1 00:00:01,501 --> 00:00:02,869 Previously on "NYPD BLUE". 2 00:00:02,869 --> 00:00:04,804 I'M A NEW YORK CITY POLICE LIEUTENANT. 3 00:00:04,804 --> 00:00:08,308 - MY SHIELD'S IN MY POCKET. - ALL RIGHT, LET ME SEE IT. 4 00:00:08,308 --> 00:00:10,477 SO, YOU GOT SOME KIND OF CLOUT, HUH? 5 00:00:10,477 --> 00:00:13,546 - YOU GET ME TRANSFERRED TO A TOILET. - GOT BUSINESS HERE, SZYMANSKI? 6 00:00:13,546 --> 00:00:17,083 YOU TURNED MY LIFE UPSIDE DOWN 'CAUSE YOU THINK I'M A BIGOT. 7 00:00:17,083 --> 00:00:22,322 I'M NOT SURE I'M CAPABLE OF ANY MORE STEPS. SURE YOU ARE. 8 00:00:22,322 --> 00:00:24,991 SO THERE'S EVEN MORE, HUH? 9 00:00:24,991 --> 00:00:27,694 - DIANE RUSSELL, JOE SALVO. - PLEASURE, DIANE. 10 00:00:28,128 --> 00:00:29,796 - HI. - SO, YOU STILL WITH THE DEPARTMENT? 11 00:00:30,130 --> 00:00:32,032 YEAH, I AM. 12 00:00:52,685 --> 00:00:54,587 HEY, HOW'S IT GOIN', SHANNON? HEY. 13 00:00:54,587 --> 00:00:58,258 E.R. DOC CALLED IN A GUNSHOT WOUND. THE VICTIM'S ANTHONY ACTEE. 14 00:00:58,258 --> 00:01:01,428 - HE'S GOT ONE IN THE FOREARM, ONE IN THE CALF. - WHAT DO WE KNOW ABOUT IT? 15 00:01:01,428 --> 00:01:04,898 NOTHING TO SAY HOW IT HAPPENED OR WHERE IT HAPPENED. HE'S DADDY KOOL. 16 00:01:05,331 --> 00:01:10,103 THAT'S HIS RAP NAME-- "DADDY KOOL," LIKE WITH "KOOL-AID." DOC SAID THEY'RE NOT KEEPIN' HIM. 17 00:01:10,103 --> 00:01:12,672 PUT HIM IN A PRIVATE ROOM, 'CAUSE THE E.R. WAS TURNIN' INTO A CIRCUS. 18 00:01:13,006 --> 00:01:14,607 WHICH ROOM? SIXTY-FOUR. 19 00:01:14,607 --> 00:01:16,476 ALL RIGHT. THANKS, MAN. OKAY. 20 00:01:16,476 --> 00:01:20,280 [ Sighs ] TELLIN' ME NIGHT WATCH IS TOO TIED UP TO HANDLE THIS? 21 00:01:20,280 --> 00:01:23,450 YOU KNOW, THIS COULD BE PART OF THAT STICKUP PATTERN. GO AHEAD, BOO. TAKE THE PICTURE. 22 00:01:23,450 --> 00:01:27,020 FIFTEEN DETECTIVE SQUAD. WE, UH, WANT TO TALK TO YOU ABOUT THE SHOOTING. 23 00:01:27,387 --> 00:01:30,690 - HEY, Y'ALL MESSED THE PICTURE UP. - I BETTER GET BACK TO WORK. 24 00:01:31,191 --> 00:01:34,461 - NO. WAIT, WAIT, WAIT, WAIT. YOU NEED A GOOD PICTURE. - OH, YOU GOT THE RIGHT IDEA. 25 00:01:34,727 --> 00:01:36,696 YOU READY TO TAKE ANOTHER ONE? HMM? 26 00:01:37,030 --> 00:01:40,300 COME ON. [ Grunts ] WE GONNA DO THIS ONE PLAYER STYLE. 27 00:01:40,300 --> 00:01:44,037 ALL RIGHT. COME ON. WHY DON'T YOU LEAVE, YOUNG LADY, OR YOU'RE GONNA HEAR PROFANE LANGUAGE. 28 00:01:44,037 --> 00:01:48,308 - GO ON. TAKE THE PICTURE, BOO. - NO. YOU HAD YOUR LITTLE KODAK MOMENT THERE, BOO. 29 00:01:48,308 --> 00:01:52,479 JUST GUARD NOW-- HOW YOU DID WHEN YOUR MAN HERE WAS GETTIN' SHOT. 30 00:01:52,479 --> 00:01:55,215 HEY. LET HER GO! 31 00:01:57,484 --> 00:02:01,187 COME ON BACK AND SEE ME BEFORE I GO. 32 00:02:03,423 --> 00:02:05,992 - WHO SHOT YOU, ANTHONY? - WHOEVER NEED TO COME WITH SOMETHIN' STRONGER. 33 00:02:05,992 --> 00:02:08,194 - [ Chuckles ] - YOU WANT TO DESCRIBE THIS PERSON... 34 00:02:08,194 --> 00:02:11,030 - WHO NEEDS TO COME AT YOU WITH SOMETHIN' STRONGER? - NUH-UH. 35 00:02:11,431 --> 00:02:13,399 YOU WANT TO DESCRIBE WHAT HE STOLE-- 36 00:02:13,900 --> 00:02:16,836 'CAUSE I SEE SOMEBODY GRABBED SOMETHIN' FROM YOUR NECK RIGHT THERE. 37 00:02:16,836 --> 00:02:20,173 - HEY, BOO, THE TV DON'T WORK. - OH, THIS ONE'S A REAL PEACH. 38 00:02:20,440 --> 00:02:22,242 - HOW 'BOUT YOU, BOO? - NOPE. 39 00:02:22,242 --> 00:02:25,011 THAT'S A PRETTY BIG WORD THERE, BOO. YOU FEEL LIKE YOU NEED TO SIT DOWN? 40 00:02:25,411 --> 00:02:28,548 YO. HE DIDN'T SEE NOTHIN'. NEITHER DID I. GOOD-BYE. 41 00:02:28,948 --> 00:02:33,520 YO, DADDY KOOL, SHOTS IN A FOREARM AND A CALF? 42 00:02:33,520 --> 00:02:38,224 THAT MAKES ME FIGURE THE STICKUP GUY THROWS DOWN ON YOU, BOO HEADS FOR A GARBAGE CAN, 43 00:02:38,458 --> 00:02:41,995 AND YOU STAND UP ABOUT AS TOUGH AS THAT GUY IN THAT FOOTBALL TROPHY. 44 00:02:41,995 --> 00:02:45,698 - WHAT'S THE PROBLEM WITH YOU TELLIN' US WHAT WENT DOWN? - YOU CAN KISS MY BLACK ASS. 45 00:02:46,132 --> 00:02:49,135 - WHAT'D YOU SAY? HMM? - SAID, KISS MY BLACK ASS. 46 00:02:49,135 --> 00:02:50,937 SHUT UP. TRY WIPIN' IT SOMETIME. 47 00:02:51,304 --> 00:02:54,774 - YOU'RE GONNA FIND OUT THAT THING IS REALLY RED. - [ Simone ] UH, WE'RE GOOD. 48 00:02:54,774 --> 00:02:58,945 - GET UP OFF 45 MINUTES' SLEEP, TAKE THAT ABUSE? - TELL THIS JERK HE CAN GO, HUH? 49 00:02:59,445 --> 00:03:01,948 WHY, HE WOULDN'T COOPERATE? I'M ANTHONY'S MANAGER. IS HE A'IGHT? 50 00:03:01,948 --> 00:03:03,550 - WHAT'S YOUR NAME? - I'M NATHAN DEE. 51 00:03:03,816 --> 00:03:07,053 -WHERE YOU BEEN THE LAST COUPLE HOURS? -HOME IN BED. IS ANTHONY A'IGHT? 52 00:03:07,053 --> 00:03:09,722 - YEAH. HE'LL BE OKAY. -IF YOU'RE LOOKIN' FOR BOO, 53 00:03:09,722 --> 00:03:15,161 HE'S IN THERE TRYIN' OUT FOR A NEW CAREER IN TV REPAIR. AND THAT'S A STUPID BOW TIE. 54 00:03:18,631 --> 00:03:21,234 -[ Door Opens ] - GOOD. 55 00:03:21,734 --> 00:03:26,239 I WAS AFRAID YOU WOULDN'T PISS THIS NEW GUY OFF. AH, THIS NATION'S DOOMED. 56 00:04:40,113 --> 00:04:43,049 [ Exercise Machinery Whirring ] 57 00:04:45,084 --> 00:04:47,453 - HEY, GREG. - MORNING, ABBY. 58 00:04:47,453 --> 00:04:52,825 THIS IS A GOOD SURPRISE. I-I-I'M IN A MUST-RESUME SITUATION, ABBY. 59 00:04:52,825 --> 00:04:56,329 I'M NOT EVEN GONNA TELL YOU HOW MANY POUNDS I GAINED BACK WITH MY PEANUT BUTTER BINGEING. 60 00:04:56,329 --> 00:04:59,732 WELL, GOOD FOR YOU FOR STARTING. [ Chuckles ] 61 00:04:59,732 --> 00:05:02,735 AND HOW'S KATHY? GOOD. FINE. 62 00:05:02,735 --> 00:05:06,306 SEND REGARDS. WHY DON'T YOU DO THAT IN PERSON, GREG? 63 00:05:06,639 --> 00:05:09,042 SORRY? WELL, NOT TO BE PUSHY, 64 00:05:09,042 --> 00:05:11,044 BUT YOU'VE BEEN THREATENING TO COOK USA MEAL. 65 00:05:11,477 --> 00:05:13,880 AH. [ Chuckles ] YES. 66 00:05:13,880 --> 00:05:17,050 WELL, TO BE HONEST, ABBY, IF THAT WOULD BE THE SETTING FOR ANOTHER STEP... 67 00:05:17,050 --> 00:05:19,819 IN WHATEVER STEP-BY-STEP IDEAS YOU HAVE INVOLVING ME, 68 00:05:19,819 --> 00:05:22,588 I'D PREFER YOU SAID THE STEP RIGHT OUT, 69 00:05:22,588 --> 00:05:26,559 BECAUSE THE OTHER ONES LEADING UP TO THEM AND THEN SUBSEQUENTLY, UH-- 70 00:05:27,060 --> 00:05:30,630 I'VE PEANUT-BUTTER BINGED AND GAINED A LOT OF WEIGHT EACH TIME. 71 00:05:36,836 --> 00:05:40,273 WE'D LIKE YOU TO DONATE SPERM SO THAT I COULD GET PREGNANT. 72 00:05:42,041 --> 00:05:44,310 [ Whirring Runs Down, Stops ] 73 00:05:46,145 --> 00:05:48,781 I'VE, UH-- I'VE IMAGINED SEVERAL TIMES THAT, UH, 74 00:05:49,282 --> 00:05:51,250 THIS COULD BE WHERE THE, UH, STEPS WERE LEADING. 75 00:05:51,651 --> 00:05:54,687 AND HOW DO YOU FEEL ABOUT THAT? LIKE EATING PEANUT BUTTER. 76 00:05:54,687 --> 00:05:59,025 GREG, WE JUST WANTED YOU TO MEET KATHY, SO THAT YOU WOULD-- YOU WOULD KNOW THAT... 77 00:05:59,025 --> 00:06:02,028 THE BABY WOULD HAVE A STABLE HOME LIFE, AND-- YEP. YEP. YEP. YEP. 78 00:06:03,529 --> 00:06:07,066 OBVIOUSLY, YOU'RE GONNA HAVE TO THINK ABOUT THIS. 79 00:06:10,203 --> 00:06:13,706 I'M GONNA ASK YOU TO EXCUSE ME NOW, ABBY. 80 00:06:15,708 --> 00:06:17,744 GREG, 81 00:06:19,479 --> 00:06:22,215 I HOPE YOU'RE NOT GOIN' TO BINGE. 82 00:06:22,548 --> 00:06:25,051 NO, NO. I JUST, UH-- [ Panting ] 83 00:06:25,551 --> 00:06:27,053 I HAVE SOMETHING TO DO UPSTAIRS. 84 00:06:29,956 --> 00:06:33,326 - WHAT'S GOIN' ON, VINCE? - HI. CALLED YOU GUYS IN EARLY, HUH? 85 00:06:33,626 --> 00:06:35,461 YEAH. A GUNSHOT VICTIM OVER AT BELLEVUE. 86 00:06:35,728 --> 00:06:39,732 WHAT HAD THE NIGHT WATCH SO OCCUPIED? UH, DOUBLE IN MIDTOWN, 87 00:06:39,732 --> 00:06:42,235 THEN SOMEONE THREW SHOTS OUTSIDE A NIGHTCLUB ON VARICK STREET. 88 00:06:42,568 --> 00:06:46,506 OH, YEAH? WHAT WAS THAT ABOUT? WELL, I, UM, GOT ONE OF THE GUYS IN THE COFFEE ROOM. 89 00:06:46,739 --> 00:06:49,575 HE SELLS SAUSAGES OUT ON THE SIDEWALK, JUST RIGHT OUTSIDE THE PLACE. 90 00:06:49,575 --> 00:06:51,744 - AND HE TOLD YOU-- - WELL, 91 00:06:52,245 --> 00:06:56,349 BUT HE'S THE ONLY WITNESS I HAD LEVERAGE ON, OFF OF NO FOOD HANDLER'S PERMIT. 92 00:06:56,349 --> 00:06:59,786 BUT HE DIDN'T TELL ME DICK. WHAT-- WHAT TIME WERE THE GUNSHOTS, VINCENT? 93 00:06:59,786 --> 00:07:03,589 - 3:30. - [ Simone ] SEE, OUR GUNSHOT VICTIM GOT ADMITTED AT 3:45. 94 00:07:03,890 --> 00:07:06,826 - WE PROBABLY OUGHTA TALK TO THIS GUY, HUH? - NO ONE SAID NO ONE WAS HIT. 95 00:07:07,326 --> 00:07:09,095 - ANYONE SAY ANYONE WAS ROBBED? - DEFINITELY NOT. 96 00:07:09,595 --> 00:07:11,497 ALL I GOT WAS SOME STREET ASSHOLE THROWING SHOTS. 97 00:07:11,497 --> 00:07:14,634 PLUS, NO FOOD PERMIT FOR THE SAUSAGE GUY. 98 00:07:15,067 --> 00:07:17,470 UH, WHAT'S THIS GUY'S NAME, VINCE? 99 00:07:17,470 --> 00:07:19,838 - UH, LORENZO SHARP. -[ Simone ] OH, GOOD. 100 00:07:19,838 --> 00:07:22,373 YEAH. EXCELLENT. 101 00:07:22,874 --> 00:07:26,344 I WANT TO TELL YOU THIS: I'M GETTING THOSE CHEST PAINS AGAIN. 102 00:07:26,344 --> 00:07:29,964 YEAH, HUH? YEAH. I WANT TO TELL YOU SOMETHIN' ELSE. 103 00:07:29,964 --> 00:07:32,467 TWELVE DAYS AGO I SNUCK IN NEW JERSEY FOR A-- A STRESS TEST-- 104 00:07:32,467 --> 00:07:37,305 INJECTIONS IN MY VEINS-- AND I TESTED ABNORMAL. 105 00:07:37,305 --> 00:07:39,140 AND I WANNA TELL YOU THAT NOW. 106 00:07:39,140 --> 00:07:41,609 - YOU GETTIN' PAINS RIGHT NOW? - NO, BUT I'M VERY UPSET. 107 00:07:41,609 --> 00:07:44,979 WANT SOMEONE TO GIVE YOU A RIDE HOME? WE'LL TAKE A RIDE. NO. YOU GO AHEAD. 108 00:07:44,979 --> 00:07:48,616 - I'M GONNA GO IN A FEW MINUTES. - HEY, YOU GOTTA TAKE CARE OF YOURSELF THOUGH, VINCE, HUH? 109 00:07:51,035 --> 00:07:55,073 POOR BASTARD. SHOWS YOU CAN BE STUPID ANDIN BAD HEALTH. 110 00:07:59,127 --> 00:08:02,130 I'M DETECTIVE SIMONE, LORENZO. THIS IS DETECTIVE SIPOWICZ. 111 00:08:02,130 --> 00:08:05,133 Y'ALL DRAG ME IN HERE. MAN, I'M JUST TRYIN' TO MAKE A LIVING. I AIN'T HURTIN' NOBODY. 112 00:08:05,133 --> 00:08:08,303 - ALL RIGHT. DON'T GO TO PIECES. - WE NEED TO KNOW WHAT YOU SAW ON THE STREET BEFORE. 113 00:08:08,303 --> 00:08:11,055 NOT A DAMN THING, MAN. 114 00:08:11,055 --> 00:08:12,507 - YOU DIDN'T SEE NO ROBBERY? - NOPE. 115 00:08:12,507 --> 00:08:14,392 - HEAR NO GUNSHOTS? - UH-UH. 116 00:08:14,392 --> 00:08:17,562 YES, YOU DID, LORENZO. YOU SAW DADDY KOOL GET ROBBED, AND YOU SAW HIM SHOT. 117 00:08:17,562 --> 00:08:20,565 NO, SIR. JUST GIVE ME MY SUMMONS. 118 00:08:20,899 --> 00:08:23,401 LORENZO, NOW MY SHIFT DIDN'T EVEN START YET, 119 00:08:23,902 --> 00:08:25,770 AND THREE PEOPLE ALREADY INSULTED MY INTELLIGENCE-- 120 00:08:25,770 --> 00:08:29,908 WHAT OCCURRED, WHAT DIDN'T OCCUR IN THIS INCIDENT-- PLUS ONE TELLS ME TO KISS HIS ASS. 121 00:08:29,908 --> 00:08:33,578 NOW IT'S ROLLIN' ONTO YOU. NOW WE BOTH KNOW THAT'S NOT FAIR, 122 00:08:33,578 --> 00:08:35,863 BUT YOU'RE THE ONE UP FOR THE BEATING. 123 00:08:36,364 --> 00:08:38,700 - YOU SHOULD GIVE UP WHAT YOU SAW, LORENZO. - Y-Y'ALL TRYING TO GET ME HURT. 124 00:08:38,700 --> 00:08:41,419 YOU WORRY ABOUT NOW. LET THE FUTURE TAKE CARE OF ITSELF. 125 00:08:41,419 --> 00:08:44,205 WE KNOW YOU WERE OUT THERE WHEN THIS NONSENSE WENT DOWN, MAN. 126 00:08:47,125 --> 00:08:49,043 - TH-THIS ALL IN CONFIDENCE, RIGHT? - ABSOLUTELY. 127 00:08:54,682 --> 00:08:57,852 THE SHOTS WENT OFF-- 128 00:08:57,852 --> 00:09:00,355 DADDY KOOL AND THEM COMIN' OUT THE IBEX, RIGHT? 129 00:09:00,355 --> 00:09:06,110 ONE OF THE BOYS GET THE CAR AND BRING IT AROUND-- A LEXUS 400 S.C. 130 00:09:06,110 --> 00:09:10,365 THEN A DUDE WITH A PISTOL COME ACROSS THE STREET. BANG, BANG! SO I HIT THE PAVEMENT. 131 00:09:10,365 --> 00:09:13,201 THE BODYGUARD BACKS OFF, THE-- THE THIEF TAKES HIS JEWELRY, 132 00:09:13,701 --> 00:09:15,737 AND THEN HE BUSTS SOME SHOTS OFF, BACKS OFF, 133 00:09:15,737 --> 00:09:19,123 A-AND... THEN JUST BOOKED ACROSS THE STREET. THAT-- THAT WAS IT. 134 00:09:21,075 --> 00:09:23,661 WE'RE GONNA NEED SOME HELP WITH WHAT THIS GUY LOOKS LIKE, LORENZO. 135 00:09:25,163 --> 00:09:27,215 WORD, I-- I-I DIDN'T SEE HIM. 136 00:09:27,215 --> 00:09:29,968 - YOU DIDN'T SEE THIS GUY? - LOOK, MAN, DON'T-- DON'T GO GRABBIN' ME AGAIN. 137 00:09:30,468 --> 00:09:32,303 I'M TELLIN' YOU, I DIDN'T SEE HIM TO SAY WHAT HE LOOKED LIKE. 138 00:09:37,392 --> 00:09:39,978 I-I GOT THE PLATES ON HIS RIDE THOUGH. 139 00:09:47,769 --> 00:09:50,321 SO THIS BOOKIN' ACROSS THE STREET-- THAT WOUND UP IN A VEHICLE? 140 00:09:51,990 --> 00:09:54,826 YOU GET A CHANCE LATER ON, MAYBE YOU CAN COME BACK, LORENZO. 141 00:09:54,826 --> 00:09:58,196 WE'LL GET A REIMBURSEMENT OF THE TIME YOU LOST SELLIN' SAUSAGES. 142 00:09:58,196 --> 00:10:00,698 MAN, COOL. 143 00:10:08,923 --> 00:10:12,293 MAYBE WE GET LUCKY OFF THE PLATE-- GET A MUG SHOT FOR THE OTHER VICTIMS TO LOOK AT. 144 00:10:12,760 --> 00:10:18,216 MAYBE WE MOVE THAT SINGER. YOU REASON WITH HIM, I LET HIM INSULTME. 145 00:10:21,936 --> 00:10:26,974 [ Chattering ] [ Phone Ringing ] 146 00:10:26,974 --> 00:10:29,444 [ Man ] LET'S TAKE 'EM UP. 147 00:10:34,065 --> 00:10:37,485 - HOW'S IT GOIN', LIEUTENANT? - WHAT'S THAT? 148 00:10:37,485 --> 00:10:39,487 RADIO TEAM COLLARED A DRUG DEALER-- 149 00:10:39,487 --> 00:10:42,373 SAYS THAT ONE COP GRABBED UP HIS BANKROLL, 600 BUCKS. 150 00:10:42,373 --> 00:10:44,709 WHAT DO THE COPS SAY? 151 00:10:44,709 --> 00:10:47,712 JONES-- THAT THE DEALER DON'T ACCUSE-- HE HAD NOTHIN' TO DO WITH NOTHIN'. 152 00:10:47,712 --> 00:10:50,715 DOES HE BACK SZYMANSKI? YOU KNOW THE OTHER COP? 153 00:10:50,715 --> 00:10:54,919 YEAH. DOES JONES BACK SZYMANSKI? HE BACKS HIM AS MUCH AS HE SAW. 154 00:10:54,919 --> 00:10:58,306 SAYS HE WAS GONE 90 SECONDS TO SECURE THE RADIO CAR. 155 00:10:58,306 --> 00:11:00,558 WHAT DOES SZYMANSKI SAY? SAYS HE'S SET UP. 156 00:11:00,558 --> 00:11:05,563 BY WHO? THE DEALER, HIS PARTNER, YOU. 157 00:11:07,065 --> 00:11:09,067 HE SAYSISET HIM UP? 158 00:11:09,067 --> 00:11:11,569 HE WASN'T MAKIN' A LOT OF SENSE. 159 00:11:11,569 --> 00:11:15,656 - WILL YOU KEEP ME POSTED ON THIS? - ABSOLUTELY. 160 00:11:38,146 --> 00:11:40,815 - HEY, GREG. - WE UP? 161 00:11:40,815 --> 00:11:43,901 - NAH. NOBODY'S LOOKIN' FOR US. - [ Sighs ] 162 00:11:48,406 --> 00:11:51,909 ABBY DROPPED THE ENTIRE OTHER SHOE WHILE I WAS ON THE STAIRMASTER-- 163 00:11:51,909 --> 00:11:55,413 WHAT THIS, UH, GETTIN' TO KNOW HER GIRLFRIEND'S BEEN ABOUT. 164 00:11:55,413 --> 00:11:58,249 - THEY WANT ME TO DONATE SPERM. - DONATE IT? 165 00:11:58,249 --> 00:12:00,218 THAT'S RIGHT. 166 00:12:00,718 --> 00:12:03,554 WANT ME TO GET ABBY PREGNANT. I NEVER HEARD IT CALLED THAT BEFORE. 167 00:12:03,554 --> 00:12:08,926 YEAH, WELL, THAT HAPPENS TO BE THE TERMINOLOGY. THAT'S THE TERMINOLOGY FOR THIS? 168 00:12:08,926 --> 00:12:11,429 THEY DON'T WANT ME TO DO THAT, JAMES. 169 00:12:11,429 --> 00:12:15,933 THEY WANT ME, UH, TO-- TO-- TO GIVE MY SPERM IN, LIKE, AN OUTER-BODY EXPERIENCE, 170 00:12:15,933 --> 00:12:19,937 AND THEN, UH-- APPROPRIATE TIME, IT'S GIVEN TO ABBY. 171 00:12:19,937 --> 00:12:22,440 I CAN SEE WHY YOU WENT THROUGH THAT PEANUT BUTTER. YEAH. 172 00:12:22,440 --> 00:12:24,909 I'M THINKIN' ON GOIN' THROUGH THE WINDOW. 173 00:12:24,909 --> 00:12:26,744 HEY, GREG, IF IT'S STRESSFUL, JUST SAY NO. 174 00:12:26,744 --> 00:12:30,081 I DON'T KNOW IF IT'S STRESSFUL. I HAVEN'T DONE THAT IN SO LONG. 175 00:12:30,081 --> 00:12:33,084 I'M NOT SAYIN' PHYSICALLY STRESSFUL. I'M SAYIN' IF IT'S A STRESSFUL CONCEPT. 176 00:12:33,084 --> 00:12:36,504 [ Sighs ] I GOT TWO KIDS I DON'T LIVE WITHNOW. 177 00:12:36,504 --> 00:12:39,590 - HOW HARD THEY COMIN' AT YOU WITH THIS? - IT'S ME, JAMES. 178 00:12:39,590 --> 00:12:43,261 TH-THEY'RE-- THEY'RE NOT BEIN' ASSERTIVE AT ALL. IT'S ENTIRELY UP TO ME. 179 00:12:43,761 --> 00:12:46,264 AH, IN A WAY I GUESS IT'S KINDA, LIKE, UH, FLATTERING. 180 00:12:46,264 --> 00:12:49,550 BUT YOU DON'T WANNA WIND UP LIKE EDDIE MURPHY IN THAT PROFESSOR MOVIE. 181 00:12:50,051 --> 00:12:52,553 OH, THAT'S WHERE I'M HEADED, JAMES. NO QUESTION. 182 00:12:52,553 --> 00:12:55,056 THAT'S, UH-- THAT'S THE ROAD I'M ON. 183 00:12:55,056 --> 00:12:58,559 I'M IN THE SUBURB OF THAT JURISDICTION. 184 00:12:58,559 --> 00:13:01,479 WELL, ANYWAYS, I WAS JUST, UH, GETTIN' SOME COFFEE. 185 00:13:01,479 --> 00:13:06,701 - THANKS FOR THE INPUT, JAMES. - STRAIGHTEN THIS OUT FOR YOURSELF. 186 00:13:12,623 --> 00:13:16,744 [ Snores, Clears Throat ] 187 00:13:17,745 --> 00:13:19,580 SO, THIS RAPPER, DADDY KOOL, IS PRETTY CLEAN. 188 00:13:19,580 --> 00:13:24,218 - TWO YEARS PROBATION FOR A BEEF UPSTATE. - [ Sniffles ] 189 00:13:24,218 --> 00:13:28,222 UH, ROBBERY SQUAD SAYS NONE OF THE OTHER VICTIMS GAVE ANYTHING MORE THAN A GENERAL DESCRIPTION. 190 00:13:28,222 --> 00:13:31,842 - WE GOT A HIT ON THE PLATE, AND WE GOT NOBODY TO LOOK AT. - UH, THIS DILDO RAPPER, HE'S-- 191 00:13:32,343 --> 00:13:34,345 HE'S GONNA HAVE A COMPLETE CHANGE OF HEART. 192 00:13:34,845 --> 00:13:38,766 -HE'LL HELP US WHEN HE COMES IN. -I'M NATHAN DEE. I'M HERE FOR DADDY KOOL. 193 00:13:38,766 --> 00:13:42,687 - SCUMBAG SENDS HIS MANAGER. - HOW'S IT GOIN'? WE SAW YOU AT THE HOSPITAL BEFORE. 194 00:13:42,687 --> 00:13:44,689 I'M DETECTIVE SIMONE. THIS IS DETECTIVE SIPOWICZ. 195 00:13:44,689 --> 00:13:46,657 NATHAN DEE. YOU'RE ANTHONY'S MANAGER, HUH? 196 00:13:47,158 --> 00:13:48,993 MM-HMM. 197 00:13:48,993 --> 00:13:50,995 MM-MMM. 198 00:13:50,995 --> 00:13:54,749 - HE ASKED ME TO COME DOWN HERE. - UH, ACTUALLY OUR REQUEST WAS FOR ANTHONY TO COME. 199 00:13:54,749 --> 00:13:57,168 YOU NEED TO UNDERSTAND THAT ANTHONY GOT A LOT OF PERSONAL... 200 00:13:57,668 --> 00:13:59,420 AND RACIAL HISTORY WITH THE POLICE DEPARTMENT, 201 00:13:59,420 --> 00:14:03,457 AND THAT MAKES HIM RELUCTANT TO COOPERATE. WE NEED TO UNDERSTAND THAT, HUH? 202 00:14:03,457 --> 00:14:08,212 SEE, WE WOULD LOOK AT IT LESS ANTHONY COOPERATIN' WITH US AND MORE HIM PROTECTIN' CIVILIANS. 203 00:14:08,212 --> 00:14:10,965 WELL, BELIEVE IT, I WISH YOU LUCK WITH THAT. OH, THANKS EVER SO MUCH. 204 00:14:10,965 --> 00:14:15,853 [ Simone ] LOOK, NATHAN, THERE WAS A BYSTANDER OUT THERE, GOT A PLATE NUMBER ON A CAR. 205 00:14:15,853 --> 00:14:20,808 THE OWNER OF THIS CAR, HE HAS A CRIMINAL ASSOCIATE BEEN BUSTED TWICE FOR THIS TYPE OF STICKUP. 206 00:14:20,808 --> 00:14:24,729 NOW IF WE CAN GET ANTHONY TO GO THROUGH A PHOTO ARRAY-- UH, HE NOT GONNA DO THAT. 207 00:14:24,729 --> 00:14:27,732 HEY. I DON'T LISTEN TO THAT CRAP YOU CALL MUSIC, 208 00:14:28,232 --> 00:14:30,701 BUT I KNOW HOW WORLD WIDE WRESTLING WORKS. 209 00:14:31,202 --> 00:14:34,822 COMES OUT, INSTEAD OF SOME BIG RAP WAR PAYBACK, THIS IS JUST A REGULAR STICKUP, 210 00:14:34,822 --> 00:14:37,241 YOU DON'T GET TO BOOST YOUR RECORD SALES. 211 00:14:37,241 --> 00:14:39,961 ANDY, THE INDUSTRY'S TENDIN' TO PHASE RECORDS OUT. 212 00:14:40,461 --> 00:14:43,714 THIS AIN'T ABOUT SALES. ANTHONY LOST A UNCLE IN A POLICE INCIDENT. 213 00:14:43,714 --> 00:14:47,335 -OH, HERE WE GO. -HE HAD A LOT OF BAD EXPERIENCES GROWIN' UP IN COMPTON. 214 00:14:47,335 --> 00:14:50,221 POLICE KEPT HASSLIN' HIM ON HIS WAY TO CHOIR PRACTICE? 215 00:14:50,721 --> 00:14:52,556 LOOK, EVERYBODY HAVE THEY POINT OF VIEW, RIGHT? 216 00:14:52,556 --> 00:14:56,394 - I'M JUST TRYIN' TO TELL YOU HOW IT IS WITH ANTHONY. - HEY, NATHAN, YOU KNOW, 217 00:14:56,894 --> 00:14:59,430 HOW WOULD DADDY KOOL LOOK WITH HIS RAP FANS... 218 00:14:59,430 --> 00:15:02,817 IF WE LET IT OUT, WHEN THIS STICKUP HAPPENS, 219 00:15:02,817 --> 00:15:05,519 - HE OFFERS THE PERP A HAND JOB NOT TO MESS HIM UP? - EASY, ANDY. 220 00:15:05,519 --> 00:15:08,439 - HAVE I BEEN DISRESPECTFUL TO YOU? -[ Sipowicz ] NAH, NAH. 221 00:15:08,439 --> 00:15:11,525 YOUR BIG JERK CLIENT HANDLED THAT ASPECT AT THE HOSPITAL. 222 00:15:11,525 --> 00:15:14,278 OKAY. I WASN'T THERE, SO I DON'T KNOW WHAT GOT SAID FIRST. 223 00:15:14,278 --> 00:15:17,031 I'M JUST HERE TRYIN' TO ADDRESS THE SITUATION, THAT'S ALL. 224 00:15:17,031 --> 00:15:18,783 OKAY. 225 00:15:23,754 --> 00:15:25,706 [ Paper Rustling ] 226 00:15:25,706 --> 00:15:29,260 NOW, I SPOKE TO ANTHONY ABOUT THE INCIDENT, 227 00:15:29,260 --> 00:15:31,595 AND THIS IS HOW HE DESCRIBED THE GUY. 228 00:15:31,595 --> 00:15:35,466 AND THAT... IS OFF THE RECORD. 229 00:15:36,767 --> 00:15:40,104 [ Simone ] UH, EXCUSE ME, NATHAN. YOU KNOW, I GOTTA TELL YOU-- 230 00:15:40,104 --> 00:15:44,191 AND WE APPRECIATE YOUR BEIN' COOPERATIVE HERE, BUT WE'RE AWARE ABOUT ANTHONY'S RECORD. 231 00:15:44,191 --> 00:15:49,196 WE DON'T GET NO SPECIFICS ON THIS INCIDENT, WE'RE GONNA VIOLATE ANTHONY'S PAROLE. 232 00:15:51,982 --> 00:15:54,318 YOU WANT ANTHONY TO GO THROUGH A BUNCH OF MUG BOOKS? 233 00:15:54,318 --> 00:15:57,121 WE'RE TALKIN' ABOUT A COUPLE PHOTO ARRAYS. SHOULD GO BY REAL FAST. 234 00:15:57,121 --> 00:16:00,458 BIG DADDY'D BE IN AND OUT IN FIVE MINUTES. 235 00:16:03,377 --> 00:16:05,880 YOU DON'T VIOLATE HIM IN BUFFALO, 236 00:16:05,880 --> 00:16:08,716 AND ANYTHING HE GIVES YOU IS OFF THE RECORD. 237 00:16:08,716 --> 00:16:11,502 NOTHING GETS OUT HE CAME IN. 238 00:16:11,502 --> 00:16:14,138 'BOUT AN HOUR AND A HALF. 239 00:16:22,012 --> 00:16:25,316 WITH THEM, THAT'S TWO HOURS AND 15 MINUTES. 240 00:16:33,157 --> 00:16:35,576 - THAT SZYMANSKI'S A PIECE OF WORK. - WHAT'S HE SAYIN'? 241 00:16:35,576 --> 00:16:38,746 NO STATEMENT, WON'T AUTHORIZE A CAR SEARCH. 242 00:16:38,746 --> 00:16:40,831 HE'S GOTTA LET YOU LOOK IN HIS LOCKER. YEAH. WE DID THAT. 243 00:16:40,831 --> 00:16:43,033 NOTHIN' THERE? NAH. 244 00:16:43,033 --> 00:16:46,120 WE KNOW 95% OF THE TIME THE DEALER'S JUST LOOKIN' TO BEAT THE CASE, 245 00:16:46,120 --> 00:16:48,622 BUT A GUY SETS UP HOW SZYMANSKI'S DOIN'? 246 00:16:48,622 --> 00:16:51,125 - HE'S MAKIN' HIMSELF WRONG. - AND YOUR IDEA HE'S NOT. 247 00:16:52,543 --> 00:16:56,680 - HMM. - YOU MIND IF I TALK TO HIM? 248 00:16:56,680 --> 00:16:59,767 LISTENIN' TO HIM, YOU'RE THE GUY WHO PUT HIM IN THE BOX: 249 00:17:00,267 --> 00:17:02,386 TRANSFERRED HIM, PUT HIM WITH A BLACK COP. 250 00:17:02,887 --> 00:17:04,722 SAYS HE WOULDN'T BE SURPRISED IF YOU KNEW THE DEALER. 251 00:17:04,722 --> 00:17:08,943 - WHO'S THE DEALER? - SOME OLD... HYPE NAMED CLIVE? 252 00:17:10,945 --> 00:17:12,897 - HE'S IN THE POKEY? - YEAH. 253 00:17:15,199 --> 00:17:19,236 - SZYMANSKI'S IN THE POKEY. - YEAH. 254 00:17:42,176 --> 00:17:44,428 FEELIN' GOOD, LIEUTENANT? USE YOUR HEAD, SZYMANSKI. 255 00:17:44,428 --> 00:17:48,766 YOU THINK I'D REACH OUT TO ALL THESE DIFFERENT PEOPLE JUST TO JAM YOU UP? 256 00:17:48,766 --> 00:17:52,937 SINCE THE NIGHT I STOPPED YOU FOR THAT TAILLIGHT, MY WORLD'S TURNED UPSIDE DOWN. 257 00:17:52,937 --> 00:17:57,992 SO TODAY, WHEN I.A.B. GRABS ME FOR WHACKIN' UP SOME DEALER'S BANKROLL... 258 00:17:57,992 --> 00:18:00,744 WHEN I NEVER TOOK A CENT IN MY LIFE, 259 00:18:00,744 --> 00:18:02,997 I DON'T CHALK THAT UP TO BAD LUCK. 260 00:18:08,919 --> 00:18:11,538 HAVE YOU CONTACTED YOUR DELEGATE? 261 00:18:11,538 --> 00:18:13,841 [ Chuckles ] 262 00:18:13,841 --> 00:18:16,710 OH, BOY. THERE MUST BE A NAME FOR THIS. 263 00:18:16,710 --> 00:18:21,015 STOP IMAGINING CONSPIRACY, SZYMANSKI, AND START SAVING YOUR JOB. 264 00:18:21,015 --> 00:18:23,884 YOU MIND STEPPIN' OUT, LIEUTENANT? 265 00:18:25,386 --> 00:18:28,105 WATCH 'EM SCREW ME THROUGH THE WINDOW. 266 00:18:44,788 --> 00:18:48,909 HE'S JUST ABOUT GONE PSYCHO. HE DIDN'T STEAL THAT MONEY. 267 00:18:50,961 --> 00:18:53,163 - YOU'RE SURE ON THAT? - DOES SOMETHIN' WRONG, 268 00:18:53,163 --> 00:18:57,251 HE HAS TO GIVE UP THINKIN' HOW UNFAIR LIFE'S TREATED HIM. 269 00:18:57,251 --> 00:19:00,671 I DON'T KNOW IF I WANT TO BE TAKIN' THAT TO MY BOSSES WITHOUT SEARCHIN' HIS CAR. 270 00:19:01,171 --> 00:19:05,142 - CAN I TALK TO THE OTHER COP? - WANNA COME WORK WITH US? 271 00:19:09,513 --> 00:19:12,016 [ Knocks ] 272 00:19:17,654 --> 00:19:21,658 YOU GIVE US A MINUTE? ARTHUR FANCY, 15th DETECTIVE SQUAD. 273 00:19:22,159 --> 00:19:25,496 - HI, LIEUTENANT. LOUIS JONES. - [ Fancy ] YOU HOLDIN' UP ALL RIGHT? 274 00:19:25,496 --> 00:19:29,033 KEEP TELLING MYSELF, I DIDN'T DO ANYTHING, I SHOULDN'T HAVE ANYTHING TO WORRY ABOUT. 275 00:19:29,033 --> 00:19:31,001 YOU WANT TO RUN THE COLLAR FOR ME? 276 00:19:31,502 --> 00:19:33,003 WE'RE ON AVENUE "D" DRIVIN' TOWARD SECOND. 277 00:19:33,003 --> 00:19:38,008 NARCOTICS HAS A CORNER UP TWO BLOCKS OVER. WE WANNA PUSH THE SKELLS IN THAT DIRECTION. 278 00:19:38,008 --> 00:19:41,011 SEES US COMIN', EVERYONE BOOKS EXCEPT THIS ONE SKEEVY DEALER. 279 00:19:41,011 --> 00:19:43,931 YOU KNOW CLIVE'S LAST NAME? BELL. 280 00:19:43,931 --> 00:19:48,018 SZYMANSKI TOOK THE GUY INTO A HALLWAY WHILE I SECURED THE VEHICLE. 281 00:19:48,018 --> 00:19:52,056 I COME BACK, SZYMANSKI SHOWS ME THREE DECKS OF SMACK AND $11. 282 00:19:52,056 --> 00:19:56,193 SO WE MOVE THE SKELL TO THE RADIO CAR. HE STARTS YELLIN' HE WAS ROBBED. 283 00:19:56,193 --> 00:19:59,396 HOW SOON DOES BELL REPEAT THE CHARGE IN THE HOUSE? 284 00:19:59,396 --> 00:20:01,281 UH, LIKE A HALF HOUR. 285 00:20:01,281 --> 00:20:06,537 HOLDS OFF SAYIN' IT TILL SZYMANSKI WOULD'VE HAD TIME TO GET RID OF THE MONEY. 286 00:20:06,537 --> 00:20:09,323 - YOU'RE SURE SZYMANSKI DIDN'T DO IT? - YOU THINK HE MIGHT HAVE? 287 00:20:11,742 --> 00:20:16,547 I DON'T. NO. BUT I'M NOT ABOUT TO PUT MY BADGE UP FOR A GUY WHO SAYS I'M IN ON A FRAME. 288 00:20:16,547 --> 00:20:18,665 SZYMANSKI SAID THAT STRAIGHT OUT? HELL, YES. 289 00:20:18,665 --> 00:20:22,136 WHEN THE RAT SQUAD SHOWED UP, SAID YOU WERE TOO. 290 00:20:25,472 --> 00:20:27,841 PISSED YOU OFF ON A... CAR STOP, HUH? 291 00:20:27,841 --> 00:20:30,310 CAR STOP HAD NOTHIN' TO DO WITH ANY OF THIS. 292 00:20:30,811 --> 00:20:34,064 ONLY HAD THAT HAPPEN TO ME ABOUT 80 OR 90 TIMES. 293 00:20:47,778 --> 00:20:50,280 WOULD YOU MIND TAKING YOUR GLASSES OFF? 294 00:20:50,781 --> 00:20:52,866 HEY, CHECK 'EM OUT, AND LET'S GO, OKAY? 295 00:21:05,462 --> 00:21:09,716 NOW, UH, YOU SURE YOU DON'T RECOGNIZE ANYBODY IN THESE ARRAYS, HUH? 296 00:21:11,518 --> 00:21:14,555 HE'S ASKIN' IF YOU RECOGNIZED ANYBODY. 297 00:21:15,856 --> 00:21:17,641 [ Scoffs ] 298 00:21:17,641 --> 00:21:22,863 - YOU MADE THAT PERP, DIDN'T YA, HUH? YOU GUTLESS SCUMBAG. - BOO GOT THE CAR? 299 00:21:22,863 --> 00:21:25,782 YOU KNOW, NATHAN, I DON'T REALLY THINK THIS WAS A GOOD-FAITH EFFORT HERE. 300 00:21:25,782 --> 00:21:27,784 HEY, WHAT'S GOOD FAITH-- HIM DOIN' WHAT YOU WANT? 301 00:21:27,784 --> 00:21:32,906 THIS GUY ROBS OR HURTS MORE PEOPLE, IT'S ON YOU, DADDY KOOL. NOT THAT YOU GIVE A RAT'S ASS. 302 00:21:32,906 --> 00:21:36,293 LET'S GO, OKAY. MANY AS HE TAKES OFF, 10 TIMES THAT YOU'LL BEAT AND MURDER. 303 00:21:36,293 --> 00:21:39,496 AND EVERYONE OF 'EM WAS INNOCENT, HUH, BIG DADDY? 304 00:21:39,496 --> 00:21:42,249 NEVER LEAVE THAT OUT. CATCH YOU ON THE STREET, I'LL CUT YOUR THROAT. 305 00:21:42,249 --> 00:21:46,253 -HEY. -CATCH ME ON THE STREET, YOU'RE GONNA WISH YOU NEVER WERE BORN. 306 00:21:46,253 --> 00:21:49,473 - LET'S GO. COME ON, PIG. LET'S GO! - [ All Shouting, Indistinct ] 307 00:21:51,758 --> 00:21:53,560 - GET HIM OUTTA HERE, BOSS! - PHONY HUMP! 308 00:21:53,560 --> 00:21:56,763 HE'S LOOKIN' TO MAKE A BUCK OFF LEAVIN' A SHOOTER LOOSE ON THE STREET! 309 00:21:57,064 --> 00:21:59,650 LET IT GO, SIPOWICZ! GET HIM OUTTA HERE NOW! 310 00:21:59,650 --> 00:22:03,187 THINK EVERYTHING'S ABOUT MONEY? THINK EVERYONE THINKS LIKE YOU. [ Laughs ] 311 00:22:03,187 --> 00:22:07,691 YEAH, YEAH, YEAH. THAT'S WHY I'M ON THE JOB, RIGHT? ENORMOUS FINANCIAL BENEFITS. 312 00:22:09,910 --> 00:22:13,664 THAT WAS THE VICTIM OF THAT STREET STICKUP. HE WASN'T GIVIN' NO COOPERATION. 313 00:22:13,664 --> 00:22:17,584 WE'RE GONNA BE UP ALL NIGHT AGAIN. 314 00:22:19,086 --> 00:22:20,837 [ Sighs ] 315 00:22:33,967 --> 00:22:37,471 AH, HUMP RAPPER. HE MAKES THAT PERP, HE WON'T SAY, 316 00:22:37,471 --> 00:22:41,275 SO WE GET TO SIT HERE ALL NIGHT HOPIN' HE GETS IN HIS BUDDY'S CAR. 317 00:22:41,275 --> 00:22:44,695 - YOU'RE SURE HE PICKED HIM? - THAT'S WHY I HAD HIM TAKE HIS GLASSES OFF. 318 00:22:44,695 --> 00:22:47,197 IT WAS RIGHT IN HIS LYIN' EYES. 319 00:22:48,198 --> 00:22:52,486 [ Sighs, Scoffs ] LOOK AT THESE IDIOTS. 320 00:22:52,486 --> 00:22:56,540 -[ Simone ] HEY, WHAT ARE THEY DOING WRONG? -THEY OUGHTA BE ASLEEP IN BED. 321 00:22:56,540 --> 00:22:59,409 [ Chuckles ] 322 00:22:59,409 --> 00:23:02,913 WHAT? [ Chuckling ] NOTHIN'. 323 00:23:02,913 --> 00:23:06,416 [ Laughing ] WHAT ARE YOU LAUGHIN' ABOUT? 324 00:23:06,416 --> 00:23:10,921 OH, I-- IT JUST STRIKES ME FUNNY, BEIN' TIRED. 325 00:23:10,921 --> 00:23:13,924 [ Coughs, Sighs Heavily ] 326 00:23:13,924 --> 00:23:19,313 [ Wheezes, Laughing ] 327 00:23:20,814 --> 00:23:25,402 - [ Snorts, Continues Laughing ] -[ Simone ] ANDY. ANDY. 328 00:23:25,402 --> 00:23:28,822 THE PERP'S GOOD FOR THE PASSENGER. COME ON. 329 00:23:28,822 --> 00:23:31,441 [ Grunting ] YOU GOT THE DRIVER. 330 00:23:31,441 --> 00:23:33,277 YEAH. [ Blows, Giggles ] 331 00:23:41,084 --> 00:23:43,170 POLICE. PULL THE KEYS OUT. [ Driver ] YO, WHAT'S GOIN' ON, MAN? 332 00:23:43,170 --> 00:23:45,839 GET OUTTA THE CAR. OUTTA THE CAR! OUTTA THE CAR! PUT YOUR HANDS ON YOUR HEAD. 333 00:23:48,258 --> 00:23:50,594 GUN, BOBBY! [ Simone ] GOT YA. 334 00:23:50,594 --> 00:23:52,429 ALL RIGHT. PUT YOUR HANDS BEHIND YOUR BACK. COME ON. 335 00:23:52,429 --> 00:23:54,598 THERE MUST BE SOME KINDA MISTAKE. NO MISTAKE. 336 00:23:56,300 --> 00:23:59,219 -[ Sipowicz ] WHAT'S YOUR NAME? - JERMAINE BREWER. 337 00:23:59,219 --> 00:24:02,306 [ Laughing ] WHAT'S YOUR FAVORITE DAY OF THE WEEK? WHAT? 338 00:24:02,306 --> 00:24:04,191 FORGET IT. YOU'RE A COLLAR ON THE GUN. 339 00:24:04,191 --> 00:24:07,527 ANDY, CALL FOR A RADIO CAR. I'LL DO A CAR SEARCH. 340 00:24:07,527 --> 00:24:10,230 YEAH. WHAT'S YOUR FAVORITE ICE CREAM? 341 00:24:10,230 --> 00:24:13,533 - 15th SQUAD TO CENTRAL, OKAY? - WHO WAS THE FIFTH PRESIDENT? 342 00:24:13,533 --> 00:24:15,902 [ Radio Beeps ] [ Dispatcher ] 10-4, 15. 343 00:24:16,403 --> 00:24:18,288 HEY, WHO'S THE SIXTH PRESIDENT? ANDY. 344 00:24:19,573 --> 00:24:22,125 [ Simone ] YEAH, WE NEED AN AVAILABLE RADIO CAR... 345 00:24:22,125 --> 00:24:25,329 AT SIX AND AVENUE "D." [ Laughing ] HOW YOU DOING? 346 00:24:48,869 --> 00:24:52,239 HMM. HOW'S IT GOIN', CLIVE? 347 00:24:57,160 --> 00:25:00,914 ARTHUR FANCY. YOU THE HEAD JACK AROUND HERE? 348 00:25:00,914 --> 00:25:04,217 I ALWAYS KNEW THEY HAD SOME PLANS FOR YOU. 349 00:25:04,217 --> 00:25:08,221 WELL, THEY GOT SOME FOR YOU NOW, CLIVE. BEHIND THAT COP ROBBIN' ME? 350 00:25:08,221 --> 00:25:12,008 NOW, HOW THEY GONNA PROSECUTE ME FOR A LITTLE BIT OF CONTRABAND? 351 00:25:12,008 --> 00:25:14,978 - HE ROBBED YOU, HUH? - $600. 352 00:25:14,978 --> 00:25:19,766 OH, HEALTHY BANKROLL. BUT IT WAS IN TRANSITION. 353 00:25:19,766 --> 00:25:24,071 YOU KNOW, EVEN BACK IN THE DAY WHEN YOU WAS A COP ON THE BEAT, 354 00:25:24,071 --> 00:25:28,024 I FIGURED YOU TO BE A BROTHER WITH A FUTURE. 355 00:25:28,024 --> 00:25:30,994 SO HOW COME YOU DIDN'T BOOK WHEN THE COPS CAME UP THE STREET? 356 00:25:30,994 --> 00:25:34,448 [ Chuckles ] MAN, 357 00:25:35,449 --> 00:25:37,834 I AIN'T BOOKED IN 10 YEARS. 358 00:25:37,834 --> 00:25:41,671 ALL THIS, "FEET DON'T FAIL ME NOW." 359 00:25:41,671 --> 00:25:45,008 WELL, THEY FAILS ME ALL THE TIME. 360 00:25:45,008 --> 00:25:47,961 WELL, KNOWIN' THAT LIKE YOU DO, CLIVE, 361 00:25:47,961 --> 00:25:51,965 IT'S HARD TO BELIEVE YOU DIDN'T HAVE A PLAN TO LOOK STRAIGHT. 362 00:25:53,467 --> 00:25:55,435 - WHEN BREAKFAST? - WHY'D YOU TAKE THE COLLAR? 363 00:25:55,435 --> 00:25:58,855 - WHO YOU KNOW WANNA BE LOCKED DOWN? - WHAT, YOU OWE SOMEONE-- 364 00:25:59,356 --> 00:26:02,359 LOOKIN' TO ALIBI WHY YOU DIDN'T HAVE THAT MONEY, HUH? 365 00:26:02,359 --> 00:26:04,361 YOU GOT THE MIND OF A CRIMINAL, ARTHUR. 366 00:26:04,361 --> 00:26:06,196 YOU'D BETTER GET OFF YOUR STORY, CLIVE. 367 00:26:08,148 --> 00:26:11,151 THE BLACK COP WAS WATCHIN' THEIR CAR... 368 00:26:11,651 --> 00:26:14,037 WHILE THE WHITE COP WAS ROUGHING ME OFF... 369 00:26:14,037 --> 00:26:17,040 AND ROBBIN' ME FOR MY MONEY ROLL. 370 00:26:17,040 --> 00:26:20,043 THESE TWO COPS, THEY'RE BACKIN' EACH OTHER UP. 371 00:26:20,043 --> 00:26:22,546 THEY'RE SAYIN' THEY WERE NEVER APART. 372 00:26:23,046 --> 00:26:27,551 NOW I.A.B.'s GONNA COME DOWN HARD ON YOU, CLIVE. D.A.'LL ASK FOR 20 YEARS. 373 00:26:28,051 --> 00:26:31,388 [ Scoffs ] MAN, IT WAS JUST A LITTLE POSSESSION FOR MY OWN USE. 374 00:26:31,388 --> 00:26:35,091 THEY'RE SAYING FOR SALE, IN PROXIMITY TO A SCHOOL. 375 00:26:35,091 --> 00:26:37,394 OH, MAN. THAT'S-- [ Sputters ] 376 00:26:37,394 --> 00:26:40,814 TELL ME THE PLAY, CLIVE. I'LL SEE IF I CAN HELP YOU. 377 00:26:42,732 --> 00:26:45,235 [ Sighs ] 378 00:26:45,235 --> 00:26:49,022 MAN, MY MOUTH HURTS. I GOT THESE SORES... 379 00:26:49,523 --> 00:26:54,327 FROM MY UPPERS SLIDIN' UP AND DOWN, UP AND DOWN. 380 00:26:54,327 --> 00:27:00,250 MY WOMAN, SHE BE CRITICIZIN' ME ALL THE TIME. 381 00:27:00,250 --> 00:27:03,587 PLUS SHE SAY THEY BE CLICKIN'. [ Clicks Teeth ] 382 00:27:03,587 --> 00:27:06,339 [ Scoffs ] AND YOU WERE HOLDIN' 600 FOR SOMEONE ELSE? 383 00:27:06,339 --> 00:27:09,292 A FELLA I DO SOME THINGS FOR. 384 00:27:09,292 --> 00:27:12,212 SO YOU OWED YOUR SUPPLIER 600. 385 00:27:12,212 --> 00:27:16,216 YOU WERE GONNA TELL HIM THE COP TOOK THAT WHEN HE COLLARED YOU, 386 00:27:16,216 --> 00:27:19,769 - AND THEN USE IT TO FIX YOUR TEETH? - [ Sighs ] 387 00:27:24,357 --> 00:27:26,443 [ Exhales ] 388 00:27:28,228 --> 00:27:29,729 HERE COME BREAKFAST. 389 00:27:29,729 --> 00:27:31,698 CLIVE. HMM? 390 00:27:32,199 --> 00:27:33,700 CLIVE. MM-HMM? 391 00:27:33,700 --> 00:27:35,702 IF THEY PULL BACK TO SIMPLE POSSESSION, 392 00:27:35,702 --> 00:27:38,788 WILL YOU DROP THE COMPLAINT ON THE COP? 393 00:27:39,789 --> 00:27:41,791 [ Chuckles ] 394 00:27:42,792 --> 00:27:47,297 YOU'RE SO DEEP INTO KNOWIN' HUMAN NATURE, ARTHUR. 395 00:27:47,297 --> 00:27:51,718 HOW COME THAT DON'T MAKE YOU USE DOPE? HMM. 396 00:27:54,721 --> 00:27:56,223 [ Sighs ] ON THE GATE. 397 00:28:04,598 --> 00:28:08,235 MORNIN'. SO YOU DO KNOW CLIVE BELL. 398 00:28:08,235 --> 00:28:12,022 I STARTED THINKIN' LAST NIGHT, I MIGHT'VE KNOWN HIM WHEN I WAS A COP. CAME IN TO CHECK. 399 00:28:12,022 --> 00:28:13,940 SAME GUY? YEAH. 400 00:28:13,940 --> 00:28:18,578 I THINK HE WANTS TO WITHDRAW HIS COMPLAINT ON SZYMANSKI. 401 00:28:18,578 --> 00:28:20,580 LIEUTENANT, I COME TO TAKE THIS GUY TO THE GRAND JURY. 402 00:28:20,580 --> 00:28:24,200 YOU'RE IN HIS CELL WITHOUT PERMISSION OR EVEN NOTIFICATION. 403 00:28:24,200 --> 00:28:26,002 I THINK HE'LL TELL YOU THE SAME STORY HE TOLD ME. 404 00:28:26,002 --> 00:28:29,339 YEAH, 'CAUSE IF I PUT IT IN THE REPORT THAT HE WITHDREW IT TO YOU, 405 00:28:29,339 --> 00:28:32,592 THEN I GOTTA DO SOME EXPLAINING, AND THEN YOU DO. 406 00:28:32,592 --> 00:28:35,045 SZYMANSKI STILL REFUSING COOPERATION? 407 00:28:35,545 --> 00:28:38,548 YEAH. SZYMANSKI'S SCREWED ANYWAY-- PISS-POOR ATTITUDE. 408 00:28:40,350 --> 00:28:43,436 WELL, I WANT YOU TO KNOW, I'M GONNA TALK TO HIM. 409 00:28:45,305 --> 00:28:47,807 SOMETIME WHEN WE BOTH HAVE A FEW DAYS, 410 00:28:47,807 --> 00:28:51,111 I'D LOVE TO FIND OUT WHAT THE HELL THIS IS ABOUT. 411 00:28:54,864 --> 00:28:58,368 TWO COLLARS HERE, JERMAINE, AND A WHOLE PILE OF EVIDENCE LOOKIN' YOU IN THE FACE. 412 00:28:58,368 --> 00:29:00,370 LAWYER. OH, THAT'S HOW YOU WANT TO TRAVEL, HUH? 413 00:29:00,370 --> 00:29:02,956 YOU WERE PICKED OUT BY THE VICTIM AND AN EYEWITNESS. 414 00:29:02,956 --> 00:29:04,791 BALLISTICS MATCHED WITH YOUR GUN. 415 00:29:04,791 --> 00:29:09,212 - AIN'T GOT YOUR LAB OPEN THIS EARLY. - THAT'S A GOOD POINT. 416 00:29:09,212 --> 00:29:13,750 ALL WE'RE SAYIN' HERE, JERMAINE, COOPERATE BEFORE THE EVIDENCE HAS YOU IN A CORNER. 417 00:29:13,750 --> 00:29:17,470 - THAT'S WHEN WE GIVE IT THE WEIGHT. - LAWYER. 418 00:29:18,888 --> 00:29:20,890 CROW TAYLOR, HUH? 419 00:29:20,890 --> 00:29:25,095 - IS THAT "CROW" LIKE THE, UH, BIRD? - HEY, THAT'S IT. 420 00:29:25,095 --> 00:29:28,231 ASK HIM QUESTIONS IN CHIRPS. 421 00:29:28,231 --> 00:29:30,767 SO, UH, YOU BEEN RENTIN' YOUR CAR OUT FOR STICKUPS THERE, HUH, CROW? 422 00:29:30,767 --> 00:29:33,653 - [ Mumbles ] I DON'T KNOW. - WE GOT YOUR VEHICLE'S GOT NO SIGNS OF BEIN'... 423 00:29:33,653 --> 00:29:37,273 BROKEN INTO, HAS BEEN I.D.'d BY VICTIMS IN THREE SEPARATE INCIDENTS. 424 00:29:37,273 --> 00:29:41,578 HMM. HMM. YOU KNOW, MAYBE SOMEBODY MADE DUPLICATES, OR-- 425 00:29:41,578 --> 00:29:45,532 PLUS-- PLUS I LOST A SPARE SET OF KEYS? 426 00:29:45,532 --> 00:29:47,250 SOMEBODY-- SOMEBODY MIGHT BE USIN' THAT. 427 00:29:47,250 --> 00:29:51,454 WELL, THE ONLY PROBLEM THERE IS, YOUR MAN JERMAINE'S BEEN PICKED OUT FOR THE STICKUPS. 428 00:29:51,454 --> 00:29:54,958 HE TOLD US THAT YOU RENTED HIM THE CAR FOR A HUNDRED AND FIFTY A NIGHT, 429 00:29:54,958 --> 00:29:57,427 AND YOU KNEW WHAT HE WAS USIN' IT FOR. 430 00:29:57,427 --> 00:29:59,179 RIGHT? 431 00:30:02,882 --> 00:30:05,518 [ Slaps Table ] STICK WITH THE DUMB ACT, CROW, 432 00:30:05,518 --> 00:30:08,388 YOU WILL DO THE 15 JERMAINE DOES. 433 00:30:08,388 --> 00:30:11,474 YOU EXPLAIN YOUR PART HERE, YOU'RE LOOKIN' AT 18 MONTHS. 434 00:30:16,312 --> 00:30:20,116 NEVER PAID ME NO 150. PAID A HUNDRED A NIGHT. 435 00:30:29,209 --> 00:30:31,044 [ Knocks ] 436 00:30:31,044 --> 00:30:34,631 - WHAT DO YOU WANT? - WHY DON'T YOU COME IN AND SHUT THE DOOR. 437 00:30:39,669 --> 00:30:43,556 I THINK THAT DEALER'S WITHDRAWING HIS ALLEGATION ABOUT YOU TAKING HIS MONEY. 438 00:30:43,556 --> 00:30:45,341 THAT'S GOOD, 'CAUSE I DIDN'T TAKE IT. 439 00:30:45,341 --> 00:30:48,478 YOU'RE WRONG IF YOU THINK THAT ENDS IT, SZYMANSKI. NO. 440 00:30:48,478 --> 00:30:52,816 I'M SURE YOU'VE GOT MORE STRINGS TO PULL. I'LL JUST TRY TO KEEP LOOKIN' OVER BOTH SHOULDERS. 441 00:30:52,816 --> 00:30:56,186 WELL, YOU MAY NOT BE DOING THAT ON THE JOB IF YOU DON'T GET STRAIGHT WITH I.A.B. 442 00:30:56,186 --> 00:31:00,156 [ Scoffs ] THOSE CHARGES ARE WRONG, AND YOU JUST SAID THEY'RE DROPPED. 443 00:31:00,156 --> 00:31:02,992 AND YOU REFUSED A STATEMENT. FIFTH AMENDMENT'S ONLY FOR PERPS? 444 00:31:02,992 --> 00:31:06,446 YOU KNOW 15-A EXPOSES YOU TO DISCIPLINE. 445 00:31:06,946 --> 00:31:11,918 I'M FINALLY GETTIN' WHAT THIS IS ABOUT. YOU LOOK BAD TO I.A.B. OFF HARASSIN' ME. 446 00:31:11,918 --> 00:31:14,921 USE THIS LEVERAGE HERE TO MAKE ME TELL THEM WHAT A GREAT GUY YOU ARE. 447 00:31:14,921 --> 00:31:17,674 AND YOU KNOW WHAT ELSE, SZYMANSKI? I HELPED KILL KENNEDY. 448 00:31:17,674 --> 00:31:21,928 AND I HELPED KILL MARTIN LUTHER KING. HEY. HEY. HEY. LOOK, LOOK. 449 00:31:21,928 --> 00:31:23,713 THAT WASN'T ABOUT RACE. 450 00:31:23,713 --> 00:31:26,883 I'M TRYIN' TO GET YOU TO SEE-- IT'S ALL ABOUT RACE, LIEUTENANT. 451 00:31:26,883 --> 00:31:28,768 THEN LET'S START THERE. 452 00:31:28,768 --> 00:31:32,939 ADMIT PART OF WHY YOU BROKE BALLS AT THAT TRAFFIC STOP WAS 'CAUSE I'M BLACK, 453 00:31:32,939 --> 00:31:35,692 AND I'LL ADMIT THAT PART OF WHY I TRIED TO GET YOU TRANSFERRED... 454 00:31:35,692 --> 00:31:38,561 TO A BLACK PRECINCT WAS 'CAUSE THAT PISSED ME OFF. 455 00:31:38,561 --> 00:31:41,030 YOU MAKE IT SOUND LIKE THAT'S THE END OF WHAT YOU DID. 456 00:31:41,030 --> 00:31:43,149 WELL, IT'S GOTTA END SOMEWHERE, SZYMANSKI. 457 00:31:44,951 --> 00:31:47,153 NOW WHEN I GOT YOUR TRANSFER REROUTED TO THIS PRECINCT, 458 00:31:47,654 --> 00:31:50,907 I TOLD MYSELF, WE START WITH A CLEAN SLATE. OH, IT WASN'T LIKE, 459 00:31:50,907 --> 00:31:55,411 "LET THIS SZYMANSKI SEE ME EVERY DAY AND KNOW HE'S UNDER MY THUMB." 460 00:31:55,411 --> 00:31:58,715 LOOK, I'M THE BOSS OF A DETECTIVE SQUAD, NOT UNIFORM COPS. 461 00:32:01,417 --> 00:32:03,803 MAYBE... WHAT YOU SAY HAS SOME TRUTH IN IT. 462 00:32:03,803 --> 00:32:07,674 I DON'T UNDERSTAND EVERYTHING THAT'S IN MY HEART, 463 00:32:07,674 --> 00:32:10,176 BUT I PROMISE YOU, WHAT WENT DOWN WITH THAT DEALER, 464 00:32:10,176 --> 00:32:13,729 IT HAD NOTHIN' TO DO WITH HIM OR YOUR NEW PARTNER BEIN' BLACK. 465 00:32:13,729 --> 00:32:16,148 AND IT HAD NOTHING TO DO WITH ME, 466 00:32:16,649 --> 00:32:19,518 EVEN THOUGH IT TURNS OUT I DID KNOW THAT DEALER A LONG TIME AGO. 467 00:32:19,518 --> 00:32:22,738 IS THAT RIGHT? 468 00:32:23,239 --> 00:32:24,740 SZYMANSKI, 469 00:32:25,241 --> 00:32:29,578 MISTRUSTING EVERYONE, IT ONLY CUTSYOUOFF. 470 00:32:29,578 --> 00:32:32,081 NOW I'M NOT PUTTING I.A.B. UP AS GREAT PEOPLE TO TRUST, 471 00:32:32,081 --> 00:32:35,034 BUT THAT'S THE SITUATION YOU'RE IN. 472 00:32:35,034 --> 00:32:38,454 YOU'RE INNOCENT. TELL THEM THAT. 473 00:32:49,214 --> 00:32:53,102 YOU WEREN'T WRONG ABOUT THAT CAR STOP. NOT A HUNDRED PERCENT. 474 00:32:55,104 --> 00:32:57,556 LET'S PUT THAT BEHIND US. 475 00:33:01,560 --> 00:33:05,564 GUY'S BEEN ASKING FOR THE STATEMENTS, UH, SERGEANT MARTENS-- 476 00:33:05,564 --> 00:33:07,533 HE'S WHO I'D REACH OUT TO. 477 00:33:09,451 --> 00:33:12,571 ALL RIGHT. ALL RIGHT. 478 00:33:29,788 --> 00:33:32,791 [ Sipowicz ] I BETTER NOT SAY NOTHIN' IN THERE. 479 00:33:32,791 --> 00:33:35,711 UH-- YEAH, WELL, HANG BACK IF YOU WANT. [ Yawns ] 480 00:33:35,711 --> 00:33:37,713 HALF-PUNCHY, ZERO TOLERANCE-- 481 00:33:37,713 --> 00:33:41,717 THEY'RE LIABLE TO ASK ME WHAT TIME IT IS, I'LL HIT 'EM WITH A BOARD. 482 00:33:44,553 --> 00:33:46,438 [ Simone ] APPRECIATE YOU COMIN' BACK, ANTHONY. 483 00:33:46,438 --> 00:33:49,942 NO, NO. WE'RE HERE OFF YOU LYIN', SAYING YOU WASN'T CALLIN' HIS PROBATION UPSTATE. 484 00:33:49,942 --> 00:33:52,561 MAN, YOU DUMB ENOUGH TO ACT SURPRISED. 485 00:33:52,561 --> 00:33:54,613 [ Simone ] HEY, WE GOT A LEG UP ON MAKIN' THIS CASE. 486 00:33:54,613 --> 00:33:56,782 THE ONLY WAY WE CAN PRESSURE THIS GUY IS OFF A VICTIM'S I.D. 487 00:33:56,782 --> 00:34:00,819 I'M SORRY, BUT THAT'S THE WAY IT LAYS OUT. WE ARE GONNA DO OUR JOBS HERE. 488 00:34:01,320 --> 00:34:03,455 - [ Switch Clicks ] - WHAT'S THAT ABOUT? 489 00:34:03,455 --> 00:34:05,657 OH, I'M DOIN' MY JOB-- PROVE HE COOPERATED. 490 00:34:05,657 --> 00:34:09,411 I WANT YOU TO SAY HE'S LOOKIN' AT THEM PICTURES, AND THEN WE GETTIN' THE HELL OUTTA HERE. 491 00:34:09,411 --> 00:34:12,715 SHOW ME THE PICTURES. 492 00:34:12,715 --> 00:34:14,883 [ Laughs ] 493 00:34:17,336 --> 00:34:19,671 HANG ON A SECOND. 494 00:34:24,927 --> 00:34:26,729 I WANT YOU TO REALIZE THAT DETECTIVE SIPOWICZ... 495 00:34:26,729 --> 00:34:29,565 IS HANGIN' BACK ON THIS INTERVIEW, WHICH HE'S DOIN' AT HIS OWN REQUEST. 496 00:34:29,565 --> 00:34:32,101 -TELL HIM TO SHOW ME THE PICTURES. -DETECTIVE SIPOWICZ... 497 00:34:32,101 --> 00:34:34,853 RECOGNIZES SOME ANTAGONISM BETWEEN HIM AND ANTHONY. 498 00:34:35,354 --> 00:34:38,190 DON'T WANT IT TO IMPEDE GETTIN' THIS PERPETRATOR OFF THE STREET. 499 00:34:38,190 --> 00:34:40,909 GAME. 500 00:34:40,909 --> 00:34:45,998 WHAT HE SAID TO ME, ANTHONY-- "SAME HOW THIS KID HAD BAD EXPERIENCES-- 501 00:34:45,998 --> 00:34:47,916 "HIS UNCLE'S DEATH AND SO FORTH-- 502 00:34:48,417 --> 00:34:50,452 "I HAD SIMILAR EXPERIENCES GROWIN' UP: 503 00:34:50,452 --> 00:34:54,006 "BEAT UP IN THE PROJECTS, MY FATHER LOST HIS EYE. 504 00:34:54,006 --> 00:34:57,126 "I DON'T WANT MY BAD EXPERIENCE-- IF THAT WOULD AFFECT ME UNINTENTIONALLY-- 505 00:34:57,126 --> 00:35:01,013 I WOULDN'T WANT THAT JEOPARDIZING IF THIS RAP STAR IS WILLING TO COOPERATE." 506 00:35:05,384 --> 00:35:07,603 TOLD YOU THAT, HUH? 507 00:35:08,854 --> 00:35:11,056 HMM. 508 00:35:11,056 --> 00:35:13,358 EVERY ONE OF THESE STICKUP'S BEEN BLACK-ON-BLACK. 509 00:35:13,358 --> 00:35:15,727 MEANING WHAT? [ Sighs ] 510 00:35:15,727 --> 00:35:18,897 WHATEVER THAT TUPAC SHAKUR, UH, 511 00:35:18,897 --> 00:35:24,203 "CONSPICUOUS" B.I.G. DIFFICULTY WAS ABOUT, THIS ISN'T LIKE THAT. 512 00:35:24,703 --> 00:35:29,575 ANTHONY, WE GOT A PUNK OUT THERE WITH A GUN ON THE STREET WHO'S TAKIN' HIS OWN PEOPLE OFF. 513 00:35:29,575 --> 00:35:33,712 PLUS, THIS ONE-- RIGHT NOW, HIS OFFICER'S JUST BEEN NOTIFIED. 514 00:35:33,712 --> 00:35:36,632 HE DON'T COOPERATE, HIS PROBATION GETS REVOKED, 515 00:35:40,803 --> 00:35:46,842 WHICH... I DON'T SAY DIRECTLY, KNOWIN' THAT I-- I SHOULD STAY REMOVED. 516 00:35:48,343 --> 00:35:51,730 WE ACKNOWLEDGE THAT ANTHONY IS COOPERATING. 517 00:35:52,231 --> 00:35:54,183 WE BELIEVE THAT, GIVEN ANTHONY'S COOPERATION, 518 00:35:54,183 --> 00:35:58,070 HIS PROBATION SHOULD BE REDUCED TO TIME SERVED. 519 00:36:04,409 --> 00:36:06,161 CHECK THE TAPE RECORDER WAS ON. 520 00:36:08,747 --> 00:36:11,500 [ Switch Clicks ] 521 00:36:15,871 --> 00:36:17,673 SHOW ME THE PICTURES. 522 00:36:37,192 --> 00:36:40,145 - NUMBER FOUR IN THE SECOND ARRAY. - YEAH. 523 00:36:44,116 --> 00:36:46,652 WE'D LIKE YOU TO TAKE A LOOK AT A LINEUP. 524 00:36:51,657 --> 00:36:54,076 [ Chuckles ] 525 00:37:00,832 --> 00:37:02,968 [ Knocking ] 526 00:37:22,237 --> 00:37:24,823 YOU INDICATED YOU RECOGNIZE NUMBER THREE. 527 00:37:25,324 --> 00:37:28,327 WHERE DO YOU RECOGNIZE NUMBER THREE FROM, ANTHONY? 528 00:37:32,831 --> 00:37:34,833 OUTSIDE THE IBEX. 529 00:37:37,502 --> 00:37:39,204 ALL BUT NUMBER THREE CAN GO. 530 00:37:46,211 --> 00:37:48,513 "K." 531 00:37:49,798 --> 00:37:52,801 YOU OUT OF A JOB? ABOUT FIVE TIMES A MONTH. 532 00:37:52,801 --> 00:37:55,771 ANTHONY ABOUT SOMETHIN', WHATEVER YOUR CRACKER PARTNER MIGHT THINK. 533 00:37:55,771 --> 00:37:58,390 SO'S MY CRACKER PARTNER. 534 00:37:58,390 --> 00:38:03,895 [ Chuckles ] YOU KNOW, ME AND ANTHONY, WE'VE BEEN DOWN SINCE WE 10 YEARS OLD. 535 00:38:03,895 --> 00:38:06,148 AND HIM DEALIN' WITH THIS GONNA BE THE FIRST NIGHT IN A WHILE, 536 00:38:06,648 --> 00:38:08,650 I DON'T GO TO BED KNOWIN' SOME MORNIN' I FIND OUT HE'S DEAD. 537 00:38:15,157 --> 00:38:18,160 SO LONG, MAN. YEAH. SO LONG. 538 00:38:34,259 --> 00:38:36,728 BOBBY? 539 00:38:40,515 --> 00:38:45,237 WHAT'S UP? SPECIAL AGENT KRIEGEL, SPECIAL AGENT KAZMAIER. 540 00:38:45,237 --> 00:38:47,739 HOW'S IT GOIN'? GOOD TO MEET YA. 541 00:38:50,108 --> 00:38:54,329 - THEY WANNA TALK TO ME? - ACTUALLY, I-- I SAW YOU THE OTHER NIGHT AT HUGO'S. 542 00:38:54,329 --> 00:38:58,533 - YEAH, HUH? - AGENT KRIEGEL WAS WITH JOEY SALVO. 543 00:38:58,533 --> 00:39:02,170 YEAH, HE, UH-- HE STOPPED OVER TO SAY HELLO. 544 00:39:02,170 --> 00:39:05,340 YEAH, YOU WERE AT DINNER WITH, UH, DETECTIVE RUSSELL. 545 00:39:07,209 --> 00:39:09,511 YOU'VE KNOWN SALVO SOME TIME. YEAH. 546 00:39:09,511 --> 00:39:13,548 WE'VE HAD HIM UP FOR FIVE MONTHS. HE'S A PRETTY CAREFUL GUY. 547 00:39:13,548 --> 00:39:16,852 NOT CAREFUL ENOUGH THAT HE DIDN'T HAVE DINNER WITH AN F.B.I. AGENT. 548 00:39:17,352 --> 00:39:20,355 ENOUGH HE'S GIVEN ME SMALL STUFF THAT'S GOOD, AND NOTHIN' GOOD THAT COUNTS. 549 00:39:22,808 --> 00:39:25,811 SO, WHAT-- YOU THINK HE, UH, HAS YOU MADE? 550 00:39:27,946 --> 00:39:31,233 WE'D LIKE YOU TO RUN INTO HIM AGAIN. SEE WHAT COMES OF THAT. 551 00:39:31,233 --> 00:39:35,070 GET HIM TO TEST YOU WITH A SMALL FAVOR. SEE HOW HE MOVES WHEN YOU DO IT. 552 00:39:35,070 --> 00:39:37,823 WHAT'S A SMALL FAVOR-- WHEELMAN WHILE HE ROBS A BANK? 553 00:39:37,823 --> 00:39:41,626 IF YOU THINK HE'S GONNA ASK THAT FROM YOU FIRST, YOU'RE NOT THE SMART COP EVERYONE SAYS. 554 00:39:45,080 --> 00:39:47,582 GOTTA TALK TO MY BOSS. 555 00:39:47,582 --> 00:39:50,052 YOU MEAN DETECTIVE RUSSELL? [ Chuckles ] 556 00:39:50,419 --> 00:39:53,638 - [ Chuckles ] - WOULD YOU EXCUSE US? 557 00:39:57,476 --> 00:40:00,178 ABSOLUTELY. 558 00:40:02,981 --> 00:40:07,853 UH, WHAT IT'S WORTH, YOUR CHIEF OF DETECTIVES THINKS IT'S A GREAT IDEA. 559 00:40:12,574 --> 00:40:17,496 MEANING WHAT, HUH? MEANING WHAT FROM THIS SMART-MOUTHED PRICK-- 560 00:40:17,496 --> 00:40:20,248 I-I DON'T DO THIS, SO HE TRANSFERS ME OR DIANE? 561 00:40:20,248 --> 00:40:22,667 - YOU'D NEVER PIN HIM DOWN HE MEANT THAT. - LIEU, THERE'S A WHOLE... 562 00:40:22,667 --> 00:40:26,421 - LOTTA REASONS WHY I WOULDN'T BE THAT HAPPY DOIN' THIS. - TELL HIM NO. 563 00:40:28,206 --> 00:40:30,008 YOU HEARD FROM CHIEF OF D's? 564 00:40:30,008 --> 00:40:33,128 YOU DON'T WANT TO DO IT, I CAN HANDLE THE CHIEF. 565 00:40:37,966 --> 00:40:40,802 - I GOTTA THINK ABOUT IT. - ABSOLUTELY. 566 00:40:57,652 --> 00:40:59,654 HEY, GREG. 567 00:40:59,654 --> 00:41:01,656 HI, ABBY. 568 00:41:01,656 --> 00:41:05,660 UM, I'M HERE WITH MY DECISION ON THIS ENTIRE MATTER. 569 00:41:05,660 --> 00:41:08,964 YOU KNOW, SOME WAYS I FEEL LIKE I'VE REALLY IMPOSED ON YOU WITH ALL THIS, GREG. 570 00:41:08,964 --> 00:41:12,134 NOT AT ALL. WHAT'S MORE MOMENTOUS THAN-- TH-THAN WANTING A CHILD? 571 00:41:12,134 --> 00:41:16,471 WELL, ANYWAY, IT'S A LITTLE LATE TO APOLOGIZE. 572 00:41:17,472 --> 00:41:20,976 ABBY, I'LL BE HAPPY TO GIVE MY SPERM TO YOU AND KATHY. 573 00:41:22,177 --> 00:41:24,062 UH, NATURALLY, I-- I HAVE SOME QUESTIONS, 574 00:41:24,062 --> 00:41:26,348 UH, ABOUT THE CONTEXT. 575 00:41:26,348 --> 00:41:30,735 I-I-I MEAN, UH, I CERTAINLY, UH, AM AWARE THAT, UH, 576 00:41:30,735 --> 00:41:32,737 I-I-IT'S AN ARTIFICIAL PROCESS. 577 00:41:32,737 --> 00:41:37,492 WE FIND OUT WHEN I START OVULATING. YOU EJACULATE INTO A SAMPLE JAR WHENEVER YOU CAN. 578 00:41:37,492 --> 00:41:41,496 I SEE. I SEE. UM, AND-- AND-- AND THE INTERVAL, UH, BETWEEN, UH, 579 00:41:41,496 --> 00:41:45,750 FINDING OUT YOUR STATE OF AFFAIRS AND-- AND MY ACTIVITY I'M SUPPOSED TO PERFORM... 580 00:41:45,750 --> 00:41:48,920 AND THEN MAKIN' THAT AVAILABLE TO YOU-- WHAT-- WHAT'S THE ENTIRE INTERVAL THERE? 581 00:41:48,920 --> 00:41:54,092 IT ALL HAS TO HAPPEN IN AN HOUR AND A HALF. NINETY MINUTES. 582 00:41:54,092 --> 00:41:58,763 GREG-- BUT YOU CAN DO YOUR PART IN ANY MEN'S ROOM, 583 00:41:58,763 --> 00:42:02,050 AND KATHY CAN BE AVAILABLE TO DELIVER IT, OR I-- FINE. FINE. 584 00:42:02,050 --> 00:42:07,722 UH, WE'LL, UH, WORK OUT THE GIST-- UH, ANY PERFORMANCE ANXIETY, SO FORTH. 585 00:42:08,223 --> 00:42:10,475 - DO YOU WANNA SIT DOWN? - NO. NO, THANK YOU. 586 00:42:16,031 --> 00:42:18,366 [ Kisses ] 587 00:42:42,224 --> 00:42:44,509 HEY. 588 00:42:46,011 --> 00:42:49,514 HMM. TWENTY MINUTES OF FOREPLAY WASTED? 589 00:43:01,109 --> 00:43:04,913 WAIT, WAIT, WAIT, WAIT. LET'S-- LET'S GET THERE LEGIT. 590 00:43:09,200 --> 00:43:11,002 THIS JOEY SALVO YOU MET AT DINNER THE OTHER NIGHT-- 591 00:43:11,002 --> 00:43:13,371 STICKUP GUY? ALLEGED. 592 00:43:13,371 --> 00:43:16,791 F.B.I.'s HAD HIM UP FOR, LIKE, FIVE MONTHS. THEY WANT ME TO GET INVOLVED WITH HIM. 593 00:43:16,791 --> 00:43:20,011 WERE YOU AND SALVO TIGHT? NAH. I WAS INTO MY BIRDS. 594 00:43:20,011 --> 00:43:24,266 THIS GUY WAS ALREADY HALF AN ALI BABA. HE WENT AWAY WHEN HE WAS, LIKE, 16. 595 00:43:25,634 --> 00:43:27,636 I SAW HIM IN THIS FISTFIGHT ONCE. 596 00:43:27,636 --> 00:43:29,638 I MEAN, JOEY WAS ALWAYS KINDA, LIKE, BUILT UP, YOU KNOW. 597 00:43:29,638 --> 00:43:32,007 THERE WAS THIS KID, TIMMY FLYNN, WHO WAS THIN, BUT TOUGH KID. 598 00:43:32,507 --> 00:43:34,509 THESE TWO GUYS, THEY'RE GOIN' AT IT FOR, LIKE, 10 MINUTES... 599 00:43:34,509 --> 00:43:39,014 BEFORE THE GYM TEACHER COMES AND BREAKS IT UP. [ Scoffs ] 600 00:43:39,014 --> 00:43:42,284 AND THAT WAS THE FIRST I SAW JOEY IN A FIGHT AND NOT WALK AWAY A WINNER. 601 00:43:42,284 --> 00:43:46,621 SO THAT NIGHT, SOMEBODY CAVES TIMMY'S HEAD IN WITH A BALL BAT. 602 00:43:47,022 --> 00:43:50,992 KILLED HIM? NO, HE LIVED FOR, LIKE, SIX MONTHS. 603 00:43:51,493 --> 00:43:54,496 [ Quietly ] OH. COULDN'T-- COULDN'T TALK. 604 00:43:56,498 --> 00:43:58,500 THEY, UH-- [ Chuckles ] 605 00:43:59,000 --> 00:44:02,504 THEY USED TO SIT HIM IN THE PARK IN HIS WHEELCHAIR. 606 00:44:02,504 --> 00:44:05,724 HALF THE DAYS HE'D HAVE SEIZURES. 607 00:44:05,724 --> 00:44:10,929 JOEY, HE WOULD, UH, ALWAYS, YOU KNOW, CROUCH NEXT TO HIM, ASK HIM, "HOW YA DOIN'?" 608 00:44:14,265 --> 00:44:18,570 HE'S A REAL BAD GUY. THAT'S A TOUGH GUY TO WORK. 609 00:44:18,570 --> 00:44:24,275 HEY, IF I DO HIM SOME SMALL SOLID, THEY JUST WANNA SEE HOW HE'S GONNA PICK UP. 610 00:44:27,696 --> 00:44:29,497 COME HERE. 611 00:44:39,257 --> 00:44:41,259 WHAT WAS IT THAT WE WERE DOIN' THERE IN THE BATHROOM? 612 00:44:47,098 --> 00:44:49,100 IF YOU DON'T WANT TO DO IT, BOBBY, DON'T DO IT. 613 00:44:49,601 --> 00:44:52,604 OH, BABY, THERE'S NOTHIN' I WANNA DO MORE.