1 00:00:01,501 --> 00:00:03,003 Previously on "NYPD BLUE". 2 00:00:03,503 --> 00:00:05,505 IF YOU DON'T KNOW YOU'RE A GOOD PERSON, 3 00:00:05,505 --> 00:00:07,907 UNDERCOVER'S A REAL EASY PLACE TO START THINKING YOU'RE NOT. 4 00:00:07,907 --> 00:00:11,544 - DO YOU WANT ME TO FIND ANOTHER WAY AT LIERY? - NO. 5 00:00:11,544 --> 00:00:15,915 I'M SURE GLAD YOU'RE DOWN HERE. I FIGURED A ROSE WAS TOO MUCH OF A STATEMENT. 6 00:00:15,915 --> 00:00:17,984 AN APPLE WON'T RAISE NO EYEBROWS. 7 00:00:17,984 --> 00:00:20,854 JIMMY LIERY GOT MURDERED. SHOT OUTSIDE PATRICK'S BAR. 8 00:00:21,287 --> 00:00:24,124 OH, YEAH? MM-HMM. O.C.C.B. HAD THE PLACE UP. 9 00:00:24,124 --> 00:00:26,960 THEY GOT THE WHOLE THING ON TAPE. SO, EVERYBODY'S HAPPY. 10 00:00:26,960 --> 00:00:30,296 JANE WALLACE SAID O.C.C.B. HAD YOU AND ANDY ON TAPE TOO. 11 00:00:30,296 --> 00:00:33,967 DID YOU AND ANDY CHAT IT UP IN FRONT OF THE BARTENDER, BOBBY? LET HIM PUT IT OUT? 12 00:00:33,967 --> 00:00:37,337 ME AND ANDY, WE JUST HAD A CONVERSATION IN A BAR. 13 00:00:58,425 --> 00:01:01,494 - MORNING. - HI. 14 00:01:01,494 --> 00:01:05,465 HERE'S MY 49 ON LIERY. HOW THOROUGH IS THAT, DIANE? 15 00:01:05,965 --> 00:01:09,803 IT'S THE VERSION YOU CAN TAKE THE KIDS TO. WHY? WHO YOU LOOKIN' TO HURT? 16 00:01:09,803 --> 00:01:15,508 DIANE, JIMMY LIERY DIED AT THE HANDS OF A CROOK AND A KILLER LIKE HE WAS. 17 00:01:16,009 --> 00:01:18,244 FROM MY POINT OF VIEW, THAT'S THE END OF THE STORY. 18 00:01:18,745 --> 00:01:21,614 I'M SORRY THAT IT CAUSED COMPLICATIONS IN YOUR PERSONAL LIFE. YOU TOLD ME... 19 00:01:22,115 --> 00:01:24,617 THAT YOUR RELATIONSHIP WITH BOBBY WAS AT A DIFFICULT POINT. 20 00:01:24,617 --> 00:01:27,353 I WAS WRONG TO THINK WE COULD STEER AROUND THAT. 21 00:01:31,691 --> 00:01:34,427 I WANNA GET TO WORK. 22 00:01:34,427 --> 00:01:37,130 ANY PERMANENT DAMAGE? NOT FROM THIS. 23 00:01:38,631 --> 00:01:42,135 TAKE CARE, DIANE. HMM. 24 00:01:55,982 --> 00:01:59,552 - MORNIN'. - OH, HI, BOBBY. 25 00:01:59,552 --> 00:02:01,554 - ANDY. - [ Sipowicz ] HEY. 26 00:02:01,554 --> 00:02:03,857 - BOSS CHANGE THE CHART? - NO. I'M OFF. 27 00:02:04,357 --> 00:02:07,260 UM, I WANTED TO TALK TO YOU ABOUT DINNER. WHAT'S UP? 28 00:02:07,260 --> 00:02:10,830 UH, IF WE HAD TO, WOULD IT BE OKAY EATIN' AT MY PLACE INSTEAD OF GOIN' OUT? 29 00:02:10,830 --> 00:02:12,632 SURE. 30 00:02:12,899 --> 00:02:14,901 MY EX-HUSBAND IS BEIN' A JERK ABOUT WHETHER HE'LL TAKE THE BOYS. 31 00:02:15,401 --> 00:02:19,272 - YOU DON'T HAVE TO TALK ME INTO HOME COOKIN'. -WELL, THE ALTERNATIVE IS... 32 00:02:19,272 --> 00:02:20,940 WE COULD DO IT ANOTHER NIGHT. NO, NO. 33 00:02:20,940 --> 00:02:24,711 - THIS IS-- THIS IS GOOD. - OKAY. I'LL SEE YOU LATER. 34 00:02:24,711 --> 00:02:27,514 YEAH. WE SHOOT FOR, LIKE, 7:00. 35 00:02:27,514 --> 00:02:30,416 YEAH. JUST, UH, GIVE ME A CALL, AND LET ME KNOW. 36 00:02:31,918 --> 00:02:33,853 HI, DIANE. HI. 37 00:02:35,588 --> 00:02:37,157 MORNING. HOW'S IT GOIN'? 38 00:02:41,761 --> 00:02:43,229 [ Sighs ] 39 00:02:43,229 --> 00:02:47,901 GIVE ME A HEADS-UP WHEN IT'S GONNA COME TO SHOTS. I'LL MAKE FOR THE FISH TANK. 40 00:04:10,984 --> 00:04:13,353 WE NEED TO TALK TO A DETECTIVE. 41 00:04:13,853 --> 00:04:16,189 I'M DETECTIVE SIMONE. THIS IS DETECTIVE SIPOWICZ. HOW'S IT GOIN'? 42 00:04:16,489 --> 00:04:19,959 MR. KOZLER AND I ARE DIAMOND DEALERS. I'M JERRY SILVERTON. 43 00:04:20,460 --> 00:04:23,196 HIS SISTER IS MISSING WITH A MILLION, FOUR IN STONES. 44 00:04:23,196 --> 00:04:26,899 - WELL, LET'S TALK IN HERE. - ALL RIGHT. THAT'S FINE. THANK YOU. 45 00:04:26,899 --> 00:04:29,636 RIGHT THIS WAY. 46 00:04:29,636 --> 00:04:31,838 HOW LONG HAS YOUR SISTER BEEN MISSING? 47 00:04:31,838 --> 00:04:34,140 I LAST HEARD FROM ALICE TWO DAYS AGO. 48 00:04:34,140 --> 00:04:36,643 DAY FOLLOWING MY CONSIGNING THE STONES. 49 00:04:36,643 --> 00:04:40,146 YOUR SISTER GIVE ANY INDICATION SHE WAS WORRIED, FELT LIKE SHE WAS IN DANGER? 50 00:04:40,146 --> 00:04:43,650 NO. CONSIGNING DIAMONDS-- YOU'VE DONE THAT WITH HER IN THE PAST? 51 00:04:43,650 --> 00:04:47,387 I'VE BEEN DOING BUSINESS WITH HER BROTHER FOR 15 YEARS. THIS WAS MY FAVOR TO HIM. 52 00:04:47,387 --> 00:04:51,457 UH, WE BOTH AGREE, THE PERSON RESPONSIBLE FOR THIS IS FRED MORGAN. 53 00:04:51,557 --> 00:04:54,694 MY SISTER'S BEEN SEEING HIM, AND HE TOLD ALICE HE HAD A BUYER. 54 00:04:55,194 --> 00:04:59,632 YESTERDAY, HE CONTACTED A DEALER AT THE DIAMOND EXCHANGE UP 47th STREET WHO'S A FRIEND. 55 00:04:59,732 --> 00:05:02,702 OFFERED TO SELL EXACTLY WHAT I CONSIGNED. THEY'RE MEETING AT 10:00. 56 00:05:03,202 --> 00:05:05,505 IF THOSE ARE HY'S DIAMONDS, SOMETHING TERRIBLE HAS HAPPENED TO ALICE... 57 00:05:06,005 --> 00:05:09,242 - BECAUSE SHE WOULDN'T STAND BY. SHE'S HONORABLE. - KNOW WHAT MORGAN LOOKS LIKE? 58 00:05:09,575 --> 00:05:13,012 COULD YOU POINT HIM OUT TO US? YES. I CAN. I'VE SEEN HIM SEVERAL TIMES. 59 00:05:15,014 --> 00:05:17,317 TELL HER WE'RE THINKIN' OF HER. 60 00:05:19,986 --> 00:05:23,923 - YOU GUYS GOT A MINUTE? GINA'S AT THE BELLEVUE E.R. - OUR GINA? 61 00:05:24,390 --> 00:05:26,726 - YEAH. SHE GOT ATTACKED ON THE STREET. - WHAT HAPPENED TO HER? 62 00:05:26,726 --> 00:05:31,431 THE COP SAID THE E.R. DOC TOLD HIM HER LIFE'S NOT IN DANGER. SHE WAS SLASHED WITH A KNIFE. 63 00:05:31,431 --> 00:05:34,867 - OH, MY GOD. - YEAH. THERE WERE NO WITNESSES AT THE SCENE. 64 00:05:35,268 --> 00:05:38,838 EVIDENTLY, HE DRAGGED HER INTO A VACANT BUILDING. TAKE DIANE. GET GINA'S STATEMENT. 65 00:05:39,072 --> 00:05:41,574 YEAH. SURE, BOSS. ALL RIGHT. 66 00:05:41,574 --> 00:05:44,077 LIEU, UH, THESE TWO GUYS-- THE TALLER ONE'S SISTER IS MISSING... 67 00:05:44,077 --> 00:05:46,679 WITH A JEWELRY CONSIGNMENT, BELONGS TO THE OTHER ONE. 68 00:05:47,113 --> 00:05:49,882 NOW BOTH 'EM LIKE A GUY FOR TAKIN' HER OFF, MAYBE HURTING HER. THEY SET UP A MEETIN'... 69 00:05:50,383 --> 00:05:53,019 - IN THE DIAMOND DISTRICT IN ABOUT A HALF AN HOUR. - YEAH. ALL RIGHT. 70 00:05:53,019 --> 00:05:57,090 - WHAT'S THAT? - GINA THE P.A.A.-- SHE GOT ATTACKED AND SLASHED. 71 00:05:57,090 --> 00:05:58,958 OH, MAN. IT SERIOUS? SHE ALL RIGHT? 72 00:05:58,958 --> 00:06:01,894 I DON'T KNOW. IF YOU'RE GOING TO DO IT, YOU OUGHT TO GET GOING. 73 00:06:01,894 --> 00:06:03,930 SURE. 74 00:06:04,263 --> 00:06:08,634 THAT'S PROBABLY THE LAST SCHEDULING ADVICE WE'RE GONNA NEED FROM YOU. 75 00:06:18,644 --> 00:06:21,647 SHE HASN'T BEEN STITCHED. RESIDENT WANTED TO WAIT FOR THE PLASTIC SURGEON. OKAY. 76 00:06:21,647 --> 00:06:23,649 BROUGHT YOU SOME VISITORS. [ Medavoy ] HEY, GINA. 77 00:06:23,649 --> 00:06:27,553 - [ Russell ] HOW ARE YOU, GINA? - A MAN ATTACKED ME. 78 00:06:27,553 --> 00:06:31,324 HE TRIED TO RAPE ME, BUT I DIDN'T LET HIM. HE CUT ME WITH A KNIFE. 79 00:06:31,324 --> 00:06:34,660 - THAT'S WHY THEY WANT A SPECIALIST TO STITCH ON ME. - YOU'RE GONNA BE FINE, GINA. 80 00:06:34,660 --> 00:06:36,596 DO YOU REMEMBER WHAT HE LOOKED LIKE? 81 00:06:36,596 --> 00:06:41,267 HE WAS A-- A BIG, STRONG WHITE GUY. HE MUST HAVE BEEN FOLLOWING ME. 82 00:06:41,267 --> 00:06:43,770 HE... GRABBED ME, 83 00:06:43,770 --> 00:06:47,857 AND HE DRAGGED ME INTO THIS EMPTY BUILDING, AND HE STARTED TRYING TO RAPE ME. 84 00:06:47,857 --> 00:06:51,411 I WAS HITTING HIM, AND HE HAD THIS KNIFE, AND HE SAID... 85 00:06:51,411 --> 00:06:55,281 THAT IF I DIDN'T STOP AND LET HIM DO IT, THAT HE WAS GONNA STAB ME. 86 00:06:55,281 --> 00:07:00,120 BUT I COULDN'T STOP, AND HE STARTED CUTTING ON ME. 87 00:07:00,587 --> 00:07:04,457 AND I KEPT HITTING HIM AND SCREAMING, AND-- AND FINALLY HE RAN OUT. 88 00:07:04,457 --> 00:07:06,709 BEAT THIS GUY'S HEAD IN. UH, COULD YOU GIVE US, UH, 89 00:07:07,210 --> 00:07:09,212 A LITTLE MORE OF A DESCRIPTION, GINA? 90 00:07:09,212 --> 00:07:14,217 - UH, YOU SAID HE WAS TALL, WHITE. - H-HE HAD BAD LIQUOR BREATH. 91 00:07:14,217 --> 00:07:16,052 HE LOOKED AT ME LIKE HE HATED ME. 92 00:07:16,052 --> 00:07:18,938 HUH. ANYTHING ABOUT HIS CLOTHES? 93 00:07:19,439 --> 00:07:23,443 UH, HE HAD A-- A BLUE JACKET, I THINK, A-AND A BLUE WOOL CAP PULLED DOWN OVER HIS HEAD. 94 00:07:23,443 --> 00:07:26,479 - YOU'D RECOGNIZE HIM IF YOU SAW HIM AGAIN. - I-I DON'T WANNA SEE HIM. 95 00:07:26,479 --> 00:07:30,984 I NEED TO SPEND SOME TIME WITH GINA NOW. YEAH. SURE, DOC. 96 00:07:30,984 --> 00:07:34,821 - WE'LL BE BACK TO SEE YOU SOON. - DOCTORS ARE GONNA TAKE GOOD CARE OF YA. 97 00:07:38,458 --> 00:07:41,711 THAT SON OF A BITCH. SHE NEVER HURT A SOUL. I GET MY HANDS ON HIM, HE'S DONE. HE'S FINISHED. 98 00:07:41,711 --> 00:07:45,131 JAMES, YOU WANNA GET YOURSELF OFF THE CASE? HELL NO. I WANNA CATCH THIS GUY. 99 00:07:45,131 --> 00:07:48,801 THEN GET A HOLD OF YOURSELF. YOU KEEP TALKIN' LIKE THAT, YOU'RE OFF. 100 00:07:48,801 --> 00:07:51,971 OKAY. OKAY. I'LL WATCH IT, ALL RIGHT? JUST DON'T LET THE BOSS TAKE ME OFF THIS. 101 00:07:51,971 --> 00:07:55,391 I-I GOT A HOLD OF MYSELF, ALL RIGHT? IT'S STRAIGHTENED OUT. DON'T WORRY. I'M FINE. 102 00:08:16,079 --> 00:08:18,331 [ Tapping ] 103 00:08:24,087 --> 00:08:27,207 - MORNIN', GABE. - WHAT'S GOIN' ON, JERRY? 104 00:08:27,707 --> 00:08:30,960 NEW YORK CITY DETECTIVES. WE UNDERSTAND YOU HAVE A MEETING THIS MORNING WITH A FRED MORGAN. 105 00:08:30,960 --> 00:08:33,880 YEAH. HE SHOULD BE HERE ANY MINUTE. IS SOMETHIN' WRONG? 106 00:08:33,880 --> 00:08:37,183 - WE NEED TO TALK TO HIM. - WELL, WHAT DID HE DO? JERRY, WHAT'S GOIN' ON HERE? 107 00:08:37,183 --> 00:08:39,469 WE HAVE SOME QUESTIONS THAT WE HAVE TO PUT TO MR. MORGAN. 108 00:08:39,469 --> 00:08:43,389 NOW WE'RE GONNA BE STANDIN' RIGHT OVER HERE. NOW WHEN HE COMES IN, 109 00:08:43,389 --> 00:08:45,808 JUST TRY TO ACT NORMAL, THEN STEP ASIDE WHEN WE MOVE IN TO TALK TO HIM. 110 00:08:45,808 --> 00:08:49,562 LOOK. LOOK, IT'S HIM. [ Shouts ] WHERE'S MY SISTER? 111 00:08:49,562 --> 00:08:52,232 - WHERE IS SHE, YOU SON OF A BITCH? - [ Simone ] UNLOCK THE DOOR! 112 00:08:53,366 --> 00:08:56,986 [ Simone ] HEY. HEY. HEY! 113 00:08:57,487 --> 00:08:59,656 POLICE! STOP! 114 00:09:02,075 --> 00:09:04,244 OUT THE WAY! OUT THE WAY! MOVE OUT THE WAY! 115 00:09:04,244 --> 00:09:07,630 HEY! STOP RIGHT THERE. HEY, HEY, HEY, HEY! 116 00:09:07,630 --> 00:09:11,584 "ROBERT, FRANK, DAVID, 960." [ Sipowicz Panting ] OH, THAT'S GREAT. 117 00:09:11,584 --> 00:09:15,638 RFD-960. ALL RIGHT? RFD-960. 15th SQUAD TO CENTRAL. 15th SQUAD TO CENTRAL. OKAY? 118 00:09:15,638 --> 00:09:20,760 - FORGET ABOUT IT, BOBBY. - WELL, WHAT POSSESSED YOU TO DO THAT, MR. SILVERTON? IDIOT! 119 00:09:20,760 --> 00:09:24,597 - HUH? -[ Silverton ] I LOST CONTROL OF MYSELF. 120 00:09:37,760 --> 00:09:39,712 HOW'D YOU DO? 121 00:09:39,712 --> 00:09:43,549 MISSING WOMAN'S BROTHER SPOOKED THE GUY. GOT AWAY IN A CAR. 122 00:09:44,050 --> 00:09:47,804 - YOU GET THE PLATE? - YEAH. IT'S REGISTERED TO AN "ARTHUR... BOYD." 123 00:09:48,304 --> 00:09:49,806 LIVES HERE IN THE PRECINCT. BOYD'S ON HIS WAY IN. 124 00:09:49,806 --> 00:09:53,276 THE GUY INVOLVED WITH THE SISTER-- THIS, UH, FRED MORGAN-- 125 00:09:53,276 --> 00:09:55,778 B.C.I. SHOWS HIM TAKIN' TWO COLLARS FOR GRAND LARCENY. 126 00:09:56,279 --> 00:09:58,197 A HALF-ASSED CON MAN. MOST RECENT ADDRESS, LONG ISLAND. 127 00:09:58,197 --> 00:10:02,402 BEST CASE ON THE MISSING GIRL: SHE'S HOLED UP WAITIN' FOR MORGAN. OTHERWISE, SHE'S DEAD. 128 00:10:02,902 --> 00:10:06,372 YEAH, THIS IS PROBABLY BOYD-- GUY WHO OWNS THE GETAWAY CAR. 129 00:10:09,993 --> 00:10:12,829 MR. BOYD? WHAT DO YOU WANT WITH ME? 130 00:10:12,829 --> 00:10:15,548 COME HERE. TAKE A SEAT. 131 00:10:16,416 --> 00:10:18,918 WHERE WERE YOU THIS MORNING? OUT. 132 00:10:18,918 --> 00:10:20,553 - YEAH? OUT? - OUT WHERE? 133 00:10:21,054 --> 00:10:22,805 DRIVIN' WITH A FRIEND OF MINE. 134 00:10:22,805 --> 00:10:25,641 -WHO'S YOUR FRIEND? - FRED MORGAN. 135 00:10:26,726 --> 00:10:28,344 WHERE'D YOU AND FRED GO? 136 00:10:28,811 --> 00:10:31,314 JUST GOT SOME BREAKFAST, THEN HOME. [ Chuckles ] 137 00:10:31,314 --> 00:10:35,318 WELL, MR. BOYD, WE GOT A LOT OF WITNESSES THAT PUT YOU AND FRED SOMEWHERES ELSE. 138 00:10:35,318 --> 00:10:37,070 THEY'RE WRONG. HMM. THEY'RE ALL WRONG. 139 00:10:37,070 --> 00:10:39,439 MR. BOYD, YOUR RIGHT MOVE HERE... 140 00:10:39,939 --> 00:10:43,743 IS TO TELL US WHAT YOU AND FRED MORGAN WERE DOIN' THIS MORNING AND WHERE WE CAN FIND FRED NOW. 141 00:10:43,743 --> 00:10:46,612 OTHERWISE, YOU ARE IN THE WAY OF A FREIGHT TRAIN, YOU UNDERSTAND? 142 00:10:46,612 --> 00:10:49,198 - YOU CAN BE AN ACCOMPLICE TO A GRAND LARCENY, MAYBE WORSE. - WAIT. 143 00:10:49,198 --> 00:10:51,534 WHOA. WHOA. FRED WAS DOIN' LEGITIMATE BUSINESS. 144 00:10:51,534 --> 00:10:53,419 WHAT KINDA BUSINESS? S-SOME DIAMOND THING. 145 00:10:53,419 --> 00:10:56,923 H-HE'S BEEN WORKIN' ON THIS DEAL FOR THE LAST MONTH. AS FAR AS I KNOW, IT'S LEGIT. 146 00:10:56,923 --> 00:10:59,709 HE WAS RUNNIN' FROM THE COPS THIS MORNING IN THE DIAMOND DISTRICT, 147 00:10:59,709 --> 00:11:04,213 AND HE HOPPED INTO YOUR CAR, AND WITH THE DOOR OPEN YOU LAY 50 FEET OF RUBBER-- 148 00:11:04,213 --> 00:11:07,216 THAT'S YOU KNOWIN' HOW LEGITIMATE THIS WHOLE THING WAS? 149 00:11:07,216 --> 00:11:10,303 I-I DIDN'T KNOW IT WAS THE COPS. HE SAID SOMEONE WAS TRYIN' TO RIP HIM OFF. 150 00:11:10,303 --> 00:11:14,557 - I SWEAR. I'M NOT HIS PARTNER, AND I WASN'T HIS WHEEL MAN. - WHO'S HE WORKIN' WITH NOW? 151 00:11:14,557 --> 00:11:17,026 - HIS GIRLFRIEND, ALICE. - AND WHERE'S SHE AT? 152 00:11:17,527 --> 00:11:20,196 - SHE BAILED OUT. HE SAID THEY WEREN'T GETTIN' ALONG. - WHEN'S THE LAST YOU SAW HER? 153 00:11:20,196 --> 00:11:22,615 - LAST WEEK. - WHERE'S FRED NOW? 154 00:11:22,615 --> 00:11:24,984 HE HOPPED OUT AT A STOP LIGHT. I SWEAR. 155 00:11:24,984 --> 00:11:29,455 ART, TELL US WHERE TO FIND HIM, OKAY? BECAUSE IF HE GETS AWAY, YOU GO TO JAIL. 156 00:11:29,455 --> 00:11:32,959 LOOK. HE'S GOT AN APARTMENT ON LUDLOW. I-I CAN'T HELP YOU WITH THE GIRL, 157 00:11:32,959 --> 00:11:35,745 BUT IF HE'S GOT THOSE DIAMONDS STASHED, I COULD SHOW YOU WHERE. 158 00:11:36,245 --> 00:11:38,581 - HE'S GOT A STASH IN HIS APARTMENT? - I HELPED HIM TO PUT IT THERE. 159 00:11:38,581 --> 00:11:41,968 HE SAID IT WAS FOR BEIN' IN THE DIAMOND BUSINESS. 160 00:11:42,468 --> 00:11:44,670 I'M GONNA CALL THE D.A.'s OFFICE, TRY TO GET A WARRANT. 161 00:11:44,670 --> 00:11:48,424 IF YOU GOT TO KNOW FRED, H-HE'S-- HE'S GOT A GOOD HEART. 162 00:11:49,725 --> 00:11:51,511 OH, I CAN'T WAIT TO MEET HIM. 163 00:12:08,528 --> 00:12:12,782 -I DON'T FEEL NOTHIN' IN THERE. -YEAH, WELL, MAYBE SOMETHING MAY HAVE FALLEN BEHIND THE WALL? 164 00:12:12,782 --> 00:12:15,785 NO. WE-- W-WE KNOCKED A HOLE FROM INSIDE WHERE THIS CLOSET WAS... 165 00:12:15,785 --> 00:12:18,287 AND-- AND FIXED A LEDGE, THEN WE SEALED THE HOLE. 166 00:12:18,287 --> 00:12:21,841 BUT HE MUST HAVE SEALED UP THIS CLOSET ALTOGETHER. THERE WAS A CLOSET HERE? 167 00:12:21,841 --> 00:12:23,509 [ Hollow Knocking ] WAS WHEN I WORKED ON IT. 168 00:12:26,629 --> 00:12:30,133 - YOU GOT A HAMMER AND FLASHLIGHT? - WE'LL MOVE THIS THING. 169 00:12:30,133 --> 00:12:33,769 OKAY. COME OVER HERE. 170 00:12:43,896 --> 00:12:46,699 -[ Man ] HEY, WHAT ARE YA DOIN'? -[ Sipowicz ] SHUT UP. 171 00:12:57,243 --> 00:12:59,078 WHAT THE HELL IS THAT? 172 00:12:59,078 --> 00:13:02,215 PULL IT THE WAY OVER THERE. SH-- 173 00:13:04,050 --> 00:13:06,219 OH, MY GOD. 174 00:13:06,219 --> 00:13:08,554 - [ Sighs ] - OH, MY GOD. 175 00:13:09,972 --> 00:13:12,258 THIS BASTARD-- HE REALLY HAD TO WORK TO GET HER IN THERE. 176 00:13:12,258 --> 00:13:15,061 YEAH. YOUR FRIEND'S GOT A REAL GOOD HEART. 177 00:13:32,028 --> 00:13:35,081 LIEU, THIS IS WRITTEN UP, "ATTEMPTED PURSE-SNATCH," 178 00:13:35,081 --> 00:13:37,917 BUT THE DESCRIPTION FITS WHAT GINA GAVE US: "WHITE MALE, 179 00:13:37,917 --> 00:13:39,785 20s, MEDIUM BUILD, THREE WEEKS AGO." 180 00:13:39,785 --> 00:13:41,837 - WHERE? - 200 BLOCK OF THIRD STREET. 181 00:13:42,338 --> 00:13:45,791 GOOD. THAT'S CLOSE ENOUGH. WE OUGHTA CHECK THAT OUT. OKAY? 182 00:13:47,210 --> 00:13:48,544 YEAH. 183 00:13:54,884 --> 00:13:58,604 SO THE M.E.'s EARLY CALL IS THAT THE WOMAN WAS STRANGLED 48 HOURS AGO. 184 00:13:58,604 --> 00:14:03,359 HE PUT HER IN THAT CLOSET, PROBABLY THOUGHT SHE WOULDN'T BE FOUND FOR 20 YEARS. 185 00:14:03,359 --> 00:14:07,563 - AND THAT WAS UNDER THE COUCH? - HMM. STILL IN THE RECORDER, 186 00:14:07,563 --> 00:14:11,284 PLUS HE HAD A MINIATURE MIKE TAPED TO THE INSIDE OF ONE OF THE COUCH LEGS. 187 00:14:14,570 --> 00:14:17,406 [ Man ] MY BUYER'S HAVING TROUBLE WITH THE MONEY TRANSFER. YOUR CONSIGNOR... 188 00:14:17,406 --> 00:14:20,126 GETS PAID 10 TIMES FASTER IF I GO TO HIM WITH THE STONES. 189 00:14:20,126 --> 00:14:22,962 [ Woman ] I DON'T LIKE GOIN' AGAINST MY WORD. 190 00:14:22,962 --> 00:14:25,831 [ Man ] I GET SO DEPRESSED WHEN YOU DOUBT ME LIKE THIS. THIS IS WHAT DOES IT. 191 00:14:25,831 --> 00:14:28,000 [ Woman ] I JUST WANT EVERYTHING TO GO RIGHT. 192 00:14:28,000 --> 00:14:29,885 WELL, THEN STATE THE STONES ARE CONSIGNED TO ME... 193 00:14:29,885 --> 00:14:33,339 TILL I CAN WORK THIS OUT-- TO REAFFIRM YOU HAVE FAITH IN ME. 194 00:14:33,339 --> 00:14:37,143 LET A LITTLE TIME GO BY, THEN STATE IT, THEN I'M GONNA KISS YOU. 195 00:14:37,143 --> 00:14:41,514 [ Woman Giggles ] I CONSIGN THESE STONES FREELY TO FRED MORGAN. 196 00:14:42,014 --> 00:14:44,016 OF YOUR OWN FREE WILL. YES. [ Clicks Off ] 197 00:14:44,016 --> 00:14:46,319 [ Sipowicz ] ABOUT A MINUTE LATER, HE CROAKS HER. 198 00:14:46,819 --> 00:14:49,939 -ANYTHING ON MORGAN'S LAST ADDRESS? -HE LIVED AT HIS MOTHER'S HOUSE. 199 00:14:49,939 --> 00:14:52,942 NEIGHBOR SAID THAT, UH, SHE'S BEEN AT HER SISTER'S IN PHILADELPHIA. 200 00:14:52,942 --> 00:14:56,412 SHE'S DUE BACK THIS AFTERNOON. WE LEFT A MESSAGE FOR THE MOTHER TO COME IN. 201 00:14:56,412 --> 00:14:59,198 - HAS THE GIRLFRIEND'S BROTHER BEEN NOTIFIED? - COMIN' IN FROM STATEN ISLAND. 202 00:14:59,198 --> 00:15:02,752 HAVE HIM IDENTIFY THE VOICES. AND LEAN ON THE PERP'S MOTHER... 203 00:15:02,752 --> 00:15:05,504 FOR WHERE WE CAN LOOK FOR THIS ASSHOLE. YEAH. 204 00:15:10,409 --> 00:15:12,428 [ Russell ] ALL RIGHT. 205 00:15:13,713 --> 00:15:16,599 EXCUSE ME. I'M A DETECTIVE. 206 00:15:16,599 --> 00:15:18,601 [ Russell ] EXCUSE ME. I'M A DETECTIVE. 207 00:15:18,601 --> 00:15:21,637 THERE WAS AN INCIDENT, TOOK PLACE ABOUT THREE WEEKS AGO, ACROSS THE STREET. 208 00:15:22,021 --> 00:15:24,473 HAPPEN TO SEE ANYTHING? NO. I DIDN'T SEE ANYTHING. 209 00:15:24,473 --> 00:15:27,610 WHAT WAS IT-- A ROBBERY OR A KILLING OR SOMETHING? MORE LIKE AN ASSAULT. 210 00:15:27,610 --> 00:15:31,364 NO, NO. BUT I'M NOT SURPRISED THOUGH, 'CAUSE A BAD CROWD HAS MOVED IN THE NEIGHBORHOOD. 211 00:15:31,364 --> 00:15:34,734 THERE WAS TWO MEN BEATING A FELLOW RIGHT DOWN THERE ON THE CORNER JUST THE OTHER DAY. 212 00:15:34,734 --> 00:15:37,737 THEY WAS ALL DRUNK. AND-- AND-- AND BEFORE THAT, THERE WAS, UH, SOME MAN... 213 00:15:37,737 --> 00:15:40,239 WRESTLING AROUND WITH A WOMAN ACROSS THE STREET OVER THERE. 214 00:15:40,740 --> 00:15:43,209 -YEAH? HOW LONG AGO WAS THAT? - OH, COUPLE WEEKS OR SO. 215 00:15:43,209 --> 00:15:46,245 - CAN YOU DESCRIBE WHAT THEY LOOKED LIKE? -UH, IT WAS A-- 216 00:15:46,245 --> 00:15:49,081 UH, A YOUNG, UM-- A WHITE WOMAN. 217 00:15:49,081 --> 00:15:52,918 SHE HAD BLACK HAIR. THE MAN, HE WAS WHITE TOO AND KINDA BULKY LOOKING, 218 00:15:52,918 --> 00:15:55,504 AND, UH, HE HAD ONE OF THOSE, UH, BLUE KNIT CAPS ON. 219 00:15:55,504 --> 00:15:58,841 RIGHT. HE HAD GOTTEN A HOLD OF HER AND WAS DRAGGING HER, AND THEN... 220 00:15:58,841 --> 00:16:01,227 TWO MEN CAME AND CHASED HIM AWAY. 221 00:16:01,227 --> 00:16:04,597 - CAN YOU DESCRIBE MORE WHAT HE LOOKED LIKE? UH-- - HE WAS JUST A BIG NOTHING. 222 00:16:05,097 --> 00:16:07,600 I'D SEEN HIM BEFORE. I THINK HE LIVES RIGHT ACROSS THE STREET THERE. 223 00:16:08,100 --> 00:16:10,519 - HE LIVES ACROSS THE STREET? - YEAH, I THINK SO, IN THAT-- 224 00:16:10,519 --> 00:16:13,823 I-I'VE SEEN HIM GO IN THAT BUILDING THERE-- THE ONE WITH ALL THE TRASH OUT FRONT. 225 00:16:13,823 --> 00:16:16,776 - ALL RIGHT. GREG! - ALL RIGHT. THANKS. 226 00:16:16,776 --> 00:16:19,945 -CAN I HAVE YOUR NAME? - MY NAME'S MARGARET McCLURG, AND I LIVE RIGHT HERE. 227 00:16:19,945 --> 00:16:23,199 OKAY. THANK YOU. YOU'VE BEEN VERY HELPFUL. 228 00:16:23,199 --> 00:16:25,668 OKAY. THANKS. WHAT'S UP? 229 00:16:25,668 --> 00:16:28,371 GOT A LOCATION ON A SUSPECT ACROSS THE STREET. 230 00:16:28,371 --> 00:16:31,507 YEAH? I DON'T KNOW WHAT TO DO WITH YOU, JAMES. 231 00:16:31,507 --> 00:16:34,510 I'LL JUST BE BACKUP. I'LL BE OKAY. 232 00:16:42,601 --> 00:16:45,888 - WHAT? YOU JEHOVAH'S WITNESS? - NO. POLICE. 233 00:16:45,888 --> 00:16:48,190 THERE A YOUNG WHITE GUY LIVING IN THIS BUILDING-- 234 00:16:48,190 --> 00:16:51,227 IN HIS 20s, MEDIUM BUILD, WEARS A BLUE NAVY WATCH CAP? 235 00:16:51,610 --> 00:16:54,397 YEAH. AND I HOPE YOU ARREST HIM. HE'S A HOODLUM. 236 00:16:54,397 --> 00:16:58,401 - WHY DO YOU SAY THAT, SIR? - HE'S GOT NO BUSINESS HERE. 237 00:16:58,401 --> 00:17:01,237 THAT APARTMENT THERE IS VACANT, UNOCCUPIED. 238 00:17:01,237 --> 00:17:05,207 HE BROKE INTO AN EMPTY APARTMENT, AND HE'S LIVING THERE. 239 00:17:05,207 --> 00:17:10,129 HE SAID, IF I GO TO THE POLICE, HE'LL BREAK MY NECK AND KILL EDDIE. 240 00:17:10,129 --> 00:17:13,082 - WHO'S EDDIE? - MY LITTLE BUDDY. 241 00:17:14,383 --> 00:17:18,804 - HE'S NOT IN THERE NOW? - NO. I SAW HIM GO OUT. 242 00:17:18,804 --> 00:17:21,807 I WOULDN'T BE HERE TALKIN' TO YOU, IF HE WAS IN THERE. 243 00:17:21,807 --> 00:17:26,479 - ALL RIGHT. THANK YOU VERY MUCH FOR ALL YOUR HELP, SIR. - DON'T SAY I TOLD YOU ANYTHING. 244 00:17:26,479 --> 00:17:29,181 NO. WE WON'T. THANK YOU. 245 00:17:33,486 --> 00:17:35,488 - YOU WANNA SIT ON THE PLACE? -[ Martinez ] DEFINITELY. 246 00:17:36,822 --> 00:17:40,659 UM, I DON'T THINK YOU OUGHTA STAY WITH US, JAMES. 247 00:17:40,659 --> 00:17:44,079 - I'M AGAINST MY BETTER JUDGMENT ALLOWIN' IT UP TO NOW. -I'M STAYING. 248 00:17:44,079 --> 00:17:46,449 - I WANNA CATCH THIS GUY. - THAT'S A RECIPE FOR DISASTER. 249 00:17:46,449 --> 00:17:48,200 AND IF I HAVE TO, I'M CALLIN' THE BOSS. 250 00:17:48,200 --> 00:17:52,288 - YOU'RE A REAL FRIEND, GREG. - JAMES-- JAMES, WOULDN'T IT BE MORE HELPFUL BEING WITH GINA? 251 00:17:52,288 --> 00:17:55,374 - WHAT AM I GONNA DO THERE? - SHE'S LYING THERE, FEELING AWFUL. 252 00:17:58,544 --> 00:18:01,013 YEAH. ALL RIGHT. I-I GUESS YOU GOT A POINT. 253 00:18:01,013 --> 00:18:03,466 ANYTHING HAPPENS, YOU KNOW WE'RE GONNA LET YOU KNOW. 254 00:18:03,466 --> 00:18:07,019 - YEAH. ALL RIGHT. YOU'LL LET ME KNOW IF THIS IS THE GUY? - [ Medavoy ] ABSOLUTELY. 255 00:18:07,019 --> 00:18:10,356 ALL RIGHT. YOU SET UP, AND I'LL RIDE OVER THERE. 256 00:18:17,713 --> 00:18:20,065 [ Man On Tape ] LET A LITTLE TIME GO BY, 257 00:18:20,065 --> 00:18:22,034 THEN STATE IT, THEN I'M GONNA KISS YOU. 258 00:18:22,034 --> 00:18:25,988 [ Woman Giggles ] I CONSIGN THESE STONES FREELY TO FRED MORGAN. 259 00:18:26,489 --> 00:18:28,491 OF YOUR OWN FREE WILL. YES. 260 00:18:28,991 --> 00:18:31,794 - I LOVE YOU SO MUCH. I'M AROUSED. - [ Woman Giggles ] 261 00:18:31,794 --> 00:18:33,329 [ Silverton ] PLEASE. WHY ARE YOU SO AROUSED? 262 00:18:33,829 --> 00:18:37,166 - [ Morgan ] EVERYTHING ABOUT YOU. -DON'T BE TOO ROUGH WITH ME. 263 00:18:37,166 --> 00:18:38,918 -YOU'RE GETTING TOO ROUGH! - ALL RIGHT. 264 00:18:39,418 --> 00:18:41,887 THAT'S ENOUGH, MR. SILVERTON. [ Clicks Off ] 265 00:18:45,424 --> 00:18:48,677 - THAT'S YOUR SISTER AND FRED MORGAN. - [ Quietly ] YEAH. 266 00:18:52,097 --> 00:18:55,100 SHE'S THE SWEETEST PERSON. 267 00:18:55,100 --> 00:18:57,987 TRIED TO HELP HIM, AND HE TOOK ADVANTAGE. HE'S GOING TO PAY. 268 00:18:57,987 --> 00:19:02,274 LET US TAKE CARE OF THAT. WE GOT A GOOD LINE ON FINDING HIM, PEOPLE COMIN' IN. 269 00:19:02,274 --> 00:19:04,693 IS IT ON THAT TAPE THAT HE KILLS HER? 270 00:19:04,693 --> 00:19:07,329 THERE'S SOUNDS OF A STRUGGLE. 271 00:19:09,248 --> 00:19:11,033 THAT'S MY SISTER. 272 00:19:11,033 --> 00:19:15,955 AND I GOT HER THE STONES, AND HE KILLED HER FOR THEM. 273 00:19:17,339 --> 00:19:20,843 [ Sobbing ] HE'S GONNA PAY. HE'S GONNA PAY. 274 00:19:34,106 --> 00:19:38,777 HI, JAMES. HI. I DIDN'T WANNA WAKE YOU UP. 275 00:19:39,278 --> 00:19:41,280 PLASTIC SURGEON STITCHED ME UP. I LOOKED TO TALK TO HIM. 276 00:19:41,780 --> 00:19:43,532 HE WAS, UH, DOIN' ANOTHER CASE. 277 00:19:43,532 --> 00:19:46,735 I GUESS THEY KEEP THE GOOD ONES BUSY. HOPE HE DID A GOOD JOB. 278 00:19:46,735 --> 00:19:49,121 I'M SURE HE DID. 279 00:19:49,622 --> 00:19:52,625 HE SAYS I'M LACERATED ON MY FACE AND MY UPPER BODY. 280 00:19:53,125 --> 00:19:55,461 DON'T WORRY ABOUT NOTHIN', GINA. YOU'RE GONNA BE ALL RIGHT. 281 00:19:55,461 --> 00:19:59,665 MY SISTER CAME, BUT SHE RAN OUT CRYING. 282 00:20:01,000 --> 00:20:03,886 THEY, UH-- THEY GIVE YOU PAIN MEDICINE? 283 00:20:03,886 --> 00:20:07,139 SOMETHING TO STOP WORRYING, 284 00:20:07,640 --> 00:20:10,259 BUT I CAN'T STOP THINKING ABOUT IT. 285 00:20:10,759 --> 00:20:13,929 IT HURTS, AND I'M AFRAID WHAT I'M GONNA LOOK LIKE. 286 00:20:14,430 --> 00:20:17,766 YOU'RE GONNA BE FINE. 287 00:20:17,766 --> 00:20:21,403 I KNOW WE HAVEN'T REALLY GOT CLOSE ENOUGH I CAN ASK YOU THIS, BUT... 288 00:20:22,821 --> 00:20:24,690 CAN YOU NOT GO AWAY, JAMES? 289 00:20:25,190 --> 00:20:29,612 YEAH. I'LL STAY AS LONG AS YOU WANT. ALL RIGHT? 290 00:20:31,030 --> 00:20:32,915 I'M GONNA SIT RIGHT HERE. 291 00:20:53,185 --> 00:20:56,305 - FEEL BAD SENDIN' JAMES AWAY. - IT WAS THE RIGHT THING, GREG. 292 00:20:56,305 --> 00:21:01,860 AH, HE WINDS UP SMACKING SOMEBODY, SOMETHIN' WORSE-- THAT DON'T DO NO ONE ANY GOOD. 293 00:21:01,860 --> 00:21:06,732 YOU'RE RIGHT. GLAD YOUR UNDERCOVER'S OVER? 294 00:21:06,732 --> 00:21:09,701 YEAH. PUT THE SHORT SKIRT AWAY, HUH? 295 00:21:15,157 --> 00:21:18,377 HOW ABOUT THAT OLD MAN, HUH-- WITH THE RAT? 296 00:21:19,661 --> 00:21:22,331 IS THIS OUR GUY? 297 00:21:22,331 --> 00:21:24,633 YEAH, THAT'S HIM. LET'S GO. 298 00:21:37,479 --> 00:21:40,065 DON'T MOVE PUT YOUR HANDS UP. AW! BITCH! 299 00:21:40,065 --> 00:21:42,317 KEEP 'EM UP. I GOT EVERY RIGHT TO LIVE HERE. 300 00:21:42,317 --> 00:21:45,404 AM I SUPPOSED TO FREEZE TO DEATH? THIS IS AN ILLEGAL KNIFE, PAL. 301 00:21:45,404 --> 00:21:47,573 THEY SELL THEM IN THE STORES. [ Russell ] TURN AROUND. 302 00:21:47,573 --> 00:21:50,192 WHAT'S THIS, HUH? OH, A CRACK PIPE. 303 00:21:50,692 --> 00:21:53,445 I FOUND THAT. THAT'S NOT MINE. YEAH. NOT ANYMORE. 304 00:21:53,445 --> 00:21:55,114 THIS HAND. LET'S GO. 305 00:21:55,114 --> 00:21:56,915 I WON'T GO IN THERE NO MORE. 306 00:21:56,915 --> 00:22:00,202 YEP. LET'S GO. COME ON. LET ME GO. 307 00:22:11,346 --> 00:22:15,217 I'M GRACE MORGAN. SOMEONE LEFT THIS MESSAGE AT MY HOUSE. 308 00:22:15,217 --> 00:22:18,053 YEAH, THAT WAS US. DETECTIVE SIMONE. THIS IS DETECTIVE SIPOWICZ. 309 00:22:18,053 --> 00:22:20,806 COME IN AND HAVE A SEAT. YOU GOT A LOT OF NERVE, TALKIN' TO MY NEIGHBORS. 310 00:22:20,806 --> 00:22:23,559 I WALK OUT, EVERY WINDOW SHADE HAS A BENT-DOWN SLAT. 311 00:22:23,559 --> 00:22:26,195 WE NEED TO TALK TO YOU ABOUT YOUR SON, FRED. COME HERE. SIT DOWN. 312 00:22:26,695 --> 00:22:30,282 SURE. WIND BLOWS STINK FROM THE RIVER, YOU LOOK FOR MY SON. 313 00:22:33,118 --> 00:22:36,455 - YOU KNOW WHERE YOUR SON IS NOW, GRACE? - YOU CAN CALL ME MRS. MORGAN. 314 00:22:38,790 --> 00:22:41,994 YOU GOT NOTHIN' TO TALK TO FRED ABOUT. AND DON'T PULL ANY OF YOUR SICK TRICKS. 315 00:22:41,994 --> 00:22:44,379 I KNOW HOW YA PUT PEOPLE IN A CORNER. LAST SITUATION, 316 00:22:44,379 --> 00:22:47,382 FREDDIE HAD TO SAY HE WAS GUILTY JUST TO EVER SEE THE LIGHT OF DAY. 317 00:22:47,382 --> 00:22:50,669 MRS. MORGAN, YOUR SON HAS COMMITTED A SERIOUS CRIME, 318 00:22:50,669 --> 00:22:53,005 AND HE'S GONNA HAVE TO FACE UP TO HIS RESPONSIBILITIES. 319 00:22:53,505 --> 00:22:55,891 OR DIDN'T YOU TEACH HIM THAT GROWIN' UP? 320 00:22:57,392 --> 00:23:00,179 WHAT'S HE SUPPOSED TO HAVE DONE THIS TIME-- STOLE THE CROWN JEWELS? 321 00:23:00,179 --> 00:23:02,481 HE KILLED A PERSON, MRS. MORGAN. 322 00:23:02,481 --> 00:23:06,318 YOU'LL SAY ANY DAMN THING, SONS OF BITCHES. 323 00:23:12,574 --> 00:23:15,577 - [ Sucks Teeth ] - NOW WHERE'S HE GOIN'? 324 00:23:18,830 --> 00:23:21,033 MRS. MORGAN, DO YOU KNOW AN ART BOYD? 325 00:23:21,533 --> 00:23:24,670 HE'S A FRIEND OF FREDDIE'S. WHAT ARE YOU PRESSURIN' HIM INTO? 326 00:23:25,537 --> 00:23:27,206 ARTIE. 327 00:23:27,206 --> 00:23:30,709 WHAT DO THEY GOT YOU HERE FOR? HOW YA DOIN', GRACE? 328 00:23:30,709 --> 00:23:33,428 WHAT'S GOIN' ON? HAVE YOU GOTHIM IN SOME CORNER? 329 00:23:33,428 --> 00:23:36,348 I'M SORRY, GRACE, BUT FREDDIE KILLED THAT GIRL. 330 00:23:37,799 --> 00:23:41,220 - WHO-- WITH THE DIAMONDS? - YEAH. 331 00:23:41,720 --> 00:23:45,023 NO. SHE-- SHE WAS IN LOVE WITH HIM. SHE LOANED HIM THOSE DIAMONDS TO SELL. 332 00:23:45,023 --> 00:23:49,361 HE KILLED HER, GRACE. I-- I SAW THE BODY HID IN HIS APARTMENT. 333 00:23:51,863 --> 00:23:53,699 OH, MY GOD. 334 00:23:55,400 --> 00:23:58,870 - OH, MY GOD. -[ Boyd ] FRED NEEDS HELP. 335 00:23:58,870 --> 00:24:01,623 I WOULD'VE GIVEN HIM ANY MONEY HE WANTED. 336 00:24:06,628 --> 00:24:08,380 YOU'RE MESSIN' WITH PEOPLE'S MINDS. 337 00:24:08,380 --> 00:24:11,466 ARTIE LIVED IN MY HOME, AND NOW YOU'RE... 338 00:24:11,466 --> 00:24:14,336 MAKIN' HIM LIE LIKE FREDDIE HAD TO LIE. 339 00:24:15,804 --> 00:24:18,307 - YOU LIVED IN OUR HOME. - I KNOW. I KNOW. 340 00:24:18,307 --> 00:24:22,894 OH, GOD. OH, GOD, HOW COULD THIS HAPPEN? 341 00:24:22,894 --> 00:24:25,397 BETTER CALM DOWN, MRS. MORGAN. 342 00:24:26,815 --> 00:24:28,817 ARE YOU GONNA HURT HIM? PLEASE DON'T HURT HIM. 343 00:24:28,817 --> 00:24:32,521 IF WE HAVE TO HUNT YOUR SON DOWN, YES, HE MIGHT GET HURT. 344 00:24:32,521 --> 00:24:35,240 IF I SAY WHERE HE IS, W-WILL YA TREAT HIM RIGHT? 345 00:24:35,741 --> 00:24:38,277 WE DON'T WANNA HAVE TO USE FORCE ANY MORE THAN YOU WANT US TO. 346 00:24:38,277 --> 00:24:42,164 PLEASE, BECAUSE IT'S MY FAULT. 347 00:24:42,164 --> 00:24:43,915 NO, GRACE. 348 00:24:51,123 --> 00:24:55,427 HE'S AT A CONDOMINIUM AT BREEZY POINT, MY SISTER'S. 349 00:24:56,762 --> 00:24:58,764 YOU WRITE DOWN THE ADDRESS HERE. 350 00:25:00,182 --> 00:25:04,102 ARE YOU SURE THE VICTIM WAS HIS RESPONSIBILITY? 351 00:25:04,102 --> 00:25:05,937 YEAH. 352 00:25:08,390 --> 00:25:10,225 POOR THING. 353 00:25:20,485 --> 00:25:23,905 SO WHO-- WHO TURNED ME IN-- THAT OLD FART WITH THE RAT? 354 00:25:23,905 --> 00:25:25,907 NAH. 355 00:25:25,907 --> 00:25:28,543 I-I'LL STAY OUTTA THAT BUILDING, OKAY? 356 00:25:29,044 --> 00:25:31,830 GOD, IT'S, LIKE, SUCH A BIG DEAL. TWO OF YOUS-- TWO DETECTIVES. 357 00:25:31,830 --> 00:25:34,166 BEEN DRINKIN', HARVEY? 358 00:25:34,166 --> 00:25:36,918 YEAH. SO? THAT'S STILL LEGAL, ISN'T IT? 359 00:25:36,918 --> 00:25:38,720 - WHAT ELSE DO YOU DO WITH YOUR TIME? - I WORK. 360 00:25:38,720 --> 00:25:42,007 WHAT KIND OF WORK? 361 00:25:42,007 --> 00:25:45,427 - ADVERTISING. - YOU'RE AN AD MAN? 362 00:25:45,427 --> 00:25:50,148 - I DISTRIBUTE ADVERTISING. - YOU MEAN YOU HAND OUT CIRCULARS. 363 00:25:50,148 --> 00:25:52,818 - YEAH. THAT'S WHAT I SAID. - WHO DO YOU WORK FOR? 364 00:25:52,818 --> 00:25:56,021 PLACE ON BROADWAY. "PLACE." GIVE ME A NAME. 365 00:25:56,021 --> 00:25:59,574 THE PINK PARADISE SALON. I WORK THE STREET. 366 00:25:59,574 --> 00:26:01,860 DRUMMIN' UP TRADE FOR THE PORN INDUSTRY. IT'S NOT JUST PORN. 367 00:26:02,361 --> 00:26:04,780 - THEY GOT NUDE DANCERS TOO. - THEY DO ANY DANCIN'? 368 00:26:04,780 --> 00:26:07,282 YOU GOT A JOB, WHY ARE YOU SQUATTIN' IN THAT BUILDING? 369 00:26:07,282 --> 00:26:11,336 I JUST BEEN IN THERE A FEW WEEKS. I GOT KICKED OUTTA MY APARTMENT. 370 00:26:11,336 --> 00:26:13,171 I FELL BEHIND ON THE RENT, YOU KNOW? 371 00:26:13,171 --> 00:26:16,925 AND BLOWIN' YOUR MONEY ON CRACK. I DON'T SMOKE CRACK. WHAT DO I WANT WITH CRACK? 372 00:26:16,925 --> 00:26:22,514 HOW IS IT WORKIN' AROUND THOSE NUDE DANCERS? THEY'RE INSIDE. I'M OUTSIDE. 373 00:26:22,514 --> 00:26:25,434 YOU DON'T MIX? MONEY-GRUBBERS, THEY ARE. 374 00:26:25,434 --> 00:26:29,137 WHERE WERE YOU THIS MORNING AROUND 9:30, 10:00? ASLEEP. 375 00:26:29,137 --> 00:26:32,557 - ANYBODY VOUCH FOR THAT? - NO. I WAS ALONE. 376 00:26:32,557 --> 00:26:34,810 WHO-- WHO YOU GONNA SHOW THAT PICTURE TO? 377 00:26:34,810 --> 00:26:40,148 - GIRL IN A HOSPITAL. SOMEBODY CUT HER FACE UP. - WHOA. WAIT A MINUTE. 378 00:26:40,148 --> 00:26:42,534 YOU DIDN'T-- YOU NEVER SAID NOTHIN' ABOUT THAT. 379 00:26:43,034 --> 00:26:45,654 -I THOUGHT THIS WAS TRESPASSIN'. -YOU WERE HOPING IT WAS TRESPASSIN'. 380 00:26:45,654 --> 00:26:48,407 IF YOU'RE THE ONE WHO CUT THAT GIRL, YOU CAN DO YOURSELF SOME GOOD... 381 00:26:48,407 --> 00:26:50,992 BY GETTING YOUR STORY OUT. 382 00:26:50,992 --> 00:26:54,663 BECAUSE MAYBE-- MAYBE THERE WERE CIRCUMSTANCES THAT CAUSED IT TO HAPPEN... 383 00:26:55,163 --> 00:26:57,499 WITHOUT YOU... INTENDING IT TO. 384 00:26:57,499 --> 00:27:00,302 DID SHE LEAD YOU ON? 385 00:27:02,888 --> 00:27:06,641 - WHOA. I WANT A LAWYER. - YOU'RE REQUESTING A LAWYER? 386 00:27:06,641 --> 00:27:09,428 YEAH. YEAH. YOU'RE TRYIN' TO FRAME ME. I WANT MATT NAVARRO, LEGAL AID. 387 00:27:09,428 --> 00:27:13,348 YEAH? HE MUST'VE GOTTEN YOU A WALK ON ONE OF THOSE OTHER COLLARS, HUH? 388 00:27:13,849 --> 00:27:16,184 I'M NOT TALKIN' NO MORE. 389 00:27:39,207 --> 00:27:40,759 [ Sighs ] 390 00:27:41,259 --> 00:27:44,379 HEAR THAT, BOSS? GUY LAWYERED UP. 391 00:27:46,298 --> 00:27:50,685 IF GINA PICKS THIS GUY OUT OF A PHOTO ARRAY, I WANT ANDY TO TALK TO HIM. 392 00:27:52,187 --> 00:27:54,439 - YEAH. SURE. - [ Quietly ] OKAY. 393 00:27:59,194 --> 00:28:01,613 [ Medavoy ] SURE. BRING IN ANDY. 394 00:28:10,789 --> 00:28:12,791 WHAT'S GOIN' ON? 395 00:28:12,791 --> 00:28:16,211 THERE'S BEEN SOME DEVELOPMENTS. WE NEED GINA TO TAKE A LOOK AT SOME PHOTOGRAPHS. 396 00:28:16,211 --> 00:28:19,080 [ Medavoy ] YOU UP FOR THAT, GINA? DO YOU THINK YOU HAVE A SUSPECT? 397 00:28:19,080 --> 00:28:21,967 GINA, IF YOU COULD I.D. SOMEONE FROM THOSE PHOTOS, UH, 398 00:28:21,967 --> 00:28:26,137 OUR HOPE WOULD BE THAT WE COULD GET A CONFESSION WITHOUT A TRIAL OR FURTHER CONTACT. 399 00:28:26,638 --> 00:28:29,591 YOU'D FEEL UP TO THAT, GINA? IT'D REALLY ASSIST IN THE CASE. 400 00:28:30,892 --> 00:28:33,762 - ALL RIGHT. - GOOD. 401 00:28:50,412 --> 00:28:51,913 HIM. 402 00:28:51,913 --> 00:28:56,368 THIS THIRD PHOTO. HE A-ATTACKED ME AND CUT ME. 403 00:28:57,836 --> 00:28:59,204 ALL RIGHT. 404 00:29:00,171 --> 00:29:02,123 HE CUT ME ALL UP. 405 00:29:02,123 --> 00:29:05,594 ALL RIGHT, GINA. GOOD FOR YOU. 406 00:29:23,494 --> 00:29:26,130 I CAN UNDERSTAND WHAT YOU'RE SAYING, BUT, UM, THAT DOESN'T AFFECT... 407 00:29:26,464 --> 00:29:28,466 THE SITUATION WE HAVE HERE. 408 00:29:31,302 --> 00:29:33,604 LOOK. I'LL CALL YOU BACK. 409 00:29:33,604 --> 00:29:36,557 HUNG HIMSELF, THIS DIAMOND CROOK. 410 00:29:36,557 --> 00:29:40,645 - AND MADE A LOUSY JOB OF IT. - YEAH. TOOK AN EIGHT-FOOT DROP, TORE HIS HEAD OFF. 411 00:29:40,645 --> 00:29:42,446 YOU FOUND THE STONES? 412 00:29:42,446 --> 00:29:46,067 [ Snaps Fingers ] THIS CLOSE. HEADIN' FOR SOUTH AMERICA. 413 00:29:46,067 --> 00:29:47,952 ALL RIGHT. VOUCHER 'EM. CALL THE OWNER. 414 00:29:47,952 --> 00:29:52,073 - I'LL CONTACT THE MOTHER FOR THE I.D. - UM, LET BOBBY HANDLE THAT. 415 00:29:53,491 --> 00:29:55,159 GREG AND DIANE COLLARED UP ON A SKELL, 416 00:29:55,159 --> 00:29:57,795 AND GINA PICKED THE GUY OUT AS HER ATTACKER. 417 00:29:57,795 --> 00:30:00,915 HE NEEDS TO BE REINTERVIEWED. I DON'T WANT HER TO HAVE TO I.D. THIS GUY IN PERSON. 418 00:30:22,436 --> 00:30:24,155 BROUGHT YOU SOME COFFEE. 419 00:30:24,155 --> 00:30:27,074 YOU LIKE IT WITH CREAM AND SUGAR? YEAH. THAT'S GOOD. 420 00:30:27,074 --> 00:30:31,412 THAT'S A HELL OF A PLACE TO LOCK ANYBODY UP. GOTTA GO TO THE JOHN? 421 00:30:31,412 --> 00:30:34,532 NAH. I'M OKAY. I'M DETECTIVE SIPOWICZ. HAVE A SEAT. 422 00:30:38,786 --> 00:30:40,788 SMOKE? 423 00:30:50,097 --> 00:30:51,599 SO, UH-- [ Clears Throat ] 424 00:30:52,099 --> 00:30:56,220 THIS GIRL THAT GOT HER FACE CUT-- KNOW ANYTHING ABOUT IT? 425 00:30:56,220 --> 00:31:00,725 NOTHIN'. SHE PICKED MY PICTURE, SHE'S WRONG. THAT'S ALL I CAN SAY. 426 00:31:00,725 --> 00:31:03,811 WAITIN' FOR A LAWYER, HUH? RIGHT. 427 00:31:03,811 --> 00:31:08,449 THIS WAIVES YOUR RIGHT TO AN ATTORNEY. WANNA SIGN IT? 428 00:31:08,949 --> 00:31:12,286 NO. WHY WOULD I DO THAT? AH, MAYBE YOU WANNA CONFESS. 429 00:31:12,286 --> 00:31:15,072 I'M NOT GONNA CONFESS. I DIDN'T DO IT. 430 00:31:15,072 --> 00:31:18,576 - SO THE GIRL WAS MISTAKEN ABOUT YOU? - YEAH. 431 00:31:19,910 --> 00:31:23,381 OW! OOH! LEAVE ME ALONE. 432 00:31:23,381 --> 00:31:25,499 I'M SORRY. I, UH-- [ Chuckles ] SOMETHING CAME OVER ME. 433 00:31:25,499 --> 00:31:29,003 I, UH-- [ Clears Throat ] SEE, THAT GIRL USED TO WORK RIGHT HERE IN THIS OFFICE. 434 00:31:29,003 --> 00:31:32,006 - SHE DID? - YEAH. I'M, UH-- 435 00:31:32,006 --> 00:31:34,508 UH, LISTEN. I-I HOPE I DIDN'T HURT YA. 436 00:31:34,508 --> 00:31:37,178 COME ON. COME ON. 437 00:31:40,765 --> 00:31:43,234 [ Sighs ] 438 00:31:44,518 --> 00:31:47,104 [ Sighs ] YOU DIDN'T DO IT, HUH? NO. 439 00:31:47,104 --> 00:31:51,442 UM, THAT'S THE TRUTH? THAT'S THE TRUTH. 440 00:31:51,442 --> 00:31:54,078 AH! SORRY. I DON'T KNOW WHY I DID THAT. 441 00:31:54,078 --> 00:31:56,364 LOOK. I'M NOT THE ONE, OKAY? YOU GOT THE WRONG GUY. 442 00:31:56,364 --> 00:31:59,283 I BELIEVE YOU. I BELIEVE YOU. I DON'T-- I DON'T WANT YOU TO CONFESS. 443 00:31:59,283 --> 00:32:02,086 DON'T SIGN THIS THING. MM-MMM. 444 00:32:02,586 --> 00:32:04,839 JUST DON'T HIT ME, OKAY? I WON'T HIT YOU. 445 00:32:04,839 --> 00:32:09,627 I SAID I WAS SORRY. DIDN'T I TELL YOU I WAS SORRY? 446 00:32:09,627 --> 00:32:12,380 YOU WANT ANOTHER CIGARETTE? 447 00:32:12,380 --> 00:32:14,382 YEAH. 448 00:32:14,382 --> 00:32:16,550 [ Sighs ] 449 00:32:16,550 --> 00:32:18,719 HEY! 450 00:32:18,719 --> 00:32:21,105 [ Grunts ] YOU CUT THIS GIRL JUST FOR FUN, 451 00:32:21,105 --> 00:32:23,107 DIDN'T YOU, HUH-- YOU SICK SON OF A BITCH? 452 00:32:23,107 --> 00:32:25,393 GET OFF OF ME! YOU SAW A PRETTY FACE, YOU HAD TO MESS IT UP. 453 00:32:25,393 --> 00:32:27,228 NO. SHE WAS FIGHTIN'. SHE WENT FOR MY EYES. 454 00:32:27,228 --> 00:32:30,531 YEAH. YOU WERE GONNA RAPE HER AND KILL HER! SHE SET ME UP. SHE WANTED IT. 455 00:32:31,031 --> 00:32:33,868 SHE GOT ME IN THERE, THEN SHE STARTED FIGHTIN' AND SCREAMIN'. 456 00:32:34,368 --> 00:32:35,653 NO! YOU LYIN' BASTARD! 457 00:32:35,653 --> 00:32:38,072 - AH! - YOU CUT HER 'CAUSE SHE WOULDN'T HAVE NOTHIN' TO DO... 458 00:32:38,072 --> 00:32:41,325 WITH A STINKIN' TURD LIKE YOU IN A MILLION YEARS. [ Moans ] 459 00:32:41,325 --> 00:32:43,544 NOW ARE YOU GONNA GIVE IT UP TO ME, HUH? ARE YOU? [ Moans ] 460 00:32:43,544 --> 00:32:46,497 I'M GONNA GIVE IT UP. I'M GONNA GIVE IT UP. 461 00:32:46,497 --> 00:32:48,332 ALL RIGHT. 462 00:32:50,134 --> 00:32:52,586 ALL RIGHT. 463 00:32:57,558 --> 00:33:02,680 [ Panting, Whimpers ] 464 00:33:10,554 --> 00:33:13,190 THAT ASSHOLE'S READY TO WRITE. 465 00:33:13,190 --> 00:33:14,975 [ Door Closes ] 466 00:33:15,476 --> 00:33:19,313 SO, UH, AM I IN THE WRONG LINE OF WORK, ANDY? 467 00:33:19,313 --> 00:33:21,949 YOU KNOW, I SHOULD'VE BEEN A STORE CLERK OR SOMETHIN'. 468 00:33:21,949 --> 00:33:24,702 CUT IT OUT, MEDAVOY. BOSS TAKES ME OFF OF THAT GUY. 469 00:33:24,702 --> 00:33:27,872 MAYBE HE'S RIGHT. I-I-- I DON'T INTIMIDATE A SKELL. 470 00:33:27,872 --> 00:33:30,741 YOU THINK WE'RE SUPPOSED TO BE ALL ONE THING, HUH? 471 00:33:30,741 --> 00:33:34,245 YOU GOT A WAY THAT WORKS FOR YOU. SOME SKELLS THEY, UH-- 472 00:33:34,245 --> 00:33:37,164 THEY NEED SOMEBODY TO LISTEN TO 'EM, OR THEY'RE LOOKIN' FOR HELP. 473 00:33:37,164 --> 00:33:39,750 -THAT WORKS FOR YOU. ME-- -[ Faucet Squeaks Off ] 474 00:33:40,251 --> 00:33:43,254 I LOOK LIKE THE KINDA GUY WHO'S GONNA GO NUTS AND JUMP ALL OVER 'EM, SO I USE THAT. 475 00:33:43,254 --> 00:33:46,724 OUR BOSS'S JOB-- PUT THE RIGHT ONE OF US ON THE THING THAT NEEDS DOIN'. 476 00:33:46,724 --> 00:33:49,760 YEAH. WELL, I-I-I-- I FEEL I WOULD HAVE GOTTEN THERE. 477 00:33:50,261 --> 00:33:53,180 IT JUST HAPPENS I-I-- I GOT OBJECTIONS TO TUNIN' A GUY UP. 478 00:33:53,180 --> 00:33:57,568 - EVERYONE'S GOT HIS METHODS. - GOD-- GOD FORBID, SOMETHIN'-- SOMETHIN' HAPPENS IN CUSTODY. 479 00:33:57,568 --> 00:33:59,904 DON'T THINK I DON'T LIVE WITH THAT IN THE BACK OF MY MIND. 480 00:33:59,904 --> 00:34:04,492 GOD FORBID, YOU ASK YOURSELF, "DID-- DID HE ONLY GO 'CAUSE-- 'CAUSE HE WAS GETTIN' HIT?" 481 00:34:04,492 --> 00:34:08,696 - THAT'S AN ABSOLUTE, ACCURATE CONCERN. - SO HOW DO YOU DEAL WITH THAT? 482 00:34:10,030 --> 00:34:13,534 KELLY HAD RULES: "BEAT NO ONE ON SPEC." 483 00:34:13,534 --> 00:34:17,338 "KNOW THE GUY'S RIGHT OFF WITNESS STATEMENTS AND PHYSICAL EVIDENCE," PLUS... 484 00:34:17,338 --> 00:34:21,792 "HE DON'T CONFESS, YOUR WITNESSES GET BEAT OR KILLED FOR TESTIFYING." 485 00:34:21,792 --> 00:34:25,462 ME, IF I FEEL I GOTTA DO IT, I HIT 'EM. 486 00:34:27,848 --> 00:34:29,850 YOU'RE COMMITTIN' A CRIME. 487 00:34:31,352 --> 00:34:34,438 I'M COMMITTIN' A CRIME. AND IF I'M CAUGHT, 488 00:34:34,438 --> 00:34:38,559 THAT BOSS THAT SENT ME IN-- HIS BOTTOM LINE'S GONNA BE, "ALL I SAID WAS A REINTERVIEW." 489 00:34:38,559 --> 00:34:41,979 AND THE PEOPLE THAT WANT ME TUNIN' THIS GUY UP-- IF GINA WAS THEIR FAMILY... 490 00:34:41,979 --> 00:34:43,781 SO SHE WOULDN'T HAVE TO TESTIFY-- 491 00:34:43,781 --> 00:34:47,618 THEY'LL SIT ON MY JURY AT TRIAL AND THEY'LL VOTE TO LOCK ME UP. 492 00:34:47,618 --> 00:34:50,738 I BETTER KNOW ALL THAT BEFORE I RAISE A HAND. 493 00:34:53,324 --> 00:34:57,161 - WHO'S THIS GUY WRITIN' FOR? - ME. 494 00:34:57,161 --> 00:34:58,796 [ Quietly ] YEAH. 495 00:35:15,930 --> 00:35:17,932 [ Door Closes ] 496 00:35:20,651 --> 00:35:23,821 NO. THAT'S, UH, OKAY, IF YOU PREFER TO MAKE THE I.D. TOMORROW. 497 00:35:25,689 --> 00:35:29,159 I'LL PICK YOU UP AT 9:00 TOMORROW. ALL RIGHT, MA'AM. 498 00:35:29,159 --> 00:35:31,328 [ Handset Settles In Cradle ] HI. 499 00:35:32,830 --> 00:35:34,615 WORKED OUT WITH YOUR GUY? MM-HMM. 500 00:35:34,615 --> 00:35:39,003 - HE'S WRITING IT UP. BOY, ANDY'S SCARY. - YEAH. 501 00:35:39,003 --> 00:35:42,539 BUT IT SEEMS LIKE HE'S ABLE TO CONTROL IT, LIKE, DOWN TO A 10th OF A DEGREE. 502 00:35:43,040 --> 00:35:45,509 THAT'S HOW YOU WANNA DO IT. 503 00:35:45,509 --> 00:35:48,762 OH. TALK TO ME LIKE I'M A STRANGER. I LIKE THAT. 504 00:35:52,683 --> 00:35:54,518 SO HAVE A GOOD DINNER. 505 00:35:58,472 --> 00:36:01,392 [ Sighs ] 506 00:36:01,392 --> 00:36:07,398 YOU WANT ME WAITIN' AT MY CRIB UNTIL YOU DECIDE TO COME OVER FOR ANOTHER SOUL-SEARCH, DIANE? 507 00:36:07,398 --> 00:36:10,401 I DID THAT THE LAST 10 DAYS. 508 00:36:11,902 --> 00:36:15,039 NOW HOW MANY WAYS YOU THINK IT'S RIGHT TO PLAY THIS? 509 00:36:16,040 --> 00:36:17,908 I'M NOT PLAYIN'. 510 00:36:22,913 --> 00:36:25,416 I'LL TALK TO YOU TOMORROW, HMM? 511 00:36:46,437 --> 00:36:48,906 [ Knocks ] I'M BACK. 512 00:36:48,906 --> 00:36:51,075 WHO BEEPED? OH, THAT WAS GREG. 513 00:36:51,075 --> 00:36:55,913 GINA, THAT, UH, GUY YOU I.D.'d OFF THE POLAROID? HE CONFESSED. 514 00:36:55,913 --> 00:36:59,750 SO YOU DON'T HAVE TO WORRY ABOUT BEIN' IN CONTACT WITH HIM. THAT'S A BIG RELIEF. 515 00:36:59,750 --> 00:37:02,336 YEAH. 516 00:37:02,836 --> 00:37:06,840 THE DOCTOR STOPPED WHILE YOU WERE GONE. SAYS HE'S REASONABLY OPTIMISTIC. 517 00:37:06,840 --> 00:37:09,593 SO THAT'S GREAT. 518 00:37:10,094 --> 00:37:14,798 I'M AFRAID HE'S... AVOIDING THE TRUTH-- AFRAID NO ONE'LL HAVE TO DO WITH ME. 519 00:37:14,798 --> 00:37:18,385 - YOU PUT THAT OUTTA YOUR MIND. - THAT'S MY FEAR. 520 00:37:18,385 --> 00:37:21,805 LISTEN TO ME. YOU KNOW WHAT WE HAVE TO DO? I GOT HURT. 521 00:37:21,805 --> 00:37:25,192 I WAS RELUCTANT TO CALL MY PARENTS, SAME LIKE YOU. THEY'RE AFRAID OF HOSPITALS. 522 00:37:25,192 --> 00:37:27,978 SEE, BUT YOU GOTTA TRUST YOUR PARENTS TO SHOW THEIR LOVE FOR YOU. 523 00:37:28,479 --> 00:37:31,148 THEY LOVE THEIR DAUGHTER MORE THAN THEY'RE AFRAID. 524 00:37:32,149 --> 00:37:34,151 AFRAID IF THEY'LL BE UPSET. 525 00:37:34,151 --> 00:37:37,071 I DON'T WANNA CALL TILL MORNING. SURE. THAT'S FINE. 526 00:37:40,574 --> 00:37:43,577 YOU DON'T HAVE TO STAY, JAMES. I WANT TO. REALLY. 527 00:37:43,577 --> 00:37:45,963 IT'S NOT NECESSARY. IT'S ALL RIGHT. REALLY. 528 00:37:59,593 --> 00:38:04,098 SO YOU JUST TOOK THE SHORT COURSE ON HOW MY EX-HUSBAND OPERATES. 529 00:38:04,098 --> 00:38:09,103 EVEN BEIN' NICE, HE'S GOTTA TRY AND MAKE YOU CRY BEFOREHAND. 530 00:38:09,103 --> 00:38:12,606 YOU MEAN, LIKE NOT SAYIN' YES ABOUT YOUR BOYS UNTIL RIGHT TO THE END. 531 00:38:13,107 --> 00:38:16,110 YEAH. 532 00:38:16,110 --> 00:38:19,363 - I'M GLAD THAT SKELL, ATTACKED GINA, GAVE YA A STATEMENT. - YEAH. 533 00:38:19,363 --> 00:38:22,449 DO THEY KNOW HOW BAD IT'S GONNA BE? NO. NOT YET. 534 00:38:22,449 --> 00:38:24,785 - SHE GOT FAMILY WITH HER? - I'M NOT SURE. 535 00:38:24,785 --> 00:38:27,204 JAMES MARTINEZ IS OVER SEEIN' HER. 536 00:38:27,204 --> 00:38:29,957 I COULD TELL THEY HAD A LITTLE SOMETHING GOIN' ON. 537 00:38:29,957 --> 00:38:33,460 OH, YOU PICK UP ON THAT KINDA STUFF, HUH? YEAH. 538 00:38:33,460 --> 00:38:38,382 I DO. WHAT'D YOU WORK TODAY? 539 00:38:38,382 --> 00:38:41,385 UM, HOMICIDE OFF A JEWELRY THEFT. OH. 540 00:38:41,385 --> 00:38:43,187 PERP WENT AND HUNG HIMSELF. HMM. 541 00:38:43,187 --> 00:38:46,857 - THEY SHOULD POPULARIZE THAT AS AN ALTERNATIVE TO TRIAL. - [ Chuckles ] 542 00:38:48,642 --> 00:38:50,444 THIS IS SURE FUN. 543 00:38:50,444 --> 00:38:52,362 YEAH? YEAH. 544 00:38:52,362 --> 00:38:57,201 I MEAN, DATING IS SO HARD-- JUST GETTIN' IT ORGANIZED. 545 00:38:57,201 --> 00:39:01,405 AND THEN, UH, THE GUY ALMOST ALWAYS TURNS OUT TO BE A JERK. 546 00:39:01,405 --> 00:39:06,293 BUT I DON'T WANNA QUIT. I'M A... BIG ROMANTIC. 547 00:39:06,293 --> 00:39:09,296 WELL, YOU KNOW, THAT'S GOOD, 548 00:39:09,296 --> 00:39:12,966 I MEAN, THAT YOU STILL GOT THAT GOIN' ON. YEAH. 549 00:39:12,966 --> 00:39:17,721 WELL, DIDN'T COST ANYTHING, RIGHT? DREAMS ARE STILL FREE. 550 00:39:26,663 --> 00:39:30,100 [ Chatter On TV, Indistinct ] 551 00:39:40,244 --> 00:39:42,613 WHAT'S HE DOIN'? 552 00:39:42,613 --> 00:39:48,118 HE'S JUST LYING THERE LOOKIN' LIKE HE TOLD HIMSELF A JOKE IN HIS SLEEP. 553 00:39:48,619 --> 00:39:50,621 [ Chuckles ] YEAH, I'VE SEEN THAT. 554 00:39:50,621 --> 00:39:54,458 LOOKS LIKE HE TOLD IT TO HIMSELF A COUPLE TIMES BEFORE TOO, AND HE STILL THINKS IT'S FUNNY. 555 00:39:54,458 --> 00:39:56,760 [ Chuckles ] 556 00:39:58,128 --> 00:40:01,632 I'M WORRIED ABOUT THIS GIRL. WHAT GIRL? 557 00:40:01,632 --> 00:40:04,384 RUSSELL. SHE'S NOT DOIN' GOOD. 558 00:40:04,384 --> 00:40:09,106 HOW DO YOU TELL? IT'S LIKE SHE'S... STUCK. 559 00:40:10,474 --> 00:40:13,944 ABOUT A WEEK OR SO AGO, BOBBY SAYS SHE SEEMS BETTER, 560 00:40:13,944 --> 00:40:16,730 BUT IT'S LIKE IT TRAILED OFF. 561 00:40:16,730 --> 00:40:21,201 DOES "BETTER" MEAN READY TO DO WHAT BOBBY WANTS? 562 00:40:21,201 --> 00:40:25,572 HE'S NOT THAT WAY, SYLVIA. HE LOVES HER, BUT HE'S CONCERNED FOR HER ALSO. 563 00:40:31,161 --> 00:40:34,498 OH, THERE'S ANOTHER GIRL WITH A PROBLEM. WHAT? 564 00:40:37,968 --> 00:40:41,338 ANDY, DO YOU THINK THAT WE COULD REALLY AFFORD ME STOPPING WORK? 565 00:40:41,838 --> 00:40:43,840 ABSOLUTELY. 566 00:40:43,840 --> 00:40:47,094 I-- I GET A MARSHAL'S JOB MOONLIGHTING. IT WON'T EQUAL YOUR INCOME, 567 00:40:47,094 --> 00:40:49,563 BUT WE'D HAVE LESS EXPENSES. 568 00:40:49,563 --> 00:40:52,849 YEAH. WE WOULDN'T NEED A SITTER FOR THEO OR TO BUDGET FOR MY BUSINESS CLOTHES. 569 00:40:52,849 --> 00:40:55,319 DON'T YOU WORRY ABOUT MONEY. YEAH. RIGHT. 570 00:40:55,819 --> 00:40:59,072 NO. I'M-- I'M SAYING IT'S MANAGEABLE. I MEAN, I NEVER BEEN AFRAID OF WORK. 571 00:40:59,072 --> 00:41:03,493 WE'RE-- WE'RE HIP DEEP IN MOTIONS ON THE SUAREZ CASE, AND... 572 00:41:03,493 --> 00:41:05,362 THEO JUST KEEPS FLOATIN' INTO MY HEAD. 573 00:41:05,362 --> 00:41:11,368 I HAVE TO RECONNECT WITH WHAT I'M DOING, JUST, KINDA LIKE FROM A-- A STANDING START. 574 00:41:11,368 --> 00:41:15,289 BUT THEN I'LL WIND UP THINKING, "I'M DOINGTHIS... 575 00:41:15,289 --> 00:41:20,794 "WHEN I COULD BE... THINKIN' ABOUT HIS DOPEY MUG WITHOUT FEELING GUILTY OR... 576 00:41:21,795 --> 00:41:23,630 AT HOME HOLDING HIM." 577 00:41:29,436 --> 00:41:32,689 DOES ANYBODY HAVE THE RIGHT TO BE THAT HAPPY? 578 00:41:32,689 --> 00:41:36,193 HIM AND YOU... 579 00:41:36,193 --> 00:41:38,478 AND ME TO HELP WHERE YOU COULD DO IT. 580 00:42:01,385 --> 00:42:04,388 WHAT'S GOIN' ON? HI. 581 00:42:05,389 --> 00:42:08,175 - GINGER ALE. - YEAH. 582 00:42:10,427 --> 00:42:12,763 [ Liquid Pouring ] 583 00:42:12,763 --> 00:42:15,515 YOU KNOW ABOUT JIMMY. YEAH, I DO. 584 00:42:15,515 --> 00:42:18,185 THAT WAS SOMETHIN', HUH? 585 00:42:18,185 --> 00:42:21,188 [ Ice Cubes Clinking ] THAT WAS AWFUL. 586 00:42:21,188 --> 00:42:24,107 YEP. 587 00:42:24,107 --> 00:42:25,993 WITH JIMMY, YOU NEVER KNEW WHAT WAS COMIN' NEXT. 588 00:42:30,497 --> 00:42:32,916 YOU KNOW WHAT IT WAS ABOUT? 589 00:42:34,918 --> 00:42:38,121 JIMMY DIDN'T TELL ME WHAT HE WAS INTO. 590 00:42:39,623 --> 00:42:42,459 I KNEW HIM A LONG TIME. I NEVER KNEW EITHER. 591 00:42:42,459 --> 00:42:46,263 HMM. I'LL BELIEVE THAT IF YOU WANT ME TO. 592 00:42:48,131 --> 00:42:49,933 YOU'RE THE CUSTOMER. 593 00:42:52,352 --> 00:42:54,855 [ Door Opens ] DID JIMMY TALK ABOUT ME? 594 00:42:54,855 --> 00:42:57,357 [ Door Closes ] 595 00:42:57,357 --> 00:43:02,145 HE DIDN'T NEED TO SAY ANYTHING. I COULD TELL HOW FOND HE WAS. 596 00:43:04,564 --> 00:43:07,868 DID HE TELL YOU IF HE SLEPT WITH ME? 597 00:43:07,868 --> 00:43:09,703 HE DIDN'T SAY. 598 00:43:12,122 --> 00:43:13,990 IF HE DRUGGED ME? 599 00:43:15,992 --> 00:43:19,496 NO, BABE. THAT PSYCHO SNITCH DIDN'T SAY. 600 00:43:19,996 --> 00:43:24,000 BUT I'LL TELL YA HOW HE HAD CIRCULATION PROBLEMS OFF BEIN' DIABETIC, 601 00:43:24,000 --> 00:43:29,306 AND HE DID LIKE TO ADD HIS LITTLE POTIONS TO LADIES' DRINKS. 602 00:43:29,740 --> 00:43:33,727 GIRLS HALF-KNOCKED OUT DON'T CRITICIZE YOUR PERFORMANCE. 603 00:43:35,896 --> 00:43:38,815 AM I TAKING YOU WRONG? 604 00:43:42,152 --> 00:43:45,155 ARE YOU LOOKIN' TO, UH, FIND OUT IF HE DRUGGED YOU, 605 00:43:46,156 --> 00:43:48,024 OR DID YOU WANNA SCORE SOME MORE FIZZIES? 606 00:43:51,027 --> 00:43:53,196 WHAT? 607 00:43:53,697 --> 00:43:57,334 SOME GIRLS LIKE TO GET SOMEWHERE WITHOUT HAVING TO SAY THEY WANNA GO. 608 00:43:58,835 --> 00:44:02,506 I DIDN'T KNOW WHETHER YOU HAD FUN WITH JIMMY OR NOT. 609 00:44:05,008 --> 00:44:08,545 YOU THINK I WANTED THAT TO HAPPEN-- FOR HIM TO DO THAT TO ME? 610 00:44:08,545 --> 00:44:11,848 MY MISTAKE. YOU'RE LUCKY I DON'T ARREST YOU. 611 00:44:11,848 --> 00:44:14,017 OH-HO, YEAH. CALL THE COPS. 612 00:44:14,017 --> 00:44:19,055 TELL 'EM A WACKO SKIRT IN PATRICK'S WANTS ME ARRESTED FOR ASKING WHAT SHE'S DOING HERE. 613 00:44:21,525 --> 00:44:24,027 I JUST NEED TO CALL A FRIEND. I DON'T CARE WHO YOU CALL. 614 00:44:24,027 --> 00:44:26,780 MAKE IT QUICK, AND GET OUTTA HERE! 615 00:44:32,369 --> 00:44:35,539 [ Coin Clinks In Pay Phone ] [ Tapping Keys ] 616 00:44:35,539 --> 00:44:38,708 [ Chatter On TV, Indistinct ] [ Phone Rings ] 617 00:44:43,330 --> 00:44:45,582 [ Ringing Continues ] [ Sighs ] 618 00:44:45,582 --> 00:44:47,968 YEAH. 619 00:44:49,469 --> 00:44:52,139 ALL RIGHT. I'LL BE RIGHT THERE. 620 00:44:52,139 --> 00:44:54,007 GET OUT THEN. 621 00:44:54,007 --> 00:44:59,229 I'LL-- I'LL MEET YOU AT, UH, THAT SPARTA OR WHATEVER THAT DINER IS. 622 00:44:59,229 --> 00:45:01,598 WHO WAS THAT? 623 00:45:01,598 --> 00:45:03,767 RUSSELL. 624 00:45:03,767 --> 00:45:07,904 - YOU WERE RIGHT. - YEAH. PIN A ROSE ON ME.