1
00:00:01,501 --> 00:00:03,470
Previously on "NYPD BLUE".

2
00:00:03,970 --> 00:00:06,940
- SHOW ME THE ENGAGEMENT RING.
- [ Chuckles ]

3
00:00:06,940 --> 00:00:10,810
- YOU THINK I TOTE
  THAT THING AROUND WITH ME?
- WHERE IS IT?

4
00:00:10,810 --> 00:00:13,013
- [ Chattering ]
- THOSE ARE MALES.

5
00:00:13,013 --> 00:00:15,849
- YEAH, HUH?
- I KNOW ANGELA AND
  PEACHES FROM VICE.

6
00:00:15,849 --> 00:00:18,018
A COP IN A SECTOR CAR SAW
THEM WORKING THE CORNER
A COUPLE MINUTES...

7
00:00:18,284 --> 00:00:20,620
- BEFORE THIS HAPPENED.
- WE DIDN'T DO NOTHIN'.

8
00:00:20,620 --> 00:00:24,357
PUT ME IN THE SYSTEM,
COME AND GET ME OUT.

9
00:00:24,357 --> 00:00:26,559
WE FOUND A WITNESS THAT
BACKED UP YOUR STORY, ARTHUR.

10
00:00:26,559 --> 00:00:32,032
AH, SO YOU TAKE SOMEBODY
ELSE'S WORD, BUT I TELL YOU WHAT
HAPPENED, AND YOU LOCK ME UP.

11
00:00:56,990 --> 00:00:59,826
CAN I HELP YOU?
DIANE RUSSELL, I NEED
TO SPEAK TO YOU.

12
00:00:59,826 --> 00:01:03,863
ANGELA, THIS IS NOT DIANE'S
CUP OF TEA. WE WANT THESE
MALE COPS INVOLVED.

13
00:01:03,863 --> 00:01:07,067
I'M GONNA TRY
NOT TO TAKE THAT
TOO PERSONALLY, PEACHES.

14
00:01:07,467 --> 00:01:09,869
DIANE, YOU KNOW
OUR FEELINGS TOWARDS YOU.
BUT LOOK AT THAT FACE.

15
00:01:09,869 --> 00:01:14,574
ANGELA'S GONNA BE A DEAD HO
UNLESS WE GET A STRONG
MALE PRESENCE INVOLVED.

16
00:01:14,574 --> 00:01:16,910
I GUESS STRONG
WOULD LEAVE YOU OUT?

17
00:01:17,343 --> 00:01:19,946
- SO, WHO HIT YOU, ANGELA?
- GOD, YOU ARE SUCH A DOLL.

18
00:01:19,946 --> 00:01:23,583
-WHO HIT YOU?
- [ Peaches ] COULD WE DO
  THIS OVER DOUGHNUTS?

19
00:01:23,983 --> 00:01:26,619
COME ON.

20
00:01:28,621 --> 00:01:30,757
MORNING, BOSS.
DIANE.

21
00:01:31,257 --> 00:01:33,626
I HOPE YOU GOT THOSE
LEMON-FILLED.
DON'T TOUCH ME.

22
00:01:38,198 --> 00:01:41,534
I'LL SERVE, YOU EXPLAIN, AND
DO NOT GO EASY ON THAT PERSON.

23
00:01:41,534 --> 00:01:46,306
ALL RIGHT. I'VE BEEN THINKING
ABOUT HAVING THE OPERATION,
AND I DECIDED THAT I WOULD.

24
00:01:46,306 --> 00:01:49,776
AND THEN I DECIDED THAT I DIDN'T
WANT TO 'CAUSE I KNEW THIS GIRL.

25
00:01:50,210 --> 00:01:52,946
LAST YEAR SHE WENT AND HAD IT,
BUT THEY DIDN'T PROPERLY
COMPLETE THE STEPS.

26
00:01:53,213 --> 00:01:56,316
SHE GOT INFECTED
AND COMPLICATED,
AND SHE ALMOST DIED.

27
00:01:56,316 --> 00:02:00,487
BACK AND FORTH TO THE HOSPITAL,
STILL A YEAR LATER,
NOTHING WORKS RIGHT ON HER.

28
00:02:00,720 --> 00:02:02,722
SO, ANGELA, THIS GUY
WHO HIT YOU, OR MAYBE
IS LOOKING TO DO WORSE,

29
00:02:03,223 --> 00:02:05,058
HE WANTS YOU
TO HAVE THIS OPERATION?

30
00:02:05,558 --> 00:02:07,193
THAT IS A DETECTIVE.

31
00:02:07,694 --> 00:02:09,162
[ Clears Throat ] BROKE BAD
WHEN YOU CHANGED YOUR MIND?

32
00:02:09,162 --> 00:02:11,831
TO DO IT RIGHT,
YOU GOTTA GO TO EUROPE,
BUT HE DON'T WANT TO KNOW.

33
00:02:11,831 --> 00:02:13,433
[ Peaches ]
NOW HE'S SAYING
HE'S GONNA CUT HER THROAT.

34
00:02:13,433 --> 00:02:15,135
[ Angela ]
I DON'T THINK HE MEANS IT.

35
00:02:15,568 --> 00:02:17,470
I SAW THAT MAN LOOK AT YOU
WITH MURDER IN HIS EYES.

36
00:02:17,737 --> 00:02:20,240
I GOT AN IDEA.
HOW 'BOUT YOU PUT
A NAME TO THIS GUY,

37
00:02:20,240 --> 00:02:22,675
YOU SIGN A COMPLAINT,
AND WE'LL GO OUT
AND WE'LL ARREST HIM?

38
00:02:22,675 --> 00:02:24,711
- COMPLAINT?
- YES, A COMPLAINT, ANGELA.

39
00:02:24,711 --> 00:02:27,280
WHAT DO YOU THINK THIS IS,
A COUNSELING SERVICE? FILE
A COMPLAINT, WE ARREST HIM.

40
00:02:27,280 --> 00:02:30,250
- I NEVER SAID ARREST.
-[ Peaches ]
 ARREST IS TOO STRONG.

41
00:02:30,583 --> 00:02:33,786
YOU GUYS GOTTA GO OUT
THERE AND SHAKE HIM UP.
CAN YOU SMACK HIM?

42
00:02:33,786 --> 00:02:35,922
- I DON'T WANT HIM SMACKED.
- GIRL, LOOK WHAT HE DID TO YOU!

43
00:02:36,222 --> 00:02:38,091
GIVE UP THE NAME OR
TAKE A WALK, ANGELA.

44
00:02:38,391 --> 00:02:42,962
- YOU GOTTA PUT HIM IN JAIL?
- YOU GIVE UP A NAME
  AND HIS USUAL PLACES,

45
00:02:42,962 --> 00:02:44,230
AND THEN WE DECIDE WHAT WE DO.

46
00:02:44,597 --> 00:02:46,599
DO YOU REALIZE WHAT THIS
MORNING IS GONNA BE LIKE?

47
00:02:46,599 --> 00:02:48,601
[ Softly ] I KNOW.
YOU CAN COME
WITH US ON THIS.

48
00:02:49,102 --> 00:02:50,603
I THINK IT NEEDS
A STRONG MALE PRESENCE.

49
00:02:50,603 --> 00:02:52,605
[ Sighs, Coughs ]

50
00:02:52,605 --> 00:02:56,509
- [ Sobs ]
- GOT HER HEAD ON THE NOTEBOOK.

51
00:02:57,944 --> 00:03:01,314
HERE, LIFT YOUR
HEAD THERE, ANGELA.

52
00:03:01,748 --> 00:03:04,851
- JIMMY CORTEZ.
- PUERTO RICAN MUSCLEMAN.

53
00:03:05,351 --> 00:03:08,721
WON'T ACCEPT
A PERSON FOR HERSELF OR
HIS OWN NATURE NEITHER.

54
00:03:08,721 --> 00:03:11,524
YOU SHOULD HAVE YOUR
OWN TALK SHOW, PEACHES.

55
00:03:11,791 --> 00:03:13,693
YOUR CASE WOULD REQUIRE
A LONG CONVERSATION.

56
00:03:14,093 --> 00:03:16,930
DID SOMEBODY DO YOUR HAIR
WITH A BLOWTORCH?

57
00:04:35,541 --> 00:04:37,543
WHAT HAPPENED
TO THE PASTRY ARRAY?

58
00:04:37,543 --> 00:04:40,046
AH, SOME COMPLAINANTS DON'T LIKE
TO LEAVE WITH EMPTY POCKETS.

59
00:04:40,046 --> 00:04:42,348
[ Sighs ] LIKE A SWARM
OF LOCUSTS WENT THROUGH.

60
00:04:44,517 --> 00:04:47,887
IF YOU ALL HAVE A SECOND, I'D
LIKE TO SHOW YOU SOMETHING...

61
00:04:47,887 --> 00:04:50,490
LILLIAN ASKED ME TO SHOW YOU.
WHAT DO YOU GOT, BOSS?

62
00:04:50,757 --> 00:04:55,395
UM, A VARIETY OF PRODUCTS,
UM, UM, VITAMINS, HAIR CARE--

63
00:04:55,395 --> 00:05:00,900
- LILLIAN ASKED ME TO SHOW YOU.
- YOUR WIFE GOT ONE OF THOSE
  AMWAY FRANCHISES?

64
00:05:00,900 --> 00:05:04,737
WELL, IT-IT'S NOT AMWAY,
BUT IT'S A SIMILAR PRINCIPLE.

65
00:05:04,737 --> 00:05:08,641
I COULD, UH, DEFINITELY USE
A VITAMIN SUPPLEMENT, AND
THAT'S A REASONABLE PRICE.

66
00:05:08,941 --> 00:05:10,943
YEAH. YEAH. SHE SAID
THE PRODUCTS ARE
EXCELLENT AND...

67
00:05:11,444 --> 00:05:14,580
-THE PRICES ARE VERY REASONABLE.
-NICE HAIRBRUSH.

68
00:05:14,947 --> 00:05:17,850
NOW, THERE IS ABSOLUTELY
NO OBLIGATION TO BUY ANYTHING,

69
00:05:17,850 --> 00:05:19,652
AND IF ANYTHING IS NOT
TO YOUR SATISFACTION,

70
00:05:19,652 --> 00:05:22,255
- YOU GET A FULL REFUND.
- I USE THIS SHAMPOO.

71
00:05:22,255 --> 00:05:26,125
ABSOLUTELY NO OBLIGATION.

72
00:05:26,626 --> 00:05:30,129
- CAN I HELP YOU?
- OUR NAME IS HASTINGS.

73
00:05:30,129 --> 00:05:32,465
WE NEED TO TALK TO SOMEONE
ABOUT A ROBBERY.

74
00:05:32,799 --> 00:05:36,736
GREG. JAMES? DETECTIVES MEDAVOY
AND MARTINEZ WILL HELP YOU.

75
00:05:37,236 --> 00:05:39,939
THOSE ARE SAMPLES,
I'M GONNA PUT THOSE AWAY.

76
00:05:40,273 --> 00:05:42,108
- IS THAT JILL KIRKENDALL?
-CAN I HELP YOU, FOLKS?

77
00:05:42,108 --> 00:05:44,510
WOULD YOU BE MORE
COMFORTABLE TALKING WITH
DETECTIVE KIRKENDALL?

78
00:05:44,944 --> 00:05:46,946
- WOULD THAT BE POSSIBLE?
- UM, JILL?

79
00:05:47,447 --> 00:05:50,283
-DIANE? THEY KNOW JILL, SO--
- HEY!

80
00:05:50,616 --> 00:05:51,951
-SHE AND DIANE CAN
  WORK THE COMPLAINT.
-[ Medavoy ] SURE.

81
00:05:51,951 --> 00:05:56,322
AH, 12.95 FOR THE VITAMINS?
DON'T DO THAT HERE, GREG.

82
00:05:56,322 --> 00:05:59,058
-IT'S BEEN SO LONG
 SINCE WE'VE SEEN YOU.
- HOW'S LUCINDA?

83
00:05:59,058 --> 00:06:01,394
OH, MARSHALL,
YOU REMEMBER JILL.

84
00:06:01,894 --> 00:06:05,231
- YOU'RE A DETECTIVE NOW.
- YEAH. EXCUSE ME.

85
00:06:05,231 --> 00:06:08,067
DIANE, COULD I WORK
THIS INTERVIEW ALONE?

86
00:06:09,969 --> 00:06:11,404
I'M GETTIN' THROWN
OFF CASES LEFT AND RIGHT.

87
00:06:11,804 --> 00:06:14,140
[ Chuckles ]
THIS WAY.

88
00:06:20,179 --> 00:06:22,949
THIS DOES NOT BELONG HERE.
[ Paper Bag Rustling ]

89
00:06:33,326 --> 00:06:36,095
COME ON IN, FOLKS.

90
00:06:40,366 --> 00:06:42,869
LUCY ALWAYS LIKED JILL.
FINE.

91
00:06:44,871 --> 00:06:47,807
PLEASE.

92
00:06:52,044 --> 00:06:55,047
YOU DIDN'T ANSWER WHEN
I ASKED HOW LUCY WAS DOING.

93
00:06:55,047 --> 00:06:58,117
- SHE'S NOT DOING VERY WELL.
- SHE'S BECOME A THIEF.

94
00:06:58,117 --> 00:07:00,153
NOW, WAIT A MINUTE.
SHE'S A THIEF
AND A DRUG ADDICT.

95
00:07:00,653 --> 00:07:03,423
IT WAS AFTER HER DIVORCE THAT
THINGS STARTED GOING BAD.

96
00:07:03,423 --> 00:07:06,793
- THAT'S WHEN
  THE STEALING STARTED.
- SHE WAS AN ADDICT BEFORE THAT,

97
00:07:06,793 --> 00:07:09,395
AND THAT'S WHY
HER MARRIAGE ENDED.

98
00:07:09,395 --> 00:07:13,132
AS FAR AS THE STEALING GOES,
IT WAS MOSTLY LITTLE THINGS.
GOING INTO MY PURSE.

99
00:07:13,132 --> 00:07:15,501
MORE EMBARRASSING
THAN ANYTHING.

100
00:07:15,501 --> 00:07:18,104
SO, LUCINDA WAS LIVING WITH YOU
AFTER THE DIVORCE?

101
00:07:18,104 --> 00:07:20,606
OH, SHE STILL COMES
OVER, OF COURSE--
SHE COMES OVER...

102
00:07:20,606 --> 00:07:24,310
AFTER WE THREW HER OUT,
AND LAST NIGHT...

103
00:07:24,310 --> 00:07:27,480
SHE STOLE FROM US AGAIN--
AND THIS IS THE END OF IT.

104
00:07:27,480 --> 00:07:30,900
- WHAT DID SHE STEAL?
- A MONT BLANC PEN...

105
00:07:30,900 --> 00:07:34,320
WHICH WAS A LAW SCHOOL
GRADUATION PRESENT
FROM MY FATHER.

106
00:07:34,320 --> 00:07:38,524
IN TERMS OF THE CRIMINAL
ASPECTS, THEIR VALUE TO US
IS LARGELY SENTIMENTAL.

107
00:07:39,025 --> 00:07:42,194
- LUCY STILL USING DRUGS?
- OH, SHE'S BEEN IN PROGRAMS--

108
00:07:42,695 --> 00:07:45,448
SHE'S USING DRUGS, YES.

109
00:07:45,448 --> 00:07:49,035
MY DAUGHTER IS A THIEF
AND A DRUG ADDICT.

110
00:07:49,035 --> 00:07:52,505
THAT SUMS IT UP.
AND YOU'RE HERE
TO PRESS CHARGES.

111
00:07:52,505 --> 00:07:53,956
THAT'S WHY WE'RE HERE.

112
00:07:57,009 --> 00:08:01,630
IF THE ITEMS COULD BE
RETRIEVED, IS THAT SOMETHING
THAT WOULD SATISFY YOU?

113
00:08:01,630 --> 00:08:04,433
AND MAYBE IF LUCY
WENT BACK IN A PROGRAM?

114
00:08:04,433 --> 00:08:07,686
NOT ANOTHER
DAMNED COUNTRY CLUB!

115
00:08:10,356 --> 00:08:14,060
IF YOU'D LIST THE ITEMS,
AND, UH, WHERE I CAN FIND LUCY.

116
00:08:19,398 --> 00:08:21,867
[ Pen Scratching Paper ]

117
00:08:28,741 --> 00:08:31,544
JIMMY? YEAH, IS--
IS JIMMY THERE?

118
00:08:32,044 --> 00:08:33,662
- [ Woman On Intercom ]
  WRONG APARTMENT.
-[ Door Buzzing ]

119
00:08:34,163 --> 00:08:36,665
JIMMY CORTEZ?
 JIMMY?

120
00:08:36,665 --> 00:08:41,137
[ Sighs ]
AH--

121
00:08:41,137 --> 00:08:44,223
MORON BROAD DON'T
WRITE THE APARTMENT DOWN?

122
00:08:44,223 --> 00:08:46,892
I LIKE THAT
YOU CALL HER A WOMAN.

123
00:08:46,892 --> 00:08:49,595
I TAKE 'EM AS I FIND 'EM.
TRY NOT TO LOOK
BETWEEN THEIR LEGS.

124
00:08:49,595 --> 00:08:53,149
WE GOT TO CHECK OUT 1A AND
1B WHEN WE COME BACK-- ANDY.

125
00:08:57,236 --> 00:09:01,440
- HEY. WHAT'S YOUR NAME?
- WHAT'S THAT TO YOU?

126
00:09:01,440 --> 00:09:04,660
- SEE THAT RIGHT THERE?
  TELL ME YOUR NAME.
- JIMMY CORTEZ.

127
00:09:04,660 --> 00:09:07,746
JIMMY CORTEZ. ALL RIGHT,
JIMMY, LET'S GO TALK
IN THE HALLWAY, HERE, HUH?

128
00:09:07,746 --> 00:09:13,085
WHAT, SO YOU CAN KICK MY ASS,
NO WITNESSES? YOU WANT TO TALK
TO ME, LET'S TALK RIGHT HERE.

129
00:09:13,085 --> 00:09:18,507
- ALL RIGHT, YOUR CALL.
- YOU DATIN' A PERSON
  NAMED ANGELA?

130
00:09:18,507 --> 00:09:21,594
WHAT, THAT BITCH MADE
A COMPLAINT ON ME? HUH?

131
00:09:21,594 --> 00:09:25,097
-SHE CAME COMPLAINING ON ME?
- TENDS TO HAPPEN WHEN
  YOU SMACK 'EM IN THE FACE.

132
00:09:25,097 --> 00:09:29,685
LOOK, I DIDN'T KNOW THAT WAS
A MAN. OKAY, YOU SEE HER? TITS
OUT TO HERE, CUTE LITTLE ASS.

133
00:09:29,685 --> 00:09:32,138
HOW YOU SUPPOSED TO KNOW?
HEY, JIMMY. NO ONE
IS JAMMIN' YOU UP...

134
00:09:32,138 --> 00:09:36,275
- FOR CONFUSING HER SEX, OKAY?
- SMACKING HER IN THE HEAD'S
  WHAT AROUSED THE CONCERN.

135
00:09:36,775 --> 00:09:39,061
WHAT'S GOING ON?
NOW EVERYBODY'S
GOT TO KNOW ABOUT THIS.

136
00:09:39,061 --> 00:09:41,113
YOU'RE WORRIED ABOUT
THE WRONG THING HERE, JIMMY.

137
00:09:41,113 --> 00:09:44,283
NOBODY WANTS TO DO A LOT
OF PAPERWORK ON YOU,

138
00:09:44,283 --> 00:09:48,871
BUT YOU LAY HANDS ON THIS
ANGELA AGAIN, AND YOU'RE GONNA
GET COLLARED AND BROUGHT IN.

139
00:09:48,871 --> 00:09:52,791
- WHAT'D SHE DO FOR YOU?
- OH, YEAH, YEAH. YEAH,
  THAT'S RIGHT, JIMMY. YEAH.

140
00:09:53,292 --> 00:09:56,245
- HER AND US, WE'VE BEEN
  HAVING, LIKE, SECRET TRYSTS.
- JIMMY, YES OR NO.

141
00:09:56,245 --> 00:09:58,047
- ARE YOU GONNA STAY AWAY
  FROM THIS ANGELA?
- [ Scoffs ]

142
00:09:58,047 --> 00:10:00,132
I'M NOT A FAG.
YOU GOT THAT?
ALL RIGHT.

143
00:10:00,132 --> 00:10:03,219
IF WE AGREE YOU'RE
NOT A FAG, ARE YOU GONNA
STAY AWAY FROM ANGELA?

144
00:10:03,219 --> 00:10:07,173
SHE'S DEEP INSIDE ME, MAN.
WHAT THE HELL ARE WE DOING?
COME ON, YOU'RE COMING INSIDE.

145
00:10:07,173 --> 00:10:10,176
NAH, NAH.
I'LL STAY AWAY, MAN.
SQUARE BUSINESS ON THIS.

146
00:10:10,176 --> 00:10:14,647
- DON'T WANT TO BE HURTIN' HER.
- EVEN IF SOMEBODY ELSE HURTS
  HER, WE'RE COMING AFTER YOU.

147
00:10:14,647 --> 00:10:17,066
- I GOT YA. I'LL STAY AWAY.
- HMM?

148
00:10:24,406 --> 00:10:27,860
DEEP INSIDE HIM.
THAT GUY'S TROUBLE.

149
00:10:27,860 --> 00:10:31,614
COLLAR HIM FOR SLAPPING A WHORE,
JUDGE JUST LAUGHS IN YOUR FACE.

150
00:10:59,308 --> 00:11:01,860
- HOW MUCH?
- LUCY?

151
00:11:03,529 --> 00:11:08,617
-[ Baby Crying ]
- OH, MY GOD! JILL KIRKENDALL!

152
00:11:09,118 --> 00:11:12,988
WHAT ARE YOU DOING HERE?
I-I'M SUCH A JERK, I-I THOUGHT
YOU WERE CHINESE FOOD.

153
00:11:12,988 --> 00:11:16,375
CAN I COME IN?
YEAH, SURE.

154
00:11:16,375 --> 00:11:19,662
UH, I'M SUCH A SLOB.
[ Laughs ]

155
00:11:20,963 --> 00:11:23,966
MY GOD, YOU LOOK--
YOU LOOK FANTASTIC!

156
00:11:23,966 --> 00:11:28,387
-THANKS. HOW'RE YOU DOING, LUCY?
-GEEZ, I HAVEN'T SEEN YOU
 SINCE HIGH SCHOOL.

157
00:11:28,387 --> 00:11:30,589
YOU KNOW, I-I THINK
IT WAS.
[ Gasps ]

158
00:11:32,057 --> 00:11:34,677
SO, WHAT'S HAPPENED
IN THE LAST 20 YEARS?

159
00:11:35,177 --> 00:11:39,181
OH, UH, MARRIAGE,
UH, TWO KIDS-- DIVORCE--

160
00:11:39,181 --> 00:11:41,684
MEN. THAT ENTIRE GENDER
IS DEFECTIVE.

161
00:11:41,684 --> 00:11:45,404
WELL, I'M RAISING TWO,
SO I TRY TO KEEP AN OPEN MIND.

162
00:11:45,404 --> 00:11:48,240
ANYWAY,
I BECAME A DETECTIVE.
[ Lighter Clicks ]

163
00:11:48,240 --> 00:11:50,693
UH-OH.
[ Chuckles ]

164
00:11:50,693 --> 00:11:53,662
WELL, I HOPE THIS IS
JUST A SOCIAL CALL.

165
00:11:53,662 --> 00:11:57,166
I'M REALLY GLAD TO SEE YOU
AGAIN, BUT YOUR PARENTS
FILED A COMPLAINT...

166
00:11:57,166 --> 00:11:59,001
ABOUT SOME THINGS THAT WERE
TAKEN FROM THEIR APARTMENT.

167
00:11:59,001 --> 00:12:01,453
WELL, THAT'S
A NEW LINE OF ATTACK.

168
00:12:01,453 --> 00:12:03,839
USUALLY THEY SEND
SHRINKS, EX-NUNS--

169
00:12:06,342 --> 00:12:09,795
DID YOU TAKE
THOSE THINGS, LUCY?

170
00:12:09,795 --> 00:12:12,181
YOU KNOW, I'D ASK
FOR A LAWYER, BUT MY PARENTS
WOULD HAVE TO HIRE HIM.

171
00:12:18,103 --> 00:12:20,272
YOU USING?

172
00:12:22,274 --> 00:12:25,060
IT MUST BE THE SUPER'S.
[ Laughing ]

173
00:12:25,060 --> 00:12:27,396
LOOK, UM, TRUTH IS,

174
00:12:27,396 --> 00:12:29,732
THIS GUY I HANG WITH,
HE'S CUTE BUT TROUBLE.

175
00:12:29,732 --> 00:12:32,701
WHAT CAN I SAY? YOU KNOW
THOSE MODELS THAT LOOK
LIKE JUNKIES? GUESS WHAT.

176
00:12:32,701 --> 00:12:35,204
THEY ARE!

177
00:12:38,073 --> 00:12:40,209
HEY, WHO'S THIS?

178
00:12:40,209 --> 00:12:43,662
- THAT'S MY JENNY.
- OH.

179
00:12:43,662 --> 00:12:48,334
I WAS MARRIED 10 MONTHS TO
A MAJOR ASSHOLE. LEFT ME ABOUT
TWO WEEKS BEFORE SHE WAS BORN.

180
00:12:48,334 --> 00:12:53,339
SHE'S UP IN DARIEN. MY PARENTS
DECIDED THAT I WAS UNFIT, AND
GAVE HER TO MY COUSIN FRANK.

181
00:12:53,339 --> 00:12:57,092
- DID YOU FIGHT IT?
- PLEASE, YOU TRY
  FIGHTING MY FATHER.

182
00:12:57,092 --> 00:12:59,561
I GET TO SEE HER SOME.

183
00:12:59,561 --> 00:13:02,898
WHEN I CAN HOLD ON
TO TRAIN FARE FOR
MORE THAN A DAY.

184
00:13:02,898 --> 00:13:05,484
SO, THIS STUFF YOU STOLE,
YOU STILL HAVE IT?

185
00:13:06,819 --> 00:13:09,154
WHAT, MY DAD GIVE YOU
AN EARFUL ABOUT
THE MONT BLANC?

186
00:13:09,154 --> 00:13:11,774
YOU KNOW, HE'S GOT
PARKINSON'S DISEASE.

187
00:13:12,274 --> 00:13:14,276
HE FEELS LIKE
THE WORLD LET HIM DOWN.
IT ALL LANDS ON ME.

188
00:13:14,276 --> 00:13:16,578
YOU KNOW, IF YOU
ONLY KNEW HOW MANY TIMES--

189
00:13:16,578 --> 00:13:19,531
HOW MANY TIMES I HAD
TO LISTEN TO HOW MY GRAMPS...

190
00:13:19,531 --> 00:13:23,001
JUST MADE IT OUT OF
THE VINEYARD FOR DAD'S
GRADUATING YALE LAW,

191
00:13:23,502 --> 00:13:26,372
- GIVING HIM THAT STUPID PEN.
- THEY WANT THAT STUFF BACK,

192
00:13:26,372 --> 00:13:29,341
- OR YOU COULD
  GET LOCKED UP, LUCY.
- [ Sighs ] GOD.

193
00:13:31,176 --> 00:13:33,762
- I SOLD THAT STUFF LAST NIGHT.
- ON THE STREET?

194
00:13:33,762 --> 00:13:36,799
PAWNBROKER.

195
00:13:36,799 --> 00:13:38,801
SHOULD WE GO TALK
TO HIM, SEE IF WE CAN
WORK THIS OUT?

196
00:13:38,801 --> 00:13:43,138
OH, YEAH. HE'LL DO
NEXT TO ANYTHING FOR ME.
HE'S A HUGE FAN OF MINE.

197
00:13:59,571 --> 00:14:02,658
- TYPHOID MARY.
- I'D LIKE TO SEE
  YOUR POLICE BOOK.

198
00:14:02,658 --> 00:14:05,461
- IN REFERENCE TO WHAT?
- JUST SHOW ME THE BOOK.

199
00:14:11,166 --> 00:14:13,469
- HOW MANY WAYS YOU GONNA
  JAM SOMEONE UP?
- WHAT, YOU THINK...

200
00:14:13,469 --> 00:14:16,588
-I WANT TO BRING HER DOWN HERE?
- WELL, I DIDN'T SEE HER
  LANDING BY PARACHUTE.

201
00:14:20,092 --> 00:14:23,228
I DON'T SEE ENTRIES FOR
JEWELRY AND A MONT BLANC PEN
SOLD BY MISS HASTINGS.

202
00:14:23,228 --> 00:14:25,147
WELL, I-I GOT BEHIND
IN MY PAPERWORK.

203
00:14:25,147 --> 00:14:28,350
- HAVE YOU STILL GOT
  THOSE THINGS, MR. BABCOCK?
- YEAH, I GOT THEM.

204
00:14:28,851 --> 00:14:32,187
- AND NONSPECIFIC URETHRITIS.
- ALL RIGHT, YOU KNOW WHAT?
  I'M GONNA WAIT OUTSIDE.

205
00:14:32,187 --> 00:14:34,022
- LUCY!
-YEAH, MAYBE WHILE
  WE'RE GETTIN' THIS DONE,

206
00:14:34,022 --> 00:14:36,358
SHE COULD TURN
A HALF-AND-HALF
IN THE ALLEY.

207
00:14:36,358 --> 00:14:38,577
JUST SHOW ME
THE JEWELRY AND THE PEN,
AND KEEP YOUR MOUTH SHUT.

208
00:14:38,577 --> 00:14:43,582
"WE DON'T NEED NO PARTY HATS.
 I'LL JUST DO YOU
 RIGHT BEHIND THE COUNTER."

209
00:14:44,750 --> 00:14:47,002
TWO DAYS LATER,
I'M AT THE DOCTOR'S.

210
00:14:50,506 --> 00:14:53,759
- IS THAT THE STUFF?
- YEAH, THAT'S THE STUFF.

211
00:14:53,759 --> 00:14:56,512
IF YOU'LL RELEASE
THIS PROPERTY, THE OWNERS
WILL COME BACK...

212
00:14:56,512 --> 00:14:58,046
TO COMPENSATE YOU
BY THE END OF
THE BUSINESS DAY.

213
00:14:58,547 --> 00:14:59,932
WE'LL OVERLOOK
THE POLICE BOOK INFRACTION.

214
00:14:59,932 --> 00:15:01,884
PLUS, SHE DON'T
COME IN HERE NO MORE.

215
00:15:01,884 --> 00:15:04,303
YEAH, I'M DYING TO SPEND
SOME MORE TIME IN HERE.

216
00:15:04,303 --> 00:15:08,390
OH, THIS AIN'T THE WORST PLACE
YOU'RE GONNA SPEND TIME IN,
YOU LOUSY JUNKIE WHORE.

217
00:15:08,390 --> 00:15:10,442
SHUT UP!
ANOTHER SATISFIED CUSTOMER.

218
00:15:22,321 --> 00:15:24,206
HI, GINA.
HEY.

219
00:15:24,206 --> 00:15:26,458
WHAT'S THAT,
HAND LOTION?
YEAH.

220
00:15:26,458 --> 00:15:31,547
I'M GETTING HAND LOTION,
VITAMINS, KITCHENWARES,
AND MAYBE THESE MINTS.

221
00:15:31,547 --> 00:15:33,382
EASY, YOU'RE GONNA GO
THROUGH YOUR WHOLE PAYCHECK.

222
00:15:33,382 --> 00:15:36,168
- THIS IS WHAT
  I'VE SELECTED, LIEUTENANT.
- SURE YOU NEED ALL THAT, GINA?

223
00:15:36,168 --> 00:15:40,138
-AREN'T THESE GOOD PRODUCTS?
- WELL, MY WIFE SAYS
  THEY DEFINITELY ARE.

224
00:15:40,138 --> 00:15:41,807
I'M REALLY JUST
BUYING NECESSITIES,
LIEUTENANT.

225
00:15:41,807 --> 00:15:44,142
EXCEPT FOR THE MINTS.
YEAH. YEAH, ALL RIGHT.

226
00:15:46,845 --> 00:15:49,398
HOW'D THAT GO WITH,
UH, ANGELA'S BOYFRIEND?

227
00:15:49,398 --> 00:15:53,819
- TREMENDOUSLY PRODUCTIVE.
- THERE'S NOTHING MORE
  WE COULD DO ABOUT IT.

228
00:15:53,819 --> 00:15:56,738
THERE'S, UH, HALF A CHANCE
IT STILL COULD COME UP WRONG.

229
00:15:56,738 --> 00:16:00,158
[ Sighs ]
THE D.A.'d NEVER MOVE
ON A COMPLAINT.

230
00:16:00,158 --> 00:16:03,328
- YEAH.
- HMM.

231
00:16:07,199 --> 00:16:09,034
SO, HOW'S ENGAGEMENT LIFE?

232
00:16:09,535 --> 00:16:13,755
[ Chuckles ]
YOU'RE GONNA LAUGH, BUT
IT DOES FEEL DIFFERENT.

233
00:16:15,674 --> 00:16:17,676
IT FEELS DIFFERENT?

234
00:16:17,676 --> 00:16:21,513
IT IS DIFFERENT.
FEELS GREAT.

235
00:16:21,513 --> 00:16:24,299
WISH I COULD TELL PEOPLE.

236
00:16:24,299 --> 00:16:26,184
PUT THE BOSS
IN A BAD POSITION.

237
00:16:26,184 --> 00:16:30,389
[ Sighs ]
I KEEP THINKING WE
COULD, UM, TELL ANDY.

238
00:16:30,389 --> 00:16:33,976
- OH, YEAH, WITH A MEGAPHONE.
- UH--

239
00:16:34,476 --> 00:16:38,030
ONE BY ONE
HE'D TELL PEOPLE, AND
IN COMPLETE CONFIDENCE.

240
00:16:40,816 --> 00:16:42,618
[ Sighs ]
WHAT'S UP?

241
00:16:42,618 --> 00:16:45,704
- WHAT?
- WHAT'S GOING ON?

242
00:16:45,704 --> 00:16:48,490
- NOTHING.
- NOTHING, ANDY.

243
00:17:00,919 --> 00:17:04,473
THIS REALLY SUCKS.

244
00:17:04,473 --> 00:17:06,475
YOU KNOW, YOU
REALLY GOT TO PUT ME
THROUGH THIS, JILL?

245
00:17:06,475 --> 00:17:10,145
I MEAN, I SAW
SCARED STRAIGHT,I SAW ALL
 OF THE PUBLIC SERVICE ADS--

246
00:17:10,145 --> 00:17:12,931
LET'S TALK IN HERE.
ALL RIGHT.

247
00:17:12,931 --> 00:17:15,734
IN HERE.

248
00:17:15,734 --> 00:17:18,487
HAVE A SEAT.

249
00:17:20,405 --> 00:17:23,325
IT'S JUST, I REALLY GOTTA
TAKE OFF, JILL.

250
00:17:23,325 --> 00:17:25,077
SIT.

251
00:17:28,330 --> 00:17:31,083
- SO WHAT, ARE YOU GONNA
  THROW ME IN JAIL?
- MIGHT COME TO THAT.

252
00:17:31,083 --> 00:17:34,369
[ Sniffs ]
I MEAN, I JUST REALLY
GOTTA GO MEET SOME PEOPLE.

253
00:17:34,369 --> 00:17:37,005
- MEANING YOU'VE GOTTA
  GET HIGH.
- OH, I GOTTA GO,

254
00:17:37,506 --> 00:17:39,341
SO THAT MEANS
I'M GONNA SCORE DRUGS, RIGHT?

255
00:17:39,341 --> 00:17:42,094
YOU NEED TO GET INTO A PROGRAM,
LUCY. THAT'S THE CONDITION...

256
00:17:42,594 --> 00:17:45,597
OF YOUR PARENTS
NOT PURSUING CHARGES.
SURE. OKAY. FINE!

257
00:17:45,597 --> 00:17:48,350
YOU'VE GOT AN INTAKE
INTERVIEW IN HALF AN HOUR
AT PHOENIX HOUSE.

258
00:17:48,350 --> 00:17:51,353
I WANT TO
TAKE YOU OVER THERE.
JUST LOOK! LOOK!

259
00:17:51,853 --> 00:17:53,855
SIT DOWN!

260
00:17:53,855 --> 00:17:56,775
JILL, IT'S JU--
YOU MADE YOUR POINT.

261
00:18:08,487 --> 00:18:12,374
HERE'S MY ADDRESS
AND PHONE NUMBER.

262
00:18:12,374 --> 00:18:14,660
I'M NOT PASSING YOU OFF.

263
00:18:14,660 --> 00:18:17,462
[ Scoffing ]
BUT YOU'VE GOT
TO UNDERSTAND.

264
00:18:17,462 --> 00:18:20,549
EITHER I TAKE YOU TO THAT
PROGRAM, OR YOU'RE A COLLAR.

265
00:18:20,549 --> 00:18:25,137
BOY, I'M REALLY, REALLY GLAD
WE GOT BACK IN TOUCH, JILL.

266
00:18:32,678 --> 00:18:37,015
DIANE, PROSS D.O.A.,
4th AND "D."

267
00:18:37,516 --> 00:18:39,818
- ANY DESCRIPTION ON THE PROSS?
- NO. WORK IT WITH HER?

268
00:18:44,740 --> 00:18:47,275
THANKS.
YEAH.

269
00:19:05,711 --> 00:19:08,630
HE/SHE PROSS,
HACKED UP PRETTY GOOD.

270
00:19:09,131 --> 00:19:11,967
OH, SON OF A BITCH.
[ Gasps ]

271
00:19:11,967 --> 00:19:14,686
THERE WAS ANOTHER HOOKER
HERE SCREAMING,
BUT SHE RAN AWAY.

272
00:19:14,686 --> 00:19:16,855
- BLACK GIRL?
- GOT A LICENSE PLATE NUMBER.

273
00:19:16,855 --> 00:19:19,357
- SOMEONE TACKED IT TO A POLE.
- YEAH, WE'LL RUN THAT.

274
00:19:19,357 --> 00:19:21,359
WHAT THE HELL'S THE POINT?
IT'S GONNA BE THE BOYFRIEND.

275
00:19:21,359 --> 00:19:23,945
LET'S GO PICK
THE STUPID BASTARD UP.

276
00:19:26,314 --> 00:19:29,117
HEY, YOU ALL RIGHT?

277
00:20:03,585 --> 00:20:05,420
DETECTIVE MEDAVOY'S
CALLED IN SICK?

278
00:20:05,420 --> 00:20:07,139
SAID HE HAD
A BAD UPSET STOMACH.

279
00:20:07,639 --> 00:20:09,674
LET ME CALL HIM UP.

280
00:20:09,674 --> 00:20:12,727
COME IN LIKE STORM TROOPERS
TO A MAN'S PLACE OF WORK?

281
00:20:13,228 --> 00:20:14,729
UP ALL NIGHT, PLUS
WE'RE STORM TROOPERS?

282
00:20:14,729 --> 00:20:17,315
LOOKED TO ME LIKE YOU
CAME IN PRETTY VOLUNTARILY
THERE, MR. DRURY.

283
00:20:17,315 --> 00:20:20,318
TO AVOID HUMILIATION.
NEXT TIME WHEN YOU
GET A POLITE REQUEST...

284
00:20:20,318 --> 00:20:23,321
ON THE PHONE,
YOU'LL THINK TWICE
ABOUT NOT HANGING UP.

285
00:20:23,321 --> 00:20:26,741
[ Fancy ]
HIS LINE'S BUSY. DID HE SAY
WHAT THE UPSET WAS FROM?

286
00:20:26,741 --> 00:20:29,744
[ Gina ]
JUST GOT THE IMPRESSION
IT WAS LIKE A STOMACH VIRUS.

287
00:20:29,744 --> 00:20:32,247
OH, MORNING.
YEAH, WE GOT THIS GUY IN.

288
00:20:32,247 --> 00:20:35,834
SOMEONE PUT HIS
LICENSE PLATE NUMBER UP WHERE
THE PROSTITUTE GOT MURDERED.

289
00:20:35,834 --> 00:20:39,171
SO, YOU'RE LOOKING AT HIM
AS A WITNESS OR THE PERP?
WELL, MAYBE A TRICK.

290
00:20:39,671 --> 00:20:42,007
HE COULD'VE SEEN SOMETHING.
WE STILL GOTTA LIKE
THE BOYFRIEND FOR DOING HER.

291
00:20:42,007 --> 00:20:45,177
YEAH, AND HE'S IN THE WIND.
WE SAT ON HIS PLACE
ALL NIGHT.

292
00:20:45,177 --> 00:20:48,964
WE'RE ALSO LOOKING FOR
THE BLACK PROSS WHO USED TO
HANG AROUND WITH THE D.O.A.

293
00:20:48,964 --> 00:20:51,299
- MORNING, LIEU.
- YEAH. UM, DID YOU HAPPEN
  TO SPEAK WITH GREG?

294
00:20:51,800 --> 00:20:53,301
YEAH, HE'S GOT SOME
KIND OF STOMACH DIFFICULTY.

295
00:20:53,301 --> 00:20:55,604
LIEU, I'M GONNA
TALK TO THIS GUY.

296
00:20:55,604 --> 00:20:57,856
DID HE SAY IT WAS
VITAMIN-RELATED?

297
00:20:57,856 --> 00:21:00,058
HIS STOMACH PROBLEM?
MM-HMM.

298
00:21:00,058 --> 00:21:02,310
HE DIDN'T SAY,
ONE WAY OR ANOTHER.
YEAH, OKAY.

299
00:21:04,229 --> 00:21:06,064
HEY, GINA.
HEY, JAMES.

300
00:21:10,035 --> 00:21:11,870
HMM.

301
00:21:11,870 --> 00:21:15,373
NOT ONE DAMN BIT
OF CONCERN FOR DAMAGE
TO A PERSON'S REPUTATION?

302
00:21:15,373 --> 00:21:17,826
- WE'RE STILL ON THIS
  INTERESTING SUBJECT.
-[ Simone ] WHAT IS THAT?

303
00:21:17,826 --> 00:21:19,911
IS THAT AN UNEASY CONSCIENCE
THERE, MR. DRURY,

304
00:21:19,911 --> 00:21:22,464
READING SO MUCH INTO
YOUR COWORKER'S REACTIONS?

305
00:21:22,464 --> 00:21:26,551
HOW 'BOUT IF YOUR WIFE
KNEW WE WERE TALKING TO YOU?
THAT'VE WOUND YOU UP EVEN MORE?

306
00:21:26,551 --> 00:21:29,754
SO, DID YOU TRANSACT ANY,
UH, PERSONAL BUSINESS...

307
00:21:29,754 --> 00:21:31,223
BEFORE GOING HOME
FROM WORK YESTERDAY?

308
00:21:31,723 --> 00:21:33,592
AN ALLEY OFF OF 4th AND "D."

309
00:21:33,592 --> 00:21:37,679
- YOU PEOPLE ARE SCUM.
- NO ONE IS LOOKING TO
  EMBARRASS YOU HERE, ALL RIGHT?

310
00:21:37,679 --> 00:21:40,148
WE ARE INVESTIGATING
A MURDER, AND WE'RE TRYING
TO GET YOU TO COOPERATE.

311
00:21:40,148 --> 00:21:43,434
I HAVE NOTHING TO DO
WITH THAT. A MURDER.

312
00:21:43,434 --> 00:21:46,320
WE FIGURE THAT'S
ABSOLUTELY POSSIBLE,
SO WHY DON'T YOU STOP...

313
00:21:46,320 --> 00:21:50,190
YOUR PISSING
AND MOANING HOW EVERYONE'S
INFRINGING YOUR GOOD NAME,

314
00:21:50,190 --> 00:21:54,495
TELL US WHAT YOU KNOW,
SO MY PARTNER AND ME CAN
DO A LITTLE FRESHENING UP.

315
00:21:54,495 --> 00:21:56,497
THIS CAN BE KEPT FROM
MY EMPLOYER AND MY FAMILY?

316
00:21:56,497 --> 00:21:58,949
WE NEED TO KNOW WHAT
YOU SAW, MR. DRURY.

317
00:21:58,949 --> 00:22:04,121
[ Sighs ]
OKAY. WE GOT INTO THE CAR--

318
00:22:04,121 --> 00:22:07,124
WAIT. WAIT. BACK UP.
WHAT?

319
00:22:07,124 --> 00:22:11,011
YOU PICKED HER UP
ON THE STREET?
JUST IN THAT IMMEDIATE VICINITY.

320
00:22:11,011 --> 00:22:16,266
AND SHE ASKED IF I WANTED TO
GO TO A HOTEL, AND I DIDN'T HAVE
TIME, SO WE WENT INTO THE ALLEY.

321
00:22:16,266 --> 00:22:19,019
SHE WAS JUST STARTING
TO UNDO MY TROUSERS--
YOU'D PAID HER?

322
00:22:19,019 --> 00:22:24,691
FORTY DOLLARS. AND BEFORE
ANYTHING ELSE COULD HAPPEN,

323
00:22:24,691 --> 00:22:28,111
HER PIMP OR SOME STREET THIEF
CAME UP TO THE WINDOW
ON MY SIDE...

324
00:22:28,111 --> 00:22:30,731
AND OPENED THE DOOR,
 AND HELD A KNIFE TO MY THROAT.

325
00:22:31,231 --> 00:22:32,733
YOU HAD YOUR DOOR UNLOCKED?

326
00:22:33,233 --> 00:22:36,036
I WANTED TO BE ABLE TO GET
AWAY QUICKLY IN-IN-IN CASE
SHE DECIDED TO ROB ME.

327
00:22:36,036 --> 00:22:39,406
ANYWAY, UH, HE TOOK
MY MONEY AND THREW MY WALLET
ON THE FLOOR,

328
00:22:39,406 --> 00:22:41,408
AND THEN HEADED AROUND
THE FRONT OF THE CAR.

329
00:22:41,408 --> 00:22:44,912
- I-I WAS JUST GLAD
  ENOUGH TO GET AWAY.
- AND SHE WAS STILL IN THE CAR?

330
00:22:46,413 --> 00:22:49,416
SHE, UM-- SHE GOT OUT.
 SHE WAS SCREAMING AT HIM.

331
00:22:49,416 --> 00:22:52,669
I DON'T KNOW IF THEY WERE
WORKING TOGETHER, OR IF THE
SCREAMING WAS A SHOW OR WHAT.

332
00:22:52,669 --> 00:22:55,255
YOU SEE ANYBODY ELSE AROUND?

333
00:22:55,255 --> 00:22:59,142
A BLACK HOOKER CAME RUNNING.
I ALMOST RAN HER OVER.

334
00:22:59,643 --> 00:23:03,063
- DESCRIBE THE GUY
  WHO ROBBED YOU.
- [ Inhales ] UH, MUSCULAR.

335
00:23:03,063 --> 00:23:06,316
UM, MEDIUM HEIGHT.
HISPANIC.

336
00:23:07,484 --> 00:23:09,236
ALL RIGHT,
THANKS, MR. DRURY.

337
00:23:09,236 --> 00:23:12,155
WE MAY WANT YOU
TO COME BACK IN LATER
ON FOR A LINEUP.

338
00:23:12,155 --> 00:23:14,691
I WILL NOT TESTIFY
IN ANY OPEN FORUM.

339
00:23:14,691 --> 00:23:17,361
HE SAID HE MIGHT NEED YOU
FOR A LINEUP. STOP YELLIN'
BEFORE YOU'RE HIT.

340
00:23:18,328 --> 00:23:20,948
- CAN I GO?
- OKAY.

341
00:23:24,585 --> 00:23:27,087
[ Sighs Deeply ]
[ Door Slams ]

342
00:23:28,539 --> 00:23:30,340
WASH UP, HIT PEACHES'S STROLL?

343
00:23:30,340 --> 00:23:34,511
YEAH. THINK
IF HE'D HAVE KNOWN ABOUT
ANGELA'S JOHNSON DOWN THERE,

344
00:23:34,511 --> 00:23:36,430
THAT WOULD HAVE BEEN
AN UNHAPPY SURPRISE?

345
00:23:36,930 --> 00:23:38,715
THAT WOULD'VE BEEN
THE ANCHOVY ON THE PIZZA.

346
00:23:43,687 --> 00:23:46,890
- HI.
- OH, HI.

347
00:23:46,890 --> 00:23:49,726
UM, COULD YOU CLOSE THE DOOR?

348
00:23:49,726 --> 00:23:53,063
THE WAY YOU SOUNDED ON
THE PHONE, I THOUGHT I MIGHT
FIND YOU IN RESTRAINTS.

349
00:23:53,063 --> 00:23:55,365
THIS WON'T WORK, LILLIAN.

350
00:23:55,365 --> 00:23:58,619
YOU NEED TO TAKE THESE
PRODUCT SAMPLES HOME.

351
00:23:58,619 --> 00:24:02,122
OBVIOUSLY, I'VE COME TO
TAKE 'EM. BUT I'D LIKE US
TO TAKE ONE WHIRL...

352
00:24:02,122 --> 00:24:04,992
AT DISCUSSING
THIS RATIONALLY.
MEDAVOY'S SICK.

353
00:24:04,992 --> 00:24:09,212
GOD KNOWS WHAT THAT'S ABOUT.
I DON'T THINK IT'S ABOUT
THE VITAMINS YOU SOLD HIM.

354
00:24:09,212 --> 00:24:11,498
AND I DON'T WANT TO HAVE TO
WONDER ABOUT THAT, LILLIAN.

355
00:24:11,498 --> 00:24:15,552
OR WORRY THAT
GINA'S BUYING MINTS TO
CURRY FAVOR WITH HER BOSS.

356
00:24:15,552 --> 00:24:18,505
I CAN SEE WHERE
THAT MIGHT BE A PROBLEM.

357
00:24:18,505 --> 00:24:22,142
BUT IT SEEMS TO ME, UH,
AN ARTICULATE AND FAIR-MINDED
PERSON LIKE YOURSELF...

358
00:24:22,142 --> 00:24:24,728
CAN COMMUNICATE
THAT'S THE OPPOSITE
OF WHAT WOULD HAPPEN.

359
00:24:24,728 --> 00:24:29,016
- I TOLD THEM
  NOT TO FEEL OBLIGATED.
- I'M SURE THEY BELIEVED YOU.

360
00:24:29,016 --> 00:24:30,684
IT'S YOU THAT CAN'T ACCEPT
THAT'S THE CASE.

361
00:24:30,684 --> 00:24:35,405
[ Sighs ]
THIS COMPANY'S BEEN
IN BUSINESS FOR 23 YEARS.

362
00:24:35,405 --> 00:24:39,526
AND60 MINUTESDOES
EXPOSEÉÉS ALL THE TIME ABOUT
THESE PYRAMID SCHEMES.

363
00:24:39,526 --> 00:24:44,281
YOU'RE WORRIED ABOUT
DISTRIBUTORS SELLING FRANCHISES.
I'M NOT DOING THAT.

364
00:24:44,698 --> 00:24:48,285
THIS IS CRAZY. WE HAD THIS
CONVERSATION LAST NIGHT.

365
00:24:48,285 --> 00:24:52,289
LOOK, WITH THE GIRLS IN SCHOOL,
I KNOW WE NEED THE EXTRA INCOME,

366
00:24:52,289 --> 00:24:55,092
BUT I DON'T WANT
ANYONE THINKIN'--

367
00:24:55,092 --> 00:24:57,761
- DON'T SHAKE YOUR HEAD AT ME.
- I'LL TAKE THESE HOME.

368
00:24:57,761 --> 00:25:00,597
WHAT ARE YOU SHAKING
YOUR HEAD FOR?

369
00:25:02,599 --> 00:25:05,852
I'D LIKE TO TAKE THAT BOOB THAT
SITS IN JUDGMENT IN YOUR HEAD,

370
00:25:05,852 --> 00:25:07,137
AND PUNCH HIM IN THE NOSE.

371
00:25:08,855 --> 00:25:12,275
I'M SORRY.
[ Rustling Paper ]

372
00:25:12,275 --> 00:25:14,645
WILL YOU AT LEAST TELL
PEOPLE THEY CAN CALL ME?

373
00:25:15,145 --> 00:25:17,230
WITH NO OBLIGATION.
NO, ARTHUR.

374
00:25:17,731 --> 00:25:21,234
IF THEY CALL AND DON'T BUY,
I'M GONNA COME
AND BEAT 'EM WITH A STICK.

375
00:25:22,986 --> 00:25:26,623
- I LOVE YOU.
- I LOVE YOU BACK.

376
00:25:28,375 --> 00:25:32,162
MR. HASTINGS?
MRS. HASTINGS?

377
00:25:34,081 --> 00:25:36,967
CAN YOU IDENTIFY
THESE ITEMS FOR ME?

378
00:25:40,671 --> 00:25:45,392
THAT'S MY PEN.
THAT'S YOUR GRANDMOTHER'S
NECKLACE AND EARRINGS.

379
00:25:45,392 --> 00:25:48,562
- AND IS THAT EVERYTHING
  THAT WAS TAKEN?
- YES.

380
00:25:48,562 --> 00:25:51,181
- I SUPPOSE SO.
- GOOD.

381
00:25:51,181 --> 00:25:53,266
- WILL YOU SIGN THIS FOR ME?
- SURE.

382
00:25:53,767 --> 00:25:57,187
YOU'LL NEED TO GO TO
THAT ADDRESS I'VE INDICATED
TO TAKE IT OUT OF PAWN.

383
00:25:57,187 --> 00:26:00,323
LUCINDA ENROLLED
AT PHOENIX HOUSE YESTERDAY.

384
00:26:00,323 --> 00:26:03,110
I PROMISE YOU,
IT'S NOT A COUNTRY CLUB.

385
00:26:04,528 --> 00:26:07,280
I CAN'T TELL YOU
HOW GRATEFUL WE ARE.

386
00:26:08,331 --> 00:26:11,451
MRS. HASTINGS,
YOU NEED TO UNDERSTAND...

387
00:26:11,451 --> 00:26:14,204
THAT LUCINDA'S
TRYING TO GET WELL
IS A LONG, HARD PROCESS...

388
00:26:14,204 --> 00:26:16,757
AND DOESN'T HAVE
THE WORLD'S GREATEST
SUCCESS RATE.

389
00:26:16,757 --> 00:26:20,177
SHE'S NEVER UNDERSTOOD THAT.
SHE DOESN'T WANT TO NOW.

390
00:26:20,177 --> 00:26:22,379
MR. HASTINGS,
I'M SURE YOU UNDERSTAND.

391
00:26:22,379 --> 00:26:28,268
KNOWING THE PROCESS IS HARD, AND
LUCY MIGHT NOT SUCCEED, DOESN'T
MEAN YOU STOP LOVING HER.

392
00:26:28,268 --> 00:26:32,856
IT MEANS YOUR LIFE
CAN'T REVOLVE AROUND
WHETHER SHE DOES OR DOESN'T.

393
00:26:33,356 --> 00:26:34,858
OTHER PEOPLE
ARE SUFFERING TOO.

394
00:26:39,479 --> 00:26:43,567
I TOLD LUCY TO USE THIS
WHENEVER SHE FELT THE NEED.

395
00:26:44,951 --> 00:26:47,204
I HOPE YOU'LL DO THE SAME.

396
00:26:47,204 --> 00:26:49,156
CAN WE CALL LUCY?

397
00:26:49,156 --> 00:26:51,658
I THINK YOU SHOULD WAIT
TILL SHE CALLS YOU FIRST.

398
00:26:51,658 --> 00:26:56,213
JILL, I FEEL THIS IS JUST
A TURNING OF THE CORNER.

399
00:26:56,213 --> 00:27:00,917
-I'M JUST SO OPTIMISTIC.
- THANKS FOR YOUR HELP.

400
00:27:00,917 --> 00:27:05,922
SURE. AH, CAN YOU
SHOW YOURSELVES OUT?

401
00:27:13,930 --> 00:27:17,934
WE GOT OUR THUMBS UP OUR BUTTS
PRETTY GOOD. PERP LIABLE
PRESENTLY...

402
00:27:17,934 --> 00:27:19,936
TO BE RELOCATED
TO SAN JUAN.

403
00:27:19,936 --> 00:27:22,355
NOW THIS PEACHES
IS IN THE WIND.

404
00:27:22,355 --> 00:27:24,775
YEAH, PEACHES IN THE WIND
PROBABLY MEANS JIMMY CORTEZ
IS STILL AROUND.

405
00:27:25,275 --> 00:27:27,277
YOU FIGURE
SHE'S HIDING FROM HIM?

406
00:27:27,778 --> 00:27:29,780
WHAT MAKES YOU THINK SO CLEAR
AFTER BEING UP ALL NIGHT?

407
00:27:29,780 --> 00:27:33,116
WE'VE GOTTA FIND PEACHES,
AND WE GOTTA SIT ON THIS GUY
CORTEZ'S PLACE AGAIN.

408
00:27:33,116 --> 00:27:36,036
HOW WOULD YOU PUT OUT
A DESCRIPTION ON HER?

409
00:27:36,036 --> 00:27:39,539
"SUBJECT LOOKS LIKE ROLONDA
 OR GODFREY CAMBRIDGE."

410
00:27:39,539 --> 00:27:42,042
[ Stifles Laugh ]
THAT'S ACCURATE, BOBBY.

411
00:27:43,710 --> 00:27:46,046
CRIME'S DOWN.
 CRIME'S DOWN.

412
00:27:46,046 --> 00:27:48,882
THEY ALWAYS COME UP WITH
THESE FULL-OF-NONSENSE
STATISTICS.

413
00:27:48,882 --> 00:27:52,219
LOOK AT THAT CHEEK OF YOURS.
I'D JUST AS SOON
NOT TALK ABOUT IT.

414
00:27:52,219 --> 00:27:54,688
YOU KNOW, YOU NEED TO GET YOU
A LITTLE PIECE FOR YOUR PURSE.

415
00:27:54,688 --> 00:27:57,941
- ARTHUR CARTWELL.
- SAYS HE HAS INFORMATION
  ON YOUR CASE.

416
00:27:57,941 --> 00:28:02,946
YEAH. HE'S GOT INFORMATION
ON EVERY CASE, INCLUDING THAT
BIG BLIMP THAT CAUGHT ON FIRE.

417
00:28:02,946 --> 00:28:05,315
- WHICH ONE CRASHED? NOT SNOOPY?
- WHAT DO YOU GOT, ARTHUR?

418
00:28:05,315 --> 00:28:11,154
I'D LIKE TO COMMUNICATE
IN SOMEWHAT MORE CONFIDENTIAL
SURROUNDINGS.

419
00:28:11,154 --> 00:28:13,039
OH, ABSOLUTELY.

420
00:28:23,049 --> 00:28:26,803
YOU LOOK LIKE SOMETHING
THE CAT DRAGGED IN.
SLEEPLESS NIGHT.

421
00:28:31,258 --> 00:28:33,677
SO!
SO?

422
00:28:33,677 --> 00:28:37,931
SO.
[ Coughs ]

423
00:28:37,931 --> 00:28:42,269
PRETTY PROSS NAMED ANGELA,
SHE NO LONGER AMONGST US.

424
00:28:42,269 --> 00:28:44,688
GIVE IT UP, CARTWELL.
HOW 'BOUT YOU GIVING UP...

425
00:28:44,688 --> 00:28:47,440
HOW MUCH A EYEWITNESS I.D.
GONNA BE WORTH?

426
00:28:49,693 --> 00:28:51,945
BEING AS HOW, UH, THAT
WILLIE LOPEZ CLEARANCE...

427
00:28:51,945 --> 00:28:55,949
PUT BIG FEATHERS IN Y'ALL'S
CAPS, AND LEFT ME 'BOUT
AS POOR AS WHEN I WOKE UP.

428
00:28:55,949 --> 00:28:59,586
I.D. AND AN EYEWITNESS
TESTIMONY WILL GET YOU
A COUPLE THOUSAND.

429
00:28:59,586 --> 00:29:02,038
BUT YOU GOTTA MAKE ALL
THE HEARINGS, ARTHUR.

430
00:29:02,038 --> 00:29:04,174
I'M FAMILIAR WITH
HOW THEM WHEELS TURN.

431
00:29:04,174 --> 00:29:07,344
ARE WE HEARING CHAPTER AND VERSE
ANY POINT IN THE NEAR FUTURE?

432
00:29:09,796 --> 00:29:13,099
JIMMY CORTEZ DID ANGELA.
CUT HER UP IN THAT ALLEY
LIKE A BIRD.

433
00:29:13,099 --> 00:29:17,020
- WHICH YOU SAW FROM WHERE?
- ACROSS THE STREET IN A CAR.

434
00:29:17,020 --> 00:29:19,639
THEY'RE IN THE STREET HAVING
A SHOUTING MATCH, THEN HE TAKE
HER OVER IN THAT ALLEY...

435
00:29:19,940 --> 00:29:22,058
START CUTTIN' ON HER--

436
00:29:22,058 --> 00:29:25,612
I MEAN, I'M LIKE, "OH, MAN,"
BUT, YOU KNOW, BEFORE I COULD
DO ANYTHING, HE GONE.

437
00:29:25,612 --> 00:29:28,281
HMM. WHAT WERE
THEY FIGHTING ABOUT?

438
00:29:28,281 --> 00:29:33,570
I DON'T KNOW. I GUESS
IT WAS A-A LOVER'S QUARREL.

439
00:29:33,570 --> 00:29:36,456
YOU KNOW, CERTAIN ELEMENTS.
YOU KNOW, THEY-- EVERYBODY
KNOW THEY GOT A THING.

440
00:29:36,456 --> 00:29:42,462
- ANYBODY ELSE AROUND THERE?
- UH-UH. BUT Y'ALL GOT ME.

441
00:29:43,546 --> 00:29:45,582
HMM. YOU'RE LYING, ARTHUR.

442
00:29:45,582 --> 00:29:47,801
SEE, NOW THERE YOU GO
WITH THIS DOUBTIN' ME.

443
00:29:47,801 --> 00:29:52,138
THAT BLACK WHORE SEND YOU
IN HERE, HUH? TOLD YOU WHAT
SHE SAW, CLEAN UP THE STORY?

444
00:29:52,138 --> 00:29:54,474
I DON'T HAVE THE FAINTEST IDEA
WHAT YOU'RE TALKING ABOUT.

445
00:29:54,474 --> 00:29:57,344
OH, SURE YOU DO, ARTHUR.
YOU SEE, WE KNOW
PEACHES WAS THERE.

446
00:29:57,344 --> 00:30:00,847
SHE'S AFRAID TO TESTIFY.
SHE WANTS THIS GUY COLLARED,
SHE COMES TO YOU.

447
00:30:01,348 --> 00:30:06,102
[ Coughs ] OKAY.
SAY THAT THIS IS SO.

448
00:30:06,102 --> 00:30:09,489
CORTEZ DID DO ANGELA.
Y'ALL WANT THE CLEARANCE.

449
00:30:09,489 --> 00:30:12,108
- SHUT UP!
- WHERE WE GONNA FIND
  PEACHES, ARTHUR?

450
00:30:12,475 --> 00:30:15,946
HOW MUCH THAT GONNA BE WORTH?
YOU NOT NEEDIN' TO HAVE
YOUR JAW RESET.

451
00:30:20,166 --> 00:30:22,118
C-NOTE.

452
00:30:23,286 --> 00:30:25,538
[ Clicks Tongue ]

453
00:30:30,460 --> 00:30:34,965
THIS IS WHERE YOU'LL FIND HER.
YOU KNOW WHAT'D BE
WORTH MORE?

454
00:30:35,465 --> 00:30:39,519
NOW, I WILL NOW TURN MY
ATTENTIONS ON WHERE THAT EVIL
PUERTO RICAN'S HIDING OUT.

455
00:30:41,221 --> 00:30:45,392
YOU SEE, I JUST OUGHTA BE
MADE AN HONORARY MEMBER
OF THIS DEPARTMENT.

456
00:30:47,644 --> 00:30:50,146
DETECTIVE, I DIDN'T KNOW
WHERE YOU WERE.

457
00:30:50,146 --> 00:30:52,032
- WHAT IS IT, GINA?
- YOU HAVE A MALE
  BABYSITTER AT HOME?

458
00:30:52,032 --> 00:30:54,534
WHAT'S WRONG?
HE WANTS YOU TO COME HOME.

459
00:30:54,534 --> 00:30:57,404
SAYS HE LET SOMEONE IN YOU GAVE
YOUR CARD TO, NOW HE'S WORRIED
WHAT THEY'RE DOING.

460
00:30:57,404 --> 00:31:00,240
TELL THE LIEUTENANT
I'M TAKING LOST TIME.
ALL RIGHT.

461
00:31:00,240 --> 00:31:02,625
I NEED TO GET THROUGH.
YOU OKAY, JILL?

462
00:31:02,625 --> 00:31:05,628
I NEED TO GET HOME.
BUSY, BUSY, BUSY.

463
00:31:05,628 --> 00:31:07,497
SHUT UP, CARTWELL.

464
00:31:16,973 --> 00:31:18,908
[ Knocking ]

465
00:31:21,745 --> 00:31:23,613
ARE THE BOYS ALL RIGHT?
I COULDN'T REACH YOU,
AND SHE SAID THAT...

466
00:31:23,613 --> 00:31:26,366
YOU TOLD HER TO COME HERE.
THIS IS LUCINDA HASTINGS.

467
00:31:26,366 --> 00:31:28,668
SHE SHOWED ME YOUR CARD.
HI, MOM!

468
00:31:28,668 --> 00:31:32,088
HI, SWEETHEART! HI.
SHE LOOKS BAD. I DIDN'T KNOW
IF I SHOULD CALL THE HOSPITAL.

469
00:31:32,088 --> 00:31:33,923
WE GOT A SLEEPOVER.
WE DO, HUH?

470
00:31:33,923 --> 00:31:37,293
- LYING DOWN IN YOUR ROOM.
- HER NAME'S LUCY.
  SHE LOOKS PRETTY SICK.

471
00:31:37,293 --> 00:31:39,796
OH. WELL, I'LL TELL YOU WHAT.

472
00:31:39,796 --> 00:31:43,299
YOU GUYS STAY HERE,
AND I'M GONNA GO SEE
HOW LUCY'S FEELING, OKAY?

473
00:31:43,800 --> 00:31:44,300
OKAY.
ALL RIGHT.

474
00:31:44,300 --> 00:31:46,603
STAY WITH THE BOYS.

475
00:31:51,024 --> 00:31:53,943
[ Moaning ]
OH, SH--

476
00:31:55,895 --> 00:31:57,981
- [ Sighs Deeply ]
- JILL.

477
00:31:57,981 --> 00:32:01,818
- WHAT DID YOU TAKE, LUCY?
- NOTHING. I'M TOO SICK.

478
00:32:01,818 --> 00:32:04,654
I'M NOT ASKING YOU
WHAT YOU STOLE. I'M ASKING
WHAT DRUGS YOU TOOK.

479
00:32:04,654 --> 00:32:08,124
I WAS TRYING FOR SMACK,
BUT IT WAS A BEAT BAG.

480
00:32:08,124 --> 00:32:10,210
- YOU DON'T KNOW WHAT WAS IN IT?
- NO. [ Gasping ]

481
00:32:10,210 --> 00:32:12,996
- EMMETT!
- WALKED OUT OF THAT PROGRAM,

482
00:32:12,996 --> 00:32:17,167
AND TRIED TO TRICK A COP
BUT IT WAS A BEAT BAG.

483
00:32:17,167 --> 00:32:19,636
CALL AN AMBULANCE
AND SHUT THE DOOR.

484
00:32:21,137 --> 00:32:23,673
SO, WHEN THE BAG WAS BAD
YOU CAME BACK HERE TO ROB ME?

485
00:32:24,557 --> 00:32:28,061
STILL HAD TO GET OFF.

486
00:32:28,061 --> 00:32:30,847
I WASN'T ATTRACTING TOO MANY
JOHNS THROWING UP ON MYSELF.
[ Laughing ]

487
00:32:32,599 --> 00:32:35,235
CAN I GET SOME WATER?
NO, I DON'T WANT TO PUT
ANYTHING IN YOUR STOMACH...

488
00:32:35,235 --> 00:32:38,104
- UNTIL WE KNOW WHAT'S GOING ON.
- GOD, YOU'VE GOT SO MANY RULES.

489
00:32:38,104 --> 00:32:40,657
-[ Knocking ]
-[ Boy ] MOM, CAN I COME IN?

490
00:32:40,657 --> 00:32:44,160
- NO, SWEETHEART.
-I WANT TO DRAW
 A PICTURE FOR YA.

491
00:32:44,661 --> 00:32:47,997
- WE'LL DO IT LATER.
- [ Grunts ]

492
00:32:47,997 --> 00:32:53,169
- WHAT'S GONNA HAPPEN NOW?
- WE'LL GET YOU TAKEN CARE
  OF AT THE HOSPITAL.

493
00:32:53,169 --> 00:32:56,706
- THEN YOU'RE GOING TO JAIL.
- [ Sobbing ]

494
00:33:06,549 --> 00:33:08,551
I AIN'T GONNA BE A PART OF IT.

495
00:33:08,551 --> 00:33:11,721
PEACHES, YOU REACHED OUT
TO SOMEONE ELSE TO GIVE
A PERJURED STATEMENT...

496
00:33:11,721 --> 00:33:14,140
'CAUSE YOU WANTED
THIS GUY COLLARED.

497
00:33:14,140 --> 00:33:16,025
[ Sobs ]
DID YOU SEE HOW HE CUT HER?

498
00:33:16,025 --> 00:33:20,196
- WE'LL PROTECT YOU FROM CORTEZ.
- HOW YOU PROTECTED ANGELA?

499
00:33:20,196 --> 00:33:22,031
SHE CAME HERE AND
BEGGED YOU FOR HELP.

500
00:33:22,532 --> 00:33:23,867
THERE WAS NOTHING
WE COULD DO THERE, PEACHES.

501
00:33:23,867 --> 00:33:26,236
BRING THE D.A.
A WHORE GETTING SLAPPED,

502
00:33:26,236 --> 00:33:28,037
ALL'S WE'RE GONNA
GET IS, "DON'T LET
THE DOOR HIT YOUR ASS."

503
00:33:28,037 --> 00:33:30,957
MURDER'S A DIFFERENT
STORY, PEACHES.

504
00:33:30,957 --> 00:33:33,793
EYEWITNESS, YOU'LL GET HOUSING,
D.A.'s SQUAD LOOKING AFTER YOU.

505
00:33:33,793 --> 00:33:37,130
[ Sobs ]
SHE WAS MY FRIEND, YOU KNOW?

506
00:33:37,130 --> 00:33:40,583
WE WERE FRIENDS FOR SIX YEARS.
I KNOW THAT.

507
00:33:41,751 --> 00:33:44,587
HERE WE GO WITH THE FAUCETS.

508
00:33:44,587 --> 00:33:50,894
I'LL MAKE YOU THIS PROMISE,
AND I'LL PROMISE
ANGELA AT HER GRAVE.

509
00:33:50,894 --> 00:33:54,480
SOME FUTURE DAY WHEN
JIMMY'S UNAWARE,

510
00:33:54,480 --> 00:33:57,767
I WILL COME AND TAKE
A RAZOR TO HIM.

511
00:33:57,767 --> 00:34:01,404
BUT DON'T DO NOTHING
SIMPLE, LIKE GIVE UP
A STATEMENT NOW.

512
00:34:01,905 --> 00:34:07,026
WHEN HE'S UNAWARE, 'CAUSE
A CUT THROAT DON'T ENTAIL
WALKING AROUND ON BAIL.

513
00:34:07,026 --> 00:34:09,245
[ Knocking On Door ]

514
00:34:10,863 --> 00:34:14,083
WHAT'S GOING ON?
THAT, UH, SNITCH CARTWELL
SAYS HE CAN...

515
00:34:14,083 --> 00:34:15,752
PUT YOU WITH YOUR PERP.

516
00:34:19,622 --> 00:34:24,928
PEACHES, WE GOTTA GO SOMEWHERE.
I-I'M GONNA GET HANK TO TAKE
YOU HOME, ALL RIGHT?

517
00:34:24,928 --> 00:34:27,213
- SURE. WHATEVER.
- I'LL GET HANK.

518
00:34:35,738 --> 00:34:37,941
[ Cortez ]
HEY, LET ME OUT.
I'M GONNA GET YOU, CARTWELL.

519
00:34:37,941 --> 00:34:39,976
[ Cartwell ]
HEY, BATTER, BATTER--
LET ME OUTTA HERE!

520
00:34:39,976 --> 00:34:42,812
- BATTER, BATTER, BATTER--
-[ Cortez ]
  LET ME OUTTA HERE, CARTWELL!

521
00:34:43,279 --> 00:34:45,949
'CAUSE YOU'RE NOT GOING
NOWHERE, MY BROTHER!
[ Tires Screech ]

522
00:34:45,949 --> 00:34:48,368
-LET ME OUTTA HERE!
- [ Cartwell ]
  DO JUST LIKE I SAID.

523
00:34:48,368 --> 00:34:50,119
I'LL BE DAMNED
IF HE DON'T GOT HIM.

524
00:34:50,119 --> 00:34:51,955
[ Simone ] WHAT'S HE GOT,
A BOARD BLOCKING THE DOOR?

525
00:34:51,955 --> 00:34:54,657
HERE'S YOUR MAN,
JIMMY CORTEZ, TRAPPED LIKE
THE MIGHTY JOE YOUNG.

526
00:34:55,158 --> 00:34:56,626
YOU'RE THE GREATEST, ARTHUR.
NOW, GET OUTTA HERE.

527
00:34:56,626 --> 00:35:00,129
-[ Russell ] GET BACK.
- SHOO! HARD EVIDENCE!

528
00:35:00,129 --> 00:35:02,131
- YOU, ME AND JIMMY CORTEZ.
- GET OUTTA HERE NOW.

529
00:35:02,131 --> 00:35:04,300
IT'S NOT TOO LATE
IN THE DAY TO GET THAT
MONEY ISSUED, IS IT?

530
00:35:04,300 --> 00:35:07,003
JUST CALL US IN THE MORNING.
I'M GOING
DOWN THERE, MY BROTHER.

531
00:35:07,003 --> 00:35:09,005
- READY!
- CALM DOWN HERE.
  DROP THAT PHONE.

532
00:35:09,005 --> 00:35:12,141
THIS CASE HAS BEEN
HUMILIATING IN EVERY ASPECT.

533
00:35:12,141 --> 00:35:14,644
GET THAT PHONE THING.
COME ON, TAKE IT OUT.

534
00:35:14,644 --> 00:35:17,146
JUST CALM DOWN.

535
00:35:17,146 --> 00:35:20,650
- YOU SCUMMY LITTLE SNAKE!
- [ Sipowicz ] YEAH, CAN'T ARGUE
  WITH YOU THERE, JIMMY.

536
00:35:20,650 --> 00:35:22,819
- YOU BETTER HOPE
  I DON'T GET OUT!
- SHUT THE HELL UP!

537
00:35:22,819 --> 00:35:25,021
PUT 'EM OVER YOUR HEAD!

538
00:35:29,075 --> 00:35:31,828
ALL RIGHT. IT'S ALL OVER.
IT'S ALL OVER.

539
00:35:39,869 --> 00:35:42,672
DETECTIVE.

540
00:35:43,840 --> 00:35:46,342
[ Whispers ]
I GOTTA GO.

541
00:35:51,297 --> 00:35:54,851
[ Sighs ]
HI. I HOPE
I'M NOT BOTHERING YOU.

542
00:35:54,851 --> 00:35:56,686
NO.
YOU GAVE ME YOUR CARD.

543
00:35:57,186 --> 00:36:00,356
HOW CAN I HELP YOU,
MRS. HASTINGS?
I'VE
JUST COME FROM THE HOSPITAL.

544
00:36:00,356 --> 00:36:02,525
THE DOCTORS SEEMED
TO FEEL LUCY WAS STABLE.

545
00:36:02,525 --> 00:36:06,696
SHE IS SO SICK. I WAS
SO GRATEFUL TO YOU, JILL,

546
00:36:06,696 --> 00:36:09,065
FOR HELPING US RETRIEVE
THOSE LOST ITEMS.

547
00:36:09,565 --> 00:36:12,485
THOSE ITEMS WERE STOLEN,
MRS. HASTINGS.
YOU'RE RIGHT.

548
00:36:12,485 --> 00:36:17,790
YOU'RE ABSOLUTELY RIGHT.
BUT MY UNDERSTANDING NOW IS,
WE DROPPED THOSE CHARGES.

549
00:36:20,293 --> 00:36:21,794
I'M PRESSING CHARGES.
THAT'S WHY LUCY'S
BEING HELD.

550
00:36:21,794 --> 00:36:24,297
I SEE.

551
00:36:24,297 --> 00:36:29,168
AND YOU FEEL THAT'S BEST?
MRS. HASTINGS, LUCY IS A HEROIN
ADDICT AND A STREET WHORE.

552
00:36:29,168 --> 00:36:33,222
HER BODY AND MIND ARE BOTH SICK,
AND SHE WON'T FACE ANY OF THAT.

553
00:36:33,222 --> 00:36:36,059
I JUST CAN'T BELIEVE
JAIL IS THE SOLUTION.

554
00:36:36,559 --> 00:36:39,228
ARE YOU GONNA BAIL HER OUT?
I-I CAN'T IMAGINE
IT'S THE SOLUTION.

555
00:36:39,228 --> 00:36:42,682
NO. NO, IT'S NOT.
JAIL'S A TERRIBLE PLACE,

556
00:36:42,682 --> 00:36:44,684
BUT LUCY'S IN
A TERRIBLE PLACE ALREADY.

557
00:36:44,684 --> 00:36:47,437
I CAN'T SEE ANY OTHER WAY
TO MAKE HER UNDERSTAND THAT.

558
00:36:47,437 --> 00:36:51,107
WELL, COULDN'T SHE JUST STAY
WHERE SHE IS IN THE HOSPITAL,
WITH THE GUARD OUTSIDE?

559
00:36:51,574 --> 00:36:55,445
MRS. HASTINGS,
I DON'T WANT TO
HURT YOUR FEELINGS,

560
00:36:55,445 --> 00:36:58,698
BUT THE WAY YOU'RE THINKING
IS HELPING TO KEEP
YOUR DAUGHTER SICK.

561
00:36:58,698 --> 00:37:01,617
LUCY HAS TO FACE
THE TRUTH WITHOUT SOMEONE...

562
00:37:01,617 --> 00:37:04,337
PROTECTING HER, OR ELSE
SHE WON'T FACE IT AT ALL,

563
00:37:04,337 --> 00:37:07,123
AND THEN SHE'S GONNA
WIND UP DEAD.

564
00:37:07,623 --> 00:37:10,960
I KNOW YOU DON'T WANT THAT.
MY HUSBAND IS DYING,

565
00:37:10,960 --> 00:37:13,296
AND NOW YOU'RE SAYING
MY DAUGHTER MAY DIE?

566
00:37:16,215 --> 00:37:19,936
I'M SAYING YOUR DAUGHTER
HAS TO LEARN HOW TO LIVE.

567
00:37:19,936 --> 00:37:23,973
- I WASN'T ANYWHERES AROUND HER.
- 'CAUSE WE TOLD YOU
  NOT TO BE, RIGHT, JIMMY?

568
00:37:23,973 --> 00:37:28,111
YEAH, YOU'RE IN BIG
COMPLIANCE WITH THE LAW.
SIT DOWN. SIT DOWN!

569
00:37:30,029 --> 00:37:33,032
AND THE NEXT TIME
YOU MURDER SOMEBODY,
ASSHOLE, CHANGE YOUR SHOES.

570
00:37:33,032 --> 00:37:35,284
THE LAB IS GONNA RUN
THAT SHOE, JIMMY,

571
00:37:35,284 --> 00:37:37,737
AND IF THAT'S ANGELA'S
BLOOD, YOU ARE GOING DOWN
FOR MURDER, MAN.

572
00:37:37,737 --> 00:37:39,572
IF THAT'S BLOOD, I DON'T
KNOW HOW THAT GOT THERE.

573
00:37:39,572 --> 00:37:43,543
RIGHT NOW, WE GOT
COLD-BLOODED MURDER.
IF IT WENT THAT WAY, FINE,

574
00:37:43,543 --> 00:37:46,996
DON'T GIVE NO STATEMENT UP--
WE GOT A LOT OF PIMP MURDERS
GO THAT WAY.

575
00:37:46,996 --> 00:37:49,916
YOU KNOW, IT DIDN'T GO DOWN
LIKE THAT! I AIN'T NO PIMP.

576
00:37:49,916 --> 00:37:53,586
SO, WHAT?
WAS IT THE OPERATION?
HUH, JIMMY?

577
00:37:53,586 --> 00:37:56,472
DID THAT ENTER INTO IT?
[ Sighs Heavily ]

578
00:37:58,141 --> 00:38:00,843
SHE HAD ME DOING THINGS
THAT WAS NEVER WHO I WAS.

579
00:38:00,843 --> 00:38:03,146
OUT THERE ON THE STROLL,
GIVING ME HER MONEY.

580
00:38:03,146 --> 00:38:07,900
I WANTED A WIFE AND A HOME!
SHE'S TREATING ME LIKE A PIMP.

581
00:38:07,900 --> 00:38:11,237
SO WHAT HAPPENED ON THE STREET?

582
00:38:11,237 --> 00:38:13,940
IT WAS JUST LIKE YOU SAID.

583
00:38:13,940 --> 00:38:18,027
WE WAS BEEFIN' ABOUT
THE OPERATION. SHE SAYS
SHE'S GOING OUT TO WORK.

584
00:38:18,027 --> 00:38:21,864
I GET ALL MESSED UP DRINKING,
AND I GO OUT LOOKING FOR HER.

585
00:38:23,199 --> 00:38:25,501
IT ALL EXTENDS OUT OF THAT.

586
00:38:25,501 --> 00:38:30,373
YOU FIND HER WITH A JOHN?
JIMMY, THAT MAKE YOU UPSET?

587
00:38:30,373 --> 00:38:32,675
[ Sniffles ]

588
00:38:32,675 --> 00:38:37,096
[ Shivers ]
WHEN I MET HER,

589
00:38:37,597 --> 00:38:40,433
I THOUGHT SHE WAS
THE MOST BEAUTIFUL... GIRL.

590
00:38:42,101 --> 00:38:43,853
[ Sobbing ]

591
00:38:43,853 --> 00:38:49,692
AND I'M NOT A FAG! YOU CAN'T
JUST TURN YOURSELF INTO THAT!

592
00:38:53,696 --> 00:38:56,282
YOU WANT TO WRITE THIS UP?

593
00:38:56,282 --> 00:38:59,285
BE DANCING SOMETIMES.

594
00:38:59,285 --> 00:39:01,704
SLOW DANCING.

595
00:39:02,989 --> 00:39:05,041
BE HOLDING HER.

596
00:39:07,159 --> 00:39:10,963
SHE WAS SO SWEET.

597
00:39:12,965 --> 00:39:15,334
AND THAT SMILE--
[ Chuckling ]

598
00:39:17,336 --> 00:39:21,057
"THAT'S IT, BABY.
 DON'T CHANGE NOTHIN'.

599
00:39:21,057 --> 00:39:24,310
JUST DO HOW YOU ARE."

600
00:39:27,179 --> 00:39:29,065
AND YOU JUST KILLED HER?

601
00:39:29,065 --> 00:39:33,019
[ Sobbing ]

602
00:39:44,080 --> 00:39:46,415
[ Door Opening ]

603
00:39:46,415 --> 00:39:50,620
- CORTEZ WRITING HIS STATEMENT?
- SIMONE'S GOT
  THE BETTER RAPPORT.

604
00:39:50,620 --> 00:39:54,340
- OKAY.
- COULD I BUY SOME OF
  YOUR LAUNDRY DETERGENT?

605
00:39:55,625 --> 00:39:59,095
I'VE DECIDED NOT
TO SELL THAT IN THE SQUAD.

606
00:39:59,095 --> 00:40:02,682
- DETERGENT SPECIFICALLY?
- YEAH. THE WHOLE PRODUCT LINE.

607
00:40:02,682 --> 00:40:06,385
AT SOME POINT, IF PEOPLE
WANT TO CONTACT LILLIAN,
THAT'S BETWEEN THEM AND HER.

608
00:40:06,886 --> 00:40:09,889
- HOW'D YOU COME TO THAT?
- WELL, BEING IN
  A POSITION OF AUTHORITY,

609
00:40:09,889 --> 00:40:13,726
- IT MADE ME UNCOMFORTABLE.
- THIS ISN'T DIRECTED AT ME?

610
00:40:13,726 --> 00:40:17,363
- WHAT ARE YOU TALKING ABOUT?
- YOU'RE NOT SELLING TO OTHERS,
  BUT NOT TO ME?

611
00:40:17,363 --> 00:40:20,449
- NO.
-[ Door Opens ]

612
00:40:21,784 --> 00:40:24,453
HEY.
HEY, GREG,
HOW YOU FEELING?

613
00:40:24,954 --> 00:40:27,456
[ Sighs ]
OH, YEAH, BETTER.
I'M UP TO 4:00 TO 12:00.

614
00:40:27,456 --> 00:40:30,876
SUCH AN IMBECILE.
I KNOW THAI FOOD
DON'T AGREE WITH ME.

615
00:40:31,377 --> 00:40:33,129
- HEY, GREG.
- HEY.

616
00:40:33,129 --> 00:40:38,334
THAT GUY'S WRITING, BOSS.
I GOT THE FIVE.
YOU WANNA TAKE OFF?

617
00:40:38,334 --> 00:40:43,172
SO, BOSS, UH, YOU THINK
VITAMINS HELP ME, UH, FIGHT OFF
MY UPSET SO SUCCESSFULLY?

618
00:40:43,673 --> 00:40:46,676
YOU KNOW THAT'S NOT LOGICAL.
DON'T SAY THAT 'CAUSE IT'S
LILLIAN'S FRANCHISE.

619
00:40:49,478 --> 00:40:51,931
WELL, I'M GOING HOME. NIGHT.

620
00:41:02,274 --> 00:41:04,777
DON'T MOVE, MEDAVOY.

621
00:41:23,779 --> 00:41:26,015
[ Waiter ]
HERE YOU GO.
THANKS.

622
00:41:26,015 --> 00:41:28,351
HE SAW THE RING.
OH, YEAH?

623
00:41:28,351 --> 00:41:31,937
MM-HMM.
YOU THINK HE'S
GONNA CALL THE BOSS?

624
00:41:31,937 --> 00:41:35,307
[ Chuckling ]
HAVING TO KEEP EVERYTHING
SECRET, BOBBY,

625
00:41:35,307 --> 00:41:37,810
THAT'S WHY A CHURCH WEDDING
DOESN'T REALLY MAKE SENSE.

626
00:41:37,810 --> 00:41:40,312
YEAH, THERE'S SO MANY PEOPLE
THAT WE CARE ABOUT
WE CAN'T EVEN INVITE.

627
00:41:40,813 --> 00:41:45,317
MM. I UNDERSTAND THE JOB,
NOT WANTING MARRIED PEOPLE
TO WORK TOGETHER.

628
00:41:45,317 --> 00:41:47,820
I JUST-- I WISH THEY WOULD
MAKE AN EXCEPTION FOR US.

629
00:41:50,623 --> 00:41:53,909
A CITY HALL WEDDING
DEFINITELY DON'T STRIKE ME
AS BEING TOO ROMANTIC.

630
00:41:55,378 --> 00:41:58,414
MAYBE WE COULD DRIVE
TO CONNECTICUT SOMEWHERE.

631
00:41:58,414 --> 00:42:00,583
YEAH.

632
00:42:00,583 --> 00:42:02,918
[ Simone ] OH, MAN.
[ Russell ] WHAT?

633
00:42:02,918 --> 00:42:06,589
THE WAITER, HE TOOK TOO
LONG BRINGING YOUR SHERBET.

634
00:42:07,923 --> 00:42:11,177
WHAT'S THE MATTER?
HEY, ROBERT.

635
00:42:11,177 --> 00:42:16,565
HEY, HOW'S IT GOING THERE, JOE?
DIANE RUSSELL, JOE SALVO.

636
00:42:16,565 --> 00:42:18,851
- PLEASURE, DIANE.
- HI.

637
00:42:18,851 --> 00:42:22,405
- SIT DOWN?
- NO, I GOT PEOPLE.

638
00:42:22,405 --> 00:42:26,742
- SO, YOU STILL
  WITH THE DEPARTMENT?
- YEAH, I AM. HOW 'BOUT YOU?

639
00:42:26,742 --> 00:42:29,912
- YEAH, I GOT MY APPLICATION IN.
- [ Chuckles ]

640
00:42:29,912 --> 00:42:32,114
WHAT DO THEY PAY YOU, 50?
WITH OVERTIME?

641
00:42:32,114 --> 00:42:36,919
- OH, OPENING UP MY PAYCHECKS.
- BEST-LOOKING GUY.

642
00:42:36,919 --> 00:42:39,872
SMARTEST. HAD TO GET CURSED
WITH A CONSCIENCE, HUH, BOBBY?

643
00:42:39,872 --> 00:42:42,625
- ANYWAYS, GOOD TO SEE YOU, JOE.
- I'D LIKE TO SIT DOWN
  WITH YOU SOMETIME.

644
00:42:42,625 --> 00:42:47,847
- YEAH, WE SHOULD WORK THAT OUT.
- TAKE CARE, ROBERT.

645
00:42:51,016 --> 00:42:54,437
WISEGUY?
INDEPENDENT.

646
00:42:54,437 --> 00:42:57,973
STICKUP GUY.
I GUESS MAYBE HE PAYS
THE WISEGUYS SOME TRIBUTE.

647
00:42:57,973 --> 00:43:01,861
[ Chuckles ] SOMEDAY,
I KNOW, I'M GONNA MEET ALL
THE UPSTANDING CITIZENS...

648
00:43:01,861 --> 00:43:04,780
FROM YOUR NEIGHBORHOOD.
I DON'T HOW
 I GOT THROUGH THE NET.

649
00:43:04,780 --> 00:43:10,286
YOU WANT TO GET OUTTA HERE?
NO, I WANT TO TALK TO
MY GIRL ABOUT OUR WEDDING.

650
00:43:11,620 --> 00:43:13,622
I LIKE THE CONNECTICUT IDEA.
YEAH?

651
00:43:13,622 --> 00:43:15,407
YEAH.
FROM MR. SALVO.

652
00:43:15,407 --> 00:43:18,327
TELL MR. SALVO,
"THANK YOU VERY MUCH."
WE'RE PRETTY WELL DONE HERE.

653
00:43:18,327 --> 00:43:23,632
THIS IS A DESSERT WINE.
HEY, I KNOW WHAT THAT IS.
TELL HIM WE DON'T WANT IT.

654
00:43:23,632 --> 00:43:26,302
[ Softly ]
WE'RE GOING.

655
00:43:26,302 --> 00:43:29,638
HMM.
I GUESS JOE...

656
00:43:29,638 --> 00:43:33,142
IS NOT GONNA LET US
WORK OUT GETTING MARRIED.

657
00:43:33,142 --> 00:43:36,479
JOE DON'T LET US
WORK OUT GETTING MARRIED,
I'LL SHOOT HIM IN THE HEAD.

658
00:43:36,479 --> 00:43:40,349
YOU JUST MAKE SURE YOU
GET THE DROP ON HIM, 'CAUSE
HE WILL SHOOT YOU FIRST.

659
00:43:41,851 --> 00:43:43,853
READY?
COME ON.

