1 00:00:02,335 --> 00:00:04,037 -PREVIOUSLY ON "NYPD BLUE". - AM I IN THE WRONG LINE OF WORK? 2 00:00:04,537 --> 00:00:07,640 - I SHOULD'VE BEEN A STORE CLERK OR SOMETHING. - CUT IT OUT, MEDAVOY. 3 00:00:07,640 --> 00:00:12,512 BOSS TAKES ME OFF OF THAT GUY. MAYBE HE'S RIGHT. I DON'T INTIMIDATE A SKELL. 4 00:00:12,512 --> 00:00:15,515 ANDY, DO YOU THINK THAT WE COULD REALLY AFFORD ME STOPPING WORK? 5 00:00:15,515 --> 00:00:20,320 ABSOLUTELY. I-- I GET A MARSHAL'S JOB MOONLIGHTING. 6 00:00:20,320 --> 00:00:22,922 IT WON'T EQUAL YOUR INCOME, BUT WE'D HAVE LESS EXPENSES. 7 00:00:22,922 --> 00:00:26,226 COULD YOU FIND TIME FOR DINNER? PLEASANT MEAL BETWEEN FRIENDS? 8 00:00:26,226 --> 00:00:28,528 I HOPED THAT IT WAS A PLEASANT MEAL... 9 00:00:28,528 --> 00:00:31,931 THAT MIGHT RESULT IN A SPECIAL OCCASION. WELL. 10 00:00:52,152 --> 00:00:55,155 HOW'S IT GOING? I JUST GOT MY FIRST ASSIGNMENT. 11 00:00:55,655 --> 00:00:58,324 WHAT'S THIS, YOUR MARSHAL'S JOB? YOU WANT TO KNOW MY FIRST ASSIGNMENT? 12 00:00:58,324 --> 00:01:00,760 CUSTOMS TRAILER AT THE AIRPORT. OH, MAN. 13 00:01:01,161 --> 00:01:05,165 SPEND THE NIGHT HOLDING HANDS WITH NIGERIAN DRUG MULES TILL THEY MOVE THEIR BOWELS. 14 00:01:05,165 --> 00:01:09,002 YOU CAN'T GET OFF THAT, HUH? NAH. HOW AM I GONNA TURN DOWN THE FIRST THING THEY THROW ME? 15 00:01:09,002 --> 00:01:11,504 FEMALE D.O.A. HER PANTIES ARE PULLED OFF. 16 00:01:11,504 --> 00:01:14,674 WHO FOUND HER? GARBAGEMAN OVER THERE. 17 00:01:15,475 --> 00:01:18,445 SHE'S GOT BRUISES ON HER THIGHS. 18 00:01:20,947 --> 00:01:26,019 - PUBIC HAIR'S PULLED OUT. - HMM. AND MANUAL STRANGULATION. 19 00:01:26,019 --> 00:01:28,254 MAYBE SHE'S HOOKIN'. SHE BRINGS A JOHN BACK HERE. 20 00:01:30,790 --> 00:01:33,293 WEARING A WEDDING RING, FOR WHAT THAT'S WORTH. 21 00:01:33,293 --> 00:01:35,295 NOBODY FOUND NO PURSE? NO PURSE. 22 00:01:35,295 --> 00:01:38,264 THEY HAD THOSE TWO RAPE/MURDERS OVER IN THE 17th. 23 00:01:38,264 --> 00:01:41,468 YEAH, STRANGULATIONS. WE GOTTA CALL THEM. DID YOU NOTIFY THE M.E.? 24 00:01:41,468 --> 00:01:43,436 ON THE WAY. YOU FOUND THE BODY? 25 00:01:43,837 --> 00:01:45,839 I WENT TO DUMP THE CANS AND I SEE HER. 26 00:01:46,339 --> 00:01:47,841 YOU NOTICE ANYBODY ELSE AROUND HERE? NO, NOBODY. 27 00:01:48,341 --> 00:01:52,512 - YOU DIDN'T MOVE ANYTHING? - NO. YOU KNOW, I-I DIDN'T EVEN PICK UP THE GARBAGE. 28 00:01:52,512 --> 00:01:56,516 I SEEN HER AND I THOUGHT, "AW, HELL," YOU KNOW WHAT I'M SAYING? 29 00:01:56,850 --> 00:01:59,252 YOU DID THE RIGHT THING CALLING IN. WELL, WHAT ABOUT THE GARBAGE? 30 00:01:59,252 --> 00:02:02,822 - SHOULD I LEAVE IT, SHOULD I TAKE IT? - LEAVE IT. LEAVE THE GARBAGE. 31 00:02:02,822 --> 00:02:05,058 SO, CAN WE GET BACK TO OUR ROUTE NOW? 32 00:02:05,058 --> 00:02:07,227 [ Whistles ] YOU GOT THESE GUY'S INFORMATION? 33 00:02:07,227 --> 00:02:09,062 GOT IT. YEAH, YOU CAN GO. 34 00:02:09,395 --> 00:02:11,331 I MEAN, WHAT KIND OF PEOPLE WE GOT LIVING HERE? 35 00:02:11,731 --> 00:02:15,735 I'M GONNA ASK MYSELF THAT TONIGHT WHILE I'M WASHING CRAP OFF SMACK BALLOONS. 36 00:02:15,735 --> 00:02:19,839 THANKS FOR YOUR COOPERATION. YOU CAN GO BACK TO YOUR ROUTE. 37 00:02:22,375 --> 00:02:25,378 - HEY. - OH, THAT'S REAL FUNNY. 38 00:02:25,879 --> 00:02:27,881 LET'S NOT GET TESTY. YEAH, YEAH, YEAH. 39 00:03:44,724 --> 00:03:49,095 HIYA, GREG. HEY, JAMES. 40 00:03:49,095 --> 00:03:51,898 YOU CAUGHT ME IN THE ACT HERE, SNEAKING PEANUT BUTTER. 41 00:03:51,898 --> 00:03:54,133 FALLING OFF YOUR DIET WAGON A LITTLE? 42 00:03:54,133 --> 00:03:56,436 I'M DISAPPOINTED IN MYSELF. 43 00:03:56,436 --> 00:04:00,273 AND SIMULTANEOUSLY, UH, I KNOW WHAT'S BEHIND IT IS THIS DINNER TONIGHT WITH ABBY. 44 00:04:00,273 --> 00:04:02,442 MAKING YOU NERVOUS YOU MEAN? YEAH. 45 00:04:02,442 --> 00:04:05,178 IT MAKES ME NERVOUS, AND-AND, IN TURN, I OVEREAT. 46 00:04:05,178 --> 00:04:08,381 MMM. SO WHAT DO YOU DO WHEN YOU'RE OUT WITH HER? YOU EAT YOUR MEAL AND HERS? 47 00:04:08,648 --> 00:04:10,650 I JUST CAN'T IMAGINE HER AGENDA. 48 00:04:10,650 --> 00:04:14,654 ROMANCE IS OFF THE TABLE, YET SHE DEFINITELY INDICATED WE'D BE TAKING UP A SERIOUS TOPIC. 49 00:04:15,154 --> 00:04:17,657 WELL, MAYBE HER MIND CHANGED ON THAT ROMANCE TOPIC. 50 00:04:17,657 --> 00:04:21,961 ISN'T THAT A WOMAN'S OPTION? NO. SHE DON'T STRIKE ME IFFY ON HER LESBIANISM. 51 00:04:22,462 --> 00:04:23,963 MORNING. HEY, BOSS. 52 00:04:23,963 --> 00:04:27,567 - SHOOTING FROM A BUS. SOUNDS GANG-RELATED. -[ Martinez ] WHERE WE GOING? 53 00:04:27,567 --> 00:04:30,803 SEVENTH AND "B." DON WILL MEET YOU AT THE SCENE. 54 00:04:32,672 --> 00:04:35,141 - YOU CAUGHT ME CHEATING. - I NEVER GOT TO LIKE CHUNKY. 55 00:04:35,375 --> 00:04:37,110 YOU WANT US TO GET SOME OF THAT PLAIN? 56 00:04:37,110 --> 00:04:39,512 I'M BETTER WITHOUT THE TEMPTATION. [ Medavoy ] THAT'S ME AS WELL. 57 00:04:39,879 --> 00:04:45,551 I'VE GOT MOTIVE IN MY NERVOUSNESS, SO I GOTTA DEPRIVE MYSELF OF OPPORTUNITY. 58 00:04:45,551 --> 00:04:47,754 OTHERWISE, HE MIGHT MURDER MR. PEANUT. 59 00:04:47,754 --> 00:04:51,024 - SEVENTH AND "B." - RIGHT. 60 00:04:51,024 --> 00:04:53,026 THAT'S DAWKINS WITH A "D"? 61 00:04:54,894 --> 00:04:57,397 RIGHT. YOU'LL GET IN TOUCH WITH HIM? GREAT. THANKS. 62 00:04:58,898 --> 00:05:00,633 HE TALK ABOUT ANY OTHERS? 63 00:05:00,867 --> 00:05:04,304 DO YOU MIND IF WE COME SEE HIM? 64 00:05:04,304 --> 00:05:07,940 APPRECIATE IT, VALENZUELA. YEAH. NICE GOING. 65 00:05:07,940 --> 00:05:11,344 HUSBAND CALLED MISSING PERSONS THIS MORNING WITH A DESCRIPTION FITS OUR D.O.A. 66 00:05:11,344 --> 00:05:15,114 - SAYS SHE NEVER CAME HOME LAST NIGHT. MARINA DAWKINS. - CAN YOU REACH THE GUY? 67 00:05:15,415 --> 00:05:17,216 MISSING PERSONS IS GONNA HAVE HIM COME OVER. 68 00:05:17,216 --> 00:05:20,486 VALENZUELA AT THE 17th COLLARED UP ON A SKELL LAST NIGHT... 69 00:05:20,987 --> 00:05:22,955 JUST WENT FOR THEIR TWO RAPE/MURDERS. 70 00:05:23,356 --> 00:05:25,658 SAYS WE CAN COME TALK TO THE GUY. 71 00:05:25,658 --> 00:05:28,661 UH, GINA, SOMEBODY'S GONNA BE COMING OVER HERE FROM MISSING PERSONS. 72 00:05:29,095 --> 00:05:31,164 - JUST HAVE HIM WAIT. - SURE. 73 00:05:31,164 --> 00:05:33,166 THANKS. 74 00:05:48,948 --> 00:05:50,950 ABBY. HI, GREG. 75 00:05:51,451 --> 00:05:53,786 WHAT HAPPENED HERE? SHOTS CAME FROM THE BUS. 76 00:05:53,786 --> 00:05:56,889 WE GOT TWO PEOPLE WOUNDED, A WOMAN AND A LITTLE BOY. 77 00:05:56,889 --> 00:05:59,225 ME AND MY PARTNER WERE UP THE STREET. WE GOT HERE QUICK ENOUGH... 78 00:05:59,225 --> 00:06:02,862 TO KEEP MOST OF THESE PASSENGERS ON THE BUS SO YOU COULD GET STATEMENTS. 79 00:06:02,862 --> 00:06:04,864 -GOOD. - HEY, I WANNA GET OFF. LET ME OFF THIS BUS. 80 00:06:05,365 --> 00:06:07,300 WE FOUND A FULLY LOADED .38 UNDER A SEAT. 81 00:06:07,300 --> 00:06:09,635 THIS IS ILLEGAL IMPRISONMENT. I WANT OUTTA HERE. 82 00:06:10,136 --> 00:06:11,938 YO, MAN, I GOTTA GET OFF THIS BUS, MAN. THIS IS MY STOP. 83 00:06:12,305 --> 00:06:13,806 THAT'S THE DRIVER. LET ME OFF THIS BUS! 84 00:06:14,273 --> 00:06:18,411 - SHUT YOUR MOUTH! - YO, SHE'S BAD. WHAT, YOU A DYKE? 85 00:06:18,411 --> 00:06:22,682 -YOU LIKE WOMEN OR SOMETHING? - HEY, SHUT UP! YOU SHUT YOUR MOUTH! 86 00:06:26,085 --> 00:06:30,456 -WE'LL TALK TO THE DRIVER. JUST KEEP AN EYE ON THESE GUYS. -YOU'RE MESSING WITH MY RIGHTS. 87 00:06:30,456 --> 00:06:33,493 YEAH, I'LL MESS WITH MORE THAN THAT IF YOU DON'T KEEP A DECENT MOUTH ON YOU! 88 00:06:37,263 --> 00:06:40,432 HI. I'M DETECTIVE MEDAVOY. AIN'T THIS SOMETHING? 89 00:06:40,432 --> 00:06:43,402 YEAH. WHAT CAN YOU TELL US ABOUT THE SHOOTING? 90 00:06:43,402 --> 00:06:46,605 I HEARD SOME SHOTS START GOING OFF, SO I PULLED OVER. 91 00:06:46,605 --> 00:06:50,325 I TURN AROUND AND SEE THIS ONE GUY SHOOTIN'. HE SEES ME LOOKING AT HIM, 92 00:06:50,325 --> 00:06:54,696 HE COMES TO THE FRONT OF THE BUS, PUTS A GUN RIGHT IN MY FACE TO MAKE ME LET HIM OFF. 93 00:06:54,696 --> 00:06:58,033 HIM AND A COUPLE OTHERS JUST TAKE OFF RUNNING. THEY WERE GANG GUYS. 94 00:06:58,033 --> 00:07:02,337 THEN I SAW A COUPLE COPS RUNNING UP THE STREET, SO I KNEW I HAD SOME HELP. 95 00:07:02,337 --> 00:07:05,123 I SHUT MY DOOR, WOULDN'T LET ANY MORE OF 'EM OFF. 96 00:07:05,123 --> 00:07:07,259 THERE'S A BUNCH OF 'EM STILL ON THERE. 97 00:07:07,259 --> 00:07:10,929 MAN! DAMN DRIVE-BY SHOOTING FROM MY OWN BUS. 98 00:07:10,929 --> 00:07:14,549 - COULD YOU TELL WHO HE WAS SHOOTING AT? - SOMEBODY ON THE SIDEWALK. 99 00:07:15,050 --> 00:07:18,136 ALL OF A SUDDEN, THERE WAS ALL THIS YELLING IN SPANISH, HE STARTED SHOOTING. 100 00:07:18,136 --> 00:07:20,939 - MUST HAVE BEEN EIGHT OR 10 SHOTS. - ALL RIGHT. 101 00:07:20,939 --> 00:07:23,108 WE'LL HAVE TO STRAIGHTEN THIS OUT AT THE, UH, STATION HOUSE. 102 00:07:23,609 --> 00:07:25,193 LET US ON THE BUS. WE'LL TALK TO THE PASSENGERS. 103 00:07:25,560 --> 00:07:28,647 THERE'S GONNA BE A LOT OF PISSED-OFF PEOPLE HAVING TO GO OVER THERE WITH YOU. 104 00:07:28,647 --> 00:07:32,401 YEAH, WE'RE GONNA DO A THOROUGH SEARCH FOR GUNS BEFORE WE BREAK 'EM THE NEWS. 105 00:07:32,401 --> 00:07:36,571 THAT ONE GUY MOUTHS OFF AGAIN, HIM AND ME, WE'RE GONNA HAVE TROUBLE. 106 00:07:36,571 --> 00:07:40,075 GUY CALLING ABBY NAMES? HE BANDIES SLURS ABOUT, HE'S GONNA GET HIS ASS KICKED. 107 00:07:40,075 --> 00:07:45,464 OKAY, FOLKS, WE'RE GONNA BE HERE FOR A FEW MINUTES AND THEN WE'RE GONNA BE SOMEWHERE ELSE. 108 00:07:56,475 --> 00:08:00,345 - HEY, GERARD. A COUPLE OF OTHER DETECTIVES WANNA MEET YOU. - THEY WANT TO SEE THE FREAK? 109 00:08:00,345 --> 00:08:03,231 WE UNDERSTAND YOU MADE A CONFESSION ON THOSE RAPE/HOMICIDES LAST WEEK. 110 00:08:03,231 --> 00:08:05,067 YOU THINK I COULD SELL MY STORY TO THE MOVIES? 111 00:08:05,067 --> 00:08:08,820 THAT WHAT YOU WANT? YEAH. I THINK IT'D MAKE A GOOD ONE. BUT I GOTTA BE THE STAR. 112 00:08:08,820 --> 00:08:13,158 OH, YOU'RE NEVER GETTING OUT. HOW ABOUT TOM CRUISE TO PLAY YOU? 113 00:08:13,158 --> 00:08:16,028 -WHERE WERE YOU LAST NIGHT, GERARD? - BEFORE HERE? 114 00:08:16,028 --> 00:08:19,247 - YEAH, WELL, WE KNOW WHAT HAPPENED ONCE YOU GOT HERE. -I-I WAS OUT. 115 00:08:19,247 --> 00:08:21,199 I TOOK A LONG WALK. WHERE'D YOU GO? 116 00:08:21,700 --> 00:08:24,703 ALL OVER. BUT I DIDN'T DO ANYBODY LAST NIGHT. 117 00:08:24,703 --> 00:08:26,955 I WAS IN A BAR WATCHING A TV. I WATCHED ABOUT FOUR HOURS OF TV. 118 00:08:26,955 --> 00:08:28,707 - WHAT BAR WOULD THAT BE? - I DON'T KNOW. 119 00:08:29,207 --> 00:08:31,376 - ANYBODY THERE KNOW YOU? YOU TALK TO ANYBODY? -NO. 120 00:08:31,376 --> 00:08:36,264 I WENT HOME AND, UH, THIS GENTLEMAN WAS WAITIN' FOR ME, AND NOW I'M HERE. 121 00:08:36,264 --> 00:08:39,017 WERE YOU WITH A BLONDE WOMAN LAST NIGHT AROUND 14th STREET? 122 00:08:39,017 --> 00:08:42,187 - NO. SOMETHING HAPPEN TO HER? - SHE WAS CHOKED TO DEATH. 123 00:08:42,187 --> 00:08:45,057 I WASN'T AROUND ANY WOMEN LAST NIGHT. 124 00:08:45,057 --> 00:08:47,059 WHAT'S GOING ON HERE, GERARD? HUH? 125 00:08:47,059 --> 00:08:49,061 YOU JUST CONFESSED TO TWO RAPES AND MURDERS. 126 00:08:49,061 --> 00:08:51,697 YOU THINK ONE MORE'S GONNA MAKE YOU LOOK ANY WORSE? 127 00:08:52,197 --> 00:08:54,533 WELL, IT WOULDN'T HELP. BUT TWO'S ALL I DID. 128 00:08:54,533 --> 00:08:56,368 YEAH, WELL, I DON'T THINK THAT'S EVERYTHING. 129 00:08:56,868 --> 00:08:59,287 LOOK, I WOULDN'T CARE IF YOU SHOT ME. I BLEW IT. 130 00:08:59,788 --> 00:09:02,657 SO WHY SHOULD I CARE ABOUT ADMITTING ANOTHER MURDER? YOU WANT ME TO SAY I DID IT? 131 00:09:03,158 --> 00:09:05,243 ONLY IF YOU DID IT. I DIDN'T. 132 00:09:05,243 --> 00:09:08,213 - WHY'D YOU KILL THOSE TWO WOMEN? - WELL, ONE OF 'EM WANTED ME TO. 133 00:09:08,213 --> 00:09:11,049 THE OTHER ONE, THAT WAS-- THAT WAS WRONG WHAT I DID. 134 00:09:11,049 --> 00:09:12,884 ONE OF 'EM WANTED YOU TO KILL HER? 135 00:09:12,884 --> 00:09:15,504 SHE WANTED TO DIE WHILE SHE WAS HAVING SEX. 136 00:09:15,504 --> 00:09:18,173 OH. SHE TOLD YOU THAT, I SUPPOSE? YEAH. 137 00:09:18,173 --> 00:09:20,592 SHE COMMUNICATED IT TO ME. IT WAS CLEAR. 138 00:09:21,093 --> 00:09:22,761 SHE COMMUNICATED IT TO YOU. HOW'D SHE DO THAT? 139 00:09:23,145 --> 00:09:24,896 WITH HER MIND. OH. 140 00:09:24,896 --> 00:09:28,567 SHE WAS WALKING ALONG, AND SHE HAD THE KIND OF LEGS THAT WERE DOIN' THINGS. 141 00:09:28,567 --> 00:09:33,155 THEY WERE PUTTIN' OUT VIBES. AS SOON AS I SAW 'EM, I KNEW WHAT I WAS SUPPOSED TO DO. 142 00:09:33,155 --> 00:09:36,274 AND THEN SHE STARTED IN SENDING ME IDEAS AND STUFF. 143 00:09:36,274 --> 00:09:39,911 SHE WAS COMMUNICATING LIKE CRAZY. IT WAS ALL COMING OUT OF HER WHAT SHE WANTED. 144 00:09:39,911 --> 00:09:43,115 HOW ABOUT THE BLONDE WOMAN LAST NIGHT WITH THE LONG LEGS? 145 00:09:43,115 --> 00:09:46,418 WAS SHE COMMUNICATING THAT KIND OF STUFF TOO? NOPE. 146 00:09:46,418 --> 00:09:49,955 - YOU KILL HER, GERARD? - NO. NO. NO. 147 00:09:50,455 --> 00:09:54,342 DID YOU EVER HEAR OF DAVID BERKOWITZ, GERARD? WAS HE A BIG HERO OF YOURS GROWING UP? 148 00:09:54,342 --> 00:09:57,679 - THE SON OF SAM. - YEAH. YEAH. HE GOT MESSAGES FROM A DOG. 149 00:09:57,679 --> 00:10:00,882 BUT YOU, YOU GET MESSAGES FROM A HUMAN. 150 00:10:00,882 --> 00:10:03,718 SO THAT PUTS YOU ONE STEP UP ON THE EVOLUTIONARY LADDER. 151 00:10:03,718 --> 00:10:06,104 YEAH. 152 00:10:07,105 --> 00:10:09,608 LET'S GO. ON THE GATE. 153 00:10:09,608 --> 00:10:12,778 THAT LOONY SON OF A BITCH. 154 00:10:12,778 --> 00:10:15,280 YOU KNOW, THE OTHER TWO WOMEN, HE GAVE IT RIGHT UP, HE DID IT. 155 00:10:15,280 --> 00:10:17,616 MAYBE HE DIDN'T DO YOURS. MAYBE. 156 00:10:17,616 --> 00:10:20,068 OR MAYBE THERE'S SOMETHING ABOUT IT HE'S ASHAMED TO ADMIT. 157 00:10:20,569 --> 00:10:24,072 WHAT, HIM? ASHAMED OF RAPE AND MURDER? WHATEVER ARE YOU THINKING? 158 00:10:33,398 --> 00:10:38,737 WE GOT A NICE ROOM FOR YOU DOWNSTAIRS, RENALDO. A COT, TOILET, OATMEAL. HUH? 159 00:10:38,737 --> 00:10:41,573 YOU WANT TO MOVE IN WITH US OR YOU WANNA TALK TO ME? I DIDN'T SEE IT. 160 00:10:41,573 --> 00:10:43,608 I WAS LOOKING THE OTHER WAY. 161 00:10:43,608 --> 00:10:47,579 EIGHT OR 10 SHOTS OFF THAT BUS ON WHICH YOU'RE RIDING AND YOU DON'T LOOK AROUND? 162 00:10:47,579 --> 00:10:52,534 WASN'T NONE OF MY BUSINESS. HUMAN BEINGS GETTING SHOT WASN'T NONE OF YOUR BUSINESS. 163 00:10:57,005 --> 00:11:00,509 THE PEOPLE SHOT FROM THAT BUS ARE BOTH BADLY HURT, JOSE. 164 00:11:00,509 --> 00:11:04,429 THEY'RE BOTH IN CRITICAL CONDITION FIGHTING FOR THEIR LIVES. 165 00:11:04,429 --> 00:11:07,265 I WANT YOU TO UNDERSTAND IF THAT WOMAN DIES OR THAT LITTLE BOY, 166 00:11:07,265 --> 00:11:09,768 BY YOU NOT COOPERATING, YOU MADE YOURSELF ACCESSORY TO MURDER. 167 00:11:09,768 --> 00:11:13,355 THAT'S 25 YEARS IN JAIL JUST FOR NOT SAYING WHAT YOU SAW. 168 00:11:15,440 --> 00:11:18,643 [ Sighs ] NOW I'M READY TO BELIEVE YOU WEREN'T INVOLVED. 169 00:11:19,144 --> 00:11:21,530 YOU WANT TO DO ALL THAT TIME FOR SOMETHING YOU WEREN'T INVOLVED IN? 170 00:11:25,734 --> 00:11:29,070 HELLO. ANYBODY IN THERE? 171 00:11:29,070 --> 00:11:31,990 I-I DON'T EXACTLY GET YOU, FERD. 172 00:11:32,490 --> 00:11:36,628 YOU RUN SUCH A BIG MOUTH OUT IN THE STREET. IN HERE, YOU'RE QUIET LIKE A LITTLE PUSSY. 173 00:11:36,628 --> 00:11:38,547 I AIN'T GOT NOTHING TO CONTRIBUTE. 174 00:11:38,547 --> 00:11:42,050 OH, YOU MADE A BIG CONTRIBUTION TO ONE OF MY FELLOW COPS. 175 00:11:42,050 --> 00:11:45,887 CALLING A POLICEWOMAN NAMES. THAT'S NOT TOO SMART. I DIDN'T LIKE IT WHAT YOU SAID. 176 00:11:45,887 --> 00:11:50,342 SHE GOT ME LOCKED UP IN A BUS. THAT'S INSULTING A POLICE OFFICER. 177 00:11:54,312 --> 00:11:58,650 [ Clears Throat ] SO-- SO HOW'D THIS TROUBLE START? 178 00:11:59,100 --> 00:12:03,238 I DON'T KNOW. WE WERE JUST RIDING AND SOME GUY'S ON THE CORNER CALLING USPUTAS. 179 00:12:03,238 --> 00:12:05,023 AND YOU WERE CALLING HIM NAMES? YEAH. 180 00:12:05,023 --> 00:12:08,159 WE WERE SAYING HE WAS APUTAAND HE WAS SAYING WE WASPUTA. 181 00:12:08,159 --> 00:12:10,829 AND THAT SUCKER WENT AND THROWN THAT BOTTLE. YOU KNOW THIS GUY? 182 00:12:10,829 --> 00:12:16,668 NO. ONE OF THEM BIG BEER BOTTLES COMES RIGHT THROUGH THE WINDOW. COULD HAVE HURT SOMEBODY. 183 00:12:16,668 --> 00:12:19,921 - SO THAT'S WHEN THE SHOOTING STARTED? - YEAH. 184 00:12:19,921 --> 00:12:22,874 WHO DID IT? 185 00:12:23,375 --> 00:12:25,260 I DON'T KNOW. SOME GUY. WHAT DID HE LOOK LIKE? 186 00:12:25,260 --> 00:12:27,429 AIN'T LOOK LIKE NOTHING. YEAH? 187 00:12:27,429 --> 00:12:29,931 I THINK IT WAS YOU. 188 00:12:29,931 --> 00:12:33,435 HELL, IT WASN'T ME SHOOTING. MENDONCA WOULD BE DEAD MEAT RIGHT NOW IF IT WAS ME. 189 00:12:33,435 --> 00:12:37,389 OH, SO YOU KNOW THIS GUY, MENDONCA? I DON'T KNOW. 190 00:12:37,889 --> 00:12:40,692 JUST KNOW HIS NAME 'CAUSE HE'S A LITTLE NOBODY ASSHOLE THAT THINKS HE'S ALL BIG. 191 00:12:40,692 --> 00:12:44,813 WHAT'S HIS FIRST NAME? WHERE'S HE LIVE? I WOULDN'T EVEN WANT TO KNOW. 192 00:12:44,813 --> 00:12:48,450 HE GET HIT? I DON'T KNOW. WISH HE DID. 193 00:12:48,450 --> 00:12:50,285 I WOULD HAVE HAD MYSELF A GOOD LAUGH. 194 00:12:54,039 --> 00:12:56,658 - YO, I'M READY TO GO. - OH, YOU'RE READY TO GO, HUH? 195 00:12:56,658 --> 00:12:59,711 - YEAH, THAT'S RIGHT. - YEAH, WELL, LET ME TELL YOU SOMETHING, ASSHOLE. 196 00:12:59,711 --> 00:13:02,547 YOU AIN'T GOING ANYWHERE. AND-- AND WHEN I COME BACK HERE, 197 00:13:02,547 --> 00:13:05,000 EVERY ANSWER YOU GIVE, YOU BETTER GIVE IT POLITE. 198 00:13:05,000 --> 00:13:07,636 YEAH, OR WHAT? OR YOU'LL FIND OUT WHAT. 199 00:13:09,554 --> 00:13:14,059 GUESS YOU SOUNDING ALL EVIL NOW, HUH? YOU MUST BE BRINGING SOMEONE ELSE BACK WITH YOU. 200 00:13:15,510 --> 00:13:19,814 NO. IT'S JUST GONNA BE ME. YOU AND ME, FERD. 201 00:13:19,814 --> 00:13:24,436 'CAUSE IF IT'S YOU, ME AND YOUR ATTITUDE, YOU'RE GONNA BE ONE SORRY PUERTO RICAN! 202 00:13:34,913 --> 00:13:38,116 HEY, GINA. DETECTIVES, THAT'S EARL DAWKINS. 203 00:13:38,116 --> 00:13:41,336 -MISSING PERSONS SENT HIM OVER. - THANKS. 204 00:13:41,336 --> 00:13:45,290 IF THIS IS THE D.O.A.'s HUSBAND, WE'RE GONNA WANT TO GET HIM TO COME DOWN TO THE MORGUE, HUH? 205 00:13:45,290 --> 00:13:47,425 GUESS YOU'D WANT TO SEE HOW HE'D TAKE IT. 206 00:13:47,425 --> 00:13:52,130 MR. DAWKINS. HOW DO YOU DO, SIR? I'M DETECTIVE SIMONE. THIS IS DETECTIVE SIPOWICZ. 207 00:13:52,130 --> 00:13:54,933 WHAT IS IT? DID YOU FIND MY WIFE? 208 00:13:54,933 --> 00:13:56,801 WE NEED TO ASK YOU SOME QUESTIONS ABOUT HER, SIR. 209 00:13:56,801 --> 00:13:59,354 SHE-- SHE DIDN'T COME HOME LAST NIGHT. 210 00:13:59,854 --> 00:14:04,225 SHE CALLED AND SAID SHE WAS GOING TO THE MOVIES AFTER WORK. 211 00:14:04,225 --> 00:14:08,029 I'M WORRIED SICK. SHE'S NEVER STAYED OUT LIKE THIS. WHERE DOES SHE WORK? 212 00:14:08,029 --> 00:14:10,815 SHE'S A WAITRESS AT A LITTLE PLACE ON ELIZABETH STREET-- RUSANOV'S. 213 00:14:10,815 --> 00:14:14,152 MR. DAWKINS, DO YOU HAVE ANY IDEA WHAT YOUR WIFE WAS WEARING WHEN SHE LEFT? 214 00:14:14,152 --> 00:14:18,957 SHE HAD ON, UM, A BLACK JACKET... 215 00:14:18,957 --> 00:14:23,962 AND, UH, I'M NOT SURE WHAT ELSE, A BLACK SKIRT, I GUESS. 216 00:14:25,463 --> 00:14:29,801 SHE HAS A LITTLE MOLE OVER HER LIP, RIGHT THERE. SHE'S BLONDE. 217 00:14:30,969 --> 00:14:32,921 NOT JUMPING TO ANY CONCLUSIONS, 218 00:14:32,921 --> 00:14:35,140 WE'D LIKE YOU TO COME WITH US, MR. DAWKINS. 219 00:14:35,140 --> 00:14:38,259 HELP ON AN IDENTIFICATION. 220 00:14:38,259 --> 00:14:42,147 - WHY? WHO-- WHO-- WHO IS IT? IS SOMEBODY HURT? - SIR, Y-YOUR WIFE'S MISSING. 221 00:14:42,647 --> 00:14:46,184 WE HAVE AN UNIDENTIFIED BODY THAT BEARS A GENERAL RESEMBLANCE TO HOW YOU JUST DESCRIBED HER. 222 00:14:48,069 --> 00:14:51,573 WE'RE GONNA NEED YOU TO COME TO THE MORGUE WITH US. OH, MY GOD. 223 00:14:51,573 --> 00:14:53,408 OH, GOD. 224 00:14:54,859 --> 00:14:56,861 OH, GOD. 225 00:15:02,917 --> 00:15:05,253 HEY, GREG. WE NEED TO GET OVER TO BELLEVUE. 226 00:15:05,253 --> 00:15:09,007 THEY GOT THAT GUY, MENDONCA, THAT KID FERD TOLD YOU ABOUT. 227 00:15:09,007 --> 00:15:11,709 TURNS OUT HE TOOK A BULLET IN THE ARM. YEAH, GOOD. 228 00:15:11,709 --> 00:15:15,547 ARE YOU OKAY? YEAH, I'M ALL RIGHT. 229 00:15:15,547 --> 00:15:17,882 YOU'RE REALLY SHOVELING THAT PEANUT BUTTER DOWN. 230 00:15:18,383 --> 00:15:22,887 I TELL YOU, JAMES, THAT FERD CHARACTER, HE'S GOT VERY DEEP UNDER MY SKIN. 231 00:15:22,887 --> 00:15:26,891 THE MINUTE HE CRACKED WISE ABOUT ABBY, I KNEW HE WAS ON YOUR BAD SIDE. 232 00:15:26,891 --> 00:15:28,893 YEAH. PLUS THIS GENERAL ATTITUDE HE'S GOT. 233 00:15:29,394 --> 00:15:32,113 ANYWAYS, WE OUGHT TO GET OVER TO BELLEVUE, GREG. YEAH. 234 00:15:32,614 --> 00:15:35,450 LET THAT ASSHOLE FERD SIT IN THE INTERVIEW AND STEW. 235 00:15:42,040 --> 00:15:44,409 [ Sighs ] 236 00:15:44,909 --> 00:15:47,412 I WISH I DIDN'T HAVE TO DO THIS. I'M FEELING KIND OF SCARED. 237 00:15:47,412 --> 00:15:50,915 YEAH. J-JUST LET US KNOW WHENEVER YOU'RE READY TO HAVE THE BLINDS OPEN. 238 00:15:50,915 --> 00:15:52,750 LET ME JUST GET MYSELF TOGETHER. 239 00:15:59,257 --> 00:16:02,260 OKAY, I CAN DO IT. 240 00:16:10,101 --> 00:16:12,353 IT'S HER. 241 00:16:12,353 --> 00:16:14,856 THAT'S MY WIFE. 242 00:16:23,281 --> 00:16:26,284 YOU WANT SOME WATER? WHAT HAPPENED TO HER? 243 00:16:26,284 --> 00:16:28,620 - SHE WAS STRANGLED. - WHO DID IT? 244 00:16:28,620 --> 00:16:32,090 WE DON'T KNOW. WELL, WHY WAS SHE STRANGLED? 245 00:16:32,090 --> 00:16:35,593 WHERE WAS SHE? WHERE-- WHERE DID YOU FIND HER? SHE WAS FOUND IN AN ALLEY. 246 00:16:35,593 --> 00:16:38,096 WAS YOUR WIFE HAVING ANY KIND OF PROBLEMS WITH ANYBODY, MR. DAWKINS? 247 00:16:38,596 --> 00:16:40,098 ANY ENEMIES THAT YOU MIGHT KNOW OF? 248 00:16:40,598 --> 00:16:43,601 NONE THAT I EVER HEARD OF. SHE WASN'T RAPED, WAS SHE? 249 00:16:43,601 --> 00:16:46,521 WE DON'T KNOW YET. THERE'S GOTTA BE SOME TESTS RUN. 250 00:16:46,521 --> 00:16:49,023 I SHOULD'VE GONE TO THE MOVIES WITH HER. 251 00:16:49,524 --> 00:16:51,809 IT'S MY FAULT. OKAY. TAKE IT EASY. 252 00:16:51,809 --> 00:16:54,863 I FEEL DIZZY. WHY DON'T YOU JUST SIT DOWN IN THE OFFICE. 253 00:16:54,863 --> 00:16:57,649 YOU KNOW, I THINK I NEED SOME AIR. I WANT TO GO OUTSIDE. 254 00:16:58,149 --> 00:17:00,652 THERE'S SOME SIGNING OF STUFF YOU NEED TO DO, BUT IT CAN WAIT. 255 00:17:00,652 --> 00:17:03,238 I CAN'T COPE NOW. I CAN'T COPE WITH IT. I WANT TO GO HOME. 256 00:17:03,238 --> 00:17:06,040 ALL RIGHT, THAT'S FINE. WE CAN TAKE YOU HOME AND COME BACK LATER. 257 00:17:10,628 --> 00:17:12,463 THANKS. 258 00:17:26,261 --> 00:17:28,680 IF DAWKINS WAS SO UPSET THAT HIS WIFE GOT MURDERED, 259 00:17:29,180 --> 00:17:30,848 WHY DOES HE PROCEED TO TELL US ABSOLUTELY NOTHING? 260 00:17:31,349 --> 00:17:34,652 ABOUT THE ONLY THING HE GAVE UP IS HER WORKING HERE. [ Knocking ] 261 00:17:40,525 --> 00:17:43,361 WHAT IS IT? POLICE. WE NEED TO ASK YOU A FEW QUESTIONS. 262 00:17:45,947 --> 00:17:48,283 [ Clears Throat ] MARINA DAWKINS, SHE WORK HERE? 263 00:17:48,283 --> 00:17:50,585 SHE WORKED LAST NIGHT. 264 00:17:50,585 --> 00:17:53,588 SHE WORK TILL CLOSING? MAYBE 9:00. 265 00:17:53,588 --> 00:17:55,924 ANYBODY WITH HER WHEN SHE LEFT? NOT LAST NIGHT. 266 00:17:55,924 --> 00:17:57,875 WHAT ABOUT OTHER NIGHTS? SHE EVER LEAVE WITH SOMEBODY? 267 00:17:57,875 --> 00:18:03,181 - I DON'T KNOW WHAT SHE DOES. IT'S HER BUSINESS, HUH? - SHE WAS MURDERED LAST NIGHT. 268 00:18:03,181 --> 00:18:06,100 - AND I WANT TO HEAR A LITTLE MORE COOPERATION OUT OF YOU. - MURDERED? 269 00:18:08,720 --> 00:18:11,189 - I CAN'T BELIEVE IT. - THEN DON'T. 270 00:18:11,189 --> 00:18:14,692 [ Simone ] WHEN MARINA WOULD LEAVE WORK, WHO WOULD IT BE SHE LEFT WITH? 271 00:18:14,692 --> 00:18:17,946 - HE WAITS FOR HER SOMETIMES ON THE CORNER. - IS THAT HER HUSBAND? 272 00:18:17,946 --> 00:18:20,898 - MAYBE. - WHY WOULD HER HUSBAND WAIT AT THE CORNER? 273 00:18:20,898 --> 00:18:24,869 NO, IT WASN'T HER HUSBAND. I MET HER HUSBAND. 274 00:18:24,869 --> 00:18:26,704 THIS WAS A YOUNG MAN, VITALI. 275 00:18:26,704 --> 00:18:29,207 - IS VITALI HIS FIRST NAME OR HIS LAST NAME? - FIRST. 276 00:18:29,207 --> 00:18:31,459 HE ONLY CAME IN TWO OR THREE TIMES. 277 00:18:31,459 --> 00:18:35,330 THEN HE STOPPED COMING IN AND WOULD WAIT ON THE CORNER TILL SHE FINISHED HER WORK. 278 00:18:35,330 --> 00:18:41,052 - SHE EVER TALK ABOUT HIM? - NO. THEY WALKED THAT WAY, TOWARDS THE RUSSIAN BAR. 279 00:18:41,052 --> 00:18:44,389 - WAS SHE SOME TYPE OF RUSSIAN HERSELF? - OH, YES, SHE'S RUSSIAN. 280 00:18:44,389 --> 00:18:49,677 MARINA. THAT'S THE NAME OF THAT RUSSIAN BROAD MARRIED OSWALD. 281 00:18:49,677 --> 00:18:53,014 - WHAT'S THE NAME OF THAT BAR? - DIMITRI'S. 282 00:18:53,014 --> 00:18:55,733 HOW COULD THIS HAPPEN? WHAT'S WRONG WITH THIS COUNTRY? 283 00:18:55,733 --> 00:18:57,568 WHAT'S WRONG WITH THIS COUNTRY? 284 00:18:57,568 --> 00:19:02,407 WHAT'S WRONG WITH IT IS TOO MANY PEOPLE FROM OTHER COUNTRIES SCREW IT UP. 285 00:19:02,407 --> 00:19:06,828 DETECTIVE SIPOWICZ HERE IS ONE OF THE FEW NATIVE AMERICAN POLES. 286 00:19:22,210 --> 00:19:24,128 [ Medavoy ] HOW'S IT GOING, MENDONCA? 287 00:19:24,128 --> 00:19:26,130 HEY, YO, WHEN AM I GONNA GET RELEASED OUTTA HERE, MAN? 288 00:19:26,130 --> 00:19:29,050 DO WE LOOK LIKE DOCTORS? WE'RE THE POLICE, DANIEL. 289 00:19:29,050 --> 00:19:32,303 I WANNA KNOW WHO SHOT YOU FROM THAT BUS. I DON'T KNOW WHO IT WAS. 290 00:19:32,303 --> 00:19:36,140 SURE, YOU DO. NO, MAN, I WAS JUST WAITING FOR THE LIGHT AND I CAUGHT A BULLET. 291 00:19:36,140 --> 00:19:38,976 THEY WAS FLYING ALL OVER THE PLACE. POW, POW, POW, POW, POW! 292 00:19:39,477 --> 00:19:41,479 PEOPLE GETTIN' HIT. YOU SAW THE GUY SHOOTIN'? 293 00:19:41,479 --> 00:19:44,982 MM-MMM. I DIDN'T SEE HIM. YOU WERE LOOKING RIGHT AT THOSE GUYS, CALLING 'EMPUTAS. 294 00:19:44,982 --> 00:19:49,537 - THEY WAS CALLING MEPUTA. - LOOK, WE WANT TO ARREST THE GUY WHO TRIED TO KILL YOU. 295 00:19:49,537 --> 00:19:52,407 OTHERWISE, HE'S GONNA GO AFTER YOU AGAIN. 296 00:19:52,407 --> 00:19:56,711 I DON'T NEED NO COPS HELPING ME, MAN. I CAN TAKE CARE OF THIS. 297 00:19:56,711 --> 00:20:01,382 UH-UH. WE GOT YOU ON A FELONY FOR THROWING THAT BOTTLE THROUGH A BUS WINDOW. 298 00:20:01,382 --> 00:20:04,634 -YOU'RE GONNA DO TIME YOU DON'T GIVE US THIS GUY'S NAME. - I'M GONNA DO TIME? 299 00:20:04,634 --> 00:20:07,838 WHY, I'M THE ONE WHO GOT SHOT! HOW ARE YOU GONNA MAKE ME DO THE TIME? 300 00:20:07,838 --> 00:20:09,756 WHAT KIND OF JUSTICE YOU CALLING THAT? 301 00:20:10,257 --> 00:20:13,977 THAT'S JUSTICE FOR AN ASSHOLE WHO'S TOO STUPID TO GIVE UP THE GUY WHO SHOT HIM. 302 00:20:13,977 --> 00:20:18,148 - SHOOT. MAN, I AIN'T NO RAT. - HEY, HEY. THIS ISN'T JUST ABOUT YOU. 303 00:20:18,148 --> 00:20:21,484 THAT PUNK SHOT A WOMAN AND A LITTLE BOY. THEY'RE BOTH IN CRITICAL CONDITION. 304 00:20:21,484 --> 00:20:23,403 WELL, YOU KNOW, THAT'S TOUGH. 305 00:20:25,906 --> 00:20:28,909 TOUGH? THAT'S TOUGH. 306 00:20:33,580 --> 00:20:35,832 [ Mendonca Groaning ] 307 00:20:35,832 --> 00:20:39,836 YOU WOULDN'T COOPERATE, MENDONCA? GET UP! NOW YOU'RE A COLLAR FOR THROWING THAT BOTTLE. 308 00:20:39,836 --> 00:20:42,172 HE HIT ME IN THE HEAD WITH A PHONE BOOK, MAN. 309 00:20:42,172 --> 00:20:43,957 FIRST I GET SHOT, THEN I GET HIT IN THE HEAD. 310 00:20:43,957 --> 00:20:47,594 AND NOW YOU'RE ARRESTED. JUST HIT THE TRIFECTA. OH, SCREW THAT. 311 00:20:47,594 --> 00:20:51,715 LUIS UGALDE DID THE SHOOTING. OKAY, NOW LEAVE ME ALONE. 312 00:20:51,715 --> 00:20:54,551 SIT DOWN. SIT DOWN! 313 00:20:56,469 --> 00:20:58,889 WHERE WE GONNA FIND THIS UGALDE? 314 00:20:59,389 --> 00:21:03,276 PROBABLY OVER ON, LIKE, MOTT AND BAYNARD. HE BE OVER THERE DEALING MOST OF THE TIME. 315 00:21:03,777 --> 00:21:07,564 - WHAT'S HE LOOK LIKE? - I DON'T KNOW. HE GOT A THING ON HIS NECK. 316 00:21:07,564 --> 00:21:10,233 - WHAT? LIKE A GROWTH OR SOMETHING? - NO, IT'S LIKE A TATTOO, MAN. 317 00:21:10,734 --> 00:21:14,654 HE'S GOT A COUPLE OF TEARS. LOOK FOR THE THING ON HIS NECK. 318 00:21:14,654 --> 00:21:18,575 -IT'S-IT'S LIKE A DAGGER. -ALL RIGHT, JUST SIT STILL A MINUTE. HEY, GREG. 319 00:21:21,077 --> 00:21:23,079 I THINK WE GOTTA LET THIS GUY GO, GREG. YEAH. 320 00:21:23,079 --> 00:21:26,082 WE BRING HIM IN, THERE'S LIABLE TO BE A BEEF ABOUT THAT PHONE BOOK. 321 00:21:26,082 --> 00:21:27,884 I DON'T KNOW HOW MUCH THIS DOCTOR SAW. 322 00:21:27,884 --> 00:21:31,304 I APOLOGIZE. I LOST CONTROL. HE'S A SCUMBAG GANGBANGER. 323 00:21:31,805 --> 00:21:33,640 YOU GOT RESULTS. DON'T WORRY ABOUT IT. OKAY. 324 00:21:33,640 --> 00:21:37,227 ALL RIGHT, LISTEN, WE'RE GONNA GIVE YOU A BREAK 'CAUSE YOU DID THE RIGHT THING. 325 00:21:37,727 --> 00:21:41,514 CAN I GO? YEAH. WHEN THEY'RE THROUGH WITH YOU, GET OUT OF HERE. 326 00:21:44,684 --> 00:21:46,686 [ Martinez ] GREG. 327 00:22:02,752 --> 00:22:06,089 YOU THINK I KILLED MARINA? GO AHEAD, ARREST ME. YOU WANT TO BE ARRESTED? 328 00:22:06,506 --> 00:22:11,594 I DON'T CARE WHAT YOU DO. WHAT WE'RE GONNA HAVE YOU DO, VITALI, IS TAKE A SEAT. 329 00:22:11,594 --> 00:22:15,265 AND MAYBE GET YOU SOMETHING TO WATER YOUR LOAD DOWN. ACCUSING ME OF DRUNK? 330 00:22:15,265 --> 00:22:19,886 YEAH. IT'S A REAL PLEASURE IMAGINING YOU ON THE CITY STREETS IN YOUR HACK. 331 00:22:19,886 --> 00:22:21,805 DRINK THIS. NO. YOU CAN'T MAKE ME. 332 00:22:21,805 --> 00:22:25,191 THAT'S MISTAKEN THINKING. DRINK THAT DAMN COFFEE, VITALI, 333 00:22:25,191 --> 00:22:28,144 AND LET'S GET THROUGH THIS WITH NOBODY LOSING THEIR TEMPERS, OKAY? 334 00:22:28,645 --> 00:22:32,282 STINKS. HOW'D YOU KNOW MARINA DAWKINS WAS DEAD? 335 00:22:32,282 --> 00:22:35,652 WHOLE BAR KNOWS SHE'S DEAD, AND YOU'RE LOOKING FOR ME 'CAUSE I'M RUSSIAN? 336 00:22:35,652 --> 00:22:38,455 YOU'RE SURE I DID IT. WHAT WE'RE SURE ON, VITALI, 337 00:22:38,455 --> 00:22:41,741 IS THIS WOMAN HAD A HUSBAND DIDN'T HAPPEN TO BE YOU. 338 00:22:41,741 --> 00:22:45,495 AND WHAT THAT WHOLE BAR ALSO KNEW WAS YOU WERE BANGIN' HER. 339 00:22:45,495 --> 00:22:47,797 SO WHY DON'T YOU CALM DOWN AND TELL US WHERE YOU WERE LAST NIGHT? 340 00:22:48,298 --> 00:22:50,133 OH, I WAS KILLING HER. 341 00:22:51,334 --> 00:22:54,304 WHERE WERE YOU, VITALI? MOVIES. 342 00:22:54,304 --> 00:22:57,390 - HAVE A COMPANION? - NO, 'CAUSE SHE WAS WORKING. 343 00:22:57,390 --> 00:22:59,676 DID YOU KEEP THE TICKET STUB? NO STUB. 344 00:22:59,676 --> 00:23:02,062 RUSSIAN, SO I'M CERTAINLY LYING. 345 00:23:02,062 --> 00:23:05,432 I DON'T CARE WHAT YOU THINK, AMERICAN DETECTIVES. 346 00:23:05,432 --> 00:23:08,318 AMERICA, SO YOU THINK YOU GOT A RIGHT TO EVERYTHING! AMERICA AGAIN. 347 00:23:08,318 --> 00:23:10,737 OUR FAULT. GET YOU A RUSSIAN WIFE OUT OF AN AD. 348 00:23:10,737 --> 00:23:13,823 YOU EVER SEEN THAT, MAN? HUH? I SEE HIS PICTURE. 349 00:23:13,823 --> 00:23:15,658 UGLY LIKE A PIG. [ Snorting ] 350 00:23:15,658 --> 00:23:20,196 MAYBE LAST NIGHT SHE TELLS YOU YOU'RE OUT OF LUCK. SHE'S GOING BACK TO PIG MAN. 351 00:23:20,196 --> 00:23:23,666 SHE'S LEAVING PIG MAN. TOO MUCH PIG MAN. SHE CAN'T LOOK AT NO MORE. 352 00:23:23,666 --> 00:23:26,002 YEAH, WHEN DID SHE TELL YOU THAT, LAST NIGHT? 353 00:23:26,002 --> 00:23:28,955 [ Chuckling ] 354 00:23:28,955 --> 00:23:33,343 OH. BEFORE LAST NIGHT. WHAT I CARE IF YOU WANT TO BELIEVE? 355 00:23:33,343 --> 00:23:36,596 NO FEELING IN YOU FOR MARINA. 356 00:23:36,596 --> 00:23:40,433 SHE WAS A PERSON, HAD A FAMILY, 357 00:23:40,433 --> 00:23:42,886 SEND MONEY TO HER FAMILY IN CHERNOBYL. 358 00:23:42,886 --> 00:23:46,856 -THEIR LETTERS BACK HAVE KIND OF A GREEN GLOW TO 'EM? -SON OF A BITCH. SON OF A BITCH. 359 00:23:46,856 --> 00:23:52,645 CALL HER STUPID, TREAT LIKE SERVANT, COMPLAIN AND PUSH HER, THEN EXPECTS SEX TREATMENT. 360 00:23:52,645 --> 00:23:56,950 THINKS TO BUY A RUSSIAN WOMAN FROM AN ADVERTISING PAPER. 361 00:23:56,950 --> 00:23:58,952 ASK WHAT I THINK WHO KILLED MARINA, 362 00:23:58,952 --> 00:24:00,820 A DUMB RUSSIAN YOU DIDN'T CARE HIS OPINION. 363 00:24:00,820 --> 00:24:06,376 - YOU THINK IT WAS HIM, HUH? - PIG MAN, FOR HER GETTING DIVORCE, WHO YOU THINK? WHO? 364 00:24:06,376 --> 00:24:09,129 - MIGHT BE YOU. - GET THE HANDCUFFS! GET THE HANDCUFFS! 365 00:24:22,959 --> 00:24:25,829 DETECTIVES, THE MEDICAL EXAMINER TOLD ME TO TELL YOU THAT MARINA DAWKINS... 366 00:24:25,829 --> 00:24:30,717 DIED OF MANUAL STRANGULATION AND-- I-I WROTE IT DOWN. 367 00:24:34,170 --> 00:24:37,891 TRAUMA EXTERNAL TO THE GENITAL AREA. NO EVIDENCE OF PENETRATION. 368 00:24:37,891 --> 00:24:40,844 IF IT'S THE HUSBAND, MAYBE HE'S IMPOTENT. 369 00:24:40,844 --> 00:24:42,729 OR WANTING IT TO LOOK LIKE A RAPE. 370 00:24:42,729 --> 00:24:44,681 IF THAT'S RIGHT ABOUT THE DIVORCE, 371 00:24:45,181 --> 00:24:47,433 HIM NOT SAYING ABOUT IT, YOU GOTTA LIKE HIM A LITTLE. 372 00:24:47,433 --> 00:24:49,235 WE GOTTA BRING HIM BACK IN. YEAH. 373 00:24:50,737 --> 00:24:52,772 - HEY, ANDY. - WHAT'S GOING ON? 374 00:24:52,772 --> 00:24:54,657 WE'RE GOING TO GRAB THIS GUY UGALDE UP, 375 00:24:54,657 --> 00:24:58,077 - SUPPOSEDLY SHOT THOSE PEOPLE FROM THE BUS. - HOW'S THE PEOPLE GOT SHOT? 376 00:24:58,077 --> 00:25:00,613 KID'S GONNA BE ALL RIGHT. THEY DON'T THINK THE WOMAN WILL MAKE IT. 377 00:25:00,613 --> 00:25:03,366 WANT ANY BACKUP? NO, WE GOT IT. 378 00:25:04,667 --> 00:25:07,287 ALL SET? YEAH. 379 00:25:09,339 --> 00:25:12,041 [ Martinez ] YOU OKAY, GREG? I'M ALL RILED UP. 380 00:25:12,041 --> 00:25:16,629 PROBABLY A SUGAR IMBALANCE, GORGING LIKE A STUPID JERK. 381 00:25:16,629 --> 00:25:20,133 WHY DON'T YOU DRINK SOME WATER BEFORE WE LEAVE, MOVE IT THROUGH YOUR SYSTEM, YOU KNOW. 382 00:25:20,133 --> 00:25:23,386 HEY, I'LL DEAL WITH IT MYSELF, ALL RIGHT, JAMES! ENOUGH WITH DEAR ABBY. 383 00:25:23,386 --> 00:25:28,191 OW. MAYBE THAT DR. JEKYLL GOT IN THAT TROUBLE BANGING BACK CHUNKY PEANUT BUTTER. 384 00:25:41,487 --> 00:25:44,958 HE'S WEARING A BLUE JACKET, BLACK AND WHITE RUNNING SHOES, STANDING NEAR THE CORNER. 385 00:25:56,169 --> 00:25:59,806 -[ Man ] ALL RIGHT. WHOA-- - HEY! DON'T MOVE! 386 00:25:59,806 --> 00:26:02,258 - ALL RIGHT, BE COOL, MAN. HEY-- -GET YOUR HANDS UP! 387 00:26:02,258 --> 00:26:05,562 -UP AGAINST THE WALL. - HEY, IT'S COOL, MAN. IT'S COOL, MAN. YO! YO! 388 00:26:05,562 --> 00:26:08,982 OW, MAN! BE COOL! PUT YOUR HEAD DOWN. 389 00:26:08,982 --> 00:26:11,401 YOU HEAR ME? GET YOUR HEAD DOWN! 390 00:26:11,401 --> 00:26:13,570 [ Martinez ] GREG, SETTLE DOWN. 391 00:26:13,570 --> 00:26:15,572 OW, MAN! WHAT'D I DO? 392 00:26:21,611 --> 00:26:24,330 YO, MAN, I WASN'T ON NO BUS THIS MORNING, MONEY. 393 00:26:24,330 --> 00:26:28,001 - SO WHERE WERE YOU? - IN BED WITH A LADY. 394 00:26:28,001 --> 00:26:29,869 UH-HUH. LET'S HAVE HER NAME. 395 00:26:30,370 --> 00:26:32,872 [ Chuckles ] CAN'T DO THAT, G. SHE'S MARRIED. 396 00:26:32,872 --> 00:26:35,341 HMM. WHAT DO YOU THINK OF THAT, JAMES? 397 00:26:35,341 --> 00:26:37,844 THIS GUY'S GOING TO THE JOINT TO PROTECT THE HONOR OF A WOMAN. 398 00:26:38,344 --> 00:26:42,348 THAT'S BEAUTIFUL, THAT'S ROMANTIC. I THINK I SAW THAT MOVIE. 399 00:26:42,348 --> 00:26:44,851 BUT THAT PUTS YOUR ASS IN THE FRYING PAN, LUIS. 400 00:26:44,851 --> 00:26:47,353 LOOKS LIKE THE ONLY WAY YOU CAN CLEAR YOURSELF IS TO STAND IN A LINEUP. 401 00:26:47,770 --> 00:26:49,856 NO, NO LINEUPS. I AIN'T GOTTA DO THAT, MAN. 402 00:26:56,946 --> 00:27:00,617 THAT WAS A PRETTY GOOD ONE, G. 403 00:27:00,617 --> 00:27:04,404 DON'T BE FLIPPIN' THE BIRD ON THESE PREMISES. YOU GOT IT, LUIS? 404 00:27:05,822 --> 00:27:08,791 WE GOT HIM IN THE FILES ANYWAY. 405 00:27:14,998 --> 00:27:18,418 WE GOT AN ACCIDENT OUT FRONT. UH, DRIVER SAID HE WAS ON HIS WAY HERE TO SEE YOU. 406 00:27:18,418 --> 00:27:21,971 THAT'S GONNA BE DAWKINS. ALL RIGHT, BE RIGHT THERE. 407 00:27:21,971 --> 00:27:24,724 I CAN'T BELIEVE THIS. LOOK AT THIS. HOW STUPID CAN YOU BE? 408 00:27:24,724 --> 00:27:26,976 DON'T YOU LOOK WHERE YOU'RE GOING? 409 00:27:26,976 --> 00:27:28,928 DO YOU KNOW THE PAPERWORK I GOTTA FILL OUT FOR THIS? 410 00:27:28,928 --> 00:27:31,397 - HE PULLED OUT RIGHT IN FRONT OF ME. - OH, FOR HEAVEN'S SAKE. 411 00:27:31,397 --> 00:27:33,850 HEY, MR. DAWKINS. YOU HURT? 412 00:27:33,850 --> 00:27:35,852 AH. ALL RIGHT. ALL RIGHT, SEE? 413 00:27:35,852 --> 00:27:38,154 NOW, THESE ARE THE GUYS I CAME TO SEE. 414 00:27:38,154 --> 00:27:40,857 THEY CALLED ME IN. HE'S DRUNK. RUNS RIGHT INTO ME. 415 00:27:40,857 --> 00:27:43,326 [ Dawkins ] MY WIFE DIED. I JUST COME FROM THE MORGUE. TELL 'EM. 416 00:27:43,326 --> 00:27:45,995 WE'RE WORKIN' A HOMICIDE. HE WAS COMING TO TALK TO US. WE NEED TO TAKE HIM UPSTAIRS. 417 00:27:45,995 --> 00:27:49,415 LOOK, THE RADIO CAR'S DAMAGED. I WANT HIM TESTED, DOCUMENT HE WAS LOADED. 418 00:27:49,415 --> 00:27:52,168 THE HELL I'M LOADED. I'M GRIEVING FOR A LOVED ONE. 419 00:27:52,168 --> 00:27:54,454 IT'S PRETTY IMPORTANT THAT WE TALK TO HIM NOW. 420 00:27:54,454 --> 00:27:56,372 [ Man ] WELL, UH, WHO'S GONNA HANDLE THE PAPERWORK? 421 00:27:56,873 --> 00:27:59,375 -WE'LL GET SOMEBODY. COME ON. - YOU HAPPEN TO BE DRIVING TOO FAST. 422 00:27:59,876 --> 00:28:02,261 YOU WASN'T LOOKING WHERE YOU WERE GOING. JUST SHUT YOUR MOUTH, PAL. 423 00:28:02,261 --> 00:28:04,047 THERE'S A LIQUOR BOTTLE ON THE FLOORBOARD. 424 00:28:04,047 --> 00:28:08,351 ALSO MAKE A MEMO-BOOK ENTRY IMPACT KNOCKED THIS OUT FROM UNDER THE FRONT SEAT. 425 00:28:08,351 --> 00:28:12,472 HEY. HEY, WHAT YOU GOT THERE? YOUR WIFE'S PURSE, DAWKINS. 426 00:28:12,472 --> 00:28:15,608 HER I.D. FELL OUT. I WONDER WHY THAT'S THERE. 427 00:28:15,608 --> 00:28:18,277 SHE MUST HAVE FORGOT IT A FEW DAYS AGO. YEAH, THAT MAKES SENSE. 428 00:28:18,277 --> 00:28:22,782 COME ON, LET'S TALK ABOUT IT UPSTAIRS, HUH? THAT'S WHAT I COME IN HERE FOR. 429 00:28:22,782 --> 00:28:24,984 - HE BACKED RIGHT INTO ME. -[ Sipowicz ] COME ON. 430 00:28:24,984 --> 00:28:27,987 [ Man ] I BACKED INTO DICK. 431 00:28:31,791 --> 00:28:34,210 LOOKS LIKE YOU HAD QUITE A SNOOTFUL, DAWKINS. 432 00:28:34,210 --> 00:28:37,663 I HAD TO HAVE A DRINK. I'M IN MOURNING FOR MY WIFE. 433 00:28:37,663 --> 00:28:39,415 THAT COP WASN'T LOOKING WHERE HE WAS GOING. 434 00:28:39,415 --> 00:28:42,301 WELL, WE CAN PROBABLY GET THAT STRAIGHTENED OUT. 435 00:28:43,803 --> 00:28:47,924 - SIT DOWN. - LOOK AT HIM DOWN THERE. HE'S TAKING CONTROL OF MY VEHICLE. 436 00:29:00,653 --> 00:29:03,573 - YEAH. IT'S MARINA'S. - WHEN'S THE LAST TIME YOU SEEN THAT PURSE? 437 00:29:03,573 --> 00:29:08,444 YESTERDAY, I GUESS. SHE MUST HAVE LEFT IT. 438 00:29:08,444 --> 00:29:10,913 LEFT IT? [ Simone ] DAWKINS, 439 00:29:10,913 --> 00:29:14,417 WHY DIDN'T YOU TELL US THAT YOUR WIFE WAS A MAIL-ORDER BRIDE? 440 00:29:14,417 --> 00:29:16,919 SHE DISAPPEARED. I DIDN'T THINK THAT HAD NOTHING TO DO WITH IT. 441 00:29:16,919 --> 00:29:19,255 HOW ABOUT HER DIVORCING YOU? HOW COME YOU DIDN'T TELL US ABOUT THAT? 442 00:29:19,255 --> 00:29:22,875 I DON'T KNOW. I-I CAN'T EXPLAIN ABOUT THIS PURSE. 443 00:29:22,875 --> 00:29:26,212 SHE MUST HAVE JUST FORGOT IT. WHY DIDN'T YOU TELL US ABOUT HER DIVORCING YOU? 444 00:29:26,212 --> 00:29:29,682 NO, EARL WANTS TO TALK ABOUT THE PURSE. LET'S TALK ABOUT THE PURSE, EARL. 445 00:29:29,682 --> 00:29:33,102 WELL, I-I TOOK HER TO WORK YESTERDAY. 446 00:29:33,603 --> 00:29:35,104 SHE MUST HAVE LEFT IT IN THERE THEN. 447 00:29:35,605 --> 00:29:37,190 EARL, A WOMAN GOING OFF AND FORGETTING HER PURSE, 448 00:29:37,690 --> 00:29:40,443 THAT'S LIKE YOU OR ME GOING OFF AND FORGETTING OUR RIGHT ARM. 449 00:29:40,943 --> 00:29:42,979 I'VE BEEN WITH WOMEN, FALLING-DOWN DRUNKS THAT'D FORGET TO EAT, 450 00:29:43,479 --> 00:29:45,481 BUT NOT ONCE FORGET THEIR PURSE. 451 00:29:45,481 --> 00:29:47,483 YOU KNOW WHEN A WOMAN FORGETS HER PURSE, HUH? 452 00:29:47,483 --> 00:29:50,870 A WOMAN FORGETS HER PURSE WHEN SHE'S DEAD, EARL. 453 00:29:50,870 --> 00:29:56,626 YOUR WIFE DIED IN YOUR CAR. SHE NEVER GOT TO WORK, LEAVE NO PURSE BEHIND. 454 00:29:56,626 --> 00:29:59,462 I DIDN'T KILL HER. 455 00:29:59,462 --> 00:30:01,330 BUT I HAD A GOOD EXCUSE. 456 00:30:01,330 --> 00:30:04,801 ALL I WANTED WAS A WIFE AND I END UP WITH HER. 457 00:30:04,801 --> 00:30:08,805 JUST IN IT FOR WHAT SHE COULD GET. I THINK SHE WAS A PROSTITUTE IN RUSSIA. 458 00:30:08,805 --> 00:30:11,257 WHO KNOWS WHAT WENT ON OVER THERE. 459 00:30:11,757 --> 00:30:14,677 BUT SHE HAD THEM BIG BLUE EYES AND I TRUSTED HER. 460 00:30:14,677 --> 00:30:19,732 BUT SHE-- SHE JUST USED ME TO GET INTO THIS COUNTRY. SHE PLAYED ME FOR A SUCKER. 461 00:30:19,732 --> 00:30:22,101 ALL THE MONEY I SPENT GETTING HER OVER HERE. 462 00:30:22,101 --> 00:30:25,104 THEN SHE TRIES TO SOAK ME IN A DIVORCE. 463 00:30:25,104 --> 00:30:28,524 TWENTY YEARS IN THE MILITARY. I WAS A MASTER SERGEANT. I-I GOT A NICE PENSION. 464 00:30:28,524 --> 00:30:31,360 AND THEN, IN SIX YEARS, I HAVE MY OWN CARPET CLEANING BUSINESS. 465 00:30:31,861 --> 00:30:34,197 I MADE SOMETHING OUT OF MYSELF. THAT APARTMENT I LIVE IN, I OWN THAT THING. 466 00:30:34,197 --> 00:30:37,750 BUT THAT BITCH, SHE WANTED IT ALL. AND SHE'D HAVE GOT IT TOO. 467 00:30:37,750 --> 00:30:41,170 ANYTHING FOR THE WIFE, NO MATTER WHAT KIND OF LYING CHEAT SHE IS. 468 00:30:41,170 --> 00:30:43,172 THAT'S THE WAY THE DIVORCE LAWS ARE IN THIS STATE. 469 00:30:43,172 --> 00:30:45,508 SHE CHEATIN' ON YOU WITH ANOTHER MAN? 470 00:30:45,508 --> 00:30:49,712 IT'S PROBABLY TOO LATE NOW TO FIND OUT HIS EXACT IDENTITY, BUT THAT'S UP TO YOU FELLAS. 471 00:30:49,712 --> 00:30:51,714 BUT MAYBE SHE WAS CHEATING ON HIM. 472 00:30:51,714 --> 00:30:54,217 MAYBE SHE ROBBED HIM SOMEHOW AND HE WAS JUST PAYING HER BACK. 473 00:30:54,217 --> 00:30:57,854 - THAT'S NOT YOU YOU'RE TALKING ABOUT THERE, EARL? - UH-UH. I-I SEEN HIM. 474 00:30:57,854 --> 00:31:00,273 LAST NIGHT FOR THE FIRST TIME. SHE CALLED AFTER WORK... 475 00:31:00,273 --> 00:31:03,276 - AND SAID SHE WAS GOING TO THE MOVIES BY HERSELF. - YOU GO LOOKING FOR HER? 476 00:31:03,276 --> 00:31:06,696 WELL, I ASKED HER WHAT MOVIE SHE WAS GOING TO AND I WAS WAITING WHEN THAT MOVIE LEFT OUT... 477 00:31:07,196 --> 00:31:10,032 TO CATCH HER LYING ON, YOU KNOW, BEING ALONE. 478 00:31:10,032 --> 00:31:13,202 THE MAN YOU'RE LOOKING FOR, HE'S, UH-- 479 00:31:13,202 --> 00:31:16,539 HE'S A BIG YOUNG GUY ABOUT 6'2", BROWN HAIR. 480 00:31:16,539 --> 00:31:19,542 I GUESS SHE THOUGHT HE WAS NICE AND HANDSOME. 481 00:31:19,542 --> 00:31:22,044 BUT I SEEN 'EM WALKING AWAY TOGETHER. DID YOU FOLLOW 'EM? 482 00:31:22,044 --> 00:31:25,665 YEAH, THAT'S WHO YOU WANT TO GET. YOU'RE FULL OF CRAP, DAWKINS! 483 00:31:25,665 --> 00:31:28,584 YOU'RE THE GUY HAD THE PURSE. YOU'RE WHO KILLED HER. 484 00:31:28,584 --> 00:31:31,387 EARL, DID MAYBE YOU FOLLOW 'EM? 485 00:31:31,387 --> 00:31:35,174 MAYBE AFTER THE BOYFRIEND DROPPED HER OFF NEAR WHERE YOU AND MARINA LIVE, 486 00:31:35,174 --> 00:31:38,060 YOU PULL OVER AND LET HER KNOW THAT YOU CAUGHT HER. 487 00:31:38,060 --> 00:31:42,899 MAYBE YOU PULL MARINA INTO THE CAR, LET HER KNOW HOW UPSET SHE MADE YOU. 488 00:31:42,899 --> 00:31:44,901 MAYBE SHE STARTED BEATIN' ON YOU. 489 00:31:45,401 --> 00:31:49,238 COURSE OF FENDING HER OFF, THINGS, UH, JUST GOT OUT OF CONTROL THERE. 490 00:31:50,656 --> 00:31:52,658 WELL, WHAT HAPPENED WAS, 491 00:31:54,160 --> 00:31:57,663 I GOT HER IN THE CAR... 492 00:31:57,663 --> 00:32:00,166 AND I STARTED TALKING TO HER ABOUT, YOU KNOW, HER SEEING THAT GUY, 493 00:32:00,666 --> 00:32:02,618 AND, YOU KNOW, WE START FIGHTING ABOUT THE DIVORCE. 494 00:32:02,618 --> 00:32:05,087 AND THEN BACK HE COMES, THAT GUY THAT SHE WAS SEEING, 495 00:32:05,087 --> 00:32:08,457 AND HE-HE JERKED THE DOOR OPEN AND-- [ Simone ] EARL. 496 00:32:08,457 --> 00:32:10,960 THAT DIDN'T HAPPEN. 497 00:32:14,931 --> 00:32:17,266 [ Sobbing ] 498 00:32:26,475 --> 00:32:28,694 SOMETHING TOOK HOLD OF ME. 499 00:32:30,696 --> 00:32:36,202 I KNEW I WAS CHOKING HER, BUT I DIDN'T WANT TO STOP. 500 00:32:36,202 --> 00:32:39,205 AND THEN WHEN I SEE WHAT I HAD DONE, I WAS SCARED OUT OF MY MIND. 501 00:32:39,205 --> 00:32:42,491 I HAD TO GET OUT OF IT. SO I PUT HER IN THE ALLEY. 502 00:32:42,491 --> 00:32:45,911 I REMEMBERED ON THE NEWS ABOUT THOSE GIRLS WHO WERE MURDERED AND RAPED, 503 00:32:45,911 --> 00:32:48,080 AND I TRIED TO MAKE IT LOOK LIKE THAT. 504 00:32:48,080 --> 00:32:52,885 BEATING HER UP AT THE PRIVATES, TEARING HER HAIR OUT DOWN THERE. 505 00:32:52,885 --> 00:32:56,639 BUT I COULDN'T RAPE HER, EVEN TO MAKE IT LOOK GOOD. 506 00:32:56,639 --> 00:32:58,758 I HAD TOO MUCH FEELING FOR HER. 507 00:33:18,861 --> 00:33:20,813 YOU'LL BE OKAY IN THERE, GREG, MOVING THIS UGALDE? 508 00:33:20,813 --> 00:33:25,735 WE GO RIGHT AT HIM. BUS DRIVER PICKED HIM OUT, TWO OTHER WITNESSES. 509 00:33:25,735 --> 00:33:29,488 JUST HE'S A HALF A HARD CASE. IF WE WANT A STATEMENT, I DON'T FIGURE HIM TO INTIMIDATE. 510 00:33:29,488 --> 00:33:32,541 SO WHAT'S YOUR PROPOSAL, JAMES? BRING HIM SOME ROSES? 511 00:33:32,541 --> 00:33:34,827 I'M SAYING YOU'RE A LITTLE AMPED UP. 512 00:33:34,827 --> 00:33:36,662 I THINK WE SHOULD PLAY HIM SWEET. 513 00:33:37,163 --> 00:33:39,382 WE'LL PLAY HIM SWEET, THEN. WONDERFUL. 514 00:33:39,382 --> 00:33:42,968 - COME ON, GREG. - START WITH HIS DIFFICULT YOUTH. 515 00:33:49,425 --> 00:33:51,927 COME ON OUT, UGALDE. 516 00:33:51,927 --> 00:33:54,230 [ Ugalde ] WHAT'S GOING ON, G? 517 00:33:54,230 --> 00:33:56,682 [ Martinez ] WE WANT TO APPRISE YOU THE INVESTIGATION'S STATUS. 518 00:33:56,682 --> 00:34:00,019 MAYBE YOU START LOOKING TO HELP YOURSELF. YOU'RE I.D.'d FOR SHOOTING THOSE PEOPLE. 519 00:34:00,019 --> 00:34:03,606 THE BUS DRIVER PICKED YOU OUT OF A PHOTO ARRAY, WHICH IS ENOUGH TO SEND YOU UP RIGHT THERE. 520 00:34:03,606 --> 00:34:05,908 PLUS THREE OTHER WITNESSES PICKED YOU OUT ALSO. 521 00:34:05,908 --> 00:34:10,245 YEAH, FORGET ABOUT YOUR WEEPY TATTOO, UGALDE. YOU'LL BE CRYING REAL TEARS IN THE JOINT. 522 00:34:10,746 --> 00:34:13,865 YO, MONEY, WHO YOU THINK YOU'RE TALKING TO, MAN? I COULD DO THAT TIME STANDING ON MY HEAD, G. 523 00:34:13,865 --> 00:34:17,169 TIME DON'T BOTHER ME. HEY, I DONE WHAT I HAD TO. YOU KNOW WHAT I'M SAYING? 524 00:34:17,169 --> 00:34:19,037 DON'T NOBODY CALL MEPUTA. 525 00:34:19,037 --> 00:34:22,591 HOW AM I SUPPOSED TO RIDE ON A BUS AND BE A MAN SOMEBODY CALL MEPUTA? 526 00:34:22,591 --> 00:34:26,261 OH, THAT MAKE YOU A MAN, UGALDE? SHOOTIN' A WOMAN AND CHILD OUT A BUS WINDOW? 527 00:34:26,261 --> 00:34:28,797 GREG, MAYBE IT'S SOMETHING ME AND YOU DON'T UNDERSTAND. 528 00:34:28,797 --> 00:34:31,633 YO, I DIDN'T SHOOT AT NO WOMAN AND CHILD, G. 529 00:34:31,633 --> 00:34:35,720 - THAT'S WHO YOU HIT, ASSHOLE. - LET HIM GET IT OUT, WHAT HE'S TRYING TO SAY, GREG. 530 00:34:35,720 --> 00:34:38,774 HEY, YOU KNOW, WHEN YOU WALK THE STREET, YOU GOTTA BE A MAN. 531 00:34:38,774 --> 00:34:43,395 WELL, YOU'RE A DICKHEAD, UGALDE. ALL THIS MAN STUFF, WHO'S GETTIN' HURT? 532 00:34:43,395 --> 00:34:46,148 - HE TOLD US THAT WASN'T HIS INTENTION. - YOU'RE A STUPIDPUTA. 533 00:34:47,566 --> 00:34:50,819 HEAR ME, UGALDE? HUH? WANT ME TO SAY IT AGAIN? 534 00:34:53,538 --> 00:34:55,574 NO. 535 00:34:58,243 --> 00:35:02,164 - SO YOU DON'T WANT TO GIVE US NO STATEMENT? - NO STATEMENT. 536 00:35:02,164 --> 00:35:04,466 - UH, HE'S TOO MUCH OF APUTA. - UP ON YOUR FEET. 537 00:35:04,833 --> 00:35:08,253 ALL RIGHT. COME ON. 538 00:35:14,926 --> 00:35:19,314 SCREW HIM. WE GOT TWO EYEWITNESSES AND THAT MENDONCA TOLD US MOTIVE. 539 00:35:19,815 --> 00:35:22,150 YEAH, AND IT'S LUCKY FOR US, GREG, 'CAUSE YOU BLEW THAT INTERVIEW GOOD. 540 00:35:22,150 --> 00:35:25,854 AH, GUY GOT MY GOAT. EVERYBODY GOT YOUR GOAT TODAY. 541 00:35:26,354 --> 00:35:29,691 I ASKED YOU GOING INTO THAT INTERVIEW TRY TO CONTROL YOUR TEMPER. 542 00:35:29,691 --> 00:35:32,577 YOU WEREN'T SO UPSET, UH, MY GOAT'S BEING GOTTEN... 543 00:35:32,577 --> 00:35:35,197 WHEN I SMACKED THAT MENDONCA WITH THE YELLOW PAGES. 544 00:35:35,697 --> 00:35:37,199 YOU'LL RECALL THAT PRODUCED, UH, THIS PERP'S NAME. 545 00:35:37,699 --> 00:35:41,203 GREG, I'M SAYING JUST NOW IN THAT ROOM YOU LET YOUR EMOTIONS RUN AWAY WITH YOU. 546 00:35:41,203 --> 00:35:44,873 WELL, NOBODY SEEMS TO GET TOO BOTHERED WHEN ANDY BREAKS BAD. 547 00:35:44,873 --> 00:35:47,876 ANDY DON'T PISS OFF A PERP AND WALK OUT WITH HIS HAND ON HIS JOHNSON. 548 00:35:48,376 --> 00:35:50,762 ANDY BREAKS BAD WITH A GUY, HE COMES OUT WITH A STATEMENT. 549 00:35:50,762 --> 00:35:53,048 WELL, EXCUSE THE HELL OUT OF ME FOR NOT BEING ANDY. 550 00:35:59,137 --> 00:36:02,724 LIKE YOU SAID, UH, WE DID GET THE COLLAR. 551 00:36:02,724 --> 00:36:05,727 WHY DON'T WE JUST CALL IT A DAY, OKAY? 552 00:36:07,729 --> 00:36:11,032 AS-AS-AS FAR AS, UH, LETTING MY EMOTIONS RUN RIOT, 553 00:36:11,032 --> 00:36:14,870 I'M NOT ARGUING I-I MADE A MISTAKE IN THAT ROOM, 554 00:36:14,870 --> 00:36:17,289 BUT YOU DON'T UNMAKE SPAGHETTI, JAMES. 555 00:36:17,289 --> 00:36:19,157 YOU VENT YOUR EMOTIONS IN ONE CONTEXT, 556 00:36:19,157 --> 00:36:21,660 WHACK A GUY WITH A PHONE BOOK, 557 00:36:21,660 --> 00:36:24,162 THEN THE GENIE'S OUT OF THE BOTTLE. 558 00:36:24,162 --> 00:36:26,464 AND ONCE HE'S OUT, HE'S OUT. 559 00:36:26,464 --> 00:36:29,251 WHAT'D YOU ASK THE GENIE FOR, MEDAVOY? 560 00:36:29,251 --> 00:36:31,753 NOTHING, ANDY. 561 00:36:31,753 --> 00:36:36,258 THOUGHT IF YOU HAD A WISH LEFT YOU COULD GET ME OUT OF DUMP DUTY AT THE AIRPORT. 562 00:36:42,664 --> 00:36:45,650 NOW HERE I AM HITTING THIS SKELL WITH THE YELLOW PAGES... 563 00:36:45,650 --> 00:36:47,903 MIDDLE OF BELLEVUE HOSPITAL-- SHH! 564 00:36:47,903 --> 00:36:50,689 GOING ROUND AND ROUND TRYING TO FIND OUT WHO SHOT HIM. 565 00:36:51,189 --> 00:36:54,943 ONE SMACK OF THE PHONE BOOK, HE GIVES UP THE GUY'S NAME. YOU HAD A SENSE OF WHAT IT TOOK. 566 00:36:54,943 --> 00:36:58,196 COLLARING UP ON THE SHOOTER, I WAS-- I WAS ROUGH ON THAT GUY ALSO. 567 00:36:58,697 --> 00:37:00,699 PHYSICALLY IN THE STREET AND THEN VERBALLY. 568 00:37:02,200 --> 00:37:03,702 IT'S GOT ME WORRIED. 569 00:37:03,702 --> 00:37:07,706 I REALLY DON'T SEE YOU BEING A VIOLENT TYPE, GREG. 570 00:37:07,706 --> 00:37:11,509 I GOT WOUND UP TOO TIGHT TODAY. HAD ENOUGH OF GANGBANGERS. 571 00:37:13,428 --> 00:37:16,431 I THINK ALSO THAT GUY'S SLUR TOWARDS YOU AT THE CRIME SCENE, 572 00:37:16,932 --> 00:37:18,934 THAT GOT ME STARTED ON A BAD FOOTING. 573 00:37:18,934 --> 00:37:22,304 WHEN HE CALLED ME A DYKE? THAT TYPE STUFF'S UNCALLED FOR. 574 00:37:22,304 --> 00:37:25,974 WELL, IT'S NOT AS THOUGH HE WAS REVEALING A GUILTY SECRET, GREG. 575 00:37:26,474 --> 00:37:29,477 THAT JERK DIDN'T KNOW YOU WERE GAY, ABBY. HE-HE WAS USING LIKE A BLANKET EPITHET. 576 00:37:29,477 --> 00:37:33,315 WELL, I AGREE. I MEAN, WHAT HE SAID AND WHAT I AM HAVE NOTHING TO DO WITH EACH OTHER. 577 00:37:33,315 --> 00:37:36,234 BUT I WANT YOU TO KNOW WHEN SOMETHING LIKE THAT GETS SAID, 578 00:37:36,234 --> 00:37:39,738 BEING MY FRIEND DOESN'T MEAN YOU HAVE TO BE ESPECIALLY PROTECTIVE. 579 00:37:40,238 --> 00:37:44,492 - UNDERSTOOD. POINT TAKEN. - NOT THAT I'M NOT APPRECIATIVE. 580 00:37:48,797 --> 00:37:51,299 WELL, UH, HERE WE ARE APPROACHING DESSERT... 581 00:37:51,299 --> 00:37:55,136 AND THE OCCASION'S, UH, SPECIAL NATURE HAS YET TO BE REVEALED. 582 00:37:55,136 --> 00:37:57,505 I SHOULDN'T HAVE EVEN PUT IT THAT WAY THE OTHER DAY. 583 00:37:57,505 --> 00:38:01,843 UH, NOT THAT A PLEASANT MEAL WITH GOOD COMPANY ISN'T SPECIAL OCCASION ENOUGH. 584 00:38:01,843 --> 00:38:06,815 I WAS INTERESTED TO KNOW IF YOU MIGHT LIKE TO MEET KATHY. 585 00:38:08,316 --> 00:38:12,103 I ASSUME KATHY'S YOUR, UH, SI-SIGNIFICANT OTHER. 586 00:38:12,103 --> 00:38:14,739 MY LOVER, THAT'S RIGHT. THAT'S WHAT I ASSUMED. 587 00:38:14,739 --> 00:38:20,362 UH, UH, WELL, I-I'D CERTAINLY, UH, HAVE NO REASON NOT TO MEET HER, 588 00:38:20,862 --> 00:38:23,665 IF THE CIRCUMSTANCE, UH, AROSE. 589 00:38:23,665 --> 00:38:27,168 I WAS HOPING THAT WE COULD HAVE YOU FOR DINNER SOME NIGHT AT OUR APARTMENT. 590 00:38:27,168 --> 00:38:30,288 REALLY? WHAT COURSE WOULD I BE? 591 00:38:33,008 --> 00:38:36,011 WELL, NO, I-I-I'D CERTAINLY HAVE NO REASON NOT TO. 592 00:38:37,929 --> 00:38:40,298 I GUESS I'VE MADE YOU PRETTY UNCOMFORTABLE. NO. NOT AT ALL. 593 00:38:40,799 --> 00:38:43,935 GREG, IF-IF YOU'D JUST AS SOON NOT MEET KATHY, I'D UNDERSTAND. 594 00:38:43,935 --> 00:38:46,438 I DIDN'T MEAN TO GIVE OFFENSE. 595 00:38:46,438 --> 00:38:48,940 YOU-YOU JUST TOOK ME UNAWARES. 596 00:38:49,441 --> 00:38:53,445 WELL, THIS IS ALL PRETTY MUCH NEW TERRITORY FOR YOU. 597 00:38:53,445 --> 00:38:55,363 PAST WORKPLACE CONTACTS, 598 00:38:55,864 --> 00:38:59,534 Y-YOU'RE THE FIRST DECISIVELY GAY WOMAN I'VE HAD MUCH TO DO WITH. 599 00:38:59,534 --> 00:39:03,455 AND THE TRUTH IS, 600 00:39:03,455 --> 00:39:06,458 EACH HURDLE WE CLEAR IN OUR FRIENDSHIP, 601 00:39:06,458 --> 00:39:09,210 I FIND I'M DELIGHTED I LEAPED. 602 00:39:09,210 --> 00:39:13,381 WELL, SOMETHING UNFAMILIAR DOESN'T HAVE TO BE BAD. 603 00:39:13,381 --> 00:39:18,169 YOU RAISE AN INTERESTING POINT. WELL, I-I WAS JUST REMEMBERING THE FIRST TIME I SAW YOU. 604 00:39:18,169 --> 00:39:20,972 YOU WERE LOOKING AT THAT STAIRMASTER LIKE IT WAS A T. REX. 605 00:39:20,972 --> 00:39:25,260 EXACTLY. EXACTLY. AND LOOK HOW WONDERFULLY THAT TURNED OUT. MM-HMM. 606 00:39:25,260 --> 00:39:29,564 THE LESSON I'M SENSING, ABBY, IS I CAN'T RUN FROM NEW EXPERIENCES. 607 00:39:29,564 --> 00:39:32,984 SUDDENLY BEING WILLING TO USE FORCE ON THE JOB, FOR EXAMPLE. 608 00:39:33,485 --> 00:39:36,488 THAT CAN BE GOOD OR WRONG DEPENDING ON CONTEXT. 609 00:39:36,988 --> 00:39:38,940 I CAN'T REJECT THE THING OUT OF HAND. 610 00:39:41,526 --> 00:39:44,829 I'D BE DELIGHTED TO MEET KATHY, HAVE A THREE-WAY DINNER. 611 00:39:44,829 --> 00:39:47,532 THAT'S GREAT. WHY NOT, RIGHT? 612 00:39:47,532 --> 00:39:50,034 THAT'S RIGHT. WHAT COULD POSSIBLY HAPPEN TO ME? 613 00:39:50,034 --> 00:39:52,754 I'M REALLY GLAD, GREG. 614 00:39:52,754 --> 00:39:56,958 AND THEN, UM, GETTING TO KNOW YOUR FRIEND, KATHY, 615 00:39:56,958 --> 00:40:00,795 THAT IN ITSELF WOULD BE THE SPECIAL OCCASION YOU SPOKE OF. 616 00:40:00,795 --> 00:40:04,682 WELL, LET'S JUST TAKE IT ONE STEP AT A TIME. 617 00:40:04,682 --> 00:40:07,385 SO, WHO'S FOR DESSERT? HMM? 618 00:40:34,245 --> 00:40:39,250 [ Sighs ] ANY PROGRESS? FEEL YOU'RE ABOUT TO DUMP OUT? 619 00:40:42,253 --> 00:40:44,055 YOU IN THE BED, YOU SPEAK ENGLISH? 620 00:40:44,055 --> 00:40:46,808 YES. 621 00:40:49,811 --> 00:40:54,432 DUMPED SIX SMACK CONDOMS FOR THAT LAST COP, HUH? NICE JOB. 622 00:40:54,432 --> 00:40:56,985 THOSE WERE THE LAST SIX I HAD IN ME. 623 00:40:57,485 --> 00:41:01,823 COURSE, NATURALLY, THEY WANT ME TO VERIFY THAT, EXAMINE YOUR SUBSEQUENT STOOL. 624 00:41:01,823 --> 00:41:04,492 I UNDERSTAND. 625 00:41:04,492 --> 00:41:08,079 [ Mumbling In Foreign Language ] 626 00:41:08,079 --> 00:41:09,831 HOW ABOUT YOU TELL YOUR PARTNER HERE, 627 00:41:09,831 --> 00:41:13,451 NO PROGRESS THE NEXT FEW MINUTES, I'LL DIAL UP HIS I.V. 628 00:41:13,451 --> 00:41:15,870 HE'LL HAVE ENOUGH LAXATIVE DRIPPING INTO HIM, 629 00:41:16,371 --> 00:41:20,375 HE'LL WIND UP IMPERSONATING ONE OF YOUR GREAT NATION'S OIL DERRICKS. 630 00:41:20,375 --> 00:41:23,178 HE'S HAUSA. I DON'T SPEAK ENOUGH HAUSA TO SAY THAT. 631 00:41:23,178 --> 00:41:26,014 SAYS HERE YOU'RE BOTH NIGERIANS. HE'S HAUSA. 632 00:41:26,014 --> 00:41:31,102 - I'M A YORUBA MAN. - OH, YOU'RE "YORBA." 633 00:41:31,102 --> 00:41:33,721 [ Mumbling ] 634 00:41:33,721 --> 00:41:38,693 HUH? OH, WHAT, YOU AND ME, WE'RE GONNA TALK GIBBERISH NOW? HUH? 635 00:41:38,693 --> 00:41:44,148 - YEAH, WANGO-BANGO, HOT TAMALE. - [ Speaking Foreign Language ] 636 00:41:44,148 --> 00:41:46,451 HE'S TRYING TO SPEAK YORUBA, MY LANGUAGE. 637 00:41:46,451 --> 00:41:49,120 YEAH, WELL, THE TWO OF YOU, YOU HAVE A NICE CHAT. 638 00:41:49,120 --> 00:41:54,209 [ Speaking Yoruba ] 639 00:41:54,209 --> 00:41:56,494 SAYS HE'S POLITICAL. YEAH? 640 00:41:56,494 --> 00:42:00,215 NATIONAL HEROIN PARTY. [ Speaking Yoruba ] 641 00:42:02,083 --> 00:42:06,588 SAYS HE'S POLITICAL. THIS WAS HIS CHANCE TO COME TO AMERICA. 642 00:42:08,089 --> 00:42:09,841 SAME STORY FOR YOU TOO? 643 00:42:09,841 --> 00:42:11,893 I'M AFRAID I CAME FOR LOVE. 644 00:42:11,893 --> 00:42:15,813 MY GIRLFRIEND WAS A STUDENT. I HAD NO MONEY TO FOLLOW. 645 00:42:15,813 --> 00:42:20,985 -SO YOU SWALLOWED SOME BALLOONS. -THEY ARE ALL IN THE STREETS OF LAGOS. 646 00:42:20,985 --> 00:42:25,990 THEY OFFER YOU A TICKET IF YOU BRING SOME CONDOMS-- HEROIN, COCAINE. 647 00:42:25,990 --> 00:42:27,775 THIS IS A GREAT COUNTRY. 648 00:42:27,775 --> 00:42:32,080 I WOULD HAVE BEEN PROUD BEING HERE, WORKED HARD, MADE NO TROUBLE. 649 00:42:32,080 --> 00:42:33,948 [ Gasping ] 650 00:42:34,449 --> 00:42:37,035 [ Speaking Foreign Language ] 651 00:42:39,454 --> 00:42:42,707 - WHAT'S HIS PROBLEM? - HE'S BACK IN HAUSA. 652 00:42:45,426 --> 00:42:48,046 [ Panting ] WHAT'S THE MATTER WITH YOU? 653 00:42:48,046 --> 00:42:50,098 OH, I THINK HIS DRUGS HAVE BROKEN INSIDE HIM. 654 00:42:54,135 --> 00:42:57,305 - OH, BROTHER. -I HOPE HE HAS NO COCAINE, 655 00:42:57,305 --> 00:43:00,358 - 'CAUSE IF IT'S COCAINE, HE'S GOING TO DIE. - SHUT UP. 656 00:43:00,858 --> 00:43:04,696 I-I BEEPED THE DOCTOR. HE'S GONNA BE HERE IN 90 SECONDS. 657 00:43:04,696 --> 00:43:07,398 COCAINE IN SOME OF HIS CONDOMS. HE'S GOING TO DIE. 658 00:43:07,398 --> 00:43:11,035 ALL RIGHT, YOU JUST TAKE IT EASY. TELL HIM WHAT I SAID ABOUT THE DOCTOR. 659 00:43:11,035 --> 00:43:14,155 - HE'S DYING! - I WATCHED PLENTY OF PEOPLE DIE, PAL, ALL RIGHT? 660 00:43:14,622 --> 00:43:16,958 I DON'T NEED YOU TELLING ME HE'S DYING! 661 00:43:33,308 --> 00:43:35,810 WELCOME TO AMERICA.