1 00:00:01,501 --> 00:00:03,403 Previously on "NYPD BLUE". 2 00:00:03,737 --> 00:00:06,106 SO IT MIGHT BE GOOD FOR ME TO BANG YOU IN THE SHOWER RIGHT NOW. 3 00:00:06,606 --> 00:00:07,941 WHY DON'T WE TRY TO STAY EMPLOYED? 4 00:00:07,941 --> 00:00:11,444 I WAS INTERESTED TO KNOW IF YOU MIGHT LIKE TO MEET KATHY. 5 00:00:11,945 --> 00:00:14,881 I ASSUME KATHY'S YOUR, UH, SI-SIGNIFICANT OTHER. 6 00:00:15,248 --> 00:00:17,317 MY LOVER, THAT'S RIGHT. THAT'S WHAT I ASSUMED. 7 00:00:17,317 --> 00:00:20,420 PUNK SHOT A WOMAN AND A LITTLE BOY. THEY'RE BOTH IN CRITICAL CONDITION. 8 00:00:20,420 --> 00:00:23,957 WELL, YOU KNOW, THAT'S TOUGH. [ Groans ] 9 00:00:23,957 --> 00:00:27,027 I ASKED YOU GOING INTO THAT INTERVIEW TRY TO CONTROL YOUR TEMPER. 10 00:00:27,027 --> 00:00:29,796 YOU WEREN'T SO UPSET, UH, MY GOAT'S BEING GOTTEN... 11 00:00:29,796 --> 00:00:32,098 WHEN I SMACKED THAT MENDONCA WITH THE YELLOW PAGES. 12 00:01:09,836 --> 00:01:11,704 D.O.A.'s TONY PEREZ, 23. 13 00:01:12,005 --> 00:01:14,340 GIRLFRIEND SAYS HE'S WALKIN' HER TO WORK. 14 00:01:14,340 --> 00:01:17,077 THREE GUYS COME UP, START BLASTING. 15 00:01:17,477 --> 00:01:21,514 WHOA. THEY WEREN'T SAVIN' ON BULLETS. 16 00:01:21,514 --> 00:01:25,452 YOU GOT ANY WITNESSES? A COUPLE OF PEOPLE SAW THREE GUYS BOOK IN A WHITE CAR. 17 00:01:25,819 --> 00:01:28,621 NO ONE GOT A PLATE. WHO'S THE GIRLFRIEND? WHAT'S HER NAME? 18 00:01:28,855 --> 00:01:30,356 [ Woman ] WANDA DIAZ. 19 00:01:30,356 --> 00:01:32,292 ANDY. 20 00:01:34,160 --> 00:01:36,129 ALL RIGHT, THANKS. 21 00:01:36,529 --> 00:01:39,265 WANDA DIAZ. THANKS. 22 00:01:39,766 --> 00:01:41,234 [ Siren Wailing ] 23 00:01:41,634 --> 00:01:43,603 I'M DETECTIVE SIMONE, MISS DIAZ. 24 00:01:44,104 --> 00:01:45,605 THIS IS DETECTIVE SIPOWICZ HERE. 25 00:01:46,039 --> 00:01:48,374 WE'RE REALLY SORRY ABOUT TONY. I'M FREEZING COLD. 26 00:01:48,675 --> 00:01:50,944 ALL RIGHT. LET'S TALK IN THE CAR. 27 00:01:51,444 --> 00:01:53,947 [ Man ] STEP BACK THERE. 28 00:01:53,947 --> 00:01:55,915 [ Man #2 ] LET'S GO. [ Chattering Continues ] 29 00:01:56,349 --> 00:01:59,219 - MAY I ASK YOUR FIRST NAME? - WANDA. 30 00:01:59,686 --> 00:02:01,187 IS IT ALL RIGHT IF I CALL YOU THAT? 31 00:02:01,688 --> 00:02:03,623 YEAH. SIT RIGHT HERE. 32 00:02:05,992 --> 00:02:08,228 WE REALIZE HOW UPSET YOU MUST BE THERE, WANDA. 33 00:02:08,228 --> 00:02:10,230 I SAW HIM SHOT IN FRONT OF ME. 34 00:02:10,730 --> 00:02:14,300 WHATEVER YOU CAN TELL US WHILE YOUR MEMORY IS FRESH, THAT'S REALLY IMPORTANT TO THIS CASE. 35 00:02:14,801 --> 00:02:18,204 I WORK AT SANTORO'S BAKERY. TONY WAS WALKING ME TO WORK. 36 00:02:18,538 --> 00:02:21,074 AND WE WERE JUST WALKING ALONG, AND I DON'T KNOW-- 37 00:02:21,074 --> 00:02:23,510 THERE WERE THESE GUYS THERE, AND THEY GOT GUNS, AND THEY SHOOT, AND... 38 00:02:23,510 --> 00:02:27,947 THEY SHOOT TONY, AND-- AND THEN THEY TAKE MY NEW JACKET AND DRIVE AWAY. 39 00:02:28,381 --> 00:02:32,185 WANDA, COULD YOU TELL HOW MANY OF THEM WERE THERE? 40 00:02:32,185 --> 00:02:34,554 - THREE. - COULD YOU DESCRIBE 'EM? 41 00:02:36,556 --> 00:02:40,360 - LIKE ME MAYBE-- 22, LATINO. - GOOD. 42 00:02:40,360 --> 00:02:44,330 I DON'T REMEMBER ANYTHING ELSE. IT'S LIKE-- IT'S LIKE A BAD DREAM. 43 00:02:44,330 --> 00:02:47,867 HOW'D THE SHOOTING GO DOWN? THEY SAY ANYTHING WHEN THEY CAME OVER TO YOU? 44 00:02:47,867 --> 00:02:51,638 -NO. - SO THIS WASN'T LIKE AN ARGUMENT ON THE STREET? 45 00:02:51,638 --> 00:02:54,674 IT WAS MORE LIKE AN EXECUTION, HUH? I WOULDN'T SAY. 46 00:02:54,674 --> 00:02:59,045 MAYBE SOMETHING WENT DOWN BEFORE TONY PICKED ME UP. ARGUMENT IN THE STREET. 47 00:02:59,546 --> 00:03:02,148 [ Sipowicz ] TONY SAY ANYTHING ABOUT THAT? I GOTTA CALL MY WORK, OKAY? 48 00:03:02,148 --> 00:03:05,151 SO TONY GETS SHOT, THEY SWIPE YOUR COAT, AND THEN THEY SPLIT? YEAH. 49 00:03:05,151 --> 00:03:07,453 YOU SEE THE CAR THEY WERE DRIVING? 50 00:03:07,453 --> 00:03:10,356 I WASN'T LOOKING AT THE CAR. I WAS LOOKING AT TONY BLEEDING ON THE SIDEWALK. 51 00:03:10,356 --> 00:03:12,926 OKAY. OKAY. 52 00:03:13,259 --> 00:03:16,095 GOD, THIS IS OUR BABY COMING. DO YOU MIND IF WE TAKE YOU TO THE STATION HOUSE? 53 00:03:16,429 --> 00:03:19,365 MAYBE YOU CAN TAKE A LOOK AT A FEW PHOTOGRAPHS OF KIND OF LIKE THE GUYS YOU DESCRIBED. 54 00:03:19,365 --> 00:03:21,901 MAYBE WORK A LITTLE WITH THE POLICE ARTIST? 55 00:03:22,135 --> 00:03:26,839 SCREW THAT. I'M GOING HOME. I'M CALLING SICK AND GOING HOME. 56 00:03:27,140 --> 00:03:29,642 MAYBE WE CAN HAVE A COP DRIVE YOU HOME AND BRING YOU BACK WHENEVER YOU'RE READY. 57 00:03:30,109 --> 00:03:33,880 I SAID WHAT I'M GONNA SAY. YEAH. 58 00:03:34,314 --> 00:03:36,716 ALL RIGHT. 59 00:03:36,716 --> 00:03:40,220 MUST'VE BEEN AFTER MY NEW SHEEPSKIN COAT. 60 00:03:40,720 --> 00:03:43,122 I GOT IT NEW FOUR DAYS AGO, BUT-- 61 00:03:43,489 --> 00:03:44,991 DAMN, I'D HAVE JUST GIVEN IT TO THEM. 62 00:03:45,491 --> 00:03:47,961 GIVE HER A RIDE HOME? SURE. 63 00:03:47,961 --> 00:03:50,296 COME ON. 64 00:03:53,833 --> 00:03:55,568 SHE'S SOME COLD BUSINESS. 65 00:03:55,835 --> 00:03:58,271 IT'S GOTTA BE A WHACK, OR THEY'D HAVE SNATCHED HER PURSE UP TOO. 66 00:03:58,638 --> 00:04:02,008 SHE DON'T KNOW WHO. SHE SURE KNOWS WHAT IT WAS ABOUT. 67 00:04:02,342 --> 00:04:04,911 MAYBE SHE'S HOLDING BACK OUT OF RESPECT FOR HER COAT. 68 00:04:04,911 --> 00:04:07,513 [ Siren Wailing ] 69 00:05:29,195 --> 00:05:31,364 I'M READING ABOUT THE KNICKS. 70 00:05:31,764 --> 00:05:33,766 I'M NOT TOO OPTIMISTIC ABOUT TONIGHT'S GAME. 71 00:05:33,766 --> 00:05:37,170 THEY PLAYED THE HAWKS LOUSY, PLUS IT'S CONSECUTIVE ROAD GAMES. 72 00:05:37,170 --> 00:05:40,173 - YEAH, HUH? - YEAH. 73 00:05:40,173 --> 00:05:42,542 THE, UH, KID'S ROAD ENGAGEMENT'S TONIGHT TOO. 74 00:05:42,542 --> 00:05:45,645 - OH, YOUR DINNER WITH ABBY? -SIX WEEKS. 75 00:05:45,912 --> 00:05:48,281 EVERYONE'S SCHEDULES FINALLY MESHED. 76 00:05:48,781 --> 00:05:50,783 HUH? IT'S ZERO HOUR. YEAH. 77 00:05:51,250 --> 00:05:53,853 TONIGHT THE MYSTERY'S FINALLY REVEALED. 78 00:05:53,853 --> 00:05:55,788 HOW DO YOU KNOW IT'S NOT JUST MEETIN' HER GIRLFRIEND? 79 00:05:55,788 --> 00:05:58,658 OH, THAT'S-- THAT'S A COMPONENT OF IT, JAMES. 80 00:05:58,658 --> 00:06:02,662 YEAH, ME MEETIN' KATHY, BUT THAT'S NOT THE TOTAL PURPOSE. 81 00:06:02,962 --> 00:06:06,132 NO. ABBY SAID SO WHEN WE DINED OUT. 82 00:06:06,132 --> 00:06:08,835 YEAH. WELL, TIME WILL TELL, HUH, GREG? 83 00:06:08,835 --> 00:06:11,304 ABSOLUTELY. IT'S ZERO HOUR. 84 00:06:13,606 --> 00:06:16,275 ANYWAYS, YOU PROBABLY WANT TO READ ABOUT THE KNICKS. 85 00:06:16,542 --> 00:06:17,944 [ Martinez ] YEAH, THERE'S SEVERAL STORIES HERE. 86 00:06:18,244 --> 00:06:22,448 GUYS, HOMICIDE AT A TRANSMISSION REPAIR SHOP ON SECOND. 87 00:06:22,448 --> 00:06:24,984 [ Medavoy ] GOT IT, BOSS. 88 00:06:25,284 --> 00:06:27,253 [ Martinez ] SON OF A BITCH. MORNING, LIEU. HEY, GUYS. 89 00:06:27,253 --> 00:06:30,857 GOOD MORNING. UM, POSSIBLE SHAKEN BABY AT BELLEVUE. 90 00:06:30,857 --> 00:06:33,226 -OKAY. - UM, WORK IT WITH DIANE. 91 00:06:33,493 --> 00:06:35,395 OKAY. OKAY. 92 00:06:35,962 --> 00:06:38,898 DETECTIVE SIMONE. WHAT'S DOIN', MILLER? 93 00:06:39,165 --> 00:06:43,336 THAT'S MILO GUZMAN. HE'S A COLLAR FOR STICKING UP A K.F.C. 94 00:06:43,669 --> 00:06:46,639 - WANTS TO TALK TO YOU ABOUT YOUR CASE. - LET'S CHAT. COME ON. 95 00:06:46,639 --> 00:06:48,908 THANKS. 96 00:06:52,779 --> 00:06:56,649 A FETCHING NECKLACE, MILO. YOU IN THE LATIN KINGS? 97 00:06:57,950 --> 00:06:59,952 I-I NEED HELP WITH THIS OTHER THING. 98 00:07:00,453 --> 00:07:01,954 YEAH, STICKING UP THAT K.F.C. 99 00:07:01,954 --> 00:07:04,624 ME AND JULIO DIAZ GOT ARRESTED FOR THAT. 100 00:07:04,624 --> 00:07:08,661 THAT WOULD BE INFORMATION ALREADY IN THE DEPARTMENT'S POSSESSION, MILO. 101 00:07:08,661 --> 00:07:11,030 LOOK, I GOT SOMETHIN' ELSE, ALL RIGHT? 102 00:07:11,030 --> 00:07:12,999 THERE WAS A THIRD GUY IN THE STICKUP. 103 00:07:13,499 --> 00:07:16,836 BUT IF I GIVE UP HIS NAME AND YOU GUYS DON'T HELP ME, I'M GONNA GET SHANKED IN THE JOINT. 104 00:07:17,236 --> 00:07:19,105 IF YOU HELP US CLEAR THIS PEREZ HOMICIDE, 105 00:07:19,105 --> 00:07:21,607 WE GIVE YOU OUR WORD IT GETS ATTENTION FROM THE D.A. 106 00:07:22,108 --> 00:07:24,610 - ATTENTION, HUH? - WE TALK TO THE D.A. THE D.A. TALKS TO THE JUDGE. 107 00:07:24,610 --> 00:07:28,114 HEY, STACK IT UP AGAINST ALL YOUR OTHER OFFERS. 108 00:07:31,017 --> 00:07:33,553 THE VICTIM THAT GOT SHOT, TONY PEREZ-- 109 00:07:33,886 --> 00:07:36,889 HE'S DOWN WITH THE LATIN KINGS TOO. IT STARTS WITH HIS GIRL. 110 00:07:37,190 --> 00:07:40,059 - THEN HE LOOKS TO DROP HIMSELF OUT. - THIS IS WANDA DIAZ? 111 00:07:40,059 --> 00:07:43,563 IT WAS MORE HIS IDEA THAN HERS. SHE WENT WITH ANOTHER KING BEFORE. 112 00:07:43,563 --> 00:07:46,632 WE AIN'T LIKE THE MAFIA. IF YOU WANT OUT, IT'S POSSIBLE. 113 00:07:46,899 --> 00:07:50,470 IT CAN HAPPEN. BUT YOU GOTTA ASK THE CROWN JEWEL'S PERMISSION. 114 00:07:50,470 --> 00:07:53,105 I KNOW WE'RE CLOSING IN ON THE PEREZ HOMICIDE, MILO. 115 00:07:53,105 --> 00:07:56,409 A COUPLE OTHER KINGS WANTED ME TO GO WITH THEM TO SEE TONY. 116 00:07:56,709 --> 00:07:58,611 IT WAS JUST GONNA BE TALK. THAT'S ALL. 117 00:07:58,611 --> 00:08:02,215 -THE GUNS ARE JUST TO GET HIS ATTENTION? - I-I-I DIDN'T HAVE NO GUN. 118 00:08:02,215 --> 00:08:04,650 THE OTHER GUYS ARE PACKIN'? YEAH. TONY TOO. 119 00:08:05,051 --> 00:08:07,053 HE SEES US. HE THROWS DOWN. 120 00:08:07,053 --> 00:08:11,791 YOU KNOW, I HID FOR COVER. THE GUY SHOOT BACK. THEN IT WAS OVER. 121 00:08:11,791 --> 00:08:15,728 ONE OF MY GUYS TOOK THE GIRL'S JACKET 'CAUSE HE WANTED IT FOR HIS OLD LADY. 122 00:08:16,095 --> 00:08:19,866 AND THE STICKUP LATER ON-- THAT WAS ALL FOR NEEDIN' MONEY TO LEAVE TOWN. 123 00:08:19,866 --> 00:08:22,502 THE HEAT FROM SHOOTING TONY-- 124 00:08:22,502 --> 00:08:25,271 YEAH, WE KNOW HOW ONE THING LEADS TO ANOTHER. 125 00:08:25,271 --> 00:08:30,076 JULIO DIAZ YOU GOT IN CUSTODY. THE THIRD GUY IS LEO RAMIREZ, 126 00:08:30,076 --> 00:08:33,246 WHICH IS THE CROWN JEWEL OF THE KINGS. 127 00:08:33,246 --> 00:08:35,248 I'M GIVIN' UP THE CROWN JEWEL. 128 00:08:35,248 --> 00:08:37,183 RAMIREZ IS AT HIS REGULAR PLACES? 129 00:08:37,617 --> 00:08:39,886 HOLED UP SOMEWHERES. HIDING. I DON'T KNOW. 130 00:08:40,286 --> 00:08:44,457 HEY, NO ONE DOES DICK WITH THE D.A., MILO, IF WE DON'T GET RAMIREZ. 131 00:08:44,757 --> 00:08:46,392 SOMETIMES HE'LL HIDE WITH RUDY MORENO. 132 00:08:46,392 --> 00:08:48,361 RUDY GOT A GOOD JOB. 133 00:08:48,761 --> 00:08:51,697 HIM AND LEO ARE BOYS SINCE THEY WERE KIDS. 134 00:08:53,833 --> 00:08:56,102 WHERE? 135 00:08:56,102 --> 00:08:58,771 THEY LIVE ON 10th STREET. 136 00:09:00,606 --> 00:09:03,809 IMAGINE THE CROWN JEWEL IN OUR VERY PRECINCT. 137 00:09:23,395 --> 00:09:26,064 WHAT DO WE GOT? THIS GUY'S ONE OF THE LICENSEES-- 138 00:09:26,064 --> 00:09:28,733 MEL EIGEN. CASH REGISTER'S CLEARED OUT. 139 00:09:28,733 --> 00:09:31,436 HE'S SHOT IN THE HEAD. TOOK A GOOD BEATING TO THE FACE. 140 00:09:31,436 --> 00:09:33,655 WHO FOUND HIM? CUSTOMER CAME TO PICK HIS CAR UP. 141 00:09:33,655 --> 00:09:36,741 CALLS HIM IN DEAD AND SPLITS. I GOT THE CUSTOMER'S PEDIGREE. 142 00:09:36,741 --> 00:09:40,779 - ALL RIGHT, I'M GONNA START THE CANVASS. -[ Martinez ] ALL RIGHT. 143 00:09:40,779 --> 00:09:43,498 [ Chattering ] 144 00:09:43,498 --> 00:09:47,085 - OH, MY GOSH! WHAT'S GOIN' ON? - [ Mutters ] 145 00:09:47,085 --> 00:09:50,171 - WHO ARE YOU? - DANNY DeMARCO. I WORK HERE. 146 00:09:50,171 --> 00:09:54,676 OH, MY GOSH! WHAT HAPPENED TO MEL? MEL'S DEAD, DANNY. 147 00:09:54,676 --> 00:09:58,763 I AM GONE 40 MINUTES, AND POOR MEL GETS KILLED. THAT IS HORRIBLE. 148 00:09:59,264 --> 00:10:03,184 HOW'D YOU HURT YOUR HAND? OH. OW! I DID THAT BEFORE I WENT TO THE A.T.M. 149 00:10:03,184 --> 00:10:05,437 I JUST WENT TO THE A.T.M. AND THE JEWELER. 150 00:10:05,437 --> 00:10:09,023 MY WRENCH SLIPPED WHILE I WAS WORKING ON THE TRANSMISSION. 151 00:10:09,023 --> 00:10:12,360 THIS IS JUST TERRIBLE. [ Martinez ] YOU HAD ROBBERIES BEFORE? 152 00:10:12,360 --> 00:10:15,063 NO. PEOPLE LOVED MEL. WHY WOULD SOMEONE DO THIS? 153 00:10:16,281 --> 00:10:18,616 ALL RIGHT, THERE'S A BLOOD TRAIL OUTSIDE. 154 00:10:18,616 --> 00:10:22,570 OH, THAT'D PROBABLY BE MINE. FROM THIS. IT PROBABLY GOES RIGHT TO THE A.T.M. 155 00:10:22,570 --> 00:10:25,540 I WENT TO GET MONEY BECAUSE I HAD TO TAKE A PRESENT FOR MY MOM OUT OF LAYAWAY. 156 00:10:25,540 --> 00:10:29,661 HMM. YOU SURE GOT THE DETAILS OF YOUR MORNING DOWN, DANNY. [ Phone Ringing ] 157 00:10:29,661 --> 00:10:32,914 SHOULD I GET THAT? NO. WAIT. 158 00:10:32,914 --> 00:10:36,417 HELLO? THIS IS DETECTIVE MEDAVOY. 159 00:10:36,417 --> 00:10:38,837 WHO'S CALLING? IS IT PAUL DeMARCO? 160 00:10:38,837 --> 00:10:43,007 SHH. YEAH, MR. DeMARCO, UH, THERE'S BEEN AN INCIDENT. 161 00:10:43,007 --> 00:10:45,393 I WONDER IF WE COULD COME AND TALK TO YOU. 162 00:10:45,393 --> 00:10:48,730 MY DAD IS GONNA BE VERY UPSET. HE AND MEL WERE PARTNERS AND LONGTIME FRIENDS. 163 00:10:48,730 --> 00:10:51,432 I-I-I'D RATHER TELL YOU IN PERSON. WOULD THAT BE ALL RIGHT? 164 00:10:51,432 --> 00:10:54,018 OH, THAT'S NOT FAR. WE CAN BE THERE IN ABOUT 15 MINUTES. 165 00:10:54,018 --> 00:10:56,488 ALL RIGHT. THANKS VERY MUCH. 166 00:11:00,825 --> 00:11:04,829 UM, THIS OFFICER HERE IS GONNA TAKE YOU IN TO OUR STATION HOUSE, DANNY, 167 00:11:04,829 --> 00:11:07,115 AND, UH, WE'LL BRING YOUR FATHER IN, 168 00:11:07,115 --> 00:11:09,868 AND HOPEFULLY WE CAN GET ALL THE INFORMATION WE NEED. 169 00:11:10,368 --> 00:11:11,920 I TOLD YOU ALL I KNOW. WE STILL GOT MORE QUESTIONS. 170 00:11:11,920 --> 00:11:15,256 [ Laughs ] I GOT PEOPLE PICKIN' CARS UP. 171 00:11:15,256 --> 00:11:18,459 WELL, YOU'RE GOIN' DOWN TO THE STATION HOUSE, DANNY. NOW. 172 00:11:21,262 --> 00:11:23,882 I WASN'T DOIN' NOTHIN'. I WAS JUST GETTIN' EARRINGS. [ Continues, Indistinct ] 173 00:11:23,882 --> 00:11:27,268 GOD, ONLY THING BETTER-- IF THIS KID HAD A SIGN ON HIM, RIGHT, GREG? 174 00:11:27,268 --> 00:11:30,104 "ARREST ME." MAYBE IT FELL OFF ON HIS WAY BACK FROM THE A.T.M. 175 00:11:30,104 --> 00:11:32,524 [ Chuckles ] 176 00:11:39,447 --> 00:11:41,733 WOULDN'T BOTHER ME IF THIS WAS A FALSE ALARM. 177 00:11:41,733 --> 00:11:44,736 YEAH. THINGS SEEM PRETTY MUCH ON TRACK AGAIN WITH YOU AND BOBBY. [ Pager Beeping ] 178 00:11:44,736 --> 00:11:48,239 YEAH, PRETTY MUCH. WE'RE ACTUALLY GONNA TRY TO GO TO A MOVIE TONIGHT. 179 00:11:48,239 --> 00:11:50,491 OH. MOVES THE ODDS UP THIS WILL TAKE OVERTIME. 180 00:11:50,491 --> 00:11:52,827 I'M DR. ROSEN. I REPORTED THE POSSIBLE SHAKEN BABY. 181 00:11:53,328 --> 00:11:55,213 I'M DETECTIVE KIRKENDALL. THIS IS DETECTIVE RUSSELL. 182 00:11:55,213 --> 00:11:58,716 MY PATIENT'S A ONE-YEAR-OLD GIRL WITH A WHIPLASH-TYPE INJURY TO HER BRAIN. 183 00:11:58,716 --> 00:12:01,920 LARGE HEMATOMA IN THE BACK OF HER HEAD AND SMALLER ONE IN FRONT. 184 00:12:01,920 --> 00:12:04,505 SHE ALSO HAS FINGER MARKS ON HER SHOULDER BLADES AND THUMB MARKS ON HER CHEST. 185 00:12:04,505 --> 00:12:07,759 THE SITTER SAYS SHE INJURED HERSELF FALLING OFF A COUCH. 186 00:12:07,759 --> 00:12:10,511 - A FALL WOULDN'T EXPLAIN THE FINGER MARKS. - AND NO BRUISING ON HER SKULL. 187 00:12:10,511 --> 00:12:13,815 I'D WANT AN M.R.I., BUT SHAKING'S DEFINITELY THE LIKELIEST CAUSE. 188 00:12:13,815 --> 00:12:17,151 - IS SHE GONNA DIE? - I THINK SHE PROBABLY WILL. 189 00:12:17,151 --> 00:12:19,437 [ Sighs ] WHAT'S THE SITTER'S NAME? 190 00:12:19,437 --> 00:12:23,024 AMY CHU. SHE'S RIGHT OVER THERE. 191 00:12:23,024 --> 00:12:25,526 THANKS. 192 00:12:25,526 --> 00:12:27,996 [ Woman On P.A. ] HOUSEKEEPING, PLEASE REPORT TO THIRD FLOOR REHAB. 193 00:12:27,996 --> 00:12:30,365 IS TINA OKAY? AMY, WE'RE FROM THE POLICE DEPARTMENT. 194 00:12:30,365 --> 00:12:32,867 WE'RE LOOKING INTO WHAT HAPPENED TO TINA. 195 00:12:32,867 --> 00:12:36,170 UM, SHE FELL OFF THE COUCH. I'M JUST AWAY FROM HER ONE MINUTE. 196 00:12:36,671 --> 00:12:38,590 - AND SHE FELL? - YES. 197 00:12:38,590 --> 00:12:40,758 WHY HAD YOU LEFT HER ON THE COUCH? I MADE A MISTAKE. 198 00:12:40,758 --> 00:12:44,796 - IS SHE GOING TO BE ALL RIGHT? -THE DOCTORS ARE DOING EVERYTHING THEY CAN FOR HER. 199 00:12:44,796 --> 00:12:48,600 WHAT YOU NEED TO CONCENTRATE ON IS HELPING US UNDERSTAND HOW THIS ACCIDENT HAPPENED. 200 00:12:48,600 --> 00:12:52,303 I MADE A MISTAKE FOR ONE MINUTE. WHAT HAPPENED? WHERE'S TINA? 201 00:12:52,303 --> 00:12:54,973 MS. ZHENG, I'M SO SORRY. UM, TINA HIT HER HEAD. 202 00:12:54,973 --> 00:12:58,359 THE DOCTOR IS TAKING CARE OF HER. WHY WEREN'T YOU WITH HER? 203 00:12:58,359 --> 00:13:00,945 I MADE A MISTAKE. GET US THE DOCTOR OF TINA ZHENG. 204 00:13:00,945 --> 00:13:03,615 OVER THERE. AMY, YOU NEED TO COME TO THE STATION HOUSE WITH US. 205 00:13:03,615 --> 00:13:05,283 I HAVE TO GO? YEAH, YOU DO. 206 00:13:05,283 --> 00:13:08,569 MS. ZHENG, WHEN IT'S CONVENIENT FOR YOU, PLEASE GET IN TOUCH WITH US. 207 00:13:08,569 --> 00:13:10,705 - [ Speaking Chinese ] - [ Speaking Chinese ] 208 00:13:12,657 --> 00:13:15,159 AWFUL GIRL! YOU HURT OUR BABY! 209 00:13:15,159 --> 00:13:17,211 [ Kirkendall ] LET'S GO, AMY. 210 00:13:31,609 --> 00:13:34,529 RUDY MORENO? YEAH. 211 00:13:34,529 --> 00:13:37,448 DETECTIVES SIPOWICZ AND SIMONE. CAN WE COME IN? 212 00:13:37,949 --> 00:13:40,118 SURE. 213 00:13:41,452 --> 00:13:43,154 WHAT ARE YOU HERE FOR? 214 00:13:43,154 --> 00:13:46,207 DO YOU KNOW A GUY NAMED LEO RAMIREZ? MY WHOLE LIFE. 215 00:13:46,708 --> 00:13:48,543 -KNOW WHERE HE IS? - IT'S A GUESSING GAME WITH HIM. 216 00:13:48,543 --> 00:13:52,246 JUST OUT OF THE JOINT. YEAH, WELL, WE NEED TO TALK TO HIM ABOUT A GUY GETTING SHOT. 217 00:13:52,246 --> 00:13:54,048 TONY PEREZ. [ Sipowicz ] KNOW ANYTHING ABOUT THAT? 218 00:13:54,549 --> 00:13:56,918 - NO. UH-UH. -YOU GOT AN ADDRESS FOR US, RUDY-- 219 00:13:56,918 --> 00:13:59,303 A PLACE WHERE WE CAN GO AND TALK TO THIS LEO? 220 00:13:59,303 --> 00:14:02,340 HE JUST CRASHES WITH FRIENDS. KIND OF LIVES A WANDERING LIFE. 221 00:14:02,340 --> 00:14:04,425 PHONE NUMBER OR PAGER? 222 00:14:04,425 --> 00:14:06,894 A PAGER, RUDY. DOES LEO HAVE A PAGER? 223 00:14:06,894 --> 00:14:09,313 - I'M NOT SURE. - IN THE ARMY, HUH? 224 00:14:09,313 --> 00:14:12,817 M.P. IN FACT, I'M ON THE LIST APPLYING FOR THE POLICE DEPARTMENT. 225 00:14:12,817 --> 00:14:14,986 THEY'RE DOING MY BACKGROUND CHECK. IS THAT RIGHT? 226 00:14:14,986 --> 00:14:17,105 WELL, I'LL TELL YOU SOMETHING, RUDY. 227 00:14:17,105 --> 00:14:20,241 IF YOU WANT TO GET ON THIS JOB, A SOLID HERE HELPING US FIND LEO-- 228 00:14:20,241 --> 00:14:22,076 THAT'S NOT GONNA HURT YOUR CHANCES. 229 00:14:22,076 --> 00:14:25,363 THE FLIP SIDE-- YOU DON'T COOPERATE, 230 00:14:25,363 --> 00:14:27,999 YOUR INVESTIGATOR'S LIABLE TO HEAR ABOUT THAT. 231 00:14:27,999 --> 00:14:30,001 WE KNOW EACH OTHER SINCE WE'RE FIVE YEARS OLD. 232 00:14:30,001 --> 00:14:32,837 IF YOU WANNA BE ON THE JOB, RUDY, YOU'RE GONNA BE FACING SITUATIONS LIKE THAT. 233 00:14:32,837 --> 00:14:35,089 YOU AND RAMIREZ, YOU GO WAY BACK, RIGHT? 234 00:14:35,089 --> 00:14:37,842 WELL, HE SHOT A MAN DEAD IN THE STREET. 235 00:14:39,010 --> 00:14:41,179 YOU WANT ME TO BEEP HIM? 236 00:14:42,964 --> 00:14:46,100 FIND OUT WHERE HE IS WHEN HE CALLS YOU BACK, RUDY. 237 00:14:46,100 --> 00:14:48,386 THEN WE'LL GRAB HIM UP WITHOUT LEO EVER KNOWING IT CAME FROM YOU. 238 00:14:48,886 --> 00:14:51,305 I'M GONNA KNOW. 239 00:15:05,286 --> 00:15:09,073 I'D LIKE TO KEEP TRYING MY PARTNER'S WIFE. SHE DON'T HAVE TO HEAR IT FROM A STRANGER. 240 00:15:09,073 --> 00:15:13,161 UH, YEAH. MAXINE, COULD YOU SET MR. DeMARCO UP WITH A PHONE IN THE COFFEE ROOM? 241 00:15:13,161 --> 00:15:16,214 - SURE. - AND WHATEVER BEVERAGE HE'S LOOKING FOR. 242 00:15:20,384 --> 00:15:24,505 YOUR D.O.A. HAD SOME POLITICAL JUICE. BIG SUPPORTER OF THE JOB. 243 00:15:24,505 --> 00:15:28,426 THIS GUY WE BROUGHT IN IS THE FATHER OF THE KID WE LIKE FOR THE HOMICIDE. 244 00:15:28,426 --> 00:15:30,678 UH, WHILE WE'RE WORKING UP THE CRIME SCENE, 245 00:15:30,678 --> 00:15:34,649 THIS KID WALKS IN WITH A BLOODIED-UP HAND HE SUPPOSEDLY GOT FIXING A TRANNY. 246 00:15:34,649 --> 00:15:37,568 THERE'S A BLOOD TRAIL OUTSIDE THE BACK DOOR OF THIS TRANSMISSION PLACE. 247 00:15:37,568 --> 00:15:39,771 LEADS TO THE A.T.M. WHERE THIS KID MADE A WITHDRAWAL FROM. 248 00:15:39,771 --> 00:15:43,658 YEAH, WE THINK HE TOOK OUT THE MONEY TO ACCOUNT FOR HAVING THE PROCEEDS FROM THE ROBBERY. 249 00:15:43,658 --> 00:15:47,411 YEAH. HE TOOK THE MONEY OUT TO COVER THE ROBBERY. THEN HE PUTS HIMSELF AT THE JEWELER... 250 00:15:47,912 --> 00:15:50,248 TAKING OUT A GIFT ON LAYAWAY. SO, UM, THE JEWELER BACKS HIM? 251 00:15:50,248 --> 00:15:53,918 YEAH. SAYS HE WAS THERE, BUT HE WAS ACTING AWFULLY NERVOUS. 252 00:15:53,918 --> 00:15:57,171 JEWELER SAYS HE THOUGHT HE WAS GONNA ROBHIM. 253 00:15:57,171 --> 00:16:00,625 ANYWAYS, UH, WE'RE GONNA SEE WHAT WE GET FROM THE FATHER AND THEN GO BACK AT THE KID. 254 00:16:00,625 --> 00:16:02,927 YEAH. 255 00:16:02,927 --> 00:16:07,048 UH, LIEU, UH, AS WE'RE LEAVING THIS TRANSMISSION PLACE, JAMES SPOKE ASIDE TO ME. 256 00:16:07,048 --> 00:16:10,852 THIS KID DID EVERYTHING BUT WEAR AN "ARREST ME" SIGN ON HIS BACK. 257 00:16:15,773 --> 00:16:19,227 NOTHING LIKE BUILDING UP THE BOSS'S EXPECTATIONS. 258 00:16:19,227 --> 00:16:21,145 YOU THINK THAT WAS TOO MUCH FANFARE? 259 00:16:21,145 --> 00:16:24,365 - THANKS, MAXINE. - OKAY. 260 00:16:27,902 --> 00:16:29,654 YOU GOT MY SON IN HERE? 261 00:16:29,654 --> 00:16:33,324 YEAH. WE, UH, NEED SOME FURTHER INFORMATION FROM DANNY. 262 00:16:33,324 --> 00:16:36,994 MR. DeMARCO, UH, DO YOU KNOW IF MR. EIGEN HAD ANYONE ANGRY AT HIM? 263 00:16:36,994 --> 00:16:39,881 THIS WAS A STRAIGHT-ARROW GUY. HE DIDN'T GAMBLE. 264 00:16:39,881 --> 00:16:42,216 HE DIDN'T DO DRUGS. HE DIDN'T RUN AROUND. 265 00:16:42,216 --> 00:16:45,052 DID YOUR SON GET ALONG WITH MEL? 266 00:16:45,553 --> 00:16:48,055 MY SON DOESN'T GET ON WITH ANYONE. GOT A DRUG PROBLEM. 267 00:16:48,055 --> 00:16:50,842 - CAN'T KEEP A JOB. - HE WAS WORKING FOR YOU AND MEL. 268 00:16:50,842 --> 00:16:54,228 MEL WAS NICE ENOUGH. HE SUGGESTED HIRING DANNY. 269 00:16:54,228 --> 00:16:57,231 YOU KNOW, LET HIM MOVE OUT OF MY AND MY WIFE'S APARTMENT. 270 00:16:57,231 --> 00:16:58,983 KID DOESN'T HAVE ONE FRIEND. 271 00:16:59,483 --> 00:17:02,069 NOT ONE PERSON TO CALL, HAVE A SOCIAL TIME WITH. 272 00:17:02,069 --> 00:17:05,656 MR. DeMARCO, DO YOU KNOW DANNY TO BE VIOLENT? 273 00:17:05,656 --> 00:17:07,825 I DON'T KNOW. 274 00:17:07,825 --> 00:17:10,661 DOES HE OWN A GUN, YOU KNOW? 275 00:17:11,162 --> 00:17:14,665 WHERE WAS HE ANYHOW? HE SHOULD'VE BEEN DOING REPAIRS THERE. 276 00:17:16,500 --> 00:17:20,288 DANNY SAYS THAT HE STEPPED OUT TO, UH, PICK UP A PRESENT FOR YOUR WIFE. 277 00:17:22,123 --> 00:17:25,293 - I WANT TO TALK TO HIM. - NOT RIGHT NOW, MR. DeMARCO. 278 00:17:27,261 --> 00:17:29,847 - ARE YOU DONE WITH ME? - YEAH. YOU CAN GO FOR NOW. 279 00:17:31,682 --> 00:17:35,853 YOU TELL HIM IF HE DID THIS, I HOPE HE BURNS IN HELL. 280 00:17:36,270 --> 00:17:39,690 [ Door Opens, Closes ] 281 00:17:42,109 --> 00:17:44,528 READY TO GO AT HIM? 282 00:17:50,151 --> 00:17:52,486 [ Door Closes ] DID YOU TALK TO MY DAD? 283 00:17:52,486 --> 00:17:54,238 YEAH. WE JUST FINISHED, DANNY. 284 00:17:54,238 --> 00:17:57,375 IS HE HORRIFIED? HE'S PRETTY BROKEN UP. 285 00:17:57,375 --> 00:17:59,577 BECAUSE HE AND MEL WERE BEST FRIENDS 30 YEARS. 286 00:17:59,577 --> 00:18:04,415 HE TELLS US YOU DIDN'T NORMALLY GO OUT FOR ERRANDS IN THE MIDDLE OF A WORKING DAY. 287 00:18:04,415 --> 00:18:08,336 W-WELL, TODAY I WENT TO GO PICK UP EARRINGS I'D BOUGHT FOR MY MOTHER. 288 00:18:08,336 --> 00:18:11,806 I GOT 'EM WITH ME. WE STOPPED BY THAT JEWELER GOIN' TO PICK UP YOUR DAD. 289 00:18:11,806 --> 00:18:14,592 HE SAID YOU HAD THOSE EARRINGS ON LAYAWAY SINCE FOUR MONTHS BACK. 290 00:18:15,092 --> 00:18:19,680 WELL, I'D SAVED ENOUGH BY NOW. IT'S NOT LIKE MEL AND MY DAD PAID ME A KING'S SALARY. 291 00:18:21,098 --> 00:18:23,901 ARE YOU DIRECTING SUSPICION AT ME? 292 00:18:23,901 --> 00:18:26,737 DANNY, YOUR WRENCH INJURY'S CONSISTENT... 293 00:18:26,737 --> 00:18:29,240 WITH WHAT MIGHT HAPPEN IN SOME TYPE OF ALTERCATION. 294 00:18:29,240 --> 00:18:33,577 I EXPLAINED EVERY SINGLE ASPECT-- 295 00:18:33,577 --> 00:18:35,913 MY BLOOD, MY WHEREABOUTS. 296 00:18:35,913 --> 00:18:39,083 I RESENT THE IMPLICATION BECAUSE THERE'S A KILLER ON THE LOOSE. 297 00:18:39,500 --> 00:18:42,119 [ Martinez ] DO YOU OWN A GUN, DANNY? NO. 298 00:18:42,119 --> 00:18:45,006 I WENT TO WORK. I DID MY REPAIRS. 299 00:18:45,506 --> 00:18:49,010 I TOOK A BREAK, WHICH I AM ENTITLED TO, AND THEN MEL WAS DEAD. 300 00:18:49,510 --> 00:18:51,879 THAT IS MY STORY. 301 00:18:54,382 --> 00:18:56,384 ARE YOU ON DRUGS PRESENTLY, DANNY? 302 00:18:56,384 --> 00:19:00,021 [ Sighs ] 303 00:19:00,021 --> 00:19:03,557 I HAVE TOLD YOU MY STORY. 304 00:19:17,905 --> 00:19:22,410 THAT WAS EASY, HUH, GREG? YEAH. 305 00:19:24,795 --> 00:19:27,665 I FEEL VERY SCARED. 306 00:19:27,665 --> 00:19:30,501 WE UNDERSTAND THAT, AMY. WE KNOW YOU'RE UPSET ABOUT TINA. 307 00:19:32,386 --> 00:19:34,889 CAN YOU TELL US EXACTLY WHAT HAPPENED... 308 00:19:34,889 --> 00:19:37,641 LEADING UP TO TINA'S HAVING TO GO TO THE HOSPITAL? 309 00:19:38,142 --> 00:19:41,645 UM, TINA WAS ON THE COUCH. 310 00:19:41,645 --> 00:19:44,982 UH, JUST FOR A MINUTE I WENT INTO THE KITCHEN TO GET A JUICE BAR. 311 00:19:44,982 --> 00:19:47,818 WHEN I GOT BACK, SHE HAD FALLEN. 312 00:19:47,818 --> 00:19:49,820 DID SHE CRY WHEN SHE FELL? 313 00:19:49,820 --> 00:19:52,239 NO. I WOULD HEAR AND COME RIGHT AWAY. 314 00:19:52,239 --> 00:19:54,492 SO SHE WAS UNCONSCIOUS? 315 00:19:54,492 --> 00:19:56,694 YES. 316 00:19:58,446 --> 00:20:01,165 AMY, THE DOCTOR SAID TINA'S HEAD INJURIES... 317 00:20:01,165 --> 00:20:04,869 WERE DIFFERENT FROM THE KIND SHE'D HAVE GOTTEN FALLING THE WAY YOU DESCRIBED. 318 00:20:05,369 --> 00:20:09,006 [ Sniffles ] I CAN'T UNDERSTAND THAT. MM-MMM. 319 00:20:09,006 --> 00:20:12,209 JUST GENERALLY SPEAKING, AMY, DID THE BABY CRY A LOT? 320 00:20:12,209 --> 00:20:15,046 GET YOU FRUSTRATED? NO. OH, NO. 321 00:20:15,046 --> 00:20:20,134 YOU KNOW, SOMETIMES PEOPLE GET ANGRY AT A CRYING BABY AND SHAKE 'EM TO GET 'EM TO STOP. 322 00:20:20,134 --> 00:20:22,720 NO. I DID EVERYTHING NORMAL. YOU CAN CHECK THE JOURNAL. 323 00:20:22,720 --> 00:20:24,889 WHAT JOURNAL? 324 00:20:27,942 --> 00:20:31,812 I MARK EVERYTHING DOWN. [ Sniffles ] 325 00:20:33,314 --> 00:20:38,486 "7:15, GIVE TINA BATH. 8:30, FEED HER. 326 00:20:38,486 --> 00:20:42,740 9:10, SHE GOES PEE. I CHANGE DIAPER." 327 00:20:42,740 --> 00:20:45,076 [ Russell ] YOU DO A PAGE LIKE THIS EVERY DAY? 328 00:20:45,076 --> 00:20:47,995 YEAH, EVERYTHING SHE DO. YEAH. 329 00:20:47,995 --> 00:20:50,998 FEEDING, PEEING, POOPING, ALL OF IT. 330 00:20:50,998 --> 00:20:53,717 AND THIS WAS THE ZHENGS' IDEA? MY IDEA. 331 00:20:57,671 --> 00:20:59,673 I LOVE THE BABY. 332 00:21:12,603 --> 00:21:15,406 AMY, WE'RE GONNA HAVE YOU SIT HERE A LITTLE WHILE, 333 00:21:15,406 --> 00:21:19,076 AND I'D REALLY LIKE YOU TO USE THE TIME TO THINK THROUGH OTHER WAYS... 334 00:21:19,076 --> 00:21:22,530 TINA MIGHT'VE GOTTEN HER HEAD INJURIES. 335 00:21:22,530 --> 00:21:24,365 OKAY. 336 00:21:28,752 --> 00:21:31,005 YOU WANT A SODA OR SOMETHING? 337 00:21:31,005 --> 00:21:33,707 NO, THANK YOU. 338 00:21:40,514 --> 00:21:43,267 [ Door Closes ] 339 00:21:48,522 --> 00:21:51,475 [ Rudy ] LOT OF TIME ON THAT CORNER. 340 00:21:51,475 --> 00:21:54,061 [ Simone ] YOU NEED TO SLIDE DOWN IN THE SEAT, RUDY, 341 00:21:54,061 --> 00:21:56,313 SO YOU COULD JUST SEE OVER THE WINDOW. 342 00:21:59,650 --> 00:22:01,702 [ Rudy ] THAT'S HIM. THAT'S LEO. 343 00:22:01,702 --> 00:22:04,622 GUY WITH THE BLACK JACKET, TAKING A CIGARETTE? 344 00:22:04,622 --> 00:22:06,790 [ Rudy ] THE ONE GOIN' BACK IN. ALL RIGHT. 345 00:22:07,291 --> 00:22:09,627 [ Sipowicz ] ALL RIGHT, THROW THAT BLANKET OVER YOU WHILE WE GO GET HIM. 346 00:22:10,127 --> 00:22:12,329 WE'LL PUT LEO IN THE RADIO CAR, AND THEN WE'LL PICK THIS CAR BACK UP. 347 00:22:12,329 --> 00:22:14,999 I WOULDN'T MIND TALKING TO HIM, EXPLAINING THINGS. 348 00:22:14,999 --> 00:22:17,918 RUDY, COVER UP WITH THE BLANKET TILL WE GET BACK IN, HUH? 349 00:22:21,505 --> 00:22:24,141 [ Man ] TAXI! TAXI! 350 00:22:24,141 --> 00:22:27,094 [ Chattering In Spanish ] 351 00:22:27,094 --> 00:22:29,847 [ Horn Honks ] 352 00:22:29,847 --> 00:22:34,068 - [ Chattering In Spanish ] - JUST BE COOL. 353 00:22:34,068 --> 00:22:37,321 EVERYBODY UP AGAINST THE WALL. HANDS OVER YOUR HEAD. 354 00:22:37,321 --> 00:22:40,608 GET UP THERE! HANGIN' WITH YOUR BOYS SOME KIND OF CRIME, MAN? 355 00:22:40,608 --> 00:22:43,611 - WHAT DO YOU GOT IN THE BAG THERE, LEO? - HOW DO YOU KNOW MY NAME? 356 00:22:43,611 --> 00:22:47,448 'CAUSE YOUR UGLY PUSS IS ON A SURVEILLANCE CAMERA IN THAT K.F.C. 357 00:22:47,448 --> 00:22:50,167 - THESE GUYS ARE CLEAN. - I DON'T KNOW WHAT K.F.C. YOU'RE TALKIN' ABOUT, MY MAN. 358 00:22:50,167 --> 00:22:52,536 THE ONE I'M FAMILIAR WITH AIN'T GOT NO SURVEILLANCE CAMERA. 359 00:22:53,037 --> 00:22:54,755 IT'S JUST NOT UP THERE WHERE EVERYBODY CAN SEE IT. 360 00:22:54,755 --> 00:22:58,709 I KNOW WHO TOLD YOU WHERE I WAS AT. YEAH, I'LL BE HAVING A CONVERSATION WITH HIM SOON. 361 00:22:58,709 --> 00:23:01,095 - SHUT UP! - LET'S GET A RADIO CAR AND TAKE THIS SLIME BAG IN. 362 00:23:01,095 --> 00:23:03,430 - THAT COAT WAS STOLEN. GIVE IT UP. - NO, MAN. THAT'S HERS. 363 00:23:03,430 --> 00:23:06,550 NO, I THINK THAT MUST'VE BEEN A DREAM YOU HAD. 364 00:23:14,758 --> 00:23:17,695 YOU GUYS SEE A LATINO AND GOTTA HASSLE HIM, RIGHT? 365 00:23:17,695 --> 00:23:19,897 OH, YEAH, THAT'S OUR STICK, LEO. 366 00:23:20,397 --> 00:23:24,201 OUR SPECIALTY'S THE ONES THAT MURDER PEOPLE ON THE STREET AND STEAL FROM PREGNANT WOMEN. 367 00:23:24,201 --> 00:23:26,870 - WHERE YOU GETTIN' THAT? - YOU KILLED TONY PEREZ, LEO. 368 00:23:27,204 --> 00:23:28,706 WASN'T ME. 369 00:23:29,206 --> 00:23:31,542 PEREZ'S GIRLFRIEND IS PICKING YOU OUT, LEO. 370 00:23:31,542 --> 00:23:34,245 PLUS THAT COAT YOUR OLD LADY WAS SPORTIN' IN THE BODEGA. 371 00:23:34,745 --> 00:23:38,716 - YEAH, THAT USED TO BE HERS. - COME ON. THERE'S A LOT OF SHEEPSKINS OUT THERE. 372 00:23:38,716 --> 00:23:42,052 AND THAT GIRL-- I WOULDN'T BE SO RELIABLE SHE'S GONNA GO AGAINST A KING. 373 00:23:42,052 --> 00:23:45,923 - NO, HUH? - TONY WASN'T THE FIRST KING SHE DATED. 374 00:23:45,923 --> 00:23:49,727 SO WHY'D YOU KILL HIM, LEO? 'CAUSE HE WANTED TO STRAIGHTEN OUT INSTEAD OF SCREWING OFF? 375 00:23:49,727 --> 00:23:55,182 YOU GOTTA ASK THE CROWN JEWEL'S PERMISSION. ANYTHING POSSIBLE WITH THAT. 376 00:23:55,683 --> 00:23:58,269 CROWN JEWEL BEING YOU? 377 00:23:58,269 --> 00:24:00,271 MAYBE I SAY YEAH. MAYBE I SAY NO. 378 00:24:00,271 --> 00:24:04,692 SO BECAUSE THIS GUY DIDN'T WANT TO KISS YOUR RING THERE, YOU FIGURE HE DESERVES DYING? 379 00:24:05,192 --> 00:24:07,745 I'M NOT FIGURIN' NOTHING, BECAUSE I WASN'T INVOLVED. 380 00:24:07,745 --> 00:24:10,948 MY GENERAL STATEMENT IS THIS: A MEMBER'S GOTTA SHOW RESPECT. 381 00:24:10,948 --> 00:24:13,701 [ Scoffs ] AY, CARAMBA. 382 00:24:13,701 --> 00:24:15,619 LOVE YOUR ACCENT. 383 00:24:16,120 --> 00:24:19,089 YOU LOVE MY ACCENT, HUH? YOU WANT A FISTFUL OF MY ACCENT? 384 00:24:19,089 --> 00:24:23,043 YOU'RE REALLY BAD, AREN'T YOU, LEO? THAT GIRL'S NEVER GIVING YOU UP. 385 00:24:23,043 --> 00:24:25,713 THAT'S JUST ABOUT MY POSITION, YEAH. 386 00:24:27,431 --> 00:24:29,767 GET UP, ASSHOLE. 387 00:24:33,470 --> 00:24:36,106 THERE'S YOUR NEW POSITION. 388 00:24:52,890 --> 00:24:55,693 MR. AND MRS. ZHENG, HOW'S TINA? 389 00:24:55,693 --> 00:24:58,862 ON A RESPIRATOR. THEY DON'T KNOW IF SHE WILL LIVE. 390 00:24:58,862 --> 00:25:02,366 - WE'RE SO SORRY. - WHY DO YOU MAKE US BE HERE? 391 00:25:02,366 --> 00:25:05,152 YOU SHOULD BE TALKING TO AMY CHU. WE'RE TALKING TO AMY. 392 00:25:05,152 --> 00:25:07,371 WHY DON'T WE SIT OVER HERE? 393 00:25:18,215 --> 00:25:20,551 WOULD YOU LIKE SOMETHING TO DRINK? JUST ASK US WHAT YOU WANT. 394 00:25:21,969 --> 00:25:23,921 HAS TINA EVER FALLEN BEFORE? 395 00:25:23,921 --> 00:25:27,558 - NO. - DID YOU OR YOUR WIFE EVER HAVE OCCASION TO SET HER DOWN HARD? 396 00:25:27,558 --> 00:25:30,344 NO, NO. THIS IS AMY CHU'S DOING. 397 00:25:30,344 --> 00:25:33,647 WE'RE CERTAINLY LOOKING AT THE POSSIBILITY AMY'S RESPONSIBLE. 398 00:25:33,647 --> 00:25:36,767 SHE DOES SEEM DILIGENT AND VERY CARING ABOUT YOUR DAUGHTER. 399 00:25:36,767 --> 00:25:40,821 TRACKING TINA'S DAILY ACTIVITIES IN THE JOURNAL-- MEALS, WHEN SHE WOULD GO TO THE BATHROOM. 400 00:25:40,821 --> 00:25:45,192 I NOTICE THAT THERE WERE NO ENTRIES FOR WHEN THE BABY WOULD SLEEP. 401 00:25:45,192 --> 00:25:49,413 - NO. - DID YOU GIVE AMY INSTRUCTIONS TO KEEP TINA AWAKE? 402 00:25:49,413 --> 00:25:51,532 YES. 403 00:25:52,032 --> 00:25:55,836 MRS. ZHENG, A ONE-YEAR-OLD NEEDS TO NAP DURING THE DAY. 404 00:25:55,836 --> 00:25:58,839 THEY GO SIX, EIGHT HOURS WITHOUT SLEEP, THEY'RE SUFFERING DEPRIVATION. 405 00:25:58,839 --> 00:26:01,675 WEEKNIGHTS WE WANT HER TO BE TIRED SO EVERYONE SLEEPS. 406 00:26:02,176 --> 00:26:05,262 MY WIFE AND I WORK HARD. GET HOME, WE WANT TINA FED, CLEAN, READY FOR BED. 407 00:26:05,262 --> 00:26:06,880 SURE. 408 00:26:06,880 --> 00:26:09,933 DID YOU EVER SEE AMY BE ROUGH WITH TINA? 409 00:26:09,933 --> 00:26:11,718 IT MUST BE HER. 410 00:26:12,970 --> 00:26:14,721 WANT TO BE WITH TINA. WANT TO GO. 411 00:26:14,721 --> 00:26:16,774 THANKS FOR COMING IN. 412 00:26:16,774 --> 00:26:18,892 [ Russell ] THANK YOU. 413 00:26:23,614 --> 00:26:27,234 I'M GOING TO THE HOSPITAL TO GET A STATEMENT FROM THE ADMITTING INTERN. 414 00:26:32,790 --> 00:26:34,792 SO HOW YOU HOLDING UP, WANDA? 415 00:26:34,792 --> 00:26:37,411 - IT'S HARD, YOU KNOW. - DID WE HEAR THAT STORY RIGHT-- 416 00:26:37,411 --> 00:26:41,131 THE HEAD OF THAT DIAPER COMPANY'S GONNA BE PUTTING UP MONEY FOR THE BABY? 417 00:26:41,131 --> 00:26:44,468 YEAH, HE HEARD ON THE RADIO WHAT HAPPENED TO TONY. HE'S GONNA HELP WITH THE BABY'S EXPENSES. 418 00:26:44,468 --> 00:26:47,638 - SO THAT'S A GOOD BREAK. - YEAH, IT'S GONNA HELP. 419 00:26:47,638 --> 00:26:51,475 WE, UH, NEED YOU TO PICK TONY'S SHOOTER OUT, WANDA. 420 00:26:51,475 --> 00:26:54,144 - [ Laughs ] YOU THINK SO? - NOBODY'S TALKING ABOUT TESTIMONY. 421 00:26:54,144 --> 00:26:57,764 NO, YOU PICK HIM OUT IN THE LINEUP. HE'S GONNA BE LOOKIN' TO DEAL. 422 00:26:57,764 --> 00:27:01,768 - YOU THINK SO? - YEAH, THAT'S WHAT WE THINK, WANDA. YOU THINK DIFFERENT? 423 00:27:01,768 --> 00:27:04,905 YOU THINK HE'LL PLEAD OUT? YOU DON'T KNOW THE CROWN JEWEL. 424 00:27:04,905 --> 00:27:07,825 WHICH DOES HINT TO WANDA'S AWARENESS ON TONY'S ASSAILANT. 425 00:27:07,825 --> 00:27:11,111 MM-HMM. THIS, UH, HEAD OF THE DIAPER COMPANY-- 426 00:27:11,111 --> 00:27:13,113 MR. ALTMAYER. MR. ALTMAYER, RIGHT. 427 00:27:13,113 --> 00:27:17,417 PUBLICITY FANATIC. YOU KNOW, POSTCOMES OUT, HE AIN'T IN IT, GUY GOES TO BED WITH A MIGRAINE. 428 00:27:17,417 --> 00:27:19,920 MR. ALTMAYER FINDS OUT THAT YOU DID THE RIGHT THING HERE, WANDA, 429 00:27:19,920 --> 00:27:22,172 YOU'RE GONNA BE LOOKING AT A LOT MORE THAN DIAPER MONEY. 430 00:27:22,172 --> 00:27:24,591 YOU THINK SO? OH, YEAH. 431 00:27:24,591 --> 00:27:27,044 ; "WIDOWED MOTHER-TO-BE STANDS UP TO FIANCEÉÉ'S KILLERS 432 00:27:27,044 --> 00:27:30,764 BLOWHARD FINANCIER FREES HER FROM GANG'S CLUTCHES." 433 00:27:30,764 --> 00:27:34,852 I'LL TELL YOU SOMETHING ELSE, WANDA. A GUY LIKE THIS STEPS IN, HE MAKES A LONG-TERM COMMITMENT. 434 00:27:35,352 --> 00:27:38,138 THEY DON'T WANT NO EMBARRASSMENT AFTERWARDS, ANYTHING BAD HAPPENS TO YOU. 435 00:27:38,138 --> 00:27:41,642 WE'RE TALKING ABOUT A LIFESTYLE MAKEOVER HERE. 436 00:27:42,142 --> 00:27:44,027 YOU THINK SO? 437 00:27:44,027 --> 00:27:46,530 ABSOLUTELY. 438 00:27:53,403 --> 00:27:56,907 I'LL TELL YOU WHO DID IT AND PICK HIM OUT. 439 00:28:00,210 --> 00:28:01,879 [ Captain ] MAN, THIS DANNY DeMARCO INTERVIEW-- 440 00:28:01,879 --> 00:28:05,415 I'M NOT GONNA PRETEND ONE P.P.'s NOT PUTTIN' MY FEET TO THE FIRE SOMEWHAT. 441 00:28:05,916 --> 00:28:07,668 WE RECOGNIZE THE POSITION YOU'RE IN, CAPTAIN. 442 00:28:07,668 --> 00:28:12,055 I'M NOT GONNA PUT LT. FANCY IN THE MIDDLE, WHICH IS WHY I WANNA SPEAK TO BOTH OF YOUSE DIRECTLY. 443 00:28:12,055 --> 00:28:14,391 I'M NOT GONNA PUT YOU IN THE MIDDLE KIBITZING... 444 00:28:14,892 --> 00:28:17,060 HOW YOU RUN YOUR INTERVIEW OR CONDUCT YOUR CASE. 445 00:28:17,060 --> 00:28:19,229 SO WHAT WOULD BE YOUR POINT, CAPTAIN? 446 00:28:19,229 --> 00:28:22,766 - THE POINT IS, DON'T BE SHY. -MEANING? 447 00:28:22,766 --> 00:28:26,236 MEANING I'M NOT GONNA ADVOCATE ONE INTERROGATION TECHNIQUE FROM ANOTHER, 448 00:28:26,236 --> 00:28:29,106 BUT WE WANT A STATEMENT FROM THIS ASSHOLE BEFORE ANYONE GETS TOO MUCH OLDER. 449 00:28:29,106 --> 00:28:31,358 AND IF THE ROOM'S GOT THE WRONG POPULATION, 450 00:28:31,358 --> 00:28:34,995 I THINK WE'RE ALL ADULTS, AND WE'RE PREPARED TO SACRIFICE FOR THE GOOD OF THE WHOLE. 451 00:28:34,995 --> 00:28:38,081 SO WHY DOES THAT SOUND LIKE "DON'T WALK HIM, BUT DON'T GIVE HIM ANYTHING TO HIT"? 452 00:28:38,081 --> 00:28:42,586 ARTHUR, IF THAT'S WHAT YOU HEARD, YOU'RE NOT LISTENING RIGHT. 453 00:28:42,586 --> 00:28:45,505 I GOT NOTHIN' AGAINST TIMELY HITS. 454 00:28:50,177 --> 00:28:53,347 [ Door Opens, Closes ] 455 00:28:53,347 --> 00:28:56,516 DEAL WITH HIM THE WAY YOU THINK IS RIGHT. 456 00:28:59,136 --> 00:29:01,188 I WANT TO BE MORE HELPFUL. I REALLY DO. 457 00:29:01,688 --> 00:29:03,974 YEAH? THEN YOU SHOULD BE MORE CANDID, DANNY. 458 00:29:03,974 --> 00:29:08,946 I WISH I COULD SAY MORE, BECAUSE THERE ARE LAYERS AND SIDES TO EVERY STORY. 459 00:29:08,946 --> 00:29:12,115 SO, UH, WHAT'S PREVENTING YOU FROM EXPLORING THOSE? 460 00:29:12,115 --> 00:29:15,953 YOU EVER FIND YOURSELF THE ODD MAN OUT? 461 00:29:15,953 --> 00:29:18,205 SURE. 462 00:29:18,205 --> 00:29:21,458 OUT IN THE COLD? THIRD WHEEL? WHICH IS AN UNPLEASANT THING. 463 00:29:21,458 --> 00:29:25,829 - ABSOLUTELY. - THAT WAS MY SITUATION AT MY WORKPLACE. 464 00:29:25,829 --> 00:29:28,048 MEL AND MY DAD ARE BIG PALS. 465 00:29:28,048 --> 00:29:31,051 GO TO LUNCH EVERY SINGLE DAY WHILE I BROWN-BAG IT. 466 00:29:31,051 --> 00:29:33,303 HURT YOUR FEELINGS? 467 00:29:33,303 --> 00:29:36,723 [ Laughs ] I PUT UP WITH IT, YOU KNOW-- 468 00:29:36,723 --> 00:29:39,726 THEM BEIN' ALL BUDDY-BUDDY WITH THEIR JOKES. 469 00:29:41,728 --> 00:29:45,732 BUT, UH, THEN THEY'D LAUGH AT ME... 470 00:29:47,401 --> 00:29:49,686 AND BOSS ME... 471 00:29:49,686 --> 00:29:52,689 AND SAY I DON'T DO A GOOD JOB. 472 00:29:52,689 --> 00:29:56,326 DID, UH, MEL LAUGH AT YOU YESTERDAY? 473 00:29:56,326 --> 00:29:59,162 I MEAN, IT JUST ISN'T COMMON COURTESY-- 474 00:29:59,162 --> 00:30:04,167 CALL SOMEONE STUPID AND A MORON... 475 00:30:04,167 --> 00:30:09,339 AND AT THE SAME TIME SHOWIN' EVERLASTING LOVE FOR MEL. 476 00:30:09,339 --> 00:30:12,092 - THIS IS YOUR DAD NOW? - BOTH. 477 00:30:12,092 --> 00:30:16,963 BOTH OF THEM BEST FRIENDS MAKIN' ME FEEL LIKE DIRT. 478 00:30:16,963 --> 00:30:19,766 DANNY, DID ALL THIS RESENTMENT, 479 00:30:19,766 --> 00:30:23,103 PLUS, UH, INADEQUATE WAGES, HOW YOU FELT THE CASE-- 480 00:30:23,103 --> 00:30:26,890 - DID YOU FINALLY DO SOMETHING ABOUT THAT? - NO. 481 00:30:26,890 --> 00:30:29,860 - [ Clattering ] - JERKIN' US AROUND A LITTLE, DANNY? 482 00:30:29,860 --> 00:30:32,813 - LEAD UP TO BEIN' COOPERATIVE, THEN YANK THE RUG OUT? - NO. 483 00:30:32,813 --> 00:30:36,400 THERE'S OTHER WAYS WE CAN GO WHERE YOU'LL WISH YOU TOOK THE CHANCE MY PARTNER'S GIVING YOU. 484 00:30:36,400 --> 00:30:39,536 - WHAT'S THAT SUPPOSED TO MEAN? - YOU'RE ON THE METHADONE MAINTENANCE, RIGHT? 485 00:30:39,536 --> 00:30:43,206 MY PROGRAM GIVES ME UP, THAT'S BREACH OF CONFIDENCE. 486 00:30:43,206 --> 00:30:46,243 I FIGURE YOU GOT GOOD AND LOADED BEFORE YOU DID WHAT YOU DID THIS MORNING, 487 00:30:46,243 --> 00:30:48,545 NOT WORRIED AT ALL, JONESING IN HERE. 488 00:30:48,545 --> 00:30:52,332 I AM NOT WORRIED BECAUSE I'M INNOCENT. 489 00:30:52,332 --> 00:30:55,218 YOU'RE NOT WORRIED BECAUSE YOU THINK YOUR ALIBI'S SOLID, 490 00:30:55,218 --> 00:30:58,255 AND YOU'RE STILL FEELING GOOD FROM YOUR DOSE, RIGHT? 491 00:30:58,255 --> 00:31:00,590 WHAT YOU'RE LEAVIN' OUT, DANNY, IS THE CHANCE... 492 00:31:00,590 --> 00:31:03,727 YOU MIGHT GET YOUR ASS KICKED TILL YOU WISH YOU WERE DEAD. 493 00:31:10,684 --> 00:31:13,019 I DIDN'T DO IT, 494 00:31:14,321 --> 00:31:17,357 AND YOU'RE NOT GONNA MAKE ME SAY THAT I DID. 495 00:31:35,342 --> 00:31:39,179 I THINK I GOTTA TUNE HIM UP. THING IS, JAMES, HE'S NOT GOING FOR A LAWYER. 496 00:31:39,179 --> 00:31:42,849 - INDICATING WHAT? - INDICATING SOME ASPECT HE WANTS TO BE FORTHCOMING. 497 00:31:42,849 --> 00:31:46,103 HOW ABOUT IT'S INDICATING HE THINKS HE'S GOT ALL THE ANSWERS... 498 00:31:46,103 --> 00:31:48,939 FOR CIRCUMSTANTIAL EVIDENCE, AND HE'S GETTING OFF ON BREAKING OUR BALLS? 499 00:31:48,939 --> 00:31:52,309 - I DIFFER ON TUNING HIM UP. - 'CAUSE OF YOUR "GENIE'S OUT OF THE BOTTLE" EXPERIENCE? 500 00:31:52,309 --> 00:31:55,946 - I DON'T THINK IT'S RIGHT FOR THIS KID. - CLOCK'S RUNNING ON THIS, GREG. 501 00:31:55,946 --> 00:31:58,565 WE DON'T MOVE HIM SOON, I'M GOING UPSIDE HIS HEAD. 502 00:32:08,992 --> 00:32:10,961 IT'S 4:00, LIEUTENANT. 503 00:32:10,961 --> 00:32:13,547 DO YOU KNOW WHERE YOUR EIGEN INVESTIGATION IS? GIVE IT A REST, COHEN. 504 00:32:13,547 --> 00:32:16,416 GOT YOUR CRACK DETECTIVES MARTINEZ AND MEDAVOY ON THIS. MEANING WHAT? 505 00:32:16,416 --> 00:32:19,636 DEAD GUY HAD A LOT OF JUICE. I DON'T THINK YOU WANNA COME OUT OF THE JUNGLE EMPTY-HANDED. 506 00:32:19,636 --> 00:32:22,672 LIEU, DIANE'S ON HER WAY BACK. THE BABY DIED. 507 00:32:22,672 --> 00:32:25,809 THE BABYSITTER MAKE A STATEMENT? WE'LL GO BACK AT HER NOW. 508 00:32:25,809 --> 00:32:28,678 SHE'S A BABY KILLER. WHY THE LACK OF ENTHUSIASM? 509 00:32:29,179 --> 00:32:31,064 OH, KISS MY ASS, COHEN. 510 00:32:31,064 --> 00:32:33,817 NOT AN ENTIRELY UNAPPEALING THOUGHT. 511 00:32:33,817 --> 00:32:38,522 SHE ADORED THIS KID, LIEU. FORTY ENTRIES A DAY IN A JOURNAL. 512 00:32:38,522 --> 00:32:40,824 EVERY HICCUP THE KID MADE. 513 00:32:40,824 --> 00:32:42,659 BUT DO YOU THINK SHE DID IT? 514 00:32:43,160 --> 00:32:44,995 I DON'T THINK THE PARENTS WOULD'VE TAKEN THE TIME. 515 00:32:44,995 --> 00:32:46,863 OKAY. 516 00:32:57,874 --> 00:33:00,877 [ Door Opens ] [ Martinez ] THANKS, JOSH. 517 00:33:05,749 --> 00:33:07,751 IT'S ABOUT TIME I GO. 518 00:33:07,751 --> 00:33:11,054 YEAH, DANNY? YOU GET ENOUGH JOLLIES TELLIN' US LIES? 519 00:33:11,054 --> 00:33:13,557 WE'D LIKE TO TALK TO YOU A LITTLE MORE, DANNY, 520 00:33:14,057 --> 00:33:15,892 ON THIS MORNING'S CIRCUMSTANCES. 521 00:33:15,892 --> 00:33:19,145 MEANING YOUR BOSS'S DEATH. ONE OF MY BOSS'S DEATH. 522 00:33:19,145 --> 00:33:21,648 RIGHT, YEAH. YOUR DAD'S YOUR OTHER BOSS. 523 00:33:21,648 --> 00:33:24,901 NOT THAT HE WOULDN'T RATHER THAT I WAS OUT OF HIS LIFE ALTOGETHER. 524 00:33:24,901 --> 00:33:30,440 YOU KNOW, I TRIED SUICIDE THREE TIMES. 525 00:33:30,440 --> 00:33:35,078 AND BELIEVE ME, MY DAD NEVER CRIED AT MY BEDSIDE... 526 00:33:35,078 --> 00:33:37,581 LIKE I KNOW HE'S CRYIN' OVER MEL. 527 00:33:37,581 --> 00:33:40,584 YOU KNOW, YOU'RE A SNIVELING LITTLE ASSHOLE. 528 00:33:40,584 --> 00:33:44,504 WHY SHOULDN'T YOUR DAD GRIEVE OVER HIS FRIEND? WHY SHOULD THAT MAKE YOU JEALOUS? 529 00:33:44,504 --> 00:33:47,374 HE'S NOT BEGRUDGING THIS GRIEVING, JAMES. 530 00:33:47,874 --> 00:33:51,378 BUT-BUT HIS DAD NOT SHOWING EQUIVALENT SYMPATHY WHEN DANNY WAS DOWN HIMSELF-- 531 00:33:51,378 --> 00:33:54,381 OR MAYBE HE WAS LAUGHING, MAKIN' FUN, 532 00:33:54,381 --> 00:33:58,301 LIKE "YOU CAN'T EVEN KILL YOURSELF RIGHT, YOU WORTHLESS JERK." 533 00:33:58,301 --> 00:34:00,103 OH, DANNY, TAKE IT EASY. 534 00:34:00,103 --> 00:34:02,856 YOU THINK THAT I AM JERKING YOU AROUND? 535 00:34:02,856 --> 00:34:06,943 YOU THINK THAT I AM NOT GENUINELY UPSET? 536 00:34:06,943 --> 00:34:10,113 MY LIFE IS A FAILURE. 537 00:34:10,113 --> 00:34:13,483 YOU THINK I'M GLAD I'M ON METHADONE MAINTENANCE... 538 00:34:13,483 --> 00:34:16,236 OR THAT NO ONE IN THIS WORLD CARES TWO CENTS ABOUT ME? 539 00:34:16,736 --> 00:34:18,488 WELL, PUT ME ON THAT LIST, YOU CREEPY LITTLE JERK. 540 00:34:18,488 --> 00:34:20,991 - IT'S A LONG LIST. - WELL, PUT ME ON THE TOP. 541 00:34:23,793 --> 00:34:25,462 GOD. 542 00:34:25,462 --> 00:34:28,632 I AM SO UNHAPPY. 543 00:34:32,969 --> 00:34:35,589 COME HERE, DANNY. 544 00:34:35,589 --> 00:34:39,142 COME HERE AND LET IT OUT. 545 00:34:42,311 --> 00:34:46,181 [ Sobbing ] YOU THINK I WANTED THINGS TO HAPPEN? 546 00:34:46,181 --> 00:34:50,485 ALL RIGHT. ALL RIGHT. 547 00:34:50,485 --> 00:34:53,021 SHH. TELL ME WHAT HAPPENED. 548 00:34:54,022 --> 00:34:57,943 I GOT-- I GOT CARRIED AWAY. 549 00:34:57,943 --> 00:35:02,331 I TOOK A DOUBLE DOSE, AND THE ANGER AT BOTH OF THEM-- 550 00:35:02,331 --> 00:35:05,617 I WOULD'VE KILLED BOTH OF THEM... 551 00:35:05,617 --> 00:35:09,004 IF MY DAD HAD BEEN THERE. 552 00:35:09,004 --> 00:35:11,673 SHH. 553 00:35:11,673 --> 00:35:14,092 I AM SUCH A WEASEL. AND THEN WHAT? 554 00:35:14,092 --> 00:35:17,512 THEN... I HAD TO COVER UP. 555 00:35:17,512 --> 00:35:20,966 OF COURSE YOU DID. THERE, THERE. 556 00:35:21,850 --> 00:35:24,686 [ Sobbing Continues ] 557 00:35:31,693 --> 00:35:33,695 [ Door Opens ] 558 00:35:38,200 --> 00:35:40,619 [ Door Closes ] 559 00:35:45,624 --> 00:35:49,294 THERE'S NO EASY WAY TO TELL YOU THIS, AMY. TINA DIED AN HOUR AGO. 560 00:35:49,294 --> 00:35:52,748 OH, NO. 561 00:35:52,748 --> 00:35:57,502 [ Sobbing ] OH, NO. POOR BABY. NO. 562 00:35:58,804 --> 00:36:01,723 THE DOCTOR SAID WHATEVER HAPPENED... 563 00:36:02,224 --> 00:36:04,926 ABSOLUTELY DIDN'T HAVE TO BE INTENTIONAL, 564 00:36:04,926 --> 00:36:09,147 BUT TINA DIED FROM SOMEONE SHAKING HER TOO HARD. 565 00:36:13,351 --> 00:36:17,239 AMY, ANYONE COULD TELL FROM LOOKING AT THAT JOURNAL YOU KEPT... 566 00:36:17,739 --> 00:36:20,409 HOW MUCH YOU LOVED AND CARED FOR TINA. 567 00:36:20,909 --> 00:36:23,412 I-- I LOVED HER. 568 00:36:23,412 --> 00:36:27,282 [ Sniffles ] I TOOK CARE OF HER THE BEST I COULD. 569 00:36:27,282 --> 00:36:32,120 - BUT NOW SHE'S DEAD. - NO. NO. DON'T. 570 00:36:36,007 --> 00:36:40,011 I FED HER AND CLEANED HER. 571 00:36:40,011 --> 00:36:42,848 I'M ALSO WALKING OR HOLDING HER. 572 00:36:45,050 --> 00:36:47,886 [ Sobbing Continues ] 573 00:36:51,389 --> 00:36:55,393 UM, I SAW IN THE MIRROR... 574 00:36:55,393 --> 00:36:58,697 HER EYES WERE CLOSING, YOU KNOW. 575 00:37:00,065 --> 00:37:02,567 NO, NO, NO. 576 00:37:02,567 --> 00:37:07,322 MY MOTHER, SHE'S VERY SICK IN LAST YEAR, 577 00:37:07,322 --> 00:37:11,827 AND THEY LOANED ME MONEY FOR THE MEDICINE. 578 00:37:12,327 --> 00:37:16,298 I CAN'T-- I CAN'T LOSE THIS JOB. 579 00:37:19,835 --> 00:37:23,221 THE LAST TIME, THE ZHENGS, THEY SAID THEY'D FIRE ME... 580 00:37:23,221 --> 00:37:25,474 IF SHE FALLS ASLEEP. 581 00:37:27,676 --> 00:37:31,096 BUT THE BABY IS SO TIRED. 582 00:37:31,096 --> 00:37:34,099 SHE TRIED SO HARD TO STAY AWAKE FOR ME, 583 00:37:34,099 --> 00:37:38,186 BUT SHE CAN'T KEEP FROM SLEEPING. 584 00:37:39,988 --> 00:37:42,607 YOU KNOW I LOVED TINA. 585 00:37:42,607 --> 00:37:44,910 OKAY, AMY. 586 00:37:44,910 --> 00:37:49,197 [ Sobbing Continues ] 587 00:37:58,290 --> 00:38:00,292 CAPTAIN BASS SAYS CONGRATULATIONS. 588 00:38:00,292 --> 00:38:02,627 YEAH. GOOD. 589 00:38:02,627 --> 00:38:04,796 YEAH. A LITTLE T.L.C. FROM GREG TURNED THE TRICK, HUH, LIEU? 590 00:38:05,297 --> 00:38:07,933 - YOU DID GOOD WORK, GREG. - YEAH, BUT I GOTTA FESS UP. 591 00:38:08,433 --> 00:38:10,302 YOU KNOW, IF HE DIDN'T GO, HAVIN' HIM IN A HUG, 592 00:38:10,302 --> 00:38:13,522 I WAS GONNA GIVE HIM A HELL OF A NOOGIE. 593 00:38:15,190 --> 00:38:18,693 [ Chattering ] 594 00:38:22,731 --> 00:38:25,567 HMM. WE'RE REALLY GOING TO THE MOVIES? 595 00:38:25,567 --> 00:38:28,703 - YOU DON'T WANT TO GO? - NO, I WANT TO GO. 596 00:38:28,703 --> 00:38:31,540 IT'S JUST AN INVITATION TO SOME KIND OF NATURAL DISASTER OR SOMETHING. 597 00:38:31,540 --> 00:38:34,659 - IT'SJERRY MAGUIRE,DIANE. - I'M SAYING SOMETHING'LL COME UP. 598 00:38:34,659 --> 00:38:37,078 YEAH, SOMETHING'S DEFINITELY GONNA COME UP. 599 00:38:37,579 --> 00:38:40,549 THAT'S MY HOPE FOR AFTER THE FILM. THAT'S A DISGUSTING REMARK. 600 00:38:40,549 --> 00:38:43,168 YOU'RE FORTUNATE YOU'RE AMONG FRIENDS. 601 00:38:44,886 --> 00:38:47,255 HMM. [ Man ] DETECTIVE SIMONE'S IN THERE. 602 00:38:51,142 --> 00:38:54,679 CAN YOU GIVE ME A SECOND? EXCUSE ME. 603 00:38:54,679 --> 00:38:57,232 COME ON OVER HERE. HOW'S IT GOING? 604 00:38:57,232 --> 00:38:59,351 LEO'S GOIN' BACK IN, HUH? 605 00:38:59,351 --> 00:39:02,153 - YEAH. - I GOT A LOT OF GUILT ABOUT IT. 606 00:39:02,153 --> 00:39:04,155 WELL, YOU GOTTA BELIEVE IN THE FUTURE, RUDY. 607 00:39:04,155 --> 00:39:06,575 TURNING AWAY IS GONNA MAKE YOU A BETTER PERSON. 608 00:39:06,575 --> 00:39:09,494 PLUS YOU'LL BE ABLE TO DO GOOD FOR SOME OTHER PEOPLE. 609 00:39:09,494 --> 00:39:11,496 I WANT THAT. 610 00:39:11,496 --> 00:39:14,199 SO IS THAT JUST SOME B.S. TACTIC, 611 00:39:14,199 --> 00:39:17,953 SAYING YOU'D HELP ME GET IN THE ACADEMY? 612 00:39:17,953 --> 00:39:20,672 YOUR INVESTIGATOR'S NAME IS EARL COLLINS, RIGHT? 613 00:39:20,672 --> 00:39:23,425 I GOT A MEETING WITH HIM TOMORROW AT 10:15. 614 00:39:23,425 --> 00:39:25,093 THANKS. 615 00:39:26,761 --> 00:39:28,630 WE'LL BE SEEING YOU AGAIN, RUDY. 616 00:39:46,364 --> 00:39:48,450 MORE WINE, GREG? 617 00:39:48,450 --> 00:39:50,702 UH, NO. THANK YOU VERY MUCH. 618 00:39:50,702 --> 00:39:53,154 OH, YES, OF COURSE. 619 00:40:00,078 --> 00:40:03,298 - BOO, GREG. - YOU THINK I'VE HAD ENOUGH? 620 00:40:04,466 --> 00:40:07,919 THAT WAS, UM, "BOO" LIKE A WITCH. 621 00:40:07,919 --> 00:40:11,589 OH, I THOUGHT YOU WERE HECKLING MY SECOND GLASS. 622 00:40:11,589 --> 00:40:15,593 - SHE WAS TRYING TO GET YOU TO RELAX A LITTLE BIT. - AH. AH. POINT TAKEN. 623 00:40:15,593 --> 00:40:18,930 YEAH, "BOO, I'M NOTHIN' TO BE AFRAID OF." 624 00:40:18,930 --> 00:40:21,399 [ Laughs ] YEAH. 625 00:40:21,399 --> 00:40:24,152 SO Y-YOU DON'T MIND IF I, UH-- IF I HAVE THE SECOND GLASS? 626 00:40:24,152 --> 00:40:26,321 NOT AT ALL. 627 00:40:29,190 --> 00:40:31,276 [ Sighs ] 628 00:40:33,945 --> 00:40:36,698 DID YOU ALWAYS WANT TO BE A COP, GREG? 629 00:40:37,198 --> 00:40:40,502 I, UH-- I FLIRTED WITH BEING A SCHOOLTEACHER, KATHY, 630 00:40:40,502 --> 00:40:45,590 BUT, UH, I CAME ON THE JOB MARKET IN A BUDGETARY ERA. 631 00:40:45,590 --> 00:40:48,843 TEACHERS JUST WEREN'T GETTING HIRED. 632 00:40:48,843 --> 00:40:52,097 I HAD, UH, RELATIVES ON THE JOB-- 633 00:40:52,097 --> 00:40:54,599 WHAT WE CALL A-A-A HOOK-- 634 00:40:55,100 --> 00:40:57,852 AND SO THAT'S HOW THINGS CAME OUT. 635 00:40:59,187 --> 00:41:01,856 KATHY'S A WRITER. 636 00:41:01,856 --> 00:41:03,775 OH, IS THAT SO? 637 00:41:03,775 --> 00:41:06,061 KATHY WRITES COPY FOR AN AD AGENCY. 638 00:41:06,061 --> 00:41:11,066 AND SHE WRITES POETRY, AND SHE'S WORKING ON A WONDERFUL NOVEL RIGHT NOW. 639 00:41:11,066 --> 00:41:15,453 [ Sighs ] KATHY, I AM JUST SO FULL OF ADMIRATION FOR THAT. 640 00:41:15,453 --> 00:41:18,206 I-- I-- I VERY MUCH ENJOY READING. 641 00:41:18,206 --> 00:41:21,659 I-I-- I SOMETIMES THOUGHT MY DECLINING YEARS... 642 00:41:21,659 --> 00:41:24,746 I COULD WRITE STORIES ABOUT THE JOB. 643 00:41:24,746 --> 00:41:28,416 - THE NEXT JOSEPH WAMBAUGH. - THE NEXT JOSEPH WAMBAUGH. WHY NOT? 644 00:41:28,416 --> 00:41:31,169 [ Laughs ] I BET YOU'VE GOT GREAT STORIES TO TELL. 645 00:41:31,669 --> 00:41:34,055 GREG IS A TERRIFIC DETECTIVE. 646 00:41:34,055 --> 00:41:36,808 WELL, YOU ARE JUST THE TWO NICEST PEOPLE. 647 00:41:36,808 --> 00:41:40,678 I CAN'T TELL YOU WHAT FUN AND RELIEF I'VE HAD. 648 00:41:40,678 --> 00:41:43,648 WAIT TILL WE START SINGING SEA CHANTEYS AFTER DESSERT. 649 00:41:43,648 --> 00:41:47,102 I KNOW ONE, KATHY. I-I KNOW "A CAPITAL SHIP." 650 00:41:47,102 --> 00:41:49,854 ?? A CAPITAL SHIP ON AN OCEAN TRIP ?? 651 00:41:50,355 --> 00:41:53,274 ?? WITH THE WHOPPING WINDOW BLINDS ?? 652 00:41:53,274 --> 00:41:56,277 ?? THE WIND THAT BLEW-- ?? [ Muttering ] 653 00:41:56,277 --> 00:41:58,780 ?? ?? DISMAYED THE CREW AND TROUBLED THE CAPTAIN'S MIND ?? 654 00:41:58,780 --> 00:42:01,249 [ All Laughing ] 655 00:42:01,249 --> 00:42:04,702 MY GOD! I HAVEN'T SUNG THAT SONG IN 20 YEARS. 656 00:42:05,170 --> 00:42:08,540 CAN I JUST ASK YOU A QUESTION STRAIGHT OUT 'CAUSE I FEEL SUCH RAPPORT? 657 00:42:08,540 --> 00:42:11,793 - SURE. - IS THAT A VAGINA ON THE WALL? 658 00:42:14,462 --> 00:42:17,515 IT-IT-IT-- IT WAS INTENDED AS AN ART PIECE. 659 00:42:22,187 --> 00:42:25,390 WHAT HAVE I SAID? HAVE I JUST MADE A COMPLETE FAUX PAS? 660 00:42:25,390 --> 00:42:29,811 NO. NO. WE SHOULD'VE TAKEN IT DOWN INSTEAD OF TRYING TO COVER IT UP. 661 00:42:29,811 --> 00:42:31,946 HAVE I MORTIFIED MYSELF? 662 00:42:31,946 --> 00:42:34,899 - GREG? - YES? 663 00:42:34,899 --> 00:42:37,819 YOU'RE A COOL GUY. 664 00:42:37,819 --> 00:42:40,872 - HARDLY. - TRUST ME. 665 00:42:43,291 --> 00:42:45,743 FINISH YOUR FOOD. FINISH YOUR WINE. 666 00:42:45,743 --> 00:42:48,496 AND WE'RE GONNA HAVE GREAT DESSERT. 667 00:42:48,496 --> 00:42:50,999 AND THEN WE CAN HANG OUT UNTIL YOU'RE READY TO GO. 668 00:42:51,499 --> 00:42:54,886 I'D LIKE TO SIT UNDER THAT SO IT'S OUT OF MY FIELD OF VISION. 669 00:42:54,886 --> 00:42:58,556 [ Laughs ] SWITCH PLACES. 670 00:43:03,144 --> 00:43:05,647 I'M NOT SURE I'M CAPABLE OF ANY MORE STEPS. 671 00:43:05,647 --> 00:43:08,066 SURE YOU ARE. 672 00:43:08,566 --> 00:43:10,318 SO THERE'S EVEN MORE, HUH? 673 00:43:26,501 --> 00:43:31,005 OH, HE'S SO CUTE. AH, HE'S ALL RIGHT. 674 00:43:31,506 --> 00:43:34,959 YOU JUST WISH YOU COULD PUT YOUR HANDS AROUND HIM. OH, PUT YOUR HANDS AROUND HIM. 675 00:43:34,959 --> 00:43:38,263 I'M GONNA HAVE TO SEND YOU BACK TO THE ACADEMY FOR SOME SENSITIVITY TRAINING. 676 00:43:38,263 --> 00:43:42,183 I'M NOT TALKING ABOUT TOM CRUISE, BOBBY. THE LITTLE BOY. 677 00:43:42,183 --> 00:43:44,686 I KNEW THAT. 678 00:43:44,686 --> 00:43:47,188 [ Laughs ] NO, HE WAS CUTE. 679 00:43:47,188 --> 00:43:50,608 WHEN HE GIVES JERRY MAGUIRE THE HUG, IT'S-- 680 00:43:50,608 --> 00:43:53,611 YEAH. I WANT SOME OF THOSE. 681 00:43:54,112 --> 00:43:56,114 OH, YEAH? KIDS, HUH? 682 00:43:56,114 --> 00:44:00,034 HMM. THAT'S-- THAT'S WHEN YOU'RE SUPPOSED TO SAY, 683 00:44:00,535 --> 00:44:02,203 "I WANT TO GIVE 'EM TO YOU, DIANE." 684 00:44:02,203 --> 00:44:04,873 OH, YOU KNOW I DO. 685 00:44:04,873 --> 00:44:07,625 [ Siren Wailing ] HMM. 686 00:44:10,879 --> 00:44:13,715 SHOW ME THE ENGAGEMENT RING. 687 00:44:13,715 --> 00:44:15,633 [ Horn Honks ] 688 00:44:15,633 --> 00:44:18,469 [ Laughs ] YOU THINK I TOTE THAT THING AROUND WITH ME? 689 00:44:18,970 --> 00:44:20,722 - WHERE IS IT? - WHAT? 690 00:44:20,722 --> 00:44:23,174 [ Laughs ] SHOW ME THE RING. 691 00:44:23,174 --> 00:44:25,176 OW! IS IT IN YOUR POCKET? 692 00:44:25,677 --> 00:44:27,679 COME ON, DIANE. THIS IS EMBARRASSING. 693 00:44:27,679 --> 00:44:29,681 SOMEBODY'S GONNA CALL A COP ON US. 694 00:44:29,681 --> 00:44:33,184 YOU JUST DON'T WANT-- KEEP ME OUT OF YOUR PANTS. 695 00:44:33,184 --> 00:44:35,186 IT'S IN THE APARTMENT. 696 00:44:35,186 --> 00:44:39,824 HMM. WELL, DO THEY HAVE TRANSPORTATION IN THIS TOWN? 697 00:44:39,824 --> 00:44:42,277 HUH? 698 00:44:42,277 --> 00:44:44,829 YO! [ Whistles ] 699 00:44:46,164 --> 00:44:48,866 HERE WE GO. 700 00:44:56,207 --> 00:44:58,459 I LOVE YOU, BOBBY. 701 00:44:59,794 --> 00:45:02,297 [ Sighs ] HERE WE GO! 702 00:45:02,297 --> 00:45:04,299 RIGHT. 703 00:45:04,299 --> 00:45:07,635 SIR, I'M GONNA SHOW HER THE RING.