1 00:00:02,369 --> 00:00:05,005 -Previously on "NYPD BLUE". - DO YOU SEE WHAT'S UNDER MY BLOUSE? 2 00:00:05,005 --> 00:00:07,374 MY UNDERGARMENT IS RUBBER. WHAT, ARE YOU CRAZY? 3 00:00:07,374 --> 00:00:11,177 IT'S HOLDING ALL MY FLUIDS IN. 4 00:00:11,177 --> 00:00:14,180 PLASTIC SURGEON STITCHED ME UP. I HOPE HE DID A GOOD JOB. 5 00:00:14,180 --> 00:00:19,119 I'M SURE HE DID. I KNOW WE HAVEN'T REALLY GOT CLOSE ENOUGH I CAN ASK YOU THIS, 6 00:00:19,119 --> 00:00:22,389 BUT... CAN YOU NOT GO AWAY, JAMES? YEAH. 7 00:00:22,389 --> 00:00:26,226 I MUST HAVE FLIRTED, BUT I DON'T THINK I DID. 8 00:00:29,162 --> 00:00:31,164 OKAY. 9 00:00:31,164 --> 00:00:35,168 IT'S OUT NOW. YOU KNOW, YOU GOT IT OUT. 10 00:00:35,168 --> 00:00:39,672 I HAD TO KEEP A SECRET. DADDY'S PRETTY PET. YOU GOT IT OUT. 11 00:01:10,336 --> 00:01:12,839 MORNIN'. 12 00:01:12,839 --> 00:01:14,841 HI, BOBBY. 13 00:01:21,347 --> 00:01:24,851 YOU GOT ME THROUGH. 14 00:01:24,851 --> 00:01:26,853 I'M GLAD YOU SHOWED UP. 15 00:01:31,858 --> 00:01:33,860 NOW I KNOW WHAT IT WAS. 16 00:01:36,863 --> 00:01:39,866 YOU'LL GET YOURSELF SOME HELP. 17 00:01:39,866 --> 00:01:41,868 YEAH. 18 00:01:47,207 --> 00:01:49,709 NO ONE DESERVED WAITING HOW YOU HAD TO, BOBBY. 19 00:01:49,709 --> 00:01:53,213 NO ONE DESERVES A LOT THAT HAPPENS. 20 00:01:55,715 --> 00:01:58,218 WHEN MARY WAS SICK, 21 00:01:58,218 --> 00:02:00,220 I COULDN'T HELP HER. 22 00:02:02,722 --> 00:02:04,724 I'M GLAD ENOUGH I WAS ABLE TO HELP YOU. 23 00:02:13,233 --> 00:02:15,235 HERE I AM. 24 00:03:45,258 --> 00:03:47,627 ANDY, I NEED TO TALK WITH YOU. YOU'LL GET OVER IT. 25 00:03:47,627 --> 00:03:49,696 PLEASE. I KNOW ABOUT SOMETHING BAD. 26 00:03:49,696 --> 00:03:53,333 AND I'VE HEARD ALL I'M LISTENING TO ABOUT BODY JUICES AND RUBBER CORSETS. 27 00:03:53,700 --> 00:03:58,137 A DEATH. A DEAD MAN. WHAT DO YOU KNOW ABOUT THAT? 28 00:03:58,638 --> 00:04:01,140 HE'S A FRIEND, AND I STOPPED BY HIS APARTMENT THIS MORNING, 29 00:04:01,140 --> 00:04:03,643 AND HE WAS HANGING. HANGING? 30 00:04:03,643 --> 00:04:07,146 HOW'D YOU COME TO STOP BY? HE'S A FRIEND. 31 00:04:07,146 --> 00:04:10,750 I'M WONDERING, WERE YOU WORRIED ABOUT HIM, HOW YOU HAPPENED TO STOP BY? 32 00:04:13,253 --> 00:04:17,156 ANDY, WE GOT A HOMICIDE OVER AT A CONSTRUCTION SITE. HEY, GERI. 33 00:04:19,692 --> 00:04:22,695 D.O.A. OFF A FIGHT AT A CONSTRUCTION SITE, JAMES. 34 00:04:22,695 --> 00:04:24,764 - COUPLE OF COALITIONS WERE INVOLVED. -OKAY. 35 00:04:24,764 --> 00:04:27,166 HEY, BOSS. GERI JUST TOLD ME, 36 00:04:27,400 --> 00:04:30,570 UH, A FRIEND OF HERS IS DEAD AT HIS APARTMENT. 37 00:04:30,570 --> 00:04:34,807 SHE FOUND HIM HANGING. I DON'T KNOW IF YOU WANT HER TO RIDE OVER THERE WITH SOMEBODY. 38 00:04:35,074 --> 00:04:38,511 - NO, I'M NOT GOING BACK THERE. - I'D LIKE YOU TO TALK TO DET. KIRKENDALL AND RUSSELL. 39 00:04:38,945 --> 00:04:41,681 GIVE 'EM WHAT INFORMATION YOU HAVE SO THEY CAN TAKE A LOOK AT IT. 40 00:04:41,914 --> 00:04:43,483 I'D RATHER GIVE IT TO DETECTIVE SIPOWICZ. 41 00:04:43,483 --> 00:04:47,153 NO. KIRKENDALL AND RUSSELL'S HOW WE'RE GONNA DO IT. 42 00:04:50,023 --> 00:04:52,025 ALL RIGHT. 43 00:04:55,528 --> 00:04:58,031 CONSTRUCTION COALITION, HUH? MM-HMM. 44 00:04:58,031 --> 00:05:00,533 THERE'S A SOLID BUNCH OF CITIZENS. 45 00:05:03,269 --> 00:05:05,271 DIANE, JILL. 46 00:05:05,271 --> 00:05:08,274 UH, GERI FOUND A FRIEND OF HERS DEAD IN HIS APARTMENT. 47 00:05:08,274 --> 00:05:11,277 UM, CAN YOU TALK TO HER ABOUT IT? SURE. 48 00:05:11,277 --> 00:05:14,714 DON'T PUT ME THROUGH THIS LIKE A SUSPECT, ALL RIGHT, LIEUTENANT? 49 00:05:14,714 --> 00:05:16,983 NO ONE IS TREATING YOU LIKE A SUSPECT, GERI. 50 00:05:16,983 --> 00:05:19,919 ANTAGONIZE ME LIKE YOU HAVE BEFORE, AND I WON'T COOPERATE. 51 00:05:19,919 --> 00:05:23,089 I UNDERSTAND. 52 00:05:23,089 --> 00:05:25,858 GERI, IS YOUR FRIEND THERE NOW? 53 00:05:25,858 --> 00:05:29,062 HIS NAME IS TOM KONIGSBERG, AND THAT'S ALL I KNOW ABOUT IT. 54 00:05:29,295 --> 00:05:32,365 IF YOU GIVE US TOM'S ADDRESS, DIANE AND I CAN GET OVER THERE. 55 00:05:32,365 --> 00:05:35,601 [ Chuckles ] YOU'RE GONNA HAVE A REAL GOOD TIME WITH ME, AREN'T YOU? 56 00:05:35,601 --> 00:05:38,338 FIND HIM HANGING. 57 00:05:38,338 --> 00:05:40,773 WHY DON'T YOU JUST WRITE THE ADDRESS FOR US, GERI? COME ON. 58 00:05:45,778 --> 00:05:47,780 GONNA HAVE A REAL DAY AT THE BEACH. 59 00:06:19,112 --> 00:06:21,948 FREEZE A FURRY TIT, I'M OUT WITH ONE GLOVE ON. 60 00:06:21,948 --> 00:06:24,684 THEO LIKES TO SLEEP ON IT. HE THINKS IT'S LIKE SOME TEDDY BEAR. 61 00:06:24,684 --> 00:06:26,686 HE WAS ON IT THIS MORNING, HUH? YEAH. 62 00:06:26,686 --> 00:06:29,956 LOOK, ANDY. I'M SORRY I DIDN'T SPEND MORE TIME ON THE PHONE WITH YOU LAST NIGHT. 63 00:06:30,456 --> 00:06:32,458 I WAS RELIEVED YOU CALLED. DIANE, SHE WAS ALL STIRRED UP. 64 00:06:32,959 --> 00:06:34,660 I DIDN'T WANT TO BE AWAY FROM HER TOO LONG. 65 00:06:34,660 --> 00:06:38,164 SHE, UH, GOT THINGS OFF HER CHEST. SHE'S GOT THINGS, YOU KNOW. 66 00:06:38,164 --> 00:06:41,467 I'M JUST HOPING SHE'LL FEEL BETTER NOW. SHE LOOKS BETTER THIS MORNING. 67 00:06:41,734 --> 00:06:43,536 YEAH, I'M OPTIMISTIC. 68 00:06:44,537 --> 00:06:46,873 WHAT HAPPENED? 69 00:06:46,873 --> 00:06:48,808 TWO COALITIONS WENT AT IT. ONE D.O.A., 70 00:06:49,208 --> 00:06:52,412 FOUR AT THE HOSPITAL, THE REST ARE CUFFED. YOU SEE ANY OF IT? 71 00:06:52,412 --> 00:06:54,646 BLACK COALITION SHOWS UP. NAME'S NONE FORGOTTEN. 72 00:06:54,646 --> 00:06:56,931 START TWISTING ARMS FOR JOBS. 73 00:06:56,931 --> 00:06:59,100 FEW MINUTES LATER, HERE COMES BRONX UNITED. 74 00:06:59,100 --> 00:07:01,402 WHICH IS PUERTO RICAN. RIGHT. 75 00:07:01,402 --> 00:07:04,322 CONSTRUCTION BOSS CALLS US 'CAUSE HE SEES WHAT'S COMING. 76 00:07:04,322 --> 00:07:07,358 BY THE TIME WE GET HERE, THE SHAPE DIRECTORS ARE ALREADY INTO IT. 77 00:07:07,859 --> 00:07:09,243 THERE'S SIX OR SEVEN SET-TOS ALL AROUND THE YARD. 78 00:07:09,744 --> 00:07:12,947 ANYBODY SEE THIS GUY GET HIT? TOO BUSY SWINGING HAMMERS, TOSSING BRICKS. 79 00:07:14,415 --> 00:07:16,250 GOT A WALLET. 80 00:07:17,251 --> 00:07:21,122 EMILIO LOPEZ, SHAPE DIRECTOR, BRONX UNITED. 81 00:07:21,122 --> 00:07:23,675 BULLETPROOF VEST. LOOKS LIKE EMILIO FIGURED... 82 00:07:23,675 --> 00:07:25,593 THAT HE'D HAVE A PRETTY BAD DAY IN FRONT OF HIM. 83 00:07:26,094 --> 00:07:29,597 WE GOT SIX GUNS. YEAH, ASSORTED PIPES, HAMMERS, BATS. 84 00:07:29,597 --> 00:07:31,849 DONNYBROOK'S LIKE A DAILY THING WITH THESE GUYS. 85 00:07:31,849 --> 00:07:34,519 BUNCH OF PHONY HUSTLERS. HOW'S IT MAKE IT PHONIES, 86 00:07:34,802 --> 00:07:37,522 TRYING TO PERSUADE THESE SITE BOSSES TO GIVE JOBS TO MINORITIES? 87 00:07:37,522 --> 00:07:39,857 THEY'RE PHONIES 'CAUSE THEIR BIG PERSUASION TECHNIQUES... 88 00:07:39,857 --> 00:07:41,859 IS KNOCKING PEOPLE AROUND WITH BALL BATS, 89 00:07:41,859 --> 00:07:44,228 AND THEIR PREFERRED JOB POSITION-- 90 00:07:44,228 --> 00:07:46,230 THEY DON'T ACTUALLY HAVE TO SHOW UP TO DO NO WORK. 91 00:07:46,230 --> 00:07:48,733 NOT ONE HONEST GUY IN THE BUNCH, RIGHT, ANDY? 92 00:07:48,733 --> 00:07:51,319 MAYBE I'M WRONG, MARTINEZ. MAYBE ONE OF THESE GOOD FOLKS... 93 00:07:51,319 --> 00:07:54,155 IS GONNA LEAP UP AND SAY HE SAW A MURDER COMMITTED. 94 00:07:54,155 --> 00:07:56,457 LISTEN, WE'RE GONNA NEED TRANSPO TO GET ALL THESE GUYS BACK TO THE HOUSE. 95 00:07:56,958 --> 00:07:58,409 - THEY NEED TO BE INTERVIEWED. - SURE. 96 00:07:58,409 --> 00:08:01,162 ALL RIGHT. 97 00:08:03,297 --> 00:08:05,666 ANDY'S MISSING A GLOVE. YEAH. 98 00:08:05,666 --> 00:08:08,669 THAT ACCOUNTS FOR HIS, UH, PISS-POOR ATTITUDE, RIGHT? 99 00:08:08,669 --> 00:08:11,172 THAT, AND HE DON'T LIKE MOST PEOPLE. 100 00:08:23,234 --> 00:08:25,236 MORNING. HOW'S IT GOING? 101 00:08:25,236 --> 00:08:28,239 WELL, 911 TOOK AN ANONYMOUS CALL, SAID SOMEONE HUNG THEIRSELVES. 102 00:08:28,239 --> 00:08:31,409 M.E.'s ON THE WAY. LANDLADY'S DOWNSTAIRS. CAN YOU GET HER? 103 00:08:31,409 --> 00:08:33,244 YEAH, SURE. THANKS. 104 00:08:51,596 --> 00:08:53,347 PLANNED ON GOING TO WORK TODAY. 105 00:08:53,848 --> 00:08:55,349 THAT'S WHY THIS TOWEL'S AROUND THE ROPE. 106 00:08:55,850 --> 00:08:58,186 HE DIDN'T WANT LIGATURE MARKS. 107 00:09:08,112 --> 00:09:10,898 OH, THIS IS JUST FLABBERGASTING. 108 00:09:12,400 --> 00:09:15,736 I'M DIANE RUSSELL. THIS IS DETECTIVE KIRKENDALL. MILLIE HOLDEN. 109 00:09:15,736 --> 00:09:18,656 MILLIE, CAN YOU I.D. THIS MAN? 110 00:09:18,656 --> 00:09:21,993 TOM KONIGSBERG. HE'S LIVED HERE A YEAR AND A HALF. 111 00:09:21,993 --> 00:09:24,912 WHAT CAN YOU TELL US ABOUT HIM? 112 00:09:24,912 --> 00:09:28,416 WELL, I HAD NO INKLING OF THIS CARRYING-ON. 113 00:09:28,416 --> 00:09:32,136 HE WORKED STEADY. HE WAS A PUNCTUAL RENT-PAYER. 114 00:09:32,637 --> 00:09:37,258 BELIEVE ME, I NEVER SAW HIM IN DRESSES OR ANY INKLING OF THIS CONTRAPTION. 115 00:09:37,258 --> 00:09:39,010 HE NEVER EVEN PLAYED LOUD MUSIC. 116 00:09:39,010 --> 00:09:41,729 DID ANYONE ELSE HAVE A KEY TO HIS APARTMENT? 117 00:09:41,729 --> 00:09:45,850 A GIRLFRIEND, I THINK. SHE STAYED HERE ONE OR TWO TIMES A WEEK. 118 00:09:45,850 --> 00:09:50,271 UH, HER NAME WAS GERI. UH, SHE'S, UH, CHUNKY BUILD, 119 00:09:50,271 --> 00:09:52,857 UM, LOW TO MIDDLE 30 YEARS OF AGE. 120 00:09:52,857 --> 00:09:55,943 - UH, GERI TURNER. -GOOD. 121 00:09:55,943 --> 00:09:57,778 SHE HAD BROWNISH-RED HAIR, 122 00:09:58,279 --> 00:10:02,033 AND SHE WAS 5'8" TO 5'10". UH-HUH. 123 00:10:02,033 --> 00:10:03,868 DO YOU THINK SHE DID THIS TO HIM? 124 00:10:03,868 --> 00:10:06,621 WE'RE GONNA HAVE TO LOOK INTO THAT. THANKS VERY MUCH FOR YOUR HELP. 125 00:10:06,621 --> 00:10:09,707 OH, LISTEN, I DON'T HAVE TO TELL THE FAMILY, DO I? NO. NO, WE'LL TAKE CARE OF THAT. 126 00:10:09,707 --> 00:10:13,377 IF IT WAS MY SON, I'D WANT SOMEONE SHOULD LIE TO ME HOW THEY FOUND HIM. 127 00:10:13,377 --> 00:10:15,213 THANK YOU. 128 00:10:17,215 --> 00:10:19,767 [ Sighs ] MAYBE WE OUGHT TO CHECK AT THE SEX STORE, 129 00:10:19,767 --> 00:10:22,436 SEE IF THEY REMEMBER THIS GUY WITH ANYBODY BUT GERI. 130 00:10:22,937 --> 00:10:25,773 SO YOU'RE REALLY NOT LOOKING FORWARD TO GOING BACK TO THE HOUSE TO INTERVIEW GERI, HUH? 131 00:10:26,274 --> 00:10:28,643 YOU GOT THAT RIGHT. 132 00:10:35,199 --> 00:10:38,152 SLAP ME FOR SAYING THOSE BOOTS LOOK KINDA COOL. 133 00:10:48,045 --> 00:10:51,032 [ Chattering ] 134 00:10:51,032 --> 00:10:53,951 YOU GUYS, SIT RIGHT THERE. 135 00:10:57,371 --> 00:11:01,042 D.O.A. TOOK ONE IN THE HEAD. NAME'S EMILIO LOPEZ. HE'S THE NUMBER TWO GUY FOR BRONX UNITED. 136 00:11:01,042 --> 00:11:02,743 COMES TO WORK WITH A BULLETPROOF VEST. 137 00:11:02,743 --> 00:11:06,414 WE GOT SIX DITCHED WEAPONS, BUT IT'S GONNA BE TOUGH TO GET THE PRINTS. 138 00:11:06,414 --> 00:11:08,583 YEAH, THIS COLD, EVERYBODY'S WEARING GLOVES. 139 00:11:08,583 --> 00:11:11,752 HALF THESE GUYS GOT SHEETS, PLUS THEY'RE IN FACTIONS AGAINST EACH OTHER. 140 00:11:12,253 --> 00:11:15,673 WHO GETS THE MOST SNOUTS IN THE TROUGH FOR NO-SHOW JOBS. 141 00:11:15,673 --> 00:11:18,092 THAT'S THE CONTRACTOR OVER THERE. WE'RE GONNA START WITH HIM. 142 00:11:18,092 --> 00:11:20,311 YOU NOTIFY THE D.O.A.'s FAMILY? 143 00:11:20,311 --> 00:11:23,598 SHE WAS TAKING THE KIDS TO SCHOOL. WE LEFT A MESSAGE WITH THE NEIGHBORS. 144 00:11:23,598 --> 00:11:25,650 - YEAH. - YO, CAN I GET OUT OF HERE? 145 00:11:25,650 --> 00:11:27,818 KEEP ME POSTED. WHAT'S YOUR NAME? 146 00:11:27,818 --> 00:11:31,322 - RAY HARVEY. - WHERE WERE YOU STANDING WHEN THE SHOOTIN' HAPPENED, RAY? 147 00:11:31,322 --> 00:11:33,324 I DON'T KNOW. THAT'S WHY I WANT TO GET OUT. 148 00:11:33,324 --> 00:11:35,993 YOU DON'T KNOW WHERE YOU WERE STANDING? UH-UH. 149 00:11:35,993 --> 00:11:40,197 - DID YOU HEAR THE SHOTS? - HAD MY WALKMAN ON. THAT'S WHAT I'M TRYING TO TELL YOU ALL. 150 00:11:40,197 --> 00:11:42,867 WHERE IS IT YOU GOTTA BE? GOTTA TAKE MY SISTER TO THE DOCTOR. 151 00:11:42,867 --> 00:11:46,003 -WHAT IF YOU HAD A JOB TO GO TO? -SHE WOULDN'T GET TO GO. 152 00:11:46,003 --> 00:11:48,839 - CAN YOU BE BACK HERE AT 4:00? - YEAH, I CAN BE BACK HERE BY THEN. 153 00:11:48,839 --> 00:11:51,292 ALL RIGHT. WRITE YOUR NAME, ADDRESS AND HOME PHONES. 154 00:11:51,292 --> 00:11:54,011 GOT ANY PICTURE I.D., MR. HARVEY? 155 00:11:56,514 --> 00:11:59,016 SOME COFFEE, MR. DELUCA? 156 00:11:59,517 --> 00:12:01,519 I'M NERVOUS ENOUGH AS IT IS. 157 00:12:01,519 --> 00:12:03,854 - DECAF? - NO. 158 00:12:03,854 --> 00:12:05,556 REALLY SOMETHING THAT WENT ON TODAY, HUH? 159 00:12:05,556 --> 00:12:09,560 I GO THROUGH CRAP WITH THESE COALITIONS ALL THE TIME. 160 00:12:09,560 --> 00:12:12,563 THEY SHOW UP, NO TOOLS, NO SKILLS WORTH A CRAP. 161 00:12:12,563 --> 00:12:15,066 I DON'T HIRE THEM, THE SITE GOES UP FOR GRABS. 162 00:12:15,066 --> 00:12:18,869 I PUT UP WITH THE B.S., THE BRAWLS. 163 00:12:20,738 --> 00:12:22,239 BUT A KILLING? 164 00:12:22,239 --> 00:12:24,542 YOU KNOW EMILIO LOPEZ? 165 00:12:24,542 --> 00:12:27,995 NO. I TALKED TO HIM FOR, LIKE, TWO SECONDS THIS MORNING. 166 00:12:27,995 --> 00:12:29,997 THEN BLUESTONE GOT IN HIS FACE. 167 00:12:29,997 --> 00:12:32,333 BLUESTONE BEING FROM THIS OTHER COALITION, NONE FORGOTTEN? 168 00:12:32,333 --> 00:12:35,803 THE BLACK GROUP, RIGHT. DID BLUESTONE HAVE A WEAPON THAT YOU SAW... 169 00:12:35,803 --> 00:12:37,555 WHEN HE WAS IN LOPEZ'S FACE? 170 00:12:37,922 --> 00:12:40,975 - I DON'T KNOW. I WENT TO MY OFFICE. - YOU WENT TO YOUR OFFICE. 171 00:12:42,393 --> 00:12:44,895 LOOK, ALL I WANTED WAS TO PUT UP THIS SENIOR CENTER... 172 00:12:44,895 --> 00:12:47,348 WITHOUT THE SKY FALLING IN. 173 00:12:47,348 --> 00:12:49,900 I PUT UP WITH EVERYTHING, AND STILL SOMETHING WORSE STILL HAPPENS. 174 00:12:57,992 --> 00:13:00,244 ALL RIGHT,I'MGONNA SAY SOMETHING HERE. 175 00:13:00,244 --> 00:13:02,830 AND PROBABLY IT'S GONNA GET MY HEAD BEAT OR SOMETHING ELSE. 176 00:13:02,830 --> 00:13:06,500 I'M GONNA SAY I HAVE A TAPE HERE WHICH IS A SURVEILLANCE TAPE OF THE SITE. 177 00:13:06,500 --> 00:13:09,754 MAYBE YOU PEOPLE WILL SEE SOMETHING IN CONJUNCTION WITH YOUR INVESTIGATION... 178 00:13:09,754 --> 00:13:12,256 TO SHOW WHO DID WHAT. 179 00:13:12,256 --> 00:13:15,259 AND IF THAT HAPPENS, ALL I'M ASKING IS... 180 00:13:15,259 --> 00:13:18,379 NOT TO BE QUOTED THE SOURCE OF THAT TAPE. 181 00:13:18,379 --> 00:13:20,931 BUT I'M GOING THIS FAR BECAUSE THIS IS MURDER. 182 00:13:23,884 --> 00:13:26,020 AND ENOUGH'S ENOUGH. 183 00:13:26,020 --> 00:13:29,557 [ Woman ] OH, MY GOD! OH, NO! [ Crying ] 184 00:13:29,557 --> 00:13:32,276 STICK RIGHT HERE. 185 00:13:32,276 --> 00:13:34,729 OH, MY GOD! NO, EMILIO! [ Speaking Spanish ] 186 00:13:35,229 --> 00:13:38,566 WHY DON'T YOU SIT HERE WITH JAMES, MRS. LOPEZ. I'LL GET YOU SOME WATER. 187 00:13:39,066 --> 00:13:41,235 OH, MY GOD! SHH. TAKE IT EASY, ALL RIGHT? 188 00:13:41,235 --> 00:13:44,205 WHO DID IT? WHO KILLED EMILIO? 189 00:13:44,205 --> 00:13:46,207 WE'RE LOOKING INTO HOW IT HAPPENED. 190 00:13:46,207 --> 00:13:48,743 HE WAS AN HONEST MAN. 191 00:13:48,743 --> 00:13:50,578 HE BELIEVED WHAT HE WAS DOING. HE WAS GOOD. 192 00:13:50,578 --> 00:13:52,580 SIR, YOU CAN'T GO IN THERE. 193 00:13:52,580 --> 00:13:55,549 DINA! DINA! DINA. [ Spanish ] 194 00:13:55,549 --> 00:13:58,302 NO! NO. NO. WHO KILLED EMILIO? 195 00:13:58,302 --> 00:14:01,472 I SWEAR, WE'RE GONNA FIND THAT OUT. I'M JOE FERNANDEZ, HEAD OF BRONX UNITED. 196 00:14:01,472 --> 00:14:05,259 -YOU WEREN'T AT THE SITE? -WE'VE BEEN TIED UP AT THE OFFICE EVER SINCE THE SHOOTING. 197 00:14:05,726 --> 00:14:08,262 PHONE'S BEEN RINGING LIKE THERE'S NO TOMORROW. [ Man ] HEY, JOSE. 198 00:14:08,262 --> 00:14:10,931 HERMANOS. [ Spanish ] 199 00:14:10,931 --> 00:14:15,152 MY HUSBAND WAS AN HONEST MAN, AND HE'S DEAD FOR TRYING TO DO GOOD. 200 00:14:15,152 --> 00:14:18,739 - THAT'S RIGHT, DINA. - HE WAS HONEST. HE WAS TRYING TO GET REAL JOBS. 201 00:14:18,739 --> 00:14:21,408 -YOU LET IT OUT,MIJITA. YOU LET IT OUT. - HEY, HEY. HEY. 202 00:14:21,408 --> 00:14:23,160 OVER HERE. ABSOLUTELY. 203 00:14:23,661 --> 00:14:25,780 - YOU TAKE GOOD CARE OF HER, YOU HEAR? - TALK A WALK. 204 00:14:26,280 --> 00:14:28,365 - AND WE HAD THREE LITTLE KIDS. -TRY AND TAKE IT EASY. 205 00:14:28,365 --> 00:14:31,285 WHAT AM I GONNA DO? MY GOD! 206 00:14:31,285 --> 00:14:35,790 SO, MAYBE A DECENT GUY GOT THROUGH THE NET INTO ONE OF THESE GROUPS, HUH, ANDY? 207 00:14:35,790 --> 00:14:37,675 YEAH, AND MAYBE IT GOT HIM KILLED. 208 00:15:07,872 --> 00:15:10,624 - LADIES. - DETECTIVES. 15th SQUAD. 209 00:15:10,624 --> 00:15:12,426 OH. 210 00:15:12,426 --> 00:15:15,346 WE'RE INVESTIGATING AN INCIDENT INVOLVING ONE OF YOUR CUSTOMERS. 211 00:15:15,846 --> 00:15:18,182 HE RECENTLY BOUGHT A PAIR OF LEATHER CUFFS HERE AT YOUR SHOP. 212 00:15:18,182 --> 00:15:22,186 WE SELL AN ARRAY OF RESTRAINTS. YOU'LL HAVE TO BE MORE SPECIFIC. 213 00:15:22,186 --> 00:15:24,188 BLACK LEATHER WRIST AND ANKLE RESTRAINTS. 214 00:15:24,188 --> 00:15:26,440 SILVER SPIKED COLLAR CONNECTED BY CHAINS. 215 00:15:26,440 --> 00:15:28,442 - UH-HUH. - RING A BELL? 216 00:15:28,442 --> 00:15:32,196 THOSE COULD BE OUR BEAST-MASTER CUFFS. 217 00:15:41,972 --> 00:15:45,492 RIGHT. THOSE ARE THE ONES. 218 00:15:46,777 --> 00:15:49,697 DO YOU RECOGNIZE HIM? 219 00:15:49,697 --> 00:15:52,433 DO I LEGALLY HAVE TO SAY? WHAT'S YOUR NAME? 220 00:15:52,433 --> 00:15:55,736 LORI GITTMAN. WE'RE INVESTIGATING A FELONY, LORI. 221 00:15:55,736 --> 00:15:59,073 YOU WITHHOLD INFORMATION, YOU'RE OBSTRUCTING, WHICH IS A FELONY TOO. 222 00:16:01,041 --> 00:16:02,910 OKAY. SO I RECOGNIZE HIM. 223 00:16:02,910 --> 00:16:05,663 WHAT ABOUT PEOPLE HE'D FREQUENT THE SHOP WITH? 224 00:16:05,663 --> 00:16:08,349 GOT ANY PICTURES? NO. 225 00:16:08,349 --> 00:16:12,186 THERE'S THIS HEAVY WOMAN, UM, WITH DARK RED HAIR. 226 00:16:12,186 --> 00:16:15,656 USUALLY CAME IN WITH HIM. BOUGHT A LOT OF DOMINATRIX STUFF. 227 00:16:15,656 --> 00:16:19,577 AND SOME PRETTY BALLSY LINGERIE FOR A WOMAN OF HER PROPORTION. 228 00:16:20,878 --> 00:16:23,230 - DID SHE DIE? -NO. 229 00:16:23,230 --> 00:16:25,950 HE'S NOT WITH US ANYMORE. UH-OH. 230 00:16:25,950 --> 00:16:30,404 DO YOU REMEMBER ANYONE OTHER THAN THE HEAVYSET WOMAN BEING WITH HIM? 231 00:16:30,404 --> 00:16:32,806 HE'D COME IN BY HIMSELF SOMETIMES, BUT WHEN HE WAS WITH SOMEONE ELSE, 232 00:16:32,806 --> 00:16:35,042 IT WAS ALWAYS WITH HER. 233 00:16:35,542 --> 00:16:36,877 OKAY. THANKS A LOT. OKAY. 234 00:16:36,877 --> 00:16:39,680 I THINK HER NAME WAS GERI. 235 00:16:41,682 --> 00:16:43,183 GREAT. 236 00:16:51,675 --> 00:16:54,461 HAVE A SEAT, MR. FERNANDEZ. 237 00:17:01,635 --> 00:17:05,589 THIS HERE'S A $1,200 SUIT. YOU WANT ME TO SIT IN SOMEONE'S COFFEE CAKE CRUMBS? 238 00:17:05,589 --> 00:17:07,341 MAID'S DAY OFF. 239 00:17:07,341 --> 00:17:10,644 HOLD MY MEN, KEEP US ALL FROM A DAY'S PAY. 240 00:17:10,644 --> 00:17:12,980 LOOK AT IT LIKE A MOURNING PERIOD FOR EMILIO LOPEZ. 241 00:17:12,980 --> 00:17:15,933 EMILIO WAS SOLID WITH THE COALITION. 242 00:17:15,933 --> 00:17:17,935 WOULD'VE WANTED US WE KEPT KEEPING ON. 243 00:17:17,935 --> 00:17:20,237 BOTH COALITION OFFICERS, YOU AND HIM MUST'VE BEEN TIGHT? 244 00:17:20,237 --> 00:17:22,273 - SURE. - OR NOT. 245 00:17:22,273 --> 00:17:24,942 DON'T SPEAK BAD OF THE DEAD. 246 00:17:25,442 --> 00:17:28,779 - SUPPOSE HE WAS STILL AROUND? - THEN PROBABLY BE RUNNING HIS MOUTH, PREACHING. 247 00:17:28,779 --> 00:17:31,949 AREN'T THE COALITIONS FOR THE WORKERS TO SPEAK UP? 248 00:17:31,949 --> 00:17:35,536 THAT'S THE POLITICAL SIDE, WHAT LOPEZ DID. I DID THE BUSINESS PART-- 249 00:17:36,036 --> 00:17:37,538 GETTING PEOPLE WORK, FOOD ON THE TABLE. 250 00:17:37,538 --> 00:17:41,592 -YOU TELL ME WHAT'S BETTER. - HOW ABOUT THE NO-SHOW JOBS AND SHAKEDOWNS? 251 00:17:41,592 --> 00:17:43,761 HOW'D LOPEZ FEEL ABOUT THOSE? DON'T TAKE YOUR MEANING. 252 00:17:43,761 --> 00:17:46,463 SITE BOSSES TIGHTEN YOU UP TO KEEP TROUBLE OUT. 253 00:17:46,463 --> 00:17:48,932 EMILIO WANT A PIECE OF THAT MONEY, JOE? 254 00:17:49,433 --> 00:17:51,302 I WASN'T EVEN AT THE SITE, ALL RIGHT? 255 00:17:51,302 --> 00:17:54,138 IS THAT A YES ON WANTING SOME OF YOUR ACTION, JOE? 256 00:17:54,138 --> 00:17:58,108 EMILIO WASN'T DOWN FOR LINING HIS POCKETS. BIG MAN OF THE PEOPLE. 257 00:17:58,108 --> 00:18:00,311 LOPEZ MENTION TO YOU HE WAS STARTING HIS OWN COALITION? 258 00:18:00,311 --> 00:18:02,646 I HEARD SOME OF THAT TALK. THEN FROM THERE... 259 00:18:02,646 --> 00:18:05,282 HE WAS GONNA STAND UP FOR THE COMMUNITY, THEN CITY POLITICS. 260 00:18:05,282 --> 00:18:07,818 THEN NEXT, HERMAN BADILLO. 261 00:18:07,818 --> 00:18:10,371 NOTHING WORSE THAN A GUY WITH DREAMS, HUH, JOE? 262 00:18:10,371 --> 00:18:13,374 DIDN'T LIKE HIM, AND I DIDN'T KILL HIM. 263 00:18:13,374 --> 00:18:15,459 WASN'T AT THE SITE. 264 00:18:15,459 --> 00:18:18,545 [ Sighs ] MAYBE YOU TWO GOT A HARD-ON FOR ME... 265 00:18:19,046 --> 00:18:21,548 'CAUSE I MAKE SIX FIGURES AND DON'T EVEN HAVE A HIGH SCHOOL DIPLOMA. 266 00:18:21,548 --> 00:18:23,801 THAT IT? 267 00:18:23,801 --> 00:18:26,420 BYE, FERNANDEZ. LET'S GO. 268 00:18:36,730 --> 00:18:39,516 THERE. UH, THE SHOOTING WAS AT 7:20, RIGHT? 269 00:18:39,516 --> 00:18:41,235 YEAH. 270 00:18:41,235 --> 00:18:44,355 YOU NEED SOME BATTERIES IN HERE, LIEU. 271 00:18:51,829 --> 00:18:55,783 UH-HUH. THAT'S THE TUBE STEAK'S HEAD OF THE NONE FORGOTTEN. 272 00:18:55,783 --> 00:18:59,920 - BLUESTONE. - YEAH. PUTS A BAT IN HIS HAND, BUT NO GUN. 273 00:18:59,920 --> 00:19:04,291 MAIN FIGHTING'S ON THE RIGHT. THIS GUY'S COMING FROM THE OPPOSITE DIRECTION. 274 00:19:04,291 --> 00:19:07,594 ISN'T THAT THAT RAY HARVEY GUY THAT GREG AND JAMES WERE TALKING TO HERE IN THE SQUAD? 275 00:19:08,796 --> 00:19:11,465 READY TO MAKE ARRESTS? 276 00:19:13,600 --> 00:19:16,854 MAYBE BEHIND BLUESTONE SHOWING NO PIECE, YOU RULE HIM OUT AS A SUSPECT. 277 00:19:16,854 --> 00:19:19,640 LOOK TO HIM FOR A PUSH WHO HE THINKS DID IT. 278 00:19:19,640 --> 00:19:23,026 SISTER SUN RAY-- SAYS SHE'S GOT SOMETHING FOR YOU ON THIS. 279 00:19:23,026 --> 00:19:25,028 YEAH. WHAT KIND OF TROUBLE IS SHE IN? 280 00:19:25,028 --> 00:19:27,898 TOOK A POLICY COLLAR. YEAH, LET'S CHAT WITH HER FIRST. 281 00:19:27,898 --> 00:19:30,701 I ALWAYS PREFER GETTING LIED TO BY PROFESSIONALS. 282 00:19:37,040 --> 00:19:38,792 BOSS. WHAT'D YOU GET? 283 00:19:38,792 --> 00:19:41,545 GERI'S WAY INTO THIS BLEECKER STREET HANGING. 284 00:19:41,545 --> 00:19:45,716 - SHE TOOK THE GUY OUT? - GUY CROAKED BEHIND SOME KIND OF AUTOEROTIC ASPHYXIA, 285 00:19:45,716 --> 00:19:48,001 BUT SHE WAS DEFINITELY INVOLVED. 286 00:19:48,001 --> 00:19:50,421 HE'S, UH-- HE'S HANGING FROM A HOOK, 287 00:19:50,421 --> 00:19:52,923 CROSS-DRESSED IN WOMEN'S UNDERWEAR, BOUND AT THE ANKLES AND WRIST. 288 00:19:52,923 --> 00:19:57,478 MINIMUM, HE HAD TO HAVE A WARDROBE ASSISTANT, PROBABLY A SPOTTER TO HANG HIM UP. 289 00:19:57,478 --> 00:19:59,513 GERI'S GOT A KEY TO HIS PLACE. LANDLADY SAYS, UH, 290 00:20:00,013 --> 00:20:02,399 SHE STAYS THERE A COUPLE TIMES A WEEK. SALESGIRL AT THE SEX STORE... 291 00:20:02,399 --> 00:20:05,853 THIS GUYS SCORES HIS TOYS AT PUTS HIM SHOPPING WITH GERI THREE OR FOUR TIMES. 292 00:20:05,853 --> 00:20:08,405 OH, BROTHER. SHE GIVE ANYTHING UP AFTER WE LEFT? 293 00:20:08,405 --> 00:20:11,191 SHE WENT UPSTAIRS TO WORK. 294 00:20:11,992 --> 00:20:14,995 ALL RIGHT, I'LL CALL HER TO COME DOWN. 295 00:20:16,497 --> 00:20:18,949 GREAT. 296 00:20:25,456 --> 00:20:28,125 SO HOW'D YOU WIND UP WITH THIS POLICY COLLAR, SISTER? 297 00:20:28,125 --> 00:20:32,513 YOUNG MAN GOING PAST A SPEED LIMIT, 'LEGEDLY HOLDING SOME SLIPS. 298 00:20:32,513 --> 00:20:34,965 AND HE SAID THEY BELONGED TO YOU? THERE'S A NUMBERS RUNNER... 299 00:20:34,965 --> 00:20:37,768 - WITH AN ENORMOUS FUTURE. - HOW ABOUT HE'S MY GRANDNEPHEW. 300 00:20:37,768 --> 00:20:40,354 DROP HIM FROM THE WILL. 301 00:20:40,354 --> 00:20:44,358 SO, OUR BOSS SAYS YOU MAY BE ABLE TO HELP US ON THIS CONSTRUCTION SITE HOMICIDE. 302 00:20:44,358 --> 00:20:47,361 I'LL TELL YOU WHAT I BELIEVE, WHICH IS... 303 00:20:47,361 --> 00:20:50,364 RAY HARVEY PUT OUT A HIGH-RISK INVESTMENT, 304 00:20:50,364 --> 00:20:52,866 THEN LOST HIS PATIENCE AND JUDGMENT, 305 00:20:52,866 --> 00:20:54,735 WOUND UP SHOOTING THIS SPANISH LOPEZ TO DEATH. 306 00:20:54,735 --> 00:20:56,703 WHAT KIND OF INVESTMENTS WE TALKING ABOUT HERE? 307 00:20:56,703 --> 00:20:59,072 RAY LOANED MONEY TO JOE FERNANDEZ. 308 00:20:59,072 --> 00:21:03,877 JOE ABOUT TO GET HIS ASS KICKED OUT OF BOSSING THAT WORKINGMAN'S COALITION... 309 00:21:03,877 --> 00:21:06,880 OR THIS SPANISH LOPEZ WAS GONNA SPLIT IT UP. 310 00:21:06,880 --> 00:21:10,717 SO, RAY GOT WORRIED HE WASN'T GONNA GET HIS MONEY BACK. 311 00:21:11,218 --> 00:21:13,637 WHICH YOU COME TO KNOW ALL ABOUT, HOW? 312 00:21:14,137 --> 00:21:17,891 RAY MADE A SCORE OFF ME. HE HIT $18 ON THE BROOKLYN NUMBER. 313 00:21:17,891 --> 00:21:20,844 THEN HE COME TO ASK, HOW SHOULD HE INVEST THAT MONEY. 314 00:21:20,844 --> 00:21:25,265 'CAUSE THE SISTER, SHE DON'T JUST BOOK POLICY, SHE'S AN INVESTMENT ADVISER TOO. 315 00:21:25,265 --> 00:21:28,685 COME FOR GUIDANCE. "WHO'S WORTH CREDIT, SISTER?" 316 00:21:28,685 --> 00:21:30,354 "WHAT JUICE THEY GONNA STAND?" 317 00:21:30,354 --> 00:21:33,106 AND YOU GAVE HIM JOE FERNANDEZ TO LOAN MONEY TO? 318 00:21:33,106 --> 00:21:35,492 NO. I GIVE HIM SAM BLUESTONE, 319 00:21:35,492 --> 00:21:40,030 WHICH IS CREDITWORTHY, STEADY PLAY AND PAY. 320 00:21:40,030 --> 00:21:42,449 BUT SAM GIVE RAY JOE, 321 00:21:42,449 --> 00:21:45,202 WHICH BEHIND ALL THAT TROUBLE JOE HAD, 322 00:21:45,202 --> 00:21:47,621 SPANISH LOPEZ RAISING THAT REBELLION. 323 00:21:47,621 --> 00:21:51,425 - THAT'S HOW THIS ALL COME OFF. - RAY KILLS LOPEZ. 324 00:21:51,425 --> 00:21:56,179 - NOW YOU ON IT, BABY. -NO. WE'RE NOT SO SURE WE'RE ON IT YET. 325 00:21:56,179 --> 00:21:59,349 LAST NIGHT, SAM BLUESTONE COME TO HEAR... 326 00:21:59,850 --> 00:22:02,970 THAT SPANISH LOPEZ IS COMING DOWN TO A NONE FORGOTTEN SITE. 327 00:22:03,470 --> 00:22:06,356 SAM BLUESTONE HEARD THAT BRONX UNITED WAS COMING TO A NONE FORGOTTEN SITE, 328 00:22:06,356 --> 00:22:10,561 - AND HE TOLD THIS TO RAY HARVEY. - AT MY HOUSE. 329 00:22:10,561 --> 00:22:14,064 AND BLUESTONE, HE HEARD THIS FROM JOE FERNANDEZ, THAT BRONX UNITED WAS COMING? 330 00:22:14,064 --> 00:22:16,283 I GUESS YOU'D BE RIGHT. 331 00:22:16,283 --> 00:22:18,652 SO EVEN THOUGH THEIR BOSSIN' FROM RIVAL COALITIONS, 332 00:22:18,652 --> 00:22:20,654 THESE TWO GUYS, THEY'RE TIGHT, SAM AND JOE? 333 00:22:20,654 --> 00:22:23,073 BEHIND SAM VOUCHING FOR JOE'S CREDIT, 334 00:22:23,574 --> 00:22:25,292 ONLIEST WAY I'D TAKE A STAND ON THAT. 335 00:22:25,792 --> 00:22:27,294 WHICH YOUR STAND WOULD BE THEY ARE TIGHT. 336 00:22:27,294 --> 00:22:30,297 SO, RAY IS AT YOUR PLACE WHEN BLUESTONE TELLS HIM... 337 00:22:30,297 --> 00:22:34,001 THAT BRONX UNITED IS COMING ON A BUS AND EMILIO LOPEZ IS THE ONE THAT'S IN CHARGE? 338 00:22:34,001 --> 00:22:37,504 RAY COMES UP IN ARMS, TALKING ABOUT, 339 00:22:37,504 --> 00:22:40,173 "DON'T PAY HIS DEBT, NOW HE GONNA TAKE JOBS AWAY TOO?" 340 00:22:40,674 --> 00:22:43,427 BUT W-W-WAIT. IT'S JOE FERNANDEZ THAT OWES RAY MONEY. 341 00:22:43,427 --> 00:22:48,148 BUT IN RAY'S MIND, IT'S SPANISH LOPEZ KEEPS HIM FROM PAYING. 342 00:22:48,148 --> 00:22:51,852 RAY SAID HE GOT SOMETHING IN HIS CAR FOR LOPEZ. 343 00:22:51,852 --> 00:22:55,656 HE GONNA TAKE HIM DOWN. .38. 344 00:22:55,656 --> 00:22:58,408 I GUESS HE TOLD THE TRUTH. 345 00:22:58,408 --> 00:23:00,694 YOU SEE RAY AFTERWARDS? HE TELL YOU WHAT HAPPENED? 346 00:23:00,694 --> 00:23:04,831 NO. I SEE SAM IN THE HALL THOUGH JUST NOW. 347 00:23:04,831 --> 00:23:08,585 HE TOOK ME ASIDE, SAID RAY DID WHAT HE SAID. 348 00:23:08,585 --> 00:23:13,206 SAM BLUESTONE SAYS THAT RAY KILLED EMILIO LOPEZ? 349 00:23:13,206 --> 00:23:16,043 SAID HE SAW HIM DO IT. 350 00:23:17,544 --> 00:23:19,379 SO-- 351 00:23:19,379 --> 00:23:23,350 THIS BEEF MY GRANDNEPHEW PUT ME IN, 352 00:23:23,350 --> 00:23:25,185 WHO'S GONNA MAKE THAT GO AWAY? 353 00:23:27,137 --> 00:23:29,222 YOU STOOD A POLICY COLLAR BEFORE, HAVEN'T YOU, SISTER? 354 00:23:29,222 --> 00:23:31,058 I DID WHEN I HAD TO. 355 00:23:31,058 --> 00:23:35,779 'CAUSE GIVING UP RAY HARVEY, THAT'S A LOT OF COOPERATION TO BEAT A MISDEMEANOR. 356 00:23:36,113 --> 00:23:37,948 WHAT MAKES THE COUNTRY GO? 357 00:23:47,457 --> 00:23:50,460 BELIEVE A WORD SHE SAID, THE PASSING OF EMILIO LOPEZ... 358 00:23:50,460 --> 00:23:52,963 GOT NOTHING TO DO WITH COALITIONS FIGHTING OVER JOBS... 359 00:23:52,963 --> 00:23:56,466 OR BLACKS VERSUS PUERTO RICANS OR NONE OF THE OTHER GREAT ISSUES. 360 00:23:56,466 --> 00:23:59,002 A HALF-ASSED SHYLOCK WORRIED OVER HIS LOAN... 361 00:23:59,002 --> 00:24:02,089 MURDERS THE POOR SLOB WHO ISN'T EVEN THE ONE WHO OWES HIM THE MONEY? 362 00:24:02,089 --> 00:24:06,009 RETURNS US TO THE LARGE UNCERTAINTY, DID THAT BIG BLIMP TELL US THE TRUTH? 363 00:24:06,009 --> 00:24:09,479 YOU THINK BLUESTONE'S GONNA BE OF ANY HELP, BEING THAT HE KNOWS THE SISTER? 364 00:24:09,479 --> 00:24:12,983 HE'S GOT CREDIBILITY WITH ME FITTING IN THE SAME ROOM WITH HER. 365 00:24:15,485 --> 00:24:17,988 YEAH, WE MIGHT AS WELL REACH OUT TO BLUESTONE, 366 00:24:17,988 --> 00:24:19,823 SEE HOW HE'S GONNA TRY TO MOVE US AROUND. 367 00:24:23,159 --> 00:24:26,162 LET'S... TAKE ANOTHER MINUTE QUIET TIME. 368 00:24:28,031 --> 00:24:30,750 [ Knocking ] YEAH? 369 00:24:30,750 --> 00:24:34,003 - CAN I ASK A FAVOR, BOSS? - YEAH, SURE. 370 00:24:34,003 --> 00:24:36,506 GINA'S GETTING HER STITCHES OUT AT 2:00. SHE ASKED IF I'D GO WITH HER. 371 00:24:36,506 --> 00:24:40,126 ALL RIGHT, UM, GIVE ME A 28, TAKE A FEW HOURS LOST TIME. 372 00:24:40,126 --> 00:24:44,881 - HEY, I REALLY APPRECIATE IT. - SO, UM, HOW'S GINA DOING? 373 00:24:44,881 --> 00:24:48,217 OH, SHE HAS SOME EMOTIONAL CONCERNS. 374 00:24:48,217 --> 00:24:50,970 SHE'S CONCERNED NO ONE'S GONNA WANT TO LOOK AT HER. 375 00:24:50,970 --> 00:24:53,056 WELL, HER ASKING YOU TO BE WITH HER... 376 00:24:53,056 --> 00:24:55,608 GIVES YOU A GOOD OPPORTUNITY TO BE SUPPORTIVE ABOUT THAT. 377 00:24:55,608 --> 00:24:58,611 ABSOLUTELY. UH, I'M WORRIED IF I DON'T REACT WELL-- 378 00:24:58,611 --> 00:25:00,813 I DON'T WANNA WINCE OR PULL BACK. YEAH. 379 00:25:01,314 --> 00:25:03,316 I'M SURE YOUR BEING THERE IS GONNA BE A HELP. 380 00:25:03,316 --> 00:25:06,202 YEAH, JUST CONCENTRATE ON HER. UH, THAT'S HOW I'M THINKING ABOUT IT. 381 00:25:06,202 --> 00:25:09,038 YEAH. SO, YOU'LL BE LEAVING AROUND 1:00? 382 00:25:09,038 --> 00:25:11,991 YEAH. YEAH. OKAY, THAT'S FINE. 383 00:25:11,991 --> 00:25:14,744 OKAY. THANKS. HEY, UM, 384 00:25:16,546 --> 00:25:18,381 TELL GINA WE'RE ALL THINKING ABOUT HER. ALL RIGHT. 385 00:25:25,471 --> 00:25:27,256 GOTTA GO. 386 00:25:30,927 --> 00:25:33,179 HI, GERI. HI. 387 00:25:33,679 --> 00:25:35,181 LET'S GO INTO THE COFFEE ROOM. 388 00:25:35,681 --> 00:25:38,434 ALL RIGHT, IF YOU THINK THAT'S APPROPRIATE. 389 00:25:43,156 --> 00:25:45,942 [ Clears Throat ] WE FOUND TOM. 390 00:25:45,942 --> 00:25:49,028 - WAS HE HANGING THE WAY I DESCRIBED HIM? - YEAH. UH-HUH. 391 00:25:49,028 --> 00:25:54,117 GERI, UH, TOM WAS BOUND BY HIS WRISTS AND ANKLES. 392 00:25:54,117 --> 00:25:56,536 WAS IT YOU TIED HIM UP? 393 00:25:56,536 --> 00:25:59,622 WHY ARE YOU ASKING ME THAT? BECAUSE WE WANNA KNOW THE ANSWER. 394 00:25:59,622 --> 00:26:03,042 -WELL, I'M NOT SURE I WANT TO GIVE IT. -HAVE WE GIVEN YOU ANY REASON... 395 00:26:03,042 --> 00:26:05,044 TO FEEL THIS HAS TO BE US AGAINST YOU, GERI? 396 00:26:05,044 --> 00:26:08,598 WE'RE TRYING TO ESTABLISH AS MUCH INFORMATION AS WE CAN. 397 00:26:08,598 --> 00:26:10,633 OH, PLEASE. OH, SURE. 398 00:26:13,052 --> 00:26:16,055 GERI, SINCE WE FOUND TOM DEAD, HANGING THE WAY YOU DESCRIBED, 399 00:26:16,055 --> 00:26:19,058 AND I THINK DIANE MENTIONED BOUND AT THE WRIST AND ANKLES-- 400 00:26:19,058 --> 00:26:21,978 YOU'RE REALLY HAVING A GOOD TIME, AREN'T YOU? 401 00:26:22,478 --> 00:26:25,815 AND I MENTIONED THE LANDLADY TELLING US ABOUT YOUR FRIENDSHIP WITH TOM, 402 00:26:25,815 --> 00:26:28,618 AND THAT YOU HAD YOUR OWN KEY. 403 00:26:28,618 --> 00:26:31,988 ALSO, WE TRACED SOME OF THE SEXUAL PARAPHERNALIA FROM THAT ROOM, 404 00:26:31,988 --> 00:26:33,539 AND THE CLERK AT MOTHER'S IDENTIFIED YOU... 405 00:26:34,040 --> 00:26:36,042 AS HAVING BOUGHT THE LEATHER CUFFS WE FOUND ON TOM. 406 00:26:36,042 --> 00:26:38,995 I'M TELLING YOU ALL THAT BECAUSE I THINK YOU SHOULD BE MORE CANDID. 407 00:26:38,995 --> 00:26:41,881 NO. GERI. 408 00:26:41,881 --> 00:26:44,333 GERI, YOU DON'T WANT EMBARRASSMENT OR CONFUSION... 409 00:26:44,333 --> 00:26:46,135 TO WIND UP CREATING AN APPEARANCE OF GUILT. 410 00:26:46,135 --> 00:26:48,387 SHUT YOUR HOLE. 411 00:26:48,387 --> 00:26:50,306 SHUT YOUR PRETTY-GIRL HOLE UP. 412 00:26:54,760 --> 00:26:56,512 I WANT ANDY SIPOWICZ. 413 00:26:56,512 --> 00:26:58,764 WE'RE REALLY NOT TRYING TO HURT YOU. 414 00:26:58,764 --> 00:27:01,567 SHUT YOUR PRETTY-GIRL HOLE. 415 00:27:05,571 --> 00:27:08,524 I WANT ANDY SIPOWICZ, OR I'M GONNA LAWYER UP. 416 00:27:23,739 --> 00:27:26,309 SO HARD FOR YOU ALL TO THINK THAT A BLACK MAN WOULD TELL THE TRUTH. 417 00:27:26,809 --> 00:27:28,311 OH, GOD. YEAH, THAT'S IT, SAMMY. 418 00:27:28,311 --> 00:27:30,279 THAT'S WHAT WE KEEP BANGING UP AGAINST. 419 00:27:30,279 --> 00:27:32,648 I DIDN'T SEE WHAT HAPPENED. I TALKED TO LOPEZ, 420 00:27:32,648 --> 00:27:34,534 TURNED TO CALM DOWN MY MEN, 421 00:27:34,534 --> 00:27:37,320 HERE COME A SHOT FROM I DON'T KNOW WHERE, DOWN GOES LOPEZ. 422 00:27:37,320 --> 00:27:39,622 AND WE'RE TELLING YOU THAT THAT STORY IS BOGUS, BLUESTONE. 423 00:27:39,622 --> 00:27:41,490 WELL, THAT'S THE STORY I'M TELLING. 424 00:27:41,490 --> 00:27:43,793 ARE YOU FRIENDS WITH RAY HARVEY? 425 00:27:43,793 --> 00:27:45,578 YEAH, HE'S SECOND DEPUTY. 426 00:27:45,578 --> 00:27:49,415 - FRIENDS WITH JOE FERNANDEZ? - JOE FERNANDEZ WASN'T THERE. 427 00:27:49,415 --> 00:27:53,219 BUT YOU'RE TIGHT WITH HIM, RIGHT? STOOD UP WITH RAY HARVEY TO GET JOE A LOAN? 428 00:27:54,720 --> 00:27:57,723 OH. OH, I CAN'T BELIEVE SHE TALKED TO YOU. 429 00:27:57,723 --> 00:27:59,592 SAY WHAT, SAMUEL? NOTHING. 430 00:27:59,592 --> 00:28:03,012 YEAH. YOU CAN'T BELIEVE SISTER SUN RAY TALKED TO US, RIGHT? 431 00:28:03,012 --> 00:28:06,515 WHAT SHE TOLD US IS RAY HARVEY WHACKED EMILIO LOPEZ... 432 00:28:06,515 --> 00:28:08,484 SO YOUR FRIEND JOE COULD KEEP HIS JOB... 433 00:28:08,484 --> 00:28:12,772 RUNNING THE PUERTO RICAN VERSION OF THE CON GAME THAT YOU PULL WITH FOREVER YOUNG. 434 00:28:12,772 --> 00:28:14,774 - NONE FORGOTTEN. - MY MISTAKE. 435 00:28:17,109 --> 00:28:19,612 LOOK, THIS KID LOST HIS TEMPER, AND THAT'S ALL THAT HAPPENED. 436 00:28:19,612 --> 00:28:21,831 HE LOST HIS TEMPER. THAT SHOULDN'T CLOUD UP HIS WHOLE LIFE. 437 00:28:21,831 --> 00:28:25,334 YOU'RE SAYING RAY HARVEY LOST HIS TEMPER? THAT'S HOW HE CAME TO SHOOT EMILIO LOPEZ? 438 00:28:25,334 --> 00:28:29,422 THAT'S RIGHT. HE LOST HIS TEMPER AND TOOK IT OUT ON THIS LOPEZ, 439 00:28:29,422 --> 00:28:33,092 WHICH WE HAD SOME DISAGREEMENTS, BUT I HAD RESPECT FOR LOPEZ'S GOALS. 440 00:28:33,593 --> 00:28:36,596 YEAH. YOU RESPECTED LOPEZ'S GOALS, 441 00:28:36,596 --> 00:28:39,348 AND YOU WERE STAND-UP FOR YOUR GOOD FRIEND RAY. 442 00:28:39,348 --> 00:28:43,936 ALL RIGHT, SAM, WE'RE GONNA SIT HERE AND LISTEN TO YOU WALK US ANOTHER TIME... 443 00:28:44,437 --> 00:28:48,190 THROUGH THE FRAME JOB YOU AND SISTER SUN RAY ARE DOING ON RAY HARVEY. 444 00:29:04,824 --> 00:29:06,909 HEY, DOC. HI. 445 00:29:06,909 --> 00:29:08,911 I'M GOING TO TAKE YOU IN TO SEE GINA NOW. 446 00:29:08,911 --> 00:29:10,913 YOU GOT ALL THE BANDAGES OFF AND SO FORTH? UH-HUH. 447 00:29:10,913 --> 00:29:13,916 AND THE SUTURES ARE OUT, SO SHE MAY MAKE A LITTLE BIT OF A DRAMATIC APPEARANCE. 448 00:29:13,916 --> 00:29:16,302 RIGHT. ACT NATURAL, JAMES. 449 00:29:16,302 --> 00:29:19,588 DON'T PRETEND YOU DON'T NOTICE, BUT TRY TO BE SUPPORTIVE. OKAY. 450 00:29:22,842 --> 00:29:26,312 HI, JAMES. HEY. 451 00:29:26,312 --> 00:29:28,314 I'VE EXPLAINED TO GINA THAT HER FACIAL AND OTHER SCARS... 452 00:29:28,314 --> 00:29:31,317 WILL BE LESS AND LESS VISIBLE OVER TIME. 453 00:29:31,317 --> 00:29:33,269 SURE. THAT'S GREAT. 454 00:29:33,769 --> 00:29:36,772 SHE ALSO WANTED ME TO BE AVAILABLE FOR ANY QUESTIONS YOU MIGHT LIKE TO ASK. 455 00:29:36,772 --> 00:29:40,776 NO, I DON'T HAVE ANY. I'M JUST SO GLAD EVERYTHING'S GONNA BE FINE. 456 00:29:40,776 --> 00:29:44,196 - I'M GONNA HAVE SCARS. - OH, I UNDERSTAND. SURE. 457 00:29:44,196 --> 00:29:47,116 THEY'RE GONNA BE LESS, BUT I'M GONNA BE SCARRED. 458 00:29:49,585 --> 00:29:52,288 - ANYWAYS, ARE WE DONE? - YES. 459 00:29:53,706 --> 00:29:55,708 - THANK YOU, DOCTOR. - SEE YOU SOON. 460 00:29:55,708 --> 00:29:57,877 THANKS, DOC. 461 00:30:04,016 --> 00:30:06,435 LIEU? YEAH. COME ON IN. 462 00:30:07,303 --> 00:30:09,105 WHAT'S IT LOOK LIKE? 463 00:30:09,105 --> 00:30:12,358 GOT TO A REAL BAD PLACE ABOUT DIANE AND ME. 464 00:30:12,358 --> 00:30:15,027 I THOUGHT SHE'D FEEL MORE COMFORTABLE TALKING TO YOU. 465 00:30:15,027 --> 00:30:17,396 FEELS LIKE WE THINK SHE'S A GEEK. 466 00:30:17,396 --> 00:30:19,732 WE'RE LORDING OVER BEING PRETTIER THEN HER. 467 00:30:19,732 --> 00:30:23,069 SAYS SHE GETS ANDY TO TALK TO OR SHE LAWYERS UP. 468 00:30:23,069 --> 00:30:25,071 SHE THINK ANDY FIGURES HER FOR MICHELLE PFEIFFER? 469 00:30:26,539 --> 00:30:28,541 SHE'S MAKING HERSELF WRONG IN THIS. 470 00:30:28,541 --> 00:30:32,628 AND I DON'T KNOW IF SHE'S SUPPOSED TO BE. I'D HATE TO SEE HER GET JAMMED UP. 471 00:30:32,628 --> 00:30:36,082 ALL RIGHT, I'LL TALK TO ANDY. 472 00:30:40,001 --> 00:30:42,003 NOW I KNOW HOW HOWDY DOODY FELT. 473 00:30:42,003 --> 00:30:44,005 IF IT'S A FRAME, THEY'RE DOING THIS GUY RAY UP PRETTY GOOD. 474 00:30:44,505 --> 00:30:46,507 HEY, GUYS. WHAT'S UP, BOSS? 475 00:30:46,507 --> 00:30:48,893 UH, THIS ISN'T GOING TO BE A PLEASANT CONVERSATION, ANDY, 476 00:30:48,893 --> 00:30:51,646 SO I'M JUST GONNA SAY IT TO YOU. 477 00:30:51,646 --> 00:30:53,481 - I GOTTA TAKE A LEAK. - NO, DON'T DO THAT. 478 00:30:53,481 --> 00:30:56,234 WHAT'S GOING ON? WELL, ON THAT AUTO-ASPHYXIA CASE, 479 00:30:56,234 --> 00:30:59,987 UM, GERI HAS DEMONSTRATED REAL RELUCTANCE TO TALK WITH DIANE AND JILL. 480 00:30:59,987 --> 00:31:02,323 YEAH, AND? AND, UH, 481 00:31:02,323 --> 00:31:06,827 THE FLY IN THE OINTMENT ON THIS IS, UM, SPECIFICALLY, SHE WANTS TO SPEAK WITH YOU. 482 00:31:06,827 --> 00:31:09,580 - I'M NOT GONNA DO THAT. -WELL, THE DIFFICULTY HERE, ANDY, IS, UM, 483 00:31:09,580 --> 00:31:12,533 EITHER SHE SPEAKS WITH YOU, OR SHE SAYS SHE WANTS A LAWYER. 484 00:31:12,533 --> 00:31:14,919 GET HER A LAWYER THEN. WE DON'T DO THAT OFTEN ENOUGH. 485 00:31:14,919 --> 00:31:18,172 ANDY, DIANE AND JILL BOTH GET THE IMPRESSION THAT GERI'S PAINTED HERSELF... 486 00:31:18,172 --> 00:31:21,842 INTO A CORNER ON A MANSLAUGHTER CHARGE, WHICH REALLY ISN'T APPROPRIATE. 487 00:31:21,842 --> 00:31:25,296 SHE'S GONNA WIND UP THROWING A RUBBER GARDEN ANIMAL AT ME, 488 00:31:25,796 --> 00:31:29,350 OR, UH, WANT US BOTH PERCHED UPSIDE DOWN BESIDE EACH OTHER LIKE BATS. 489 00:31:29,350 --> 00:31:31,852 WELL, I WOULDN'T DO THAT. YEAH, YOU SEE, THIS AMUSES YOU... 490 00:31:32,353 --> 00:31:34,855 - 'CAUSE YOU DON'T ATTRACT PSYCHOTICS. - IT DOESN'T AMUSE ME. 491 00:31:34,855 --> 00:31:38,776 I MEAN, IT DOES, BUT I-- I REALIZE IT'S AN AWKWARD SITUATION FOR YOU. 492 00:31:38,776 --> 00:31:40,611 AWKWARD? YEAH. 493 00:31:43,281 --> 00:31:46,784 [ Clears Throat ] THIS CONSTRUCTION HOMICIDE, 494 00:31:46,784 --> 00:31:49,287 WE'RE GETTING A PERP ON A PLATTER. YEAH. 495 00:31:49,287 --> 00:31:53,207 MIGHT NOT BE A FRAME. THEY MIGHT'VE JUST PLAYED THIS GUY PERFECT TO PULL THE JOB HIMSELF. 496 00:31:57,328 --> 00:32:00,715 [ Sighs ] HAS SHE BEEN STRIP-SEARCHED? 497 00:32:00,715 --> 00:32:02,667 YEAH, YEAH. SHE DON'T GOT ANY WEAPONS. 498 00:32:03,167 --> 00:32:07,555 I'M NOT CONCERNED ABOUT WEAPONS. I'M TALKING ABOUT, LIKE, RUBBER TOADS AND-- 499 00:32:07,555 --> 00:32:09,674 [ Sighs ] I DON'T EVEN KNOW WHAT I'M TALKING ABOUT. 500 00:32:16,147 --> 00:32:18,149 [ Chuckles ] 501 00:32:22,186 --> 00:32:24,772 HI, ANDY. 502 00:32:24,772 --> 00:32:26,907 YEAH. 503 00:32:26,907 --> 00:32:30,578 I HAD A CRUSH ON YOU BECAUSE I THOUGHT YOU WERE A FAIR PERSON, 504 00:32:30,578 --> 00:32:33,247 THAT YOU TOOK PEOPLE AS YOU FOUND THEM. 505 00:32:33,247 --> 00:32:36,250 SO WHAT'S THE SITUATION WITH THIS SITUATION HERE, GERI? 506 00:32:36,250 --> 00:32:38,869 THE SITUATION IS TOM'S DEAD. 507 00:32:38,869 --> 00:32:41,205 IF YOU HUNG HIM, THAT'S A LEGAL NO-NO. 508 00:32:41,205 --> 00:32:43,591 - THAT'S NOT HOW IT HAPPENS. - HE HAVE TO SAY PLEASE? 509 00:32:43,591 --> 00:32:46,043 THAT'S NOT HOW IT HAPPENS. 510 00:32:46,043 --> 00:32:50,131 HIS BEING ON THE HOOK EXCITES HIM. IT HELPS HIM GET OFF. 511 00:32:50,131 --> 00:32:52,967 HAD A REAL LAUNCH TODAY, DIDN'T HE? 512 00:32:52,967 --> 00:32:55,303 IT HELPS WITH HIS EXCITEMENT AND ORGASMS. 513 00:32:55,303 --> 00:32:58,472 YOU WANT TO TELL ME WHAT, UH-- WHAT YOU DID IN THAT ROOM? 514 00:33:06,447 --> 00:33:08,282 BOUND HIM AND PUT ON HIS BLINDFOLD. 515 00:33:08,282 --> 00:33:11,202 DID YOU PUT HIM ON THAT HOOK? NO. 516 00:33:11,202 --> 00:33:13,120 HE'S BOUND AND BLINDFOLDED. 517 00:33:13,621 --> 00:33:16,991 WHAT, DOES HE TOSS HIMSELF ACROSS THE ROOM LIKE A HORSESHOE TILL HE GETS HOOKED ON? 518 00:33:16,991 --> 00:33:19,994 YOU CAN LEAN IN AND HOOK YOURSELF UP IF YOU KNOW WHERE IT IS. 519 00:33:20,494 --> 00:33:22,797 GERI, DON'T PISS IN MY EAR AND TELL ME IT'S RAINING. 520 00:33:22,797 --> 00:33:26,634 NOW, YOU'RE IN THAT ROOM. YOU BOUND AND BLINDFOLDED HIM, 521 00:33:26,634 --> 00:33:30,254 - BUT YOU DIDN'T PUT HIM ON THAT HOOK? - BECAUSE I WAS IN THE BATHROOM. 522 00:33:30,254 --> 00:33:34,592 DID YOU HAVE YOUR RUBBER JUMPSUIT ON? MUST TAKE YOU A WHILE TO DO YOUR BUSINESS. 523 00:33:40,981 --> 00:33:42,983 [ Sighs ] 524 00:33:43,484 --> 00:33:46,821 SO HE GETS ON THE HOOK WHILE YOU'RE GOING TO THE BATHROOM, IS YOUR VERSION WHAT HAPPENED? 525 00:33:46,821 --> 00:33:49,190 I WAS CRYING, AND I GUESS I WAS IN THERE A LONG TIME. 526 00:33:49,190 --> 00:33:51,492 YOU'RE IN THE BATHROOM CRYING WHILE HE GETS ON THE HOOK? 527 00:33:51,492 --> 00:33:55,329 WAS HE A SELF-STARTER LIKE THAT? HE'D DONE THAT BEFORE? 528 00:33:57,748 --> 00:34:00,751 HAVE YOUR EYES COVERED UP EVERY TIME, SOME PEOPLE CAN TAKE THAT AS AN INSULT. 529 00:34:00,751 --> 00:34:04,422 PEOPLE CAN GET THEIR FEELINGS HURT. 530 00:34:09,293 --> 00:34:11,178 WE KNEW EACH OTHER SINCE HIGH SCHOOL. 531 00:34:11,178 --> 00:34:13,013 YOU AND TOM? MM-HMM. 532 00:34:13,013 --> 00:34:15,766 WE MET IN NEW YORK AGAIN LAST EASTER. 533 00:34:15,766 --> 00:34:17,802 ONE OF THE CRUCIFIXION PAGEANTS? 534 00:34:19,603 --> 00:34:22,106 I WAS AT ROCKEFELLER CENTER IN LINE TO SKATE... 535 00:34:22,606 --> 00:34:24,108 WHEN WE SAW EACH OTHER. 536 00:34:25,609 --> 00:34:29,113 WE'D BEEN IN HIGH SCHOOL IN SAGINAW AND-- 537 00:34:29,113 --> 00:34:33,117 I'D ALWAYS THOUGHT MAYBE WE'D HAD CRUSHES ON EACH OTHER. 538 00:34:33,117 --> 00:34:35,453 BUT HE HAD A STAMMER, AND HE WAS REALLY SHY. 539 00:34:38,406 --> 00:34:41,709 TURNED OUT WE DID HAVE CRUSHES. HE SAID SO WHEN WE STARTED TALKING. 540 00:34:41,709 --> 00:34:45,579 AND WE GOT TO BE FRIENDS HERE, 541 00:34:46,080 --> 00:34:47,581 AND HE WAS NICE TO ME. 542 00:34:47,581 --> 00:34:49,834 HE TURNED YOU OUT? 543 00:34:51,135 --> 00:34:53,137 WE READ THE FREE WEEKLIES, AND, UH, 544 00:34:55,139 --> 00:34:57,641 I WAS INTERESTED IN GETTING PAST SEX RESTRAINTS... 545 00:34:57,641 --> 00:35:01,429 TO BE AS GOOD FOR HIM AS I COULD, 'CAUSE I'M NOT PRETTY. 546 00:35:01,429 --> 00:35:05,766 AND HE SEEMED TO LIKE THAT 'CAUSE HE WAS REALLY SHY. 547 00:35:07,768 --> 00:35:11,772 BUT THEN HE GOT INTO IT SO MUCH THAT HE DIDN'T EVEN LOOK AT ME. 548 00:35:11,772 --> 00:35:16,277 HE WANTED TO BE BLINDFOLDED AND HAVE, LIKE, PRIVATE ORGASMS. 549 00:35:17,778 --> 00:35:19,780 AND IT BROKE MY HEART. 550 00:35:34,678 --> 00:35:36,680 DID YOU KILL HIM, GERI? 551 00:35:37,965 --> 00:35:42,353 I WAS JUST IN THERE CRYING, AND HE STARTED WITHOUT ME, 552 00:35:44,355 --> 00:35:46,690 WHICH HE WAS DOING MORE AND MORE. 553 00:35:50,728 --> 00:35:52,730 HE DIDN'T LIKE ME ANYMORE. 554 00:35:55,232 --> 00:35:57,234 HE TOLD ME SIX WEEKS AGO... 555 00:35:57,234 --> 00:35:59,987 THAT HE WAS HAVING OTHER PEOPLE IN TO DOMINATE HIM TOO. 556 00:36:03,290 --> 00:36:06,794 I STARTED TRYING TO BE FRIENDLY TO YOU AFTER THAT... 557 00:36:06,794 --> 00:36:08,796 BECAUSE YOU'RE BLUSTERY, 558 00:36:08,796 --> 00:36:11,632 BUT IN YOUR HEART, I THINK YOU TAKE PEOPLE AS YOU FIND THEM. 559 00:36:15,586 --> 00:36:18,088 AND I THOUGHT MAYBE... 560 00:36:18,088 --> 00:36:20,424 YOU COULD HAVE A CRUSH ON ME. 561 00:36:22,760 --> 00:36:25,262 THE WAY YOU WANT TO PUT YOUR STATEMENT, GERI, 562 00:36:25,262 --> 00:36:27,264 SO THEY REALIZE YOU WERE INNOCENT... 563 00:36:27,264 --> 00:36:30,484 IS NO TEARS OR "HE BEGUN SEEING OTHER PEOPLE," 564 00:36:30,484 --> 00:36:34,605 LET THE D.A. START LOOKING AT JEALOUSY OR SO FORTH. 565 00:36:34,605 --> 00:36:37,441 YOU BOTH LIKED PLAYING THESE GAMES. 566 00:36:37,441 --> 00:36:40,744 YOU WERE HIS SPOTTER. WHILE YOU WERE IN THE CRAPPER, 567 00:36:40,744 --> 00:36:43,614 HE JUMPS THE GUN, YOU COME OUT, YOU FIND TOM DEAD. 568 00:36:43,614 --> 00:36:46,116 END OF STORY. 569 00:36:49,119 --> 00:36:52,122 SORRY FOR YOUR LOSS. 570 00:37:20,868 --> 00:37:22,369 COME BACK LIKE I SAID, RIGHT? 571 00:37:22,369 --> 00:37:25,623 YEAH, YOU KEPT YOUR WORD GOOD, RAY. 572 00:37:25,623 --> 00:37:28,676 THAT'S DETECTIVES SIMONE AND SIPOWICZ. GUYS, THIS IS RAY HARVEY. 573 00:37:28,676 --> 00:37:31,512 - HOW'S IT GOING? - O-- OKAY. 574 00:37:35,015 --> 00:37:39,470 SO, UH-- SO, I TOLD YOU, UH, THIS MORNING... 575 00:37:39,470 --> 00:37:42,890 I WAS PRESENT AT THAT INCIDENT, BUT I WASN'T, LIKE, NO WITNESS. 576 00:37:42,890 --> 00:37:45,392 THEY JUST WANT TO GO OVER THE SEQUENCE WITH YOU. 577 00:37:45,392 --> 00:37:47,728 I DON'T KNOW NO SEQUENCE 'CAUSE I DIDN'T SEE WHAT WENT DOWN. 578 00:37:47,728 --> 00:37:50,364 SO, WE GOT THAT ESTABLISHED NOW. OKAY, RAY? 579 00:37:50,864 --> 00:37:53,200 - YOUR POSITION IS YOU DON'T KNOW NOTHING? - EXACTLY. 580 00:37:53,200 --> 00:37:56,870 SO HOW 'BOUT YOU LISTENING TO WHAT WE KNOW, SO WE CAN ALL STOP RUNNING THROUGH THE GREASE HERE. 581 00:37:56,870 --> 00:38:00,791 WHAT'S HE TALKING ABOUT? I SHOWED BACK UP HERE ON MY OWN CAUSE. 582 00:38:00,791 --> 00:38:03,744 YOU SHOWED BACK UP, RAY, 'CAUSE YOU DIDN'T FIGURE YOUR FRIENDS... 583 00:38:03,744 --> 00:38:07,247 SAM AND MADAM SUNFLOWER SEED TO PUT YOU IN THE MIDDLE OF THIS, RIGHT? 584 00:38:07,247 --> 00:38:10,134 BUT THAT SHOWS YOU THAT LIFE CAN BE FULL OF SURPRISES. 585 00:38:10,634 --> 00:38:12,886 I THINK THAT'S SISTER SUN RAY. 586 00:38:13,387 --> 00:38:17,341 THE FAT, BLACK BROAD YOU HIT THE NUMBER WITH, RAY, THEN YOU ASK HER ADVICE LIKE DEAN WITTER? 587 00:38:17,341 --> 00:38:19,760 HIT THE NUMBER TURNED INTO A CRIME NOW? 588 00:38:19,760 --> 00:38:21,645 HUH? FOUR DETECTIVES? 589 00:38:21,645 --> 00:38:25,399 SISTER SUN RAY GAVE YOU UP FOR KILLING EMILIO LOPEZ, RAY. 590 00:38:25,399 --> 00:38:28,152 SHE SAID YOU KILLED HIM PROTECTING YOUR LOAN TO HIS BOSS. 591 00:38:28,652 --> 00:38:30,020 HEY. HEY. WHAT YOU COMING AT ME WITH? 592 00:38:30,020 --> 00:38:32,990 AND SAM BLUESTONE, YOUR OTHER BOSOM PAL? 593 00:38:32,990 --> 00:38:34,775 HE BACKS THE SISTER TOO. 594 00:38:34,775 --> 00:38:38,195 THE BOTH OF 'EM PUT YOU WHACKING THIS GUY. HEY, HEY, HEY. THIS IS SICK. 595 00:38:38,195 --> 00:38:41,415 SEE, NOW THE QUESTION THAT OCCURS TO US HERE, RAY, 596 00:38:41,415 --> 00:38:44,952 IS BEING HOW THIS STORY MORE OR LESS GOT LAID TO US ALL NICE AND NEAT-- 597 00:38:44,952 --> 00:38:47,671 MAYBE YOU GOT A COMPETING VERSION ON HOW THIS MAN DIED. 598 00:38:53,177 --> 00:38:55,429 I GOT NOTHING TO SAY. 599 00:38:55,429 --> 00:38:58,215 NOTHING TO SAY? PRESENT CIRCUMSTANCES, RAY, 600 00:38:58,215 --> 00:39:01,935 THAT TRANSLATES, "LET ME BEND OVER AND SPREAD 'EM REAL WIDE." 601 00:39:01,935 --> 00:39:04,438 ARE THOSE PEOPLE FRAMING YOU, SISTER SUN RAY AND SAM? 602 00:39:04,438 --> 00:39:07,107 - I'M NOT GUILTY! - SO THEY ARE FRAMING YOU. 603 00:39:07,107 --> 00:39:09,360 TELL 'EM I NEVER FIGURED 'EM TO DO ME LIKE THIS. 604 00:39:09,360 --> 00:39:11,779 THAT'S WHAT YOU WANT US TO TELL 'EM, RAY? HOW 'BOUT WE TELL THEM, 605 00:39:12,279 --> 00:39:15,282 "I AIN'T BEING YOUR PATSY NO MORE. I'M SAYING WHAT REALLY WENT DOWN HERE." 606 00:39:15,282 --> 00:39:18,569 YOU SHOULD PUT THEM IN THERE WITH ME. THEY SHOULD GET JACKED UP TOO. 607 00:39:18,569 --> 00:39:20,871 HOW WOULD THAT WORK? WERE THEY IN ON THIS WITH YOU, RAY? 608 00:39:21,372 --> 00:39:25,826 SET ME UP FROM THE JUMP. SISTER AND SAM OKAY THIS GUY FOR ME MAKING THE LOAN. 609 00:39:25,826 --> 00:39:28,462 NEXT THING I KNOW, HE AIN'T PAYING DICK. THIS IS JOE FERNANDEZ. 610 00:39:28,462 --> 00:39:31,799 NOW THEY ALL AGITATED. JOE FERNANDEZ SHORT... 611 00:39:31,799 --> 00:39:35,803 'CAUSE LOPEZ TAKING HIS ACTION AWAY BEHIND THAT COALITION. 612 00:39:35,803 --> 00:39:37,971 I WANNA LOOK OUT FOR MY MONEY I LOANED. 613 00:39:38,472 --> 00:39:40,808 LOPEZ KEEP FERNANDEZ FROM PAYING. 614 00:39:40,808 --> 00:39:42,593 DID THEY TELL YOU TO KILL THIS GUY? 615 00:39:42,593 --> 00:39:44,395 I WAS AT THE SISTER'S LAST NIGHT. 616 00:39:44,395 --> 00:39:48,565 SAM COME BY SAYING LOPEZ BE AT THE SITE TOMORROW SHAPING FOR JOBS. 617 00:39:48,565 --> 00:39:50,601 - DID THEY TELL YOU TO KILL HIM? - I WAS DRUNK! 618 00:39:50,601 --> 00:39:53,654 THEY HAD ME HALF-CRAZY. 619 00:39:53,654 --> 00:39:56,657 WOUND HIM UP LIKE THE ENERGIZER BUNNY. 620 00:39:58,158 --> 00:40:02,996 RAY, DID BLUESTONE GIVE YOU THE GUN? OR THE SISTER? 621 00:40:02,996 --> 00:40:06,867 'CAUSE THEY TIED YOU LIKE A CHRISTMAS PACKAGE. 622 00:40:06,867 --> 00:40:08,869 YOU OUGHT TO RETURN THE FAVOR. 623 00:40:12,372 --> 00:40:15,092 - MY GUN. - YOU SURE YOU DON'T WANNA LIE ABOUT THAT? 624 00:40:15,092 --> 00:40:18,545 I SWEAR TO GOD I WISH I'D NEVER WON THAT MONEY. 625 00:40:18,545 --> 00:40:23,050 BROUGHT ME NOTHING BUT WORRY AND MISERY. 626 00:40:31,859 --> 00:40:35,529 THE PERFECT FRAME. MAKES ME SICK. 627 00:40:35,529 --> 00:40:39,366 YOU THINK THERE WAS SOME OTHER REASON THEY WANTED THIS LOPEZ DEAD... 628 00:40:39,366 --> 00:40:41,485 PAST HIM QUEERING THEIR UNION HUSTLES? 629 00:40:41,985 --> 00:40:45,539 WHO KNOWS? MAYBE THEY BREAK OUT IN HIVES BEING AROUND AN HONEST MAN. 630 00:40:45,539 --> 00:40:49,376 SUCH AN EASY PATSY, THOUGH, THIS POOR DOPE HARVEY. 631 00:40:49,376 --> 00:40:53,297 I KNEW THIS BOOKMAKER, JOHN RILEY. 632 00:40:53,297 --> 00:40:55,883 WHEN SOMEBODY WON BIG, JOHN'D MAKE A BIG FUSS PAYING 'EM OFF. 633 00:40:55,883 --> 00:40:59,503 GIVE HIM A GOOD CIGAR, NEXT DAY'S RACING FORM. HE'D SAY TO ME AFTERWARDS, 634 00:40:59,503 --> 00:41:02,089 "I'M JUST LETTING 'EM HOLD THE MONEY A WHILE." 635 00:41:02,089 --> 00:41:04,057 YEAH, THAT'S THE SISTER AND RAY. 636 00:41:04,558 --> 00:41:06,477 IT REALLY USED TO PISS ME OFF. IT'S LIKE IT WASN'T A FAIR FIGHT. 637 00:41:06,477 --> 00:41:08,479 NOT LIKE HOW IT IS USUALLY, HUH? 638 00:41:08,979 --> 00:41:10,347 YEAH. 639 00:41:10,347 --> 00:41:13,016 I'LL TELL YOU, I'M IN FOR JUSTICE HERE. SO, YOU JUST TRUST ME. 640 00:41:13,517 --> 00:41:15,903 IT'S ONE OF THEM. WELL, LOOK WHO'S A LITTLE MORE SPEECHIFYIN'. 641 00:41:15,903 --> 00:41:17,855 YOU GOT A NONE FORGOTTEN IN CUSTODY? 642 00:41:17,855 --> 00:41:20,774 WHO TOLD YOU, JOE? YOUR BED PALS, SAM AND THE SISTER? 643 00:41:20,774 --> 00:41:23,610 PEOPLE GONNA KNOW HOW EMILIO DIED AT A BLACK MAN'S HAND. 644 00:41:23,610 --> 00:41:26,914 THERE'S GONNA BE EMPLOYMENT FORBORICUASOR BLOOD WILL RUN AT THE SITES. 645 00:41:26,914 --> 00:41:29,166 JOE'S GONNA GO TO THE PAPERS WITH THIS PHONY RACE HOMICIDE, 646 00:41:29,166 --> 00:41:32,202 TRY TO SCARE UP SOME MORE NO-SHOW JOBS. 647 00:41:32,202 --> 00:41:34,788 HYPOCRITE BASTARD. YOU'RE LIKE MONDAY NIGHT WRESTLING. 648 00:41:34,788 --> 00:41:39,042 LET ME TELL YOU SOMETHING. WHEN YOU TAKE THIS TO THE PAPERS, YOU KNOW WHAT YOU'RE GONNA DO? 649 00:41:39,042 --> 00:41:42,513 YOU'RE GONNA BE PLEDGING SOME MONEY TO LOPEZ'S WIDOW. THAT'S ALREADY IN THE WORKS. 650 00:41:42,513 --> 00:41:46,433 WELL, THAT'S GOOD 'CAUSE YOU'RE GONNA DRAW A CONTRACT UP WITH ONE OF OUR D.A.'s HERE, 651 00:41:46,433 --> 00:41:49,520 A TRUST FOR HIS WIDOW AND CHILDREN. ALREADY IN THE WORKS. 652 00:41:49,520 --> 00:41:53,273 YOU'RE GONNA WRITE IT HERE, JOE. SO IT'S ALL NICE AND LEGAL AND BINDING... 653 00:41:53,774 --> 00:41:55,776 BEFORE YOU WALK OUT, OR THIS WHOLE THING IS GOING... 654 00:41:55,776 --> 00:41:57,561 TO THE D.A.'s OFFICE ON A CONSPIRACY CHARGE. 655 00:42:01,865 --> 00:42:03,700 I'M HAPPY TO MAKE THAT COMMITMENT. 656 00:42:03,700 --> 00:42:07,788 - GREAT. - LET ME HUNT UP A WONDERFUL ATTORNEY ACQUAINTANCE OF OURS. 657 00:42:07,788 --> 00:42:12,626 A LEO COHEN. WHY DON'T YOU SIT DOWN THERE, JOE. GO ON. HAVE A SEAT. 658 00:42:18,048 --> 00:42:20,050 HOW'S IT GOING WITH YOU? 659 00:42:22,419 --> 00:42:26,173 I WAS, UM-- I WAS WONDERING ABOUT YOUR AFTER WORK PLANS. 660 00:42:26,173 --> 00:42:28,392 THERE'S NOTHING ON MY CALENDAR. 661 00:42:28,392 --> 00:42:34,398 HMM. AND, UH, WOULD THAT BE FOR THE FORESEEABLE FUTURE? 662 00:42:34,398 --> 00:42:39,436 HOW IS THAT THEY SAY IN YOUR PROGRAM? ONE DAY AT A TIME. 663 00:42:39,436 --> 00:42:41,905 I CAN DO IT THAT WAY. 664 00:42:41,905 --> 00:42:44,992 LEO? ANDY SIPOWICZ. YEAH. 665 00:42:44,992 --> 00:42:48,412 COULD YOU, UH, JUST TROT ON UPSTAIRS HERE FOR A MOMENT? 666 00:42:48,412 --> 00:42:51,281 YEAH. THANK YOU. [ Handset Settles In Cradle ] 667 00:42:51,281 --> 00:42:54,001 HE'S ON HIS WAY UP. 668 00:43:06,797 --> 00:43:09,299 BOY, THAT WAS JUST GREAT. THANKS, JAMES. 669 00:43:09,299 --> 00:43:12,302 REALLY. YEAH. YOUR MOM TEACH YOU YOUR COOKING? 670 00:43:12,302 --> 00:43:14,304 MY MOM AND MY AUNT. 671 00:43:14,304 --> 00:43:16,807 I REALLY ENJOY SPENDING THIS TIME WITH YOU, GINA. 672 00:43:16,807 --> 00:43:18,692 I COULD GET INTO BEING A MAN OF LEISURE. 673 00:43:23,530 --> 00:43:27,534 I REALLY APPRECIATED IT. JUST AS FAR AS, UM-- 674 00:43:29,536 --> 00:43:32,406 YOU KNOW, SHE CHANGED HER COMMITMENT. SHE'S NOT COMING BACK. 675 00:43:32,406 --> 00:43:34,992 THIS IS YOUR ROOMMATE? 676 00:43:35,442 --> 00:43:38,445 SAID SHE MADE ANOTHER ARRANGEMENT FOR THE NEW SEMESTER. 677 00:43:39,780 --> 00:43:42,249 SHE'S GONNA BE PICKING UP HER STUFF. 678 00:43:42,749 --> 00:43:45,752 I'VE BEEN UPSET ON THAT. FINANCIALLY? 679 00:43:45,752 --> 00:43:48,555 FINANCIALLY AND-- 680 00:43:48,555 --> 00:43:52,392 I KNOW SHE WAS UPSET ABOUT MY APPEARANCE. IT DISTURBED HER. 681 00:43:52,392 --> 00:43:56,313 THAT'S BALONEY. NO, SHE SAID SO, JAMES. 682 00:43:56,313 --> 00:43:58,565 WELL, THE HECK WITH HER! THAT'S NONSENSE. 683 00:43:58,565 --> 00:44:00,851 AND FINANCIALLY, YOU'RE COMING BACK TO WORK. 684 00:44:01,351 --> 00:44:03,353 IF YOU NEED SOME TIDING OVER, THAT'S NO PROBLEM AT ALL. 685 00:44:03,353 --> 00:44:07,574 THAT'S NOT NECESSARY. I GOT MY CONFIRMATION SAVINGS. 686 00:44:07,574 --> 00:44:09,860 IT'S MOSTLY YOU BEING HERE. IT'S HELPED ME A LOT. 687 00:44:09,860 --> 00:44:12,162 IT'S MY PLEASURE. 688 00:44:15,916 --> 00:44:18,919 ANYWAYS, I KNOW YOU GOT AN 8:00-TO-4:00. 689 00:44:23,340 --> 00:44:25,342 DON'T TAKE THIS AS BEING FORWARD, 690 00:44:25,342 --> 00:44:28,712 BUT IF YOU WANTED SOME COMPANY TONIGHT, I COULD STAY UP IN YOUR ROOMMATE'S LOFT THERE. 691 00:44:29,212 --> 00:44:31,715 IF YOU'D LIKE TO STAY, I'D BE HAPPY FOR YOU TO. 692 00:44:31,715 --> 00:44:33,600 I'D LIKE TO. SURE. 693 00:44:34,101 --> 00:44:37,104 BUT IF YOU SLEEP UP IN HER LOFT, I'D WORRY ALL NIGHT... 694 00:44:37,104 --> 00:44:39,940 THAT YOU'D SIT UP IN A STRANGE PLACE AND SMASH YOUR HEAD. 695 00:44:39,940 --> 00:44:43,143 YEAH. I SUPPOSE THAT COULD OCCUR. SURE. 696 00:44:46,063 --> 00:44:48,565 AND AS FAR AS ME SLEEPING UP THERE, 697 00:44:48,565 --> 00:44:51,284 I COULD ALWAYS FIB AND SAY I'M AFRAID OF HEIGHTS. 698 00:44:51,284 --> 00:44:54,121 YOU DON'T GOTTA FIB. 699 00:44:54,121 --> 00:44:56,123 WE COULD BOTH STAY IN THERE. 700 00:44:58,542 --> 00:45:00,544 THAT'S WHERE I WAS HOPING WE'D COME OUT.