1 00:00:02,435 --> 00:00:04,437 -PREVIOUSLY ON "NYPD BLUE". - REMEMBER WHAT YOU SAID... 2 00:00:04,437 --> 00:00:06,439 THE FIRST TIME YOU WERE BROUGHT IN WITH YOUR MOTHER, ASKING IF I'D HELP, 3 00:00:06,439 --> 00:00:07,907 SAYING YOU WANTED TO LIVE A DIFFERENT WAY? 4 00:00:07,907 --> 00:00:10,443 I REMEMBER. YOU DIDN'T WANT TO STEAL, DID YOU, MACEO? 5 00:00:10,443 --> 00:00:12,712 I THOUGHT IF I GOT ARRESTED, I COULD STAY UP HERE. 6 00:00:12,712 --> 00:00:15,815 - THIS GUY'S GOT INFORMATION. - YOU MEAN, YOUR GUY, HUH? 7 00:00:16,116 --> 00:00:20,520 - IS THIS ABOUT TURF, RAY? - ANYTHING YOUR GUY CAN TELL ME, I ALREADY KNOW. 8 00:00:20,520 --> 00:00:22,389 YOU'RE NOT AFRAID THEY'RE GONNA COME LOOK FOR YOU? 9 00:00:22,389 --> 00:00:26,159 YOU TAKE A LOOK AT THAT GUY'S EYES? HE DON'T WANNA FIND ANYBODY. 10 00:00:42,475 --> 00:00:44,377 [ Lock Clicking ] 11 00:00:47,981 --> 00:00:50,283 - HEY, WHO'S THERE? - IT'S ME, BOBBY. 12 00:00:54,888 --> 00:00:56,689 YOU OKAY? 13 00:01:04,431 --> 00:01:07,434 DI-- BOBBY, MAKE LOVE TO ME. 14 00:01:30,690 --> 00:01:32,192 OH! 15 00:01:34,027 --> 00:01:37,297 [ Moans ] OH, GOD, BOBBY. 16 00:02:06,226 --> 00:02:08,728 ANY PROBLEMS WITH THAT? 17 00:02:08,728 --> 00:02:10,730 MM-MMM. 18 00:02:13,733 --> 00:02:19,239 SO, AM I A BALL BREAKER IF I, UH, ASK WHAT IT WAS ABOUT? 19 00:02:20,740 --> 00:02:22,242 WHAT IT'S ABOUT? YEAH. 20 00:02:22,742 --> 00:02:24,744 I'M WONDERING IF YOU CHANGED YOUR MIND. 21 00:02:26,746 --> 00:02:28,748 I WANTED YOU TO HOLD ME. 22 00:02:29,249 --> 00:02:31,251 I WANTED TO MAKE LOVE WITH YOU. 23 00:02:32,685 --> 00:02:34,687 UH-HUH. 24 00:02:35,188 --> 00:02:38,191 IF I GOTTA MARRY YOU TO GET BACK INTO BED WITH YOU, 25 00:02:39,692 --> 00:02:42,529 LET'S GET MARRIED. 26 00:02:42,529 --> 00:02:44,831 [ Chuckles ] 27 00:02:46,332 --> 00:02:50,336 BOBBY, DON'T PUSH ME AWAY NOW. I DON'T WANT TO PUSH YOU AWAY, DIANE. 28 00:02:50,837 --> 00:02:52,839 YOU SAY YES TO GETTING MARRIED LIKE IT'S US GOING TO THE DENTIST. 29 00:02:52,839 --> 00:02:55,842 I DIDN'T MEAN IT-- I DIDN'T MEAN IT THAT WAY. 30 00:02:55,842 --> 00:02:58,845 YOU DIDN'T MEAN IT AT ALL. 31 00:02:59,345 --> 00:03:01,347 GOD FORBID WE JUST ENJOY OURSELVES FOR 20 MINUTES. 32 00:03:04,784 --> 00:03:07,287 DON'T COME HERE LOOKING TO GET LAID, DIANE. 33 00:03:08,788 --> 00:03:11,791 THAT'S NOT WHY I CAME HERE. WE HAD TOO MUCH GOING. 34 00:03:11,791 --> 00:03:14,227 [ Sighs ] 35 00:03:14,227 --> 00:03:16,229 THAT'S NOT WHY I CAME. 36 00:03:18,731 --> 00:03:20,733 I'LL LEAVE THE KEY. 37 00:04:47,220 --> 00:04:51,491 WILLIE LOPEZ. WILLIE CARRIES A CELL PHONE AND A BEEPER. 38 00:04:51,491 --> 00:04:53,426 SHOT SIX TIMES. I'LL CANVASS. 39 00:04:53,426 --> 00:04:55,161 ANDY. 40 00:04:56,362 --> 00:04:58,665 [ Chattering ] 41 00:04:58,898 --> 00:05:01,567 - THOSE ARE MALES. - YEAH, HUH? 42 00:05:03,236 --> 00:05:06,439 MMM. I KNOW ANGELA AND PEACHES FROM VICE. 43 00:05:06,439 --> 00:05:09,909 A COP IN A SECTOR CAR SAW THEM WORKING THE CORNER A COUPLE MINUTES BEFORE THIS HAPPENED. 44 00:05:09,909 --> 00:05:12,145 - WE KNOW NOTHIN' ABOUT THIS. - ARE YOU ANGELA OR PEACHES? 45 00:05:12,412 --> 00:05:14,447 - PEACHES. - WE GOT A SECTOR CAR THAT PUTS YOU HERE. 46 00:05:14,447 --> 00:05:18,484 -YEAH, BUT WE DIDN'T DO NOTHIN'. -SO YOU DRESS LIKE THAT FOR COMFORT THEN. 47 00:05:18,484 --> 00:05:20,787 CHARGE US FOR SOLICITATION, YOU GOTTA CATCH US IN THE ACT, PRETTY BOY. 48 00:05:20,787 --> 00:05:22,922 DON'T TELL ME WHAT I CAN DO. WHO'S THAT? 49 00:05:22,922 --> 00:05:25,758 I DON'T KNOW. WHO IS HE, PEACHES? 50 00:05:25,758 --> 00:05:27,760 I DON'T RECOGNIZE HIM. YOU DON'T, HUH? 51 00:05:27,760 --> 00:05:30,430 I DON'T RECOGNIZE HIM. SEE, NOW, I CAN CHECK THAT OUT, PEACHES. 52 00:05:30,930 --> 00:05:32,999 'CAUSE I KNOW THIS GUY'S NAME IS WILLIE LOPEZ. AND I WILL ASK EVERY SINGLE PERSON... 53 00:05:32,999 --> 00:05:37,036 ON THIS STROLL HERE IF THEY HAVE EVER SEEN YOU AND HIM IN CONVERSATION. 54 00:05:37,537 --> 00:05:39,539 FIRST YES, AND YOU'RE A COLLAR FOR IMPEDING A HOMICIDE INVESTIGATION. 55 00:05:39,539 --> 00:05:43,042 -WHY DON'T YOU GUYS BOTHER SOMEONE ELSE? -'CAUSE WE WANNA BOTHER YOU TWO. 56 00:05:43,042 --> 00:05:45,044 I TOLD DIANE WE DIDN'T SEE IT. WE HEARD THE SHOTS, 57 00:05:45,445 --> 00:05:48,247 WE TURNED AROUND THE CORNER AND SAW THE GUY OVER WILLIE WITH A GUN. 58 00:05:48,247 --> 00:05:50,817 - WHAT GUY? - I DON'T KNOW. - YOU SAW THAT TOO? 59 00:05:50,817 --> 00:05:52,618 UH-UH. SHE WAS RIGHT BY ME. 60 00:05:52,618 --> 00:05:55,888 - EVIL HO! - WE'RE GOING TO THE STATION HOUSE, LOOK AT SOME PICTURES. 61 00:05:56,289 --> 00:05:58,524 - WE TOLD YOU WHAT YOU WANTED. - NOW YOU'RE GONNA HELP US PUT A NAME... 62 00:05:58,524 --> 00:06:01,361 TO THE GUY THAT YOU SAW STANDING OVER WILLIE. 63 00:06:01,361 --> 00:06:04,297 YOU KNOW WHY? BECAUSE UNDERNEATH THOSE SKIRTS, WE KNOW YOU GOT HEARTS OF GOLD. 64 00:06:04,297 --> 00:06:07,033 - AND JOHNSONS IN YOUR UNDERWEAR. -[ Simone ] LET'S GO. 65 00:06:07,033 --> 00:06:09,736 DIANE. MAKE ME TAKE THIS RIDE WITH YOU. 66 00:06:09,736 --> 00:06:12,472 GIRL, WHO SAID WORK 3rd STREET? DID I SAY 10th AVENUE? 67 00:06:12,472 --> 00:06:14,807 - DON'T START WITH ME, PEACHES. - GIRL, YOU ARE MAKING ME SICK. 68 00:06:14,807 --> 00:06:16,676 I'M ABOUT READY TO-- HEY! HEY! 69 00:06:16,976 --> 00:06:19,112 - NO ARGUING. IN THE CAR. - COME ON. GET INSIDE. 70 00:06:19,612 --> 00:06:21,447 DON'T MUSS MY WIG. 71 00:06:36,329 --> 00:06:39,065 EXCUSE ME. I'M LOOKING FOR AN OFFICER COOPER. 72 00:06:39,499 --> 00:06:41,601 I'M COOPER. YEAH. ARTHUR FANCY. 73 00:06:41,601 --> 00:06:44,670 YOU HAVE A MACEO WILLIAMS IN CUSTODY? 74 00:06:44,670 --> 00:06:47,140 ASKED ME TO CALL YOU. I JUST COLLARED HIM IN THE TERMINAL. 75 00:06:47,140 --> 00:06:50,810 FOR DOING WHAT? HE WAS HOLDING A KILO OF HEROIN, LIEUTENANT. 76 00:06:51,144 --> 00:06:53,513 I SPOTTED HIM A FEW TIMES LOOKING WRONG. 77 00:06:53,846 --> 00:06:55,348 TODAY HE GETS OFF THIS BUS FROM FLORIDA. HE'S REAL NERVOUS. 78 00:06:55,848 --> 00:06:58,785 I INTERDICT HIM, ASK TO SEE HIS GYM BAG. A KEY OF SMACK. 79 00:06:58,785 --> 00:07:01,087 - WHAT'S HIS STORY? - HE DOESN'T KNOW HOW IT GOT THERE. 80 00:07:02,488 --> 00:07:04,690 HAD YOUR CARD IN HIS WALLET. 81 00:07:04,690 --> 00:07:07,293 YOU FOUND IT, OR HE SHOWED IT TO YOU? I FOUND IT. 82 00:07:07,293 --> 00:07:10,430 THEN HE ASKED ME TO CALL YOU. HE'S BACK HERE. 83 00:07:19,604 --> 00:07:21,439 COME SEE ME WHEN YOU'RE DONE. YEAH. 84 00:07:25,860 --> 00:07:29,364 MACEO. IT'S A MISTAKE. I DON'T HOW THAT GOT IN THERE. 85 00:07:29,864 --> 00:07:31,366 SOMEONE MUST'VE PUT IT THERE. I DIDN'T KNOW ABOUT IT. 86 00:07:31,366 --> 00:07:34,152 WHY WOULD SOMEONE PUT HEROIN IN YOUR GYM BAG? 87 00:07:34,152 --> 00:07:36,738 I KNOW, BUT THAT'S THE ONLY THING THAT COULD'VE HAPPENED. 88 00:07:36,738 --> 00:07:38,957 YOU WANT ME TO BELIEVE YOU? DON'T TALK TO ME LIKE A CHUMP. 89 00:07:38,957 --> 00:07:40,909 I'M JUST TELLING YOU WHAT HAPPENED. 90 00:07:40,909 --> 00:07:44,462 - AND I'M TELLING YOU YOU GOTTA DO BETTER THAN THAT. - I DON'T HAVE TO DO ANYTHING. 91 00:07:44,462 --> 00:07:47,549 WHAT ARE YOU HERE FOR ANYWAY? I DIDN'T ASK YOU HERE. 92 00:07:47,549 --> 00:07:52,253 - YOU'RE NOT MY FATHER. - NO. FOR A COUPLE MONTHS, I TOOK CARE OF YOU. 93 00:07:52,253 --> 00:07:55,223 - I'M NOT YOUR FATHER. - YOU GOT THAT RIGHT. 94 00:07:55,223 --> 00:07:59,344 WHEN THE COURT GAVE YOUR MOTHER CUSTODY, MACEO, YOU CUT US OFF. 95 00:07:59,344 --> 00:08:02,013 YOU DIDN'T WANT ME. I DIDN'T SEE A POINT STAYING IN TOUCH. 96 00:08:02,013 --> 00:08:05,016 -YOU KNOW WE FOUGHT TO KEEP YOU. -I DON'T HAVE TO TALK ABOUT THIS. 97 00:08:05,016 --> 00:08:07,652 AND IF YOU CAN'T GET ME OUT OF HERE, I NEED A LAWYER. 98 00:08:09,103 --> 00:08:11,606 OKAY. OKAY. YOU'RE 16 YEARS OLD. 99 00:08:12,106 --> 00:08:15,693 YOU GO WITH A LAWYER INSTEAD OF COOPERATING, YOU'LL GET TRIED AS AN ADULT. 100 00:08:15,693 --> 00:08:19,364 THE KIND OF WEIGHT YOU WERE HOLDING BUYS YOU 10 YEARS. 101 00:08:19,364 --> 00:08:22,250 WERE YOU RUNNING THAT SMACK FOR YOUR MOTHER? 102 00:08:22,250 --> 00:08:24,035 NO. ARE YOU HER MULE, MACEO? 103 00:08:24,035 --> 00:08:27,038 I'M NOT TALKING TO YOU ANYMORE. 104 00:08:27,038 --> 00:08:29,374 I'M NOT TALKING TO ANYBODY. 105 00:08:45,473 --> 00:08:47,475 HIYA, ABBY. HEY. 106 00:08:47,475 --> 00:08:50,728 WE'RE ON FOR OUR NON-LUNCH? ABSOLUTELY. 107 00:08:50,728 --> 00:08:53,064 I WAS THINKING MAYBE WE'D, UH, TAKE A DIFFERENT PATH. 108 00:08:53,064 --> 00:08:56,534 - YOU LAY THE COURSE OUT, I'LL RUN IT. - YEAH. SEE YOU AT 12:15. 109 00:08:56,534 --> 00:08:58,236 12:15. 110 00:09:08,162 --> 00:09:10,965 - YOUR PROS COME UP WITH ANYONE? - MM-MMM. 111 00:09:12,217 --> 00:09:14,636 WELL, WANNA GIVE 'EM A PEP TALK? 112 00:09:15,637 --> 00:09:17,639 YEAH. 113 00:09:23,478 --> 00:09:27,932 -GIRLS-- -HOW WE SUPPOSED TO RECOGNIZE ANYONE OFF OF THESE LIKENESSES? 114 00:09:27,932 --> 00:09:30,735 YO, LISTEN, DIANE. BEFORE, ON THE STREET, YOU SAID, 115 00:09:30,735 --> 00:09:33,655 "TELL THESE COPS ABOUT WHAT HAPPENED, AND THEY'LL TREAT YOU SQUARE." 116 00:09:33,655 --> 00:09:35,573 AND HERE WE ARE, LOCKED UP LIKE CRIMINALS. 117 00:09:35,573 --> 00:09:38,493 I DON'T SEE CUFFS ON YOU, PEACHES, AND I DON'T SEE YOU IN A CELL. 118 00:09:38,493 --> 00:09:40,578 I THINK THEY KNOW THE GUY WHO SHOT WILLIE LOPEZ. 119 00:09:40,578 --> 00:09:42,163 THEY JUST DON'T WANT TO GIVE IT UP. 120 00:09:42,664 --> 00:09:45,416 I TOLD YOU WE DON'T KNOW THE GUY, AND WE DIDN'T SEE HIM DO THE SHOOTING. 121 00:09:45,416 --> 00:09:49,170 - BALLS. - PEACHES, YOU CAN TRUST THESE DETECTIVES THE WAY YOU DO ME. 122 00:09:49,170 --> 00:09:51,623 - I DON'T TRUST YOU. - YEAH, YOU DO. 123 00:09:51,623 --> 00:09:55,677 ANGELA, WHEN I PICKED YOU UP THOSE OTHER TIMES, I NEVER HASSLED YOU. 124 00:09:55,677 --> 00:09:57,879 I GOT EVERYTHING PUSHED THROUGH AS FAST AS I COULD... 125 00:09:57,879 --> 00:10:00,682 SO YOU COULD GET BACK ON THE STROLL. 126 00:10:00,682 --> 00:10:03,518 -I ALWAYS TREATED YOU WITH RESPECT. - WE DON'T KNOW ANY NAMES. 127 00:10:03,518 --> 00:10:06,220 - WELL-- - AND DON'T YOU BE MAKING ANY NOISE. 128 00:10:06,220 --> 00:10:08,973 DON'T SCREW YOURSELF UP HERE, ANGELA. 129 00:10:11,776 --> 00:10:16,197 HER MAN'S PHESIANS. AND SHE CONCERNED THIS GUY'S PHESIANS'S COUSIN, 130 00:10:16,197 --> 00:10:17,949 BUT PHESIANS DIDN'T HAVE NOTHING TO DO WITH IT. 131 00:10:17,949 --> 00:10:21,569 THIS MAN AND WILLIE WERE BEEFING ALL WEEK ABOUT MONEY OR SOMETHING. 132 00:10:21,569 --> 00:10:23,655 - RUNNING HER MOUTH. - GIVE UP A NAME, ANGELA. 133 00:10:23,655 --> 00:10:27,625 ARTHUR CARTWELL. BUT HIS COUSIN PHESIANS DIDN'T HAVE NOTHING TO DO WITH IT. 134 00:10:27,625 --> 00:10:30,628 - THANKS FOR NOTHING. -THANK YOU FOR DRAGGING ME DOWN HERE... 135 00:10:30,628 --> 00:10:33,498 - WHEN YOU COULD'VE SAID I WAS IN THE LAVATORY. - SHUT UP A SECOND. 136 00:10:33,498 --> 00:10:36,467 - I'D LIKE TO BE DISMISSED BEFORE THIS GETS UGLY. - YOU LATE TO BEAT UGLY. 137 00:10:36,884 --> 00:10:38,670 SHUT UP. 138 00:10:38,670 --> 00:10:42,423 YOU TALKING ABOUT ARTHUR CARTWELL THAT WENT AWAY FOR MURDER? 139 00:10:42,423 --> 00:10:45,843 - I KNOW NOTHING ABOUT THAT. - LOOKED TO TAKE DOWN A DEALER ON 9th. 140 00:10:45,843 --> 00:10:48,763 - TWO KIDS GOT KILLED IN AN APARTMENT. - I DON'T KNOW. 141 00:10:48,763 --> 00:10:51,065 GIVE UP HIS NAME, NOT ACT LIKE SHE FELL OFF A BOAT. 142 00:10:53,601 --> 00:10:56,104 THAT'S WHO IT IS. JUST GOT OUT OF JAIL A WHILE AGO. 143 00:10:56,104 --> 00:11:01,159 AND IF YOU QUESTION ARTHUR'S COUSIN PHESIANS REGARDS TO THIS, I WILL HAVE A CUT THROAT. 144 00:11:01,159 --> 00:11:03,945 AND I CAN TESTIFY THAT PHESIANS WAS LAID UP IN BED... 145 00:11:03,945 --> 00:11:06,197 WITH A STAPHO-SOMETHING INFECTION IN HIS LEFT CALF. 146 00:11:06,197 --> 00:11:08,416 DON'T MENTION PHESIANS NO MORE. 147 00:11:08,416 --> 00:11:11,536 WE'RE NOT INTERESTED IN PHESIANS, PEACHES, YOU UNDERSTAND? 148 00:11:11,536 --> 00:11:15,840 WE'RE INTERESTED IN ARTHUR THAT WAS STANDING OVER WILLIE WITH A GUN IN HIS HAND. 149 00:11:15,840 --> 00:11:18,343 - BOBBY? - WHAT'S UP, GREG? 150 00:11:18,343 --> 00:11:21,129 YEAH. LAST BEEP CAME BACK TO AN ARTHUR CARTWELL. 151 00:11:21,129 --> 00:11:23,131 GAVE AN ADDRESS OVER ON THE BOWERY. 152 00:11:23,131 --> 00:11:25,683 CELL PHONE RECORDS ARE GONNA TAKE A WHILE. 153 00:11:25,683 --> 00:11:28,269 CAN YOU CHECK TO SEE IF THIS GUY CARTWELL IS STILL IN THE SYSTEM? 154 00:11:28,269 --> 00:11:30,271 I THINK HE WAS UP IN PLATTSBURGH. YEAH, SURE. 155 00:11:30,271 --> 00:11:35,059 - CAN WE PLEASE GO? - DON'T TAKE NO VACATIONS. 156 00:11:35,059 --> 00:11:37,362 I'M GONNA TAKE SOME COFFEE, AND I'M GONNA TAKE SOME PASTRY TOO. 157 00:11:37,362 --> 00:11:39,731 YEAH. 158 00:11:40,231 --> 00:11:42,233 - YOU GUYS GOT A MINUTE? - YEAH. 159 00:11:43,117 --> 00:11:45,570 [ Peaches ] OOH, LOOK, THEY GOT DOUGHNUTS. 160 00:11:47,955 --> 00:11:49,707 WHAT DO YOU GOT ON YOUR D.0.A.? 161 00:11:50,208 --> 00:11:52,460 REMEMBER THAT BABY AND THAT FIVE-YEAR-OLD THAT GOT MURDERED IN THE DEALER'S APARTMENT? 162 00:11:52,460 --> 00:11:54,712 - YEAH. - THESE PROSSES, THEY SAID THAT THEY... 163 00:11:54,712 --> 00:11:57,799 SAW ARTHUR CARTWELL, WHO WAS IN THAT APARTMENT WHEN THE MURDERS WENT DOWN, 164 00:11:57,799 --> 00:12:00,084 STANDING OVER THE D.0.A. THIS MORNING HOLDING A GUN. 165 00:12:00,585 --> 00:12:03,087 WHICH HAS TO BE WRONG, RIGHT? CARTWELL'S INSIDE. 166 00:12:03,087 --> 00:12:05,306 - RELEASED SEPTEMBER 18th. - [ Scoffs ] 167 00:12:08,426 --> 00:12:12,263 LOOK, I'VE GOT A SITUATION. THAT BOY THAT LIVED WITH US FOR A WHILE A FEW YEARS AGO-- 168 00:12:12,263 --> 00:12:14,182 THAT KID MACEO? YEAH, YEAH. 169 00:12:14,182 --> 00:12:17,018 COLLARED AT PORT AUTHORITY MULING A KILO OF HEROIN. 170 00:12:17,018 --> 00:12:19,737 I GOT A LINE ON HIS MOTHER. I'M GONNA GO SEE HER. 171 00:12:19,737 --> 00:12:23,191 WE GOT CARTWELL'S ADDRESS. OKAY, LET ME KNOW. 172 00:12:23,191 --> 00:12:27,195 HEY, BOSS, MAYBE THERE'S A MIX-UP WITH THE KID. 173 00:12:27,195 --> 00:12:30,198 MAYBE THERE'S A MIX-UP ON CARTWELL TOO. 174 00:12:30,198 --> 00:12:33,251 LET'S GO. THESE PEOPLE ARE RUTHLESS. 175 00:12:34,585 --> 00:12:37,121 BUT THE TALL ONE IS CUTE. 176 00:12:38,956 --> 00:12:42,376 I'M WONDERING HOW PHESIANS GOT HIS STAPH INFECTION. 177 00:12:42,376 --> 00:12:46,297 YEAH, I DON'T KNOW. HOW MANY NAUGHTY THINGS CAN YOU DO WITH YOUR LEFT CALF? 178 00:12:59,060 --> 00:13:04,148 UNBELIEVABLE. ASSHOLE DOES SIX MONTHS BEHIND ACTING IN CONCERT ON TWO CHILD HOMICIDES. 179 00:13:04,148 --> 00:13:06,117 DON'T FORGET, ARTHUR WAS DOING HARD TIME. 180 00:13:06,617 --> 00:13:09,120 THAT'S A MAXIMUM-SECURITY FACILITY, PLATTSBURGH. 181 00:13:09,120 --> 00:13:11,372 YEAH. IS THIS IT? YEAH. THE ENTRANCE IS DOWN THERE. 182 00:13:11,372 --> 00:13:14,459 WE'LL TAKE THE BACK. BE CAREFUL. 183 00:13:21,666 --> 00:13:23,835 HEY, HE'S ACROSS THE STREET. I'M GOING THIS WAY. 184 00:13:34,645 --> 00:13:38,316 HEY, CARTWELL. WHERE ARE YOU GOING, HUH? WAIT A MINUTE! WAIT A MINUTE! 185 00:13:38,316 --> 00:13:41,235 AGAINST THE WALL! I DIDN'T DO NOTHING. 186 00:13:41,235 --> 00:13:44,739 I DON'T KNOW HOW YOU GOT OUT. I DIDN'T DO NOTHING THE LAST TIME EITHER. 187 00:13:44,739 --> 00:13:47,358 SHUT UP! UPSIDE WITH OUR PENAL SYSTEM, ARTHUR-- 188 00:13:47,358 --> 00:13:49,744 LOCKED UP REPEATEDLY FOR CRIMES YOU DON'T COMMIT. 189 00:13:49,744 --> 00:13:51,612 AT LEAST WE DON'T MAKE YOU DO MUCH TIME, HUH? 190 00:13:51,612 --> 00:13:55,032 WHOA! LET'S GO. 191 00:13:55,032 --> 00:13:57,418 JAMES, GREG, WE GOT HIM OUT HERE IN THE FRONT. 192 00:13:57,418 --> 00:13:59,420 [ Medavoy On Radio ] 10-4. WE'RE COMIN' AROUND. 193 00:14:12,049 --> 00:14:15,620 MACE? LIEUTENANT FANCY. HOW YOU DOING, SHERILEE? 194 00:14:16,053 --> 00:14:17,872 FINE. CAN I COME IN AND TALK TO YOU? 195 00:14:17,872 --> 00:14:23,077 UH, WELL, IT'S A LITTLE MESSY SINCE I DIDN'T KNOW YOU WAS COMING. 196 00:14:26,214 --> 00:14:29,166 SO IS MACEO HERE? NO. 197 00:14:29,166 --> 00:14:31,168 WHY? HE IN TROUBLE? NO. 198 00:14:31,168 --> 00:14:33,471 MY WIFE BUMPED INTO HIM ON THE STREET A COUPLE OF DAYS AGO. 199 00:14:33,471 --> 00:14:36,173 - HE TOLD HER HE QUIT SCHOOL. - YEAH, YEAH. 200 00:14:36,173 --> 00:14:38,976 HE MAKE UP HIS MIND TO DO SOMETHING LIKE THAT, HOW AM I SUPPOSED TO STOP HIM? 201 00:14:38,976 --> 00:14:42,096 I WISH YOU WOULD'VE CALLED ME. MAYBE I COULD'VE TALKED SOME SENSE INTO HIM. 202 00:14:42,096 --> 00:14:45,182 LIEUTENANT FANCY, YOU THE LAST PERSON I'D CALL. 203 00:14:45,182 --> 00:14:48,019 SO WHEN DID YOU COME BACK TO NEW YORK? 204 00:14:48,019 --> 00:14:50,021 YOU WERE SO SET ON SOUTH CAROLINA. YEAH, WELL, 205 00:14:50,021 --> 00:14:52,440 IT DIDN'T WORK OUT DOWN THERE. 206 00:14:52,440 --> 00:14:54,825 YEAH? SEEMS LIKE YOU'RE DOING OKAY HERE. 207 00:14:54,825 --> 00:14:56,777 MM-HMM. 208 00:14:56,777 --> 00:15:00,248 - THIS IS A NICE TV. - YEAH, MACEO BOUGHT THAT FOR ME. SEE? 209 00:15:00,248 --> 00:15:03,451 HE DON'T NEED TO GO TO SCHOOL. HE GOT A GOOD JOB WITHOUT IT. 210 00:15:03,451 --> 00:15:07,755 - YEAH? WHAT'S HE DOING? - I DON'T GOTTA TELL YOU THAT, BUT I WILL. 211 00:15:07,755 --> 00:15:11,459 - HE'S DOING CONSTRUCTION. - HOW ABOUT YOU, SHERILEE? 212 00:15:11,459 --> 00:15:14,295 - YOU BACK ON THE STUFF? - I DON'T GOTTA TELL YOU THAT EITHER. 213 00:15:14,295 --> 00:15:17,848 YOU'RE JUST TRYING TO TAKE MY KID AGAIN. COME DOWN HERE INSULTING ME! 214 00:15:17,848 --> 00:15:21,102 - YEAH, YOU'RE USING. - AND YOU'RE IN HERE WITHOUT A WARRANT OR MY PERMISSION! 215 00:15:21,102 --> 00:15:24,138 YOU'RE USING, AND THAT'S A BIG TELEVISION SET, SHERILEE. 216 00:15:24,138 --> 00:15:26,223 BIG MICROWAVE. HOW ARE YOU PUTTING THAT TOGETHER? 217 00:15:26,724 --> 00:15:28,225 GET OUT. I'M NOT HAVING THIS. 218 00:15:29,527 --> 00:15:32,446 - YOU GET OUT! -[ Door Opens ] 219 00:15:32,446 --> 00:15:36,567 ???? [ Rap, Indistinct ] 220 00:15:43,407 --> 00:15:46,327 I HOPE YOU'RE ASHAMED. I HOPE YOU STILL HAVE THAT IN YOU. 221 00:15:46,327 --> 00:15:48,462 HE'S RAPING ME! 222 00:15:50,915 --> 00:15:52,717 OKAY. 223 00:16:04,061 --> 00:16:06,347 MAN, YOU TWO RUINING IN MY EXISTENCE. 224 00:16:06,347 --> 00:16:09,517 SEND ME DOWN 15 TO LIFE WHEN I DIDN'T EVEN SHOOT NOBODY. 225 00:16:10,017 --> 00:16:11,986 - YOU KILLED THOSE TWO KIDS. - THE HELL I DID! 226 00:16:11,986 --> 00:16:13,988 I WAS PRESENT WHEN IT HAPPENED. 227 00:16:13,988 --> 00:16:18,025 I WANNA HEAR THIS STORY ABOUT HOW YOU GOT OUT OF THE JOINT, ARTHUR. SIT. 228 00:16:19,443 --> 00:16:22,580 GUARD GOT KILLED ON MY TIER. I WAS A WITNESS. 229 00:16:22,580 --> 00:16:25,199 - YOU RATTED OUT THE GUY WHO DID IT. - [ Scoffs ] 230 00:16:25,700 --> 00:16:29,120 I HAD NO PROBLEM TURNING THAT CON IN. AND AS FAR AS THEM KIDS, 231 00:16:29,620 --> 00:16:31,122 Y'ALL BOTH KNOW THAT WAS ALL RICKIE'S DOING. 232 00:16:31,122 --> 00:16:35,092 I WAS IN THE WRONG PLACE. WASN'T NOBODY SUPPOSED TO GET SHOT. 233 00:16:35,092 --> 00:16:38,462 HERE YOU ARE IN THE WRONG PLACE AGAIN, ARTHUR, HUH? 234 00:16:38,462 --> 00:16:40,848 THIS TIME WITH A GUN IN YOUR HAND, SHOOTING WILLIE LOPEZ. 235 00:16:41,349 --> 00:16:42,850 THAT AIN'T RIGHT. IF WE FIND A GUN IN YOUR APARTMENT, 236 00:16:42,850 --> 00:16:45,269 THAT'S NOT GONNA TURN OUT TO BE THE MURDER WEAPON, HUH? 237 00:16:46,687 --> 00:16:48,439 IF IT DO, IT DON'T MEAN NOTHING. 238 00:16:48,939 --> 00:16:50,441 NO? MATCH IT TO THE BULLETS IN WILLIE? 239 00:16:50,441 --> 00:16:54,145 - DON'T MEAN NOTHING. - SILLY US, THINKING THAT'S EVIDENCE. 240 00:16:54,145 --> 00:16:57,398 I HAD THE GUN, BUT I PICKED IT UP AFTER WILLIE GOT SHOT. 241 00:16:57,398 --> 00:17:01,152 - OH, AFTER. - I'LL TELL Y'ALL WHAT HAPPENED. 242 00:17:01,152 --> 00:17:05,456 THE GUYS COME AROUND THE CORNER IN A CHEVY OR SOMETHING, 243 00:17:05,456 --> 00:17:08,125 AND THEY START SHOOTING AT WILLIE, WHO I'M TALKING TO. 244 00:17:08,125 --> 00:17:11,796 AND THE NEXT THING I KNOW, I GOT THIS GUN IN MY HAND, AND I'M RUNNING. 245 00:17:11,796 --> 00:17:13,964 WHAT COLOR CHEVY OR SOMETHING? 246 00:17:13,964 --> 00:17:17,251 YELLOW, I BELIEVE. I MEAN, IT'S HARD TO REMEMBER. 247 00:17:17,251 --> 00:17:21,806 ONE MINUTE I'M STANDING THERE ARGUING, AND THEN IT'S, LIKE, BULLETS. 248 00:17:21,806 --> 00:17:24,225 AYAYAY. WHAT WERE YOU ARGUING ABOUT? 249 00:17:24,225 --> 00:17:27,762 HE OWED ME $600. I JUST GOT OUT OF JAIL, MAN. 250 00:17:27,762 --> 00:17:29,847 YOU KNOW, I NEEDED THAT. 251 00:17:29,847 --> 00:17:34,685 SO I CALL HIM UP ON HIS BEEPER, AND THEN HE SAY THAT SUPPOSEDLY HE GONNA HAVE THE MONEY TODAY. 252 00:17:34,685 --> 00:17:36,937 - SO I SET UP TO MEET HIM. - WHERE'S WILLIE GETTING THIS MONEY FROM? 253 00:17:36,937 --> 00:17:39,740 BEHIND SOMEBODY OWING SOME OTHER MONEY TO HIM. 254 00:17:40,241 --> 00:17:42,743 HE DIDN'T TELL YOU WHO? NO. SO THEN I MEET HIM, 255 00:17:42,743 --> 00:17:47,498 AND THEN HE TELL ME THEY DIDN'T PAY HIM THE MONEY LIKE THEY'RE SUPPOSED TO. 256 00:17:47,498 --> 00:17:51,869 I'M, LIKE, MAN, THIS AIN'T GOOD. THEN HERE COME THESE GUYS IN THIS YELLOW CHEVY. 257 00:17:51,869 --> 00:17:55,840 - ARTHUR-- - WE GOT EYEWITNESSES SAW YOU DO THE SHOOTING. 258 00:17:55,840 --> 00:17:58,042 THEY DIDN'T SEE ME, BECAUSE I DIDN'T DO IT! 259 00:18:01,295 --> 00:18:03,047 WE COLLAR YOU LAST YEAR. YOU'RE HIDING UNDER... 260 00:18:03,047 --> 00:18:05,266 A PILE OF CLOTHES IN YOUR BUDDY'S CLOSET. 261 00:18:05,266 --> 00:18:07,551 YOU TELL US THAT YOU'RE UP THERE BORROWING A BOOK. 262 00:18:07,551 --> 00:18:10,020 SEE, THAT GIVES YOU A LOW CREDIBILITY RATING. 263 00:18:10,521 --> 00:18:12,473 YOU UNDERSTAND THAT, RIGHT, ARTHUR? 264 00:18:12,473 --> 00:18:14,475 WELL, THEN, LOCK ME UP FOR FALSE REASONS. 265 00:18:14,475 --> 00:18:16,310 IT HAPPENED BEFORE. 266 00:18:18,979 --> 00:18:21,782 I'LL LET HIM KNOW. 267 00:18:21,782 --> 00:18:23,451 - HELLO, HELLO. - HELLO. 268 00:18:23,451 --> 00:18:25,202 LEO COHEN. I REMEMBER. 269 00:18:25,202 --> 00:18:28,372 HOPE ANTICRIME GOT SOME DRAFT CHOICES ALONG WITH THAT OTHER CIVILIAN AIDE. 270 00:18:28,372 --> 00:18:31,208 SOMEONE ELSE SAID THAT TO ME. I REALLY DON'T FOLLOW THE MEANING. 271 00:18:31,208 --> 00:18:34,545 THAT'S THE LAST SPORTS REFERENCE WHICH WILL CROSS MY LIPS IN YOUR PRESENCE, GINA. 272 00:18:34,545 --> 00:18:38,048 I UNDERSTAND YOU LIKE ARTHUR CARTWELL IN THE LOPEZ HOMICIDE. 273 00:18:38,048 --> 00:18:40,468 - HE SAYS HE DIDN'T DO IT. - THAT'S ORIGINAL. 274 00:18:40,468 --> 00:18:43,554 ADMINISTRATIVE JUDGE SAYS NEXT PERP WE DON'T GET DOWN THERE... 275 00:18:43,554 --> 00:18:45,222 WITHIN 24 HOURS OF ARREST WALKS OUT THE DOOR. 276 00:18:45,222 --> 00:18:48,309 OH, THAT MAKES SENSE. THIS EVEN ON A HOMICIDE CHARGE? 277 00:18:48,309 --> 00:18:50,811 - WE GONNA MAKE THAT WITH CARTWELL? - WE'RE THINKING WE'LL KEEP... 278 00:18:50,811 --> 00:18:53,063 HIM OUT OF THE SYSTEM TILL WE GET THE BALLISTICS BACK. 279 00:18:53,063 --> 00:18:55,516 YOU DO WHAT YOU WANT. I'M ADVISING YOU GET HIM DOWN TO CENTRAL BOOKING. 280 00:18:55,516 --> 00:18:58,519 - OKAY, SO NOW YOU'RE ON RECORD. - THANKS FOR THE ADVICE. 281 00:19:00,571 --> 00:19:02,857 PROPHET'S NEVER KNOWN IN HIS OWN COUNTRY. 282 00:19:04,158 --> 00:19:07,027 LAST OLD TESTAMENT REFERENCE TOO. 283 00:19:08,829 --> 00:19:12,333 - TAKE THIS GUY DOWN? - YEAH. 284 00:19:18,005 --> 00:19:20,341 I TELL YOU, ABBY, THE ENDORPHIN RELEASE... 285 00:19:20,341 --> 00:19:23,844 SUBSEQUENT TO THESE WORKOUTS HAS GOTTEN TO BE THE HIGH POINT OF MY DAYS. 286 00:19:23,844 --> 00:19:26,630 SO, IF IT FEELS THIS GOOD, IT'S GOTTA BE ILLEGAL, HUH, GREG? 287 00:19:26,630 --> 00:19:29,717 OH, YEAH. I FEEL SUBJECT TO ARREST. [ Laughing ] 288 00:19:29,717 --> 00:19:32,102 LISTEN, ON-ON ANOTHER SUBJECT, ABBY, 289 00:19:32,102 --> 00:19:36,891 UH, I WAS WONDERING AT SOME POINT IF, UM, YOU'D LIKE TO HAVE DINNER? 290 00:19:36,891 --> 00:19:39,560 I'D LIKE TO A LOT. YEAH? 291 00:19:40,060 --> 00:19:43,280 WE COULD GO OUT OR, UH, I'D BE DELIGHTED TO PREPARE A MEAL. 292 00:19:43,280 --> 00:19:45,616 UH, THE ONE THING YOU SHOULD KNOW, GREG-- 293 00:19:45,616 --> 00:19:47,902 YOU DID SAY YES, RIGHT? ABSOLUTELY. 294 00:19:47,902 --> 00:19:53,290 BUT I WANTED TO TELL YOU THAT IF YOU'RE THINKING IN TERMS OF ROMANTIC POSSIBILITIES, 295 00:19:53,290 --> 00:19:55,459 I, UH-- I SHOULD LET YOU KNOW NOW THAT I'M GAY. 296 00:19:57,828 --> 00:19:59,580 I SEE. 297 00:19:59,580 --> 00:20:02,383 I ALWAYS WORRY IF I SAY THAT TOO LATE OR TOO SOON. 298 00:20:02,383 --> 00:20:04,668 OF COURSE. 299 00:20:04,668 --> 00:20:09,006 IF-IF YOU WEREN'T, EXCUSE ME FOR BEING PRESUMPTUOUS. 300 00:20:09,006 --> 00:20:11,342 NOT AT ALL. CERTAINLY NOT. 301 00:20:12,226 --> 00:20:14,228 [ Sighs ] 302 00:20:14,228 --> 00:20:16,230 WHAT-WHAT NIGHT WOULD BE GOOD FOR YOU? 303 00:20:17,681 --> 00:20:20,150 WHY DON'T I LET YOU KNOW, GREG? CERTAINLY. 304 00:20:20,150 --> 00:20:22,269 OKAY. FINE. 305 00:20:46,010 --> 00:20:47,845 I SAW YOUR MOTHER. 306 00:20:47,845 --> 00:20:50,264 [ Sighs ] 307 00:20:51,265 --> 00:20:53,267 THAT STUFF, IT WAS JUST TOO HARD FOR HER. 308 00:20:53,267 --> 00:20:57,521 YOU NEED TO STOP LAYING IT OFF ON SHERILEE NOW, MACEO. 309 00:20:58,022 --> 00:21:00,307 IT WAS YOU ON THAT BUS, YOU WHO HAD THAT SMACK. 310 00:21:00,307 --> 00:21:02,810 AND IT'S ME IN THIS CELL. I KNOW THAT. 311 00:21:02,810 --> 00:21:05,312 YOU WANT A LESSON ON BEING A MAN? 312 00:21:05,312 --> 00:21:08,866 SKELLS LAY FAULT SOMEWHERE ELSE FOR DOING WHAT THEY DID... 313 00:21:08,866 --> 00:21:12,369 AND NOT DOING WHAT THEY NEED TO STRAIGHTEN OUT. 314 00:21:17,374 --> 00:21:19,243 I WAS THE ONE WHO DID IT. 315 00:21:19,243 --> 00:21:23,380 THESE GUYS FROM THE REDRUM GANG GIVE ME 1,500 BUCKS A TRIP. 316 00:21:23,380 --> 00:21:28,218 - THAT'S THE PUERTO RICAN GANG? - I GO TO MIAMI AND PICK IT UP FOR 'EM. 317 00:21:28,218 --> 00:21:32,589 ARE YOU LATE FOR MAKING THIS DROP? AFTER 4:00 THIS AFTERNOON. 318 00:21:37,811 --> 00:21:40,431 YOU GONNA DO WHAT YOU NEED TO HERE, MACEO? 319 00:21:42,933 --> 00:21:45,903 - SAY WHAT? - YEAH. 320 00:21:47,688 --> 00:21:49,690 ON THE GATE. 321 00:21:49,690 --> 00:21:51,608 [ Keys Jingling ] 322 00:22:16,450 --> 00:22:19,870 - RAY. - LIEUTENANT. 323 00:22:19,870 --> 00:22:23,457 I UNDERSTAND YOU'RE LOOKING FOR US TO HELP YOU OUT WITH SOME SKELL, HUH? 324 00:22:23,457 --> 00:22:26,794 THIS IS A GOOD KID, RAY. UH-HUH. 325 00:22:26,794 --> 00:22:30,164 YOU WANT ME TO DEAL WITH SOMEONE ELSE? LIEUTENANT, MY RECOLLECTION-- 326 00:22:30,164 --> 00:22:34,885 YOUR SQUAD HAD PROBLEMS WITH ME, FELT I WASN'T CONSIDERATE ENOUGH OF SOME INFORMANT. 327 00:22:34,885 --> 00:22:38,222 - THIS IS A DIFFERENT MATTER. - USUALLY IS WHEN YOU'RE ASKING FOR A FAVOR. 328 00:22:38,222 --> 00:22:40,974 YOUR GROUP'S WORKING ON THE REDRUM CREW, CORRECT? 329 00:22:40,974 --> 00:22:44,011 - AND? - THIS KID CAN HELP WITH THAT. HOW IS THAT A FAVOR? 330 00:22:46,313 --> 00:22:48,315 HE'S WILLING TO MAKE A CONTROLLED DELIVERY. 331 00:22:48,315 --> 00:22:50,984 IN EXCHANGE FOR WALKING ON A KILO OF SMACK. 332 00:22:50,984 --> 00:22:54,438 - HAS THAT EVER HAPPENED? - WELL, THAT'S UP TO THE U.S. ATTORNEY. 333 00:22:54,438 --> 00:22:57,658 NO, IT'S UP TO YOU TALKING TO THE U.S. ATTORNEY, SAYING YOU WANT IT DONE. 334 00:22:57,658 --> 00:23:00,411 YOU GET THE PLAY ON THE COLLARS, THE KID GETS ANOTHER CHANCE. 335 00:23:04,281 --> 00:23:06,283 LET ME TALK TO THE U.S. ATTORNEY. 336 00:23:08,535 --> 00:23:11,004 YEAH, KAHLINS, NYDTF. 337 00:23:11,004 --> 00:23:13,841 IS HE IN? THANK YOU. 338 00:23:21,682 --> 00:23:24,718 DETECTIVE, SOMEONE'S HERE ABOUT THAT HOMICIDE. 339 00:23:24,718 --> 00:23:26,854 THANKS, GINA. 340 00:23:27,721 --> 00:23:30,941 EXCUSE ME. I'M DETECTIVE SIMONE. HOW CAN I HELP YOU? 341 00:23:30,941 --> 00:23:34,945 FATHER TOM FERRELL. AND THIS IS MY FRIEND STANLEY ANGRIST. 342 00:23:34,945 --> 00:23:37,698 HOW DO YOU DO, SIR? DETECTIVE SIPOWICZ. 343 00:23:37,698 --> 00:23:39,283 - HOW'S IT GOING? - YEAH. 344 00:23:39,783 --> 00:23:42,569 WE'RE HERE CONCERNING THAT MAN WHO WAS SHOT ON 3rd STREET THIS MORNING, 345 00:23:42,569 --> 00:23:44,988 NEAR THE CORNER OF BOWERY. 346 00:23:44,988 --> 00:23:48,075 - HOW CAN YOU HELP US WITH THAT? - STANLEY SAW IT FROM HIS APARTMENT WINDOW. 347 00:23:48,075 --> 00:23:52,079 - CAN STANLEY SPEAK? - WHY DON'T YOU COME ON IN AND TALK TO US, MR. ANGRIST? 348 00:23:52,079 --> 00:23:54,548 ANGRIST. YEAH. GO AHEAD, STANLEY. GO AHEAD. 349 00:23:54,548 --> 00:23:57,334 I'M GONNA SEE PATRICE DONNELLY, AND THEN I'LL BE BACK AT THE PARISH HOUSE. 350 00:23:57,334 --> 00:23:59,720 - THANKS FOR YOUR HELP, FATHER. - YEAH. 351 00:23:59,720 --> 00:24:02,089 - SIT HERE. - CAN WE GET YOU SOMETHING TO DRINK? 352 00:24:02,089 --> 00:24:05,008 SOME COFFEE, SIR? NO. I'M JEWISH, 353 00:24:05,008 --> 00:24:07,644 BUT I KNOW FATHER FERRELL FROM THE NEIGHBORHOOD. 354 00:24:07,644 --> 00:24:09,813 I'M HERE ON HIS ADVICE. 355 00:24:09,813 --> 00:24:11,982 WHY DON'T YOU TELL US WHAT YOU SAW, MR. ANGRIST? 356 00:24:13,317 --> 00:24:17,154 TWO BLACK GUYS STANDING IN THE STREET YELLING AT EACH OTHER. 357 00:24:17,154 --> 00:24:19,857 NOTHING NEW ON THAT. THEN A CAR COMES AROUND THE CORNER, 358 00:24:19,857 --> 00:24:23,944 AND ANOTHER BLACK GUY LEANS OUT AND SHOOTS ONE OF THE GUYS WHO WAS ARGUING. 359 00:24:23,944 --> 00:24:26,163 THEN THE CAR BACKS UP, AND HE SHOOTS SOME MORE. 360 00:24:26,663 --> 00:24:30,000 THEN THE CAR STARTS FORWARD. THE GUY WHO WAS SHOOTING THROWS HIS GUN OUT OF THE WINDOW. 361 00:24:30,000 --> 00:24:33,420 THEN THE CAR TAKES OFF. THE OTHER GUY WHO WAS ARGUING-- 362 00:24:33,420 --> 00:24:37,925 THE ONE WHO WASN'T SHOT-- PICKS UP THE GUN AND RUNS OFF WITH IT. 363 00:24:37,925 --> 00:24:41,178 THAT'S ALL I SAW. WHAT CAN YOU TELL US ABOUT THE SHOOTER? 364 00:24:41,178 --> 00:24:44,548 I'M ON THE FOURTH FLOOR. ALL I SAW WAS THE TOP OF HIS HEAD. 365 00:24:44,548 --> 00:24:47,100 -WHAT KIND OF LOOK AT THE CAR? - BLUE-GREEN NOVA. 366 00:24:47,100 --> 00:24:50,637 THAT'S THE END OF MY STATEMENT. THE FATHER AGREES THIS IS SOME KIND OF DRUG THING. 367 00:24:50,637 --> 00:24:54,474 HE'S OKAY WITH ME RESTRICTING MY COOPERATION. 368 00:24:54,474 --> 00:24:56,193 THIS IS WHERE I DRAW MY LINE. 369 00:24:56,193 --> 00:24:59,863 - WELL, THANKS FOR YOUR HELP. - YEAH. 370 00:25:01,031 --> 00:25:02,783 YEAH. 371 00:25:06,236 --> 00:25:08,572 DO YOU BELIEVE THIS ARTHUR'S TELLING THE TRUTH? 372 00:25:08,572 --> 00:25:11,875 LET HIM STAY IN JAIL, ROT FOR THEM OTHER MURDERS. 373 00:25:11,875 --> 00:25:13,744 HE CAN STILL HELP US WITH THE SHOOTING, ANDY. 374 00:25:13,744 --> 00:25:18,498 LUCKIEST AFRICAN-AMERICAN GOING. EXCEPTION FOR THAT BIG, DOPEY COMEDIAN. 375 00:25:18,498 --> 00:25:22,336 WHAT, SINBAD? IS THAT WHAT THEY CALL HIM? 376 00:25:22,336 --> 00:25:24,338 [ Scoffs ] 377 00:25:24,338 --> 00:25:26,590 - HEY. - HEY. 378 00:25:26,590 --> 00:25:29,726 A LITTLE SOMETHING FOR YOU. THANKS VERY MUCH. 379 00:25:29,726 --> 00:25:32,012 YEAH, SURE. YOU KNOW, 380 00:25:32,012 --> 00:25:33,730 I THINK DETECTIVE MEDAVOY MIGHT BE SICK. 381 00:25:33,730 --> 00:25:36,183 WHY DO YOU SAY THAT? I DON'T KNOW. HE LOOKS ILL. 382 00:25:36,183 --> 00:25:38,602 - LET ME SEE WHAT'S WHAT. - THANKS FOR THE SODA. 383 00:25:38,602 --> 00:25:40,654 YEAH. 384 00:25:42,940 --> 00:25:45,826 HOW YOU DOING, GREG? I DON'T KNOW WHAT TO TELL YOU, JAMES. 385 00:25:45,826 --> 00:25:49,112 YOU FEEL ALL RIGHT? YEAH, I FEEL ALL RIGHT PHYSICALLY. 386 00:25:49,112 --> 00:25:52,366 I'VE HAD A SURPRISE THAT TOOK THE WIND FROM MY SAILS. 387 00:25:52,366 --> 00:25:56,920 WHAT HAPPENED? WELL, I GOT THE NERVE FINALLY... 388 00:25:56,920 --> 00:25:59,957 TO ASK ABBY TO DINNER-- HOW WE DISCUSSED. 389 00:25:59,957 --> 00:26:01,708 AND? SHE TELLS ME SHE'S GAY. 390 00:26:01,708 --> 00:26:04,928 THAT'S UNBELIEVABLE. CAN YOU BELIEVE THAT? 391 00:26:04,928 --> 00:26:08,098 YOU THINK SHE'S BEING STRAIGHT? OR DO I THINK THIS IS A RUNAROUND... 392 00:26:08,098 --> 00:26:10,384 LIKE THE EXPERIENCE YOU HAD WITH ADRIENNE? 393 00:26:10,884 --> 00:26:13,887 I DON'T, NO. SHE SEEMED VERY STRAIGHTFORWARDLY. THIS IS WHAT'S WHAT. 394 00:26:13,887 --> 00:26:16,106 HOW'D YOU LEAVE IT WITH HER? THE TWO OF YOU STILL GONNA HAVE DINNER? 395 00:26:16,106 --> 00:26:18,942 YEAH. I WASN'T GONNA WITHDRAW THE INVITATION, JAMES. 396 00:26:18,942 --> 00:26:22,896 I MEAN, I DIDN'T EVEN WANT TO. SURE. WHY NOT HAVE DINNER WITH HER? 397 00:26:22,896 --> 00:26:24,865 [ Sighs ] YEAH. 398 00:26:25,365 --> 00:26:26,867 BOY, YOU COULD'VE BLOWN ME OVER WITH A FEATHER. 399 00:26:26,867 --> 00:26:30,954 HERE, WANT THIS SODA, GREG? IT'LL GIVE YOU A LITTLE ENERGY BOOST. 400 00:26:30,954 --> 00:26:34,458 NAH. WE'VE BEEN RESTRICTING OUR SUGAR INTAKE. 401 00:26:35,959 --> 00:26:37,711 ALL RIGHT. THERE. 402 00:26:45,836 --> 00:26:48,388 IS THERE GONNA BE ANY SHOOTING? THERE SHOULDN'T BE. 403 00:26:48,388 --> 00:26:50,140 THEY'RE GONNA PICK YOU UP ALONG WITH EVERYONE ELSE. 404 00:26:50,140 --> 00:26:53,093 SO WHEN THE OFFICER APPROACHES, DON'T RESIST HIM. 405 00:26:53,093 --> 00:26:56,480 JUST DO WHAT HE TELLS YOU TO. THEY'RE GONNA KNOW IT'S ME WHO GAVE 'EM UP. 406 00:26:56,480 --> 00:27:00,100 WE JUST HAVE TO TAKE THIS ONE STEP AT A TIME, MACEO. 407 00:27:00,100 --> 00:27:03,570 YOU GOT TALL. 408 00:27:03,570 --> 00:27:07,357 [ Man On Radio ] WE ARE IN POSITION. YEAH, 10-4. HE'S COMING OUT. 409 00:27:07,357 --> 00:27:10,027 OKAY. 410 00:27:41,475 --> 00:27:45,028 -WHAT'S UP, MACEO? - COME TO PAPA. COME TO PAPA. 411 00:27:45,028 --> 00:27:48,031 SO, THE STUFF IN THERE? YEAH. 412 00:27:50,033 --> 00:27:54,204 - SEE YOU NEXT TIME. - YES! WE HAVE ACHIEVED LIFTOFF. LET'S GO, AMIGOS. 413 00:27:55,989 --> 00:27:59,543 HIT THE WALL. 414 00:27:59,543 --> 00:28:03,380 FREEZE! DON'T MOVE! LET'S GO. COME ON. AGAINST THE WALL. 415 00:28:03,380 --> 00:28:05,549 ALL RIGHT. COME ON. SPREAD 'EM. 416 00:28:05,549 --> 00:28:08,585 - YOU, MY FRIEND, ARE BUSTED. - STEP BACK. 417 00:28:08,585 --> 00:28:10,587 I WANT A LAWYER. YEAH, WE'LL GET RIGHT ON THAT. 418 00:28:10,587 --> 00:28:12,839 I DIDN'T KNOW THAT STUFF WAS IN THERE, MAN. 419 00:28:12,839 --> 00:28:15,592 THAT KID SET ME UP. YOUR BOYS IN MIAMI SET YOU UP! 420 00:28:15,592 --> 00:28:18,095 YO, CALL MY LAWYER, MAN. THE CARD'S IN MY POCKET. YOU WANT ME TO CALL A LAWYER? 421 00:28:18,095 --> 00:28:20,097 YEAH. I'LL CALL YOU A DOCTOR. HOW'S THAT? 422 00:28:20,097 --> 00:28:22,766 YOU STAND THERE! YOU DON'T SAY A WORD! DON'T SAY A WORD! 423 00:28:22,766 --> 00:28:25,986 GET HIM IN THE YELLOW CAR. COME ON. LET'S GO, LET'S GO. GET HIM IN. 424 00:28:40,283 --> 00:28:43,787 PUT ME IN THE SYSTEM, COME AND GET ME OUT. 425 00:28:43,787 --> 00:28:46,006 WE FOUND A WITNESS THAT BACKED UP YOUR STORY. 426 00:28:46,006 --> 00:28:51,461 YOU TAKE SOMEBODY ELSE'S WORD, BUT I TELL YOU WHAT HAPPENED, AND YOU LOCK ME UP. 427 00:28:51,461 --> 00:28:54,181 - WHO WERE THE GUYS IN THAT CAR? - [ Scoffs ] I DON'T KNOW. 428 00:28:54,181 --> 00:28:57,267 YOU DO. YOU KNOW WHO SHOT WILLIE, BUT YOU DON'T WANT TO HAVE TO TELL US. 429 00:28:57,267 --> 00:29:00,053 I DO NOT KNOW THEIR IDENTITY. 430 00:29:03,023 --> 00:29:05,609 KNOW WHAT MY PARTNER HERE WANTS TO DO? 431 00:29:05,609 --> 00:29:09,529 BURY THE WITNESS STATEMENT. LET YOU DO SOME TIME FOR THIS HUMMER BEEF. 432 00:29:09,529 --> 00:29:11,782 SEE, THAT'S JUST HOW LOW YOU PEOPLE ARE. 433 00:29:11,782 --> 00:29:13,950 YEAH. OUR CONCERN FOR JUSTICE... 434 00:29:13,950 --> 00:29:17,320 GETS A LITTLE DULL WITH A GUY WHO SITS WITH HIS THUMB UP HIS ASS... 435 00:29:17,320 --> 00:29:21,374 WHILE HIS RUNNING PARTNER BLOWS THE HEADS OFF OF TWO LITTLE KIDS. 436 00:29:21,374 --> 00:29:23,577 SEE, THIS WITNESS, HE DON'T WANT TO GO ON THE RECORD, ARTHUR. 437 00:29:23,577 --> 00:29:26,713 SO THERE'S NOBODY ELSE ON THIS PLANET BESIDES YOU, US... 438 00:29:26,713 --> 00:29:28,965 AND THE GUYS WHO DID IT THAT WILL KNOW THAT YOU'RE AN INNOCENT MAN. 439 00:29:28,965 --> 00:29:32,636 YOU WOULD SEND ME DOWN FOR SOMETHING YOU KNOW I AIN'T DO? 440 00:29:34,588 --> 00:29:36,890 SLEEP LIKE BABIES. 441 00:29:36,890 --> 00:29:39,009 IT'S UP TO YOU, ARTHUR. 442 00:29:39,009 --> 00:29:41,144 SEE, 'CAUSE EITHER WAY, WE CLEAR THE CASE. 443 00:29:45,982 --> 00:29:48,318 GERALD VOUGHT AND HIS COUSIN RICKIE DID WILLIE. 444 00:29:50,187 --> 00:29:53,240 WILLIE ALWAYS PISSING PEOPLE OFF, JUST LIKE HE DID ME. 445 00:29:53,240 --> 00:29:56,026 DON'T PAY WHAT HE OWE YOU, AND THEN LAUGH IN YOUR FACE. 446 00:29:56,026 --> 00:29:59,329 HE WORK OTHER PEOPLE'S CORNERS AND THINK THEY'RE GONNA TAKE IT. 447 00:29:59,830 --> 00:30:01,665 SO, THAT'S WHAT HAPPENED TO HIM. 448 00:30:01,665 --> 00:30:04,034 - GERALD VOUGHT AND HIS COUSIN RICKIE? - THAT'S RIGHT. 449 00:30:04,034 --> 00:30:08,705 - RICKIE WHAT? - COUSIN RICKIE. 450 00:30:18,048 --> 00:30:21,218 LAST WEEK, WILLIE'S OUT THERE THROWING BULLETS AT ME. 451 00:30:21,218 --> 00:30:24,187 I DON'T SEE Y'ALL MOVING ON HIM. YOU MAKE A COMPLAINT, RICKIE? 452 00:30:24,187 --> 00:30:26,940 - NO. I TAKES CARE OF MY OWN BUSINESS. - ATTABOY, RICKIE. 453 00:30:27,440 --> 00:30:29,860 IT'S BRIGHT CHOICES LIKE THAT PUT YOU ON THE SUCCESSFUL PATH. 454 00:30:29,860 --> 00:30:32,863 - WHAT'S OPEN? - DO YOU FEEL LIKE A BIG MAN NOW, HUH? 455 00:30:32,863 --> 00:30:35,732 BRINGING ME IN. DANG THAT! [ Simone ] WHAT'S GOING ON, BOSS? 456 00:30:35,732 --> 00:30:38,034 I NEED THE POKEY ROOM. MR. ARTHUR FANCY. 457 00:30:38,034 --> 00:30:39,819 ALWAYS ACTING LIKE GOD ALMIGHTY ABOVE. 458 00:30:39,819 --> 00:30:42,155 LET ME TELL YOU, I STOPPED YOU BEFORE. I'LL STOP YOU NOW. 459 00:30:42,155 --> 00:30:44,658 YOU SEE IF I DON'T. SHUT YOUR MOUTH. 460 00:30:45,158 --> 00:30:47,627 EVERYTHING'S OPEN BUT THE POKEY ROOM. 461 00:30:52,048 --> 00:30:54,668 - GREG. - SORRY. 462 00:30:54,668 --> 00:30:57,170 EXCUSE ME. 463 00:31:05,428 --> 00:31:06,930 HE'S DONE MULING FOR YOU, SHERILEE. 464 00:31:06,930 --> 00:31:10,650 HE WAS NEVER MULING FOR ME. I DON'T EVEN KNOW WHAT THAT MEANS. 465 00:31:10,650 --> 00:31:12,686 MACEO'S GOT NO JOB WORKING CONSTRUCTION. 466 00:31:12,686 --> 00:31:15,655 HE'S RUNNING SMACK FOR THE PEOPLE YOU SCORE FROM. 467 00:31:15,655 --> 00:31:17,991 THAT'S HOW YOU GOT THE BIG-SCREEN TV AND YOUR BIG NEW MI-- 468 00:31:18,491 --> 00:31:20,327 HE TOLD ME HE WAS WORKING CONSTRUCTION. 469 00:31:22,779 --> 00:31:24,664 MACEO SAYS YOU GOT HIM THE JOB MAKING DELIVERIES. 470 00:31:24,664 --> 00:31:27,918 - HE SAID HE DID IT FOR ME? - WHICH MAKES YOU AN ACCOMPLICE. 471 00:31:27,918 --> 00:31:30,587 WELL, HE DIDN'T DO NOTHING FOR ME. 472 00:31:30,587 --> 00:31:33,924 HE DID ANY DRUG RUNNING, HE DID IT ON HIS OWN. 473 00:31:33,924 --> 00:31:39,512 GAVE ME A FEW PRESENTS, BUT... I DON'T KNOW WHERE THE MONEY CAME FROM. 474 00:31:39,512 --> 00:31:42,882 YOU HAD HIM RUNNING SMACK SO YOU COULD STAY HIGH. 475 00:31:42,882 --> 00:31:45,802 NOW YOU'RE WILLING TO LET HIM GO TO JAIL FOR IT. 476 00:31:45,802 --> 00:31:47,554 YOU CAN'T TAKE HIS WORD OVER MINE. 477 00:31:47,554 --> 00:31:50,357 YOU GO AHEAD, TAKE ME TO COURT. 478 00:31:50,357 --> 00:31:53,059 I BEAT YOU BEFORE. I'LL BEAT YOU AGAIN. 479 00:31:53,059 --> 00:31:55,979 THAT JUDGE BELIEVED ME. [ Laughs ] 480 00:31:55,979 --> 00:31:58,481 THAT'S WHAT'S GOT YOU ALL PISSED OFF. 481 00:32:00,984 --> 00:32:03,987 YOU'RE JUST A JUNKIE NOW, SHERILEE. 482 00:32:03,987 --> 00:32:07,540 MAYBE YOU STARTED OUT SOMETHING MORE, BUT THAT'S ALL YOU ARE NOW. 483 00:32:10,910 --> 00:32:14,214 WELL, YOU AIN'T TAKING MY BOY! YOU DON'T CARE ABOUT THAT BOY. 484 00:32:14,214 --> 00:32:18,168 I WILL SEND HIM TO PRISON BEFORE I LET YOU HAVE HIM. 485 00:32:20,503 --> 00:32:24,090 GIVE ME A PEN. YEAH, GIVE ME A PEN. 486 00:32:24,090 --> 00:32:27,894 I WANNA WRITE THIS DOWN. I DON'T KNOW NOTHING ABOUT WHAT THAT BOY WAS DOING. 487 00:32:32,265 --> 00:32:35,185 - CAN YOU LEAVE ME ALONE FOR A MINUTE? - YEAH, SURE. 488 00:32:35,185 --> 00:32:38,405 UH, I'LL BE RIGHT OUTSIDE. 489 00:32:43,193 --> 00:32:45,695 MAYBE PRISON WILL DO HIM SOME GOOD. 490 00:33:06,366 --> 00:33:08,168 WHAT I'M SUPPOSED TO DO? 491 00:33:08,168 --> 00:33:12,338 YOU'LL BE WORKING WITH SERGEANT KAHLINS AS THE CASE GOES THROUGH THE SYSTEM, 492 00:33:12,338 --> 00:33:15,458 GIVING TESTIMONY ABOUT SHERILEE AND YOUR OTHER CONTACTS IN THE GANG. 493 00:33:15,959 --> 00:33:18,678 I HAVE TO TESTIFY AGAINST MY MOTHER? THAT'S THE DEAL. 494 00:33:18,678 --> 00:33:20,597 IT'S LIKE THE MAN SAYS. 495 00:33:20,597 --> 00:33:24,634 YOU'LL BE A PROBATIONARY ENROLLEE IN A BOOT CAMP OUTSIDE ALBANY. 496 00:33:24,634 --> 00:33:28,104 AT THE END OF THE TRIAL, IF THE JUDGE FEELS YOU'VE COOPERATED, 497 00:33:28,104 --> 00:33:31,107 HE'LL CREDIT YOUR PROBATIONARY TIME AGAINST A TWO-YEARS TERM. 498 00:33:31,107 --> 00:33:34,778 YOU'LL LEARN A TRADE UP THERE, AND YOUR FELONY'S EXPUNGED IF YOU GRADUATE. 499 00:33:36,146 --> 00:33:37,947 THEN I'LL JUST HAVE A NORMAL LIFE. 500 00:33:41,618 --> 00:33:44,537 IT WOULD BE NICE IF EVERY KID... 501 00:33:44,537 --> 00:33:47,624 GOT PARENTS WHO LOOKED OUT FOR 'EM, MACEO. 502 00:33:47,624 --> 00:33:51,161 A LOT OF KIDS DON'T. YOU DIDN'T. 503 00:33:52,162 --> 00:33:53,997 NOW WE FIND OUT IF THAT BREAKS YOU. 504 00:33:57,417 --> 00:33:59,919 SHE MEANT STAYING CLEAN WHEN SHE TOOK ME BACK. 505 00:34:01,921 --> 00:34:05,475 -I GOTTA BELIEVE THAT MUCH. -THERE'S NO HARM BELIEVING THAT. 506 00:34:05,475 --> 00:34:08,928 - CAN I TALK TO HER? - NO. 507 00:34:11,848 --> 00:34:13,850 IS COOPER GONNA WANT HIM BACK AT PORT AUTHORITY? 508 00:34:13,850 --> 00:34:17,320 - THAT'S MY UNDERSTANDING, YEAH. - OKAY. I'LL RUN HIM UP THERE. 509 00:34:29,666 --> 00:34:32,869 SO, THEY IN THERE TALKING TO THOSE GUYS, HUH? 510 00:34:32,869 --> 00:34:35,622 THAT FAT COP AND THE OTHER ONE, THEY'RE IN THERE WITH THE D.A.? 511 00:34:35,622 --> 00:34:39,375 - AND YOUR FRIEND RICKIE. - HE GIVE IT UP, RICKIE, BY SHOOTING WILLIE LOPEZ, RIGHT? 512 00:34:39,375 --> 00:34:43,012 YOU SEE, MY INFORMATION LED TO THAT. 513 00:34:43,012 --> 00:34:45,014 I'M JUST A BABYSITTER, ARTHUR. UH-HUH. 514 00:34:45,014 --> 00:34:48,218 'CAUSE, SEE, YOU KNOW THAT'S WORTH HARD MONEY. 515 00:34:48,218 --> 00:34:50,854 [ Door Opens ] 516 00:34:52,188 --> 00:34:55,024 WHAT DECISION Y'ALL COME TO? 517 00:34:55,024 --> 00:34:58,194 THE DECISION WE CAME TO IS THAT YOU'RE OFF THE HOOK, ARTHUR. 518 00:34:58,194 --> 00:35:00,864 D.A. TOOK A PLEA. SEE? 519 00:35:00,864 --> 00:35:04,450 -I GOT Y'ALL THE CLEARANCE. - ARTHUR'S HOPING THERE'S SOME MONEY... 520 00:35:04,450 --> 00:35:08,488 COMING HIS WAY BEHIND HIM HELPING YOU WITH YOUR CASE. 521 00:35:08,488 --> 00:35:10,874 - THAT WAS GOOD INFORMATION. -[ Sipowicz ] YEAH? 522 00:35:10,874 --> 00:35:14,210 UNLESS IT'S OTHER CIRCUMSTANCES, ARTHUR, YOU AIN'T GETTING DICK. 523 00:35:14,210 --> 00:35:16,713 [ Scoffs ] 524 00:35:16,713 --> 00:35:18,715 I ONLY DO THAT WAY IN PRISON. 525 00:35:20,216 --> 00:35:22,051 [ Sighs ] 526 00:35:25,889 --> 00:35:28,675 - HI. - HI. 527 00:35:30,677 --> 00:35:34,430 I'M WORKING UNDERCOVER. GUY LIKES ME TARTED UP. 528 00:35:34,430 --> 00:35:37,100 - OH, YOU WERE IN VICE, RIGHT? - UH-HUH. 529 00:35:37,100 --> 00:35:39,018 I WISH I HAD THE BALLS TO DO THAT. 530 00:35:39,018 --> 00:35:41,237 YEAH? I'D GIVE YOU THIS ASSIGNMENT FOR A NICKEL. 531 00:35:43,656 --> 00:35:46,409 BOBBY AND ANDY CLEARED THAT STREET HOMICIDE, HUH? 532 00:35:46,409 --> 00:35:48,912 THAT FIRST GUY THEY LIKED'S A SCUMBAG, BUT IT LOOKS LIKE HE WASN'T IN IT. 533 00:35:49,412 --> 00:35:51,447 THAT ARTHUR? ARTHUR GOES IN LAST YEAR... 534 00:35:51,447 --> 00:35:55,668 FOR A DOUBLE CHILD HOMICIDE, RATS ANOTHER CON OUT FOR KILLING A GUARD. 535 00:35:55,668 --> 00:35:58,454 ARTHUR'S BACK OUT ON THE STREET. UH-HUH. 536 00:35:59,923 --> 00:36:02,709 HOW FAR ARE YOU INTO THIS GUY? I GUESS ABOUT HALFWAY. 537 00:36:02,709 --> 00:36:06,262 ASSUMING IT'S ME INTO HIM. I'M NOT SURE WHAT YOU MEAN. 538 00:36:06,262 --> 00:36:10,099 NEITHER AM I. DO YOU LIKE HIM? 539 00:36:10,099 --> 00:36:13,553 NO. HE'S A REAL BAD GUY. 540 00:36:13,553 --> 00:36:16,556 AND I'M IN KIND OF A STATE OFF SOME PERSONAL STUFF, 541 00:36:16,556 --> 00:36:20,560 SO, UM, IT'S KINDA HARD TO STAY ON TOP OF THINGS. 542 00:36:20,560 --> 00:36:23,279 ALL'S I GOTTA DO IS REMEMBER I'M A GOOD GIRL, RIGHT? 543 00:36:23,279 --> 00:36:26,616 THAT'S, UH-- THAT'S THE RUMOR I'VE BEEN HEARING. 544 00:36:26,616 --> 00:36:30,737 - WHAT DO YOU MEAN? - EVERYONE SAYS WHAT A GOOD COP YOU ARE. 545 00:36:30,737 --> 00:36:34,290 GOOD PERSON. YEAH, HUH? 546 00:36:37,660 --> 00:36:39,879 - I GOTTA PEE. - GOOD NIGHT. 547 00:36:39,879 --> 00:36:42,999 GOOD NIGHT, DIANE. 548 00:37:08,440 --> 00:37:11,660 - THIS IS SO GOOD. - YES. YES. 549 00:37:17,666 --> 00:37:21,336 WAS IT A REALLY BIG LEFT TURN FOR YOU? FINDING OUT I WAS GAY? 550 00:37:21,336 --> 00:37:25,173 I-- I-- I WON'T DENY I WAS SOMEWHAT SURPRISED. 551 00:37:25,173 --> 00:37:28,426 WELL, I REALLY HOPE THAT DOESN'T STOP US FROM BEING FRIENDS. 552 00:37:28,426 --> 00:37:32,180 YOU KNOW, TO BE HONEST, ABBY, I FEEL LIKE... 553 00:37:32,180 --> 00:37:35,100 Y-YOU COULD'VE TOLD ME EARLIER IN ON KNOWING EACH OTHER. 554 00:37:35,100 --> 00:37:36,968 YOU KNOW, SAVED ME SOME AWKWARDNESS IN MY THINKING. 555 00:37:38,470 --> 00:37:40,472 EVERY TIME YOU CAME BY... 556 00:37:40,472 --> 00:37:42,223 THE MACHINES, YOU WERE LIKE A KID... 557 00:37:42,223 --> 00:37:44,476 WHO WAS AFRAID OF THE WATER, YOU KNOW? 558 00:37:44,476 --> 00:37:47,312 YOU WERE SORT OF LOOKING TO ME FOR ENCOURAGEMENT. 559 00:37:47,312 --> 00:37:49,531 I WAS WORRIED THAT IF I TOLD YOU... 560 00:37:49,531 --> 00:37:52,734 THAT I WAS GAY, IT MIGHT SCARE YOU AWAY FROM EXERCISING. 561 00:37:53,234 --> 00:37:55,070 OH. AND THEN I THOUGHT I'D TELL YOU, 562 00:37:55,070 --> 00:37:58,039 AND I'D STOP USING THE MACHINES FOR A WHILE. 563 00:37:58,039 --> 00:37:59,874 BUT THAT WAS ME 10 YEARS AGO. 564 00:37:59,874 --> 00:38:02,827 NAH. THAT-- THAT WOULD'VE BEEN SILLY. 565 00:38:02,827 --> 00:38:06,331 I SURE HOPE WE CAN GET OVER THIS HURDLE, 566 00:38:06,331 --> 00:38:09,834 'CAUSE I THINK YOU'RE A REALLY NICE PERSON, 567 00:38:09,834 --> 00:38:11,670 AND I ENJOY SPENDING TIME WITH YOU. 568 00:38:11,670 --> 00:38:15,090 WELL, I-I DO WITH YOU AS WELL. 569 00:38:15,090 --> 00:38:18,593 AND YOUR STORY OF BEING CONCERNED OVER MY PHYSICAL WELL-BEING, 570 00:38:19,094 --> 00:38:20,979 WELL, THAT-- THAT DOESN'T SURPRISE ME AT ALL-- 571 00:38:20,979 --> 00:38:22,981 THAT TYPE CONSIDERATION. 572 00:38:22,981 --> 00:38:25,350 I'M-- I'M SURE THAT'S VERY CHARACTERISTIC OF YOU. 573 00:38:25,350 --> 00:38:29,020 THANKS, GREG. NOT AT ALL. 574 00:38:31,940 --> 00:38:34,275 DID YOU ENJOY YOUR MEALS? VERY MUCH. 575 00:38:34,275 --> 00:38:37,662 IT WAS REALLY GOOD. VERY MUCH SO. 576 00:38:48,506 --> 00:38:51,376 I CAN SIGN YOU OUT WITH ME IF YOU'D LIKE TO COME TO DINNER. 577 00:38:51,376 --> 00:38:55,880 - PUT MY NOSE IN IT. - NO ONE WANTS TO RUB YOUR NOSE INTO ANYTHING, MACEO. 578 00:39:02,053 --> 00:39:04,606 [ Sighs ] 579 00:39:06,608 --> 00:39:09,477 THE FUTURE KEEPS TELLING US WHAT THE PAST WAS ABOUT. 580 00:39:09,477 --> 00:39:12,480 YOU MAKE THE PAST MEAN DIFFERENT THINGS... 581 00:39:12,480 --> 00:39:16,484 BY THE WAY YOU USE THE TIME THAT COMES AFTER. 582 00:39:19,487 --> 00:39:23,491 A FEW YEARS AGO, YOU SPENT SOME TIME WITH PEOPLE WHO LOVED YOU, MACEO. 583 00:39:23,491 --> 00:39:27,996 THAT DOESN'T HAVE TO BE SOME DREAM SET AWAY FROM THE REST OF YOUR LIFE. 584 00:39:29,998 --> 00:39:34,002 LILLIAN AND THE GIRLS WOULD BE SO HAPPY TO SEE YOU AGAIN. 585 00:39:34,002 --> 00:39:36,004 YOU CAN MEET OUR LITTLE BOY. 586 00:39:36,004 --> 00:39:38,006 WHAT'S HIS NAME? 587 00:39:38,006 --> 00:39:40,008 HE'S NAMED AFTER ME. 588 00:39:42,510 --> 00:39:44,512 WHY DON'T YOU COME HOME WITH ME, MACEO? 589 00:39:44,512 --> 00:39:46,514 JUNIOR'S GOT GIRLS ON ALL SIDES OF HIM. 590 00:39:46,514 --> 00:39:49,400 HE'D LOVE TO HAVE AN OLDER BOY AT THE TABLE. 591 00:39:52,854 --> 00:39:54,856 I'M GRATEFUL YOU'RE HELPING ME. 592 00:39:57,275 --> 00:39:59,160 REMEMBER, LIFE DEALT YOU THIS CARD TOO. 593 00:40:26,771 --> 00:40:29,274 [ Chattering ] 594 00:40:32,110 --> 00:40:33,945 HEE-HO. HIYA, JIMMY. 595 00:40:33,945 --> 00:40:37,615 MMM, LOOKS YUMMY. 596 00:40:37,615 --> 00:40:40,401 I WAS JUST SITTING HERE REALIZING I HADN'T EATEN ALL DAY. 597 00:40:40,401 --> 00:40:42,737 TIMMY, WHEN'D YOU MAKE THE SOUP? 598 00:40:42,737 --> 00:40:46,407 LAY OFF MY MULLIGATAWNY. DID HE TELL YOU WHAT DAY HE MADE IT? 599 00:40:49,878 --> 00:40:52,881 A FELLA CALLED. HE'LL CALL BACK AT 9:00. 600 00:40:54,549 --> 00:40:57,585 NOT BE IN. SAID HE'D CALL. 601 00:40:57,585 --> 00:41:01,840 - WHAT'S HIS BIG PROBLEM? - THAT'S HIM, YOU KNOW. 602 00:41:01,840 --> 00:41:04,642 YEAH, GREAT. 603 00:41:08,596 --> 00:41:11,349 I'M SURPRISED AT YOU, JIMMY, TELLING YOUR BUSINESS IN FRONT OF ME. 604 00:41:16,738 --> 00:41:21,492 A WHITE FELLA'S SUPPOSED TO RIDE WITH ME TO MEET SOME... OTHER PEOPLE. 605 00:41:21,492 --> 00:41:26,781 BE HERE AT 9:00 FOR THE RIDE. WHO ARE THE OTHER PEOPLE? 606 00:41:26,781 --> 00:41:28,583 I THOUGHT YOU SAID YOU DIDN'T DO BUSINESS WITH BLACK GUYS. 607 00:41:31,920 --> 00:41:35,256 YOU KNOW, MOUSE, YOU STOP DRINKING GINGER ALE, MAYBE I'D CONFIDE IN YOU MORE. 608 00:41:35,256 --> 00:41:40,461 NO, JIMMY. IN SOME WAYS I'D LIKE TO, BUT I DON'T WANNA START. 609 00:41:48,269 --> 00:41:51,306 SLIDE THAT SOUP MY WAY, HUH? I HAVEN'T ATE ALL DAY EITHER. 610 00:41:51,306 --> 00:41:53,691 SURE. 611 00:41:55,193 --> 00:41:59,113 [ Sniffing ] MMM. 612 00:41:59,614 --> 00:42:02,033 HOW'S WORK? YOU GOTTA BUY A BUILDING. 613 00:42:02,033 --> 00:42:05,403 LET ME FIX IT UP. A COUPLE MONTHS, THAT'LL BE DOABLE. 614 00:42:05,403 --> 00:42:07,038 YEAH? WHAT'S IN A COUPLE MONTHS? 615 00:42:07,538 --> 00:42:10,742 BUT NOT IF YOU'RE WITH A BOSS, YOU KNOW. YOU STEP OUT ON YOUR OWN. 616 00:42:10,742 --> 00:42:12,961 I'M GAME. I'M NOT AFRAID. 617 00:42:12,961 --> 00:42:15,914 BE A LITTLE AFRAID, MOUSE. KEEPS YOU CAREFUL. 618 00:42:17,832 --> 00:42:21,135 MMM. MMM. MMM! 619 00:42:21,135 --> 00:42:27,141 TIMMY, IT'S AWFUL. UP YOURS, JIMMY. 620 00:42:30,929 --> 00:42:35,183 TWO MONTHS, MOUSE. THAT'S FOUR TIMES 576. AK-47s. 621 00:42:35,183 --> 00:42:38,686 THE FIRST AND 15th IF THOSE KNUCKLE-DRAGGERS AREN'T LYING. 622 00:42:40,154 --> 00:42:41,990 LIKE I UNDERSTAND WHAT YOU JUST SAID. 623 00:42:41,990 --> 00:42:44,943 ALL FOR THE NOBLE CAUSE. 624 00:42:44,943 --> 00:42:48,246 WHICH IS WHAT? WHAT? 625 00:42:48,246 --> 00:42:50,498 WHAT'S THE NOBLE CAUSE? 626 00:42:50,498 --> 00:42:52,917 I DON'T KNOW ANY NOBLE CAUSES, MOUSE. 627 00:42:52,917 --> 00:42:56,337 I KNOW A BUNCH OF ASSHOLES IN BELFAST LIKE SINGING THEMSELVES TO SLEEP. 628 00:42:56,838 --> 00:42:59,173 AND MAYBE I GET TO BUY YOU A BUILDING, BUT-- 629 00:42:59,173 --> 00:43:02,510 I DON'T UNDERSTAND WHAT YOU'RE SAYING HALF THE TIME, JIMMY. 630 00:43:02,510 --> 00:43:06,381 IT'S NOT IMPORTANT, IS IT? WHAT? 631 00:43:06,381 --> 00:43:08,683 THERE YOU GO. 632 00:43:13,521 --> 00:43:15,940 -SLIDE THAT SOUP BACK OVER HERE. -SURE. 633 00:43:21,863 --> 00:43:24,315 I HAVEN'T EATEN ALL DAY. YEAH, YOU WERE SAYING. 634 00:43:24,816 --> 00:43:26,951 - I FEEL LIGHT-HEADED. - YOU SLEEPING ALL RIGHT? 635 00:43:27,452 --> 00:43:30,705 OH, PRETTY MUCH. I GOT SOME SITUATIONS. 636 00:43:30,705 --> 00:43:34,709 I GOT A FAMILY SITUATION, 637 00:43:34,709 --> 00:43:37,495 ANOTHER SITUATION. 638 00:43:37,495 --> 00:43:41,249 UM, ANYWAY-- 639 00:43:41,249 --> 00:43:44,052 THOSE ARE KEEPING YOU UP? 640 00:43:44,052 --> 00:43:50,008 UM, NO, NOT REALLY. YOU KNOW, YOU JUST-- 641 00:43:50,008 --> 00:43:53,144 YOU GET UPSET AND SO FORTH AND-- 642 00:43:56,514 --> 00:43:59,317 YOU WANNA GET OUT OF DODGE, MOUSE? YOU FEELING LIGHT-HEADED? 643 00:43:59,317 --> 00:44:02,603 MMM. I FEEL LIKE I SAID YES TO THAT SCOTCH. 644 00:44:02,603 --> 00:44:05,857 HOW DO YOU LIKE THAT, THE PENANCE WITHOUT THE PLEASURE, HUH? 645 00:44:06,357 --> 00:44:08,659 OH, YEAH. THAT'S WHAT IT FEELS LIKE. 646 00:44:08,659 --> 00:44:11,029 YOU WANNA GET OUTTA HERE, MOUSE? 647 00:44:12,530 --> 00:44:15,533 UM-- 648 00:44:15,533 --> 00:44:18,336 YEAH, MAYBE. MAYBE WE SHOULD GO. 649 00:44:18,336 --> 00:44:20,705 SURE. YOU KNOW, I GOT MY CAR RIGHT OUT FRONT. 650 00:44:20,705 --> 00:44:23,257 YOU WANNA LEAVE YOUR CAR IF YOU'RE FEELING LIGHT-HEADED? 651 00:44:25,927 --> 00:44:27,929 PROBABLY SHOULD. 652 00:44:27,929 --> 00:44:29,881 WHAT'LL I SAY IF SOMEBODY CALLS? 653 00:44:29,881 --> 00:44:33,601 YOU TELL 'EM WE'LL TALK 5:00 TOMORROW IN PERSON, OR ONE OF THOSE THINGS'LL... 654 00:44:33,601 --> 00:44:37,221 GET SHOVED IN HIS BELLY OR GET SHOVED UP HIS ASS, AND WE'LL SEE IF IT WORKS. 655 00:44:37,221 --> 00:44:41,442 - SEE IF HIS ASS WORKS? - YOU WANNA GET CLEVER ON ME, YOU, HUH? 656 00:44:41,442 --> 00:44:44,312 I'M REALLY DIZZY, JIMMY. I'M GONNA WIND YOUR WATCH UP, PAL. 657 00:44:44,312 --> 00:44:46,564 COME ON, JIMMY. 658 00:44:46,564 --> 00:44:48,866 YOU OKAY, MOUSE? HUH? WE SHOULD GO. 659 00:44:49,367 --> 00:44:52,620 ALL RIGHT. LET'S GO TO CHEZ LIERY. I'LL STRAIGHTEN YOU RIGHT OUT, OKAY? 660 00:44:52,620 --> 00:44:56,824 -YEAH. - DON'T TELL ME CHIVALRY'S DEAD, MOUSE. 661 00:44:56,824 --> 00:44:58,576 NO. COME ON. COME ON. 662 00:44:59,077 --> 00:45:01,746 [ Shushing ] 663 00:45:01,746 --> 00:45:05,750 I GOT YA NOW, MOUSE. I GOT YA NOW.