1 00:00:01,868 --> 00:00:03,169 PREVIOUSLY ON NYPD BLUE. 2 00:00:03,636 --> 00:00:05,105 SPOKE WITH SERGEANT LORENZO A LITTLE WHILE AGO... 3 00:00:05,105 --> 00:00:07,807 ABOUT YOUR POSSIBLY WORKING IN THE SQUAD. 4 00:00:07,807 --> 00:00:10,076 US AND ANTICRIME EXCHANGING P.A.A.'s. 5 00:00:10,076 --> 00:00:12,812 WILL YOU GET THE HELL OUT OF THE STREET? I'M COUNCILMAN PAUL MANOS. 6 00:00:12,812 --> 00:00:14,514 THERE'S A WOMAN IN THERE BLEEDING TO DEATH. 7 00:00:14,514 --> 00:00:17,684 - GOT A PRETTY GOOD LOOK FROM THE ANKLES DOWN. - I GOTTA GET BACK TO MY OFFICE. 8 00:00:17,684 --> 00:00:20,286 COULD YOU HAVE BEEN UNDER THE TABLE, COUNCILMAN? 9 00:00:22,122 --> 00:00:23,957 THAT WHY YOU HAPPENED TO NOTICE THE SHOOTER'S FEET? 10 00:00:23,957 --> 00:00:27,327 YOU GOTTA DRINK WITH ME, MOUSE. 11 00:00:28,695 --> 00:00:30,196 I'LL DANCE WITH YOU. 12 00:00:59,793 --> 00:01:01,294 MORNING. WHAT DO WE GOT? 13 00:01:01,795 --> 00:01:03,296 POSSIBLE RAPE VICTIM, LOCKED HERSELF IN HER BEDROOM. 14 00:01:03,797 --> 00:01:05,298 THE MOTHER ASKED FOR YOU. ME? 15 00:01:05,298 --> 00:01:09,169 YEAH. SAID SHE HAD HER PURSE SNATCHED A FEW YEARS AGO AND YOU WERE REAL NICE TO HER. 16 00:01:09,636 --> 00:01:11,604 UH, THELMA MORRIS. OH, YEAH. I REMEMBER. 17 00:01:11,604 --> 00:01:13,573 CALL E.S.U.? YEAH. ON THEIR WAY. 18 00:01:13,573 --> 00:01:17,577 THE ELEVATOR'S BUSTED. YOU'RE GONNA HAVE TO HOOF IT. 19 00:01:17,577 --> 00:01:19,279 GIVE US A HINT. 20 00:01:19,279 --> 00:01:22,449 SEVENTH FLOOR. I GOT FRIENDS IN HIGH PLACES. 21 00:01:22,816 --> 00:01:24,651 THAT'S HILARIOUS. 22 00:01:25,985 --> 00:01:27,720 [ Sighs ] 23 00:01:29,489 --> 00:01:33,426 [ Exhales ] THESE PEOPLE DON'T NEED NO ELEVATOR. 24 00:01:33,426 --> 00:01:35,795 [ Coughs ] FOUR OR FIVE DAYS, YOU GET USED TO THIS. 25 00:01:37,764 --> 00:01:40,133 [ Woman ] ANNETTE, GET YOUR BEHIND OUT OF THERE. 26 00:01:40,133 --> 00:01:42,135 HEY. THAT'S THE MOTHER. MS. MORRIS, 27 00:01:42,135 --> 00:01:45,138 WHAT'S GOING ON? THAT'S TWO MORE POLICEMEN HERE, ANNETTE. 28 00:01:45,138 --> 00:01:47,107 YOU FEEL SPECIAL ENOUGH TO COME OUT NOW? 29 00:01:47,540 --> 00:01:49,442 WHAT HAPPENED TO YOUR DAUGHTER? THIS GIRL CAME HOME LAST NIGHT, 30 00:01:49,442 --> 00:01:53,613 SMELLING OF ALCOHOL, HER CLOTHES ALL TWISTED AROUND. 31 00:01:53,613 --> 00:01:55,782 SHE'D BEEN WITH THOSE BOYS FROM THE PREP SCHOOL-- 32 00:01:55,782 --> 00:01:58,051 WHO SHE KNOWS SHE'S SUPPOSED TO STAY AWAY FROM. 33 00:01:58,551 --> 00:02:01,855 - SHH, SHH, SHH, SHH. - THEY TOOK HER OUT SOMEPLACE AND TOOK ADVANTAGE OF HER. 34 00:02:01,855 --> 00:02:03,723 YOUR DAUGHTER SAY THAT, OR ARE YOU SAYING THAT? 35 00:02:03,723 --> 00:02:06,059 I'M SAYING WHAT I SAW ON HER FACE WHEN SHE GOT HOME. 36 00:02:06,559 --> 00:02:09,062 THOSE BOYS TOOK ADVANTAGE OF HER, AND I WANT THEM ARRESTED. 37 00:02:09,562 --> 00:02:11,364 - HOW OLD IS YOUR DAUGHTER? - SHE'S 17, BUT SHE'S SLOW. 38 00:02:11,364 --> 00:02:14,067 DO YOU KNOW IF SHE HAS A KNIFE OR A GUN OR ANYTHING LIKE THAT? 39 00:02:14,400 --> 00:02:16,402 NO, NO. STEP AWAY FROM THE DOOR, PLEASE. 40 00:02:16,402 --> 00:02:18,905 ANNETTE, I'M DETECTIVE SIMONE. DO YOU WANT TO TALK TO ME? 41 00:02:18,905 --> 00:02:22,208 [ Annette ] I DON'T KNOW. YOU DO IT. HE'S A GOOD MAN. 42 00:02:22,208 --> 00:02:23,843 WE JUST WANT TO MAKE SURE THAT YOU'RE NOT HURT. 43 00:02:23,843 --> 00:02:25,578 COME ON OUT AND WE'LL TALK ABOUT WHAT HAPPENED. 44 00:02:25,578 --> 00:02:27,981 I DON'T WANT PEOPLE MAD AT ME. 45 00:02:27,981 --> 00:02:30,850 AW, YOU MISSED THAT BOAT, BABY. YOU GONNA SHUT YOUR YAP ANYTIME SOON, 46 00:02:30,850 --> 00:02:33,520 AND LET MY PARTNER DO HIS JOB? 47 00:02:38,057 --> 00:02:39,926 ANNETTE, JUST UNLOCK THE DOOR, OKAY? 48 00:02:41,161 --> 00:02:44,564 IT'S OKAY. 49 00:02:47,600 --> 00:02:49,569 PUT THAT DOWN. BUT I WANT IT. 50 00:02:49,569 --> 00:02:51,771 LET HER KEEP THE DOLL. 51 00:02:52,238 --> 00:02:54,741 COME ON. YOU CAN BRING THE DOLL WITH YOU, ANNETTE. 52 00:02:54,741 --> 00:02:56,743 I WANT THOSE BOYS ARRESTED. 53 00:02:56,743 --> 00:02:58,745 WE'LL GO TO THE STATION HOUSE AND WE'LL TALK ABOUT IT. 54 00:02:58,745 --> 00:03:02,048 FIRST WE'LL WALK DOWN SEVEN FLIGHTS OF STAIRS. 55 00:04:12,652 --> 00:04:14,954 [ No Audible Dialogue ] [ Russell Laughs ] 56 00:04:14,954 --> 00:04:18,258 I DON'T KNOW, JIMMY. I SEE SOME BROKEN ANKLES IN MY FUTURE. 57 00:04:18,258 --> 00:04:20,727 NO. NO, I'M GAME. MM-HMM. 58 00:04:22,462 --> 00:04:24,297 UH, YEAH. 59 00:04:24,297 --> 00:04:27,066 I GOTTA GO, JIMMY. I WILL MEET YOU AT NOON. 60 00:04:27,066 --> 00:04:29,569 MM-HMM. OKAY. BYE. 61 00:04:33,673 --> 00:04:36,109 CAN I HAVE COCOA? THINK YOU DESERVE COCOA, DO YOU? 62 00:04:36,476 --> 00:04:38,411 LET ME SEE WHAT WE GOT INSIDE, OKAY? 63 00:04:38,911 --> 00:04:40,780 I'LL MAKE IT. SHE TAKES IT A CERTAIN WAY. YOU STAY THERE, UNDERSTAND? 64 00:04:40,780 --> 00:04:42,548 AND PUT YOUR KNEES TOGETHER. 65 00:04:42,548 --> 00:04:45,351 [ Simone ] RIGHT THIS WAY. 66 00:04:45,351 --> 00:04:48,121 HEY. HEY. 67 00:04:48,121 --> 00:04:52,759 GIRL BARRICADED HERSELF IN HER ROOM. HER MOM SAYS SHE WAS RAPED. 68 00:04:53,026 --> 00:04:55,361 WHAT'S THE GIRL SAY? DIM BULB. 69 00:04:55,361 --> 00:04:58,431 OKAY. YOU AND BOBBY GET HER STARTED. 70 00:04:58,431 --> 00:05:01,301 I'LL HAVE SPECIAL VICTIMS SEND SOMEONE OVER. GET DIANE IN THERE TOO? 71 00:05:01,301 --> 00:05:04,837 YEAH. 72 00:05:04,837 --> 00:05:07,373 DIANE, WOULD YOU GIVE US A HAND IN THE COFFEE ROOM? YEAH. 73 00:05:09,609 --> 00:05:11,611 WHY DON'T YOU COME WITH ME? 74 00:05:16,049 --> 00:05:18,551 BACK HERE BY YOUR MOM. 75 00:05:21,054 --> 00:05:25,091 ANNETTE? WHAT CAN YOU TELL US ABOUT THESE GUYS YESTERDAY? 76 00:05:25,091 --> 00:05:27,794 UH, THEY MY FRIENDS. 77 00:05:27,794 --> 00:05:31,798 I SEE THEM AT JANIE'S JAVA AFTER THEY HAVE LACROSSE PRACTICE. MM-HMM. 78 00:05:32,198 --> 00:05:35,468 THAT'S HOW SHE COMES RIGHT HOME AFTER SCHOOL, GOING TO THAT COFFEE SHOP. 79 00:05:35,702 --> 00:05:38,738 - MRS. MORRIS, PLEASE. - GO AHEAD, TELL. 80 00:05:40,573 --> 00:05:45,478 AND SO THEN CAREY BOUGHT ME A CRANBERRY MUFFIN... 81 00:05:45,478 --> 00:05:47,814 AND SAID, "SIT DOWN WITH US." 82 00:05:47,814 --> 00:05:49,782 UH, THIS WAS YESTERDAY? 83 00:05:52,051 --> 00:05:54,354 WELL, THAT WAS NICE. 84 00:05:54,754 --> 00:05:56,923 HE'S NICE. WHO ELSE WAS THERE? 85 00:05:58,825 --> 00:06:01,661 UH, CAREY... 86 00:06:01,928 --> 00:06:03,930 AND TED... 87 00:06:03,930 --> 00:06:06,832 AND TWO BOYS I DON'T KNOW. 88 00:06:06,832 --> 00:06:10,119 AND WHAT HAPPENED AFTERWARDS, ANNETTE? AFTER THE MUFFIN? 89 00:06:10,119 --> 00:06:12,087 WHERE'D YOU GO? 90 00:06:14,957 --> 00:06:16,458 UH-- 91 00:06:16,959 --> 00:06:19,261 - A HOTEL. - YOU BETTER BE LYING. 92 00:06:19,261 --> 00:06:22,348 THEY SAID JUST COME FOR A WHILE. 93 00:06:22,348 --> 00:06:25,551 [ Simone ] WHAT HAPPENED THERE? 94 00:06:25,551 --> 00:06:28,721 WE DRANK AND, UH-- 95 00:06:31,140 --> 00:06:34,560 OH, I CAN'T REMEMBER. 96 00:06:36,061 --> 00:06:38,864 YOU DRANK ALCOHOL? 97 00:06:38,864 --> 00:06:41,984 I LAID DOWN. I WAS SLEEPING. 98 00:06:41,984 --> 00:06:45,404 [ Russell ] WHAT'S THE NEXT THING YOU REMEMBER? 99 00:06:46,872 --> 00:06:48,707 I THINK THEY HAD SEX ON ME. 100 00:06:48,707 --> 00:06:52,077 ALL THE BOYS HAD SEX WITH YOU? 101 00:06:52,077 --> 00:06:55,330 - IN MY MOUTH. - BASTARDS! 102 00:06:57,583 --> 00:07:00,753 - I WAS SLEEPING. -[ Russell ] YOU REMEMBER THIS HAPPENING THOUGH? 103 00:07:00,753 --> 00:07:04,390 DO YOU REMEMBER IF YOU STRUGGLED WITH THEM? ASKED THEM TO STOP? 104 00:07:04,390 --> 00:07:07,760 WELL, I ASKED THEM TO STOP, AND THEN WHEN THEY DIDN'T, 105 00:07:07,760 --> 00:07:10,729 I JUST TRIED TO SLEEP. 106 00:07:10,729 --> 00:07:13,232 YOU ASKED THEM TO STOP, AND YOU TRIED TO SLEEP WHEN THEY WOULDN'T? 107 00:07:15,734 --> 00:07:17,936 WHAT WAS THE NAME OF THE HOTEL, ANNETTE? DO YOU REMEMBER THAT? 108 00:07:17,936 --> 00:07:21,156 OH, I GOT SOUVENIR MATCHES. 109 00:07:21,156 --> 00:07:24,777 YOU GOT SOUVENIR MATCHES? YOU TOOK A SOUVENIR? 110 00:07:24,777 --> 00:07:28,030 I'M SORRY WHAT HAPPENED. ALL I TRIED AND IT DON'T MATTER, 111 00:07:28,030 --> 00:07:31,750 - 'CAUSE THE FIRST PERSON ASKED, YOU LAY DOWN. - I'M SORRY WHAT HAPPENED. 112 00:07:31,750 --> 00:07:33,419 MRS. MORRIS-- ARE YOU GONNA ARREST THEM? 113 00:07:33,419 --> 00:07:35,838 WE'RE GONNA TALK TO OUR BOSS AND SEE HOW HE WANTS TO HANDLE IT. 114 00:07:35,838 --> 00:07:40,843 - I WANT THEM ARRESTED. - I'M SURE HE'S GONNA WANT THESE KIDS BROUGHT IN. 115 00:07:40,843 --> 00:07:42,511 IF YOU COULD KEEP ANNETTE AT HOME-- 116 00:07:42,511 --> 00:07:44,680 IN CASE WE NEED HER TO MAKE A PHOTO I.D. 117 00:07:44,680 --> 00:07:47,382 HEY, JOSH. DO ME A FAVOR? 118 00:07:47,382 --> 00:07:51,970 I THINK THE BOSS IS GONNA WANT MRS. MORRIS AND ANNETTE TAKEN HOME. 119 00:07:59,027 --> 00:08:01,029 HMM. SHE WENT WITH FOUR BOYS TO THE ADELPHI. 120 00:08:01,029 --> 00:08:04,399 SAYS THEY GAVE HER LIQUOR AND THEN THEY GOT OVER ON HER-- FORCED HER TO HAVE ORAL SEX. 121 00:08:04,399 --> 00:08:06,702 [ Sipowicz ] WANT US TO GIVE THE NAMES TO SPECIAL VICTIMS? 122 00:08:06,702 --> 00:08:08,954 SHE GAVE US THE NAMES OF TWO OF THE GUYS AND THEIR SCHOOL. 123 00:08:08,954 --> 00:08:11,490 SPECIAL VICTIMS WANTS US ON IT TILL THEIR LATE TOUR'S IN. 124 00:08:11,990 --> 00:08:13,492 GO TO THE SCHOOL AND PICK THEM UP. 125 00:08:13,992 --> 00:08:16,161 - THE BOYS ARE GONNA SAY IT WAS CONSENSUAL. - SHE SAYS IT WASN'T. 126 00:08:16,161 --> 00:08:19,665 NO. LIKING THE BOYS WAS CONSENSUAL, GOING TO THE HOTEL WAS CONSENSUAL. 127 00:08:20,165 --> 00:08:23,168 -THE REST OF IT, SHE WAS ASLEEP. - WANT TO CANVASS THE ADELPHI? 128 00:08:23,168 --> 00:08:26,171 UH, I GOTTA GO MEET THAT JIMMY LIERY. 129 00:08:26,171 --> 00:08:28,507 OKAY. I'LL GIVE IT TO JAMES AND GREG. 130 00:08:28,507 --> 00:08:31,310 I GOT TIME TO CALL THE BABYSITTER BEFORE I PICK THESE GUYS UP? 131 00:08:31,310 --> 00:08:33,395 YEAH. 132 00:08:33,896 --> 00:08:35,397 WHERE YOU MEETING LIERY? 133 00:08:35,898 --> 00:08:39,401 AT THE PARK. WE'RE GOING ROLLER-SKATING. DON'T FORGET YOUR KNEE PADS. 134 00:08:41,320 --> 00:08:43,322 I'LL SEE YOU. YEAH. 135 00:08:43,322 --> 00:08:45,324 UGH. 136 00:08:48,160 --> 00:08:51,330 LINE'S BUSY. SHE MUST HAVE STOCK IN THE PHONE COMPANY. 137 00:08:51,330 --> 00:08:54,199 MAN, SOMEBODY TRIED DROWNING THIS GUY IN AFTERSHAVE. 138 00:08:57,286 --> 00:09:01,089 I KNOW HIM. I PUT HIM IN BELLEVUE FOUR YEARS AGO. 139 00:09:01,089 --> 00:09:04,843 HE KEPT BITING THE HEADS OFF HIS MOM'S PARAKEETS. 140 00:09:04,843 --> 00:09:08,547 CAN I HELP YOU? WHOOP. GOLLY, GOLLY, GOLLY. 141 00:09:08,547 --> 00:09:10,682 GOLLY, GOLLY, GOLLY. FRED, RIGHT? 142 00:09:10,682 --> 00:09:14,603 - WHOOP. - YOU AND ME MET OVER THOSE, UH, BIRD DIFFICULTIES. 143 00:09:14,603 --> 00:09:16,555 REMEMBER? OH, GOLLY. 144 00:09:16,555 --> 00:09:19,358 HOW'S IT GOING? WHAT'S WITH ALL THE "GOLLY"? 145 00:09:19,358 --> 00:09:21,476 WHOOP, WHOOP, WHOOP. 146 00:09:21,977 --> 00:09:24,313 [ Sniffs ] YOU'RE WEARING A LOT OF PERFUME THERE, FRED. 147 00:09:24,313 --> 00:09:26,782 -I'LL TELL YOU THAT. - [ Fred ] OH, GOLLY. 148 00:09:27,282 --> 00:09:30,035 SO, WHAT, ARE YOU LIVING WITH YOUR MOM STILL, OR DID YOU MOVE SOMEWHERE ELSE? 149 00:09:30,035 --> 00:09:33,539 - GOLLY, GOLLY, GOLLY. - MOVED TO GOLLY MANOR? 150 00:09:33,539 --> 00:09:36,408 GOLLY, WHOOP. WHOOP, WHOOP, WHOOP. 151 00:09:36,408 --> 00:09:38,377 [ Hoots ] 152 00:09:39,878 --> 00:09:42,381 YOU SAID A MOUTHFUL THERE, FRED. YEAH. 153 00:09:42,381 --> 00:09:44,883 SO, UH, WHAT CAN I DO FOR YOU, HUH? 154 00:09:44,883 --> 00:09:47,169 WHOOP. 155 00:09:50,472 --> 00:09:53,392 - WELL, ANYWAYS, THANKS FOR DROPPING BY. - OH, GOLLY. 156 00:09:53,392 --> 00:09:55,344 YEAH, SOMETIMES IT GOES LIKE THAT. 157 00:09:55,844 --> 00:09:57,846 TRY A DIFFERENT FRAGRANCE MAYBE, HMM? WHOOP. 158 00:09:57,846 --> 00:10:00,349 YOU STAYING AWAY FROM THEM PARAKEETS? OOH. 159 00:10:00,349 --> 00:10:03,852 YEAH. YOU DON'T WANT TO BE DECAPITATING NO MORE BIRDS. OH, GOLLY. 160 00:10:03,852 --> 00:10:06,355 ALL RIGHT, WELL, IT'S GREAT SEEING YOU AGAIN, AND YOU KEEP IN TOUCH. 161 00:10:06,855 --> 00:10:08,857 OOH. GOLLY. 162 00:10:13,111 --> 00:10:15,113 WANNA PICK UP THESE KIDS? 163 00:10:15,113 --> 00:10:19,117 NO, I DON'T WANT TO, BUT BY GOLLY, I THINK WE HAVE TO. 164 00:10:21,420 --> 00:10:25,023 [ No Audible Dialogue, No Audible Sound Effects ] 165 00:10:39,104 --> 00:10:41,106 STRETCH OUT, MOUSE. CAT'S ON YOUR TAIL. 166 00:10:41,607 --> 00:10:43,609 YEAH? I DON'T MIND GETTING CAUGHT. 167 00:10:43,609 --> 00:10:46,111 YEAH? HMM. 168 00:10:48,363 --> 00:10:49,865 YOU KNOW WHERE I SEE US, MOUSE? 169 00:10:50,365 --> 00:10:53,368 UP IN THE SPOTLIGHT-- BIG OLYMPIC EVENT. 170 00:10:53,368 --> 00:10:57,155 I TOSS YOU HIGH UP IN THE AIR, I CATCH YOU, LAY DOWN ON THE ICE. 171 00:10:57,155 --> 00:10:59,458 SLIDE YOU THROUGH MY LEGS, EVERY OTHER DAMN THING. 172 00:10:59,458 --> 00:11:02,044 MMM. DO WE WIN THE MEDAL? THE ONES WE DON'T, WE STEAL. 173 00:11:03,245 --> 00:11:05,414 OH! [ Grunts ] 174 00:11:05,414 --> 00:11:07,666 SORRY. YOU OKAY? 175 00:11:07,666 --> 00:11:11,753 - I'M OKAY. - YEAH, WELL, IT'S BECAUSE YOU BUMPED INTO HER. 176 00:11:11,753 --> 00:11:14,923 - ANYWAY, THERE'S NO HARM DONE. -NO HARM DONE, HUH? 177 00:11:14,923 --> 00:11:18,093 - OH, THAT'S YOU DECIDES, HUH? - [ Groans ] 178 00:11:18,093 --> 00:11:20,812 - JIMMY! - HEY, YOU BUMPED INTO HER, MY MAN. 179 00:11:20,812 --> 00:11:22,764 YOU'RE THE ONE WITH THE PROBLEM, HUH? [ Groans ] 180 00:11:22,764 --> 00:11:26,601 JIMMY! [ Groaning ] OH, GOD. 181 00:11:28,236 --> 00:11:31,356 - HUH? YOU LITTLE DIRTY JEW. - JIMMY, CUT IT OUT. GET OFF HIM. 182 00:11:31,356 --> 00:11:34,276 EASY THERE, MOUSE. WHAT, AM I UNDER ARREST NOW? 183 00:11:34,276 --> 00:11:35,944 COME WITH ME. I'M CALLING 911. [ Man ] IS THAT GUY ALL RIGHT? 184 00:11:36,445 --> 00:11:38,747 WHAT'S THE MATTER WITH YOU? MOUSE, I'M ON PAROLE NOW. 185 00:11:38,747 --> 00:11:42,751 I'M NOT LEAVING HIM LIKE THAT. WE'LL BE GONE BEFORE THEY GET HERE. 186 00:11:42,751 --> 00:11:45,504 MOUSE-- DEFENDER OF THE SUFFERING DOWNTRODDEN. 187 00:11:45,504 --> 00:11:47,923 YEAH, I WANT TO REPORT A MAN HURT IN WASHINGTON SQUARE PARK. 188 00:11:48,423 --> 00:11:51,009 HE'S GONNA NEED AN AMBULANCE. PROTECTING THE MEEK OF THE EARTH. 189 00:11:51,009 --> 00:11:53,512 UH, WEST SIDE OF THE PARK, NEAR THE FOUNTAIN. 190 00:11:53,512 --> 00:11:55,130 NO, I DON'T WANT TO GIVE MY NAME. 191 00:11:55,130 --> 00:11:57,599 HEY, LOOK AT THAT. HUH? HE'S UP. 192 00:11:57,599 --> 00:11:59,801 FEELS BETTER JUST KNOWING YOU CARE. 193 00:12:15,701 --> 00:12:18,203 HOW ABOUT I TAKE CAREY INTO THE COFFEE ROOM? 194 00:12:18,203 --> 00:12:20,205 TED AND ME WILL TALK IN THE POKEY. 195 00:12:20,205 --> 00:12:23,125 I KNOW WHAT THIS IS GONNA BE ABOUT, AND NO ONE FORCED ANYONE TO DO ANYTHING. 196 00:12:23,625 --> 00:12:25,627 YEAH. THIS IS ABOUT ANNETTE, RIGHT? 197 00:12:25,627 --> 00:12:27,496 ALL RIGHT, WE HAD OUR LITTLE CHAT NOW? EVERYBODY ON THE SAME PAGE? 198 00:12:27,496 --> 00:12:31,249 HEY, TED, YOUR DAD'S IN HERE, MAN. COME ON, TED. LET'S GO. 199 00:12:31,249 --> 00:12:34,002 THIS IS AN UPSTANDING KID YOU'RE HASSLING. HE IS A NATIONAL MERIT SCHOLAR. 200 00:12:34,002 --> 00:12:35,887 HE'S GOING TO HARVARD NEXT FALL. 201 00:12:35,887 --> 00:12:37,889 [ Fancy ] COUNCILMAN, HIS NAME'S BEEN MENTIONED... 202 00:12:37,889 --> 00:12:40,842 IN AN ALLEGATION OF SEXUAL ASSAULT. 203 00:12:40,842 --> 00:12:42,477 BALONEY. I'M TELLING YOU WHY HE'S HERE. 204 00:12:42,477 --> 00:12:45,981 THIS KID IS GOING TO HARVARD NEXT FALL. 205 00:12:46,481 --> 00:12:50,235 I'M TAKING HIM HOME. I DON'T KNOW THAT YOU WANT TO DO THAT, COUNCILMAN-- 206 00:12:50,235 --> 00:12:52,104 FORCE EVERYONE TO THEIR LEGAL REMEDIES? 207 00:12:52,604 --> 00:12:55,607 SITUATION'S PUBLICIZED, EVEN IF CHARGES DON'T GET FILED. 208 00:12:55,607 --> 00:12:58,610 YOU THINK THERE WON'T BE CHARGES? 209 00:12:58,610 --> 00:13:00,612 I'M NOT PREPARED TO SAY THAT. 210 00:13:00,612 --> 00:13:03,865 I CAN TELL YOU IT'S NOT CLEAR AT THIS POINT IF CHARGES WILL BE FILED. 211 00:13:03,865 --> 00:13:06,501 'CAUSE THIS COULD DESTROY A BOY'S WHOLE FUTURE. 212 00:13:06,501 --> 00:13:10,038 WELL, THE BEST COURSE YOUR SON CAN FOLLOW IS TO GIVE A FORTHRIGHT STATEMENT. 213 00:13:11,456 --> 00:13:13,208 I'M GONNA BE WITH HIM FOR THAT. 214 00:13:13,208 --> 00:13:17,512 - HOW OLD IS YOUR BOY? - HEY, I'M IN THERE OR HE'S NOT SAYING ANYTHING. 215 00:13:19,431 --> 00:13:21,433 I'LL TAKE YOU IN. 216 00:13:23,301 --> 00:13:25,637 [ Ted ] YOU GOTTA UNDERSTAND THAT A LOT OF GIRLS... 217 00:13:25,637 --> 00:13:28,140 THINK CAREY'S LIKE GOD OR SOMETHING. 218 00:13:28,140 --> 00:13:30,142 YOU KNOW? THEY'VE GOT THESE HUGE CRUSHES ON HIM. 219 00:13:30,142 --> 00:13:33,028 THEY WANT TO MAKE HIM HAPPY. SO THIS WAS CAREY'S IDEA? 220 00:13:33,028 --> 00:13:35,947 LET HER MAKE HIM HAPPY HAVING SEX WITH YOU GUYS? 221 00:13:36,448 --> 00:13:38,733 NO, THAT'S NOT WHAT I MEAN. MAKING HIM HAPPY WAS HER IDEA. 222 00:13:38,733 --> 00:13:41,119 [ Knocking ] 223 00:13:43,488 --> 00:13:46,708 - DAD. THIS IS NUTS. -[ Manos ] IT'S ALL RIGHT, SON. 224 00:13:46,708 --> 00:13:49,211 YOU KNOW DETECTIVE SIPOWICZ. 225 00:13:49,211 --> 00:13:51,413 YEAH, YOU WERE A WITNESS IN A HOMICIDE I WORKED. 226 00:13:51,413 --> 00:13:55,167 - THAT SHOOTING AT THE COFFEE SHOP. - THAT'S RIGHT. 227 00:13:55,167 --> 00:13:58,553 THIS GIRL HAS SAID SOME COMPLETELY WRONG THINGS. 228 00:13:58,553 --> 00:14:01,056 YOU'RE SAYING NOTHING HAPPENED BETWEEN YOU AND HER? 229 00:14:01,056 --> 00:14:02,924 SON, I WANT YOU TO SPEAK VERY SLOWLY AND CAREFULLY-- 230 00:14:02,924 --> 00:14:05,727 STEP BY STEP-- WHAT WENT ON. 231 00:14:05,727 --> 00:14:07,846 VERY SLOWLY. 232 00:14:09,848 --> 00:14:11,850 THIS GIRL HANGS OUT AT JANIE'S JAVA EVERY DAY. 233 00:14:11,850 --> 00:14:13,852 SHE TRIED TO GET CAREY TO PICK HER UP. 234 00:14:13,852 --> 00:14:15,854 WE'RE TALKING ABOUT ANNETTE, WHO'S BORDERLINE RETARDED. 235 00:14:15,854 --> 00:14:17,489 YOU DIDN'T KNOW SHE WAS RETARDED? 236 00:14:17,489 --> 00:14:20,659 DAD, THIS GIRL IS COMPLETELY DEVELOPED. SHE'S GOT A HUGE CRUSH ON CAREY. 237 00:14:20,659 --> 00:14:23,945 SHE GOES TO A PUBLIC SCHOOL. I COULDN'T TELL IF SHE'S RETARDED. 238 00:14:24,446 --> 00:14:27,249 [ Manos ] SO DID YOU GO WITH CAREY OR SOMETHING AFTER THIS GIRL PICKED HIM UP? 239 00:14:27,249 --> 00:14:30,252 CAREY HAD A CREDIT CARD AND WE WENT TO A HOTEL TO PARTY. 240 00:14:30,252 --> 00:14:32,504 SEE, THIS IS WHAT I DON'T LIKE ABOUT THIS SCHOOL. 241 00:14:32,504 --> 00:14:34,873 GREAT CREDENTIALS ON COLLEGE ADMISSIONS. 242 00:14:34,873 --> 00:14:37,008 I DON'T LIKE THE SENSE OF VALUES. BUNCH OF OVERPRIVILEGED KIDS. 243 00:14:37,008 --> 00:14:39,177 HOW ABOUT LETTING TED TELL WHAT HAPPENED? 244 00:14:39,678 --> 00:14:42,097 YOU WEREN'T HIDING UNDER A TABLE, WERE YOU, TED? 245 00:14:47,135 --> 00:14:49,721 WE WENT UP TO THE ROOM, 246 00:14:49,721 --> 00:14:51,940 AND WE WERE DRINKING. 247 00:14:51,940 --> 00:14:55,360 OH, THAT WE'RE GONNA TALK ABOUT WHEN WE GET HOME. 248 00:14:55,360 --> 00:14:58,530 I GUESS SHE WAS A LITTLE LOADED, BUT, YOU KNOW, WE WERE ALL KIND OF LOADED, 249 00:14:58,530 --> 00:15:03,869 AND, UH, THEN SHE STARTED TAKING TURNS ON THE GUYS. 250 00:15:03,869 --> 00:15:07,205 - THAT'S WHAT SHE WAS DOING. - AND YOU WERE RESISTING WITH ALL YOUR MIGHT. 251 00:15:07,205 --> 00:15:11,209 -HE'S TRYING TO BE COOPERATIVE. - DID THE GIRL EVER SAY, "I DON'T WANT TO DO THIS"? 252 00:15:11,209 --> 00:15:14,412 -NEVER SHOWED ANY RELUCTANCE? - NO, SHE DIDN'T. 253 00:15:14,412 --> 00:15:16,381 THIS GIRL WENT HOME AND LOCKED HERSELF IN HER BEDROOM, 254 00:15:16,381 --> 00:15:19,167 AND PUT HERSELF IN ALL KINDS OF TROUBLE WITH HER MOTHER... 255 00:15:19,167 --> 00:15:22,087 BEING ASHAMED AND TRYING TO HIDE WHAT HAPPENED. 256 00:15:22,087 --> 00:15:24,089 THAT'S 'CAUSE SHE DIDN'T HAVE ANY PROBLEM WITH IT? 257 00:15:24,089 --> 00:15:28,894 OH, WHAT'S THE INDICATION HERE, BESIDES WHAT SHE'S SAYING-- THIS HAPPENED AGAINST HER WILL. 258 00:15:28,894 --> 00:15:33,398 -ARE THERE BRUISES ON THIS GIRL? -MAYBE SHE HAD A PROBLEM WITH IT AFTER SHE SOBERED UP. 259 00:15:33,398 --> 00:15:37,235 FOUR OF YOU MAKE HER HAVE ORAL SEX, AND THAT WAS FUN FOR HER? 260 00:15:37,235 --> 00:15:39,688 LET'S NOT PRETEND IT'S NEVER HAPPENED. 261 00:15:39,688 --> 00:15:41,106 WHY DON'T YOU KEEP YOUR MOUTH SHUT? 262 00:15:43,491 --> 00:15:47,078 - WHO WERE THE OTHER TWO GUYS? - SAM TUCKER AND JOHNNY KORTH. 263 00:15:47,579 --> 00:15:49,080 AND THEY'RE GONNA GIVE US THE SAME STORY? 264 00:15:49,080 --> 00:15:52,834 LOOK, I AM SORRY THAT SHE IS UPSET. 265 00:15:52,834 --> 00:15:54,920 IF I HAD ANY IDEA THAT SHE HAD A PROBLEM WITH IT, 266 00:15:54,920 --> 00:15:57,339 BELIEVE ME, IT NEVER WOULD HAVE HAPPENED. 267 00:15:57,339 --> 00:16:00,175 YOU KNOW, MAYBE I WAS INSENSITIVE, NOT REALIZING... 268 00:16:00,175 --> 00:16:03,011 SHE MIGHT HAVE A PROBLEM WITH IT LATER, BUT-- AW, YOU'RE A PHONY BASTARD. 269 00:16:03,011 --> 00:16:06,598 THAT'S IT. REMINDS ME OF THAT TV KISS-ASS ON THATLEAVE IT TO BEAVER. 270 00:16:06,598 --> 00:16:08,600 ALL RIGHT, DETECTIVE. THIS IS BASELESS, 271 00:16:08,600 --> 00:16:11,052 AND IF ANYONE TRIES TO MAKE CAPITAL OUT OF THE FACT THAT HE WAS COOPERATIVE, 272 00:16:11,553 --> 00:16:14,389 I'M COMING AFTER HIM. WE APPRECIATE YOUR COOPERATION. 273 00:16:14,389 --> 00:16:16,641 SURE. 274 00:16:34,626 --> 00:16:37,662 -[ Fancy ] WHAT DID HE SAY? - OH, SHE HAD A BIG CRUSH ON HIM. 275 00:16:37,662 --> 00:16:39,965 HE SAID SHE LIKED TO PARTY. EVERYONE GETS DRUNK. 276 00:16:39,965 --> 00:16:43,134 SHE TAKES 'EM ALL ON. ONLY THING FROM THAT HOTEL, FLOOR MAID SAW... 277 00:16:43,134 --> 00:16:45,470 FOUR GUYS LET THIS GIRL IN FROM THE INSIDE FIRE STAIRS. 278 00:16:45,470 --> 00:16:47,639 ROOM CLERK WAS DEFINITE THE GIRL WASN'T... 279 00:16:48,139 --> 00:16:50,141 WITH THE BOYS WHEN THEY REGISTERED, 280 00:16:50,141 --> 00:16:52,427 WHICH I GUESS YOU CAN ARGUE SNEAKING HER UP SHOWS THEM HAVING A GUILTY MIND. 281 00:16:52,427 --> 00:16:55,563 LIKE THEY WON'T SAY THAT WAS HER IDEA. 282 00:16:55,563 --> 00:16:58,066 WE GOT TEAM PHOTOS FROM THE LACROSSE COACH. 283 00:16:58,066 --> 00:16:59,901 TAKE 'EM TO THE APARTMENT. MAYBE SHE CAN PICK THE OTHER TWO OUT. 284 00:16:59,901 --> 00:17:01,653 MY ASSHOLE GAVE UP THEIR NAMES. 285 00:17:01,653 --> 00:17:04,272 GIVE THE MOTHER THE LAY OF THE LAND? 286 00:17:04,272 --> 00:17:08,076 D.A.'s CALL, BUT I THINK HE CAN PREPARE A PROSECUTION'S UNLIKELY. 287 00:17:08,076 --> 00:17:11,913 YOU KNOW, THIS KID-- WE COULD HAVE TALKED TO HIM ALL DAY. 288 00:17:11,913 --> 00:17:13,915 HIS PARENTS ARE SOMEWHERE IN GREECE. 289 00:17:24,541 --> 00:17:27,044 THAT'S CAREY AND TED. 290 00:17:27,044 --> 00:17:29,046 CAREY'S THE CAPTAIN. 291 00:17:29,046 --> 00:17:31,548 WHO ARE THE OTHER TWO FROM THE HOTEL, ANNETTE? 292 00:17:31,548 --> 00:17:33,550 UH, I DON'T KNOW THEIR NAMES. 293 00:17:33,550 --> 00:17:35,886 IT'S THESE TWO. 294 00:17:35,886 --> 00:17:40,357 - ARE YOU GONNA ARREST THEM? - WE ALREADY HAD CAREY AND TED IN. 295 00:17:40,357 --> 00:17:43,727 CAREY MAD AT ME? YOU HUSH UP. 296 00:17:43,727 --> 00:17:45,645 HERE'S HOW IT WORKS, MRS. MORRIS. 297 00:17:45,645 --> 00:17:48,615 WE'LL TURN IN THE RESULTS OF OUR INTERVIEWS OVER TO THE DISTRICT ATTORNEY... 298 00:17:48,615 --> 00:17:50,867 TO DECIDE IF CHARGES WILL BE FILED. 299 00:17:50,867 --> 00:17:53,236 OH, THEY'RE GONNA CHARGE THE FOUR OF THEM FOR WHAT THEY DID. 300 00:17:53,236 --> 00:17:55,739 AND THEY SHOULD CHARGE THE ONE SPECIAL FOR LEADING HER ON. 301 00:17:55,739 --> 00:17:58,158 THE ONE YOU SO WORRIED'S MAD AT YOU. 302 00:17:58,158 --> 00:18:01,712 MRS. MORRIS, I THINK YOU GOT TO PREPARE YOURSELF. MAYBE CHARGES WON'T GET BROUGHT. 303 00:18:01,712 --> 00:18:04,915 [ Simone ] THAT'S NOT TO SAY ANNETTE ISN'T TELLING THE TRUTH. 304 00:18:04,915 --> 00:18:07,801 I THINK EVERYONE PRETTY MUCH AGREES THAT SHE IS, 305 00:18:07,801 --> 00:18:10,303 AND IT WAS A BAD THING THAT HAPPENED UP THERE. 306 00:18:10,303 --> 00:18:13,840 - DID THEY BRIBE YOU? IS THAT WHAT HAPPENED? - NOBODY GOT BRIBED. 307 00:18:13,840 --> 00:18:17,227 THEY FORCED SEX ON THIS GIRL. 308 00:18:17,227 --> 00:18:20,313 - I-- I DON'T WANT TO TALK ABOUT THIS ANYMORE. - ANNETTE-- 309 00:18:20,313 --> 00:18:23,850 MAYBE IF YOU LET US TALK TO JUST YOUR MOM A LITTLE, OKAY? 310 00:18:24,351 --> 00:18:26,319 - EXCUSE US FOR A COUPLE OF MINUTES, AND THEN WE'LL LEAVE. - WHAT IS IT-- 311 00:18:26,319 --> 00:18:28,405 BECAUSE THEY SAID SHE COOPERATED? 312 00:18:28,405 --> 00:18:31,441 THEY DON'T EVEN WANT TO FILE CHARGES 'CAUSE YOU MADE IT TOO EASY FOR THOSE BOYS. 313 00:18:31,942 --> 00:18:34,911 CAN'T EVEN GET 'EM LEGAL PUNISHMENT 'CAUSE OF HOW YOU ARE. 314 00:18:34,911 --> 00:18:36,780 I'M SORRY THEN. YEAH, YOU ARE SORRY. 315 00:18:36,780 --> 00:18:39,082 YOU A SORRY CASE. COME ON, THAT'S ENOUGH. 316 00:18:42,002 --> 00:18:44,454 [ Door Slams ] LOOK, WE KNOW THIS HAS REALLY... 317 00:18:44,454 --> 00:18:46,423 BEEN TOUGH ON YOU, AND I'M SURE YOU REALIZE IT'S BEEN TOUGH ON YOUR DAUGHTER-- 318 00:18:46,423 --> 00:18:48,375 OH, YOU'RE GONNA LECTURE ME NOW. 319 00:18:48,375 --> 00:18:52,095 YOU SAY YOU WON'T DO YOUR JOBS, THEN YOU'RE GONNA TELL ME HOW TO DEAL WITH MY DAUGHTER? 320 00:18:52,095 --> 00:18:53,964 MRS. MORRIS, I'M TRYING TO TELL YOU... 321 00:18:54,464 --> 00:18:56,466 THAT YOUR DAUGHTER JUST HAD HER FIRST SEXUAL EXPERIENCE. 322 00:18:56,967 --> 00:19:00,353 I DON'T KNOW IF THAT'S TRUE. I DON'T EVEN KNOW IF THAT WAS HER FIRST SEX. 323 00:19:00,353 --> 00:19:02,773 IF IT WAS OR WASN'T HER FIRST SEX, 324 00:19:02,773 --> 00:19:05,442 THAT'S STILL YOUR DAUGHTER IN THERE. 325 00:19:06,610 --> 00:19:08,779 J-JUST GET OUT OF HERE. 326 00:19:08,779 --> 00:19:11,565 GET OUT! AND LET ME SEE TO HER. 327 00:19:16,953 --> 00:19:20,540 [ No Audible Dialogue, No Audible Sound Effects ] 328 00:19:25,545 --> 00:19:28,632 YOU'RE NOT AFRAID THEY'RE GONNA COME LOOK FOR YOU? 329 00:19:28,632 --> 00:19:32,302 YOU TAKE A LOOK AT THAT GUY'S EYES? HE DON'T WANNA FIND ANYBODY. 330 00:19:34,087 --> 00:19:36,923 "OH, THAT JIMMY. WHAT AM I GONNA DO ABOUT HIM?" 331 00:19:36,923 --> 00:19:39,392 SOMETHING LIKE THAT. "I MEAN, IS HE ACTUALLY CRAZY? 332 00:19:39,392 --> 00:19:41,394 WHAT HAVE I GOTTEN MYSELF INTO?" 333 00:19:41,394 --> 00:19:44,731 YEAH, YOU DO THAT STUFF FOR MY BENEFIT, JIMMY, DON'T. 334 00:19:44,731 --> 00:19:46,983 IT'S NOT CUTE TO ME, IMPRESSIVE, NOTHING. 335 00:19:46,983 --> 00:19:49,686 OKAY, LOOK, MOUSE. 336 00:19:49,686 --> 00:19:53,190 ANYONE CAUSES YOU DISCOMFORT, IT JUST SENDS ME. 337 00:19:53,190 --> 00:19:55,442 I CAN'T STAND FOR IT. 338 00:19:56,743 --> 00:19:59,079 YOU'RE LOOKING PRETTY HAGGARD, JIMMY. 339 00:20:00,530 --> 00:20:02,365 HOW'D WE GET THERE? 340 00:20:02,365 --> 00:20:05,168 I'M JUST SAYING HOW YOU LOOK AND HOW YOU'RE ACTING. 341 00:20:05,168 --> 00:20:07,921 I'M LIVING UNDER PRESSURE. MAYBE A LITTLE STEAM BLEW ON THE JEW BOY. 342 00:20:12,542 --> 00:20:14,211 WHOA, NOW, HEY. HEY, HEY, HEY. 343 00:20:14,711 --> 00:20:16,546 HEY. HEY, MOUSE. 344 00:20:16,546 --> 00:20:19,716 YOU MAKE ME SICK-- WHAT YOU SAY AND HOW YOU ACT. 345 00:20:19,716 --> 00:20:22,102 I APOLOGIZE. WHAT DO YOU WANT ME TO CALL THE GUY, HUH? 346 00:20:22,102 --> 00:20:24,471 NOT "CHRIST KILLER," RIGHT? HOW ABOUT "OUR FELLOW MONOTHEIST"? 347 00:20:24,471 --> 00:20:27,057 SOMEBODY REALLY GOT IN YOUR HEAD GROWING UP. IT WAS SCHOOL. 348 00:20:27,557 --> 00:20:29,559 MAYBE ONE OF THE FATHERS, BUT I DON'T THINK HE WAS GETTING IN MY HEAD. 349 00:20:30,060 --> 00:20:32,362 MAYBE HIM REACHING INTO MY PANTS IS WHAT TURNED ME AROUND. 350 00:20:32,362 --> 00:20:36,366 MOUSE, SAVE ME, HUH? WHO'S THE PATRON SAINT OF LOST CAUSES? 351 00:20:36,366 --> 00:20:38,785 HMM. 352 00:20:38,785 --> 00:20:42,539 OKAY, I TOLD YOU ABOUT WAITING FOR MY FRIEND, RIGHT? 353 00:20:42,539 --> 00:20:45,458 YOU DIDN'T TELL ME ANYTHING. YOU SAID SOMETHING WAS COMING TO THE AIRPORT. 354 00:20:45,458 --> 00:20:47,544 IS THAT WHAT I SAID? NOT A FRIEND? 355 00:20:49,579 --> 00:20:52,382 YEAH. YEAH, YEAH. MAYBE IT WAS A BOX. 356 00:20:52,382 --> 00:20:55,385 MAYBE THAT'S WHY I'M OVERWROUGHT, NOT FANCY-FREE JIMMY. 357 00:20:55,385 --> 00:20:57,637 WHAT'S IN THE BOX? 358 00:20:58,138 --> 00:21:00,006 WHAT BOX? THE BOX COMING TO THE AIRPORT. 359 00:21:03,760 --> 00:21:06,596 YOU KNOW THAT GUY? 360 00:21:06,596 --> 00:21:08,765 [ Russell ] NO. 361 00:21:08,765 --> 00:21:10,567 NO? MM-MMM. 362 00:21:10,567 --> 00:21:13,103 YOU KNOW WHAT GUY I'M TALKING ABOUT. 363 00:21:13,603 --> 00:21:15,105 I THOUGHT YOU WERE TALKING ABOUT THE GUY WITH THE RED HAIR. 364 00:21:15,105 --> 00:21:19,109 LOOKED LIKE HE RECOGNIZED YOU. NOW HE'S TRYING TO GET OVER LIKE HE DON'T KNOW YOU FROM ADAM. 365 00:21:19,609 --> 00:21:21,111 I'M SLEEPING WITH HIM, JIMMY. 366 00:21:21,111 --> 00:21:23,914 YEAH? YEAH. 367 00:21:23,914 --> 00:21:26,082 YOU GONNA GIVE HIM A BEATING NOW? 368 00:21:26,082 --> 00:21:29,202 NO, I'M GONNA STAY ON YOUR GOOD SIDE, MOUSE. I'VE FORSWORN ALL VIOLENCE. 369 00:21:30,537 --> 00:21:32,339 HUH? 370 00:21:52,409 --> 00:21:54,544 - YOU FEEL YOU COVERED ALL RIGHT? - GUY'S A FULL-ON WACKO. 371 00:21:55,045 --> 00:21:56,379 HOW DO I KNOW IF IT'S GONNA COME BACK UP? 372 00:21:56,379 --> 00:21:59,149 - I'M NOT SURE WHAT YOU'RE TELLING ME, DIANE. - GUY GIVES A BEATING... 373 00:21:59,149 --> 00:22:01,351 TO SOME POOR BASTARD MINDING HIS OWN BUSINESS SKATING, 374 00:22:01,351 --> 00:22:03,403 DOESN'T EVEN WANT ME TO CALL 911. 375 00:22:03,403 --> 00:22:05,355 [ Knocks ] YEAH. 376 00:22:05,855 --> 00:22:08,575 DIANE, I HOPE I DIDN'T LOUSE NOTHIN' UP FOR YOU IN THE PARK. 377 00:22:08,575 --> 00:22:11,077 I THINK IT WAS ALL RIGHT, GREG. YEAH, I WAS... 378 00:22:11,077 --> 00:22:14,331 JOGGING OUT THERE WITH ABBY SULLIVAN-- INSTEAD OF HAVING LUNCH. 379 00:22:14,431 --> 00:22:16,583 YEAH. GREAT, GREG. 380 00:22:18,284 --> 00:22:20,620 ANYWAYS, UH-- 381 00:22:24,207 --> 00:22:27,711 [ Sighs ] MAYBE YOU NEED A CONVERSATION AT O.C.C.B. 382 00:22:27,711 --> 00:22:31,297 - LOOK TO GET OFF THIS. - I'M JUST REACHING THE GUY. 383 00:22:31,297 --> 00:22:33,516 HE'S REACHING YOU TOO. 384 00:22:33,516 --> 00:22:37,220 WELL, YEAH-- YEAH, HE IS. SO-- 385 00:22:41,358 --> 00:22:43,643 OH, AND THEY SAID IT WAS GONNA BE ALL FUN-- THE JOB. 386 00:22:43,643 --> 00:22:46,396 DON'T TRY TO LAUGH YOUR FEELINGS OFF, DIANE. 387 00:22:46,396 --> 00:22:49,115 THEY CAN FIND OTHER WAYS TO GO AT THIS GUY. 388 00:22:50,567 --> 00:22:52,402 ALL RIGHT. THANKS, BOSS. 389 00:22:52,402 --> 00:22:54,320 YEAH. 390 00:22:56,823 --> 00:22:58,708 YOU KNOW, I PULLED SOME KIND OF BACK MUSCLE, 391 00:22:59,209 --> 00:23:01,211 TWICE UP AND DOWN SEVEN FLIGHTS OF STAIRS. 392 00:23:01,211 --> 00:23:04,714 YEAH, BUT YOU GOT YOUR EXERCISE. TODAY THROUGH FRIDAY. 393 00:23:04,714 --> 00:23:07,967 AW, SYLVIA'S GONNA HATE THIS CASE. SHE'S RIDING TODAY? 394 00:23:07,967 --> 00:23:10,253 HOW YOU GONNA FILE ON THESE PISS POTS? 395 00:23:10,253 --> 00:23:12,255 HEY, THERE'S YOUR PAL. 396 00:23:12,255 --> 00:23:15,258 FRED. OH, GOLLY. 397 00:23:15,258 --> 00:23:17,227 I'LL TELL YA, FRED, YOU NEED SOMETHING THAT'S ONE THING, 398 00:23:17,227 --> 00:23:19,512 BUT YOU AND ME CAN'T HANG OUT. 399 00:23:20,013 --> 00:23:22,265 - WHOOP. WANNA. -"WHOOP, WANNA." 400 00:23:22,265 --> 00:23:25,435 BIG VOCABULARY BREAKTHROUGH. WHOOP. WANNA. 401 00:23:25,435 --> 00:23:27,771 WHOOP, WANNA WHAT, FRED? WHAT DO YOU WANNA WHOOP? 402 00:23:27,771 --> 00:23:31,691 W-WANNA MAMA. YOU WANNA MAMA? YOU GOT A MAMA, FRED. 403 00:23:31,691 --> 00:23:33,493 WHOOP. 404 00:23:33,493 --> 00:23:35,745 OH, GOLLY. 405 00:23:36,246 --> 00:23:39,582 WHERE'S YOUR MAMA, FRED? IS YOUR MOM OKAY? 406 00:23:39,582 --> 00:23:44,838 WHOOP. WHOOP. GOLLY, GOLLY. [ Hooting ] 407 00:23:44,838 --> 00:23:46,589 UH, WANNA. YOU GOT A PHONE, FRED? 408 00:23:46,589 --> 00:23:48,792 WHOOP, WHOOP. YOU GOT YOUR PHONE NUMBER? 409 00:23:48,792 --> 00:23:50,760 OOH, GOLLY. OOH. 410 00:23:51,261 --> 00:23:53,546 COME HERE. LET'S CALL YOUR MOM. OH, GOLLY. 411 00:23:53,546 --> 00:23:56,766 COME HERE. SIT DOWN. OH, GOLLY. 412 00:23:57,267 --> 00:23:58,768 HEY. SO HOW'S IT GOING? OKAY, I GUESS. 413 00:23:58,768 --> 00:24:01,137 YEAH? THAT GUY'S PRETTY STRANGE. 414 00:24:01,137 --> 00:24:04,474 GUY WITH ANDY? SEEMS LIKE HE'S GOT SOME KIND OF PRIVATE LANGUAGE. 415 00:24:04,474 --> 00:24:07,694 YEAH, YOU'LL GET SOME OF THAT-- PEOPLE CONTROLLED FROM RADIO TOWERS, 416 00:24:07,694 --> 00:24:09,979 TIME TRAVELERS. I GUESS HE'S PRETTY HARMLESS. 417 00:24:10,480 --> 00:24:13,483 I THINK SO. YEAH. ANDY SAYS HE BIT THE HEADS OFF OF HIS MOTHER'S BIRDS, 418 00:24:13,483 --> 00:24:16,286 BUT I THINK THAT WAS KIND OF LIKE A FAMILY SITUATION. 419 00:24:16,286 --> 00:24:19,155 BUT I MEAN, IN GENERAL, YOU SETTLING IN OKAY? 420 00:24:19,155 --> 00:24:20,824 YEAH. IN GENERAL, YEAH. YEAH? 421 00:24:20,824 --> 00:24:24,043 'CAUSE, UH, I'M SURE GLAD YOU'RE DOWN HERE. 422 00:24:25,462 --> 00:24:28,465 I FIGURED A ROSE WAS TOO MUCH OF A STATEMENT. 423 00:24:28,465 --> 00:24:31,217 AN APPLE WON'T RAISE NO EYEBROWS. THANKS. 424 00:24:34,721 --> 00:24:37,757 - THERE'S NO ANSWER. - WHOOP. WHOOP. 425 00:24:37,757 --> 00:24:39,809 ALL RIGHT, YOU WROTE DOWN YOUR NUMBER, FRED. 426 00:24:39,809 --> 00:24:41,811 IS THERE ANYTHING ELSE YOU WANT TO WRITE ME? 427 00:24:41,811 --> 00:24:43,680 ANYTHING ELSE YOU WANT TO WRITE ABOUT YOUR MOM? 428 00:24:43,680 --> 00:24:46,983 WHOOP. WHOOP. WHOOP. 429 00:24:46,983 --> 00:24:50,186 LET'S TAKE A RIDE, FRED. 430 00:24:50,186 --> 00:24:52,655 OH, GOLLY. BOBBY, CAN YOU RUN WHAT WE GOT WITH SYLVIA? 431 00:24:52,655 --> 00:24:55,158 I GOTTA TAKE A RIDE WITH FRED. OOH! 432 00:24:55,158 --> 00:24:59,329 OKAY. YOU GOT THAT INTERVIEW SUMMARY FROM THAT COUNCILMAN'S KID? 433 00:24:59,329 --> 00:25:03,416 - YEAH. - DETECTIVE, YOU'VE GOTTA HELP ME. 434 00:25:03,416 --> 00:25:05,335 - WHAT'S WRONG, MRS. MORRIS? - I DON'T KNOW WHERE SHE WENT. 435 00:25:05,335 --> 00:25:08,838 I WENT TO TAKE OUT THE GARBAGE, I COME BACK, AND SHE WAS GONE OUT THE BACK STAIRS. 436 00:25:08,838 --> 00:25:11,624 DOES YOUR DAUGHTER DO THAT? NO, SHE'S NEVER DONE THAT, AND SHE'S UPSET. 437 00:25:11,624 --> 00:25:13,593 - THINK SHE'S GONNA HARM HERSELF? - YOU GOTTA HELP ME! 438 00:25:14,093 --> 00:25:16,129 - OKAY, OKAY, MRS. MORRIS. - FRED, UH, YOU STAY HERE. 439 00:25:16,629 --> 00:25:19,465 YOU SIT DOWN RIGHT HERE AND YOU DON'T MOVE, OKAY, GOLLY? 440 00:25:19,465 --> 00:25:21,868 [ Fred Hoots ] GINA, KEEP AN EYE ON HIM. 441 00:25:22,368 --> 00:25:24,204 COME ON. LET'S-- LET'S GO. DON'T YOU MOVE. 442 00:25:24,487 --> 00:25:27,106 [ Fred Hooting ] 443 00:25:35,765 --> 00:25:38,985 SHE WOULDN'T HAVE WROTE A NOTE. SHE DON'T LIKE WRITING. 444 00:25:38,985 --> 00:25:42,238 WELL, YOU WON'T GIVE UP ANY IDEAS WHERE ELSE SHE WOULD BE, MRS. MORRIS. 445 00:25:42,238 --> 00:25:44,741 - NOT PAST THAT COFFEE HOUSE. - WHICH SHE'S NOT AT. 446 00:25:44,741 --> 00:25:48,411 SO IF THERE'S NO NOTE, WE'RE KIND OF OUT OF IDEAS OURSELVES HOW TO HELP YOU. 447 00:25:48,411 --> 00:25:50,413 DON'T YOU TAKE A TONE WITH ME. 448 00:25:50,413 --> 00:25:54,217 HE'S TAKING A TONE 'CAUSE YOU'RE DOING NOTHING BUT BREAK BALLS, MRS. MORRIS-- 449 00:25:54,217 --> 00:25:57,086 WHICH WE KNOW YOU'RE UPSET, BUT IT DON'T MAKE NO SENSE TO MY PARTNER, 450 00:25:57,086 --> 00:25:59,756 YOU HAVING NO IDEA FOR US TO LOOK FOR ANNETTE. 451 00:25:59,756 --> 00:26:02,141 LOOK, IF IT'S PRIDE THAT'S HOLDING YOU BACK, MRS. MORRIS, 452 00:26:02,141 --> 00:26:04,093 WELL, THAT'S YOUR BUSINESS, BUT DON'T CALL US TO HELP YOU... 453 00:26:04,093 --> 00:26:06,896 - AND THEN DON'T COOPERATE. -[ Phone Rings ] 454 00:26:09,015 --> 00:26:11,768 WHERE YOU AT? 455 00:26:11,768 --> 00:26:16,072 THAT GIRL IS UPSET. WHAT ARE YOU DOING TALKING TO HER? 456 00:26:17,490 --> 00:26:19,826 OH, MY GOD. 457 00:26:19,826 --> 00:26:22,278 OH, GOD. TELL HER TO COME DOWN. 458 00:26:22,278 --> 00:26:26,282 TELL HER I LOVE HER. DON'T LET HER COME TO NO HARM. 459 00:26:26,783 --> 00:26:29,085 SHE'S UP ON THE ROOF BY A WOMAN WHO USED TO TEACH HER KINDERGARTEN. 460 00:26:29,085 --> 00:26:31,955 TWO BLOCKS DOWN. OH, PLEASE DON'T LET HER COME TO NO HARM. 461 00:26:32,872 --> 00:26:34,874 [ Chattering ] 462 00:26:34,874 --> 00:26:37,093 [ Siren Wailing ] 463 00:26:50,440 --> 00:26:52,892 YOU OUGHT TO STAY INSIDE HERE, MRS. MORRIS, 464 00:26:52,892 --> 00:26:55,445 TILL WE SEE WHERE THINGS ARE GOING. NO, NO. LET ME TALK TO HER. 465 00:26:59,282 --> 00:27:02,485 [ Wailing ] ANNETTE! 466 00:27:04,654 --> 00:27:07,824 [ No Audio ] 467 00:27:43,526 --> 00:27:46,996 [ No Audio ] 468 00:28:09,752 --> 00:28:11,754 SO IN TERMS OF HIM SEEING THE COPS FROM YOUR OFFICE, 469 00:28:12,255 --> 00:28:14,757 YOU'RE SATISFIED YOU DEFLECTED SUSPICION? 470 00:28:14,757 --> 00:28:17,060 SEE YOU'RE REAL UPSET ABOUT THE CIVILIAN GOT BEATEN. 471 00:28:17,060 --> 00:28:20,313 I'M SORRY ABOUT THE CIVILIAN. YOU SAID YOU GOT HIM AN AMBULANCE. 472 00:28:20,313 --> 00:28:24,067 MY CONCERN IS IF YOU'RE EXPOSED WITH LIERY. 473 00:28:24,067 --> 00:28:27,236 I THINK THAT'S ALL RIGHT, OKAY? I THINK THAT PART'S ALL RIGHT. 474 00:28:29,105 --> 00:28:32,075 HOW ARE THINGS WITH BOBBY? THE SAME. 475 00:28:33,910 --> 00:28:35,945 WORSE. 476 00:28:35,945 --> 00:28:37,747 THIS CAN'T BE HELPING. 477 00:28:37,747 --> 00:28:41,084 ME BEING UNDERCOVER ISN'T OUR PROBLEM. 478 00:28:41,084 --> 00:28:42,919 YOU SAID YOU DIDN'T THINK HE KNEW YOU LOVED HIM. 479 00:28:42,919 --> 00:28:45,254 WHAT DO YOU CHARGE FOR THESE SESSIONS? 480 00:28:45,254 --> 00:28:48,958 DO YOU LET HIM KNOW YOUR FEELINGS? I TRY. 481 00:28:48,958 --> 00:28:50,793 HE WANTS WHAT HE WANTS. 482 00:28:51,294 --> 00:28:53,296 HE WANTS TO GET MARRIED AND HE WANTS TO START A FAMILY. 483 00:28:53,296 --> 00:28:55,715 WELL, IT'S NOT EXACTLY AS IF YOU DON'T. 484 00:28:56,215 --> 00:28:57,717 RIGHT? 485 00:28:57,717 --> 00:29:00,887 YOU SAID THIS WAS ABOUT TAKING TIME WITH YOUR MOM AND BROTHER. 486 00:29:00,887 --> 00:29:04,774 - IF I WAS TELLING THE TRUTH. - WHY WOULDN'T YOU BE? 487 00:29:04,774 --> 00:29:07,226 MAYBE I JUST DON'T WANT TO GET MARRIED AND HAVE KIDS. 488 00:29:07,226 --> 00:29:10,613 MAYBE I'M NOT GOOD ENOUGH FOR THAT KIND OF LIFE. 489 00:29:11,814 --> 00:29:13,649 CAN WE DROP THIS? 490 00:29:15,068 --> 00:29:18,571 DIANE, IF YOU DON'T KNOW YOU'RE A GOOD PERSON, 491 00:29:18,571 --> 00:29:21,574 UNDERCOVER'S A REAL EASY PLACE TO START THINKING YOU'RE NOT. 492 00:29:23,793 --> 00:29:26,996 I'VE KNOWN YOU FOR SEVEN YEARS. I'M YOUR FRIEND. 493 00:29:29,499 --> 00:29:32,168 DO YOU WANT ME TO FIND ANOTHER WAY AT THIS GUY? 494 00:29:32,168 --> 00:29:35,505 - NO. - THAT'S TODAY. 495 00:29:35,505 --> 00:29:37,723 OKAY. 496 00:29:37,723 --> 00:29:39,759 TOMORROW YOU CAN SAY YES. 497 00:29:39,759 --> 00:29:42,395 YEAH. THANKS, JANE. 498 00:29:45,314 --> 00:29:47,150 GET MY GESTAPO COAT. 499 00:29:50,103 --> 00:29:51,854 KEEP REACHING OUT TO BOBBY. 500 00:30:06,536 --> 00:30:09,338 - WHOOP! - JUST A MINUTE, FRED. 501 00:30:09,338 --> 00:30:13,176 NO, I'M NOT AWARE OF ANY NOTE, ANY MENTION OF THEIR NAMES. 502 00:30:13,176 --> 00:30:16,012 I DON'T KNOW THAT THAT'S NECESSARY, COUNCILMAN. 503 00:30:16,512 --> 00:30:19,348 I MEAN, UH, I DON'T THINK IT IS NECESSARY. 504 00:30:19,849 --> 00:30:22,351 YEAH. YEAH. ALL RIGHT. 505 00:30:23,853 --> 00:30:25,354 HYPOCRITE BASTARD'S BRINGING HIS SON... 506 00:30:25,855 --> 00:30:27,607 AND THE OTHERS UP FOR A TALKING TO. 507 00:30:27,607 --> 00:30:29,525 - IS THAT COUNCILMAN MANOS? - YEAH. 508 00:30:29,525 --> 00:30:33,729 I GOTTA GO WITH THIS NUT JOB, SEE DID HE TAKE HIS MOTHER'S HEAD OFF. 509 00:30:33,729 --> 00:30:35,531 WELL, I'LL TALK TO THE SONS OF BITCHES. 510 00:30:35,531 --> 00:30:37,783 [ Sipowicz ] WHAT'S NADINE SAY ABOUT THEO? 511 00:30:37,783 --> 00:30:40,236 HE'S FINE. I JUST TALKED TO HER 20 MINUTES AGO. 512 00:30:45,324 --> 00:30:47,743 - SO IS THERE AN INDICTMENT IN THIS? - NAH. 513 00:30:50,546 --> 00:30:52,498 WHERE IS ANDY GOING? 514 00:30:52,999 --> 00:30:54,500 [ Simone ] THIS GUY TALKS SOME KIND OF GIBBERISH. 515 00:30:54,500 --> 00:30:58,888 ANDY THINKS HE WAS TRYING TO GET ACROSS SOMETHING HAPPENED TO HIS MOTHER. 516 00:30:58,888 --> 00:31:02,508 - D.O.A.'s MOTHER HAVE ANYONE TO BE WITH HER? - NO. 517 00:31:19,025 --> 00:31:21,027 OH, GOLLY. 518 00:31:21,027 --> 00:31:24,614 YEAH, NO "OH, GOLLY," FRED. WE'RE GONNA GO SEE YOUR MOM. 519 00:31:24,614 --> 00:31:26,949 WHOOP. 520 00:31:28,451 --> 00:31:30,453 [ Sighs ] COME ON, GIVE ME YOUR KEYS. 521 00:31:30,453 --> 00:31:32,455 GIVE ME YOUR KEYS, FRED. [ Panting ] WHOOP, WANNA. 522 00:31:32,955 --> 00:31:35,458 DON'T BREAK MY SHOES HERE, FRED, ALL RIGHT? 523 00:31:35,458 --> 00:31:37,293 WHOOP, WANNA. YOU'RE GONNA MAKE ME LOSE MY TEMPER. 524 00:31:37,293 --> 00:31:39,762 WHOOP, WANNA. GOLLY, GOLLY, GOLLY. 525 00:31:40,263 --> 00:31:43,299 GOLLY, GOLLY, GOLLY. GOLLY, GOLLY, GOLLY. 526 00:31:43,299 --> 00:31:46,852 - THAT'S WHERE MAMA IS? - GOLLY, GOLLY, GOLLY. 527 00:31:46,852 --> 00:31:49,305 WHOOP. WHOOP. GOLLY, GOLLY. 528 00:31:49,305 --> 00:31:51,307 OOH. 529 00:31:51,807 --> 00:31:53,309 OOH. 530 00:31:53,809 --> 00:31:55,645 GOLLY, GOLLY. 531 00:31:55,645 --> 00:31:58,397 WHOOP. 532 00:31:58,397 --> 00:32:00,700 WHOOP. 533 00:32:02,201 --> 00:32:03,986 GEEZ. 534 00:32:12,328 --> 00:32:14,130 MOM'S DEAD, FRED. 535 00:32:14,130 --> 00:32:17,416 DID YOU KILL HER? WHOOP. 536 00:32:17,416 --> 00:32:20,386 MOM WAS GETTING ON IN YEARS. MAYBE SHE HAD SOME SICKNESS. 537 00:32:20,386 --> 00:32:23,973 DID YOU DO IT LIKE A-- LIKE A MERCY KILLING? 538 00:32:23,973 --> 00:32:26,892 WHOOP, WANNA. YOU WANNA KILL MAMA? 539 00:32:26,892 --> 00:32:28,894 PUT HER TO SLEEP? STOP HER SUFFERING? 540 00:32:29,395 --> 00:32:31,764 MAYBE PUT A PILLOW OVER HER HEAD? 541 00:32:31,764 --> 00:32:35,568 GOLLY, WANNA. UH-UH, WANNA. NOW CUT OUT THE INDIAN TALK. I'LL GIVE YOU A SMACK. 542 00:32:35,568 --> 00:32:38,437 OH, BOY. OH, GOLLY. 543 00:32:40,439 --> 00:32:42,441 OOH. OOH. OOH. 544 00:32:42,942 --> 00:32:45,027 DON'T TOUCH MAMA. 545 00:32:52,535 --> 00:32:54,620 OOH. 546 00:32:56,122 --> 00:32:58,958 WHAT IS THAT? 547 00:33:01,711 --> 00:33:04,213 THAT NITROGLYCERIN, FRED? 548 00:33:04,213 --> 00:33:06,215 MAMA HAVE A HEART ATTACK? 549 00:33:11,687 --> 00:33:14,190 MAMA WENT BAD? 550 00:33:14,190 --> 00:33:16,025 YOU PUT PERFUME ON, HUH, FRED? 551 00:33:17,810 --> 00:33:20,062 FINALLY PUT MAMA IN THE DUMPSTER. 552 00:33:20,062 --> 00:33:23,949 OH, WANNA. OH, WANNA MAMA. ALL RIGHT. 553 00:33:23,949 --> 00:33:25,735 ALL RIGHT, ALL RIGHT, FRED. 554 00:33:27,370 --> 00:33:30,206 MAMA. MAMA. 555 00:33:32,208 --> 00:33:34,710 [ Sobbing ] 556 00:33:45,422 --> 00:33:48,224 ALL RIGHT, I DON'T WANT YOU TO SHORT SHRIFT WITH THESE KIDS, 557 00:33:48,725 --> 00:33:51,061 OR PULL ANY PUNCHES, WHAT THEY NEARLY DID HERE. 558 00:33:51,061 --> 00:33:54,147 THEY DIDN'T "NEARLY" DO ANYTHING, COUNCILMAN. 559 00:33:54,147 --> 00:33:57,434 THIS IS WHAT NEARLY HAPPENED TO YOUR FUTURE. 560 00:33:58,735 --> 00:34:01,905 WELL, BASED ON THE DETECTIVES' INTERVIEW REPORTS, MY JUDGMENT IS... 561 00:34:01,905 --> 00:34:05,024 THAT EVEN IF ANNETTE MORRIS HADN'T KILLED HERSELF, 562 00:34:05,024 --> 00:34:07,527 YOU WOULDN'T BE INDICTED. 563 00:34:07,527 --> 00:34:11,281 WHICH IN NO WAY SHOULD PREVENT YOUR LESSON... 564 00:34:11,281 --> 00:34:13,583 FOR THE THIN ICE YOU JUST SKATED ON... 565 00:34:13,583 --> 00:34:15,752 AND YOUR ENTIRE FUTURE CAREERS. 566 00:34:15,752 --> 00:34:17,954 SO WHATEVER LESSONS... 567 00:34:17,954 --> 00:34:22,342 YOU'RE GOING TO TAKE FROM THIS WON'T COME FROM THE LEGAL SYSTEM, 568 00:34:22,342 --> 00:34:26,179 BUT FROM YOUR OWN MORAL SENSE OF WHAT YOU DID TO THIS GIRL. 569 00:34:26,179 --> 00:34:28,431 NOW I GATHER THAT YOU ALL FEEL THAT THIS WAS... 570 00:34:28,431 --> 00:34:30,884 PRETTY MUCH VOLUNTARY ON ANNETTE'S PART. 571 00:34:30,884 --> 00:34:34,053 YOU'RE ALL PUTTING YOUR PENISES IN HER MOUTH, 572 00:34:34,053 --> 00:34:38,108 WHILE SHE WAS SEMICONSCIOUS, AND EJACULATING SEMEN. 573 00:34:38,108 --> 00:34:41,444 YOU ALL FEEL THAT WAS SOMETHING THAT SHE HAD SOMEHOW CONSENTED TO. 574 00:34:41,444 --> 00:34:45,648 WHICH IN NO WAY MAKES IT LESS SAD. 575 00:34:45,648 --> 00:34:47,617 AND THAT SHE'D TAKE HER OWN LIFE-- 576 00:34:49,119 --> 00:34:52,822 OH, NO, ABSOLUTELY NOT. NO LESS SAD AT ALL. 577 00:34:54,457 --> 00:34:56,209 AND BECAUSE THERE ARE NO LEGAL PENALTIES... 578 00:34:56,209 --> 00:34:59,045 THAT ANY OF YOU CAN EXPECT TO SUFFER, 579 00:34:59,045 --> 00:35:02,132 AND BECAUSE NONE OF YOU EXHIBITS THE SLIGHTEST MORAL SENSE... 580 00:35:02,132 --> 00:35:05,919 OR QUALITY OF CHARACTER WHICH WOULD BRING YOU TO CONFRONT... 581 00:35:05,919 --> 00:35:09,255 YOUR DISGRACEFUL COMPLICITY IN WHAT HAPPENED TO THIS GIRL ON YOUR OWN, 582 00:35:09,255 --> 00:35:11,057 AND BECAUSE IT'S CLEAR THAT THERE IS... 583 00:35:11,057 --> 00:35:13,810 NO GUIDANCE FORTHCOMING FROM ANYONE'S PARENTS-- 584 00:35:13,810 --> 00:35:17,313 WHOSE FATHER ARE YOU, COUNCILMAN? I'M TED'S FATHER. 585 00:35:17,313 --> 00:35:19,149 WELL, YOU ARE OBVIOUSLY A CYNIC AND AN OPPORTUNIST, 586 00:35:19,649 --> 00:35:23,153 AND BY MY HUSBAND'S ACCOUNT, A COWARD AND A LIAR. 587 00:35:23,153 --> 00:35:25,405 AND NONE OF THE OTHER PARENTS HAVE EVEN SEEN FIT... 588 00:35:25,405 --> 00:35:27,857 TO MAKE A PHONE CALL. MY PARENTS ARE IN GREECE. 589 00:35:27,857 --> 00:35:30,860 WHICH IS WHY I AM SO CONFIDENT THAT YOU BOYS... 590 00:35:30,860 --> 00:35:33,780 WILL LEAVE THIS ROOM TO LEAD LIVES FILLED... 591 00:35:33,780 --> 00:35:37,450 WITH THE DISGUSTING AND CONTEMPTIBLE BEHAVIOR, 592 00:35:37,450 --> 00:35:39,953 THE SELFISH AND EMPTY VICIOUSNESS... 593 00:35:40,453 --> 00:35:42,455 THAT YOU DISPLAYED SO PRECOCIOUSLY... 594 00:35:42,455 --> 00:35:45,175 IN THE MATTER OF THIS GIRL'S DEATH. 595 00:35:52,298 --> 00:35:54,300 OKAY? 596 00:36:19,292 --> 00:36:21,127 HEY, ANDY. HEY. 597 00:36:21,127 --> 00:36:23,580 SO I HEARD THAT WACKO'S MOTHER WAS A D.O.A., HUH? 598 00:36:23,580 --> 00:36:25,465 JUST PUT THE KID BACK IN BELLEVUE. 599 00:36:25,465 --> 00:36:29,085 DID HE, UH, GET OFF OF THAT MUMBO JUMBO? 600 00:36:29,586 --> 00:36:32,589 HIS DOC SAID THE "WANNAS" WERE A GOOD SIGN, 601 00:36:32,589 --> 00:36:34,641 WHATEVER THE HELL REASON IS BEHIND THAT. 602 00:36:34,641 --> 00:36:38,394 FELT LIKE I UNDERSTOOD FRED BETTER THAN HIM. 603 00:36:38,394 --> 00:36:40,730 TIRED, HUH? 604 00:36:40,730 --> 00:36:43,066 MMM. UP AND DOWN THEM STAIRS. 605 00:36:44,984 --> 00:36:46,986 WHEN'S YOUR NEXT WEIGH-IN? 606 00:36:47,987 --> 00:36:51,824 FRIDAY. YOU GONNA BUST MY NUTS ABOUT MY WEIGHT NOW? 607 00:36:51,824 --> 00:36:54,277 GONNA HIT ME WHILE I'M DOWN FROM EXHAUSTION? 608 00:36:54,277 --> 00:36:56,579 I WAS JUST THINKING MAYBE YOU'D SEE... 609 00:36:56,579 --> 00:36:58,998 SOME RESULT FROM ALL YOUR EXERCISE, 610 00:36:58,998 --> 00:37:00,917 AND IT'D BE LIKE A GOOD REINFORCEMENT. 611 00:37:00,917 --> 00:37:02,919 YOU WANNA KNOW A GOOD REINFORCEMENT? 612 00:37:02,919 --> 00:37:05,788 A STEAK, BAKED POTATO WITH A BIG BUTTER DOLLOP. 613 00:37:05,788 --> 00:37:09,759 AND REPLACE MY VEGETABLES WITH ANOTHER BAKED POTATO. OH, YEAH, THAT-- 614 00:37:09,759 --> 00:37:12,011 THAT WOULD TAKE IT OFF. CHEESECAKE AND SOME BUTTERSCOTCH SAUCE. 615 00:37:12,011 --> 00:37:14,931 [ Man ] I WANNA FILE A COMPLAINT AGAINST SOMEBODY. 616 00:37:14,931 --> 00:37:16,799 WHO DO I TALK TO? YOU TALK TO A DETECTIVE. 617 00:37:16,799 --> 00:37:19,469 I WAS BEATEN UP IN THE PARK, AND I DECIDED I WANNA PRESS CHARGES. 618 00:37:19,469 --> 00:37:22,105 [ Gina ] DETECTIVE? EXCUSE ME. CAN I HELP YOU? 619 00:37:22,105 --> 00:37:24,274 GOOD NIGHT. NIGHT. 620 00:37:24,274 --> 00:37:27,143 I WAS BEATEN BY SOMEONE WHILE I WAS ROLLER-SKATING, 621 00:37:27,143 --> 00:37:30,863 AND I DECIDED I WANT TO FOLLOW THROUGH ON CHARGES. COME ON BACK HERE. 622 00:37:33,116 --> 00:37:35,618 WHY DON'T YOU HAVE A SEAT OVER HERE? 623 00:37:44,327 --> 00:37:48,214 WHAT'S UP? I WAS IN THE PARK WITH JIMMY LIERY... 624 00:37:48,214 --> 00:37:51,968 WHEN HE BEAT THAT GUY UP. YEAH, ALL RIGHT. 625 00:37:51,968 --> 00:37:55,171 I DID WHAT I COULD FOR HIM. I'D NEVER EVEN SEEN HIM BEFORE IN MY LIFE. 626 00:37:55,171 --> 00:37:58,925 HE JUST STARTED BEATING ON ME FOR NO REASON. EXCUSE ME. UH-- 627 00:37:58,925 --> 00:38:01,260 YOU PROBABLY WANT TO TAKE THIS GENTLEMAN'S COMPLAINT... 628 00:38:01,260 --> 00:38:03,346 IN THE INTERVIEW ROOM, ANDY, HUH? 629 00:38:05,064 --> 00:38:07,567 YEAH, THAT'S JUST WHAT I WANT TO DO. 630 00:38:07,567 --> 00:38:11,571 ALL RIGHT, WHY DON'T WE GO ON DOWN THE HALL HERE AND GET A LITTLE EXERCISE? 631 00:38:11,571 --> 00:38:13,323 WHAT DO YOU MEAN BY THAT? 632 00:38:13,323 --> 00:38:15,775 NOTHIN'. COME ON. 633 00:38:27,086 --> 00:38:30,089 MRS. MORRIS. 634 00:38:30,089 --> 00:38:31,958 DID YOU ARREST THEM BOYS? 635 00:38:31,958 --> 00:38:35,211 NOT AS YET, NO. THEY'RE NOT GONNA BE ARRESTED? 636 00:38:35,211 --> 00:38:39,465 I DON'T THINK THE D.A. HAS MADE THAT FINAL DECISION. 637 00:38:39,465 --> 00:38:42,769 I CALLED A LAWYER. HE SAID I MIGHT HAVE A LAWSUIT. 638 00:38:42,769 --> 00:38:45,521 MIGHT HAVE CIVIL REMEDIES. 639 00:38:45,521 --> 00:38:48,307 WELL, THOSE PEOPLE DO HAVE DEEP POCKETS, 640 00:38:48,307 --> 00:38:50,193 AND THEY DON'T LIKE PUBLICITY. 641 00:38:50,193 --> 00:38:53,980 I TOLD HIM IT MIGHT HAVE BEEN MY VOICE MADE HER JUMP. 642 00:38:53,980 --> 00:38:56,816 WHY DON'T YOU COME ON AND SIT OVER HERE, ALL RIGHT? 643 00:38:56,816 --> 00:38:58,735 I'LL GET YOU SOMETHING TO DRINK. 644 00:38:59,235 --> 00:39:02,038 SHE LEFT HER DOLL SOMEPLACE. DO YOU KNOW IF SHE LEFT IT HERE? 645 00:39:02,038 --> 00:39:05,708 WELL, WE WERE ALL IN THE COFFEE ROOM BEFORE. LET ME GO LOOK FOR IT. 646 00:39:05,708 --> 00:39:08,044 I TOLD HER TO KEEP IT AT HOME. 647 00:39:08,044 --> 00:39:10,046 COME ON, COME ON. SIT DOWN WITH ME FOR A SECOND. 648 00:39:11,547 --> 00:39:13,883 ELEVATOR'S BUSTED. 649 00:39:13,883 --> 00:39:17,253 MAYBE YOU SHOULD THINK ABOUT STAYING SOMEWHERE ELSE TONIGHT. 650 00:39:17,754 --> 00:39:19,756 SHE ASKED IF SHE COULD LIVE WITH THE KINDERGARTEN TEACHER, 651 00:39:19,756 --> 00:39:22,675 AND THEN AFTER WENT UP ON THE ROOF WHEN SHE COULDN'T. 652 00:39:23,176 --> 00:39:26,679 I WAS THERE WHEN MRS. BEACHUM WAS TELLING YOU. 653 00:39:26,679 --> 00:39:29,065 I SAID THAT SHE SHOULDN'T TAKE IT ON HERSELF. 654 00:39:29,065 --> 00:39:33,069 I MEAN, IF ANYTHING, IT WAS MY VOICE AND-- 655 00:39:36,072 --> 00:39:38,074 WHAT THOSE BOYS DID TO HER. 656 00:39:39,575 --> 00:39:41,994 MY SCREAMING. 657 00:39:42,995 --> 00:39:45,031 UH, I DON'T FIND IT JUST NOW. 658 00:39:45,031 --> 00:39:50,670 OKAY. WE'LL KEEP LOOKING FOR IT AND, UH, 659 00:39:50,670 --> 00:39:53,122 WE'LL KEEP YOU POSTED, MRS. MORRIS. 660 00:39:53,623 --> 00:39:55,625 I'M SO TIRED. 661 00:39:57,627 --> 00:39:59,128 ELEVATOR'S BUSTED. 662 00:40:01,097 --> 00:40:06,769 MRS. MORRIS, I'D REALLY LIKE YOU TO THINK IF THERE'S SOMEONE YOU COULD STAY WITH. 663 00:40:06,769 --> 00:40:08,554 I WAS WITH HER. 664 00:40:16,362 --> 00:40:18,231 POOR WOMAN. 665 00:40:20,233 --> 00:40:22,235 SO WHAT WAS THIS BEEF ABOUT IN THE PARK? 666 00:40:22,735 --> 00:40:24,737 JIMMY WENT OFF ON THE GUY FOR ABSOLUTELY NO REASON. 667 00:40:25,238 --> 00:40:27,240 I GOT IT STOPPED. I CALLED 911. 668 00:40:27,740 --> 00:40:30,243 I'M SICK ABOUT IT. HE MAKES ME SICK. 669 00:40:30,243 --> 00:40:32,745 NIGHT. NIGHT, GREG. NIGHT. 670 00:40:32,745 --> 00:40:34,797 YOU KNOW YOU GOTTA GET OFF OF THIS. 671 00:40:34,797 --> 00:40:38,501 I'M JUST GETTING TO HIM. HE'S UP TO SOMETHING BAD. 672 00:40:38,501 --> 00:40:40,470 ME AND ANDY-- WE CAN COLLAR HIM OFF OF BEATING THIS GUY. 673 00:40:40,970 --> 00:40:42,755 WITH HIS SHEET WE'RE LOOKING AT A POUND. WE COULD FLIP HIM OFF THAT. 674 00:40:42,755 --> 00:40:46,008 - HE'D NEVER FLIP. - OH, NO, HUH? JIMMY WOULDN'T? 675 00:40:47,510 --> 00:40:51,013 I DON'T NEED YOU CRITICIZING ME WHEN I'M JUST LOOKING FOR A FRIENDLY VOICE. 676 00:40:51,013 --> 00:40:54,433 HOW WAS I CRITICIZING YOU, DIANE? I'M SAYING IT'S A WAY OUT. 677 00:40:54,433 --> 00:40:56,435 MAYBE YOU'RE JUST TOO CLOSE TO SEE IT. 678 00:40:56,435 --> 00:40:58,688 YOU KNOW, YOU WANT TO TALK ABOUT YOUR PROBLEMS, BUT NOT NO SOLUTIONS. 679 00:40:58,688 --> 00:41:01,491 YOU CAN REALLY SOUND LIKE AN OLD WOMAN SOMETIMES. 680 00:41:01,491 --> 00:41:03,576 OH, YEAH, HUH? 681 00:41:03,576 --> 00:41:06,279 WELL, YOU KNOW WHAT? HERE'S AN OLD WOMAN TELLING YOU TO KISS HIS ASS. 682 00:41:09,749 --> 00:41:11,751 HI. HI. 683 00:41:12,502 --> 00:41:15,371 HEY. 684 00:41:28,267 --> 00:41:30,102 HOW YOU DOING? 685 00:41:32,021 --> 00:41:34,807 LOUSY CASE. WOMAN LOST HER DAUGHTER. 686 00:41:34,807 --> 00:41:37,860 THAT WAS HER GOING DOWN THE STAIRS? 687 00:41:37,860 --> 00:41:40,446 ANDY LOST HIS BOY LAST YEAR, DIDN'T HE? 688 00:41:42,949 --> 00:41:44,567 Y-YOU GOT KIDS? 689 00:41:45,067 --> 00:41:47,069 TWO BOYS. THEIR DAD'S GOT 'EM THIS WEEK. 690 00:41:47,069 --> 00:41:49,455 I'M DOING FOUR-BYS SO I DON'T MISS THEM SO MUCH. 691 00:41:50,740 --> 00:41:53,543 GOD SPARE ME EVER KNOWING WHAT THAT'S LIKE. 692 00:41:56,495 --> 00:41:59,715 - YOU WANT SOME COFFEE? - NO, THANKS. 693 00:41:59,715 --> 00:42:03,336 YEAH, UH, I DON'T EITHER. 694 00:42:03,336 --> 00:42:07,056 [ Chuckles ] YOU GOT KIDS? 695 00:42:08,891 --> 00:42:11,894 NO. NOT YET. 696 00:42:13,179 --> 00:42:15,898 - NIGHT. - NIGHT. 697 00:42:21,404 --> 00:42:23,823 [ Ringing ] 698 00:42:28,828 --> 00:42:30,830 15th SQUAD. 699 00:42:31,831 --> 00:42:34,333 NO. SHE'S GONE. 700 00:42:58,274 --> 00:43:00,276 THERE HE IS. 701 00:43:01,110 --> 00:43:03,813 IS HE MAKING THAT GOOFY LOOK HE STARTED MAKING? 702 00:43:03,813 --> 00:43:06,065 NO, NOT RIGHT NOW. 703 00:43:06,065 --> 00:43:10,536 REMEMBER THAT DAVE GARROWAY? THAT'S WHO HE LOOKS LIKE WHEN HE MAKES THAT EXPRESSION. 704 00:43:10,536 --> 00:43:12,538 YOU DONOTLOOK LIKE DAVE GARROWAY, THEO. 705 00:43:13,039 --> 00:43:15,041 YOU LOOK LIKE J. FRED MUGGS. 706 00:43:18,544 --> 00:43:21,580 MAURY ABRAMS ASKED ME TO TRY THE SUAREZ CASE. 707 00:43:22,081 --> 00:43:25,584 WHEN DID YOU PISS HIM OFF? IT'S SUPPOSED TO BE A COMPLIMENT. 708 00:43:25,584 --> 00:43:27,586 EVERYBODY IN MY OFFICE HAD THEIR HANDS RAISED FOR THAT CASE. 709 00:43:27,586 --> 00:43:31,307 -YOU TELL ME WHO'S RIGHT IN THAT MESS. - WELL, NOT EDDIE SUAREZ. 710 00:43:31,307 --> 00:43:34,810 HOW ABOUT THOSE DOZEN HOOKED-UP GUYS HE'S STANDING IN FOR? 711 00:43:34,810 --> 00:43:37,563 WELL, MAYBE IF HE'S CONVICTED HE'LL FLIP. 712 00:43:37,563 --> 00:43:40,516 SYLVIA, THESE GUYS PUT A PACKAGE TOGETHER AND SUAREZ SIGNED ON. 713 00:43:40,516 --> 00:43:42,318 NOBODY'S GONNA FLIP. 714 00:43:42,318 --> 00:43:46,238 WHEN I WAS TALKING TO THOSE KIDS TODAY... 715 00:43:46,238 --> 00:43:49,241 I GOT THIS EMPTY FEELING. 716 00:43:49,241 --> 00:43:51,744 I KNEW THAT NOTHING I SAID WAS GONNA MAKE ANY DIFFERENCE... 717 00:43:51,744 --> 00:43:53,329 TO ANYONE IN THAT ROOM. 718 00:43:53,829 --> 00:43:56,332 AND SINCE I'VE BEEN BACK, I'LL BE RUNNING A PLEA AGREEMENT PAST MAURY, 719 00:43:56,332 --> 00:43:58,751 OR DECIDING WHETHER OR NOT WE SHOULD TAKE A CASE, 720 00:44:00,753 --> 00:44:02,755 AND SUDDENLY I WILL GET THIS FEELING... 721 00:44:02,755 --> 00:44:04,757 THAT I SHOULD BE BACK HERE, WITH THEO-- 722 00:44:04,757 --> 00:44:08,210 LIKE I'M IN THE WRONG ROOM. 723 00:44:08,210 --> 00:44:11,180 SYLVIA, IF YOU WANNA QUIT, I COULD MAKE ENOUGH. 724 00:44:11,681 --> 00:44:13,182 I CAN GET SECURITY WORK. NO PROBLEM. 725 00:44:13,182 --> 00:44:17,186 BUT THEN I THINK, IF NOBODY GOES INTO THAT ROOM WITH THOSE KIDS-- 726 00:44:17,186 --> 00:44:19,522 ME OR THE LIEUTENANT OR BOBBY-- 727 00:44:19,522 --> 00:44:22,942 THERE'S JUST THAT CLOWN COUNCILMAN IN THERE WITH THEM. 728 00:44:22,942 --> 00:44:26,445 THEN EVERYBODY GETS WHAT THEY DESERVE. [ Whimpers ] 729 00:44:26,445 --> 00:44:28,948 AH. HEY. 730 00:44:28,948 --> 00:44:30,950 HE'S GONNA SLEEP GOOD TONIGHT. 731 00:44:31,450 --> 00:44:32,952 SURE. 732 00:44:33,452 --> 00:44:35,738 HE KNOWS HIS MAMA'S KEEPING THE REPUBLIC SAFE.