1 00:00:01,501 --> 00:00:03,703 PREVIOUSLY ON "NYPD BLUE". 2 00:00:03,703 --> 00:00:06,206 WAS IT A REALLY BIG LEFT TURN FOR YOU? FINDING OUT I WAS GAY? 3 00:00:06,206 --> 00:00:10,643 - I WAS SOMEWHAT SURPRISED. - IS IT ANDY? IT'S HIM? 4 00:00:11,878 --> 00:00:14,781 [ Shudders ] 5 00:00:14,781 --> 00:00:17,684 - SOMEBODY KILLED HIM. -[ Simone's Voice ] POLICE! 6 00:00:49,616 --> 00:00:53,119 I TOLD MY SISTER TO TELL HER THESE LITTLE RICH KIDS SHE'S RUNNING AROUND SMOKING POT WITH, 7 00:00:53,119 --> 00:00:56,956 THEY GET THROUGH THIS HIPPIE PHASE, THEIR PARENTS ARE GONNA SET THEM UP WITH JOBS. 8 00:00:56,956 --> 00:00:59,993 YOUR NIECE IS A BRIGHT GIRL. SHE'LL BE ALL RIGHT. 9 00:00:59,993 --> 00:01:02,429 I SAID, "IT WON'T BE LIKE THAT FOR YOU." [ Siren Wailing ] 10 00:01:02,796 --> 00:01:05,298 - OH, SHOOT. - [ Officer On Loudspeaker ] PULL OVER. 11 00:01:05,298 --> 00:01:08,334 I TOLD YOU ABOUT THAT TAILLIGHT. YEAH. 12 00:01:15,642 --> 00:01:19,946 DRIVER, STEP OUT OF THE CAR WITH YOUR HANDS UP. 13 00:01:22,749 --> 00:01:24,984 LISTEN, I'M ON THE JOB. 14 00:01:25,318 --> 00:01:28,288 GET YOUR HANDS UP ON TOP OF THAT CAR. 15 00:01:28,655 --> 00:01:31,724 PASSENGER SIDE, SAME THING, OUT OF THE CAR. PUT YOUR HANDS UP ON TOP. 16 00:01:32,025 --> 00:01:36,362 - LOOK, I SAID I'M ON THE JOB. - PASSENGER SIDE, GET OUT OF THAT CAR NOW. 17 00:01:36,362 --> 00:01:39,299 PUT YOUR HANDS UP ON TOP. 18 00:01:39,299 --> 00:01:43,536 I'M A NEW YORK CITY POLICE LIEUTENANT. MY SHIELD'S IN MY POCKET. 19 00:01:43,536 --> 00:01:47,273 ALL RIGHT, LET ME SEE IT. TAKE IT OUT, SLOW. 20 00:01:54,781 --> 00:01:58,051 SORRY ABOUT THAT. CAN'T BLAME ME FOR BEING CAREFUL. 21 00:01:58,051 --> 00:02:00,386 YOU KNOW YOU GOT A TAILLIGHT BURNT OUT BACK HERE? 22 00:02:00,720 --> 00:02:02,555 YOU ALL RIGHT? YEAH. 23 00:02:02,555 --> 00:02:05,325 YOU STOPPED US LIKE YOU HAD MY DESCRIPTION ON A BANK ROBBERY. 24 00:02:05,758 --> 00:02:09,395 ALL DUE RESPECT, YOU'RE GONNA TELL ME HOW TO DO A CAR STOP NOW? 25 00:02:09,696 --> 00:02:12,665 OFFICER, YOU GET A GOOD LOOK AT THIS SHIELD? YEAH, I DID, LIEUTENANT. 26 00:02:12,665 --> 00:02:16,269 AND I'M SAYING V.T.L., SECTION 375.2, 27 00:02:16,569 --> 00:02:19,239 A TAILLIGHT OUT IS A "SUMMONSABLE" OFFENSE. 28 00:02:19,239 --> 00:02:21,341 DO ME A FAVOR, YOU WANNA TO GIVE ME A SUMMONS, GIVE IT TO ME, 29 00:02:21,841 --> 00:02:23,977 BUT DON'T LECTURE ME ON VEHICLE AND TRAFFIC LAW. 30 00:02:23,977 --> 00:02:26,513 I'M DOING MY JOB, SIR. 31 00:02:26,513 --> 00:02:31,184 HOW ABOUT YOU JUST GET THIS TAILLIGHT TAKEN CARE OF? 32 00:02:31,184 --> 00:02:34,420 - ARTHUR, LET'S GO. -[ Police Radio Chatter ] 33 00:02:41,060 --> 00:02:44,831 - HOW DO YOU SAY THAT NAME? - SHA-MANSKI. YOU WANNA WRITE IT DOWN? 34 00:02:44,831 --> 00:02:47,167 WHAT'S YOUR NAME? JOHN McCASLIN. 35 00:02:47,167 --> 00:02:50,236 YOU SURE YOU DON'T WANNA GIVE ME A SUMMONS? 36 00:02:51,237 --> 00:02:54,374 THE TWO OF YOU HAVE A NICE NIGHT. 37 00:02:54,374 --> 00:02:56,109 LET'S GET OUT OF HERE. 38 00:02:59,045 --> 00:03:00,914 [ Engine Starts ] 39 00:03:01,247 --> 00:03:05,051 [ Tires Squealing ] 40 00:04:11,584 --> 00:04:14,087 [ Chattering ] 41 00:04:20,376 --> 00:04:22,712 [ Sighs ] 42 00:04:38,978 --> 00:04:41,481 [ Sighs ] 43 00:04:57,663 --> 00:05:00,750 COULD I SWITCH SEATS WITH YOU? IT'D BE A BIG FAVOR. 44 00:05:01,250 --> 00:05:03,836 YEAH. APPRECIATE IT. 45 00:05:17,767 --> 00:05:20,019 SON? HEY, POP. 46 00:05:20,019 --> 00:05:23,156 AW, ANDY. CAN I GIVE YOU A KISS? 47 00:05:23,156 --> 00:05:26,409 WILL THEY THROW US OUT? OH, MY GOD. 48 00:05:26,409 --> 00:05:28,911 I CAN'T BELIEVE IT'S YOU. 49 00:05:28,911 --> 00:05:31,747 [ Both Laughing ] 50 00:05:33,166 --> 00:05:34,667 HOW YOU BEEN? HOW'S THEO? 51 00:05:34,667 --> 00:05:37,170 OH, GOD, HE'S-- HE'S WONDERFUL. 52 00:05:37,170 --> 00:05:40,506 HE HAD SOME HEALTH QUESTIONS, BUT HE-HE'S FINE. 53 00:05:40,506 --> 00:05:44,377 AND SYLVIA'S GOOD? SHE'S WONDERFUL. SHE'S A WONDERFUL MOTHER. 54 00:05:46,295 --> 00:05:48,798 YOU KNOW, I'M TRYING TO UNDERSTAND WHAT'S GOING ON. 55 00:05:48,798 --> 00:05:52,101 YOU KNOW, I'M-- I'M DEAD, BUT I'M-- I'M DOING ALL RIGHT. 56 00:05:54,470 --> 00:05:57,807 I, UH-- I WISH WE'D HAVE SEEN YOU SOONER. 57 00:05:59,609 --> 00:06:02,111 WE HAD A LOT OF SORROW WITH YOUR DEATH. 58 00:06:04,030 --> 00:06:06,365 POP, WE DIDN'T SEE EACH OTHER TOO MUCH WHEN I WAS ALIVE. 59 00:06:07,700 --> 00:06:09,702 WHAT'S YOUR INFERENCE WITH THAT? 60 00:06:10,203 --> 00:06:12,205 NO, I'M JUST SAYING, YOU KNOW? 61 00:06:12,205 --> 00:06:13,990 NOBODY SAYS I DIDN'T MAKE ANY MISTAKES. 62 00:06:13,990 --> 00:06:16,709 I WOULD'VE LIKED TO HAVE SEEN THE BABY AND SYLVIA TOO. 63 00:06:16,709 --> 00:06:20,997 THAT'S ALL I'M SAYING. I TOOK YOU FOR BREAKING BALLS, 64 00:06:20,997 --> 00:06:22,715 MY NOT SEEING YOU GROWING UP. 65 00:06:24,550 --> 00:06:26,552 IT'S A LITTLE LATE ABOUT THAT, POP. 66 00:06:31,257 --> 00:06:34,760 I WISH TO HELL THEY'D LET YOU COME OVER THERE, ANDY. 67 00:06:35,261 --> 00:06:38,264 THE LITTLE GUY, HUH, WELL, HE'S A REAL PISSER. 68 00:06:38,264 --> 00:06:41,067 AND IN 40 WAYS HE REMINDS ME OF YOU. 69 00:06:41,067 --> 00:06:45,521 I NEVER SAY THAT TO SYLVIA 'CAUSE OF THE UPSET. 70 00:06:46,772 --> 00:06:50,192 DID I JUST RUIN SOMETHING NOW WITH MY NATURE? 71 00:06:50,192 --> 00:06:56,282 NO. ANYWAYS, UM, I GOTTA GO. 72 00:06:56,282 --> 00:06:59,285 IF I OFFENDED ANYBODY, LET 'EM KNOW I TRY TO CURB IT. 73 00:06:59,285 --> 00:07:02,088 YEAH, I-I DON'T KNOW HOW IT WORKS. 74 00:07:02,088 --> 00:07:05,258 I LOVE YOU, POP. 75 00:07:05,258 --> 00:07:07,627 ANY OPPORTUNITY, ANY MODIFICATION ON MY PART-- 76 00:07:07,627 --> 00:07:09,595 LOVE TO SYLVIA AND THE BABY. 77 00:07:12,098 --> 00:07:14,467 TAKE GOOD CARE OF YOURSELF AS YOU CAN. 78 00:07:26,112 --> 00:07:28,814 MY SON. 79 00:07:28,814 --> 00:07:32,234 HE'S A GOOD-LOOKING BOY. 80 00:07:32,234 --> 00:07:36,238 I DID SOMETHING HERE. THEY PULLED HIM. 81 00:07:37,740 --> 00:07:40,743 IS THAT IT FOR HIM, OR IS HE COMING BACK? 82 00:07:40,743 --> 00:07:44,997 I CAN'T TALK NO MORE. SHOULD'VE TALKED ACROSS ME. 83 00:07:44,997 --> 00:07:47,883 I CAN'T TALK NO MORE. I'M FINISHED. 84 00:07:49,885 --> 00:07:53,089 [ Phone Ringing ] 85 00:07:54,590 --> 00:07:57,593 [ Ringing Continues ] 86 00:07:59,595 --> 00:08:02,598 SIPOWICZ. 87 00:08:02,598 --> 00:08:05,101 [ Sighs ] WHERE? 88 00:08:06,602 --> 00:08:08,604 [ Clears Throat ] ALL RIGHT. 89 00:08:19,832 --> 00:08:22,335 WHAT IS IT, ANDY? 90 00:08:22,335 --> 00:08:26,122 ANOTHER BAR STICKUP. CIVILIAN SHOT. 91 00:08:26,122 --> 00:08:28,457 THEY'RE BRINGING HIM TO THE SQUAD ROOM FROM THE HOSPITAL. 92 00:08:28,457 --> 00:08:33,012 YOU WERE TALKING IN YOUR SLEEP. WHAT DID I SAY? 93 00:08:33,012 --> 00:08:35,681 I WASN'T LISTENING VERY WELL. 94 00:08:38,617 --> 00:08:41,120 I GOTTA GO TALK TO THIS GUY. 95 00:08:55,134 --> 00:08:57,536 APPRECIATE YOU BEING ABLE TO HELP, MR. GALASSO. 96 00:08:58,037 --> 00:09:00,973 UH, COMING IN AND ALL BEING INJURED. HAVE A SEAT. THIS IS DETECTIVE SIPOWICZ. 97 00:09:00,973 --> 00:09:03,309 - HI. - I WANT YOU TO FIND OUT WHO THESE GUYS ARE... 98 00:09:03,809 --> 00:09:06,245 AND WHAT THEY-- WHAT THEY WERE TRYING TO PROVE. YEAH. 99 00:09:06,612 --> 00:09:08,314 WHAT TIME DID THEY COME INTO THE BAR, SIR? 100 00:09:08,314 --> 00:09:10,950 AH, THEY COME IN ABOUT A QUARTER AFTER 1:00. 101 00:09:11,317 --> 00:09:14,853 ONE ORDERS A JACK DANIEL'S, THE OTHER ONE A GIN AND TONIC. 102 00:09:15,154 --> 00:09:16,655 HAD THEY BEEN IN THERE BEFORE? 103 00:09:17,156 --> 00:09:20,292 WELL, IF THEY CASED THE PLACE, I NEVER SEEN 'EM. I DON'T KNOW WHAT KIND OF CROOKS-- 104 00:09:20,659 --> 00:09:24,797 JACK DANIEL'S, HE PULLS OUT THIS PIECE OF CRAP, LOOKS LIKE A .22. 105 00:09:25,297 --> 00:09:28,300 LIKE I SAID, THEY GOT A .25 SHELL CASING OFF THE FLOOR. 106 00:09:28,300 --> 00:09:30,769 OKAY, SAME DIFFERENCE. IT WAS A PUNY GUN. 107 00:09:31,270 --> 00:09:34,240 I'M THINKING IT'S A JOKE. THE OTHER GUY, HE DON'T HAVE DICK. 108 00:09:34,740 --> 00:09:36,609 THEY GO, "IT'S A ROBBERY." 109 00:09:36,609 --> 00:09:38,744 "A ROBBERY? WHO THE HELL DO YOU-- 110 00:09:39,011 --> 00:09:42,014 GET OUTTA HERE BEFORE I BEAT YOUR SKULLS IN!" 111 00:09:42,014 --> 00:09:45,017 AND THEN JERK-OFF SHOOTS ME IN THE HEAD. 112 00:09:45,017 --> 00:09:47,920 ONLY WHAT HAPPENS, THE BULLET DON'T PENETRATE. 113 00:09:48,354 --> 00:09:51,790 SO, I'M POURING BLOOD, I JUMP OVER THE BAR, 114 00:09:51,790 --> 00:09:53,759 "YOU YELLOW RAT BASTARDS, I'LL KILL YA." 115 00:09:54,260 --> 00:09:56,962 I'M CHASING 'EM AROUND UNTIL THEY, UH, RUN OUT THE BACK WAY. 116 00:09:56,962 --> 00:09:59,765 YOU CAN GIVE US DESCRIPTIONS? AH, THE FAGGOT SONS OF BITCHES! 117 00:10:00,199 --> 00:10:02,635 I'D LIKE TO RIP THEIR HEARTS OUT! 118 00:10:03,035 --> 00:10:05,437 [ Sighs ] 119 00:10:05,704 --> 00:10:07,539 AH, LET ME REMEMBER. 120 00:10:07,539 --> 00:10:11,410 IT WAS, UH, TWO, UH, NONDESCRIPT-LOOKING, 121 00:10:11,410 --> 00:10:15,014 SKINNY WHITE KIDS, IN THEIR 20s. 122 00:10:15,347 --> 00:10:18,183 ONE'S GOT SHORT HAIR, A BASEBALL CAP. 123 00:10:18,183 --> 00:10:21,820 NOTHING SPECIAL. NO, UH, MUSTACHES OR NOTHING. 124 00:10:21,820 --> 00:10:23,487 WHAT ABOUT WHAT THEY WERE DRESSED LIKE? 125 00:10:23,988 --> 00:10:26,907 LIKE I WAS CHECKIN' 'EM OUT. THE HELL DO I KNOW WHAT THEY HAD ON? 126 00:10:26,907 --> 00:10:29,326 ALL RIGHT. REGULAR CLOTHES. 127 00:10:29,326 --> 00:10:31,245 THE DOUCHE BAG WITH THE GUN, 128 00:10:31,745 --> 00:10:34,715 IF I RAN INTO HIM IN THE SUBWAY, I BET I COULD SPOT HIM. 129 00:10:34,715 --> 00:10:37,217 WE SHOULD GET YOU WITH A SKETCH ARTIST. YOU MIND COMING BACK IN? 130 00:10:37,217 --> 00:10:40,170 WELL, I'D LIKE TO TRY AND GET SOME SLEEP, IF I COULD. 131 00:10:40,671 --> 00:10:43,307 ALTHOUGH, I-I'M SO WORKED UP ABOUT THIS. 132 00:10:43,307 --> 00:10:46,810 HOW ABOUT WE CALL YOU AT NOON, MR. GALASSO? HAVE YOU COME BACK FOR A SKETCH. 133 00:10:46,810 --> 00:10:50,097 - YEAH, YEAH, ALL RIGHT, THEN. - WE REALLY APPRECIATE IT. 134 00:10:56,487 --> 00:10:58,906 DID YOU HAVE ANY BROTHERS DISAPPEAR AT BIRTH? 135 00:11:00,858 --> 00:11:02,526 WHAT DO YOU MEAN? 136 00:11:05,529 --> 00:11:08,032 BOBBY, UH-- [ Clears Throat ] I'D LIKE TO CATCH A NAP MYSELF... 137 00:11:08,032 --> 00:11:10,200 - BEFORE DAY TOUR GETS IN. - YOU GOING UPSTAIRS? 138 00:11:10,200 --> 00:11:12,669 YEAH. GET ON THIS THING FRESH. 139 00:11:12,669 --> 00:11:15,339 I'M SICK OF THESE GUYS MAKING US LOOK LIKE JERKS. 140 00:11:15,839 --> 00:11:17,758 AND THEY'RE WILLING TO USE THAT GUN NOW. 141 00:11:17,758 --> 00:11:19,626 LUCKY FOR THIS GUY IT WAS JUST A .25, HUH? 142 00:11:19,626 --> 00:11:22,346 YOU THINK ANYTHING WOULD HAVE PENETRATED THAT HEAD? 143 00:11:24,048 --> 00:11:26,467 LET ME SEE IF I CAN NAP UPSTAIRS. 144 00:11:47,221 --> 00:11:49,223 [ Sighs ] 145 00:11:58,015 --> 00:12:00,484 SON OF A BITCH. 146 00:12:05,522 --> 00:12:08,575 EXCUSE ME. I'M LOOKING FOR EITHER DETECTIVE SIMONE OR SIPOWICZ. 147 00:12:08,575 --> 00:12:10,527 AH, THAT'S DETECTIVE SIMONE. 148 00:12:10,527 --> 00:12:12,863 THANKS. DETECTIVE. 149 00:12:12,863 --> 00:12:16,950 HI. I'M EDDIE HAZEL, MIDTOWN SOUTH. HOW YOU DOING? 150 00:12:16,950 --> 00:12:18,786 BOBBY SIMONE. ARE YOU WORKING ON A BAR ROBBERY... 151 00:12:18,786 --> 00:12:22,422 - FROM EARLIER THIS MORNING DOWN ON MOTT STREET? - YOU KNOW SOMETHING ABOUT THAT? 152 00:12:22,422 --> 00:12:25,676 10:00 LAST NIGHT, SPORTS BAR ON EAST 38th STREET'S HELD UP. 153 00:12:25,676 --> 00:12:28,545 COULD BE THE SAME PERPS. SO, YOU WANNA COMPARE NOTES? 154 00:12:28,545 --> 00:12:31,465 YEAH, SURE. LET'S GO INTO THE COFFEE ROOM. OKAY. 155 00:12:31,465 --> 00:12:33,350 TELL ME YOUR NAME AGAIN. EDDIE HAZEL. 156 00:12:33,350 --> 00:12:35,636 CALL ME EDDIE. YOU NEW OVER THERE, EDDIE? 157 00:12:35,636 --> 00:12:37,387 SIX WEEKS. JUST CAME OVER FROM TRANSIT. 158 00:12:37,387 --> 00:12:39,640 YEAH. SO HOW YOU LIKE IT ABOVE GROUND? LOVE IT. 159 00:12:39,640 --> 00:12:42,226 HEY, GINA. HEY, JAMES. 160 00:12:42,226 --> 00:12:46,113 JAMES, SEE THAT WOMAN IN A WHEELCHAIR IN THE VENDING AREA DOWNSTAIRS? 161 00:12:46,113 --> 00:12:50,567 -I SAW HER WITH ANOTHER WOMAN. - THE WOMAN WAS APPARENTLY THE VICTIM OF A CON GAME. 162 00:12:50,567 --> 00:12:52,820 -SHE'S OUT $5,000. - WHEELCHAIR BOUND? 163 00:12:52,820 --> 00:12:55,572 THESE SCAM ARTISTS, THEY'RE ALWAYS TARGETING THE WEAKER. THAT'S THE LOWEST OF THE LOW. 164 00:12:55,572 --> 00:12:59,543 LET ME GET SQUARED AWAY IN THE LOCKER ROOM, AND THEN I'LL GO DOWN AND SEE HER. 165 00:12:59,543 --> 00:13:02,462 - I'LL TALK TO YOU LATER, GINA. - BYE, JAMES. 166 00:13:02,462 --> 00:13:05,999 GINA, THERE'LL BE TWO OFFICERS FROM THE 111th BY HERE SOME TIME THIS MORNING. 167 00:13:05,999 --> 00:13:08,502 IF I'M NOT IN MY OFFICE, HAVE THEM GO IN THERE AND WAIT. 168 00:13:08,502 --> 00:13:10,304 SURE, LIEUTENANT. 169 00:13:12,556 --> 00:13:15,509 GOOD-SIZED CROWD IS WATCHING THE KNICKS. 170 00:13:15,509 --> 00:13:18,512 THESE TWO COME IN AND ORDER A GIN AND TONIC AND A JACK DANIEL'S. 171 00:13:18,512 --> 00:13:21,899 THAT'S THEIR THING. COMES TO FIND OUT, THE BAR'S GOT A BETTING POOL GOING. 172 00:13:21,899 --> 00:13:25,853 MM-HMM. BARTENDER AIMS TO PAY OFF AFTER THE GAME'S OVER. 173 00:13:25,853 --> 00:13:31,191 THESE TWO PERPS WHIP OUT THEIR LITTLE POOP-BUTT PISTOL AND WALK AWAY WITH $1,500. 174 00:13:31,191 --> 00:13:33,193 SO, WHEN YOU HEARD WHAT WENT DOWN OVER ON MOTT STREET-- 175 00:13:33,193 --> 00:13:35,495 I WONDER IF THESE JOKERS FIGURED IT WAS THEIR LUCKY NIGHT. 176 00:13:35,495 --> 00:13:38,165 YEAH, THEY'RE LUCKY. THEY'RE LUCKY THIS DUDE THEY SHOT... 177 00:13:38,165 --> 00:13:40,667 DIDN'T BEAT 'EM TO DEATH WITH A BARSTOOL. 178 00:13:41,168 --> 00:13:43,453 I'D LIKE TO TALK TO THAT FELLOW. WELL, IF IT'S COOL WITH YOU. 179 00:13:43,453 --> 00:13:45,839 YEAH. HERE YOU GO. 180 00:13:45,839 --> 00:13:49,176 THIS GUY, GALASSO, HE'S GOT A BIT OF AN ATTITUDE, BUT HE WANTS TO COOPERATE. 181 00:13:49,676 --> 00:13:53,513 OKAY. BARTENDER AT HONDO'S NAMED BILL McGREGOR. HERE'S HIS HOME PHONE NUMBER. 182 00:13:53,513 --> 00:13:58,018 YOU MIGHT HAVE TO PUSH HIM A BIT. BEHIND THE BETTING, HE WAS A LITTLE SHY TO OPEN UP. 183 00:13:58,018 --> 00:14:01,271 ALL RIGHT. HEY, UH, TELL ME SOMETHING. 184 00:14:01,271 --> 00:14:03,557 WHAT HAPPENED TO YOUR P.A.A.? WELL, IF I CAN ASK. 185 00:14:03,557 --> 00:14:07,027 ATTEMPTED RAPE. SCUMBAG CUT HER UP. DAMN. 186 00:14:07,027 --> 00:14:10,447 WAS HE CAUGHT? MM-HMM. OUR SQUAD GOT HIM. 187 00:14:10,447 --> 00:14:14,151 WAY TO GO. YOU KNOW WHAT? SHE'S STILL A PRETTY GIRL. 188 00:14:14,151 --> 00:14:16,370 ALL RIGHT, UH, BOBBY. 189 00:14:16,370 --> 00:14:20,073 THANKS FOR THE COFFEE, AND, UH, YOU TAKE IT EASY, MAN. 190 00:14:20,073 --> 00:14:22,209 YOU TOO, EDDIE. 191 00:14:22,209 --> 00:14:24,461 LET'S ONE OF US CATCH THESE JOKERS, MAN. 192 00:14:27,714 --> 00:14:31,218 AND THE WHITE WOMAN TOOK OUT A CELLULAR PHONE AND CALLED HER BOSS, 193 00:14:31,218 --> 00:14:34,554 SUPPOSEDLY A LAWYER, AND ASKED WHAT WE SHOULD DO. 194 00:14:34,554 --> 00:14:37,557 HE SAID BRING THE MONEY DOWN TO HIS OFFICE AND HE WOULD CHECK ON... 195 00:14:37,557 --> 00:14:39,426 IF IT WAS COUNTERFEIT, AND THEN WE'D BE ABLE TO SPLIT IT. 196 00:14:39,426 --> 00:14:41,762 YOU, THE WHITE WOMAN AND THE BLACK GIRL WERE GONNA SPLIT IT? 197 00:14:41,762 --> 00:14:45,482 I MEAN, I DID TALK TO THIS MAN ON THE PHONE MYSELF. 198 00:14:45,482 --> 00:14:48,819 HE DID SOUND LIKE A LAWYER. HE SOUNDED LIKE A LAWYER? 199 00:14:48,819 --> 00:14:51,989 OH, GOD, SIS, YOU'RE NOT THAT DUMB. 200 00:14:51,989 --> 00:14:54,241 MRS. DUFFY, WHAT DID HE SAY TO YOU, THE MAN ON THE PHONE? 201 00:14:54,241 --> 00:14:57,027 HE SAID FOR US TO SHARE THE $60,000, 202 00:14:57,527 --> 00:15:00,831 WE SHOULD EACH PUT UP SOME MONEY OF OUR OWN TO SHOW GOOD FAITH... 203 00:15:00,831 --> 00:15:04,418 -WHILE HE CHECKED ON IF THE OTHER WAS COUNTERFEIT. - YOU WEREN'T SUSPICIOUS. 204 00:15:04,418 --> 00:15:07,371 THIS HAD TO BE CASH? WHAT DOES THAT EVEN MEAN, "SHOW GOOD FAITH"? 205 00:15:07,371 --> 00:15:09,589 I CAN'T EXPLAIN. THAT WASN'T MONEY YOU COULD AFFORD TO LOSE. 206 00:15:09,589 --> 00:15:11,925 THESE PEOPLE ARE EXPERTS AT MANIPULATING PEOPLE'S TRUST. 207 00:15:11,925 --> 00:15:15,212 THEY'VE PROBABLY RUN THE SAME SCAM A HUNDRED TIMES. 208 00:15:15,212 --> 00:15:18,715 DON'T FEEL ASHAMED YOU WERE VICTIMIZED. WHAT HAPPENED NEXT, MA'AM? 209 00:15:18,715 --> 00:15:23,520 THE WOMAN TOOK $5,000 FROM HER BANK, OR SO I THOUGHT. 210 00:15:23,520 --> 00:15:25,522 AND THEN I WITHDREW MINE. 211 00:15:25,973 --> 00:15:28,392 HER TAKING HER MONEY OUT FIRST, THAT WAS PART OF GAINING YOUR CONFIDENCE. 212 00:15:28,392 --> 00:15:32,362 AND THEN THE BLACK GIRL SAID SHE NEEDED A RIDE TO HER BANK, 213 00:15:32,863 --> 00:15:36,066 BUT WITH MY WHEELCHAIR, I SHOULD WAIT AT THIS COFFEE SHOP. 214 00:15:36,066 --> 00:15:42,039 I WAS GIVEN THIS ZIPPERED BAG TO HOLD ONTO IN THE MEANTIME WITH THE $60,000. 215 00:15:42,039 --> 00:15:43,874 WHICH WAS REALLY CHOPPED UP NEWSPAPER. 216 00:15:43,874 --> 00:15:49,129 OH, AS SOON AS I GOT IN THE CAR, I KNEW I'D MADE A TERRIBLE, TERRIBLE MISTAKE. 217 00:15:49,129 --> 00:15:52,582 I'M GONNA DO MY BEST TO CATCH THE PEOPLE WHO DID THIS TO YOU. 218 00:15:52,582 --> 00:15:55,669 [ Sighs ] WHAT ARE WE SUPPOSED TO DO NOW, SIS, HUH? 219 00:15:55,669 --> 00:15:58,972 HOW CAN I HAVE PEACE OF MIND, YOU LIVING INDEPENDENT BY YOURSELF, 220 00:15:58,972 --> 00:16:01,591 IF YOU LET THIS HAPPEN? 221 00:16:03,393 --> 00:16:06,229 HEY, LOMBARDI. WHAT'S DOING? YEAH, I'M GOOD. 222 00:16:06,229 --> 00:16:11,685 LISTEN, UH, EDDIE HAZEL, HE CAME BY THE HOUSE THIS MORNING. UH-- 223 00:16:11,685 --> 00:16:13,854 HE'S WORKING ON SOME BAR STICKUPS? 224 00:16:13,854 --> 00:16:17,607 YEAH, HE GAVE ME A PHONE NUMBER ON A WITNESS FROM HONDO'S BAR. 225 00:16:18,108 --> 00:16:20,610 AND, UH, I DON'T KNOW, MAN. 226 00:16:21,111 --> 00:16:23,997 I MUST HAVE WROTE DOWN THE NUMBER WRONG HERE, BECAUSE-- WHAT? 227 00:16:23,997 --> 00:16:25,999 REALLY? 228 00:16:25,999 --> 00:16:32,205 AH, OH, COULD YOU DO ME A FAVOR THEN, AND CHECK THE 61? 229 00:16:32,205 --> 00:16:34,091 YEAH, THE GUY'S NAME IS McGREGOR. PSST. 230 00:16:34,091 --> 00:16:36,593 THANKS. WHAT'S GOING ON? 231 00:16:36,593 --> 00:16:40,881 SOME DETECTIVE FROM MIDTOWN SOUTH CAME OVER THIS MORNING, LOOKING TO SWAP INFORMATION. 232 00:16:40,881 --> 00:16:43,633 SO, THERE'S A MIX-UP ON THIS PHONE NUMBER OF A WITNESS THAT HE GAVE ME. 233 00:16:43,633 --> 00:16:46,970 LOMBARDI'S SAYING, "I'M SURPRISED THIS JERK WOULD EVEN GIVE A PHONE NUMBER TO"-- 234 00:16:46,970 --> 00:16:49,639 HELLO. YEAH. 235 00:16:49,639 --> 00:16:53,777 MM-HMM. 2739. 236 00:16:53,777 --> 00:16:56,947 RIGHT. WHAT ABOUT THE HOME ADDRESS? IS THAT ON THERE? 237 00:16:58,448 --> 00:17:00,450 UH-HUH. 238 00:17:00,450 --> 00:17:03,954 SO, WHAT YOU WERE SAYING BEFORE ABOUT THIS GUY HAZEL, WHAT'S THE DEAL WITH HIM? 239 00:17:03,954 --> 00:17:07,374 YEAH, HUH? [ Whispers ] ASSHOLE. 240 00:17:07,374 --> 00:17:11,244 YEAH. ALL RIGHT. THANKS. THANKS FOR SAYING IT. 241 00:17:11,244 --> 00:17:15,048 YEAH, TAKE CARE. WHAT'D HE SAY? 242 00:17:15,048 --> 00:17:18,051 THIS EDDIE HAZEL, HE'S PISSED OFF HALF THE SQUAD OVER THERE ALREADY. 243 00:17:18,552 --> 00:17:20,554 HE'S AN EX-TRANSIT COP LOOKING TO SET THE WORLD ON FIRE. 244 00:17:20,554 --> 00:17:22,305 HE'S STEALING COLLARS FROM HIS OWN GUYS. 245 00:17:22,305 --> 00:17:24,508 THINK HIM GIVING YOU THE WRONG NUMBER'S ON PURPOSE? 246 00:17:24,508 --> 00:17:28,228 LOMBARDI SAID THAT. SAID THAT'S THE KIND OF SILLY CRAP THAT HE'S DOING. 247 00:17:28,228 --> 00:17:30,730 YOU GOT THE LEGIT NUMBER AND ADDRESS THERE? YEAH. 248 00:17:30,730 --> 00:17:33,233 BARTENDER AT A PLACE GOT HIT A FEW HOURS BEFORE THIS MOTT STREET TAVERN. 249 00:17:33,233 --> 00:17:38,438 LET'S CHECK HIM OUT. SURPRISE THIS ASSHOLE DETECTIVE WE FOUND THE GUY. 250 00:17:49,866 --> 00:17:53,503 LIEUTENANT? SERGEANT CALLS US AT HOME, SAYS WE'RE TO COME TALK TO YOU. 251 00:17:53,503 --> 00:17:58,375 YEAH, GOOD MORNING. I WANTED TO TALK TO YOU ABOUT THE INCIDENT LAST NIGHT. 252 00:17:58,375 --> 00:18:00,760 THE INCIDENT? 253 00:18:00,760 --> 00:18:04,014 I'M CURIOUS WHAT WAS GOING THROUGH YOUR MIND, 254 00:18:04,014 --> 00:18:07,801 DECIDING A BUSTED TAILLIGHT WARRANTED ME AND MY WIFE... 255 00:18:07,801 --> 00:18:10,971 BEING TREATED LIKE, UH, BONNIE AND CLYDE. 256 00:18:10,971 --> 00:18:14,608 LIEUTENANT, I REGRET WHATEVER THE INCONVENIENCE TO YOUR WIFE OR YOURSELF, 257 00:18:14,608 --> 00:18:16,443 BUT WE GOT TO PROTECT OURSELVES OUT THERE. 258 00:18:16,443 --> 00:18:18,728 YOU WOULDN'T BE HERE IF I THOUGHT IT WAS ABOUT PROTECTING YOURSELF. 259 00:18:18,728 --> 00:18:22,149 I CAN'T HELP WHAT YOU THINK. UNTIL I HAVE CONTROL OF A SITUATION OUT THERE, 260 00:18:22,149 --> 00:18:24,151 HOW AM I SUPPOSED TO KNOW WHAT I'M DEALING WITH? 261 00:18:25,569 --> 00:18:27,571 DO YOU FEEL THE SITUATION WAS HANDLED APPROPRIATELY? 262 00:18:27,571 --> 00:18:30,323 IT'S ME WHO PULLED YOU OVER, SIR. IT'S ME YOU GOT THE BEEF WITH. 263 00:18:30,323 --> 00:18:32,492 OFFICER McCASLIN CAN'T SPEAK FOR HIMSELF? 264 00:18:32,492 --> 00:18:34,461 HOW ABOUT IT? 265 00:18:34,961 --> 00:18:38,965 WELL, POLICE HAVE GOTTEN SHOT DURING CAR STOPS. WE NEED TO PROTECT OURSELVES. 266 00:18:38,965 --> 00:18:41,635 - HOW LONG YOU BEEN ON THE STREET? - TEN MONTHS. 267 00:18:41,635 --> 00:18:43,970 YOU? SIX AND A HALF YEARS. 268 00:18:43,970 --> 00:18:46,473 QUEENS THE WHOLE TIME? SO WHAT? 269 00:18:46,473 --> 00:18:49,476 SO WHAT DID YOU PERCEIVE AS SO THREATENING ABOUT ME... 270 00:18:49,476 --> 00:18:51,728 THAT YOU REACTED TO THE DEGREE THAT YOU DID? 271 00:18:53,430 --> 00:18:55,348 COLOR OF MY SKIN? 272 00:18:55,348 --> 00:18:59,319 I KNEW. I KNEW YOU WERE GONNA MAKE THIS A BLACK AND WHITE THING. 273 00:18:59,319 --> 00:19:03,990 YOU TELL ME ONE THING I SAID OUT THERE TO DISPARAGE YOU OR YOUR WIFE RACIALLY. 274 00:19:03,990 --> 00:19:06,910 THE MINUTE YOU PULLED US OVER, YOU DIDN'T TREAT US LIKE TWO PEOPLE. 275 00:19:06,910 --> 00:19:10,280 YOU TREATED US LIKE TWO BLACK PEOPLE. UH-UH, NO SALE. 276 00:19:10,280 --> 00:19:12,666 SHUT UP. AND WHEN YOU FOUND I WAS A LIEUTENANT, 277 00:19:13,166 --> 00:19:15,418 YOU TALKED TO ME LIKE A BLACK LIEUTENANT. 278 00:19:15,418 --> 00:19:19,706 HEY, I TAKE NO CRAP OUT THERE, NOT EVEN FROM AN OFF-DUTY BOSS WANTS TO QUESTION THE MANNER... 279 00:19:19,706 --> 00:19:22,175 I'M DOING MY JOB WHEN HE'S IN THE WRONG. 280 00:19:22,676 --> 00:19:25,679 YOU'RE A MEATHEAD, SZYMANSKI, AND A HALF-ASSED COP. 281 00:19:25,679 --> 00:19:28,682 THIS JOB IS KNOWING HOW TO DEAL WITH PEOPLE. ALL DUE RESPECT, 282 00:19:28,682 --> 00:19:32,469 I DON'T NEED TO STAND HERE AND BE CALLED NAMES. 283 00:19:32,469 --> 00:19:35,355 CAN I GO? 284 00:19:35,355 --> 00:19:37,357 YEAH. YEAH, THE BOTH OF YOU. 285 00:19:37,857 --> 00:19:40,727 GET THE HELL OUT OF MY SIGHT. 286 00:20:05,151 --> 00:20:07,871 [ Man ] YEAH. BILL McGREGOR? 287 00:20:07,871 --> 00:20:11,157 -UH-HUH. - YEAH, WE'RE THE POLICE. 288 00:20:11,157 --> 00:20:14,494 WE NEED TO TALK TO YOU ABOUT THE ROBBERY LAST NIGHT. I TOLD ALL ABOUT THAT. 289 00:20:14,494 --> 00:20:17,247 YOU MIND OPENING THE DOOR, SIR? 290 00:20:20,717 --> 00:20:24,087 DETECTIVE SIMONE. THIS IS DETECTIVE SIPOWICZ, WITH THE 15th PRECINCT. 291 00:20:24,087 --> 00:20:26,590 I SPOKE AT LENGTH WITH A BLACK DETECTIVE OVER AT HONDO'S. 292 00:20:26,590 --> 00:20:29,142 YEAH, HE SAID YOU WERE VERY HELPFUL WITH THE DESCRIPTION. 293 00:20:29,643 --> 00:20:31,978 WE THINK THAT THE SAME TWO MEN HELD UP ANOTHER BAR AFTER HONDO'S, 294 00:20:31,978 --> 00:20:33,763 AND, UH, WE'D LIKE YOUR HELP. 295 00:20:38,902 --> 00:20:42,906 BY MY HELP, I HOPE YOU WOULDN'T LOOK TO DO DAMAGE IN TERMS OF MY EMPLOYERS, 296 00:20:42,906 --> 00:20:44,741 WHATEVER ELSE WAS GOING ON BEFORE WE GOT ROBBED. 297 00:20:44,741 --> 00:20:47,193 NOBODY REALLY CARES ABOUT THE BETTING. 298 00:20:47,694 --> 00:20:49,913 TRYIN' TO GET THE STICKUP TEAM. WHY DON'T YOU TELL US WHAT WENT DOWN? 299 00:20:49,913 --> 00:20:52,248 LIKE I TOLD THE BLACK DETECTIVE, THESE TWO GUYS COME IN, 300 00:20:52,248 --> 00:20:56,002 THEY SIT AT THE BAR, THEY ORDER A COUPLE OF DRINKS, WHICH THEY NURSE FOR HALF AN HOUR. 301 00:20:56,002 --> 00:20:59,539 WHEN THE BALL GAME'S OVER, ONE OF THEM PULLS OUT THIS POCKET-SIZE PISTOL. 302 00:21:00,040 --> 00:21:03,176 .25, MATTE NICKEL FINISH. THEY DEMAND THE MONEY. I GIVE IT UP. THEY SPLIT. 303 00:21:03,176 --> 00:21:06,880 THERE'S SOMETHING YOU'RE NOT TELLING US. WHAT? 304 00:21:06,880 --> 00:21:08,680 WHAT'S WITH THIS SHOULDER RIG? YOU GOT A CARRY PERMIT? 305 00:21:08,680 --> 00:21:11,717 - NO. - NO, YOU JUST COLLECT HOLSTERS? 306 00:21:11,717 --> 00:21:14,019 WHERE'S THE GUN FITS IN THIS RIG, HMM? 307 00:21:14,520 --> 00:21:16,555 BEHIND THE BAR MAYBE, WHERE IT MIGHT DO SOME GOOD? 308 00:21:16,555 --> 00:21:22,561 ONLY WHY, IF YOU GOT, UH, WHAT, A .45 AT THE BAR, 309 00:21:22,561 --> 00:21:24,897 WHY DO YOU LET THESE THIEVES WALK THROUGH THE DOOR? 310 00:21:24,897 --> 00:21:28,817 - SEE HOW IT DON'T MAKE SENSE? - SO, IF WE START TAKING THIS PLACE APART, MR. McGREGOR, 311 00:21:28,817 --> 00:21:31,703 ARE WE GONNA FIND ANY ILLEGAL FIREARMS HERE? WHAT DO YOU WANT FROM ME? 312 00:21:31,703 --> 00:21:33,572 THE TRUTH. DID YOU HAVE A GUN AT THAT BAR? YEAH. 313 00:21:33,572 --> 00:21:35,574 YOU USE IT TO DEFEND AGAINST THIS HOLDUP? 314 00:21:37,075 --> 00:21:39,912 THEY TOOK IT. THE STICKUP GUYS TOOK YOUR GUN? 315 00:21:39,912 --> 00:21:43,582 -HOW DID THAT HAPPEN? - I FROZE UP, ALL RIGHT. 316 00:21:43,582 --> 00:21:45,667 THAT .25 IN MY FACE. 317 00:21:45,667 --> 00:21:48,303 THE OTHER GUY COMES AROUND THE BAR TO TAKE THE MONEY OUT OF MY HANDS, 318 00:21:48,303 --> 00:21:51,056 SEES I HAVE A COLT 1911 DOWN THERE. 319 00:21:51,056 --> 00:21:55,260 TAKES THE GUN AWAY FROM ME. YOU TELL THE OTHER DETECTIVE THIS? THE BLACK DETECTIVE? 320 00:21:55,260 --> 00:21:57,429 NO. NO, YOU DIDN'T? 321 00:21:59,148 --> 00:22:02,935 SO, THEY'RE OUT THERE NOW WITH A .45 AUTOMATIC. 322 00:22:09,908 --> 00:22:13,162 THE MINUTE SHE SAYS I'M SUPPOSED TO TAKE MONEY FROM MY BANK ACCOUNT... 323 00:22:13,162 --> 00:22:16,281 TO SHOW GOOD FAITH, I WALKED AWAY. IT'S GOOD YOU DID THAT. 324 00:22:16,281 --> 00:22:19,585 THESE SWINDLERS OUGHTA BE STOPPED. THEY'RE BRAZEN. 325 00:22:19,585 --> 00:22:22,337 WELL, GIVEN THEY DIDN'T SUCCEED IN CHEATING YOU, 326 00:22:22,337 --> 00:22:24,122 IT'LL BE A TOUGH CASE TO DO ANYTHING WITH. 327 00:22:24,122 --> 00:22:29,127 EXCUSE ME, DIANE. MA'AM, ARE YOU TALKING ABOUT A BLACK AND WHITE TEAM, TWO FEMALES? 328 00:22:29,378 --> 00:22:31,213 SHOW A ZIPPERED BAGFUL OF FOUND MONEY? 329 00:22:31,213 --> 00:22:33,765 THIS IS DETECTIVE MARTINEZ, MA'AM. 330 00:22:33,765 --> 00:22:35,767 OH. YEAH, IT'S A BLACK AND WHITE TEAM. 331 00:22:35,767 --> 00:22:38,937 AND THE BLACK GIRL HAD SOME KIND OF ACCENT. 332 00:22:38,937 --> 00:22:42,357 - JAMAICAN. I DON'T KNOW WHAT. - YOU CAN IDENTIFY THESE WOMEN? 333 00:22:42,357 --> 00:22:44,776 I LOOKED VERY CLOSELY AT THEM BOTH. 334 00:22:44,776 --> 00:22:47,479 YEAH. CAN I TALK TO YOU A SECOND, DIANE? 335 00:22:47,479 --> 00:22:49,898 - PARDON ME. - EXCUSE ME. 336 00:22:52,234 --> 00:22:53,735 YOU WORKING SOMETHING WE CAN PUT WITH THIS? 337 00:22:53,735 --> 00:22:56,905 YEAH, I HAD A COMPLAINT THIS MORNING, HANDICAPPED LADY. 338 00:22:56,905 --> 00:22:59,241 GAVE UP FIVE GRAND TO THESE SCAMMERS A WEEK AGO. 339 00:22:59,741 --> 00:23:01,243 THAT WOMAN COULDN'T PICK OUT THEIR PHOTO. 340 00:23:01,243 --> 00:23:03,712 WELL, I CAN SHOW MRS. KLEIN SOME MUG BOOKS, 341 00:23:03,712 --> 00:23:06,632 AND IF SHE PICKS SOMEBODY OUT, YOU CAN SHOW YOUR COMPLAINANT A PHOTO ARRAY. 342 00:23:06,632 --> 00:23:10,168 I ALSO WANT TO TALK TO THE BOSS ABOUT A STING, CATCH 'EM IN THE ACT. 343 00:23:10,168 --> 00:23:12,054 MM-HMM. MAYBE PUT YOU OUT AS A MARK. 344 00:23:12,054 --> 00:23:15,390 - WOULD YOU BE INTERESTED IN SOMETHING LIKE THAT? - THINK I CAN PASS FOR 65? 345 00:23:15,390 --> 00:23:18,310 I WAS THINKING, WELL, YOU COULD, YOU KNOW, PLAY LIKE YOU'RE CRIPPLED, 346 00:23:18,310 --> 00:23:20,312 - ROLL AROUND IN A WHEELCHAIR. - TALK TO THE BOSS. 347 00:23:20,312 --> 00:23:22,347 - BUT I CAN SAY YOU'RE INTERESTED, RIGHT? - SURE, JAMES. 348 00:23:22,347 --> 00:23:24,233 MRS. KLEIN. 349 00:23:24,233 --> 00:23:26,435 WOULD YOU COME WITH A MINUTE? YEAH. 350 00:23:29,071 --> 00:23:32,274 HEY, GREG, YOU UP FOR A LITTLE OVERTIME TONIGHT? 351 00:23:32,274 --> 00:23:34,610 WE'RE GONNA SET ON SOME BARS TONIGHT. 352 00:23:34,610 --> 00:23:36,862 WHAT DO YOU KNOW ABOUT THE STICKUP TEAM? 353 00:23:37,362 --> 00:23:40,115 COUPLE OF SKELLS BEEN TAKING BARS OFF. GOT SOME NEW ARTILLERY. 354 00:23:40,115 --> 00:23:43,785 THEY CAN'T BE PROFESSIONALS. THEY'RE LEAVING PRINTS ON EVERY GLASS THEY TOUCH. 355 00:23:44,286 --> 00:23:47,706 - NO HITS OFF THOSE, HUH? - PLUS THEY SCORE A LOADED .45 OFF ONE BAR. 356 00:23:47,706 --> 00:23:50,759 A FEW HOURS LATER THEY GO TO ROB A PLACE IN LITTLE ITALY, 357 00:23:50,759 --> 00:23:53,629 THEY USE THE SAME PISSANT .25 THEY'VE HAD ALL ALONG. 358 00:23:53,629 --> 00:23:55,430 [ Simone ] WELL, IT COULD BE DIFFERENT NEXT TIME. 359 00:23:55,430 --> 00:23:58,433 THEY BROKE THEIR CHERRIES THROWING A SHOT, MAYBE IT'S GONNA GET GOOD TO THEM. 360 00:23:58,884 --> 00:24:02,804 - GOT ANY SKETCHES ON THEM? -FELLAS, TOPLESS BAR JUST GOT HIT IN MIDTOWN. 361 00:24:02,804 --> 00:24:05,190 THERE WERE SHOTS FIRED. VINCE GOTELLI'S INVOLVED. 362 00:24:05,190 --> 00:24:07,142 -IS HE HURT? -I DON'T KNOW. 38th AND 7th. 363 00:24:11,229 --> 00:24:14,399 - WHAT DID HE SAY, 38th AND 7th? - YEAH. 364 00:24:32,551 --> 00:24:37,005 VINCE, YOU HIT? NO, NO, CHEST PAINS. 365 00:24:37,005 --> 00:24:39,424 HOW YOU FEELING? BETTER THAN I DID. 366 00:24:39,424 --> 00:24:43,595 I THINK I HIT ONE OF 'EM, ANDY. TWO WHITE MALES TRY TO ROB THE PLACE, I INTERVENED. 367 00:24:43,595 --> 00:24:45,681 - THEY THROW SHOTS. - BOTH OF 'EM THROWING SHOTS? 368 00:24:45,681 --> 00:24:51,153 I GOT ONE OF THEM, I THINK. THE ONE GUY YELLED, GRABBED HIS SHOULDER GOING OUT THE DOOR. 369 00:24:51,153 --> 00:24:53,522 THEN I WENT DOWN, CHEST PAINS. 370 00:24:54,022 --> 00:24:57,242 COULD JUST BE GOD SAYING KEEP AWAY FROM THESE TITTY BARS. 371 00:24:57,242 --> 00:24:59,528 I HAD TO USE A PHONE. I HAD TO GET TO A TELEPHONE. 372 00:24:59,528 --> 00:25:01,530 THERE YOU GO, VINCE. REACH OUT AND TOUCH SOMEBODY. 373 00:25:01,530 --> 00:25:03,949 TAKE GOOD CARE OF HIM, HUH? YEAH. 374 00:25:06,168 --> 00:25:09,705 -HEY! [ Whistles ] -[ Simone ] OH, LOOK AT THIS. 375 00:25:11,256 --> 00:25:15,510 WHAT ARE YOU GUYS DOING HERE? HOLD ON. THAT'S VINCE GOTELLI FROM OUR SQUAD. 376 00:25:15,510 --> 00:25:17,346 WE GOT WORD THAT HE WAS INVOLVED. WE COME CHECK ON HIM. 377 00:25:17,346 --> 00:25:19,681 - WAS HE SHOT? - CHEST PAINS, EDDIE. 378 00:25:19,681 --> 00:25:22,634 WELL, WHY DON'T YOU GO KEEP HIM COMPANY, HOLD HIS HAND, HUH? 379 00:25:23,135 --> 00:25:25,937 YOU KNOW, YOU'RE SOME KIND OF JERK. YOU HAD ME GOING. 380 00:25:25,937 --> 00:25:28,640 - WHAT WAS YOUR PROBLEM GIVING ME A WRONG NUMBER? - WHAT ARE YOU TALKING ABOUT? 381 00:25:28,640 --> 00:25:31,777 YEAH, YOU PLAY WHATEVER KIND OF SILLY GAMES YOU NEED TO PLAY, EDDIE. 382 00:25:31,777 --> 00:25:35,697 NEXT TIME YOU GIVE ME WRONG INFORMATION ON A CASE, ME AND YOU, WE'RE GOING AT IT. 383 00:25:38,650 --> 00:25:41,119 BE GOOD TO CHECK THE EMERGENCY ROOMS IN THE AREA. 384 00:25:41,119 --> 00:25:43,789 GOTELLI SAYS HE MIGHT'VE HIT ONE OF THEM IN THE SHOULDER. 385 00:25:43,789 --> 00:25:47,075 I'LL HEAR WHAT GOTELLI'S GOT TO SAY WHEN I INTERVIEW GOTELLI. 386 00:25:47,075 --> 00:25:49,745 SO, THIS HAS GOT NOTHING TO DO WITH GETTING THESE ASSHOLES OFF THE STREET... 387 00:25:49,745 --> 00:25:51,580 BEFORE SOMEBODY GETS KILLED. 388 00:25:51,580 --> 00:25:55,550 MY MISTAKE. LOOK, WHY DON'T YOU SAY IT MOVING THAT WAY, ALL RIGHT? 389 00:26:12,734 --> 00:26:15,737 HEY, THANKS FOR STOPPING BY, CAP. SURE. 390 00:26:15,737 --> 00:26:19,241 WHAT'S UP, ARTHUR? I, UM-- I NEED SOMETHING TAKEN CARE OF. 391 00:26:19,241 --> 00:26:21,860 YOU'RE NOT BIG ON ASKING FOR FAVORS. IT MUST BE SOMETHING. 392 00:26:21,860 --> 00:26:23,945 YOU'RE PRETTY TIGHT WITH THE CHIEF OF PATROL. 393 00:26:23,945 --> 00:26:27,616 - PRETTY TIGHT. WHAT'S UP? - I GOT PULLED OVER LAST NIGHT IN QUEENS. 394 00:26:27,616 --> 00:26:31,586 COP BREAKS MY BALLS LIKE YOU WOULDN'T BELIEVE. 395 00:26:31,586 --> 00:26:34,089 I'D LIKE TO SEE HIM SENT SOMEWHERE HE HAS TO EARN HIS MONEY. 396 00:26:34,089 --> 00:26:37,008 HOW'D HE BREAK YOUR BALLS? OVERREACTS, NUMBER ONE. 397 00:26:37,008 --> 00:26:41,012 ORDERS ME AND LILLIAN OVER THE TOP OF THE CAR FOR A BROKEN TAILLIGHT. 398 00:26:41,012 --> 00:26:43,381 I SHOW MY SHIELD AND THIS, UH, MEATHEAD SZYMANSKI... 399 00:26:43,381 --> 00:26:46,351 STARTS IN LIKE HE'S GONNA WRITE THE SUMMONS ANYWAY. 400 00:26:46,351 --> 00:26:48,687 SO, YOU WANT HIM TRANSFERRED? SZYMANSKI? 401 00:26:49,187 --> 00:26:50,522 SPENT HIS WHOLE CAREER IN BAYSIDE QUEENS. 402 00:26:50,522 --> 00:26:53,775 THE ONLY BLACK PEOPLE HE SEES ARE THE ONES HE PULLS OVER, 403 00:26:53,775 --> 00:26:55,560 WONDERING WHAT THE HELL THEY'RE DOING IN THE NEIGHBORHOOD. 404 00:26:56,061 --> 00:26:58,029 HE NEEDS TO DO SOME TIME IN BROOKLYN NORTH... 405 00:26:58,530 --> 00:27:01,032 OR HARLEM, WHERE HE HAS TO LEARN TO DEAL WITH EVERYBODY. 406 00:27:01,032 --> 00:27:03,285 UNDERSTAND WHO'S A THREAT AND WHO'S NOT. 407 00:27:03,285 --> 00:27:06,788 - YOU SURE THIS IS HOW YOU WANNA HANDLE IT? - I HAD HIM IN HERE TODAY. 408 00:27:06,788 --> 00:27:09,908 GAVE HIM A CHANCE TO FIX IT. ALL THIS GUY WANTS TO DO IS SMART-MOUTH. 409 00:27:09,908 --> 00:27:13,128 CAN YOU HANDLE THIS FOR ME, CAPTAIN? 410 00:27:13,128 --> 00:27:17,466 ALL RIGHT, ARTHUR. I'LL SEE WHAT I CAN DO. 411 00:27:38,170 --> 00:27:39,871 HERE. THANKS. 412 00:27:41,623 --> 00:27:44,593 EXCUSE ME. CAN YOU HELP ME? 413 00:27:44,593 --> 00:27:46,761 WHAT? LOOK. LOOK AT THIS. 414 00:27:46,761 --> 00:27:51,099 IT'S FULL OF MONEY. I FOUND IT AT THAT BUS STOP. 415 00:27:51,099 --> 00:27:53,802 THERE'S NO IDENTIFICATION WITH IT? 416 00:27:53,802 --> 00:27:56,555 THERE WAS JUST THIS PIECE OF PAPER. I DON'T KNOW WHAT IT MEANS THOUGH. 417 00:27:56,555 --> 00:28:00,475 CELTICS, 60 "K." CELTICS IS A BASKETBALL TEAM. 418 00:28:00,976 --> 00:28:02,777 IT'S PROBABLY GAMBLING MONEY. 419 00:28:03,111 --> 00:28:05,614 WHAT'S THE PROCEDURE FOR SOMETHING LIKE THIS? CAN I GET IN TROUBLE? 420 00:28:05,614 --> 00:28:08,233 EXCUSE ME, MISS. IS EVERYTHING ALL RIGHT? 421 00:28:08,233 --> 00:28:10,285 YEAH, I WAS JUST-- I WAS TRYING TO HELP THIS WOMAN. 422 00:28:10,785 --> 00:28:13,488 I DON'T KNOW WHAT TO DO. LOOK. I FOUND IT. OH, MY GOD! 423 00:28:13,488 --> 00:28:16,791 THERE'S A NOTE. UM, I THINK IT'S GAMBLING MONEY. 424 00:28:16,791 --> 00:28:19,044 SHE CAN PROBABLY KEEP IT, RIGHT? 425 00:28:19,044 --> 00:28:23,131 LISTEN, I WILL SHARE THIS MONEY WITH YOU IF YOU CAN HELP ME FIND OUT WHAT TO DO SO I CAN KEEP IT. 426 00:28:23,131 --> 00:28:26,134 I WILL SHARE IT WITH BOTH OF YOU. 427 00:28:26,134 --> 00:28:29,421 UH, I MEAN, I COULD CALL MY BOSS. HE'S AN ATTORNEY. 428 00:28:29,921 --> 00:28:32,340 I HAVE A CELLULAR PHONE YOU CAN USE. 429 00:28:32,340 --> 00:28:34,476 YOUR BOSS WILL KNOW WHAT TO DO? YES, CALL YOUR BOSS. 430 00:28:36,511 --> 00:28:40,015 I MEAN IT, I WANT TO SHARE THIS MONEY WITH YOU BOTH. YOU'RE SUCH NICE PEOPLE. 431 00:28:40,015 --> 00:28:43,068 THEY WENT FOR OUR PHONE. GET THE RECORDER GOING. 432 00:28:43,068 --> 00:28:45,403 - [ Man ] YEAH. - HI, MR. BENNETT. 433 00:28:45,403 --> 00:28:48,240 YEAH. HEY, IT'S ME, SUSAN. 434 00:28:48,240 --> 00:28:51,693 I'M HERE ON 12th STREET, AND THERE'S THIS WOMAN WHO FOUND THIS BAG FULL OF MONEY. 435 00:28:51,693 --> 00:28:55,413 AND ME AND THIS OTHER LADY WERE JUST SITTING HERE TRYING TO FIGURE OUT IF SHE CAN KEEP IT. 436 00:28:55,914 --> 00:28:57,699 YOU KNOW, YOU'VE GOT A GORGEOUS ASS? 437 00:28:57,699 --> 00:29:01,369 - NO, NO I.D. - I DREAMT ABOUT YOUR ASS LAST NIGHT. 438 00:29:01,369 --> 00:29:05,090 OH, GREAT. HE SAYS THERE'S A GOOD CHANCE YOU CAN KEEP IT. 439 00:29:05,090 --> 00:29:09,628 I CAN KEEP IT! OH, MY GOD, I LOVE THIS UNITED STATES! 440 00:29:09,628 --> 00:29:13,548 - WHAT? OH. - WHAT'S HE SAYING? 441 00:29:13,548 --> 00:29:17,969 HE SAYS WE NEED TO MAKE SURE THE MONEY HASN'T BEEN REPORTED STOLEN. 442 00:29:17,969 --> 00:29:20,855 IF WE BRING IT BY HIS OFFICE, HE'LL MAKE THE LEGAL INQUIRIES, 443 00:29:20,855 --> 00:29:23,775 - AND RETURN IT TO US BY TOMORROW. - I SHOULD DO THAT? 444 00:29:23,775 --> 00:29:25,977 -HE CAN MAKE THE LEGAL INQUIRIES? - WAIT. 445 00:29:26,478 --> 00:29:28,229 I'M SORRY. I DIDN'T HEAR YOU, MR. BENNETT. 446 00:29:28,229 --> 00:29:31,783 OKAY. HE SAYS IF WE'RE EACH GOING TO HAVE A RIGHT TO THIS MONEY, 447 00:29:31,783 --> 00:29:35,036 WE EACH NEED TO PUT UP SOME MONEY TO ESTABLISH OUR LEGAL CLAIMS. 448 00:29:35,036 --> 00:29:38,490 I'M WILLING TO DO IT. AND MY BANK'S JUST UP THE STREET. 449 00:29:38,490 --> 00:29:41,209 WOULD YOU BE WILLING TO DO THAT? OKAY. 450 00:29:41,209 --> 00:29:44,379 I CAN PUT UP $5,000, IF IT MEANS WE'RE GONNA GET 60,000. 451 00:29:44,379 --> 00:29:48,383 ALL RIGHT. WELL, ARE YOU IN? I GUESS SO. 452 00:29:55,790 --> 00:29:58,893 DETECTIVE? THIS WOMAN HAS INFORMATION. 453 00:29:58,893 --> 00:30:01,146 I KNOW WHO DID THOSE BAR HOLDUPS. 454 00:30:01,146 --> 00:30:03,064 I KNOW WHERE THEY'RE GONNA BE TOO. 455 00:30:03,565 --> 00:30:05,350 RIGHT THIS WAY, MISS. THANKS, SIMMONS. 456 00:30:08,570 --> 00:30:11,239 I'M DETECTIVE SIMONE. CARL AND DONNY VON DREHLE. 457 00:30:11,239 --> 00:30:14,159 THEY'LL BE ON A BUS TO BALTIMORE AT 2:30. THIS IS DETECTIVE SIPOWICZ. 458 00:30:14,159 --> 00:30:17,078 -WHAT'S YOUR NAME? - THERESA. 459 00:30:17,078 --> 00:30:19,447 HOW DO YOU KNOW THAT THESE ARE THE GUYS WE'RE LOOKING FOR? 460 00:30:19,447 --> 00:30:21,166 CARL LIVES WITH ME, RIGHT? 461 00:30:21,166 --> 00:30:24,502 HIS DICK-BRAINED COUSIN COMES TO TOWN, GOT THIS HANDGUN. 462 00:30:24,502 --> 00:30:27,255 HE TALKS CARL INTO GOING AND STICKING PLACES UP. 463 00:30:27,255 --> 00:30:28,923 YOU'VE BEEN AROUND THEM TALKING ABOUT THIS? 464 00:30:28,923 --> 00:30:31,126 THEY GOTTA GET HALF-DRUNK BEFOREHAND TO EVEN WORK THE NERVE UP. 465 00:30:31,126 --> 00:30:33,461 AND I'M LIKE, "YOU GUYS ARE NOT CUT OUT FOR THIS." 466 00:30:33,461 --> 00:30:36,131 WHICH ONE OF THEM GIVE YOU THE BLACK EYE? 467 00:30:36,131 --> 00:30:40,468 YESTERDAY, THEY COME IN, DONNY'S SHOT, CRYING, BLEEDIN' ON THE FURNITURE. 468 00:30:40,468 --> 00:30:43,521 I'M LIKE, "THAT'S IT." BUT CARL'S GOT THIS BIG GUN THEY STOLE, RIGHT? 469 00:30:43,521 --> 00:30:48,443 NO, HE'S A BIG DEAL NOW. GONNA PUNCH ME IN THE FACE IN MY APARTMENT? 470 00:30:50,145 --> 00:30:53,982 - WHICH ONE IS THIS? - OH, THAT'S DONNY. 471 00:30:53,982 --> 00:30:56,451 - THAT'S THE IDIOT. - YOU GOT A PICTURE OF THE OTHER ONE? 472 00:30:56,451 --> 00:30:59,287 NO, BUT I'M TELLING YOU, 2:30 BUS TO BALTIMORE. 473 00:30:59,287 --> 00:31:03,825 THAT'S THE MASTER PLAN THEY CAME UP WITH. 474 00:31:03,825 --> 00:31:07,962 YOU EXPECTING? MAN, OH, MAN. 475 00:31:08,747 --> 00:31:10,965 - PORT AUTHORITY BUS TERMINAL? - YEAH. 476 00:31:10,965 --> 00:31:13,418 THERESA, WE'RE GONNA NEED YOU TO WRITE YOUR FULL NAME, 477 00:31:13,418 --> 00:31:15,387 YOUR ADDRESS AND YOUR PHONE NUMBER DOWN HERE. 478 00:31:19,507 --> 00:31:22,477 - YOU READY TO TAKE THESE GUYS? - BUS TERMINAL'S MIDTOWN SOUTH. 479 00:31:22,477 --> 00:31:25,730 THINK WE OUGHTA CALL UP EDDIE HAZEL, LET HIM HAVE THIS COLLAR. 480 00:31:28,983 --> 00:31:33,154 THANKS FOR COMING IN, HUH. HAROLD, CAN YOU MAKE SURE THERESA GETS OUT OKAY. 481 00:31:44,582 --> 00:31:47,085 SO, YOU GOT SOME KIND OF CLOUT, HUH? 482 00:31:47,085 --> 00:31:50,255 YOU GET ME TRANSFERRED TO BED-STUY, WHICH IS A TOILET. 483 00:31:50,255 --> 00:31:52,090 YOU GOT BUSINESS HERE, SZYMANSKI? 484 00:31:52,090 --> 00:31:54,843 YOU TURNED MY LIFE UPSIDE DOWN 'CAUSE YOU THINK I'M A BIGOT. 485 00:31:56,094 --> 00:31:58,546 I SHOULD TAKE MY BEST SHOT, 486 00:31:58,546 --> 00:32:01,015 'CAUSE YOU DIDN'T GET MY BEST OUT THERE ON BELL BOULEVARD. 487 00:32:01,015 --> 00:32:03,968 GO AHEAD, SPEAK YOUR MIND. 488 00:32:03,968 --> 00:32:06,971 WHAT, YOU GOT THE PLACE WIRED UP? HUH? 489 00:32:06,971 --> 00:32:09,524 I SAY THE WORDS I WANT, YOU GET ME KICKED OFF THE JOB ALTOGETHER? 490 00:32:09,524 --> 00:32:11,976 YOU WERE IN THE WRONG, LIEUTENANT? 491 00:32:13,945 --> 00:32:16,397 WHY ARE YOU DOING THIS TO ME? 492 00:32:17,899 --> 00:32:20,902 IT'S LIKE YOU SAID, YOU PULL SOMEBODY OVER OUT THERE, 493 00:32:20,902 --> 00:32:23,204 NO TELLING WHO YOU'RE DEALING WITH. 494 00:32:40,722 --> 00:32:43,558 EVERYBODY, EXCUSE US. 495 00:32:43,558 --> 00:32:46,060 WE'RE LOOKING FOR A MISSING GIRL. WE'RE POLICE. WE NEED YOUR HELP. 496 00:32:46,060 --> 00:32:50,565 WE'RE GONNA BE COMING UP THE AISLE SHOWING YOU THIS PICTURE. TELL US IF YOU'VE SEEN HER. 497 00:32:50,565 --> 00:32:53,101 MA'AM, DO YOU RECOGNIZE THIS GIRL? MM-MMM. 498 00:32:53,601 --> 00:32:56,187 - SIR, EXCUSE ME. DOES SHE LOOK FAMILIAR TO YOU? -NO. 499 00:33:00,524 --> 00:33:02,526 MA'AM, DO YOU RECOGNIZE THIS GIRL? 500 00:33:02,526 --> 00:33:05,496 - HOW ABOUT YOU? YOU EVER SEEN HER? -ANY OF YOU RECOGNIZE HER? 501 00:33:07,415 --> 00:33:09,917 EITHER OF YOU FELLAS SEEN THIS GIRL? GENTLEMEN? 502 00:33:09,917 --> 00:33:12,420 NO. NO. SURE? 503 00:33:12,420 --> 00:33:14,956 - DOES SHE LOOK FAMILIAR TO YOU? - DO YOU RECOGNIZE THIS GIRL, SIR? 504 00:33:15,456 --> 00:33:16,958 COME HERE. STAY CALM. 505 00:33:16,958 --> 00:33:18,876 PUT YOUR HANDS UP ON THE CHAIR. 506 00:33:18,876 --> 00:33:21,462 KEEP YOUR HANDS ON THE CHAIR RIGHT THERE. EVERYBODY STAY CALM. 507 00:33:21,462 --> 00:33:25,600 - STAY IN YOUR SEATS, PLEASE. - GOD, PLEASE, IT HURTS. 508 00:33:25,600 --> 00:33:28,352 THAT WAS A FRIEND OF MINE YOU THREW SHOTS AT YESTERDAY, 509 00:33:28,853 --> 00:33:30,805 SO YOU JUST SAVE YOUR BREATH ABOUT WHERE IT HURTS. 510 00:33:30,805 --> 00:33:33,641 WHAT IS THIS CRAP? HEY, WHAT THE HELL ARE YOU DOING HERE? 511 00:33:33,641 --> 00:33:36,110 YO, EDDIE. YOU TAKING A TRIP TO BALTIMORE? 512 00:33:36,110 --> 00:33:39,363 THE BUS IS GONNA BE DELAYED, LIKE, 10 MINUTES. 513 00:33:39,363 --> 00:33:41,732 LOOK, OUR SQUAD CAUGHT THE CALL, ALL RIGHT? 514 00:33:41,732 --> 00:33:44,535 THE TICKET LADY IDENTIFIED THEM FROM OUR SKETCH. 515 00:33:44,535 --> 00:33:47,622 YOU BETTER EXPLAIN YOURSELF, SIMONE. THIS LOOK LIKE THE DAMN 15th PRECINCT? 516 00:33:47,622 --> 00:33:49,407 HEY, HEY, WE GOT A TIP, WE MOVED ON IT. 517 00:33:49,907 --> 00:33:51,409 I DON'T KNOW WHAT YOU DID IN THE TUNNEL ALL THOSE YEARS, 518 00:33:51,409 --> 00:33:53,878 BUT UP HERE, THAT'S WHAT YOU'RE SUPPOSED TO DO. 519 00:33:53,878 --> 00:33:57,748 SO YOU GOT YOUR FIRST GRADE? THE HELL WITH THE NEXT MAN TRYING TO GET HIS. 520 00:33:57,748 --> 00:34:01,002 IS THAT THE STORY, SIMONE? I GOT MY FIRST GRADE FROM A LOT OF HARD WORK... 521 00:34:01,002 --> 00:34:03,304 WITH MY PARTNERS, NOT HUMPING OTHER DETECTIVES. 522 00:34:03,304 --> 00:34:07,141 GET YOUR ACT TOGETHER, EDDIE, OR YOU'RE NEVER GONNA BE ANYTHING ON THIS JOB. 523 00:34:25,609 --> 00:34:28,612 YOU TRACK DOWN THE THIRD PARTNER IN THAT CON GAME? OH, NO, NOT YET. 524 00:34:28,612 --> 00:34:31,082 BLACK GIRL'S GIVEN US A NUMBER OF ADDRESSES AND HANGOUTS ON HIM. 525 00:34:31,082 --> 00:34:33,084 SHE REALLY WANTS TO HELP HERSELF. 526 00:34:33,084 --> 00:34:36,253 - YOU DID GOOD WORK ON THIS, DIANE. - IT WAS JAMES'S PLAN. 527 00:34:37,338 --> 00:34:40,124 CAPTAIN? WE NEED TO TALK? 528 00:34:40,124 --> 00:34:41,959 YEAH. 529 00:34:44,428 --> 00:34:46,764 ON THIS COP'S TRANSFER, 530 00:34:46,764 --> 00:34:51,519 I NEED TO TELL YOU, I DON'T THINK IT WAS YOUR FINEST HOUR. 531 00:34:51,519 --> 00:34:53,971 WHY IS THAT? 532 00:34:53,971 --> 00:34:56,857 THE BOTH OF US KNOW THE JOB HAS AN ETHICAL AWARENESS COURSE... 533 00:34:56,857 --> 00:34:58,859 FOR THIS KIND OF COP AND THIS KIND OF SITUATION. 534 00:34:59,360 --> 00:35:01,228 THE SENSITIVITY CLASS ISN'T GOING TO DO IT FOR THIS GUY. 535 00:35:01,228 --> 00:35:05,199 ARTHUR, IF SZYMANSKI'S LIKE YOU SAY HE IS, 536 00:35:05,199 --> 00:35:07,702 DON'T LIKE BLACK PEOPLE MUCH TO BEGIN WITH, 537 00:35:07,702 --> 00:35:11,372 PLUS RESENTFUL NOW, FROM HIS POINT OF VIEW, A BLACK BOSS LOUSED HIS LIFE UP. 538 00:35:11,372 --> 00:35:15,910 IS THAT THE KIND OF COP YOU WANT WALKING AROUND A NEIGHBORHOOD DON'T NEED ANY EXTRA PROBLEMS? 539 00:35:15,910 --> 00:35:19,163 SO, YOU'RE CONCERNED I'D BE LOWERING THE QUALITY OF LIFE IN BED-STUY? 540 00:35:19,163 --> 00:35:23,467 I'M JUST POINTING OUT WHAT I KNOW YOU KNOW ALREADY. 541 00:35:23,467 --> 00:35:26,837 AS BOSSES, OUR DECISIONS HAVE CONSEQUENCES OUTSIDE THE ROOMS WE MAKE 'EM IN. 542 00:35:26,837 --> 00:35:30,091 IF YOU WANNA DISCUSS THE QUALITY OF POLICING OF BLACK NEIGHBORHOODS, 543 00:35:30,091 --> 00:35:32,226 WE CAN TAKE THAT UP IN LENGTH, BUT WHAT'S GOING ON HERE... 544 00:35:32,727 --> 00:35:36,230 IS WHAT ALWAYS GOES ON WITH THE BLACK MAN ON THIS JOB WHO ASKS FOR AN ACCOMMODATION. 545 00:35:36,230 --> 00:35:38,232 IT'S ASSUMED HE'S GOT A HIDDEN AGENDA. 546 00:35:38,232 --> 00:35:41,569 LOOK, I CAME HERE ASKING FOR YOU TO LOOK AT USING YOUR JUICE TO HURT THIS GUY... 547 00:35:41,569 --> 00:35:46,157 AND REMIND YOU THAT PEOPLE NEITHER YOU NOR I KNOW ARE LIABLE TO PAY THE TAB. 548 00:35:46,157 --> 00:35:50,911 PRETENDING IT'S ABOUT YOU BEING BLACK SO YOU DON'T HAVE TO FACE WHAT IT IS YOU'RE DOING, 549 00:35:50,911 --> 00:35:53,364 THAT'S ON YOU. 550 00:35:56,367 --> 00:35:59,870 OKAY, OKAY. 551 00:35:59,870 --> 00:36:03,090 TRANSFER HIM TO THIS PRECINCT. TRANSFER HIM HERE? 552 00:36:03,090 --> 00:36:07,428 YEAH, THAT WAY I CAN DEAL EVERY DAY WITH THE CONSEQUENCES OF THE DECISIONS WE MADE HERE. 553 00:36:11,382 --> 00:36:13,384 I THINK OVER TIME, 554 00:36:13,384 --> 00:36:17,888 KNOWING THE KIND OF MAN YOU ARE AT HEART, MIGHT TURN OUT GOOD FOR SZYMANSKI. 555 00:36:17,888 --> 00:36:23,527 - MIGHT BE GOOD FOR YOU TOO. - I THINK WE'VE LOOKED ENOUGH INTO MY HEART AND SOUL. 556 00:36:23,527 --> 00:36:25,813 IS SENDING HIM HERE ACCEPTABLE TO YOU? 557 00:36:25,813 --> 00:36:28,616 YEAH. I CAN MAKE THAT HAPPEN. 558 00:36:46,967 --> 00:36:48,969 HEY, GREG. HEY, ABBY. 559 00:36:48,969 --> 00:36:50,805 YOU HAVE A GOOD SHIFT? YEAH, YEAH. 560 00:36:50,805 --> 00:36:55,226 WE SHUT DOWN ONE OF THOSE "FOUND MONEY" CON TEAMS. 561 00:36:55,226 --> 00:36:57,728 YOU JUST ON YOUR WAY IN? 4:00 TO 12:00. 562 00:36:57,728 --> 00:37:00,014 YEAH. YOU LIKE IT THERE IN ANTICRIME? 563 00:37:00,014 --> 00:37:02,433 YEAH, I DO. 564 00:37:02,433 --> 00:37:05,936 GREG, COULD YOU FIND TIME FOR DINNER SOMETIME IN THE NEXT WHILE? 565 00:37:05,936 --> 00:37:08,739 SURE, OF COURSE. 566 00:37:08,739 --> 00:37:13,327 UH, WHAT'S THE OCCASION, JUST A PLEASANT MEAL BETWEEN FRIENDS? 567 00:37:13,327 --> 00:37:16,247 WELL, I HOPED THAT IT WAS A PLEASANT MEAL... 568 00:37:16,247 --> 00:37:18,532 THAT MIGHT RESULT IN A SPECIAL OCCASION. 569 00:37:18,532 --> 00:37:24,255 WELL, THAT'S VERY MYSTERIOUS AND INTERESTING. 570 00:37:24,255 --> 00:37:28,008 WELL, I-I'M NOT COMFORTABLE BEING MORE SPECIFIC. 571 00:37:28,008 --> 00:37:31,295 WELL, SURE. UM, JUST LET ME KNOW THE DAY. 572 00:37:31,295 --> 00:37:35,516 I GOT BROAD AREAS OF EMPTY CALENDAR. THANKS A LOT. 573 00:37:35,516 --> 00:37:37,601 SURE. HAVE A GOOD SHIFT, ABBY. NIGHT, GREG. 574 00:37:37,601 --> 00:37:39,970 HAVE A GOOD NIGHT. 575 00:37:51,615 --> 00:37:54,034 WHAT'S GOING ON, ANDY? 576 00:37:57,538 --> 00:38:00,040 [ Clears Throat ] 577 00:38:00,040 --> 00:38:04,545 UH, YOU THINK IT'S POSSIBLE... 578 00:38:04,545 --> 00:38:09,884 PEOPLE THAT HAVE PASSED ON, MAKING CONTACT WITH THE LIVING? 579 00:38:09,884 --> 00:38:12,920 - YOU MEAN LIKE GHOSTS? - YEAH, MORE SO BY WAY OF YOUR DREAMS. 580 00:38:14,805 --> 00:38:17,308 - I DON'T KNOW. - [ Sighs ] 581 00:38:17,808 --> 00:38:22,429 ME WORKING THESE ROBBERIES, ANDY JR. BEING KILLED IN A BAR, 582 00:38:22,429 --> 00:38:26,984 I CAN SEE RATIONALLY HOW A DREAM MIGHT MANIFEST FROM THAT. 583 00:38:26,984 --> 00:38:28,986 WHAT HAPPENS IN THE DREAM? 584 00:38:29,486 --> 00:38:34,408 WE'RE IN CONTACT. DON'T EXACTLY GET ALONG. 585 00:38:35,776 --> 00:38:37,661 AH, I DON'T BELIEVE IT'S POSSIBLE. 586 00:38:37,661 --> 00:38:41,532 I USED TO DREAM ABOUT MY WIFE QUITE A BIT. YEAH? 587 00:38:41,532 --> 00:38:45,836 NEVER SEEMED TO HAVE ANY PARTICULAR MEANING. 588 00:38:45,836 --> 00:38:48,589 ME COOKING MEALS FOR HER, TAKING HER OUT ON WALKS AND STUFF. 589 00:38:48,589 --> 00:38:53,794 SO, SHE NEVER CAME WITH TIPS ON HORSES TO BET? NOTHING LIKE THAT? 590 00:38:53,794 --> 00:38:56,130 NAH. 591 00:39:22,906 --> 00:39:24,908 SOMETHING ALCOHOLIC? 592 00:39:24,908 --> 00:39:27,294 WE COLLARED THOSE GUYS STUCK YOU UP. IS THAT RIGHT? 593 00:39:27,294 --> 00:39:30,130 COLLARED 'EM ON A BUS. 594 00:39:30,130 --> 00:39:32,466 LARGE VEHICLE. 595 00:39:37,471 --> 00:39:39,974 SON! [ Chuckles ] 596 00:39:40,474 --> 00:39:42,343 I AM SO RELIEVED. 597 00:39:43,811 --> 00:39:46,180 YOU KNOW WHO'S IN THE BATHROOM THAT I BROUGHT WITH ME? 598 00:39:46,180 --> 00:39:50,017 WHO? SYLVIA AND THE BABY. 599 00:39:50,017 --> 00:39:53,153 THEY'RE BOTH IN THE LADIES' ROOM. I TOLD HER TO KEEP HIS EYES COVERED. 600 00:39:53,153 --> 00:39:57,074 TO BE TRUTHFUL, I-I DON'T THINK THEY SHOULD BE PRESENT HERE. 601 00:40:00,444 --> 00:40:02,663 THINK I BROUGHT 'EM TO EXPOSE THEO TO LIQUOR? 602 00:40:02,663 --> 00:40:04,832 LOOK, I-- I DON'T WANNA FIGHT WITH YOU. 603 00:40:04,832 --> 00:40:08,786 WELL, I CAN'T DO NOTHING RIGHT. I BROUGHT HIM TO MEET HIS BROTHER. 604 00:40:08,786 --> 00:40:11,922 THINK SEEING ME MURDERED IS GONNA MAKE A HAPPY MEMORY? 605 00:40:15,793 --> 00:40:20,297 [ Gasping ] 606 00:40:20,297 --> 00:40:22,099 THIS IS WHERE YOU WERE MURDERED. 607 00:40:22,099 --> 00:40:24,018 I JUST DON'T WANNA COMPLICATE IT. 608 00:40:32,309 --> 00:40:34,812 THESE MURDERING BASTARDS. 609 00:40:34,812 --> 00:40:37,815 WHAT THE SYSTEM LETS WALK AROUND. 610 00:40:37,815 --> 00:40:39,867 DAD, I DON'T WANNA COMPLICATE IT. 611 00:40:39,867 --> 00:40:42,036 I'M A POLICE OFFICER, YOU UNDERSTAND THAT? 612 00:40:43,787 --> 00:40:46,707 - IT MAKES CERTAIN CLAIMS ON MY TIME. - OH, HERE WE GO. 613 00:40:46,707 --> 00:40:50,077 - THESE ARE THE SKELLS KILLED YOU. - GEE, POP, REALLY? 614 00:40:50,077 --> 00:40:53,497 YOU THINK THEY'LL STOP WITH KILLING YOU? THIS IS WHY I HAVE TO DO THIS. 615 00:40:53,497 --> 00:40:55,883 THAT'S CRAP. 616 00:41:01,922 --> 00:41:04,675 THE BALLS YOU SIT HERE. 617 00:41:16,520 --> 00:41:18,439 -GREAT, DAD. - YOU SHUT UP. 618 00:41:18,939 --> 00:41:21,442 YOU DON'T KNOW NOTHING HOW THE WORLD IS. 619 00:41:21,442 --> 00:41:24,445 YEAH, I WAS REALLY SHELTERED BEING MURDERED. 620 00:41:28,615 --> 00:41:32,286 OH, MY GOD. WHAT DID I DO? 621 00:41:32,286 --> 00:41:34,588 WHAT DID I DO? 622 00:41:41,712 --> 00:41:45,716 - WHAT'S YOUR PROBLEM? - I GAVE YOU MY SEAT AT THE DINER. 623 00:41:45,716 --> 00:41:48,135 WE'RE GONNA BE LIFETIME COMPANIONS? 624 00:41:48,135 --> 00:41:53,190 THAT'S JESUS CHRIST, DAD. CONGRATULATIONS PISSIN' OFF JESUS CHRIST. 625 00:41:57,277 --> 00:41:59,780 THAT'S YOUR BOSS? HE'S TRAVELING WITH YOU? 626 00:42:03,734 --> 00:42:05,536 DEAD AS WHEN HE STARTED. 627 00:42:06,904 --> 00:42:09,957 - WHAT DID I DO? - WHAT DID I TELL YA? 628 00:42:09,957 --> 00:42:12,493 I DON'T RECALL. 629 00:42:14,995 --> 00:42:17,998 TALK THROUGH ME. TALK THROUGH ME. 630 00:42:17,998 --> 00:42:20,384 PLEASE GIVE ME ANOTHER CHANCE. 631 00:42:22,920 --> 00:42:26,173 WHAT DID YOU JUST HAVE? 632 00:42:42,689 --> 00:42:48,195 I-I LOVED HIM, AS BAD AS I AM. 633 00:42:48,195 --> 00:42:50,697 OH, MY POOR BOY. 634 00:43:16,106 --> 00:43:18,442 [ Sniffles ] 635 00:43:18,442 --> 00:43:20,360 GOOD BOY. 636 00:43:22,613 --> 00:43:25,032 GOOD BOY. 637 00:43:26,533 --> 00:43:28,535 [ Sniffles ] 638 00:43:28,535 --> 00:43:31,038 GOOD BOY.