1 00:00:01,501 --> 00:00:02,836 Previously on "NYPD BLUE". 2 00:00:02,836 --> 00:00:04,704 - GINA'S AT THE BELLEVUE E.R. - WHAT HAPPENED TO HER? 3 00:00:04,704 --> 00:00:06,373 SHE WAS SLASHED WITH A KNIFE. 4 00:00:06,373 --> 00:00:08,708 YOU WANT ME WAITIN' AT MY CRIB UNTIL YOU DECIDE... 5 00:00:08,708 --> 00:00:10,543 TO COME OVER FOR ANOTHER SOUL-SEARCH, DIANE? 6 00:00:10,543 --> 00:00:12,779 HOW MANY WAYS YOU THINK IT'S RIGHT TO PLAY THIS? 7 00:00:12,779 --> 00:00:15,749 I'M NOT PLAYIN'. 8 00:00:15,749 --> 00:00:18,885 - DID JIMMY TALK ABOUT ME? - I COULD TELL HOW FOND HE WAS. 9 00:00:18,885 --> 00:00:21,554 DID HE TELL YOU IF HE SLEPT WITH ME? 10 00:00:21,821 --> 00:00:23,556 IF HE DRUGGED ME? 11 00:00:23,556 --> 00:00:26,292 NO, BABE. THAT PSYCHO SNITCH DIDN'T SAY. 12 00:00:26,292 --> 00:00:30,096 CAN YOU COME MEET ME? RIGHT NOW I'M AT PATRICK'S. 13 00:00:30,096 --> 00:00:32,632 ALL RIGHT. I'LL BE RIGHT THERE. 14 00:00:32,632 --> 00:00:34,901 GET OUT THEN. I'LL-- I'LL MEET YOU AT, UH, THAT SPARTA... 15 00:00:35,402 --> 00:00:36,903 OR WHATEVER THAT DINER IS. 16 00:01:15,141 --> 00:01:19,179 - THANKS, ANDY. - DID YOU DRINK? 17 00:01:19,512 --> 00:01:22,916 - DON'T YELL AT ME, ALL RIGHT? - NO. 18 00:01:24,317 --> 00:01:28,121 I FEEL LIKE, IF I COULD DRINK, THEN I COULD BE WITH BOBBY. 19 00:01:28,354 --> 00:01:32,258 SO THEN YOU KNOW WHAT THAT MEANS. BUT I WANT TO BE WITH HIM. 20 00:01:34,627 --> 00:01:38,431 I'M GONNA LOSE HIM. MAYBE I ALREADY DID. 21 00:01:40,366 --> 00:01:43,803 WHATEVER ELSE IS GOING ON, YOU CAN'T ADD BOOZE. 22 00:01:44,170 --> 00:01:46,039 SO JUST NEVER BE HAPPY, RIGHT? 23 00:01:46,372 --> 00:01:49,042 WHEN I DRANK, I COULD WORK GOOD-- 24 00:01:49,542 --> 00:01:51,544 NOT FEEL LIKE SUCH A WHORE. 25 00:01:51,544 --> 00:01:54,380 DON'T TALK LIKE THAT. YOU FEEL HOW YOU FEEL, ANDY. 26 00:01:54,380 --> 00:01:56,649 SENDING ME BACK UNDERCOVER, SHAKING IT UP FOR LIERY-- 27 00:01:56,649 --> 00:01:59,519 IT'S LIKE THE-- THE JOB KNEW WHAT I WAS. 28 00:01:59,853 --> 00:02:02,355 BOBBY, THE SQUAD-- I WAS KIDDING MYSELF WITH ALL THAT. 29 00:02:02,355 --> 00:02:04,691 YOU KNOW WHAT YOU'RE SAYING'S NOT RIGHT. 30 00:02:04,691 --> 00:02:06,960 I WANT A DRINK. 31 00:02:08,194 --> 00:02:10,096 ADD HIDING TO EVERYTHING ELSE. 32 00:02:10,096 --> 00:02:12,465 HIDING'S GOT A LOT OF PLUSES. 33 00:02:12,899 --> 00:02:14,901 [ Pager Beeping ] 34 00:02:18,538 --> 00:02:20,540 [ Pager Beeping ] 35 00:02:22,709 --> 00:02:24,577 THE SQUAD. ME TOO. 36 00:02:26,880 --> 00:02:28,748 YOU WANNA STOP HOME AND CHANGE? 37 00:02:29,048 --> 00:02:31,551 YEAH. 38 00:02:37,524 --> 00:02:39,526 [ Sniffles ] 39 00:02:40,460 --> 00:02:43,329 SOMETHING'S GOING ON INSIDE OF YOU. 40 00:02:43,730 --> 00:02:49,068 SOMETHING'S BREWING UP. YOU GOTTA HOLD ON. 41 00:02:50,870 --> 00:02:52,805 THANKS FOR COMING, ANDY. 42 00:02:52,805 --> 00:02:55,074 DON'T DRINK. 43 00:02:56,943 --> 00:02:58,878 NO. 44 00:04:42,382 --> 00:04:44,484 WE'RE OVER HERE. 45 00:04:44,817 --> 00:04:46,419 HEY. WHAT DO WE GOT? 46 00:04:46,786 --> 00:04:49,689 MIKE ZORZI-- GOT IN THE MIDDLE OF A STICKUP. 47 00:04:49,689 --> 00:04:51,858 PUT DOWN ONE OF THE PERPS. THE OTHER ONE FLED ON FOOT. 48 00:04:51,858 --> 00:04:54,594 HE GAVE ME A DESCRIPTION. I PUT IT OUT. 49 00:04:54,594 --> 00:04:56,963 - ZORZI'S OFF-DUTY? -HE'S WORKIN' DAYS. 50 00:04:57,463 --> 00:05:00,066 YOU GOT AN I.D. ON THIS D.O.A. PERP? NOPE. 51 00:05:00,066 --> 00:05:03,403 HOW ABOUT THIS OTHER GUY? THAT'S TONY MOORE-- THE SINGER. 52 00:05:03,636 --> 00:05:06,072 ZORZI WAS GIVING HIM A RIDE FROM THE AIRPORT. 53 00:05:06,072 --> 00:05:09,008 TONY MOORE? YEAH. HAD A HELL OF A SWEET VOICE. 54 00:05:09,509 --> 00:05:11,778 - OKAY, THANKS, SHANNON. - OKAY. 55 00:05:12,779 --> 00:05:14,681 WANT ME TO START A CANVASS? 56 00:05:15,014 --> 00:05:16,516 HOW'S IT GOING? 57 00:05:16,983 --> 00:05:19,752 OKAY. WHAT DO YOU WANT ME TO DO? 58 00:05:21,254 --> 00:05:24,390 TAKE DOWN THE LICENSE PLATE NUMBERS OF THE CARS IN THE AREA HERE. 59 00:05:24,390 --> 00:05:26,759 THEY COULD HAVE PARKED ALONG HERE BEFORE RIPPING THIS GUY OFF. 60 00:05:33,433 --> 00:05:36,436 - TONY MOORE, HUH? - LET'S GO TALK TO ZORZI. 61 00:05:36,436 --> 00:05:38,638 MM-HMM. 62 00:05:45,111 --> 00:05:46,979 SO YOU GUYS DRIVE IN FROM THE SQUAD? 63 00:05:46,979 --> 00:05:49,449 WE WERE HAVING A CUP OF COFFEE. 64 00:05:49,449 --> 00:05:51,317 [ Radio Chatter ] 65 00:05:51,317 --> 00:05:54,987 - ZORZI, HOW YOU FEEL? - I KNEW HIM MY WHOLE LIFE, MAN. 66 00:05:56,723 --> 00:05:58,891 HEY, DETECTIVE. HEY. WE'RE GLAD YOU'RE OKAY. 67 00:05:59,192 --> 00:06:01,661 SO HOW'D THIS GO DOWN? 68 00:06:01,661 --> 00:06:04,397 [ Clears Throat ] I STOPPED HERE TO GET CIGARETTES. 69 00:06:04,397 --> 00:06:07,867 I'M COMING OUT, TWO SPANISH GUYS GOT TONY OUT OF THE CAR. 70 00:06:07,867 --> 00:06:10,803 - THAT ONE'S GOT A GUN ON HIM. - ALL RIGHT, BACK UP. 71 00:06:11,037 --> 00:06:14,140 - YOU PICKED TONY UP FROM THE AIRPORT? - HE HAD FLEW IN FROM VEGAS. 72 00:06:14,507 --> 00:06:16,476 I'M HALF A BODYGUARD. HE WOULD GET PARANOID. 73 00:06:16,476 --> 00:06:18,745 YOU KNOW, THOSE $10,000 RINGS HE'S GOT ON. 74 00:06:18,745 --> 00:06:22,215 - SO YOU COME OUT OF THE STORE. - I DRAW MY WEAPON. 75 00:06:22,715 --> 00:06:25,518 TONY'S SAYING, "MIKE, SHOOT THE SONS OF BITCHES." 76 00:06:25,518 --> 00:06:28,020 SCARED OUT OF HIS WITS. 77 00:06:28,020 --> 00:06:30,022 BEFORE I KNOW WHAT, 78 00:06:30,022 --> 00:06:33,025 THE SCUMBAG PUTS A COUPLE OF ROUNDS INTO HIM POINT BLANK. 79 00:06:33,526 --> 00:06:35,528 I PULL OFF TWO SHOTS AND MANAGE TO TAKE THE ONE GUY DOWN. 80 00:06:35,528 --> 00:06:37,530 WHAT HAPPENED TO THE SECOND GUY? 81 00:06:37,764 --> 00:06:40,333 THE SECOND GUY GRABBED THE ATTACHÉ CASE THAT TONY'S GOT. 82 00:06:40,333 --> 00:06:42,468 HE TAKES OFF RUNNING. YOU FIRED AT HIM? 83 00:06:42,468 --> 00:06:44,871 JUST WANTED TO SEE HOW TONY WAS DOING. THEN I WENT AND CALLED IT IN. 84 00:06:44,871 --> 00:06:48,708 - WHAT DID HE HAVE IN THE ATTACHÉ CASE? - THIEVING SCUMBAG. 85 00:06:48,708 --> 00:06:50,543 I DON'T EVEN KNOW WHAT HE THOUGHT HE WAS GETTING. 86 00:06:50,543 --> 00:06:53,846 THE ONLY THING TONY KEPT IN THERE WAS, LIKE, SHEET MUSIC. 87 00:06:54,080 --> 00:06:56,582 BUT YOU GOT A GOOD SOLID LOOK AT THE SECOND GUY? 88 00:06:56,582 --> 00:06:59,719 OH, YEAH. YEAH. GAVE SHANNON A DESCRIPTION. 89 00:06:59,719 --> 00:07:01,721 ALL RIGHT, GO TO THE HOUSE. WE'LL GET A STATEMENT. 90 00:07:04,323 --> 00:07:05,825 DO YOU REMEMBER "BY CANDLELIGHT," DETECTIVE? 91 00:07:06,325 --> 00:07:08,861 TONY AND THE TREMONTS, SUMMER OF '64? 92 00:07:08,861 --> 00:07:11,197 THERE WAS A LOT OF DOO-WOP RECORDS OUT. 93 00:07:11,464 --> 00:07:13,699 IF I COULD CARRY A TUNE I WOULD SING IT FOR YOU. 94 00:07:13,699 --> 00:07:15,635 YOU WOULD KNOW. 95 00:07:31,384 --> 00:07:33,653 YEAH. YEAH, ALL RIGHT. 96 00:07:35,655 --> 00:07:37,156 COPY I.A.B. ON ALL YOUR FIVES. 97 00:07:37,657 --> 00:07:41,093 OKAY. SO THE D.O.A. PERP IS A JOSEPH VASQUEZ. 98 00:07:41,093 --> 00:07:43,762 HE'S GOT TWO ROBBERY COLLARS WITH THE SAME PARTNER-- ROBERTO ROCA. 99 00:07:43,762 --> 00:07:46,565 THIS ROCA DOESN'T FIT THE DESCRIPTION THAT ZORZI GAVE US, 100 00:07:47,065 --> 00:07:50,102 - BUT, YOU KNOW, WE'LL SEE WHAT HE HAS TO SAY. - ANYTHING OFF CANVASS? 101 00:07:50,102 --> 00:07:53,071 FOUR DIFFERENT PEOPLE HEARD SHOTS. NOBODY SAW ANYTHING. 102 00:07:55,023 --> 00:07:58,243 M.E. SAYS THE D.O.A. VICTIM HAD COCAINE RESIDUE IN HIS NOSTRILS. 103 00:07:58,243 --> 00:08:00,362 TONY MOORE? 104 00:08:00,362 --> 00:08:03,582 DID MIKE ZORZI MENTION ANYTHING WHILE YOU WERE TALKING TO HIM DURING THE NIGHT... 105 00:08:03,582 --> 00:08:05,667 ABOUT MOORE USING COKE? UH-UH. 106 00:08:05,667 --> 00:08:08,587 HE DID FIND TIME TO TALK ABOUT HOW TIGHT THEY WERE. 107 00:08:08,587 --> 00:08:10,872 MAYBE HE'S PROTECTING HIS BUDDY'S REPUTATION. 108 00:08:10,872 --> 00:08:13,425 ONE POSSIBILITY. 109 00:08:13,425 --> 00:08:15,627 ZORZI'S GONNA HAVE TO GET DOLE-TESTED. 110 00:08:15,627 --> 00:08:18,013 [ Sighs ] YEAH. 111 00:08:18,013 --> 00:08:21,266 - YOU WANT ME TO TELL HIM? - NO. 112 00:08:21,266 --> 00:08:24,269 LET'S GIVE HIM A CHANCE TO TELL US WHAT HE LEFT OUT. 113 00:08:24,269 --> 00:08:26,438 EITHER OF YOU KNOW ZORZI PERSONALLY? 114 00:08:26,938 --> 00:08:28,940 HE WASN'T A DRINKER, ABOUT ALL I CAN SAY. 115 00:08:28,940 --> 00:08:30,942 I NEVER SAW HIM IN THE BARS. I BARELY KNOW THE GUY. 116 00:08:30,942 --> 00:08:32,361 YEAH. 117 00:08:34,062 --> 00:08:36,064 GREW UP ON THE SAME STREET IN THE BRONX, 118 00:08:36,064 --> 00:08:39,401 BACK WHEN IT WAS-- [ Chuckles ] MAURIELLO-- 119 00:08:39,401 --> 00:08:41,536 BEFORE HE CHANGED IT. 120 00:08:41,536 --> 00:08:44,740 TONY MAURIELLO, HUH? I CAN REMEMBER THOSE GUYS... 121 00:08:44,740 --> 00:08:46,958 HANGING ON THE CORNER, HARMONIZING-- MAN. 122 00:08:46,958 --> 00:08:50,746 YOUNG KID. I COULDN'T THINK OF NOTHING COOLER THAN THAT. 123 00:08:50,746 --> 00:08:53,048 EXCUSE ME, ZORZI. WE NEED A MINUTE. 124 00:08:53,048 --> 00:08:57,386 - YEAH, SURE, SURE. -HEY, YOU GUYS ARE GONNA CATCH THAT OTHER BUM, RIGHT? 125 00:08:57,386 --> 00:09:00,806 - THAT'S OUR PLAN. -TONY WAS A GREAT GUY. HE LOVED COPS. 126 00:09:01,139 --> 00:09:03,842 YOU KNOW, HE SHOWED UP AND SANG AT RICH LIBEY'S RETIREMENT RACKET. 127 00:09:04,343 --> 00:09:06,595 HMM. YOU GET SOME REST? 128 00:09:06,595 --> 00:09:10,148 YEAH, SOME. LISTEN, I WAS GONNA COME TALK TO YOU. 129 00:09:10,148 --> 00:09:12,818 TONY BEING WHO HE WAS, YOU KNOW, 130 00:09:12,818 --> 00:09:14,820 THERE'S PROBABLY GONNA BE REPORTERS, TV. 131 00:09:14,820 --> 00:09:16,822 I WANT MY NAME LEFT OUT OF IT. 132 00:09:16,822 --> 00:09:19,324 WE WEREN'T PLANNING ON TALKING TO ANY PRESS. 133 00:09:19,324 --> 00:09:22,110 THIS OTHER SCUMBAG BEING AT LARGE, I DON'T WANT TO PUT MY FAMILY IN JEOPARDY. 134 00:09:22,110 --> 00:09:25,280 LET ME ASK YOU. TONY MOORE HAVE A COCAINE HABIT YOU WERE AWARE OF? 135 00:09:25,280 --> 00:09:27,666 YOU SAYING THERE WAS COKE IN HIS SYSTEM? 136 00:09:27,666 --> 00:09:30,419 YOU KNOW, THOSE STICKUP GUYS-- MAYBE THEY FIGURED THAT'S WHAT WAS IN TONY'S BRIEFCASE. 137 00:09:30,419 --> 00:09:32,921 IF I KNEW THAT, I WOULDN'T HIDE IT FROM YOU FELLAS. 138 00:09:34,840 --> 00:09:37,092 WELL, LISTEN-- THIS IS OUT OF OUR HANDS, 139 00:09:37,092 --> 00:09:39,845 BUT WE'RE GONNA NEED YOU TO GET DOLE-TESTED. 140 00:09:40,295 --> 00:09:42,597 [ Laughs ] SAY WHAT? 141 00:09:42,597 --> 00:09:44,516 HEY, YOU KNOW THE WAY THIS JOB IS. 142 00:09:45,016 --> 00:09:46,601 ANYTHING INVOLVED WITH DRUGS, YOU KNOW. 143 00:09:46,601 --> 00:09:49,604 - YOU DON'T MIND, DO YOU? - DO I MIND? 144 00:09:49,604 --> 00:09:52,691 LISTEN, IF TONY HAD WENT INTO THE JOHN AT LA GUARDIA... 145 00:09:52,691 --> 00:09:54,526 AND DID SOMETHING, I DON'T KNOW. 146 00:09:55,026 --> 00:09:56,528 BUT WHAT I COULD SWEAR TO IS, I NEVER SAW HIM USE. 147 00:09:56,528 --> 00:09:59,481 I NEVER SAW HIM IN POSSESSION. HE RESPECTED COPS. 148 00:09:59,481 --> 00:10:02,317 AND HE RESPECTED ME. HE WOULD NEVER PUT ME IN THAT KIND OF SPOT. 149 00:10:02,818 --> 00:10:05,487 WELL, YOU STILL NEED TO GO TO HEALTH SERVICES. 150 00:10:06,788 --> 00:10:08,824 MILLER, YOU HEAR THIS OVER HERE? THEY FIGURE ME FOR A COKE HOUND. 151 00:10:08,824 --> 00:10:12,794 -WHOA, WHOA. HOLD ON, ZORZI. -NO, NO, MAN. YOU GOT IT. 152 00:10:15,797 --> 00:10:18,633 HEY, SARGE. I GOTTA GO OVER TO LeFRAK CITY, 153 00:10:18,633 --> 00:10:21,720 PISS IN A CUP TO SATISFY THESE DETECTIVES. 154 00:10:21,720 --> 00:10:25,173 - GO PICK UP BOBBY ROCK, HUH? - HEY, BOBBY. HEY, ANDY. 155 00:10:25,173 --> 00:10:28,560 WHAT DO YOU GOT? D.O.A. DUMP JOB OVER ON AVENUE "B." 156 00:10:28,560 --> 00:10:31,062 THEY BROUGHT YOU GUYS IN EARLY OFF THAT SHOOTING LAST NIGHT, HUH? 157 00:10:31,062 --> 00:10:34,649 -[ Sipowicz ] YEAH. - HEY! YOU'RE SENDING MIKE ZORZI TO GET DOLE-TESTED? 158 00:10:34,649 --> 00:10:37,853 HE RISKED HIS LIFE TRYING TO SAVE HIS BUDDY. 159 00:10:37,853 --> 00:10:40,605 - SARGE, YOU KNOW WE CAN'T TALK ABOUT THE CASE. - WHO'S THE GOOD GUY HERE? 160 00:10:40,605 --> 00:10:42,441 NOBODY'S MAKING HIM A BAD GUY. 161 00:10:42,441 --> 00:10:45,994 WELL, THEN WHY'S HE HAVE TO GET DOLED? HE'S 15 YEARS ON THE JOB. 162 00:10:45,994 --> 00:10:49,364 YOU MIND JUST LETTING US RUN OUR INVESTIGATION HERE, SARGE? 163 00:10:49,364 --> 00:10:52,033 THANK YOU. 164 00:10:55,086 --> 00:10:57,789 NEXT TIME WE WANT TO TALK TO ZORZI WE TAKE HIM UP TO THE SQUAD. 165 00:11:06,848 --> 00:11:09,017 [ Sighs ] 166 00:11:13,472 --> 00:11:16,274 RUSSELL'S UPSET. SHE'S LOOKING NOT TO DRINK. 167 00:11:17,559 --> 00:11:19,277 SHE TELL YOU TO TELL ME THIS? 168 00:11:19,277 --> 00:11:21,613 NO. I'M TELLING YOU ON MY OWN. SO, WHAT-- 169 00:11:21,613 --> 00:11:25,650 YOU'RE NOT BREAKING ANY KIND OF 12-STEP SECRET HANDSHAKE HERE, GIVING HER UP? 170 00:11:25,650 --> 00:11:28,119 SORRY. 171 00:11:30,405 --> 00:11:33,708 YOU KNOW, SHE COMES OVER TO MY PLACE AFTER THIS ASSHOLE LIERY GOT IT, 172 00:11:33,708 --> 00:11:36,962 AND SHE SEEMS LIKE SHE'S GETTING PAST WHATEVER IT WAS THAT WAS HANGING HER UP. 173 00:11:36,962 --> 00:11:40,165 - WHAT DID SHE SAY THAT WAS? - SOMETHING ABOUT BEING UNSURE OF HERSELF. 174 00:11:40,165 --> 00:11:42,167 SHE TALKED ABOUT... 175 00:11:42,167 --> 00:11:44,970 FLIRTING WITH BOYS IN HIGH SCHOOL, 176 00:11:44,970 --> 00:11:47,255 SHOWING OFF HER FIGURE. SAID SHE FEELS LIKE A WHORE. 177 00:11:47,255 --> 00:11:50,058 SHE TOLD YOU THAT? 178 00:11:50,058 --> 00:11:52,894 WELL, WHAT THE HELL IS SHE TALKING ABOUT? 179 00:11:52,894 --> 00:11:54,846 SHE TALKING ABOUT THIS LIERY DRUGGING HER? 180 00:11:54,846 --> 00:11:57,566 - IS THAT WHAT SHE'S TALKING ABOUT? - I DON'T THINK SO. 181 00:11:57,566 --> 00:12:00,352 ALL'S I KNOW, SHE'S GOTTA HOLD ON. NOT DRINK ON TOP OF IT. 182 00:12:00,352 --> 00:12:03,238 WELL, ANDY, I CAN'T HOLD HER HAND NO MORE, MAN. 183 00:12:03,238 --> 00:12:07,242 AND I CAN'T STOP HER FROM BRINGING THE DRINK TO HER MOUTH. 184 00:12:14,366 --> 00:12:16,368 WE SHOULD PICK UP THIS BOBBY ROCK. 185 00:12:24,943 --> 00:12:27,679 [ Kirkendall ] OVERKILL-TYPE STABBING WOUNDS. 186 00:12:27,679 --> 00:12:30,098 THE GIRL CAN'T BE OLDER THAN 17. 187 00:12:30,098 --> 00:12:32,384 IS THAT AN EARRING IN HER NAVEL? ONE OF THOSE PIERCE JOBS? 188 00:12:33,885 --> 00:12:35,770 YEAH. PLUS A COUPLE OF TATTOOS. 189 00:12:35,770 --> 00:12:38,974 IF I'D SET FOOT IN MY PARENTS' HOUSE WITH ANY OF THIS CRAP-- 190 00:12:38,974 --> 00:12:40,942 YEAH, I KNOW. 191 00:12:40,942 --> 00:12:42,894 IF I LET SLIP A CURSE WORD ANYWHERES CLOSE TO MY OLD MAN-- 192 00:12:42,894 --> 00:12:46,865 - POW. RIGHT ACROSS THE MOUTH. - YEAH, BUT IT TAUGHT YOU RESPECT. 193 00:12:46,865 --> 00:12:48,783 YEAH, NO EARRINGS IN MY NAVEL. 194 00:12:50,151 --> 00:12:53,288 -DID YOU FIND ANY I.D.? -NAH. 195 00:12:53,288 --> 00:12:56,708 WHOA! CHECK THIS OUT. 196 00:12:56,708 --> 00:12:59,878 "CRUSH-O-RAMA NUMBER 18, STARRING MICHELLE." 197 00:13:02,831 --> 00:13:05,216 YEAH, THAT'S HER. 198 00:13:07,636 --> 00:13:09,638 WHAT'S "CRUSH-O-RAMA" SUPPOSED TO MEAN? 199 00:13:10,138 --> 00:13:13,091 I GET THE FEELING IT'S NOT FROM THE "G" SECTION AT BLOCKBUSTER. 200 00:13:19,147 --> 00:13:21,266 BOBBY ROCK, BOBBY ROCK. 201 00:13:21,266 --> 00:13:24,402 HAVE A SEAT RIGHT THERE. 202 00:13:24,402 --> 00:13:26,738 WHAT WERE YOU DOING LAST NIGHT? 203 00:13:28,239 --> 00:13:29,991 I WASN'T DOING ANYTHING. 204 00:13:29,991 --> 00:13:32,911 - NO? YOU WEREN'T HANGING OUT WITH YOUR BOY JOE VASQUEZ? - NOT LAST NIGHT. 205 00:13:32,911 --> 00:13:34,613 YOU AND JOE GET TIRED OF ROBBING GAS STATIONS? 206 00:13:34,613 --> 00:13:38,333 YOU FIGURE YOU'LL TAKE OFF THIS GOOD-LOOKING ITALIAN FOR HIS JEWELRY? 207 00:13:38,333 --> 00:13:41,703 - NOT ME. - SO THEN WHAT WERE YOU DOING LAST NIGHT? 208 00:13:44,372 --> 00:13:46,708 I WAS WATCHING THE KNICKS GAME ON TV. 209 00:13:46,708 --> 00:13:48,677 WATCHING THE KNICKS, HUH? ANYBODY WITH YOU? 210 00:13:48,677 --> 00:13:52,097 - BY MYSELF. - THAT'S A BAD BREAK THEN, FOR YOU. 211 00:13:52,097 --> 00:13:54,132 LOOK, I WASN'T WITH JOE LAST NIGHT, OKAY? 212 00:13:54,132 --> 00:13:56,301 BUT I TELL YOU THIS-- 213 00:13:58,219 --> 00:14:01,022 I WISH I KNEW WHO IT WAS... 214 00:14:01,022 --> 00:14:03,224 WHO SHOT AND KILLED HIM. OH, YEAH? WHY IS THAT? 215 00:14:03,224 --> 00:14:07,062 - I JUST WOULD LIKE TO KNOW. - YOU AND JOE VASQUEZ ARE TIGHT. 216 00:14:07,062 --> 00:14:10,031 YOU'RE SORRY TO SEE HIM DEAD. I CAN UNDERSTAND THAT. YOU KNOW WHAT I CAN'T FIGURE? 217 00:14:10,031 --> 00:14:13,618 YOU ALL BEING SO TIGHT, HIM DOING THIS STICKUP WITHOUT YOU. 218 00:14:13,618 --> 00:14:16,454 LOOK, IF I WAS WITH HIM, WATCHING HIS BACK-- MM-HMM? 219 00:14:16,454 --> 00:14:18,456 I TELL YOU THIS-- 220 00:14:18,456 --> 00:14:20,291 IT WOULD BE A WHOLE DIFFERENT STORY. 221 00:14:20,291 --> 00:14:23,545 YEAH? WELL, MAYBE YOU GOT SOME IDEA WHO IT WAS... 222 00:14:23,545 --> 00:14:25,914 SUPPOSED TO BE WATCHING HIS BACK IF IT WASN'T YOU. 223 00:14:25,914 --> 00:14:28,133 HOW ABOUT THAT, ROBERTO, HUH? WHO IT COULD HAVE BEEN CUT AND RAN... 224 00:14:28,133 --> 00:14:30,719 WHILE YOUR BUDDY WAS BREATHING HIS LAST BREATH. 225 00:14:30,719 --> 00:14:33,054 [ Groans, Chuckles ] I WISH I KNEW THAT TOO, 226 00:14:33,054 --> 00:14:38,977 BECAUSE I'D BE TAKING CARE OF IT ALL BY MYSELF WITHOUT TROUBLING YOU ALL. 227 00:14:38,977 --> 00:14:41,596 THAT'S NOT HOW YOU SHOULD BE LOOKING AT THIS, ROBERTO. 228 00:14:41,596 --> 00:14:43,565 THE WAY YOU SHOULD BE LOOKING AT IT, 229 00:14:43,565 --> 00:14:48,486 YOU COUNT YOURSELF LUCKY YOU DIDN'T CATCH A COUPLE OF HOT ONES IN THE CHEST YOURSELF. 230 00:14:48,486 --> 00:14:51,106 DO YOU HEAR WHAT I'M SAYING TO YOU? HUH? 231 00:14:51,573 --> 00:14:53,074 YOU COUNT YOURSELF LUCKY. 232 00:14:53,074 --> 00:14:56,828 YOU DON'T GO WORRYING ABOUT WHO SHOT WHO. 233 00:14:56,828 --> 00:14:58,697 ARE WE DONE? 234 00:14:58,697 --> 00:15:01,499 YOU STAND IN A LINEUP? 235 00:15:01,499 --> 00:15:04,786 IF THIS ASSHOLE WILL LET GO OF MY JAW. 236 00:15:08,506 --> 00:15:10,341 YEAH. 237 00:15:10,341 --> 00:15:12,377 I'LL STAND IN YOUR LINEUP. 238 00:15:24,120 --> 00:15:27,540 HOW'S THE COFFEE THIS MORNING, LIEUTENANT? I DON'T KNOW, COHEN. 239 00:15:27,540 --> 00:15:30,493 ROBERTO ROCA'S NOT THE GUY, 240 00:15:30,493 --> 00:15:32,996 AND HE'S NO HELP WITH WHO ELSE MIGHT'VE BEEN WITH VASQUEZ. 241 00:15:32,996 --> 00:15:35,999 WELL, ZORZI TESTED CLEAN. WELL, THAT'S ONE GOOD THING. 242 00:15:35,999 --> 00:15:38,751 DESK DOWNSTAIRS IS SENDING A GUY UP. 243 00:15:38,751 --> 00:15:40,887 SAYS HE SAW SOMETHING LAST NIGHT ON ESSEX STREET. 244 00:15:40,887 --> 00:15:43,172 ANYTHING ELSE ON THE CARS THAT WERE PARKED ALONG THERE? 245 00:15:43,172 --> 00:15:46,642 NO. DIANE'S STILL WORKING ON THAT. 246 00:15:46,642 --> 00:15:50,146 THEY TOLD ME THE DETECTIVES ARE UPSTAIRS. YES, SIR. CAN I HELP YOU? 247 00:15:50,146 --> 00:15:52,682 I WITNESSED A SHOOTING LAST NIGHT WHEN I WAS DRIVING MY CAB. 248 00:15:52,682 --> 00:15:55,101 MM-HMM. WHERE WAS THIS AT? ON ESSEX STREET. 249 00:15:55,101 --> 00:15:58,354 I DIDN'T REPORT IT WHEN IT HAPPENED. I APOLOGIZE FOR THAT. 250 00:15:58,354 --> 00:16:00,523 I'M DETECTIVE SIPOWICZ. THIS IS DETECTIVE SIMONE. WHAT'S YOUR NAME? 251 00:16:00,523 --> 00:16:03,659 I'M RAJNISH PRASAD. 252 00:16:03,659 --> 00:16:05,528 LET'S GO TALK DOWN HERE. 253 00:16:06,029 --> 00:16:07,530 THANK YOU. 254 00:16:08,831 --> 00:16:11,501 I MADE A RIGHT TURN ONTO ESSEX STREET. 255 00:16:11,501 --> 00:16:14,170 I SAW AN ITALIAN MAN RUNNING OUT OF THE MARKET. 256 00:16:14,170 --> 00:16:16,172 HE WAS POINTING A GUN AT TWO OTHER MEN... 257 00:16:16,172 --> 00:16:19,208 WHO WERE STANDING BY A CAR ACROSS THE STREET. 258 00:16:19,208 --> 00:16:23,046 THE ITALIAN SHOOTS TWICE, HITS ONE OF THOSE OTHER MEN-- A PUERTO RICAN. 259 00:16:23,046 --> 00:16:26,182 WAIT A MINUTE. YOU'RE ROLLING BY, RIGHT? IT'S NIGHT. 260 00:16:26,182 --> 00:16:28,468 HOW DO YOU TAKE NOTE THAT ONE OF THESE GUYS IS ITALIAN, 261 00:16:28,468 --> 00:16:30,303 THE OTHER ONE'S PUERTO RICAN? I KNOW THAT STORE. 262 00:16:30,303 --> 00:16:33,606 THE KOREANS OWN THAT STORE. THEY CAN BARELY SPEAK ENGLISH. 263 00:16:33,606 --> 00:16:35,558 THEY BARELY EVEN TRY. 264 00:16:36,059 --> 00:16:38,027 ANYWAY, WHEN I SEE THIS HAPPENING, I WONDER IF THE OWNER... 265 00:16:38,528 --> 00:16:40,530 HAD CHASED A THIEF OUT INTO THE STREET. 266 00:16:40,530 --> 00:16:42,365 BUT THE MAN IN THE DOORWAY IS WHITE. 267 00:16:42,365 --> 00:16:44,617 NOT KOREAN. AND HOW DO YOU KNOW HE'S ITALIAN? 268 00:16:44,617 --> 00:16:46,819 I'VE SEEN ENOUGH OF THEM TO KNOW. BELIEVE ME. 269 00:16:46,819 --> 00:16:50,206 GET IN THE CAB, THEY DON'T HAVE A POLITE WORD TO SAY. GIVE YOU 25 CENTS FOR A TIP. 270 00:16:50,206 --> 00:16:53,876 ARE YOU SURE ON THE NUMBER OF MEN YOU SAW STANDING BY THE CAR? 271 00:16:53,876 --> 00:16:56,045 TWO MEN. MY IMPRESSION-- 272 00:16:56,045 --> 00:16:58,798 THE PUERTO RICAN WAS ROBBING THE OTHER ONE. 273 00:16:58,798 --> 00:17:02,385 MY FIRST WEEK DRIVING A CAB, A PUERTO RICAN BOY STUCK A GUN TO MY HEAD. 274 00:17:02,385 --> 00:17:05,805 WELCOME TO NEW YORK. YOU SEE ANYONE FLEEING THE SCENE, MR. PRASAD? 275 00:17:05,805 --> 00:17:07,757 NO. NOBODY WAS FLEEING THE SCENE. 276 00:17:08,257 --> 00:17:10,560 WAS MY IMPRESSION RIGHT? 277 00:17:10,560 --> 00:17:13,179 THE PUERTO RICAN WAS ROBBING THE OTHER ONE? WE'RE PIECING THAT TOGETHER. 278 00:17:13,179 --> 00:17:15,264 BECAUSE EVEN SO, THAT'S NO EXCUSE... 279 00:17:15,264 --> 00:17:18,067 FOR THE ITALIAN TO SHOOT HIM IN THE STREET LIKE JOHN WAYNE. 280 00:17:18,067 --> 00:17:19,735 ROBBERY SHOULD BE HANDLED BY THE POLICE. 281 00:17:19,735 --> 00:17:21,904 WITHOUT LAW, WE DON'T HAVE A CITY. WE HAVE A JUNGLE. 282 00:17:21,904 --> 00:17:24,273 THANKS VERY MUCH FOR COMING IN. 283 00:17:24,273 --> 00:17:28,111 WE MAY CALL YOU IN A FEW DAYS. YOU'RE WELCOME. 284 00:17:28,111 --> 00:17:30,413 [ Sipowicz ] THANK YOU. 285 00:17:30,413 --> 00:17:33,032 THE OTHER WAY. 286 00:17:33,032 --> 00:17:35,201 WE GOTTA CALL THAT ASSHOLE BAUMGARTNER... 287 00:17:35,701 --> 00:17:37,453 AND HAVE HIM LET US KNOW WHEN ZORZI GETS BACK. 288 00:17:37,453 --> 00:17:39,589 ASK HIM ABOUT WHAT THIS GUY'S SAYING. 289 00:17:39,589 --> 00:17:41,424 [ Man On TV ] YOU READY? [ Woman On TV ] YEAH. YEAH? 290 00:17:41,924 --> 00:17:43,259 GO. HERE YOU GO. 291 00:17:43,259 --> 00:17:48,714 I GOT IT. WOW. LOOK AT THAT. 292 00:17:48,714 --> 00:17:51,517 THIS IS SO SICK. [ Woman Laughing ] 293 00:17:51,517 --> 00:17:54,854 - I DON'T UNDERSTAND THE TURN-ON. - SOMETHING TO DO WITH FEET. 294 00:17:54,854 --> 00:17:58,307 HOW DO THE WORMS FIT IN? I MEAN, WHO'D PAY MONEY TO WATCH THIS? 295 00:17:58,307 --> 00:18:01,227 WELL, IF THIS CRUSH-O-RAMA 18 GUY'S OBVIOUSLY SELLING THINGS-- 296 00:18:01,227 --> 00:18:05,148 FAST FORWARD TO THE END. MAYBE THERE'S A MAILING ADDRESS. HEY. 297 00:18:05,148 --> 00:18:09,118 -YEAH. - GUY THAT'S COMING UP REFERRED OVER BY MISSING PERSONS. 298 00:18:09,118 --> 00:18:11,320 - HE REGISTERED HIS DAUGHTER LAST THURSDAY. - [ Kirkendall ] THANKS. 299 00:18:11,320 --> 00:18:14,874 - "MICHELLE MIRREN." - OH. 300 00:18:14,874 --> 00:18:18,878 - HEY, JAMES, CHECK THIS OUT. -WHAT WERE YOU THINKING ABOUT, MICHELLE, 301 00:18:18,878 --> 00:18:21,797 WHEN YOU WERE CRUSHING THAT LITTLE WORM INTO A GREASE STAIN? 302 00:18:21,797 --> 00:18:24,300 UH-- 303 00:18:24,800 --> 00:18:26,302 I DON'T KNOW. 304 00:18:26,302 --> 00:18:29,088 WHAT KIND OF WARPED PIECE OF GARBAGE IS THAT? 305 00:18:29,088 --> 00:18:32,592 - SOMETHING TO DO WITH FEET. - I'M GONNA GO SEE GINA. 306 00:18:32,592 --> 00:18:34,977 HERE. HERE'S THE POST OFFICE BOX AT THE END OF THE TAPE. 307 00:18:34,977 --> 00:18:37,096 WE CAN TRACE THE GUY THROUGH THIS. 308 00:18:37,096 --> 00:18:39,398 TURN OFF THE TAPE. 309 00:18:39,398 --> 00:18:41,350 AH. I'M WALTER MIRREN. HI. 310 00:18:41,350 --> 00:18:43,319 DETECTIVE KIRKENDALL. 311 00:18:43,319 --> 00:18:47,023 MISSING PERSONS SAID YOU MIGHT HAVE SOME INFORMATION ABOUT MY DAUGHTER. 312 00:18:47,023 --> 00:18:49,859 IF YOU COULD ANSWER SOME QUESTIONS FOR US, 313 00:18:49,859 --> 00:18:51,694 THAT WOULD REALLY BE HELPFUL. 314 00:18:52,195 --> 00:18:54,197 DETECTIVE MEDAVOY, WALTER MIRREN. HOW DO YOU DO? 315 00:18:54,197 --> 00:18:56,532 MY DAUGHTER IS MICHELLE MIRREN. SHE'S MISSING. 316 00:18:59,502 --> 00:19:01,504 MR. MIRREN, DO YOU HAVE ANY IDEA... 317 00:19:01,504 --> 00:19:04,257 IF SOMEONE MIGHT HAVE WANTED TO HARM YOUR DAUGHTER? 318 00:19:04,257 --> 00:19:08,177 UH, NO. BOYFRIEND? 319 00:19:08,177 --> 00:19:11,681 IF SHE WAS DATING ANYBODY, IT WAS IN SPITE OF ME. 320 00:19:11,681 --> 00:19:13,516 I'D GIVEN HER A CURFEW BECAUSE OF, UH, 321 00:19:13,516 --> 00:19:16,185 DISCIPLINARY PROBLEMS. 322 00:19:16,185 --> 00:19:18,354 HOW ABOUT GIRLFRIENDS? SCHOOL FRIENDS? 323 00:19:18,354 --> 00:19:20,940 TURN AROUND, SHE'S 16 YEARS OLD. 324 00:19:20,940 --> 00:19:22,725 EVERYTHING'S AN ARGUMENT. 325 00:19:22,725 --> 00:19:24,694 HER MOTHER, UH-- 326 00:19:25,194 --> 00:19:28,614 WE DIVORCED SIX YEARS AGO. SHE MOVED ACROSS COUNTRY. 327 00:19:28,614 --> 00:19:31,367 KEEPS NO KIND OF RELATIONSHIP WITH MICHELLE. 328 00:19:31,367 --> 00:19:34,070 SO IN TERMS OF FRIENDS WE MIGHT TALK TO-- 329 00:19:34,070 --> 00:19:36,989 UH, ONE GIRL CAME BY THE HOUSE. 330 00:19:37,990 --> 00:19:40,743 TATTOOS ON HER ARMS. I HIT THE ROOF. 331 00:19:40,743 --> 00:19:44,714 DO YOU RECALL THAT GIRL'S NAME? NO. I DIDN'T WANT TO KNOW IT. 332 00:19:44,714 --> 00:19:48,884 DID MICHELLE MENTION ABOUT ANY FRIENDS INVOLVED... 333 00:19:48,884 --> 00:19:51,504 IN MAKING VIDEOS? YOU MEAN AT SCHOOL? 334 00:19:51,504 --> 00:19:54,223 OH, ANYWHERE. YOU KNOW, JUST GOOFING AROUND. 335 00:19:54,223 --> 00:19:56,509 NO, I DON'T THINK SO. 336 00:19:58,594 --> 00:20:01,597 ARE YOU, UH-- ARE YOU HOPEFUL... 337 00:20:01,597 --> 00:20:04,233 YOU MIGHT BE ABLE TO LOCATE MICHELLE? 338 00:20:05,568 --> 00:20:07,853 SIR, 339 00:20:08,354 --> 00:20:12,825 I HAVE TO TELL YOU A GIRL'S BODY'S BEEN FOUND WHICH COULD BE YOUR DAUGHTER'S. 340 00:20:15,077 --> 00:20:17,863 [ Exhales ] OH, NO. 341 00:20:17,863 --> 00:20:21,834 I HAVE A PHOTOGRAPH I'M GONNA ASK YOU TO LOOK AT. 342 00:20:23,085 --> 00:20:27,373 YOU NEED TO PREPARE YOURSELF FOR THE POSSIBILITY IT'S MICHELLE. 343 00:20:27,373 --> 00:20:29,258 OH, NO. 344 00:20:45,808 --> 00:20:48,277 [ Weeping ] 345 00:20:53,065 --> 00:20:55,484 HERE'S SOME WATER, SIR. [ Sobbing ] 346 00:20:59,905 --> 00:21:02,241 JUST GOT BACK FROM BALLISTICS. BAUMGARTNER SAID YOU WANTED TO SEE ME. 347 00:21:02,241 --> 00:21:06,128 YOU MIND COMING UPSTAIRS? DID YOU GET THOSE TEST RESULTS BACK? 348 00:21:06,128 --> 00:21:09,081 THIS ISN'T ABOUT THAT. BUT YOU KNOW I WASN'T LYING, RIGHT? 349 00:21:09,081 --> 00:21:12,218 I JUST HEARD MIKE TESTED CLEAN FOR DRUGS AND ALCOHOL. 350 00:21:12,218 --> 00:21:14,553 OF COURSE I TESTED CLEAN. 351 00:21:14,553 --> 00:21:17,390 HE TESTED CLEAN. NOW WE NEED TO TALK ABOUT SOMETHING ELSE. COME ON, ZORZI. 352 00:21:17,390 --> 00:21:20,176 - CALL YOUR DELEGATE. -HEY, SARGE, GIVE US A BREAK. 353 00:21:20,176 --> 00:21:23,429 - GUYS WANNA ACT LIKE THEIR I.A.B. - I.A.B.? 354 00:21:23,429 --> 00:21:24,980 LISTEN, WE GOT SOME INFORMATION THAT WE NEED... 355 00:21:25,481 --> 00:21:26,982 TO CLEAR UP WITH YOU ABOUT WHAT WENT DOWN. 356 00:21:26,982 --> 00:21:29,819 INFORMATION? CALL YOUR DELEGATE, MIKE. 357 00:21:29,819 --> 00:21:31,654 WE GOT A WITNESS THAT SAW PART OF WHAT WENT DOWN, 358 00:21:32,154 --> 00:21:34,156 AND WE NEED TO TALK TO YOU ABOUT SOME OF THE DETAILS THAT YOU TOLD US ABOUT. 359 00:21:34,156 --> 00:21:36,776 -WHAT WITNESS? SOME SKELL? - HEY, WILL YOU STAY OUT OF THIS? 360 00:21:36,776 --> 00:21:39,779 I'M GONNA GO CALL MY DELEGATE. I THINK I SHOULD DO THAT. 361 00:21:41,781 --> 00:21:44,333 IS THERE SOME REASON THAT YOU'RE LOOKING TO IMPEDE THIS INVESTIGATION, SERGEANT? 362 00:21:44,333 --> 00:21:48,421 HE'S GOT RIGHTS JUST LIKE ANYBODY ELSE. WHY ARE YOU BREAKING HIS BALLS? 363 00:21:48,421 --> 00:21:51,006 'CAUSE HE'S JUST A UNIFORM COP? AW, COME ON. 364 00:21:51,006 --> 00:21:52,792 YOU'RE DOING ZORZI A BIG FAVOR STIRRING THIS THING UP LIKE THIS. 365 00:21:52,792 --> 00:21:55,428 BEEN IN THIS PRECINCT SEVEN YEARS. I BET YOU CAN'T TELL ME HIS WIFE'S NAME. 366 00:21:55,928 --> 00:21:57,680 STOP BREATHING BOOZE IN MY FACE. 367 00:21:57,680 --> 00:22:01,467 YOU THINK I'M DRINKING? YOU WANNA PISS-TEST ME TOO? 368 00:22:01,467 --> 00:22:03,886 COME ON, PUT YOUR HANDS OUT. 369 00:22:06,305 --> 00:22:08,140 [ Chuckles ] 370 00:22:13,145 --> 00:22:14,897 GOOD FOR YOU, ANDY, NOT GOING OFF. 371 00:22:14,897 --> 00:22:17,650 [ Sipowicz ] DIGESTION, BLOOD PRESSURE-- 372 00:22:17,650 --> 00:22:19,702 EVERYTHING'S GONNA BE OUT OF WHACK THE WHOLE REST OF THE DAY... 373 00:22:19,702 --> 00:22:21,704 'CAUSE I WALK WITHOUT HITTING THIS TURD. 374 00:22:21,704 --> 00:22:24,073 ASSHOLES. 375 00:22:25,991 --> 00:22:27,993 I GOT IT. 376 00:22:28,994 --> 00:22:30,830 YOU JUST CALL ME AN ASSHOLE, MACKEY? 377 00:22:33,749 --> 00:22:35,835 YEAH, YOU CALL ME AN ASSHOLE WITH MY BACK TURNED. 378 00:22:36,335 --> 00:22:38,170 NOW I'M HERE IN FRONT OF YOU, YOU GOT NOTHING TO SAY, RIGHT? 379 00:22:38,170 --> 00:22:40,923 WHAT AM I SUPPOSED TO SAY TO SOMEONE LOOKS TO HURT HIS OWN? 380 00:22:40,923 --> 00:22:44,427 NO ONE IS LOOKING TO HURT ZORZI. WHY DON'T YOU GO UP TO THE SQUAD? 381 00:22:44,427 --> 00:22:46,228 I DON'T KNOW. MY SHIELD SAYS NEW YORK CITY POLICE, 382 00:22:46,228 --> 00:22:48,681 SO IF I WANNA GO UPSTAIRS, I'M GONNA GO UPSTAIRS. 383 00:22:48,681 --> 00:22:51,434 IF I WANNA STAY RIGHT DOWN HERE IN FRONT OF YOUR FACE, THAT'S WHAT I'M GONNA DO. 384 00:22:53,152 --> 00:22:55,321 ANY MORE? 385 00:23:01,494 --> 00:23:04,747 NO ONE IS LOOKING TO HURT HIM. 386 00:23:35,377 --> 00:23:37,596 [ Knocking ] 387 00:23:39,014 --> 00:23:41,350 POLICE. CAN WE TALK? 388 00:23:41,350 --> 00:23:43,269 WHAT DID I DO THIS TIME? 389 00:23:43,269 --> 00:23:46,272 YOUR POST OFFICE BOX IS ON A VIDEOTAPE WE'VE BEEN TRACKING, LARRY. 390 00:23:46,272 --> 00:23:48,023 MIND IF WE COME IN AND TALK A MINUTE? 391 00:23:48,023 --> 00:23:50,910 YEAH. ALL RIGHT. 392 00:23:50,910 --> 00:23:54,830 WHICH ONE OF MY VIDEOS WE TALKING ABOUT? YOU KNEW MICHELLE MIRREN? 393 00:23:54,830 --> 00:23:56,832 SHE RUN AWAY FROM HER DAD FINALLY? SHE'S NOT HERE. 394 00:23:56,832 --> 00:23:59,201 WHAT DO YOU KNOW ABOUT HER AND HER FATHER? 395 00:23:59,702 --> 00:24:01,704 SHE SAID THEY FOUGHT A LOT. 396 00:24:01,704 --> 00:24:03,506 WHEN WAS THE LAST TIME YOU SAW HER? 397 00:24:03,506 --> 00:24:05,291 UH, COUPLE DAYS AGO. 398 00:24:05,291 --> 00:24:07,293 I GAVE HER A COPY OF MY NEW CRUSH TAPE SHE STARRED IN. 399 00:24:07,793 --> 00:24:10,379 - WE'VE SEEN YOUR CRUSH TAPE. - HOW'D YOU LIKE IT? 400 00:24:10,379 --> 00:24:12,798 MICHELLE'S CUTE IN IT, ISN'T SHE? 401 00:24:12,798 --> 00:24:16,802 OBVIOUSLY SHE DIDN'T UNDERSTAND TOTALLY WHAT THE FETISH IS ALL ABOUT, 402 00:24:17,303 --> 00:24:18,804 BUT, UH, SHE WENT WITH IT PRETTY GOOD. 403 00:24:19,305 --> 00:24:20,806 [ Medavoy ] YOU MIND COMING TO THE STATION, LARRY? 404 00:24:21,307 --> 00:24:23,642 TELL US MORE ABOUT YOUR RELATIONSHIP? 405 00:24:23,642 --> 00:24:27,062 OUR RELATIONSHIP WAS, I PAID HER $200 TO SQUASH EARTHWORMS. 406 00:24:27,062 --> 00:24:29,398 WHAT'S IT ABOUT? HAS SOMETHING HAPPENED TO HER? 407 00:24:29,398 --> 00:24:32,701 - YEAH. - BAD? 408 00:24:32,701 --> 00:24:35,154 MICHELLE WAS MURDERED, LARRY. 409 00:24:38,157 --> 00:24:40,543 UH, TALK TO HER BOYFRIEND. 410 00:24:40,543 --> 00:24:42,661 I GOT HIS NUMBER RIGHT HERE. 411 00:24:42,661 --> 00:24:45,798 HERE, TALK TO HIM. HE'S THE ONE, ACTUALLY, I PAID. 412 00:24:45,798 --> 00:24:48,884 HE ANSWERED AN AD I TOOK OUT LOOKING FOR MODELS. 413 00:24:51,170 --> 00:24:52,671 HE WAS TURNING HER OUT. HERE. 414 00:24:53,172 --> 00:24:55,174 WILL SCHELTEMA. THAT'S HIS NUMBER. 415 00:24:55,174 --> 00:24:58,677 HE'S BIG INTO TATTOOS, BODY PIERCING. 416 00:24:58,677 --> 00:25:00,679 MAYBE SOME KIND OF ILLICIT SUBSTANCES ALSO. 417 00:25:01,180 --> 00:25:03,182 WE STILL NEED YOU TO COME TO THE PRECINCT. 418 00:25:03,182 --> 00:25:05,317 YOU GOT SOME MORE BOXES WE CAN TAKE THESE TAPES IN? 419 00:25:05,818 --> 00:25:07,319 WAIT. WHY DO YOU HAVE TO TAKE THE VIDEOTAPES? 420 00:25:07,319 --> 00:25:09,605 'CAUSE IT'S A MURDER INVESTIGATION, LARRY. 421 00:25:09,605 --> 00:25:12,825 I DON'T THINK YOU CAN JUST TAKE MY TAPES. I GOT MAIL-ORDER CUSTOMERS. 422 00:25:12,825 --> 00:25:14,743 BUSINESS IS ON HOLD FOR A WHILE. 423 00:25:14,743 --> 00:25:17,446 YOU WANNA RADIO FOR A COUPLE OF UNIFORMS, HELP US LOAD THESE UP? 424 00:25:25,921 --> 00:25:28,290 I UNDERSTAND YOUR CLIENT'S CONCERNS. 425 00:25:28,290 --> 00:25:31,043 WE CAN'T DETAIL WHAT ITEMS WERE RECOVERED. 426 00:25:31,043 --> 00:25:35,881 NO. NO. NO DISCUSSIONS OF POSSIBLE SUSPECTS. NOTHING LIKE THAT. 427 00:25:35,881 --> 00:25:38,384 TRISH TAYLOR-- HER CAR WAS PARKED ON ESSEX... 428 00:25:38,851 --> 00:25:40,352 MAYBE 120 FEET FROM THE SHOOTING. 429 00:25:40,352 --> 00:25:44,273 - SHE LIVES IN LONG ISLAND CITY. - SHE KNOWS ABOUT THE HOMICIDES? 430 00:25:44,273 --> 00:25:46,442 WATCHING ABOUT IT ON TELEVISION WHEN I SHOWED UP. 431 00:25:46,442 --> 00:25:48,811 JUST KEEPS SAYING WHY CAN'T HER CAR BE ON ESSEX STREET... 432 00:25:48,811 --> 00:25:51,647 - AND ACTING JITTERY. - CAN YOU TAKE HER INTO 1? 433 00:25:51,647 --> 00:25:54,033 MM-HMM. 434 00:25:55,284 --> 00:25:58,570 MR. GREEN, REALIZING HOW I DO, WHAT WITH YOU BEING A LAWYER, 435 00:25:58,570 --> 00:26:01,790 YOU'RE PROBABLY ALL INVOLVED WITH THIS CASE EMOTIONALLY. 436 00:26:01,790 --> 00:26:04,660 I WON'T TAKE OFFENSE, YOU INFERRING I'M A CROOK. 437 00:26:04,660 --> 00:26:09,381 JUST END OUR LITTLE CHAT SUGGESTING THAT YOU KISS MY POLISH ASS. 438 00:26:10,749 --> 00:26:12,751 AW, SLEAZEBAG SHYSTER. 439 00:26:12,751 --> 00:26:17,056 HE SAYS TONY MOORE HAD POSSESSION OF SUBSTANTIAL CASH... 440 00:26:17,056 --> 00:26:19,308 OFF WINNING FOOTBALL WAGERS. 441 00:26:19,308 --> 00:26:21,143 IF WE RECOVERED THAT MONEY HE KNOWS THAT NUMBER, 442 00:26:21,644 --> 00:26:23,228 AND ALL OF IT HAD BETTER BE THERE. 443 00:26:23,228 --> 00:26:27,232 NOW, DOES THAT SOUND LIKE TONY'S A COURIER FOR MOB MONEY TO YOU? 444 00:26:27,232 --> 00:26:30,653 DIANE JUST BROUGHT IN THIS GIRL FROM LONG ISLAND CITY. 445 00:26:30,653 --> 00:26:34,523 WON'T SAY WHY HER CAR WAS PARKED ON ESSEX STREET LAST NIGHT. 446 00:26:34,523 --> 00:26:37,359 IT'S NOT ENOUGH YOU GUYS ARE CRUCIFYING ZORZI PROFESSIONALLY, 447 00:26:37,359 --> 00:26:39,528 YOU WANT TO RUIN HIS MARRIAGE TOO? 448 00:26:39,945 --> 00:26:41,747 HEY, WHAT IS YOUR PROBLEM NOW, SERGEANT? 449 00:26:41,747 --> 00:26:44,083 - DON'T TRY TO BE SLICK. - ABOUT WHAT? 450 00:26:45,584 --> 00:26:48,620 NOTHIN'. UP YOURS. 451 00:26:53,592 --> 00:26:57,880 - IN THE COFFEE ROOM. - DID BAUMGARTNER SEE THIS GIRL COME IN? 452 00:26:57,880 --> 00:27:01,633 - YEAH. YEAH, AND IT LOOKED LIKE HE RECOGNIZED HER TOO. - DID ZORZI SEE HER? 453 00:27:01,633 --> 00:27:05,104 NO, HE WASN'T DOWN THERE. SHE CONNECTED WITH ZORZI? 454 00:27:05,104 --> 00:27:08,140 - IT'S WORTH A QUESTION. -MM-HMM. 455 00:27:08,140 --> 00:27:10,776 - WHERE YOU GOING? - I GOTTA GO SOMEWHERE. 456 00:27:28,711 --> 00:27:32,047 I'M DETECTIVE SIMONE. THIS IS DETECTIVE SIPOWICZ. 457 00:27:32,047 --> 00:27:34,416 YOU KNOW, I CAN'T UNDERSTAND THIS. 458 00:27:34,416 --> 00:27:36,418 WHY CAN'T I PARK ON ESSEX STREET? 459 00:27:36,919 --> 00:27:38,754 UH, HOW IS THAT A POLICE MATTER? 460 00:27:38,754 --> 00:27:42,057 YOUR CAR WAS IDENTIFIED LAST NIGHT AT THE SCENE OF A DOUBLE SHOOTING. 461 00:27:42,057 --> 00:27:44,226 WHY WERE YOU PARKED THERE, YOU LIVING SO FAR AWAY? 462 00:27:44,226 --> 00:27:47,813 WHY CAN'T I PARK ON ESSEX STREET? 463 00:27:47,813 --> 00:27:50,149 [ Simone ] LET ME BE HONEST. 464 00:27:50,149 --> 00:27:53,902 YOU'RE IN A GRAVE SITUATION. OBSTRUCTING A HOMICIDE INVESTIGATION-- 465 00:27:53,902 --> 00:27:57,523 THAT MAKES YOU COMPLICIT IN THE CRIME. I COULD GO TO PRISON? 466 00:27:57,523 --> 00:28:00,275 IF YOU HOLD BACK INFORMATION THAT YOU KNOW TO BE RELEVANT, 467 00:28:00,275 --> 00:28:03,078 YES, YOU WILL BE LOCKED UP, BECAUSE WE'RE GONNA DO WHAT WE HAVE TO DO... 468 00:28:03,078 --> 00:28:05,247 TO FIND OUT THE TRUTH. 469 00:28:05,247 --> 00:28:09,001 WHY'D MIKE WANT YOUR CAR THERE? 470 00:28:09,501 --> 00:28:12,704 - I DON'T KNOW WHAT YOU'RE TALKING ABOUT. - SURE YOU DO. 471 00:28:12,704 --> 00:28:14,623 - NO. - WHY DID HE WANT IT THERE? 472 00:28:17,042 --> 00:28:20,546 HE JUST TOLD ME TO PARK THE CAR THERE BY 10:00, 473 00:28:20,546 --> 00:28:23,432 AND THEN TO COME BACK AND PICK IT UP AT 4:00 A.M. THIS MORNING. 474 00:28:23,432 --> 00:28:26,135 THAT'S ALL HE TOLD ME. AND YOU DID PARK IT THERE LIKE HE ASKED? 475 00:28:26,135 --> 00:28:28,937 HE SAID HE NEEDED TO USE THE CAR TO TAKE CARE OF SOME BUSINESS. 476 00:28:28,937 --> 00:28:33,275 THE NEXT COUPLE OF MINUTES ARE REALLY IMPORTANT MINUTES IN YOUR LIFE, MISS TAYLOR. 477 00:28:33,776 --> 00:28:35,778 YOU HAVE TO BE HONEST. 478 00:28:35,778 --> 00:28:38,147 [ Taylor ] THAT'S ALL HE SAID. 479 00:28:38,147 --> 00:28:41,316 AND HE SAID THAT IT WAS GONNA BE GOOD-- 480 00:28:41,316 --> 00:28:44,236 THAT THINGS WERE GONNA BE GOOD FOR US ONCE HE TOOK CARE OF THIS, 481 00:28:44,236 --> 00:28:47,239 AND I WASN'T SUPPOSED TO ASK HIM ANY QUESTIONS. 482 00:28:47,239 --> 00:28:49,575 HE WAS GONNA LEAVE HIS WIFE. 483 00:28:49,575 --> 00:28:52,878 OUR LIVES WERE GONNA CHANGE. 484 00:28:52,878 --> 00:28:55,247 [ Groans ] WHEN YOU PICKED UP... 485 00:28:55,247 --> 00:28:57,549 YOUR CAR FROM ESSEX STREET, DID MIKE LEAVE ANYTHING IN IT? 486 00:28:57,549 --> 00:28:59,668 - NO. - NO? 487 00:29:01,303 --> 00:29:03,589 MIKE CAME BACK AT 6:00 THIS MORNING, 488 00:29:04,089 --> 00:29:06,809 AND HE WENT INTO THE TRUNK AND HE TOOK OUT A BRIEFCASE. 489 00:29:06,809 --> 00:29:09,645 I MEAN, HE DIDN'T EVEN COME INTO THE HOUSE. HE JUST-- 490 00:29:09,645 --> 00:29:13,765 I HEARD HIM DRIVE UP. HE GOT OUT, HE WENT IN THE TRUNK. 491 00:29:13,765 --> 00:29:17,186 GOT THE BRIEFCASE AND DROVE AWAY. 492 00:29:18,520 --> 00:29:20,856 AM I UNDER ARREST? SIT TIGHT FOR A FEW MINUTES. 493 00:29:20,856 --> 00:29:23,659 ALL RIGHT-- [ Indistinct ] 494 00:29:23,659 --> 00:29:27,446 THIS LYING BASTARD ZORZI. WE GOTTA GO PICK HIM UP. 495 00:29:27,446 --> 00:29:30,282 IN THE CORNER? YEAH, THANK YOU. 496 00:29:30,282 --> 00:29:32,951 ANDY. 497 00:29:32,951 --> 00:29:35,454 - YOU BEEN OUTSIDE, LAST LITTLE WHILE? - NO. WHY? 498 00:29:35,454 --> 00:29:37,506 YOU MIGHT WANT TO CHECK ON YOUR CAR. 499 00:29:37,506 --> 00:29:40,125 WHAT HAPPENED TO MY CAR? 500 00:29:40,125 --> 00:29:43,378 - ANDY, I'LL RUN IT FOR THE BOSS. - YEAH. 501 00:29:59,478 --> 00:30:01,446 SON OF A BITCH. 502 00:30:02,447 --> 00:30:03,949 I DON'T BELIEVE THIS. 503 00:30:03,949 --> 00:30:08,704 WHO'S THE YELLOW SON OF A BITCH SCRATCHED UP MY CAR, HUH? 504 00:30:08,704 --> 00:30:11,990 NONE OF YOUSE GOT THE BALLS TO STAND UP FOR WHAT YOU DID? 505 00:30:11,990 --> 00:30:14,626 DON'T MESS WITH MY CAR. MESS WITH ME. 506 00:30:14,626 --> 00:30:16,662 WRITE "RAT" ON ME. 507 00:30:17,829 --> 00:30:20,332 SHANNON! YOU SCRATCH UP MY CAR? 508 00:30:20,332 --> 00:30:23,502 WHAT? YOU DON'T GOT GUTS ENOUGH TO OPEN YOUR MOUTH? 509 00:30:23,502 --> 00:30:26,805 LOOK, I UNDERSTAND YOU'RE PISSED OFF, BUT I DIDN'T SCRATCH UP YOUR CAR, 510 00:30:26,805 --> 00:30:30,425 -AND I AIN'T TAKING NO ABUSE. - WHO SCRATCHED "RAT" ON MY CAR? 511 00:30:30,425 --> 00:30:33,095 ANDY, BACK AWAY FROM ME. OR WHAT? 512 00:30:33,095 --> 00:30:35,230 - OR YOU'LL FIND OUT WHAT. - STAY ON THE LANDING. 513 00:30:35,230 --> 00:30:37,015 STAY WHERE YOU ARE, BOBBY. 514 00:30:37,015 --> 00:30:39,484 BACK UP. BACK UP. 515 00:30:39,484 --> 00:30:41,853 SERGEANT, HANDLE YOUR PEOPLE. 516 00:30:41,853 --> 00:30:45,107 COOL OUT, ANDY. GUTLESS HUMP SCRATCHED MY CAR. I THOUGHT YOU WERE A DECENT GUY. 517 00:30:45,107 --> 00:30:47,159 IT WASN'T ME. ANDY, UPSTAIRS. 518 00:30:47,159 --> 00:30:49,111 YOU THINK WE'RE LOOKING TO HURT YOUR GUY? 519 00:30:49,111 --> 00:30:52,281 HE'S AN ASSHOLE, AND I STILL WON'T PUT THE BRACELETS ON HIM. 520 00:30:52,281 --> 00:30:54,616 COME ON. LET'S GO. STEP BACK. MOVE! 521 00:30:54,616 --> 00:30:57,002 SCREW YOU GUYS. EVERYBODY, SHUT YOUR MOUTH. 522 00:30:57,002 --> 00:30:59,004 OH, THAT'S RIGHT, BAUMGARTNER. 523 00:30:59,504 --> 00:31:01,873 IT'S STARTING TO DAWN ON YOU, YOU BACKED THE WRONG HORSE? 524 00:31:21,377 --> 00:31:23,462 -[ Man ] LIEUTENANT? - HOW YOU DOING? 525 00:31:23,462 --> 00:31:25,831 WE GOT THE WARRANT FOR OFFICER ZORZI'S HOME. WHO'S COMING WITH US? 526 00:31:25,831 --> 00:31:29,135 - DETECTIVES SIPOWICZ AND SIMONE, IF THAT'S ALL RIGHT. -YEAH. FINE. 527 00:31:31,470 --> 00:31:33,472 BY THE WAY, CONGRATULATIONS, DETECTIVE-- 528 00:31:33,472 --> 00:31:35,308 MAKING FIRST GRADE. THANKS. 529 00:31:35,308 --> 00:31:38,060 UNDERSTAND THIS CASE YOU FELLAS HAVE BEEN GETTING A TASTE OF WHAT WE GET EVERY DAY. 530 00:31:38,060 --> 00:31:40,346 "THE RAT SQUAD." HOPE THAT DON'T MEAN YOU'RE GONNA WANT... 531 00:31:40,846 --> 00:31:43,182 TO HOLD HANDS ON THE WAY OVER. 532 00:31:43,182 --> 00:31:45,184 [ Kirkendall ] BOSS? YEAH? 533 00:31:45,685 --> 00:31:47,687 GREG AND I GOT A HIT ON THE ALARM WE PUT OUT ON THAT DUMP JOB. 534 00:31:47,687 --> 00:31:50,656 D.O.A.'s BOYFRIEND IS IN 3. HOW'D HE TURN UP? 535 00:31:50,656 --> 00:31:53,159 HE TOOK A COLLAR LAST NIGHT IN THE 27 FOR A TRAFFIC STOP. 536 00:31:53,159 --> 00:31:56,162 THEY FOUND COKE IN HIS CAR. IT'S YOUR CATCH. 537 00:31:56,662 --> 00:31:59,415 - HOW DO YOU WANT TO HANDLE THE INTERVIEW? - I'D LIKE TO TRY HIM. 538 00:31:59,415 --> 00:32:01,917 IF HE HAS A PROBLEM WITH ME, I'LL HAND OFF TO GREG. 539 00:32:01,917 --> 00:32:04,253 - ALL RIGHT. - GREAT. 540 00:32:09,709 --> 00:32:11,594 THANKS. THANKS, HAROLD. 541 00:32:13,796 --> 00:32:16,265 SO WHERE WE GOING NOW? 542 00:32:16,265 --> 00:32:18,384 DID YOU GET HIGH LAST NIGHT, WILL? 543 00:32:21,387 --> 00:32:24,523 LOOK, WHAT CAN I TELL YOU GUYS TO GET OUT OF THIS, HUH? 544 00:32:24,523 --> 00:32:26,475 I MEAN, I CAN TELL YOU WHO I SCORE FROM. 545 00:32:26,976 --> 00:32:30,029 NO. WHY DON'T YOU TELL US ABOUT MICHELLE? 546 00:32:30,029 --> 00:32:32,064 MICHELLE? YOUR GIRLFRIEND. 547 00:32:32,064 --> 00:32:34,984 OH. [ Sniffs ] 548 00:32:34,984 --> 00:32:37,486 ALL RIGHT. WELL, UH-- 549 00:32:37,486 --> 00:32:39,288 I MEAN, THAT I CAN TELL YOU ABOUT. 550 00:32:39,288 --> 00:32:41,574 GO AHEAD. 551 00:32:41,574 --> 00:32:43,576 ALL RIGHT. UH-- 552 00:32:43,576 --> 00:32:46,045 MICHELLE WAS OVER MY PLACE LAST NIGHT, 553 00:32:46,545 --> 00:32:49,548 AND, UH, SHE'D NEVER SNIFFED COKE BEFORE. 554 00:32:49,548 --> 00:32:53,302 SO I THOUGHT SHE SHOULD EXPERIENCE THAT, YOU KNOW? 555 00:32:53,302 --> 00:32:56,722 I MEAN, SHE HADN'T REALLY EXPERIENCED MUCH BEFORE SHE MET ME. 556 00:32:56,722 --> 00:32:59,725 BUT THEN SHE JUST FLAT-OUT REFUSED. 557 00:33:01,727 --> 00:33:05,264 SHE THOUGHT SHE'D GET, LIKE, INSTANTLY ADDICTED OR SOMETHING, YOU KNOW? 558 00:33:05,264 --> 00:33:08,684 AND SHE'S LOOKING AT ME, YOU KNOW, WITH THIS LOOK IN HER FACE. 559 00:33:08,684 --> 00:33:12,688 I REMEMBER GETTING REALLY ANGRY THAT SHE WAS REFUSING TO DO IT. 560 00:33:12,688 --> 00:33:15,441 - I MEAN, LIKE, REALLY ON THE VERGE OF ANGER. - THEN WHAT HAPPENED? 561 00:33:15,441 --> 00:33:18,277 THAT'S NOT A PLACE I WANT TO BE AT. YOU KNOW, THAT KIND OF ANGER. 562 00:33:18,277 --> 00:33:21,447 - WAS THE COKE PUSHING YOU THERE? - I WOULDN'T LET IT HAPPEN. 563 00:33:21,447 --> 00:33:26,502 WHAT I DID WAS, I, UH, WALKED OUTSIDE... 564 00:33:26,502 --> 00:33:29,288 AND I WALKED AROUND THE BLOCK-- I DON'T KNOW-- 565 00:33:29,288 --> 00:33:31,707 LIKE, THREE OR FOUR TIMES. 566 00:33:32,208 --> 00:33:35,761 AND, UH, TESTED MYSELF. MADE SURE I'D COOLED OUT. 567 00:33:35,761 --> 00:33:38,714 UH-HUH. UH-- 568 00:33:40,716 --> 00:33:44,720 I DON'T KNOW. MUST'VE BEEN, LIKE, 20 MINUTES OR SO... 569 00:33:44,720 --> 00:33:47,139 AND I WENT BACK UPSTAIRS. 570 00:33:47,640 --> 00:33:50,142 LIKE A HALF HOUR. 571 00:33:50,142 --> 00:33:52,645 AND-- 572 00:33:52,645 --> 00:33:55,397 SHE WAS, UH, LYING ON THE FLOOR-- 573 00:33:55,397 --> 00:33:57,116 MICHELLE-- 574 00:33:57,116 --> 00:33:59,068 WITH, UH, 575 00:34:00,569 --> 00:34:02,571 ALL THESE HOLES IN HER CHEST. 576 00:34:02,571 --> 00:34:05,124 SOMEBODY MUST HAVE BROKE IN AND STABBED HER. 577 00:34:05,124 --> 00:34:08,127 WHAT IT MUST HAVE BEEN. WILL. 578 00:34:08,627 --> 00:34:11,130 YOU KNOW THAT'S NOT WHAT HAPPENED. 579 00:34:11,130 --> 00:34:12,998 NO, IT IS. 580 00:34:12,998 --> 00:34:15,301 THAT'S EXACTLY WHAT MUST HAVE HAPPENED. 581 00:34:16,719 --> 00:34:18,587 HOW'D HER BODY GET IN THAT DUMPSTER? 582 00:34:20,589 --> 00:34:22,591 UH, WELL, WITH THAT, I-- 583 00:34:22,591 --> 00:34:25,094 SEE, I JUST KIND OF-- I DON'T KNOW-- I KIND OF FREAKED OUT. 584 00:34:25,094 --> 00:34:29,098 YOU KNOW, WHEN I SAW HER I DIDN'T KNOW WHAT TO DO, AND, UH-- 585 00:34:29,098 --> 00:34:33,602 AND SO I TOOK HER AND I PUT HER IN THERE. 586 00:34:33,602 --> 00:34:35,437 I MEAN, I KNOW THAT THAT WAS WRONG, 587 00:34:35,437 --> 00:34:37,823 AND THAT WAS WHY I WAS DRIVING AROUND SO UPSET AFTERWARDS. 588 00:34:37,823 --> 00:34:41,827 BUT I DIDN'T KILL HER. I MEAN, I SWEAR I DIDN'T KILL HER. 589 00:34:43,279 --> 00:34:45,781 YOU FELT SOMETHING FOR THIS GIRL? 590 00:34:45,781 --> 00:34:48,584 YEAH. 591 00:34:50,369 --> 00:34:54,456 WELL, I'M LOOKING AT THESE PHOTOGRAPHS HERE-- WHAT WAS DONE TO HER. 592 00:34:57,426 --> 00:34:59,762 DO YOU WANT TO GO INTO COURT, THEY SHOW THESE PICTURES, 593 00:34:59,762 --> 00:35:04,433 AND IT LOOKS LIKE YOU JUST COLD-BLOODEDLY KILLED HER? 594 00:35:07,770 --> 00:35:10,272 I'VE HEARD HOW IT CAN BE WITH COKE. 595 00:35:10,272 --> 00:35:12,274 YOU DO THINGS. 596 00:35:12,274 --> 00:35:14,143 IT'S LIKE A BLACKOUT ALMOST. 597 00:35:14,143 --> 00:35:16,529 AND IT'S LIKE SOMEONE ELSE DID IT. 598 00:35:16,529 --> 00:35:18,864 WAS IT LIKE THAT? 599 00:35:20,282 --> 00:35:22,284 YEAH. 600 00:35:23,285 --> 00:35:25,287 IT WAS. 601 00:35:26,622 --> 00:35:30,793 WHAT DID YOU STAB HER WITH, WILL? A SCREWDRIVER. 602 00:35:33,128 --> 00:35:37,416 I'M TELLING YOU, MAN, I DON'T REMEMBER DOING IT. 603 00:35:37,416 --> 00:35:42,004 WILL, DO YOU REMEMBER AND JUST FEEL AWFUL? 604 00:35:42,004 --> 00:35:44,924 LIKE YOU'D DO ANYTHING IF IT HADN'T HAPPENED? 605 00:35:47,142 --> 00:35:49,261 YEAH. 606 00:35:51,981 --> 00:35:54,183 YOU WANT TO WRITE IT DOWN FOR ME? 607 00:35:54,183 --> 00:35:57,603 YEAH, BUT I-- IN A MINUTE. 608 00:35:57,603 --> 00:35:59,572 OKAY. 609 00:36:03,993 --> 00:36:06,996 MY WIFE'S BEEN IN AND OUT OF PRIVATE HOSPITALS. 610 00:36:06,996 --> 00:36:09,164 FIVE DIFFERENT SHRINKS. 611 00:36:09,164 --> 00:36:13,035 THE EXPENSE IS INCREDIBLE, APART FROM JUST THE PRESSURE OF THAT... 612 00:36:13,035 --> 00:36:15,037 AND TRYING TO FIND MY OWN HAPPINESS. 613 00:36:15,037 --> 00:36:17,456 SO I MADE THIS PLAN. 614 00:36:17,456 --> 00:36:19,375 TONY WAS LIKE A COURIER, 615 00:36:19,375 --> 00:36:21,877 AND HIM KNOWING IT WAS THE MOB'S MONEY, 616 00:36:21,877 --> 00:36:25,214 I KNEW THERE'S NO WAY HE'S GONNA GIVE IT UP TO JOE VASQUEZ, 617 00:36:25,214 --> 00:36:30,019 WHICH MEANT I KNEW WHAT I WAS GONNA FIND WHEN I CAME OUT OF THAT STORE. 618 00:36:30,019 --> 00:36:32,354 YOU'D PREDETERMINED YOU WERE GONNA KILL JOE VASQUEZ-- 619 00:36:32,354 --> 00:36:35,190 AND TONY? AND WHEN I WAS INSIDE THE STORE, 620 00:36:35,190 --> 00:36:38,193 I PUT A GLOVE ON MY LEFT HAND. 621 00:36:38,193 --> 00:36:40,529 SO AFTER I SHOT VASQUEZ, 622 00:36:40,529 --> 00:36:43,949 I RAN UP, GOT HIS GUN, AND I SHOT TONY TWICE WITH THAT. 623 00:36:43,949 --> 00:36:45,951 ALSO PART OF THE PLAN? 624 00:36:45,951 --> 00:36:49,905 YOU SEE, THIS PLAN JUST TOOK HOLD IN MY MIND. 625 00:36:50,406 --> 00:36:54,043 IT WAS LIKE AN OBSESSION. I SPENT MONTHS PLANNING THIS. 626 00:36:54,043 --> 00:36:56,745 HOW YOU WERE GONNA MURDER YOUR FRIEND, AND LIE TO THE PEOPLE... 627 00:36:56,745 --> 00:36:59,081 - THAT YOU WORK WITH. - DETECTIVE. 628 00:36:59,081 --> 00:37:02,918 TONY USED TO TORMENT ME WITH THAT MONEY HE WAS MOVING. 629 00:37:02,918 --> 00:37:05,721 WE'D BE IN THE CAR-- "HEY, MIKE. 630 00:37:05,721 --> 00:37:08,557 "YOU EVER SEEN A MILLION DOLLARS? 631 00:37:08,557 --> 00:37:10,559 GO AHEAD, FEEL IT." 632 00:37:10,559 --> 00:37:14,146 BUT STILL, SEE, THAT'S WHERE IT FELL APART, 633 00:37:14,146 --> 00:37:16,732 BECAUSE AFTER I HAD EXECUTED MY PLAN-- 634 00:37:16,732 --> 00:37:21,403 AND GOTTEN AWAY WITH IT-- THE THING THAT REALLY BOTHERED ME... 635 00:37:21,403 --> 00:37:24,406 - WAS WHAT I'D DONE TO MY FRIEND. - YOUR FRIEND TONY. 636 00:37:24,406 --> 00:37:26,525 AYAYAY. 637 00:37:26,525 --> 00:37:28,827 DETECTIVE SIPOWICZ, I'M GONNA ASK YOU TO REFRAIN... 638 00:37:28,827 --> 00:37:30,829 FROM THIS PART OF THE QUESTIONING. YEAH, SURE. 639 00:37:30,829 --> 00:37:34,616 SO, TONY'S DEAD, YOU SHOT VASQUEZ. NOW WHAT? 640 00:37:34,616 --> 00:37:38,253 I PUT THE ATTACHEÉ CASE IN THE TRUNK OF MY GIRLFRIEND'S CAR. 641 00:37:38,754 --> 00:37:42,257 I TELL YOU, IF I'D HAVE JUST LEFT THE COUNTRY WITH THAT MILLION DOLLARS, 642 00:37:42,257 --> 00:37:44,126 I'D BE LONG GONE, 643 00:37:44,126 --> 00:37:46,428 AND YOU GUYS WOULD BE SITTING HERE... 644 00:37:46,428 --> 00:37:48,514 SCRATCHING YOUR BALLS. 645 00:37:48,514 --> 00:37:51,684 BUT SMART LIKE YOU ARE, YOU FIGURE YOU'LL GET AWAY WITH NO ONE SUSPECTING, 646 00:37:51,684 --> 00:37:53,769 RIGHT, ZORZI? 647 00:37:55,521 --> 00:37:58,223 THAT'S WHY I CAME UP WITH THE SECOND ROBBER GETTING AWAY WITH THE MONEY. 648 00:37:58,223 --> 00:38:01,443 - YEAH, YOUR PHANTOM PUERTO RICAN NUMBER TWO. - DETECTIVE! 649 00:38:01,443 --> 00:38:04,897 YOU'RE RIGHT. LET ME GET THE HELL OUT OF HERE, BREATHE SOME CLEAN AIR. 650 00:38:05,898 --> 00:38:07,900 YOU HEAR THIS MORON? SHH. 651 00:38:07,900 --> 00:38:11,036 WHAT I DIDN'T FIGURE WAS YOU FINDING OUT ABOUT TRISH. 652 00:38:11,036 --> 00:38:12,905 OH, YEAH, THAT WAS A TOUGH ONE. 653 00:38:13,405 --> 00:38:14,907 HE DIDN'T FIGURE THAT WE WOULD CANVASS THE PLATES... 654 00:38:15,407 --> 00:38:16,825 AT THE CRIME SCENE. SIPOWICZ. 655 00:38:16,825 --> 00:38:19,378 THAT CAUGHT ME BY SURPRISE. 656 00:38:19,378 --> 00:38:21,830 I SHOULD HAVE NEVER LET HER BE PART OF THIS. 657 00:38:21,830 --> 00:38:23,832 DIDN'T FIGURE WE'D COME UP WITH TRISH, 658 00:38:23,832 --> 00:38:26,835 DIDN'T THINK WE'D TEAR DOWN THIS PHANTOM PUERTO RICAN NUMBER TWO-- 659 00:38:26,835 --> 00:38:30,723 WHICH TOOK US ABOUT 27 MINUTES, YOU MURDERING SCUMBAG NITWIT! 660 00:38:30,723 --> 00:38:33,142 WILL SOMEONE SHUT HIM UP? 661 00:38:33,142 --> 00:38:35,644 I'M ALL RIGHT. I'M ALL RIGHT. 662 00:38:36,979 --> 00:38:40,349 I'M ALL RIGHT. I'M ALL RIGHT. 663 00:38:56,665 --> 00:39:00,085 - ZORZI'S GOING? - HE'S IN THERE WITH I.A.B. 664 00:39:00,085 --> 00:39:02,955 - NO REMORSE AT ALL. - ALL MY HEART I THOUGHT YOU GUYS... 665 00:39:02,955 --> 00:39:06,341 WERE ON THE WRONG TRACK. 666 00:39:06,341 --> 00:39:08,510 PROBABLY I.A.B.'s GONNA WANT TO MAKE IT LOOK LIKE THEY CRACKED THE CASE, HUH? 667 00:39:08,510 --> 00:39:11,513 SO NOW IT'S YOU AND US, RIGHT, BAUMGARTNER? 668 00:39:11,513 --> 00:39:13,966 STAND-UP COPS AGAINST THE RAT SQUAD? 669 00:39:14,466 --> 00:39:17,019 YOU NOTICE ANY STRIPES ON MY ARMS, SIPOWICZ? 670 00:39:18,520 --> 00:39:21,223 YOU NEVER GAVE A DAMN ABOUT ZORZI. 671 00:39:22,141 --> 00:39:24,109 YOU'RE A MEAN DRUNK-- 672 00:39:24,610 --> 00:39:27,479 DECIDES THE SHIFT AGITATING OVER ZORZI IS HOW YOU'RE GONNA MAKE PEOPLE MISERABLE. 673 00:39:27,479 --> 00:39:30,699 AND YOU CAN SHOVE THOSE STRIPES UP YOUR ASS. 674 00:39:30,699 --> 00:39:33,869 NOTHING WORSE THAN A REFORMED SOUSE. 675 00:39:33,869 --> 00:39:36,622 BEFORE YOU GET ALL DISCIPLINARY, SARGE, 676 00:39:36,622 --> 00:39:39,408 YOU JUST REMEMBER THAT YOU INVITED DETECTIVE SIPOWICZ HERE... 677 00:39:39,408 --> 00:39:41,994 TO CUP HIS HANDS FOR YOU, AND I WAS THE WITNESS. 678 00:39:50,135 --> 00:39:52,921 NOW MY INSIDES IN AN UPHEAVAL, THE NIGHTTIME TOO, 679 00:39:52,921 --> 00:39:55,924 NOT HITTING THIS IMBECILE. 680 00:40:00,062 --> 00:40:03,932 HEY. I BEEN BEEPING RUSSELL THE LAST COUPLE HOURS. 681 00:40:04,399 --> 00:40:06,018 I'M WORRIED OVER HER. 682 00:40:11,490 --> 00:40:13,242 HEY, UH, 683 00:40:13,242 --> 00:40:15,527 I GOTTA TAKE A RAIN CHECK. 684 00:40:16,028 --> 00:40:17,830 SURE. SORRY. 685 00:40:19,448 --> 00:40:21,333 I UNDERSTAND. 686 00:40:27,256 --> 00:40:30,626 I'M GONNA LOOK WHERE HER AND ME HAD COFFEE. YEAH. 687 00:40:30,626 --> 00:40:32,544 LET ME GO TO THAT PATRICK'S. 688 00:40:33,045 --> 00:40:35,264 WHERE SHE WAS AT WITH LIERY? MM-HMM. 689 00:40:35,264 --> 00:40:37,599 YEAH, THAT COULD BE. 690 00:41:07,880 --> 00:41:09,798 DIANE. 691 00:41:09,798 --> 00:41:11,583 DIANE. 692 00:41:11,583 --> 00:41:13,802 ME AND ANDY-- WE BEEN LOOKING ALL OVER FOR YOU. 693 00:41:13,802 --> 00:41:16,889 I'M SORRY. DON'T BE SORRY. YOU'RE ALL RIGHT. 694 00:41:16,889 --> 00:41:19,641 SOMETHING'S WRONG. OKAY. 695 00:41:19,641 --> 00:41:23,845 I'M OKAY. I HAVEN'T BEEN DRINKING. THAT'S GOOD. 696 00:41:23,845 --> 00:41:25,931 SOMETHING'S WRONG. [ Whimpering ] 697 00:41:26,431 --> 00:41:28,817 COME ON. 698 00:41:33,322 --> 00:41:35,824 I'M GONNA PUT SOME WATER ON RIGHT NOW. I'M GONNA MAKE SOME TEA, OKAY? 699 00:41:36,325 --> 00:41:38,076 I JUST WANT TO SIT DOWN FOR A MINUTE. 700 00:41:38,076 --> 00:41:40,445 YOU GO AHEAD. DO THAT. 701 00:41:40,445 --> 00:41:42,915 DIANE. 702 00:41:43,415 --> 00:41:45,417 WHAT DO YOU THINK'S WRONG? 703 00:41:45,417 --> 00:41:47,252 'CAUSE IT'S FRIGHTENING. 704 00:41:47,252 --> 00:41:50,172 I DON'T KNOW. I DON'T WANT A DRINK, BUT I FEEL... 705 00:41:50,172 --> 00:41:53,258 LIKE I'M ALMOST DIZZY, AND AFRAID, LIKE THINGS DON'T EXACTLY LOOK REAL-- 706 00:41:53,258 --> 00:41:56,628 LIKE, I'LL LOOK AT YOU AND I KNOW YOU'RE NEXT TO ME, 707 00:41:56,628 --> 00:41:59,131 BUT THEN IT LOOKS LIKE YOU'RE 15 FEET AWAY OR SO. 708 00:41:59,131 --> 00:42:02,017 DIANE, I NEED YOU TO TRY TO TAKE IT EASY FOR ME A LITTLE BIT. 709 00:42:02,017 --> 00:42:04,937 OKAY? I LEFT BECAUSE IT WAS HAPPENING IN THE SQUAD, 710 00:42:04,937 --> 00:42:08,190 BUT THEN IT WAS HAPPENING WHILE I WAS WALKING AROUND. 711 00:42:08,190 --> 00:42:10,475 I'M GLAD YOU CAME OVER HERE, 712 00:42:10,475 --> 00:42:13,195 BUT I WANT YOU TO TRY AND TAKE IT EASY, ALL RIGHT? I'M SCARING YOU. 713 00:42:13,195 --> 00:42:15,564 NO. NOT AT ALL. 714 00:42:15,564 --> 00:42:19,034 I DON'T WANT TO BE LIKE THIS FOREVER. I CAN'T STAND IT. 715 00:42:19,034 --> 00:42:21,370 HEY. COME HERE, COME HERE, COME HERE, COME HERE. 716 00:42:23,322 --> 00:42:25,824 [ Sobs ] 717 00:42:26,325 --> 00:42:29,828 WHAT IS IT? HMM? CAN YOU THINK OF WHAT IT IS? 718 00:42:30,329 --> 00:42:32,331 CAN YOU TELL ME WHAT IT IS THAT'S SCARING YOU? 719 00:42:32,331 --> 00:42:35,334 I-I-- I THINK SOMETHING HAPPENED. 720 00:42:35,334 --> 00:42:38,337 WITH LIERY-- WHEN HE DRUGGED YOU THAT TIME. 721 00:42:38,337 --> 00:42:40,339 HMM? 722 00:42:41,840 --> 00:42:44,343 SOMETHING HAPPENED, BOBBY. 723 00:42:45,844 --> 00:42:48,347 YEAH, WE'RE GONNA GET THROUGH IT. 724 00:42:48,347 --> 00:42:50,098 OKAY? 725 00:42:51,483 --> 00:42:53,986 DON'T YOU DOUBT THAT I LOVE YOU. 726 00:42:56,488 --> 00:42:58,490 I'M SORRY FOR WHAT I DID. 727 00:42:58,490 --> 00:43:00,492 I-I DIDN'T MEAN THAT TO HAPPEN. 728 00:43:00,492 --> 00:43:02,494 NO, DIANE, IT WAS THE JOB THAT PUT YOU THROUGH THAT. 729 00:43:02,494 --> 00:43:04,496 YOU DIDN'T ASK FOR WHAT HAPPENED THERE. 730 00:43:04,496 --> 00:43:08,000 IF I LED HIM ON. IF I WAS A FLIRT. 731 00:43:08,000 --> 00:43:10,002 NO, NO. 732 00:43:13,005 --> 00:43:16,008 I JUST DIDN'T WANT HIM TO YELL, SO I MUST HAVE FLIRTED. 733 00:43:21,013 --> 00:43:23,015 THIS GUY-- HE BROKE BAD WITH YOU, RIGHT? 734 00:43:23,015 --> 00:43:25,017 HE BROKE BAD WITH YOU-- LIERY? 735 00:43:28,020 --> 00:43:30,022 I DIDN'T KNOW-- 736 00:43:30,022 --> 00:43:33,025 I DIDN'T KNOW THAT WOULD HAPPEN. 737 00:43:34,526 --> 00:43:36,528 I WAS ONLY 12. 738 00:43:39,031 --> 00:43:41,533 I DIDN'T KNOW THAT WOULD HAPPEN, 739 00:43:42,034 --> 00:43:44,569 AND I DON'T EVEN THINK I FLIRTED. 740 00:43:48,990 --> 00:43:51,493 OH, DIANE. I JUST-- 741 00:43:52,994 --> 00:43:55,497 I, UH-- [ Sniffles ] 742 00:43:55,497 --> 00:43:57,499 JUST WOKE UP AND HE WAS FINISHED. 743 00:44:07,476 --> 00:44:08,977 I-- I JUST-- 744 00:44:09,478 --> 00:44:11,980 I DIDN'T WANT HIM TO YELL AT ME LIKE MOM AND DOUGIE. 745 00:44:11,980 --> 00:44:13,982 IT'S OKAY. 746 00:44:13,982 --> 00:44:16,735 I MUST HAVE FLIRTED, BUT I DON'T THINK I DID. 747 00:44:19,521 --> 00:44:21,523 OKAY. 748 00:44:21,523 --> 00:44:24,526 IT'S OUT NOW. YOU KNOW, YOU GOT IT OUT. 749 00:44:25,527 --> 00:44:27,529 I HAD TO KEEP A SECRET. 750 00:44:27,529 --> 00:44:30,031 DADDY'S PRETTY PET. YOU GOT IT OUT. 751 00:44:33,668 --> 00:44:35,670 I DON'T WANT TO BE THIS WAY. 752 00:44:35,670 --> 00:44:38,673 I CAN'T STAND IF I'M GONNA BE LIKE THIS. 753 00:44:41,176 --> 00:44:43,678 [ Sobbing ] 754 00:44:44,679 --> 00:44:46,681 I'M GONNA HOLD YOU. I'M GONNA HOLD YOU. 755 00:44:47,182 --> 00:44:48,683 I WANT TO HOLD TIGHT TO YOU. 756 00:44:48,683 --> 00:44:51,186 HOLD TIGHT. 757 00:44:51,186 --> 00:44:53,188 I'M RIGHT HERE. 758 00:44:56,191 --> 00:44:59,561 YOU'RE GONNA BE ALL RIGHT. WE'RE GONNA BE ALL RIGHT. 759 00:45:04,065 --> 00:45:06,067 YOU'RE GONNA BE ALL RIGHT.