14:03,243 --> 00:14:05,078 MAYBE SHE TOLD HER PARENTS WHERE SHE LIVED, 280 00:14:05,112 --> 00:14:06,446 THOUGH I DON'T RECOMMEND IT. 281 00:14:06,479 --> 00:14:08,515 LIEUTENANT TAO, WHAT ABOUT HER PHONE RECORDS? 282 00:14:08,548 --> 00:14:09,883 I'M WAITING FOR RACHEL'S CARRIER 283 00:14:09,917 --> 00:14:11,985 TO SEND ME THE DUMP OFF HER CELL. 284 00:14:12,019 --> 00:14:14,021 YEAH, WHAT ABOUT THE HUSBAND? 285 00:14:14,054 --> 00:14:16,456 Flynn: RYAN HUGHES? OH, THIS IS A GREAT GUY. 286 00:14:16,489 --> 00:14:18,625 A YEAR AGO, HE BROKE RACHEL'S WRIST. 287 00:14:18,658 --> 00:14:20,928 SIX MONTHS AGO, HE GAVE HER A CONCUSSION. 288 00:14:20,961 --> 00:14:23,030 AND A DAY LATER, SHE CHECKED OUT OF THE E.R. 289 00:14:23,063 --> 00:14:24,531 AND THEN TOOK THE RESTRAINING ORDER OUT 290 00:14:24,564 --> 00:14:26,233 ON HER HUSBAND AND FILED FOR DIVORCE. 291 00:14:26,266 --> 00:14:27,634 AND LEFT HER OWN HOUSE? 292 00:14:27,667 --> 00:14:29,469 THOUGH SHE'S STILL PAYING THE MORTGAGE. 293 00:14:29,502 --> 00:14:31,438 WHY ON EARTH WOULD SHE DO THAT? 294 00:14:31,471 --> 00:14:34,474 I'M GUESSING, BUT RYAN HASN'T MADE ANY MONEY LATELY. 295 00:14:34,507 --> 00:14:37,277 THIS YEAR, HE GUEST-STARRED IN ONE SITCOM AND ONE DRAMA -- 296 00:14:37,310 --> 00:14:39,179 NOT EVEN ENOUGH TO MAKE HIS HEALTH INSURANCE. 297 00:14:39,212 --> 00:14:40,547 SO HE'S AN ACTOR. 298 00:14:40,580 --> 00:14:43,250 YES, AND A BARTENDER -- TWO SHIFTS A WEEK. 299 00:14:43,283 --> 00:14:45,452 RACHEL WAS THE ONE WITH THE STEADY PAYCHECK. 300 00:14:45,485 --> 00:14:47,087 MAYBE SHE LEFT RYAN THE HOUSE 301 00:14:47,120 --> 00:14:48,455 BECAUSE HE COULDN'T AFFORD TO GO ANYWHERE ELSE. 302 00:14:48,488 --> 00:14:50,958 SO WHAT? HE WAS BEATING HER. 303 00:14:50,991 --> 00:14:53,360 WHY DID SHE MOVE? AND WHERE DID SHE MOVE TO? 304 00:14:53,393 --> 00:14:57,264 EXCUSE ME, BUT CHIEF POPE AND COMMANDER TAYLOR ARE HERE. 305 00:14:57,297 --> 00:15:00,133 UH, THANK YOU, BUZZ. I'LL BE RIGHT THERE. 306 00:15:00,167 --> 00:15:01,234 SERGEANT GABRIEL, WOULD YOU MEET ME 307 00:15:01,268 --> 00:15:02,569 IN THE INTERVIEW ROOM, PLEASE? 308 00:15:02,602 --> 00:15:04,637 AND WILL SOMEBODY FIND ME RACHEL'S ADDRESS? 309 00:15:04,671 --> 00:15:07,007 THANK YOU. 310 00:15:07,040 --> 00:15:09,009 WHAT CAN I DO FOR YOU, GENTLEMEN? 311 00:15:09,042 --> 00:15:11,611 UH, YOU, UH, LIKE THE HUSBAND FOR THIS, RIGHT? 312 00:15:11,644 --> 00:15:13,380 MAYBE. 313 00:15:13,413 --> 00:15:14,982 THOUGH I NEED TO FIGURE OUT 314 00:15:15,015 --> 00:15:17,951 HOW HE HAD A MAJOR KNOCK-DOWN, DRAG-OUT WITH HIS WIFE 315 00:15:17,985 --> 00:15:20,020 AND KEPT HIS SKIN SMOOTHER THAN MINE. 316 00:15:20,053 --> 00:15:22,589 HE'S SMARTER THAN YOUR AVERAGE ABUSER. 317 00:15:22,622 --> 00:15:24,524 WOULDN'T LET US INTO HIS HOUSE WITHOUT A SEARCH WARRANT. 318 00:15:24,557 --> 00:15:27,961 AND IF HE REALLY DOESN'T KNOW THAT HIS WIFE IS DEAD, 319 00:15:27,995 --> 00:15:30,697 THEN HE'S A BETTER ACTOR THAN HIS RéSUMé SUGGESTS. 320 00:15:30,730 --> 00:15:32,332 WHY THE INTEREST? 321 00:15:32,365 --> 00:15:34,401 WELL, THE TIMES, 322 00:15:34,434 --> 00:15:36,503 AND SPECIFICALLY OUR OLD FRIEND RICARDO RAMOS, 323 00:15:36,536 --> 00:15:38,005 SEEMS TO HAVE DEVELOPED THE OPINION 324 00:15:38,038 --> 00:15:40,240 THAT WE ONLY DEPLOY PRIORITY HOMICIDE 325 00:15:40,273 --> 00:15:42,242 WHEN THE VICTIMS ARE RICH, WHITE, 326 00:15:42,275 --> 00:15:45,112 AND/OR RELATED TO POLICE OFFICERS. 327 00:15:45,145 --> 00:15:47,147 AND OUR ACE REPORTER CALLED ME THIS MORNING, 328 00:15:47,180 --> 00:15:50,217 ASKING IF WE HAD ADDED SHOW-BUSINESS MURDERS 329 00:15:50,250 --> 00:15:51,985 TO THE LIST. 330 00:15:52,019 --> 00:15:53,153 THIS GUY'S AN ACTOR, RIGHT? 331 00:15:53,186 --> 00:15:55,255 Brenda: YES, BUT NOT A FAMOUS ONE. 332 00:15:55,288 --> 00:15:57,557 HE COULD BE TOMORROW. 333 00:15:57,590 --> 00:16:00,293 AM I IN TROUBLE FOR SOMETHING? NO, NO, NO. 334 00:16:00,327 --> 00:16:02,262 NO, NO, NO. YOU'RE DOING AN INCREDIBLE JOB. 335 00:16:02,295 --> 00:16:03,630 THAT'S NOT THE ISSUE. 336 00:16:03,663 --> 00:16:05,732 THE ISSUE FOR RAMOS IS, UH, 337 00:16:05,765 --> 00:16:08,668 WHO GETS PRIORITY TREATMENT FROM THE POLICE AND WHO DOESN'T. 338 00:16:08,701 --> 00:16:10,170 THAT'S ALL. 339 00:16:10,203 --> 00:16:11,571 FOR EXAMPLE, WE HAVE SEVERAL INVESTIGATORS 340 00:16:11,604 --> 00:16:14,041 WHO DEAL EXCLUSIVELY WITH DOMESTIC-ABUSE ISSUES, 341 00:16:14,074 --> 00:16:15,508 AND I DIDN'T DEPLOY ONE OF THEM TO THE STUDIO. 342 00:16:15,542 --> 00:16:17,277 I SENT YOU. 343 00:16:17,310 --> 00:16:19,279 WELL, WE DIDN'T KNOW THIS WAS A DOMESTIC-ABUSE CASE 344 00:16:19,312 --> 00:16:21,314 UNTIL AFTER WE IDENTIFIED THE VICTIM. 345 00:16:21,348 --> 00:16:23,583 THAT'S A GOOD POINT, SIR. 346 00:16:23,616 --> 00:16:26,319 BUT HOW DO WE AVOID THE IMPRESSION 347 00:16:26,353 --> 00:16:28,255 THAT WE MADE THIS MURDER A PRIORITY 348 00:16:28,288 --> 00:16:29,789 BECAUSE OF THE HOLLYWOOD CONNECTION? 349 00:16:29,822 --> 00:16:32,392 BUT THAT IS WHY IT'S A PRIORITY, ISN'T IT? 350 00:16:32,425 --> 00:16:35,162 YEAH, THAT AND THE REPORTERS 351 00:16:35,195 --> 00:16:38,498 FLYING IN HELICOPTERS OVER THE STUDIO, SIR. 352 00:16:40,333 --> 00:16:43,470 YEAH, BUT WE DON'T WANT TO SAY ANY OF THAT. 353 00:16:43,503 --> 00:16:45,272 TELL RAMOS THAT WE'RE HOPING 354 00:16:45,305 --> 00:16:47,274 THAT RACHEL'S MURDER WAS AN ISOLATED INCIDENT 355 00:16:47,307 --> 00:16:50,577 AND NOT SOMEONE BREAKING INTO STUDIO LOTS AND KILLING PEOPLE. 356 00:16:53,246 --> 00:16:54,647 THAT MIGHT STOP RAMOS. 357 00:16:54,681 --> 00:16:56,616 STOP HIM FROM WHAT? 358 00:16:56,649 --> 00:16:58,485 NOTHING. NEVER MIND. 359 00:16:58,518 --> 00:17:00,720 YOU KNOW, UH, TIRED OF BEING PUSHED AROUND BY THE TIMES. 360 00:17:00,753 --> 00:17:03,690 JUST, UH, GET ON WITH WHAT YOU NEED TO GET DONE HERE. 361 00:17:03,723 --> 00:17:05,358 OKAY. 362 00:17:14,867 --> 00:17:16,736 THANK YOU. 363 00:17:16,769 --> 00:17:20,173 YOU KNOW THIS IS ONE BIG SETUP, RIGHT? HOW'S THAT, SIR? 364 00:17:20,207 --> 00:17:22,742 WELL, WHY ELSE WOULD RACHEL TELL ME TO STOP BY FOR A HAIRCUT 365 00:17:22,775 --> 00:17:24,777 AND THEN REPORT ME TO THE POLICE? 366 00:17:24,811 --> 00:17:27,680 SHE WANTS TO USE THIS TO SCREW ME IN THE DIVORCE... 367 00:17:27,714 --> 00:17:30,217 OH, I DOUBT THAT. ...AND RUIN MY CAREER. 368 00:17:30,250 --> 00:17:32,519 YOU KNOW, I'M UNFAMILIAR WITH YOUR BUSINESS, SIR. 369 00:17:32,552 --> 00:17:35,655 DO TWO EXTREMELY SMALL JOBS A YEAR MAKE A CAREER? 370 00:17:37,790 --> 00:17:39,592 I'LL LEAVE MY CURIOSITY 371 00:17:39,626 --> 00:17:42,162 ABOUT THE PART-TIME ACTOR'S LIFE ASIDE. 372 00:17:42,195 --> 00:17:43,763 LET'S TALK ABOUT LAST NIGHT. 373 00:17:43,796 --> 00:17:46,833 WHAT'S TO TALK ABOUT? 374 00:17:46,866 --> 00:17:49,836 I GOT A PART ON A BIG FEATURE FILM. 375 00:17:49,869 --> 00:17:53,573 SHE TOLD ME TO COME -- SHE VOLUNTEERED TO CUT MY HAIR. 376 00:17:53,606 --> 00:17:56,109 AND WHILE YOU WERE THERE, DID YOU GUYS -- 377 00:17:56,143 --> 00:17:57,410 DID YOU HAVE AN ARGUMENT? 378 00:17:57,444 --> 00:17:59,712 DID SHE TAKE A LITTLE TOO MUCH OFF THE TOP? 379 00:17:59,746 --> 00:18:02,515 NO. WE DIDN'T HAVE AN ARGUMENT. 380 00:18:02,549 --> 00:18:04,417 YOU KNOW, IT'S HARD TO BELIEVE THAT HE DIDN'T WORK MORE, 381 00:18:04,451 --> 00:18:06,753 BECAUSE YOU ARE JUST SO CONVINCING. 382 00:18:06,786 --> 00:18:09,656 LOOK, I JUST GOT A PART ON A BIG STUDIO FILM, SO -- 383 00:18:09,689 --> 00:18:13,460 WAIT, WAIT, WAIT, WAIT. LET'S -- LET'S START AGAIN. 384 00:18:13,493 --> 00:18:16,563 LET'S START AGAIN, AND THIS TIME, I WANT YOU TO REMEMBER 385 00:18:16,596 --> 00:18:20,733 THAT THOSE HAIR-AND-MAKEUP TRAILERS HAVE VERY THIN WALLS 386 00:18:20,767 --> 00:18:23,736 AND PEOPLE HEAR THINGS ALL THE TIME. 387 00:18:25,672 --> 00:18:27,540 DID YOU ARGUE WITH YOUR WIFE, SIR? 388 00:18:27,574 --> 00:18:29,742 WE HAD A SMALL DISAGREEMENT. 389 00:18:31,178 --> 00:18:32,412 WHAT ABOUT? 390 00:18:32,445 --> 00:18:34,181 LOOK... 391 00:18:34,214 --> 00:18:36,649 I HAVE DONE EVERYTHING THAT RACHEL HAS ASKED ME TO DO. 392 00:18:36,683 --> 00:18:39,852 I EVEN APOLOGIZED FOR EVERY SINGLE ARGUMENT THAT WE EVER HAD 393 00:18:39,886 --> 00:18:41,821 AND I TOOK THOSE ANGER-MANAGEMENT CLASSES 394 00:18:41,854 --> 00:18:44,724 DONNA RECOMMENDED. WHO'S DONNA? 395 00:18:44,757 --> 00:18:49,362 HER FRIEND, DONNA. I NEVER MET HER. 396 00:18:49,396 --> 00:18:51,164 I DON'T EVEN KNOW HER LAST NAME, 397 00:18:51,198 --> 00:18:53,800 BUT IT STILL DOESN'T STOP DONNA FROM CONVINCING MY WIFE 398 00:18:53,833 --> 00:18:57,170 THAT I'M AN ASSHOLE, WHICH I'M NOT. 399 00:18:57,204 --> 00:18:59,506 I MEAN, I'M PASSIONATE, OKAY? I'M SENSITIVE. 400 00:18:59,539 --> 00:19:02,275 THAT'S WHAT ALL GOOD ACTORS ARE SUPPOSED TO BE. 401 00:19:02,309 --> 00:19:04,477 BUT I LOVE MY WIFE, 402 00:19:04,511 --> 00:19:06,613 WHICH IS WHY I HAVE STAYED AWAY FROM HER, 403 00:19:06,646 --> 00:19:07,880 JUST LIKE SHE ASKED. 404 00:19:07,914 --> 00:19:09,682 BUT YOU DIDN'T STAY AWAY FROM HER, SIR. 405 00:19:09,716 --> 00:19:12,185 YOU SAW HER LAST -- BECAUSE SHE TOLD ME I COULD! 406 00:19:12,219 --> 00:19:13,853 WHOA, WHOA. 407 00:19:16,256 --> 00:19:18,825 IF I WERE YOU, SIR, 408 00:19:18,858 --> 00:19:21,794 I'D PUT MY ASS BACK IN THAT CHAIR. 409 00:19:29,836 --> 00:19:31,738 WELL, I THINK IT'S SAFE TO SAY 410 00:19:31,771 --> 00:19:34,574 THAT YOU ARE A FRESHMAN IN ANGER MANAGEMENT. 411 00:19:34,607 --> 00:19:36,476 SO, I'M SUPPOSED TO BELIEVE 412 00:19:36,509 --> 00:19:38,578 THAT AFTER YOU GIVE YOUR WIFE A CONCUSSION 413 00:19:38,611 --> 00:19:40,580 AND BROKE HER WRIST, SHE CALLED YOU UP 414 00:19:40,613 --> 00:19:42,449 AND SAID, "HEY, COME ON OVER FOR A HAIRCUT"? 415 00:19:42,482 --> 00:19:44,351 A HAIRCUT YOU FELT THE NEED TO LIE ABOUT? 416 00:19:44,384 --> 00:19:45,952 HERE WE GO. 417 00:19:45,985 --> 00:19:47,854 I DIDN'T WANT TO GET IN ANY TROUBLE, OKAY? 418 00:19:47,887 --> 00:19:49,489 IS THAT HOW YOU USUALLY AVOID TROUBLE? 419 00:19:49,522 --> 00:19:51,224 YOU JUST LIE TO THE POLICE? 420 00:19:51,258 --> 00:19:52,825 LOOK, I MADE A MISTAKE, OKAY? A MISTAKE? OH. 421 00:19:52,859 --> 00:19:54,727 LIKE VIOLATING YOUR RESTRAINING ORDER 422 00:19:54,761 --> 00:19:56,296 OR LYING TO ME ABOUT LAST NIGHT? 423 00:19:56,329 --> 00:19:57,797 I DID NOT VIOLATE THE SPIRIT OF THE ORDER. 424 00:19:57,830 --> 00:19:59,299 TELL ME, HOW MANY MISTAKES DID IT TAKE 425 00:19:59,332 --> 00:20:00,767 BEFORE YOUR WIFE ENDED UP LIKE THIS? 426 00:20:00,800 --> 00:20:02,269 OH, MY... 427 00:20:02,302 --> 00:20:04,271 OH, MY GOD. 428 00:20:06,606 --> 00:20:07,707 RACHEL. 429 00:20:12,812 --> 00:20:14,847 IS SHE DEAD? 430 00:20:14,881 --> 00:20:17,884 NOT JUST DEAD -- MURDERED... 431 00:20:17,917 --> 00:20:19,619 SAVAGELY BEATEN. 432 00:20:19,652 --> 00:20:22,555 AND TO ME, IT LOOKS LIKE SOMEONE WAS VERY ANGRY. 433 00:20:26,926 --> 00:20:28,695 I-I WANT A LAWYER. 434 00:20:30,963 --> 00:20:32,865 FINE. 435 00:20:36,303 --> 00:20:37,904 SERGEANT, WILL YOU PLEASE SEE 436 00:20:37,937 --> 00:20:41,007 THAT MR. HUGHES HERE GETS HIS PHONE CALL? 437 00:20:48,315 --> 00:20:50,550 CHIEF JOHNSON WAS WRONG ABOUT ONE THING. 438 00:20:50,583 --> 00:20:52,319 WHAT? 439 00:20:52,352 --> 00:20:54,554 THIS GUY'S A MUCH BETTER ACTOR THAN WE THOUGHT. 440 00:21:05,598 --> 00:21:09,402 IT WAS SO NICE OF YOU TO DRIVE CLAY AND WILLIE RAY 441 00:21:09,436 --> 00:21:12,772 AROUND TO ALL THESE DIFFERENT WEDDING FACILITIES, LIEUTENANT. 442 00:21:12,805 --> 00:21:14,807 OH, I ENJOYED IT. 443 00:21:14,841 --> 00:21:18,378 IT REMINDED ME OF WHEN I WAS YOUNG AND STUPID. 444 00:21:18,411 --> 00:21:20,780 BRENDA, WHERE'S YOUR APPETITE? 445 00:21:20,813 --> 00:21:24,083 OH. WELL, DARLING, SHE'S STILL THINKING ABOUT THE MURDER. 446 00:21:24,116 --> 00:21:25,352 I AM... 447 00:21:25,385 --> 00:21:27,920 A LITTLE. 448 00:21:27,954 --> 00:21:29,756 THE VICTIM SURPRISES ME. 449 00:21:29,789 --> 00:21:31,858 ON THE ONE HAND, SHE STOOD UP FOR HERSELF 450 00:21:31,891 --> 00:21:33,726 AND GOT LEGAL ACTION. 451 00:21:33,760 --> 00:21:36,596 AND ON THE OTHER, SHE HANDED OVER HER HOUSE TO A BULLY. 452 00:21:36,629 --> 00:21:38,798 I GUESS I JUST DON'T UNDERSTAND THAT KIND OF RELATIONSHIP. 453 00:21:38,831 --> 00:21:40,367 I'LL TELL YOU ONE THING. 454 00:21:40,400 --> 00:21:42,101 IF YOUR MOTHER RAISED HER HAND AGAINST ME, 455 00:21:42,134 --> 00:21:44,737 I'D BE OUT THE DOOR. 456 00:21:47,006 --> 00:21:50,343 WELL, YOU AND WILLIE RAY HAVE A GREAT MARRIAGE, CLAY, 457 00:21:50,377 --> 00:21:52,912 WHICH JUST GOES TO PROVE THAT THE INSTITUTION 458 00:21:52,945 --> 00:21:55,348 DOESN'T HAVE TO BE A COMPLETE HORROR SHOW. 459 00:21:56,916 --> 00:22:01,788 ACTUALLY, MY THIRD WIFE AND I HAD ONE FANTASTIC WEEKEND. 460 00:22:03,055 --> 00:22:05,124 OF COURSE, THAT WAS BEFORE THE WEDDING, 461 00:22:05,157 --> 00:22:06,726 BUT STILL. 462 00:22:06,759 --> 00:22:10,963 NOW, MY FOURTH MARRIAGE -- OH, LORD. 463 00:22:10,997 --> 00:22:14,634 HONEY, DON'T LISTEN TO HIM. 464 00:22:14,667 --> 00:22:16,903 HERE, UH, THIS WILL TAKE YOUR MIND OFF WORK. 465 00:22:16,936 --> 00:22:18,905 LOOK AT THAT BEAUTIFUL LITTLE CHAPEL THERE. 466 00:22:18,938 --> 00:22:22,108 NOW, IF YOU'RE DETERMINED NOT TO GET -- EXCUSE ME. 467 00:22:22,141 --> 00:22:23,710 I'M -- I'M SORRY. I'LL BE RIGHT BACK. 468 00:22:28,481 --> 00:22:31,518 CLAY, I TOLD YOU ABOUT THIS. 469 00:22:31,551 --> 00:22:34,821 THIS WHAT? IT'S A CHAPEL. 470 00:22:34,854 --> 00:22:36,556 YOU CAN USE A CHAPEL FOR ANY NUMBER OF THINGS. 471 00:22:36,589 --> 00:22:41,561 FOR EXAMPLE, IF THEY DON'T GET MARRIED PRETTY SOON, 472 00:22:41,594 --> 00:22:44,431 Y'ALL CAN CONGREGATE THERE FOR MY FUNERAL. 473 00:22:44,464 --> 00:22:46,065 ALL RIGHT, THAT'S ENOUGH. 474 00:22:47,133 --> 00:22:50,570 FRITZ, BRENDA LOOKED UPSET. 475 00:22:50,603 --> 00:22:54,774 DID SHE? I'LL SEE. 476 00:22:57,810 --> 00:23:00,980 "HAPPILY EVER AFTER RESORT AND CASINO." 477 00:23:02,048 --> 00:23:04,116 TALK ABOUT BAD ODDS. 478 00:23:07,219 --> 00:23:10,623 IF I HEAR ONE MORE MENTION OF WEDDINGS OR CHAPELS, 479 00:23:10,657 --> 00:23:12,459 I SWEAR I'M GOING TO KILL SOMEONE. 480 00:23:12,492 --> 00:23:14,861 HE'S JUST EXCITED. THAT'S ALL. 481 00:23:14,894 --> 00:23:17,497 YOU DON'T UNDERSTAND MY DADDY. 482 00:23:17,530 --> 00:23:20,032 WHEN HE WANTS SOMETHING, HE WILL NOT STOP UNTIL HE GETS IT. 483 00:23:20,066 --> 00:23:22,602 TRUST ME ON THIS. SO, IT RUNS IN THE FAMILY THEN. 484 00:23:22,635 --> 00:23:25,104 HA HA. 485 00:23:25,137 --> 00:23:26,739 HERE'S WHAT I DON'T GET. 486 00:23:26,773 --> 00:23:29,208 YOU ARE SO TOUGH AT WORK, AND HERE, YOU COME HOME. 487 00:23:29,241 --> 00:23:30,710 YOU'RE SITTING AT YOUR OWN DINING-ROOM TABLE. 488 00:23:30,743 --> 00:23:32,712 YOUR FATHER PUSHES YOU AROUND A LITTLE BIT. 489 00:23:32,745 --> 00:23:35,782 AND INSTEAD OF SAYING, "DON'T DO THAT TO ME," 490 00:23:35,815 --> 00:23:39,218 YOU COME HIDE IN THE KITCHEN. 491 00:23:39,251 --> 00:23:41,187 Provenza: OH, NO, NO. YOU'LL -- YOU'LL LIKE THIS. 492 00:23:41,220 --> 00:23:43,022 WAIT A MINUTE. 493 00:23:43,055 --> 00:23:44,724 THAT'S WHY WE CAN'T FIND HER ADDRESS. 494 00:23:44,757 --> 00:23:45,758 WHAT? 495 00:23:45,792 --> 00:23:48,127 SHE LEARNED TO HIDE. 496 00:23:50,229 --> 00:23:51,964 Provenza: SHE SAID, "WELL, WHAT ARE THOSE NAMES?" 497 00:23:51,998 --> 00:23:55,635 AND HE SAID, "WELL, THOSE ARE PROVENZA'S EX-WIVES." 498 00:24:00,740 --> 00:24:02,208 LIEUTENANT FLYNN... 499 00:24:02,241 --> 00:24:03,910 I'M SO SORRY TO BOTHER YOU THIS LATE. 500 00:24:03,943 --> 00:24:05,578 YOU KNOW THAT EMERGENCY ROOM 501 00:24:05,612 --> 00:24:07,880 WHERE RACHEL HUGHES WENT FOR HER CONCUSSION? 502 00:24:07,914 --> 00:24:10,617 I WANT YOU TO CHECK FOR DOMESTIC-VIOLENCE SHELTERS 503 00:24:10,650 --> 00:24:12,485 IN THE AREA. 504 00:24:12,519 --> 00:24:15,187 SEE IF THERE'S ONE THAT THE HOSPITAL RECOMME-- 505 00:24:18,725 --> 00:24:20,159 I'M PARTICULARLY INTERESTED 506 00:24:20,192 --> 00:24:21,828 IN ANY WITH A DONNA WORKING ON-SITE. 507 00:24:21,861 --> 00:24:23,596 OKAY, THANK YOU. 508 00:24:30,169 --> 00:24:33,806 THIS IS WHAT RACHEL LOOKED LIKE THE FIRST NIGHT SHE ARRIVED. 509 00:24:33,840 --> 00:24:36,175 RYAN DID THAT TO HER FOR BUYING A BRASS LAMP 510 00:24:36,208 --> 00:24:39,812 WHEN HE WAS HOPING FOR NEW HEADSHOTS. 511 00:24:39,846 --> 00:24:41,648 WELL, AS HARD AS IT IS TO BELIEVE, 512 00:24:41,681 --> 00:24:43,249 SHE LOOKS EVEN WORSE NOW. 513 00:24:43,282 --> 00:24:45,084 I COULD TELL HE WASN'T GONNA CHANGE. 514 00:24:45,117 --> 00:24:46,653 YOU MET HIM? 515 00:24:46,686 --> 00:24:48,120 SOMEHOW HE FOUND OUT THAT SHE'D COME HERE. 516 00:24:48,154 --> 00:24:50,056 AND ONE NIGHT, HE STOPPED ME IN THE PARKING LOT 517 00:24:50,089 --> 00:24:52,525 AND WAVED LIKE WE'D MET. 518 00:24:52,559 --> 00:24:54,694 WELL, HE SEEMED -- YOU KNOW, HE'S VERY CHARMING. 519 00:24:54,727 --> 00:24:56,228 AND HE WAS IN MY FACE 520 00:24:56,262 --> 00:24:58,030 BEFORE I REALIZED THAT HE WAS THREATENING ME. 521 00:24:58,064 --> 00:25:00,066 THANK GOD WE HAVE A GUARD POSTED NEARBY. 522 00:25:00,099 --> 00:25:02,201 WAIT, WAIT. YOU SAID HE THREATENED YOU? HE THREATENED YOU HOW? 523 00:25:02,234 --> 00:25:05,638 I HAD INSISTED THAT RACHEL GET HER OWN PLACE 524 00:25:05,672 --> 00:25:07,206 AND NOT GIVE THE ADDRESS TO ANYONE. 525 00:25:07,239 --> 00:25:10,209 SHE FOLLOWED MY ADVICE, WHICH MADE RYAN FURIOUS. 526 00:25:10,242 --> 00:25:12,078 THAT'S WHY SHE HAD A P.O. BOX. 527 00:25:12,111 --> 00:25:13,746 RIGHT. 528 00:25:13,780 --> 00:25:15,181 THAT'S ONE OF THE FIRST THINGS THEY LEARN, 529 00:25:15,214 --> 00:25:17,617 THE WOMEN WHO COME HERE -- TO DEFEND THEIR PRIVACY. 530 00:25:17,650 --> 00:25:20,587 AND RACHEL PARTICIPATED IN OUR VOLUNTEER PROGRAMS. 531 00:25:20,620 --> 00:25:22,689 WE ALWAYS NEED VOLUNTEERS. 532 00:25:22,722 --> 00:25:24,557 WE'VE GOT MORE WOMEN THAN WE CAN EVER ACCOMMODATE. 533 00:25:24,591 --> 00:25:26,058 WELL, I KNOW YOU DON'T USUALLY GIVE OUT 534 00:25:26,092 --> 00:25:28,928 THIS KIND OF INFORMATION, BUT RACHEL DOESN'T NEED YOU 535 00:25:28,961 --> 00:25:30,563 TO KEEP HER ADDRESS A SECRET ANYMORE, 536 00:25:30,597 --> 00:25:32,131 AND WE COULD REALLY USE IT. 537 00:25:32,164 --> 00:25:36,569 ACTUALLY, SHE GAVE ME A SPARE KEY TO HER APARTMENT. 538 00:25:36,603 --> 00:25:38,938 I'LL TAKE YOU THERE MYSELF. 539 00:25:42,742 --> 00:25:44,711 Brenda: OH. 540 00:25:47,013 --> 00:25:50,850 SO, IF RYAN DIDN'T BREAK THE DOOR DOWN, 541 00:25:50,883 --> 00:25:52,785 HOW DID HE GET IN? 542 00:25:52,819 --> 00:25:54,621 RACHEL'S KEYS WERE MISSING FROM THE CRIME SCENE. 543 00:25:54,654 --> 00:25:58,290 SO HE JUST UNLOCKED THE DOOR AND WALKED IN. 544 00:25:58,324 --> 00:26:01,694 BUT IF RACHEL WAS KEEPING HER NEW ADDRESS A SECRET, 545 00:26:01,728 --> 00:26:03,295 HOW DID HE KNOW TO COME HERE? 546 00:26:07,099 --> 00:26:08,735 DID RACHEL HAVE SOMETHING RYAN WANTED? 547 00:26:08,768 --> 00:26:09,936 NOT THAT I KNOW OF. 548 00:26:09,969 --> 00:26:14,240 CHIEF... BLOOD ON THE BASE. 549 00:26:14,273 --> 00:26:16,843 HOW DID WE END UP AT ANOTHER CRIME SCENE? 550 00:26:16,876 --> 00:26:19,946 MAYBE RYAN BEAT UP RACHEL HERE 551 00:26:19,979 --> 00:26:22,281 AND DROVE HER BACK TO THE STUDIO AND THEN BEAT HER AGAIN. 552 00:26:22,314 --> 00:26:23,950 WITH AN INTERRUPTION FOR A HAIRCUT? 553 00:26:23,983 --> 00:26:26,719 OKAY, MAYBE AFTER THE HAIRCUT, 554 00:26:26,753 --> 00:26:29,956 HE FOLLOWS HER HOME, KILLS HER HERE. 555 00:26:29,989 --> 00:26:32,859 AND DROVE HER BACK TO THE STUDIO PAST SECURITY? 556 00:26:32,892 --> 00:26:34,193 DRAGGING RACHEL'S BODY 557 00:26:34,226 --> 00:26:36,228 FROM THE MAKEUP TRAILER TO THE JOCKEY BOX? 558 00:26:36,262 --> 00:26:38,898 OKAY, DANIELS, WHY DON'T YOU JUST FIGURE IT OUT? 559 00:26:38,931 --> 00:26:42,902 SO, HE KILLS RACHEL, MAYBE TO GET THE KEYS. 560 00:26:42,935 --> 00:26:45,237 BUT HOW DID HE KNOW WHAT DOOR THEY'D OPEN? 561 00:26:47,239 --> 00:26:49,842 LOOK AT THIS. FLYNN, HERE, HERE. 562 00:26:49,876 --> 00:26:50,977 READ THIS WITH ME HERE. 563 00:26:51,010 --> 00:26:52,011 UH, YOU DO THE HIGHLIGHTED PARTS. 564 00:26:52,044 --> 00:26:53,379 I'LL DO THE DOCTOR. 565 00:26:53,412 --> 00:26:54,714 WHAT? I'M GONNA DO THE BROAD'S ROLE? 566 00:26:54,747 --> 00:26:56,248 YEAH. 567 00:26:56,282 --> 00:26:57,984 "HE'S DYING, MA'AM. WE'VE DONE ALL WE CAN." 568 00:26:58,017 --> 00:26:59,752 "YOU'VE GOT TO DO SOMETHING, DOC. 569 00:26:59,786 --> 00:27:02,388 PLEASE, ANYTHING. BE MY HERO." 570 00:27:02,421 --> 00:27:03,890 "BE MY HERO." 571 00:27:03,923 --> 00:27:06,392 GENTLEMEN, THE CELLPHONE. PLEASE. 572 00:27:06,425 --> 00:27:08,094 OKAY, I'LL CHECK THE BEDROOM, CHIEF. 573 00:27:08,127 --> 00:27:10,763 STRANDS OF BLOND HAIR. 574 00:27:10,797 --> 00:27:14,066 BLOND HAIR? RACHEL WASN'T A BLONDE. 575 00:27:14,100 --> 00:27:16,669 MAYBE THE BLOOD ISN'T HERS, EITHER. 576 00:27:16,703 --> 00:27:20,372 DID, UH -- DID RACHEL HAVE A ROOMMATE? 577 00:27:20,406 --> 00:27:21,908 OH, MY GOD. 578 00:27:21,941 --> 00:27:24,010 WHAT IS IT? 579 00:27:24,043 --> 00:27:26,979 RACHEL CALLED ME LAST WEEK AND ASKED IF WE HAD ROOM AVAILABLE 580 00:27:27,013 --> 00:27:28,147 FOR SOMEONE SHE'D JUST MET. 581 00:27:28,180 --> 00:27:29,716 WE DIDN'T. 582 00:27:29,749 --> 00:27:31,417 BUT YOU SAID RACHEL VOLUNTEERS SOMETIMES. 583 00:27:31,450 --> 00:27:33,052 SHE MAY HAVE TAKEN SOMEONE IN. 584 00:27:34,887 --> 00:27:37,156 THANK YOU. OH, FOR HEAVEN SAKES. 585 00:27:37,189 --> 00:27:38,457 THIS ONE ISN'T LIKE MINE. 586 00:27:38,490 --> 00:27:39,726 CHIEF, I GOT IT. 587 00:27:39,759 --> 00:27:40,793 OH, THANK YOU. 588 00:27:42,328 --> 00:27:44,330 I NEED RACHEL'S SCHEDULE FOR THE NIGHT BEFORE LAST. 589 00:27:44,363 --> 00:27:47,199 PLEASE. 590 00:27:47,233 --> 00:27:50,803 RYAN -- HAIRCUT, 8:00. 591 00:27:50,837 --> 00:27:52,872 SO, MAYBE HE WASN'T LYING. 592 00:27:52,905 --> 00:27:55,875 OH. 593 00:27:55,908 --> 00:27:59,245 SO, RYAN HUGHES KILLS HIS WIFE, 594 00:27:59,278 --> 00:28:01,948 SOMEHOW FINDS THIS ADDRESS, AND THEN COMES HERE. 595 00:28:01,981 --> 00:28:03,215 Flynn: FIGHTS WITH SOMEONE ELSE, 596 00:28:03,249 --> 00:28:05,451 DOESN'T GET A SCRATCH ON HIM EITHER TIME? 597 00:28:05,484 --> 00:28:07,219 BUT WHO DOES HE FIGHT WITH? 598 00:28:09,155 --> 00:28:11,390 I THINK WE NEED TO START LOOKING FOR ANOTHER VICTIM. 599 00:28:25,004 --> 00:28:27,006 KIM REYNOLDS? OH, YEAH. 600 00:28:27,039 --> 00:28:28,741 I'M DEPUTY CHIEF BRENDA LEIGH JOHNSON, 601 00:28:28,775 --> 00:28:29,942 AND THIS IS SERGEANT GABRIEL. 602 00:28:29,976 --> 00:28:31,010 HI. YEAH. 603 00:28:31,043 --> 00:28:32,745 I, UH, SAW YOU YESTERDAY, 604 00:28:32,779 --> 00:28:35,247 BUT I HAD ALREADY SPOKEN TO THAT CUTE DETECTIVE SANCHEZ. 605 00:28:35,281 --> 00:28:36,949 I WAS HOPING THAT YOU COULD TELL ME 606 00:28:36,983 --> 00:28:38,450 IF RACHEL HUGHES HAD A ROOMMATE. 607 00:28:38,484 --> 00:28:40,352 OH, UM, I WOULDN'T KNOW REALLY. 608 00:28:40,386 --> 00:28:42,955 UH, SHE AND I WEREN'T THAT CLOSE. 609 00:28:42,989 --> 00:28:44,791 DID YOU GUYS NOT GET ALONG OR SOMETHING? 610 00:28:44,824 --> 00:28:46,125 NO. 611 00:28:46,158 --> 00:28:48,761 I MEAN, HER WHOLE RELATIONSHIP WITH RYAN 612 00:28:48,795 --> 00:28:49,996 JUST DROVE ME CRAZY. 613 00:28:50,029 --> 00:28:52,198 AND, HONESTLY, IT WAS ALL SHE TALKED ABOUT. 614 00:28:52,231 --> 00:28:54,066 I -- I DON'T KNOW. 615 00:28:54,100 --> 00:28:56,969 MAYBE I SHOULD HAVE PAID MORE ATTENTION. 616 00:28:57,003 --> 00:28:58,971 DID RACHEL TELL YOU THAT SHE HAD MOVED? 617 00:28:59,005 --> 00:29:01,140 YEAH, YEAH. 618 00:29:01,173 --> 00:29:04,176 DID SHE TELL YOU WHERE SHE MOVED? 619 00:29:04,210 --> 00:29:06,012 NO, NO, NO. 620 00:29:06,045 --> 00:29:08,915 THAT WAS LIKE SOME KIND OF, LIKE, "RULE" OR SOMETHING. 621 00:29:08,948 --> 00:29:11,050 LIKE, NOBODY COULD KNOW WHERE SHE LIVED. 622 00:29:11,083 --> 00:29:13,219 YOU KNOW WHAT, THOUGH? 623 00:29:13,252 --> 00:29:15,121 UM, YOU GUYS SHOULD REALLY TALK TO LINDSAY. 624 00:29:15,154 --> 00:29:16,488 SHE KNEW RACHEL WAY BETTER THAN ME. 625 00:29:16,522 --> 00:29:17,957 IS THIS LINDSAY? 626 00:29:17,990 --> 00:29:20,392 YEAH. SHE'S OUR NEW HAIR STYLIST. 627 00:29:20,426 --> 00:29:23,129 WELL, THANK YOU. THANK YOU SO MUCH. SURE. 628 00:29:23,162 --> 00:29:24,530 YOU WERE VERY HELPFUL. 629 00:29:24,563 --> 00:29:26,165 OH, I TRY. 630 00:29:26,198 --> 00:29:28,367 YOU KNOW, ACTUALLY, IF YOU, UM... 631 00:29:28,400 --> 00:29:31,303 IF YOU THINK OF ANYTHING ELSE, YOU GIVE ME A CALL. 632 00:29:31,337 --> 00:29:32,338 OH, OKAY, I WILL. 633 00:29:32,371 --> 00:29:33,405 ALL RIGHT, THANKS. 634 00:29:33,439 --> 00:29:35,107 OKAY. 635 00:29:39,946 --> 00:29:41,948 PARDON ME. LINDSAY? 636 00:29:41,981 --> 00:29:44,016 I'M DEPUTY CHIEF BRENDA LEIGH JOHNSON. 637 00:29:44,050 --> 00:29:46,953 I UNDERSTAND THAT YOU WERE FRIENDS WITH RACHEL HUGHES. 638 00:29:46,986 --> 00:29:49,488 OH, UH, YEAH. 639 00:29:49,521 --> 00:29:54,493 I SUBBED FOR RACHEL WHEN SHE WAS IN THE HOSPITAL. 640 00:29:54,526 --> 00:29:57,229 DID YOU SPEND A LOT OF TIME WITH RACHEL LATELY? 641 00:29:57,263 --> 00:30:01,200 NOT REALLY. HER HOURS WERE SO EXTREME. 642 00:30:01,233 --> 00:30:02,534 FUNNY, I... 643 00:30:02,568 --> 00:30:04,904 I SO WANTED TO BE THE HEAD 644 00:30:04,937 --> 00:30:07,073 OF THE HAIR DEPARTMENT SOMEWHERE. 645 00:30:07,106 --> 00:30:09,541 WISH IT WASN'T HERE. 646 00:30:09,575 --> 00:30:14,280 LINDSAY, DO YOU ALWAYS DISPLAY YOUR COSMETOLOGY LICENSE? 647 00:30:14,313 --> 00:30:16,448 WE'RE REQUIRED TO POST IT WHERE WE WORK. 648 00:30:16,482 --> 00:30:18,050 STATE LAW. 649 00:30:18,084 --> 00:30:19,118 THANK YOU. 650 00:30:19,151 --> 00:30:20,853 Tao: YOU WERE RIGHT, CHIEF. 651 00:30:20,887 --> 00:30:23,923 RACHEL'S COSMETOLOGY LICENSE HAS HER NEW ADDRESS ON IT. 652 00:30:23,956 --> 00:30:25,557 AND THE CARD STOCK IT WAS PRINTED ON 653 00:30:25,591 --> 00:30:29,996 MATCHES THE SAME BIT WE FOUND ON HER MIRROR AT THE CRIME SCENE. 654 00:30:30,029 --> 00:30:33,132 YEAH, SHE HAD THAT LICENSE OUT FOR THE WHOLE WORLD TO SEE. 655 00:30:33,165 --> 00:30:35,968 YEAH, BUT LINDSAY TOLD US SHE TAPED UP THE BOTTOM HALF OF IT 656 00:30:36,002 --> 00:30:37,003 IN ORDER TO HIDE HER ADDRESS. 657 00:30:37,036 --> 00:30:38,504 AND SOMEONE RIPPED IT DOWN. 658 00:30:38,537 --> 00:30:41,007 OKAY, SO, WE'VE GOT TWO CRIME SCENES, TWO VICTIMS, 659 00:30:41,040 --> 00:30:44,110 AND A SUSPECT WHO FOUGHT BOTH WITHOUT ONE DEFENSIVE WOUND. 660 00:30:44,143 --> 00:30:45,912 WELL, MAYBE 'CAUSE HE WAS WEARING THESE. 661 00:30:45,945 --> 00:30:47,379 SAP GLOVES. 662 00:30:47,413 --> 00:30:49,281 WE HAD THEM ON THE STREETS BACK IN THE '80s. 663 00:30:49,315 --> 00:30:50,983 THEY'LL LEAVE THE SAME SQUARE MARKS 664 00:30:51,017 --> 00:30:52,218 WE FOUND ON RACHEL'S FACE. 665 00:30:52,251 --> 00:30:55,154 I KNEW THOSE WELTS LOOKED FAMILIAR. 666 00:30:57,223 --> 00:30:58,557 EMBEDDED STEEL. 667 00:30:58,590 --> 00:31:00,326 PROTECTS YOUR FISTS. 668 00:31:00,359 --> 00:31:03,329 YEAH, WELL, THAT EXPLAINS PRETTY BOY'S SILK KNUCKLES. 669 00:31:03,362 --> 00:31:05,464 ALL RIGHT, LIEUTENANT FLYNN, 670 00:31:05,497 --> 00:31:07,033 LET'S SEE IF WE CAN TRACK DOWN THE COMPANIES 671 00:31:07,066 --> 00:31:08,067 THAT MAKE THESE GLOVES. 672 00:31:08,100 --> 00:31:09,501 MAYBE WE'LL GET LUCKY, 673 00:31:09,535 --> 00:31:11,270 AND ONE OF THEM WILL HAVE AN ORDER FOR A RYAN HUGHES. 674 00:31:11,303 --> 00:31:12,538 YOU GOT IT, CHIEF. 675 00:31:12,571 --> 00:31:13,539 THANK YOU. 676 00:31:16,208 --> 00:31:17,643 WHAT THE HELL IS HE READING? 677 00:31:17,676 --> 00:31:19,111 Buzz: A MOVIE SCRIPT. 678 00:31:19,145 --> 00:31:20,913 HIS ATTORNEY BROUGHT IT IN FOR HIM. 679 00:31:20,947 --> 00:31:23,015 HE'S SUPPOSED TO START REHEARSALS FOR IT TOMORROW. 680 00:31:23,049 --> 00:31:26,285 CHIEF JOHNSON, I HAVE SOMETHING UNUSUAL 681 00:31:26,318 --> 00:31:28,054 TO SUGGEST TO YOU. 682 00:31:28,087 --> 00:31:30,222 UM, GIVEN THAT THE SUSPECT HAS LAWYERED UP 683 00:31:30,256 --> 00:31:33,259 AND THE CIRCUMSTANTIAL EVIDENCE AGAINST HIM IS SO STRONG, 684 00:31:33,292 --> 00:31:36,528 I THINK THAT WE SHOULD ARREST MR. HUGHES FOR MURDER RIGHT NOW 685 00:31:36,562 --> 00:31:39,065 AND HAND HIM OVER TO THE D.A. 686 00:31:39,098 --> 00:31:40,967 WITHOUT A CONFESSION? 687 00:31:41,000 --> 00:31:43,069 WHY? 688 00:31:43,102 --> 00:31:45,604 BECAUSE OF WHAT RAMOS MIGHT WRITE IN THE TIMES? NO, NO, NO. 689 00:31:45,637 --> 00:31:49,275 FROM THE OUTSIDE, THIS CRIME LOOKS ALL KIND OF SHOWBIZ-Y. 690 00:31:49,308 --> 00:31:51,610 BUT THE SECOND -- THE SECOND WE MAKE AN ARREST, 691 00:31:51,643 --> 00:31:54,246 THE MURDER BECOMES A DOMESTIC DISPUTE 692 00:31:54,280 --> 00:31:56,682 BETWEEN A HAIR STYLIST AND A WANNABE ACTOR, AND... 693 00:31:58,217 --> 00:32:00,286 ...THAT'S NOT NEWS IN LOS ANGELES. 694 00:32:00,319 --> 00:32:02,454 Pope: LET ME GIVE YOU THE WHOLE PICTURE HERE. 695 00:32:02,488 --> 00:32:05,424 RICARDO RAMOS IS WRITING A TWO-PART ARTICLE, AS WE SPEAK, 696 00:32:05,457 --> 00:32:07,059 ON PRIORITY HOMICIDE. 697 00:32:07,093 --> 00:32:10,629 NOW, I HAVE DONE EVERYTHING I CAN TO KILL THIS ARTICLE 698 00:32:10,662 --> 00:32:14,066 ON THE BASIS THAT IT'S ONE-SIDED, UNFAIR, 699 00:32:14,100 --> 00:32:16,068 AND BAD FOR THE CITY. 700 00:32:16,102 --> 00:32:18,004 ANYWAY, I FAILED. 701 00:32:18,037 --> 00:32:20,139 THE ARTICLE WILL COME. IT WILL BE TERRIBLE. 702 00:32:20,172 --> 00:32:21,673 LET ME TALK TO RAMOS. 703 00:32:21,707 --> 00:32:23,375 I DON'T THINK THAT WOULD BE -- NO. 704 00:32:23,409 --> 00:32:26,045 ABSOLUTELY NOT. 705 00:32:26,078 --> 00:32:28,480 THEN EXPLAIN TO HIM THAT THERE IS ANOTHER CRIME SCENE 706 00:32:28,514 --> 00:32:31,350 ASSOCIATED WITH THIS SO-CALLED HOLLYWOOD VICTIM 707 00:32:31,383 --> 00:32:34,753 AND THAT IF I GIVE UP TODAY DUE TO UNWARRANTED MEDIA PRESSURE, 708 00:32:34,786 --> 00:32:37,356 THEN I'LL BE SHORT A DEAD BODY WHEN WE GO TO TRIAL. 709 00:32:37,389 --> 00:32:39,291 OR TELL HIM THAT -- 710 00:32:42,294 --> 00:32:43,695 FOR HEAVEN'S SAKES. 711 00:32:46,098 --> 00:32:50,069 YOU KNOW, I CAN'T LET RAMOS DICTATE HOW I DO MY JOB. 712 00:32:55,307 --> 00:32:57,409 SHE JUST DOESN'T GET IT, DOES SHE? 713 00:32:57,443 --> 00:32:59,545 SHE DOESN'T WANT TO GET IT. 714 00:33:03,215 --> 00:33:05,251 HELLO. 715 00:33:05,284 --> 00:33:07,453 I'M DEPUTY CHIEF BRENDA LEIGH JOHNSON. 716 00:33:07,486 --> 00:33:10,122 DAN FRYE. I REPRESENT MR. HUGHES. 717 00:33:10,156 --> 00:33:11,690 AND I'VE TALKED TO MY CLIENT, 718 00:33:11,723 --> 00:33:14,093 AND I'D LIKE YOU TO EXPLAIN WHY HE'S STILL BEING HELD 719 00:33:14,126 --> 00:33:15,427 WITHOUT ANY CHARGES BEING FILED. 720 00:33:15,461 --> 00:33:17,429 WELL, MAYBE THERE WON'T BE ANY, 721 00:33:17,463 --> 00:33:20,332 IF I CAN GET A FEW THINGS EXPLAINED. LIKE WHAT? 722 00:33:20,366 --> 00:33:23,369 WELL, YOUR CLIENT CLAIMED THAT HE DIDN'T KNOW DONNA TAFT, 723 00:33:23,402 --> 00:33:25,204 FROM THE SUPPORT CENTER FOR DOMESTIC VIOLENCE, 724 00:33:25,237 --> 00:33:27,706 WHEN, IN FACT, HE THREATENED DONNA 725 00:33:27,739 --> 00:33:29,208 WHEN SHE WOULD NOT TELL HIM WHERE HIS WIFE -- 726 00:33:29,241 --> 00:33:31,143 UNRELATED, NO EVIDENTIARY VALUE. 727 00:33:31,177 --> 00:33:34,146 NEXT QUESTION. 728 00:33:34,180 --> 00:33:36,815 WHAT ABOUT THESE? LOOK FAMILIAR? 729 00:33:36,848 --> 00:33:38,350 DON'T ANSWER THAT. 730 00:33:41,253 --> 00:33:42,588 WHO WAS LIVING WITH RACHEL? 731 00:33:45,357 --> 00:33:48,694 MR..."FRYE," 732 00:33:48,727 --> 00:33:51,430 IF I LEAVE HERE WITHOUT A BELIEVABLE RESPONSE, 733 00:33:51,463 --> 00:33:53,499 I AM GONNA ARREST YOUR CLIENT FOR MURDER. 734 00:33:53,532 --> 00:33:57,436 AND GUILTY OR NOT, THIS MOVIE THAT STARTS REHEARSING TOMORROW 735 00:33:57,469 --> 00:33:59,338 WILL HAVE TO FIND SOMEONE ELSE TO PLAY THE PART. 736 00:33:59,371 --> 00:34:03,142 OR WITH A LITTLE COOPERATION, THE SHOW CAN GO ON. 737 00:34:03,175 --> 00:34:05,377 IT'S YOUR CHOICE. 738 00:34:07,379 --> 00:34:10,782 You can tell her that you didn't know where Rachel was living. 739 00:34:13,819 --> 00:34:15,221 I DON'T KNOW WHERE RACHEL WAS LIVING 740 00:34:15,254 --> 00:34:17,356 OR WHO WAS LIVING WITH HER. 741 00:34:17,389 --> 00:34:18,757 I DIDN'T THREATEN DONNA. 742 00:34:18,790 --> 00:34:20,459 WE HAD A DISAGREEMENT 743 00:34:20,492 --> 00:34:22,461 ABOUT WHAT SHE WAS SAYING TO MY WIFE, THAT'S ALL. 744 00:34:22,494 --> 00:34:24,630 ANOTHER DISAGREEMENT THAT YOU CONVENIENTLY FORGOT TO TELL ME. 745 00:34:24,663 --> 00:34:26,332 SO YOU LIED TO ME AGAIN. 746 00:34:26,365 --> 00:34:29,501 I LOVED MY WIFE. SHE WAS MY WORLD. 747 00:34:29,535 --> 00:34:31,270 SO, THEN WHY WON'T YOU HELP ME? 748 00:34:31,303 --> 00:34:33,272 'CAUSE YOU KEEP TREATING ME LIKE I'M A CRIMINAL! 749 00:34:33,305 --> 00:34:34,306 RYAN, IT'S OKAY. 750 00:34:34,340 --> 00:34:35,774 YOU LOVED RACHEL SO MUCH? 751 00:34:35,807 --> 00:34:38,177 THEN WHAT EXACTLY ARE YOU DOING RIGHT NOW 752 00:34:38,210 --> 00:34:39,645 THAT COULD POSSIBLY BE MORE IMPORTANT 753 00:34:39,678 --> 00:34:40,746 THAN HELPING ME FIND HER MURDERER? 754 00:34:40,779 --> 00:34:42,648 I AM OUT HERE TRYING TO WORK. 755 00:34:42,681 --> 00:34:44,383 I-I AM STUDYING MY PART, 756 00:34:44,416 --> 00:34:47,153 HOPING TO GOD THAT I GET OUT OF HERE IN TIME TO PLAY IT. 757 00:34:47,186 --> 00:34:49,521 MORE SPECIFICALLY, I AM HIGHLIGHTING MY LINES, 758 00:34:49,555 --> 00:34:51,423 WHICH IS WHAT ALL ACTORS DO WHEN THEY FIRST GET THEIR SCRIPT. 759 00:34:51,457 --> 00:34:53,225 RYAN, IT'S OKAY. 760 00:34:53,259 --> 00:34:55,261 LOOK, UH, NO MORE QUESTIONS ABOUT THIS HOMICIDE. 761 00:34:55,294 --> 00:34:56,328 YOU WANT TO MAKE AN ARREST? 762 00:35:09,208 --> 00:35:11,843 NOW WHAT? 763 00:35:15,181 --> 00:35:17,316 LIEUTENANT... 764 00:35:17,349 --> 00:35:19,751 THOSE SCRIPT PAGES THAT WE FOUND AT RACHEL'S APARTMENT -- 765 00:35:19,785 --> 00:35:20,819 WHERE ARE THEY? 766 00:35:20,852 --> 00:35:21,853 GOT THEM RIGHT HERE. OKAY. 767 00:35:21,887 --> 00:35:23,522 HERE YOU GO. 768 00:35:23,555 --> 00:35:28,694 WHO WOULD PLAY THIS ROLE WHERE THE WORDS ARE ALL YELLOW? 769 00:35:34,633 --> 00:35:35,834 HELLO. 770 00:35:35,867 --> 00:35:38,237 CALLIE RIVERS? 771 00:35:38,270 --> 00:35:39,871 I'M DEPUTY CHIEF BRENDA LEIGH JOHNSON 772 00:35:39,905 --> 00:35:41,407 OF THE L.A.P.D. 773 00:35:41,440 --> 00:35:42,741 YES. 774 00:35:42,774 --> 00:35:46,445 SORRY FOR MY APPEARANCE. SLEPT IN TODAY. 775 00:35:46,478 --> 00:35:49,848 I UNDERSTAND YOU RECENTLY GUEST-STARRED ON "TRAUMA UNIT." 776 00:35:49,881 --> 00:35:52,284 I DID, YES. 777 00:35:52,318 --> 00:35:54,586 THE EPISODE HASN'T AIRED YET, BUT YES. 778 00:35:54,620 --> 00:35:56,188 WHY? 779 00:35:56,222 --> 00:35:57,923 WELL, I WAS HOPING THAT YOU'D BE ABLE TO 780 00:35:57,956 --> 00:36:00,326 ANSWER A FEW QUESTIONS ABOUT RACHEL HUGHES. 781 00:36:00,359 --> 00:36:01,560 SHE WAS A HAIRDRESSER -- 782 00:36:01,593 --> 00:36:03,962 YES, I-I HEARD ABOUT WHAT HAPPENED TO HER. 783 00:36:03,995 --> 00:36:06,198 SO SORRY. 784 00:36:06,232 --> 00:36:09,935 UNFORTUNATELY, I DIDN'T KNOW HER THAT WELL, SO... 785 00:36:09,968 --> 00:36:12,538 YOU DIDN'T? 786 00:36:12,571 --> 00:36:15,907 BECAUSE WE FOUND SOME OF YOUR THINGS AT HER APARTMENT. 787 00:36:15,941 --> 00:36:19,311 OH. THAT. 788 00:36:19,345 --> 00:36:23,649 UH, W-WELL, I-I DID STAY WITH RACHEL VERY BRIEFLY, 789 00:36:23,682 --> 00:36:25,317 BUT SHE WAS NEVER THERE. 790 00:36:25,351 --> 00:36:27,286 SHE WORKED, LIKE, 16 HOURS A DAY ON THAT SHOW, SO... 791 00:36:27,319 --> 00:36:28,787 DO YOU MIND IF WE COME IN? 792 00:36:28,820 --> 00:36:32,658 UH, W-WELL... 793 00:36:32,691 --> 00:36:35,227 UH, UH... 794 00:36:35,261 --> 00:36:37,729 WELL, I-IT'S A MESS RIGHT NOW. 795 00:36:39,431 --> 00:36:41,367 I UNDERSTAND. 796 00:36:44,970 --> 00:36:47,573 WHAT DO YOU WANT TO KNOW? 797 00:36:55,647 --> 00:36:57,916 WELL, THERE'S A LOT, ACTUALLY. 798 00:36:59,618 --> 00:37:01,920 LIKE WHY WERE YOU STAYING WITH RACHEL? 799 00:37:01,953 --> 00:37:06,325 SHE -- SHE SAID SHE WAS AFRAID OF HER HUSBAND 800 00:37:06,358 --> 00:37:08,360 AND SHE WANTED SOME COMPANY. 801 00:37:08,394 --> 00:37:10,729 IT MADE HER FEEL SAFE. 802 00:37:10,762 --> 00:37:15,334 SO, SHE MUST HAVE TOLD YOU THAT HER HUSBAND BEAT HER. 803 00:37:15,367 --> 00:37:17,669 YEAH, A LITTLE BIT, YEAH. 804 00:37:17,703 --> 00:37:21,407 DID SHE ALSO EXPLAIN TO YOU HOW SHE GOT AWAY FROM RYAN? 805 00:37:21,440 --> 00:37:24,543 HOW SHE JUST WALKED OUT AND LEFT HIM? 806 00:37:40,892 --> 00:37:43,295 NO! 807 00:37:43,329 --> 00:37:46,598 HEY! 808 00:37:46,632 --> 00:37:48,066 LET HER GO! PLEASE, NO! 809 00:37:48,099 --> 00:37:50,569 YOU LET HER GO NOW! 810 00:37:50,602 --> 00:37:51,903 I'LL BREAK HER NECK, I SWEAR! 811 00:37:51,937 --> 00:37:53,071 DO YOU HEAR ME?! 812 00:37:53,104 --> 00:37:55,374 BACK OFF! BACK OFF! I MEAN IT! 813 00:37:55,407 --> 00:37:56,542 BACK OFF! 814 00:37:56,575 --> 00:37:58,710 I'LL KILL HER! 815 00:37:58,744 --> 00:38:00,446 I MEAN IT. I WILL KILL HER. 816 00:38:00,479 --> 00:38:01,780 I'LL BREAK HER NECK, I SWEAR. 817 00:38:01,813 --> 00:38:03,715 DO YOU HEAR ME? 818 00:38:03,749 --> 00:38:05,317 LET HER GO NOW! 819 00:38:05,351 --> 00:38:06,918 NOW! 820 00:38:06,952 --> 00:38:10,021 OKAY, OKAY. 821 00:38:10,055 --> 00:38:12,090 NO, PLEASE. PLEASE DON'T HURT HIM. 822 00:38:12,123 --> 00:38:15,427 HE DIDN'T MEAN TO KILL HER. SHUT UP, YOU STUPID BITCH! 823 00:38:15,461 --> 00:38:16,962 YOU STOP THAT! 824 00:38:16,995 --> 00:38:18,330 SHUT UP! SHUT UP! 825 00:38:22,734 --> 00:38:23,869 EASY! 826 00:38:29,941 --> 00:38:31,510 WHOEVER YOU ARE, 827 00:38:31,543 --> 00:38:34,480 YOU ARE UNDER ARREST FOR THE MURDER OF RACHEL HUGHES. 828 00:38:42,421 --> 00:38:44,456 Pope: CONSIDERING THE CIRCUMSTANCES, 829 00:38:44,490 --> 00:38:47,459 YOUR LAWYER REQUESTED THAT WE OFFER YOU AN EXPLANATION 830 00:38:47,493 --> 00:38:52,030 OF WHAT HAPPENED TO YOUR WIFE AND PERHAPS OFFER AN APOLOGY. 831 00:38:52,063 --> 00:38:53,632 FIRST, LET'S START WITH THE MURDER. 832 00:38:53,665 --> 00:38:56,768 YOUR WIFE, HAVING BEEN PHYSICALLY ABUSED HERSELF, 833 00:38:56,802 --> 00:38:59,971 RECOGNIZED SIMILAR INJURIES IN CALLIE RIVERS, 834 00:39:00,005 --> 00:39:03,041 A GUEST STAR ON THE APTLY NAMED "TRAUMA UNIT." 835 00:39:03,074 --> 00:39:04,776 RACHEL THEN CONVINCED CALLIE 836 00:39:04,810 --> 00:39:07,012 TO RUN AWAY FROM HER ABUSIVE BOYFRIEND, MARK, 837 00:39:07,045 --> 00:39:09,014 JUST LIKE SHE HAD RUN AWAY FROM YOU. 838 00:39:09,047 --> 00:39:12,150 LOOKING FOR CALLIE, MARK THREATENED YOUR WIFE, 839 00:39:12,183 --> 00:39:14,853 VERY MUCH LIKE YOU CONFRONTED DONNA. 840 00:39:14,886 --> 00:39:18,023 WHEN RACHEL STOOD UP FOR CALLIE, 841 00:39:18,056 --> 00:39:21,827 REFUSING TO TELL MARK WHERE SHE WAS, HE BEAT HER TO DEATH. 842 00:39:23,495 --> 00:39:26,765 RACHEL WAS MURDERED PROTECTING SOMEBODY ELSE? 843 00:39:28,467 --> 00:39:30,936 YEAH, SHE WAS. 844 00:39:30,969 --> 00:39:33,171 AND NOW TO FINISH UP HERE, 845 00:39:33,204 --> 00:39:34,940 ON BEHALF OF THE ENTIRE L.A.P.D., 846 00:39:34,973 --> 00:39:41,146 ALLOW ME TO SAY HOW SORRY I AM THAT YOU LIED TO US SO MUCH 847 00:39:41,179 --> 00:39:43,715 AND THAT YOU KNOCKED YOUR WIFE AROUND TO SUCH AN EXTENT 848 00:39:43,749 --> 00:39:46,618 THAT WE CONSIDERED YOU A SUSPECT IN HER MURDER. 849 00:39:48,920 --> 00:39:50,656 THAT'S YOUR APOLOGY? 850 00:39:50,689 --> 00:39:51,690 MM-HMM. 851 00:39:55,827 --> 00:39:58,897 YOU PEOPLE HAVE NO IDEA WHAT I'M GOING THROUGH, DO YOU? 852 00:40:01,099 --> 00:40:02,801 EXCUSE ME. 853 00:40:11,209 --> 00:40:12,878 I'D STILL LIKE TO ARREST HIM. 854 00:40:14,913 --> 00:40:18,149 ODDS ARE ONE DAY... WE WILL. 855 00:40:23,522 --> 00:40:25,724 Fritz: WILLIE RAY? HMM? 856 00:40:25,757 --> 00:40:27,158 DON'T FORGET YOUR SHAMPOOS. 857 00:40:27,192 --> 00:40:29,461 OH, THANK YOU, HONEY. 858 00:40:29,495 --> 00:40:31,029 JUST WHEN I WAS WONDERING 859 00:40:31,062 --> 00:40:34,099 WHAT WOULD MAKE SHOWERING IN THAT RV ANY WORSE. 860 00:40:34,132 --> 00:40:37,469 THERE'S NOTHING WRONG WITH THE SHOWER IN THAT RV. 861 00:40:37,503 --> 00:40:38,470 DADDY... 862 00:40:40,839 --> 00:40:42,841 ...I JUST WANT TO SAY THAT FRITZ AND I ARE GONNA GET MARRIED 863 00:40:42,874 --> 00:40:46,612 WHEN WE'RE READY AND NOT ONE MINUTE BEFORE. 864 00:40:46,645 --> 00:40:49,515 IT'S -- IT'S OUR BUSINESS, 865 00:40:49,548 --> 00:40:52,217 AND I WON'T BE RUSHED INTO SETTING A DATE OR A PLACE 866 00:40:52,250 --> 00:40:53,752 BY ANYONE. 867 00:40:53,785 --> 00:40:56,254 I'M NOT TRYING TO RUSH YOU INTO ANYTHING. 868 00:40:56,287 --> 00:40:57,989 YOU'VE BEEN ENGAGED OVER A YEAR. 869 00:40:58,023 --> 00:41:00,726 WE COULDN'T RUSH YOU NOW EVEN IF WE WANTED TO. 870 00:41:00,759 --> 00:41:02,928 JUST SO I KNOW IT'S BEEN SAID, 871 00:41:02,961 --> 00:41:06,765 I WANT TO TELL YOU BOTH -- BUT ESPECIALLY YOU, DADDY -- 872 00:41:06,798 --> 00:41:09,701 I'M GONNA GET MARRIED WHEN I WANT 873 00:41:09,735 --> 00:41:11,269 AND THE WAY I WANT TO. 874 00:41:11,302 --> 00:41:13,839 AND THE NEXT TIME WE TALK ABOUT MY WEDDING, 875 00:41:13,872 --> 00:41:15,841 IT HAD BETTER BE BECAUSE I BROUGHT IT UP. 876 00:41:25,817 --> 00:41:29,521 WELL, SO MUCH FOR FREEDOM OF SPEECH. 877 00:41:29,555 --> 00:41:31,657 AM I STILL ALLOWED TO TAKE Y'ALL TO DINNER? 878 00:41:33,659 --> 00:41:35,093 YES. THAT WOULD BE VERY NICE. 879 00:41:35,126 --> 00:41:36,194 GOOD. 880 00:41:36,227 --> 00:41:37,929 WELL, GO GET DRESSED 881 00:41:37,963 --> 00:41:40,265 AND TRY TO TREAT THE WAITER BETTER THAN YOU DO ME. 882 00:42:08,026 --> 00:42:09,695 THAT WAS INSPIRING 883 00:42:09,728 --> 00:42:11,096 THE WAY YOU STOOD UP TO YOUR FATHER JUST NOW. 884 00:42:12,864 --> 00:42:14,299 YOU REALLY THINK SO? 885 00:42:14,332 --> 00:42:16,635 SOMETIMES THE ONLY WAY TO DEAL WITH A CONTROL FREAK 886 00:42:16,668 --> 00:42:17,769 IS TO LAY DOWN THE LAW. 887 00:42:17,803 --> 00:42:19,170 I TOTALLY AGREE. 888 00:42:19,204 --> 00:42:20,972 WHICH IS WHY I'M SAYING I WANT TO BE MARRIED 889 00:42:21,006 --> 00:42:23,308 BY THE END OF JANUARY OR FEBRUARY OF NEXT YEAR 890 00:42:23,341 --> 00:42:24,776 AT THE LATEST. 891 00:42:24,810 --> 00:42:26,812 AND THE NEXT TIME WE TALK ABOUT IT, 892 00:42:26,845 --> 00:42:28,580 YOU BETTER HAVE A DATE IN MIND.