1 00:00:01,501 --> 00:00:02,836 PREVIOUSLY ON NYPD BLUE. 2 00:00:02,836 --> 00:00:04,804 O.C.C.B. WANTS ME BACK ON A GUY I GOT NEXT TO. 3 00:00:04,804 --> 00:00:07,874 YOU'RE GONNA DO IT? YEAH. THEY WERE JUST FILLING ME IN. 4 00:00:07,874 --> 00:00:11,144 BUTTON YOUR BLOUSE. MY UNDERGARMENT IS RUBBER. 5 00:00:11,144 --> 00:00:14,214 YOUR BUILDING, HUH? YEAH. HOW'D THIS HAPPEN? 6 00:00:14,714 --> 00:00:16,716 LOOKS LIKE AN EXECUTION. NOTHING'S TAKEN. 7 00:00:16,716 --> 00:00:19,185 SHE GOT SHOT THROUGH THE PEEPHOLE IN HER DOOR. WHAT? 8 00:00:19,185 --> 00:00:22,222 LOOK, I KNOW YOU THINK I'M A CREEP. 9 00:00:22,222 --> 00:00:25,158 AND SOMEHOW 'CAUSE I GOT MONEY PROBLEMS AND BAD HABITS, 10 00:00:25,525 --> 00:00:28,361 I MUST HAVE BEEN INVOLVED. I'M NOT SAYING KNOWINGLY. 11 00:00:28,361 --> 00:00:30,630 IF I WAS, I DON'T KNOW HOW. 12 00:00:53,820 --> 00:00:56,923 - [ Simone ] YOU GOT A GLOVE I CAN BORROW? - YEAH. 13 00:00:56,923 --> 00:01:00,927 - THANKS. HOW'D THE JOB COME IN? - ANONYMOUS, TO 911. 14 00:01:00,927 --> 00:01:04,898 ALL THIS BLOOD, DON'T LOOK LIKE HE WAS MOVED, HUH? 15 00:01:05,398 --> 00:01:07,200 YEAH, HE GOT IT RIGHT HERE. 16 00:01:07,200 --> 00:01:09,736 GREG AND JAMES ARE GONNA WANNA BE LOOKING FOR A BUM... 17 00:01:10,136 --> 00:01:12,138 WITH A GOOD PAIR OF BLACK SHOES. 18 00:01:12,138 --> 00:01:14,441 I'M GUESSING SIZE 12. 19 00:01:15,675 --> 00:01:18,344 ANDY, THIS GUY WAS CARRYING A PIECE. 20 00:01:18,344 --> 00:01:20,580 HEY, BOB. GUY HAD THIS IN HIS PACK. 21 00:01:20,847 --> 00:01:23,983 COUPLE OF BULLET HOLES IN IT. GAS CREDIT CARD RECEIPT. 22 00:01:24,317 --> 00:01:26,753 LICENSE PLATE NUMBER PLUS THE SIGNATURE, MIKE KINNAN. 23 00:01:26,753 --> 00:01:28,655 DID YOU TAKE THIS JACKET OFF THIS GUY? 24 00:01:28,988 --> 00:01:31,357 MY MAN DON'T NEED IT ANYMORE. YOU STRIP THE SHOES OFF HIM TOO? 25 00:01:31,858 --> 00:01:35,428 - NAH, SOMEBODY BEAT ME TO THOSE. - GO STAND AND WAIT OVER THERE. 26 00:01:37,831 --> 00:01:40,733 BLACK LIMOUSINE, RIGHT THERE. HE WAS DRIVING IT. 27 00:01:40,733 --> 00:01:45,939 WOULD YOU SAY IT WAS A SHORT LIMO? WHAT THEY CALL A TOWN CAR? 28 00:01:46,206 --> 00:01:48,942 IT WAS A STRETCH. THREE MEN GOT OUT. 29 00:01:49,175 --> 00:01:51,277 THERE WAS AN ARGUMENT. THE DRIVER AND TWO MEN FROM THE BACK. 30 00:01:51,277 --> 00:01:54,514 COULDN'T TELL YOU WHAT THEY WERE ARGUING ABOUT. KEPT ON MY WAY. WASN'T ANY OF MY CONCERN. 31 00:01:54,514 --> 00:01:59,018 WHEN WAS IT YOU SAW THIS? LAST NIGHT. 32 00:01:59,018 --> 00:02:00,887 CAN'T SAY WHAT EXACT TIME. 33 00:02:01,187 --> 00:02:03,556 COULD YOU DESCRIBE THE PASSENGERS, THE TWO MEN FROM THE BACK? 34 00:02:03,857 --> 00:02:05,758 THEY WERE WHITE. ONE WAS SHORT. 35 00:02:06,025 --> 00:02:08,128 WORE A COWBOY HAT. 36 00:02:08,128 --> 00:02:10,964 COWBOY HAT? I THINK IT WAS A COWBOY HAT. 37 00:02:11,397 --> 00:02:14,167 - AND THE OTHER ONE? - HE WAS TALLER. SIX FOOT. 38 00:02:14,567 --> 00:02:18,037 - ANYTHING ELSE ABOUT THE CLOTHES THEY HAD ON? - NOPE. 39 00:02:18,037 --> 00:02:20,807 [ Liquid Trickling ] 40 00:02:24,511 --> 00:02:27,514 UM-- 41 00:02:27,514 --> 00:02:29,516 BOTH WHITE MALES, THOUGH. 42 00:02:29,516 --> 00:02:31,317 YOU SURE ON THAT? RIGHT. 43 00:02:31,751 --> 00:02:34,320 WHAT'S YOUR NAME, MA'AM? I DON'T MIND TELLING YOU WHAT I SAW, 44 00:02:34,320 --> 00:02:37,123 BUT I REALLY DON'T WANT MY NAME BROADCAST OVER THE RADIO. 45 00:02:37,390 --> 00:02:40,260 I UNDERSTAND IT. JUST IN CASE WE HAVE TO FIND YOU AGAIN. 46 00:02:40,593 --> 00:02:44,364 I'LL KEEP IT IN CONFIDENCE, I PROMISE. MARGARET NORMAN. 47 00:02:46,399 --> 00:02:48,334 THANK YOU, MA'AM. 48 00:02:49,736 --> 00:02:51,738 WOMAN PISSED ON MY SHOES. 49 00:04:06,479 --> 00:04:09,115 LIEUTENANT FANCY? CORNER OFFICE. 50 00:04:14,921 --> 00:04:16,990 LIEUTENANT? YEAH. 51 00:04:16,990 --> 00:04:19,692 I'M JILL KIRKENDALL. ARTHUR FANCY. 52 00:04:19,959 --> 00:04:22,328 I'VE HEARD NOTHING BUT GOOD THINGS. 53 00:04:22,495 --> 00:04:24,497 I'M LOOKING FORWARD TO DOING DETECTIVE WORK AGAIN. 54 00:04:24,964 --> 00:04:28,868 - SO, D.O.I. WASN'T IT FOR YOU? - I LOCKED UP MY QUOTA OF BUILDING INSPECTORS. 55 00:04:28,868 --> 00:04:32,639 WELL, THE SQUAD'S OUT AT A CRIME SCENE. I'LL SHOW YOU TO YOUR DESK. 56 00:04:32,639 --> 00:04:34,974 YOU CAN INTRODUCE YOURSELF AROUND WHEN THEY GET BACK. 57 00:04:34,974 --> 00:04:37,377 EXCUSE ME, LIEUTENANT. THIS MAN WANTS TO SPEAK TO A DETECTIVE. 58 00:04:37,377 --> 00:04:39,412 SAYS SOMEBODY'S THREATENING TO KILL HIM. 59 00:04:39,412 --> 00:04:41,914 I'LL TALK TO HIM, LIEU. POINT MY DESK OUT. 60 00:04:42,115 --> 00:04:46,185 YEAH, OKAY. THERE YOU GO. GREAT. 61 00:04:46,185 --> 00:04:48,554 HOW ARE YOU DOING, SIR? I'M DETECTIVE KIRKENDALL. 62 00:04:48,554 --> 00:04:51,624 UH, LOOK HERE. UH, SOMEBODY'S MAKING THREATS ON MY LIFE... 63 00:04:51,624 --> 00:04:53,860 AND I'M HOPING YOU CAN DO SOMETHING ABOUT THAT. WHAT'S YOUR NAME? 64 00:04:53,860 --> 00:04:56,663 ARIES MITCHELL. ARIES, LIKE THE ZODIAC SIGN? 65 00:04:56,996 --> 00:04:58,831 - YEAH. - I'M A SCORPIO. 66 00:04:59,332 --> 00:05:01,334 THAT'S THE FIRST TIME IN 20 YEARS I EVER SAID THAT TO ANYBODY. 67 00:05:01,334 --> 00:05:04,704 DUDE NAMED BERNARD MAYS IS LOOKING TO KILL ME. 68 00:05:04,704 --> 00:05:07,073 I WENT OUT WITH HIS SISTER FOR A MINUTE, AND OUT OF THE WILD BLUE YONDER... 69 00:05:07,073 --> 00:05:09,642 SHE POP UP WITH A BABY TRYING TO PUT IT ON ME. 70 00:05:09,842 --> 00:05:11,844 OH, HELL NO. I'M NOT FALLING FOR THE ROPE-A-DOPE. 71 00:05:11,844 --> 00:05:14,247 DO ME A FAVOR, ARIES. TALK SO I CAN UNDERSTAND YOU. 72 00:05:14,681 --> 00:05:17,550 BRENDA'S SAYING I'M HER KID'S DADDY. 73 00:05:17,550 --> 00:05:22,221 BUT HER BROTHER BERNARD'S LIKE, HE'S GONNA THROW ME OFF A ROOF IF I DON'T MARRY THE GIRL. 74 00:05:22,221 --> 00:05:24,791 HAS HE DONE YOU ANY HARM PHYSICALLY IN ANY WAY? 75 00:05:25,058 --> 00:05:28,928 NOT YET, BUT THAT'S THE TYPE OF DUDE THAT WOULD FOLLOW THROUGH ON SOME CRAZY-O-MATIC TALK. 76 00:05:28,928 --> 00:05:33,066 TRUTH IS, ARIES, ABOUT ALL I CAN DO IS HOLD YOUR HAND AND FIX YOU SOME HOT COCOA. 77 00:05:33,566 --> 00:05:36,903 OLD DUDE SAY HE'S GONNA THROW ME OFF A ROOF. IS THAT LEGAL? 78 00:05:36,903 --> 00:05:39,172 THE BEST YOU CAN DO IS TRY FOR AN ORDER OF PROTECTION. 79 00:05:39,739 --> 00:05:42,141 [ Sighs ] THAT'S A-- 80 00:05:42,141 --> 00:05:45,678 THAT'S A HELL OF A WAY TO DIE IF YOU AIN'T EVEN THE ONE. 81 00:05:45,678 --> 00:05:49,082 I MEAN, I MIGHT UNDERSTAND IF I WAS THE ONE. 82 00:05:49,082 --> 00:05:51,851 I'M JUST-- I'M TRYING TO STAY HAPPY-GO-FUNKY, YOU DIG? 83 00:05:51,851 --> 00:05:55,355 I AIN'T GOT TIME FOR THIS. I CAN'T ARREST HIM, ARIES. 84 00:05:55,855 --> 00:05:58,825 BUT IF YOU THINK IT WILL HELP, I GUESS MAYBE I COULD TALK TO THIS BERNARD. 85 00:05:59,258 --> 00:06:02,261 OH, YES. THAT-- THAT MIGHT COULD DO SOME GOOD, DETECTIVE. 86 00:06:02,762 --> 00:06:05,264 GIVE HIM SECOND THOUGHTS ABOUT DOING SOMETHING STUPID. 87 00:06:05,264 --> 00:06:08,000 YOU GOT AN ADDRESS FOR THIS BERNARD? HE LIVE UPTOWN SOMEWHERE. 88 00:06:08,000 --> 00:06:10,703 GOT BRENDA'S PLACE, THOUGH. RIGHT HERE. 89 00:06:10,703 --> 00:06:14,774 ON FIRST AVENUE. ALL RIGHT, ARIES. 90 00:06:15,274 --> 00:06:18,077 I'LL SEE WHAT I CAN DO. ALL RIGHT, THANK YOU. 91 00:06:18,077 --> 00:06:21,381 I REGRET EVER LAYING EYES ON THAT BIG BITCH, MAN. 92 00:06:28,020 --> 00:06:31,457 HEY, BOSS. HEY. UH, JILL KIRKENDALL. 93 00:06:31,457 --> 00:06:33,775 - YEAH, HUH? - SO, WHAT'D YOU GET? 94 00:06:33,775 --> 00:06:38,780 D.O.A.'s A WHITE MALE, LATE 40s. MIKE KINNAN. A WITNESS PUTS HIM DRIVING A LIMO. 95 00:06:38,780 --> 00:06:42,316 WE GOT AN ALARM OUT ON THE CAR. WE'RE ALSO GONNA RUN A PISTOL CHECK. 96 00:06:42,316 --> 00:06:44,285 THE GUY HAD AN ANKLE HOLSTER AND NO WEAPON. 97 00:06:44,285 --> 00:06:46,788 MEDAVOY, UH, HE FOUND THIS HOMELESS WOMAN. 98 00:06:46,788 --> 00:06:50,324 SAYS THE D.O.A. HAD A BEEF LAST NIGHT WITH TWO OF THE PASSENGERS HE WAS DRIVING. 99 00:06:50,324 --> 00:06:53,711 - SAVINO. - HOW'S IT GOING? YOU GOT A FEW MINUTES FOR ME? 100 00:06:53,711 --> 00:06:56,964 YEAH, SURE. WE'LL NOTIFY THE WIFE. 101 00:06:56,964 --> 00:06:59,417 TRY FOR A LINE FROM HER ON THE GUYS HE WAS DRIVING. 102 00:06:59,417 --> 00:07:02,920 SO, HOW ARE YOU DOING ON THE HOMICIDE IN BOBBY'S BUILDING? 103 00:07:02,920 --> 00:07:05,423 STILL A MYSTERY, AS MUCH AS I GET TO WORK ON IT. 104 00:07:05,423 --> 00:07:09,143 SO, WHAT? YOU WANNA TALK IN THERE? YEAH. 105 00:07:09,143 --> 00:07:12,230 - BACK IN A SECOND. - I COULD SEE WHY YOU WOULDN'T WANT THIS CONVERSATION... 106 00:07:12,230 --> 00:07:14,482 IN FRONT OF YOUR BOSS. 107 00:07:14,482 --> 00:07:17,101 HI, BOBBY SIMONE. HOW'S IT GOING? HI, BOBBY. JILL KIRKENDALL. 108 00:07:17,101 --> 00:07:20,104 TRANSFERRED IN FROM DEPARTMENT OF INVESTIGATIONS. WE HEARD YOU WERE COMING IN. 109 00:07:20,104 --> 00:07:23,441 IF YOU GET A CHANCE, GOOD-LOOKING BALD GUY WITH THE MUSTACHE OVER THERE, 110 00:07:23,441 --> 00:07:25,243 THAT'S MY PARTNER, ANDY SIPOWICZ. 111 00:07:25,243 --> 00:07:27,612 OKAY. 112 00:07:27,612 --> 00:07:30,114 SORRY. 113 00:07:30,615 --> 00:07:34,418 BOBBY, I DON'T KNOW WHAT YOUR PROBLEM IS ON MY CASE, BUT I AM DONE BABYSITTING OVER IT. 114 00:07:34,418 --> 00:07:36,921 - WHAT ARE YOU TALKING ABOUT? - YOU GONNA PLAY CHERRY WITH ME NOW? 115 00:07:36,921 --> 00:07:40,541 - YOU'RE TRACKING MUD ALL OVER MY CASE AND I WANT IT TO STOP. - HOW AM I TRACKING MUD ON IT? 116 00:07:40,541 --> 00:07:43,044 HENRY COFFIELD GAVE ME THE NAMES OF THOSE SHYS, I TURNED 'EM OVER TO YOU. 117 00:07:43,044 --> 00:07:46,514 LET'S TALK ABOUT THAT NUT-JOB BREEDER SOLD THE VICTIM HER DOG. 118 00:07:46,514 --> 00:07:48,933 TELL ME ABOUT REACHING OUT TO HIM. 119 00:07:49,433 --> 00:07:52,270 I'M WRONG CALLING THE DOG BREEDER. THEN WHAT? 120 00:07:52,270 --> 00:07:54,438 THEN YOU PUT A HANKIE OVER THE PHONE, TELL HIM YOU'RE ME AND THANKS FOR THE HELP? 121 00:07:54,438 --> 00:07:57,608 I'LL TELL YOU THE TRUTH. I COULD HALFWAY LOOK AT YOU FOR THE HOMICIDE. 122 00:07:57,608 --> 00:08:01,612 YOU'RE ACTING WACKY ENOUGH. MY ALIBI'S PRETTY GOOD. 123 00:08:01,612 --> 00:08:04,282 WHAT ARE YOU SAYING? YOU LIKE THESE SHYS THAT HENRY OWED? 124 00:08:04,282 --> 00:08:06,117 WHAT, NOW WE'RE ON THE SAME TEAM AGAIN? 125 00:08:06,117 --> 00:08:08,069 NICK, COME ON. I OVERSTEPPED. I'M SORRY. 126 00:08:08,069 --> 00:08:10,288 WHAT DO YOU WANT ME TO DO, JUMP OUT THE WINDOW? 127 00:08:13,491 --> 00:08:17,245 I DON'T LIKE THE SHYS. THEY'RE A BUNCH OF COKED-UP ASSHOLES. 128 00:08:17,245 --> 00:08:19,747 NOBODY IN MY OFFICE SEES 'EM HAVING STONES TO WHACK THIS GIRL... 129 00:08:19,747 --> 00:08:21,916 JUST SHOWING HENRY THEY MEAN BUSINESS. 130 00:08:22,416 --> 00:08:24,252 YOU FIGURE THEY'D GIVE HIM A GOOD ASS-KICKING BEFOREHAND. 131 00:08:24,252 --> 00:08:28,673 MY HEAD'S UP MY ASS WITH THIS CASE. I'M NOWHERE. 132 00:08:28,673 --> 00:08:32,510 COULD I GO HARD AT THIS HENRY? FOR WHAT? 133 00:08:33,010 --> 00:08:36,013 MAYBE HE'S CIRCLING WHAT HE REALLY IS TRYING TO SAY. 134 00:08:36,013 --> 00:08:38,015 MAYBE HE JUST NEEDS TO GET SHOOK UP. 135 00:08:38,015 --> 00:08:39,984 [ Sighs ] 136 00:08:40,484 --> 00:08:41,986 YEAH. ALL RIGHT. 137 00:08:42,486 --> 00:08:44,322 YOU WANT ME TO DO IT AT YOUR HOUSE? YEAH. 138 00:08:44,322 --> 00:08:46,440 DO IT IN MY BOSS'S OFFICE. I'LL WATCH YOUR CAR. 139 00:08:46,440 --> 00:08:51,329 HEY, NICK, I'M LOOKING NOT TO BUMP INTO YOU NO MORE. YEAH, I KNOW. 140 00:08:52,613 --> 00:08:55,616 TALK TO HIM HERE. ALL RIGHT. 141 00:09:10,548 --> 00:09:12,433 [ Doorbell Chimes ] 142 00:09:17,889 --> 00:09:19,557 - SHEILA KINNAN? - WHAT'S HAPPENED? 143 00:09:19,557 --> 00:09:23,027 I'M DETECTIVE SIMONE. THIS IS DETECTIVE SIPOWICZ. 144 00:09:23,027 --> 00:09:26,697 - WHAT'S HAPPENED TO MIKE? - THERE'S NO EASY WAY TO TELL YOU. 145 00:09:26,697 --> 00:09:30,201 YOUR HUSBAND WAS KILLED LAST NIGHT, MA'AM. 146 00:09:31,652 --> 00:09:34,655 WOULD YOU LIKE TO SIT DOWN, MRS. KINNAN? 147 00:09:44,081 --> 00:09:48,252 CAN I GET YOU SOME WATER? 148 00:09:48,252 --> 00:09:52,807 HOW-- HOW WAS HE KILLED? WAS HE KILLED IN THE CAR? 149 00:09:52,807 --> 00:09:57,478 THERE WAS A HOMELESS WOMAN SAID SHE SAW YOUR HUSBAND GET OUT OF THE LIMOUSINE. 150 00:09:57,478 --> 00:10:01,232 THERE WERE TWO MEN IN THE BACK OF THE CAR. THEY GOT OUT OF THE CAR AND SHOT HIM. 151 00:10:01,732 --> 00:10:05,569 THE LIMOUSINE WAS STOLEN. WE'RE LOOKING FOR IT RIGHT NOW. 152 00:10:05,569 --> 00:10:08,322 FOURTEEN YEARS. 153 00:10:08,322 --> 00:10:12,243 FOURTEEN YEARS HE LIVED THROUGH GOING INTO BURNING BUILDINGS. 154 00:10:12,243 --> 00:10:15,029 WHEN DID MIKE RETIRE? 155 00:10:15,029 --> 00:10:19,283 HE WAS INJURED IN 1991. THEY FORCED HIM OUT. 156 00:10:19,283 --> 00:10:23,170 HE HATED DRIVING. SOMETIMES THE MEN THAT HE DROVE-- 157 00:10:23,170 --> 00:10:25,039 I KNEW THAT THINGS UPSET HIM. 158 00:10:25,039 --> 00:10:27,425 CERTAIN THINGS THAT HE SAW AND-- 159 00:10:27,425 --> 00:10:29,677 MRS. KINNAN, DID YOU DEAL WITH THE RENTALS FOR THE LIMOUSINE? 160 00:10:29,677 --> 00:10:34,098 NO, I-I BOOKED THE RENTALS. 161 00:10:34,098 --> 00:10:38,386 YEAH, LAST NIGHT WAS-- HE DROVE MR. CURRY. 162 00:10:38,386 --> 00:10:40,471 HE PICKED HIM UP AT HIS WORK AT 8:00. 163 00:10:40,471 --> 00:10:42,940 I CAN GIVE YOU THE ADDRESS. 164 00:10:42,940 --> 00:10:45,776 WAS THIS MR. CURRY A REGULAR CUSTOMER? 165 00:10:46,777 --> 00:10:49,780 HE WAS A BIG TIPPER. 166 00:10:49,780 --> 00:10:54,068 HE TIPPED MY MIKE A HUNDRED DOLLAR BILL EVERY TIME. 167 00:10:54,068 --> 00:10:57,905 [ Sniffles ] I THINK HE WAS A HOMOSEXUAL. 168 00:10:57,905 --> 00:11:00,574 I GOT THAT IMPRESSION FROM THE THINGS THAT MIKE DIDN'T SAY. 169 00:11:04,745 --> 00:11:07,965 - HERE. - THANK YOU. 170 00:11:10,384 --> 00:11:13,888 YOU KNOW, MY HUSBAND REALLY LOVED BEING A FIREMAN. 171 00:11:14,388 --> 00:11:19,810 HE LOVED IT SO MUCH HE COULDN'T EVEN TALK ABOUT IT AFTER HE HAD TO STOP. 172 00:11:19,810 --> 00:11:23,514 HE COULDN'T EVEN SEE HIS FRIENDS BECAUSE THEY WERE STILL DOING IT, YOU KNOW. 173 00:11:27,351 --> 00:11:31,238 NOW I'M NOT GONNA HAVE ANYBODY TO TALK TO. 174 00:11:31,238 --> 00:11:35,159 [ Sobbing ] 175 00:11:39,363 --> 00:11:41,582 WE'RE VERY SORRY. 176 00:12:08,426 --> 00:12:11,262 [ Baby Crying ] 177 00:12:11,262 --> 00:12:13,931 [ Woman ] WHO IS IT? POLICE. BRENDA MAYS? 178 00:12:19,854 --> 00:12:22,690 YOU BERNARD MAYS? YEAH. 179 00:12:22,690 --> 00:12:25,609 LET'S TALK INSIDE. WHAT ABOUT? 180 00:12:25,609 --> 00:12:28,529 YOU KNOW ARIES MITCHELL? WHAT ABOUT HIM? 181 00:12:28,529 --> 00:12:30,981 WHAT'S YOUR RELATIONSHIP WITH HIM? 182 00:12:30,981 --> 00:12:34,235 HE GOES WITH MY SISTER. I WANT TO TALK TO YOUR SISTER TOO. 183 00:12:34,235 --> 00:12:36,287 SHE'S TAKING CARE OF HER KID. YOU GOT A WARRANT? 184 00:12:36,787 --> 00:12:40,157 YOU'RE GOOD ON POLICE PROCEDURE, HUH, BERNARD? THREE COLLARS IN THREE YEARS. 185 00:12:40,157 --> 00:12:43,077 I THOUGHT THIS WAS ABOUT ARIES MITCHELL. I'M HERE TO LET YOU KNOW... 186 00:12:43,077 --> 00:12:45,579 THAT THREATENING PEOPLE'S LIVES IS A SERIOUS MATTER. 187 00:12:45,579 --> 00:12:49,467 SHEET YOU GOT, YOU DON'T WANNA BE DOING THAT. WHO SAYS I'VE BEEN DOING IT? 188 00:12:49,467 --> 00:12:54,305 YOU'VE BEEN THREATENING ARIES MITCHELL. ARIES? 189 00:12:54,305 --> 00:12:56,474 SEE, Y'ALL DON'T EVEN KNOW. 190 00:12:56,474 --> 00:12:59,143 HE GOT MY BABY SISTER PREGNANT. 191 00:12:59,143 --> 00:13:01,595 THEN HE TRIED TO PLAY HER OFF LIKE LAST WEEK'S GARBAGE. 192 00:13:02,096 --> 00:13:04,849 THERE'S RECOURSE OTHER THAN THREATS AND VIOLENCE. GO TO SOCIAL WELFARE. 193 00:13:04,849 --> 00:13:07,401 THEY CAN MAKE HIM DO THE RIGHT THING. THAT WAY YOU STAY OUT OF TROUBLE. 194 00:13:07,401 --> 00:13:10,688 WENT RUNNING TO THE POLICE. DO YOU WANT A PROBLEM WITH ME? 195 00:13:10,688 --> 00:13:15,109 BECAUSE YOU'RE ON THE VERGE OF A REAL PROBLEM. ARE YOU HEARING ME, BERNARD? 196 00:13:15,109 --> 00:13:17,161 I HEAR YOU. 197 00:13:17,161 --> 00:13:19,864 [ Baby Continues Crying ] IS THAT BABY ALL RIGHT? 198 00:13:19,864 --> 00:13:22,032 IT'S CRYING. I KNOW. 199 00:13:22,032 --> 00:13:25,035 I WANT TO SEE IS THAT BABY ALL RIGHT. 200 00:13:26,420 --> 00:13:27,922 BACK UP. 201 00:13:30,958 --> 00:13:33,594 BRENDA? BRENDA? 202 00:13:33,594 --> 00:13:35,546 BRENDA? 203 00:13:35,546 --> 00:13:37,882 COME ON OUT. 204 00:13:43,220 --> 00:13:46,440 I'M DETECTIVE KIRKENDALL. IS YOUR BABY OKAY? 205 00:13:47,858 --> 00:13:50,694 YEAH, UH, HE'S JUST SLEEPY. 206 00:13:50,694 --> 00:13:53,364 WHAT'S HIS NAME? 207 00:13:53,364 --> 00:13:56,867 - HE'S JUST A WEEK OLD. SHE HASN'T NAMED HIM YET. - NO, HUH? 208 00:13:56,867 --> 00:14:02,456 SHE'D LIKE TO NAME HIM AFTER ARIES, IF THAT PUNK WOULD DO WHAT HE'S SUPPOSED TO DO. 209 00:14:02,456 --> 00:14:06,410 BRENDA, LIKE I TOLD BERNARD, THERE'S A RIGHT WAY TO GET THE FATHER TO DO HIS DUTY. 210 00:14:06,410 --> 00:14:10,214 ALL RIGHT. YOU GONNA REMEMBER THOSE THINGS WE SAID? 211 00:14:10,214 --> 00:14:14,051 - YEAH. - ALL RIGHT. 212 00:14:14,552 --> 00:14:16,887 HAVE A GOOD DAY. 213 00:14:28,182 --> 00:14:30,985 A MR. CURRY CALLED FROM HIS CAR. HE SAID HE'S PARKING. 214 00:14:32,987 --> 00:14:35,856 I GOT THE BOSS. YEAH. 215 00:14:39,360 --> 00:14:41,362 DETECTIVE? 216 00:14:42,446 --> 00:14:47,368 I'VE GOT SOMETHING FOR YOUR DESK. UH-HUH. 217 00:14:47,368 --> 00:14:49,837 I NOTICED YOU HAD A FROG. 218 00:14:52,339 --> 00:14:55,009 AND HERE'S ANOTHER ONE. IT'S RUBBER. 219 00:14:55,009 --> 00:14:57,878 [ Squeaks ] YEAH. 220 00:14:57,878 --> 00:15:01,048 LIKE THE HUMAN-CONDOM CUTOFFS I'VE GOT ON FOR UNDERWEAR. 221 00:15:06,270 --> 00:15:09,189 [ Fancy ] I KNOW. IT'S A COMSTAT MEETING, LILLIAN. 222 00:15:09,189 --> 00:15:14,862 I GOTTA PREPARE MY CASES. NO, I CAN'T LEAVE EARLY. 223 00:15:14,862 --> 00:15:19,116 LOOK, IF I DON'T MAKE IT ON TIME, THEN FORGE MY SIGNATURE. 224 00:15:19,116 --> 00:15:22,820 YEAH, ALL RIGHT. [ Handset Settles In Cradle ] 225 00:15:22,820 --> 00:15:24,455 PARENTS' NIGHT AT JENNIFER'S SCHOOL. 226 00:15:24,955 --> 00:15:27,658 THE TEACHERS LAY THE WORK OUT, AND EACH PARENT'S SUPPOSED TO SIGN. 227 00:15:27,658 --> 00:15:31,629 - YOU GOT A COMSTAT MEETING IN THE MORNING, HUH? - I TOLD LILLIAN TO SIGN FOR ME. 228 00:15:31,629 --> 00:15:35,799 SO, WE GOT THIS GUY COMING UP WHO HIRED THE D.O.A.'s LIMO LAST NIGHT. 229 00:15:35,799 --> 00:15:39,837 THE D.O.A.'s WIFE SAYS THIS GUY WAS A REGULAR CUSTOMER AND THAT HE'S GAY. 230 00:15:39,837 --> 00:15:41,972 DID SHE THINK HE WAS CAPABLE OF VIOLENCE? 231 00:15:41,972 --> 00:15:44,758 DIDN'T GET THAT HIT. MAYBE HE HAD SOME NASTY FRIENDS. 232 00:15:44,758 --> 00:15:47,478 [ Simone ] THAT MUST BE HIM. 233 00:15:47,895 --> 00:15:50,397 I GOTTA TALK TO THE BOSS. ALL RIGHT, I'LL TALK TO HIM IN THE POKEY. 234 00:15:50,397 --> 00:15:52,816 YEAH, I'LL COME IN. 235 00:15:54,351 --> 00:15:59,857 I'M BEING HARASSED BY THIS P.A.A. AND I GOTTA DRAW THE LINE ON IT. 236 00:15:59,857 --> 00:16:02,192 SHE GIVE ME THAT. IT'S RUBBER. SHE'S A RUBBER FANATIC. 237 00:16:02,192 --> 00:16:06,330 TELLS ME SHE'S WEARING CONDOM UNDERGARMENTS AND EVERY OTHER DAMN THING. 238 00:16:06,330 --> 00:16:09,867 -YOU TELL HER YOU'RE MARRIED? - DON'T TAKE A BACKWARD STEP. 239 00:16:09,867 --> 00:16:13,037 ARE WE TALKING PHYSICAL ADVANCES, ANDY? 240 00:16:13,037 --> 00:16:16,006 SHE CORNERS ME ALL THE TIME. 241 00:16:16,006 --> 00:16:18,876 SHE MAKES PHYSICAL ADJUSTMENTS WITH MY COLLAR AND SO FORTH. 242 00:16:18,876 --> 00:16:21,378 YEAH. ALL RIGHT, I'LL TALK TO HER. 243 00:16:21,378 --> 00:16:23,630 YEAH, I FEEL YOU GOTTA STEP IN. 244 00:16:23,630 --> 00:16:26,684 - ALL RIGHT. - [ Groans ] 245 00:16:26,684 --> 00:16:30,054 CAN YOU BE LESS OBLIQUE ABOUT WHAT YOU NEED WITH ME? 246 00:16:30,554 --> 00:16:32,523 AT THE MOMENT I JUST NEED TO KNOW YOUR WHEREABOUTS LAST NIGHT. 247 00:16:32,523 --> 00:16:36,193 HAS SOME CRIME TAKEN PLACE? BECAUSE I CERTAINLY WASN'T INVOLVED. 248 00:16:36,193 --> 00:16:39,196 ARE YOU INTERESTED IN COOPERATING HERE, MR. CURRY? 249 00:16:39,196 --> 00:16:42,700 JUST ANSWER THE QUESTIONS THAT I'M PUTTING TO YOU, PLEASE. 250 00:16:42,700 --> 00:16:45,869 DETECTIVE SIPOWICZ, LAWRENCE CURRY. 251 00:16:45,869 --> 00:16:48,038 HOW DO YOU DO? GOOD. WHERE WERE YOU LAST NIGHT? 252 00:16:48,038 --> 00:16:52,876 MR. CURRY, WE KNOW A LIMOUSINE PICKED YOU UP AT YOUR OFFICE LAST NIGHT AT 8:00. 253 00:16:52,876 --> 00:16:57,664 WHERE'D IT TAKE YOU? I WENT TO HAVE A FEW DRINKS AT A BAR BEFORE GOING HOME. 254 00:16:57,664 --> 00:17:01,385 I'M NOT SUPPOSED TO BE DRINKING. MY WIFE DOESN'T KNOW. 255 00:17:01,385 --> 00:17:05,472 - WHAT BAR? - I DON'T REMEMBER THE NAME OF IT. 256 00:17:05,472 --> 00:17:09,259 -HOW LONG DID YOU HAVE THE LIMO? -THE DRIVER DROPPED ME AT MY HOME AROUND MIDNIGHT. 257 00:17:09,259 --> 00:17:13,263 NOW, I WANT TO KNOW WHAT THIS IS ABOUT. YOU BY YOURSELF IN THE LIMO? 258 00:17:13,263 --> 00:17:17,985 - IS MIKE KINNAN ALL RIGHT? - NO, MIKE KINNAN IS NOT ALL RIGHT. MIKE KINNAN IS DEAD. 259 00:17:17,985 --> 00:17:21,905 - OH, NO. OH, MY GOD. - WHAT DO YOU KNOW ABOUT THAT? 260 00:17:21,905 --> 00:17:23,907 - I DON'T KNOW ANYTHING ABOUT IT. - YOU'RE A LIAR. 261 00:17:23,907 --> 00:17:27,277 MR. CURRY, YOU WERE AT A GAY BAR LAST NIGHT. ISN'T THAT RIGHT? 262 00:17:28,579 --> 00:17:31,698 DID YOU PICK ANYONE UP? 263 00:17:34,618 --> 00:17:36,120 YOU UNDERSTAND THAT I'M MARRIED? 264 00:17:36,120 --> 00:17:39,373 COOPERATE AND WE WILL TRY TO MINIMIZE THE EMBARRASSMENT. 265 00:17:41,675 --> 00:17:44,428 MIKE TOOK ME TO A PLACE IN THE VILLAGE, THE FROLICS. 266 00:17:44,428 --> 00:17:46,764 THERE'S A YOUNG MAN, FREQUENTS THAT PLACE, LUKE. 267 00:17:47,264 --> 00:17:49,933 WALKS AROUND IN COWBOY BOOTS AND THIS RIDICULOUS HAT. 268 00:17:49,933 --> 00:17:52,686 I PICKED HIM UP AROUND 10:00. 269 00:17:52,686 --> 00:17:56,273 WE WENT WITH A FRIEND OF HIS I HADN'T MET... 270 00:17:56,273 --> 00:17:58,609 TO A HOTEL ON WEST 46th. 271 00:17:58,609 --> 00:18:01,812 - WHO WAS THE FRIEND? - BILLY. 272 00:18:01,812 --> 00:18:05,065 I DON'T KNOW IF EITHER OF THEM USED REAL NAMES. 273 00:18:05,065 --> 00:18:08,869 THE THREE OF YOU LEFT THE HOTEL TOGETHER AFTERWARDS? 274 00:18:08,869 --> 00:18:11,238 YOU, LUKE AND BILLY? 275 00:18:11,238 --> 00:18:13,707 MIKE TOOK ME HOME, I TIPPED HIM... 276 00:18:13,707 --> 00:18:16,126 AND TOLD HIM HE SHOULD DRIVE THE BOYS THE REST OF THE NIGHT. 277 00:18:16,126 --> 00:18:21,748 - DESCRIBE LUKE AND BILLY. - MY EXPERIENCE, THESE ARE NOT VIOLENT BOYS. 278 00:18:21,748 --> 00:18:24,001 DESCRIBE THEM PHYSICALLY, MR. CURRY. 279 00:18:24,501 --> 00:18:26,837 ALL RIGHT. OKAY. 280 00:18:26,837 --> 00:18:29,807 LUKE IS AROUND 5'6", VERY PALE SKIN, 281 00:18:29,807 --> 00:18:34,895 BROWN EYES, BLACK HAIR, MEDIUM LENGTH, DELICATE BODY. 282 00:18:34,895 --> 00:18:37,231 FACIAL HAIR? DISTINGUISHING MARKS, TATTOOS? 283 00:18:37,231 --> 00:18:40,100 HE'S CLEAN SHAVEN, NO TATTOOS. 284 00:18:40,100 --> 00:18:42,569 THE OTHER ONE DID HAVE A CUT, 285 00:18:42,569 --> 00:18:47,107 A SCAR, UH, ALONG HERE, ABOUT TWO INCHES IN LENGTH. 286 00:18:47,107 --> 00:18:51,278 - LIKE A SURGICAL SCAR? OR DID IT LOOK LIKE HE WAS STABBED? - THAT'S BEYOND MY EXPERTISE. 287 00:18:51,278 --> 00:18:54,698 GEEZ, YOU WERE EXPERT ENOUGH TO KNOW THAT THESE BOYS WEREN'T VIOLENT. 288 00:18:54,698 --> 00:18:56,950 I'M DOING MY BEST TO HELP YOU! 289 00:18:56,950 --> 00:19:00,871 THIS IS THE WORST MOMENT OF MY LIFE. CAN YOU UNDERSTAND THAT? 290 00:19:00,871 --> 00:19:04,758 - WHAT ELSE ABOUT THE OTHER ONE? - WHATEVER YOU THINK OF ME, 291 00:19:04,758 --> 00:19:09,379 I'M ABLE TO RECOGNIZE A GOOD HUMAN JUST DIED. 292 00:19:09,379 --> 00:19:13,550 HEY, THE BOYS THAT YOU PUT IN THAT CAR WITH THEIR BEAUTIFUL BODIES AND RIDICULOUS HAT, 293 00:19:13,550 --> 00:19:15,719 THOSE ARE THIEVES, MR. CURRY. 294 00:19:15,719 --> 00:19:18,939 THEY ARE HUSTLERS WHO WILL HURT WHOEVER THEY HAVE TO HURT TO GET OVER. 295 00:19:18,939 --> 00:19:23,360 YOU WANNA GET RIGHT WITH YOUR CONSCIENCE? CONCENTRATE ON HELPING US FIND THESE ASSHOLES! 296 00:19:23,360 --> 00:19:26,480 THAT'S ALL I WANNA HEAR COMING FROM YOU. 297 00:19:32,367 --> 00:19:35,237 UH, GERI? LIEUTENANT. 298 00:19:35,237 --> 00:19:39,992 THIS IS AWKWARD. I NEED TO TALK TO YOU ABOUT YOUR RELATIONSHIP WITH DETECTIVE SIPOWICZ. 299 00:19:39,992 --> 00:19:41,910 ALL RIGHT. 300 00:19:41,910 --> 00:19:47,549 HOW WOULD YOU DESCRIBE YOUR RELATIONSHIP WITH HIM? FRIENDLY. 301 00:19:47,549 --> 00:19:51,219 WELL, DETECTIVE SIPOWICZ FEELS YOU'VE BEEN, UH, INAPPROPRIATE, 302 00:19:51,219 --> 00:19:54,890 MAKING REFERENCES TO YOUR UNDERGARMENTS AND SO FORTH. 303 00:19:54,890 --> 00:19:58,310 HAVE YOU MADE THOSE KIND OF REFERENCES? 304 00:19:58,810 --> 00:20:01,313 I MAY HAVE MENTIONED I WAS WEARING A RUBBER UNDERGARMENT. 305 00:20:01,313 --> 00:20:05,567 HAD DETECTIVE SIPOWICZ INDICATED HE WAS UNCOMFORTABLE WITH THAT KIND OF TALK? 306 00:20:05,567 --> 00:20:08,654 HE SAID HE WAS MARRIED. I DIDN'T TAKE THAT AS SAYING HE WAS UNCOMFORTABLE. 307 00:20:08,654 --> 00:20:11,406 WELL, WHAT DID YOU TAKE THAT AS? 308 00:20:11,907 --> 00:20:15,077 I THOUGHT HE WAS INDICATING HE WASN'T INTERESTED IN A SERIOUS TYPE RELATIONSHIP. 309 00:20:15,077 --> 00:20:17,996 MORE OF A FUN TYPE. 310 00:20:20,499 --> 00:20:23,502 BUT YOU UNDERSTAND NOW THAT HE'S NOT INTERESTED IN THAT TYPE OF RELATIONSHIP? 311 00:20:23,502 --> 00:20:26,755 WELL, I THINK HE COULD'VE TOLD ME THAT, 312 00:20:26,755 --> 00:20:28,957 BUT YES, I DO. 313 00:20:28,957 --> 00:20:32,711 AND I'M A LITTLE OFFENDED THAT HE WOULD EXPOSE ME TO THIS KIND OF EMBARRASSMENT. 314 00:20:32,711 --> 00:20:34,680 UH-HUH. 315 00:20:34,680 --> 00:20:38,517 IF YOU'RE ASKING DO I GET THE MESSAGE, THE ANSWER IS YES. 316 00:20:38,517 --> 00:20:41,353 ALL RIGHT. 317 00:20:44,773 --> 00:20:49,444 AND I'M SORRY PEOPLE CAN'T GET PAST THEIR EMOTIONAL RESTRAINTS. 318 00:20:49,444 --> 00:20:53,198 D.O.A.'s LAST FARE GAVE US SOME GUYS TO LOOK FOR THAT WORKED OUT OF A COUPLE OF GAY BARS. 319 00:20:53,198 --> 00:20:55,117 [ Fancy ] YOU'LL GO OUT LATER ON? [ Simone ] YEAH. 320 00:20:55,450 --> 00:20:58,787 JILL. HAVE YOU MET ANDY SIPOWICZ, BOBBY SIMONE? 321 00:20:58,787 --> 00:21:01,123 I MET BOBBY. HI, ANDY. 322 00:21:01,123 --> 00:21:03,375 HOW'S IT GOING? YOU WERE AT D.O.I., HUH? 323 00:21:03,375 --> 00:21:06,044 YEAH, YEAH. BOSS, YOU GOT A MINUTE FOR ME? 324 00:21:06,044 --> 00:21:07,963 YEAH. 325 00:21:07,963 --> 00:21:10,248 THANKS. MM-HMM. 326 00:21:10,248 --> 00:21:12,551 NO CALLBACK FROM HENRY COFFIELD? 327 00:21:12,551 --> 00:21:15,470 - NO. - YOU WANNA START WORKING ON THIS? 328 00:21:15,470 --> 00:21:18,006 YEAH, LET ME GET STARTED. 329 00:21:24,062 --> 00:21:28,066 WHAT A LITTLE BABY YOU ARE. WHAT A LITTLE TATTLETALE. 330 00:21:30,068 --> 00:21:33,822 THAT GUY I TALKED TO EARLIER, SAID HE WAS GETTING THREATENED? YEAH. WHAT'S IT ABOUT? 331 00:21:33,822 --> 00:21:36,274 HIS EX-GIRLFRIEND'S BROTHER WAS HASSLING HIM... 332 00:21:36,274 --> 00:21:38,777 OVER NOT TAKING RESPONSIBILITY FOR THE GIRLFRIEND'S BABY. 333 00:21:38,777 --> 00:21:42,280 - I WENT TO TALK TO THE BROTHER, TRY TO COOL IT OUT. - DURING A MEAL PERIOD? 334 00:21:42,280 --> 00:21:46,001 THE EX-GIRLFRIEND WAS THERE ALONG WITH THE WEEK-OLD BABY, BAWLING THE WHOLE TIME. 335 00:21:46,001 --> 00:21:50,205 LIEU, A WEEK OLD INFANT CRIES, THE MOTHER'S BREASTS START GOING LIKE SPIGOTS. 336 00:21:50,205 --> 00:21:52,791 THIS GIRL JUST STOOD THERE. SO, YOU THINK THE BABY'S NOT HERS? 337 00:21:52,791 --> 00:21:56,795 I'M WONDERING IF I SHOULDN'T BE LOOKING FOR REPORTS OF MISSING BLACK NEWBORNS. 338 00:21:56,795 --> 00:22:00,048 WELL, YOU CAN DO THAT, JILL. BUT YOU NEED TO HEAR ME ON GOING OUT BY YOURSELF. 339 00:22:00,048 --> 00:22:04,052 IT WAS A SOFT COMPLAINT. I DIDN'T WANT US TO HAVE TO TAKE A CASE ON IT AND GET NO CLEARANCE. 340 00:22:04,052 --> 00:22:07,472 UNDERSTOOD. ON THE OTHER HAND, YOU GO OUT BY YOURSELF DURING A MEAL PERIOD, 341 00:22:07,472 --> 00:22:10,892 SOME KIND OF BEEF GETS FILED, HOW DO WE BACK UP YOUR VERSION OF THE STORY? 342 00:22:10,892 --> 00:22:13,195 YOU'RE RIGHT. OKAY. 343 00:22:13,195 --> 00:22:16,648 REACH OUT TO MISSING PERSONS. 344 00:22:25,123 --> 00:22:28,126 [ Chattering ] ???? [ Dance ] 345 00:22:39,387 --> 00:22:42,307 -TALK TO THE BARTENDER? - YEAH. 346 00:22:42,307 --> 00:22:46,228 HE'S GONNA GIVE YOU THE HIGH SIGN? IF ONE OF THEM SHOW UP. 347 00:22:46,228 --> 00:22:49,431 THESE PUNKS GOT HALF A BRAIN BETWEEN 'EM, THEY'LL BE HITTING FLORIDA BY NOW. 348 00:22:49,931 --> 00:22:52,734 AND IF THEY DON'T, THEY WILL BE HERE ON THE HUSTLE. 349 00:22:52,734 --> 00:22:54,820 HOW'S RUSSELL DOING ON HER UNDERCOVER? 350 00:22:54,820 --> 00:22:59,574 I GUESS OKAY. SHE DON'T TALK TO ME MUCH ABOUT IT. 351 00:22:59,574 --> 00:23:01,243 HI. 352 00:23:02,627 --> 00:23:04,863 GET THE HELL AWAY FROM ME. 353 00:23:07,415 --> 00:23:09,868 IS THAT OUR BOY THERE? 354 00:23:09,868 --> 00:23:12,370 RIGHT THERE. 355 00:23:14,956 --> 00:23:18,260 THAT'S HIM. YOU SEE ANYONE ELSE WHO LOOKS LIKE THE OTHER GUY? 356 00:23:18,260 --> 00:23:22,130 [ Simone ] THE GUY OVER THERE IN THE GRAY SUIT MUST'VE BEEN WAITING FOR HIM. 357 00:23:22,631 --> 00:23:24,132 THEY'RE GETTING READY TO LEAVE, ANDY. 358 00:23:24,633 --> 00:23:28,353 KID LOOKS LIKE HE'S PACKING ON HIS LEFT SIDE. YEAH, I CAUGHT THAT. 359 00:23:28,353 --> 00:23:31,356 COME HERE. COME HERE. RELAX! RELAX! 360 00:23:31,356 --> 00:23:34,943 - [ Simone ] JUST LIKE THAT, LUKE. - HOW DO YOU KNOW MY NAME? 361 00:23:34,943 --> 00:23:38,613 HE GOT HIT IN THE HEAD WITH A METEOR WHEN HE WAS A KID, GAVE HIM STRANGE MENTAL POWERS. 362 00:23:38,613 --> 00:23:44,069 COME ON. BACK OFF. SORRY, GUYS. I ONLY GOT ONE SET OF CUFFS. 363 00:23:58,834 --> 00:24:00,969 - SO, WHAT'S YOUR REAL NAME? - RICK OUSLEY. 364 00:24:00,969 --> 00:24:04,673 THIS COULDN'T BE ANY MORE SIMPLE, RICK. WE'VE GOT A MURDERED LIMOUSINE DRIVER. 365 00:24:04,673 --> 00:24:08,093 WE'VE GOT A WITNESS THAT PUTS YOU AND YOUR FRIEND BILLY IN BACK OF THAT LIMOUSINE. 366 00:24:08,093 --> 00:24:10,729 WE'VE GOT THE VICTIM'S REGISTERED .32 IN YOUR POCKET. 367 00:24:10,729 --> 00:24:15,483 THE ONLY WAY YOU IMPROVE YOUR SITUATION IS YOU TELL US EVERYTHING WENT DOWN... 368 00:24:15,483 --> 00:24:19,154 BETWEEN YOU, YOUR PARTNER AND THAT DRIVER. 369 00:24:19,154 --> 00:24:22,073 - THEN WHAT HAPPENS? - WELL, THAT DEPENDS ON WHO DID WHAT. 370 00:24:22,073 --> 00:24:24,576 PLUS MITIGATING FACTORS LIKE REMORSE. 371 00:24:24,576 --> 00:24:27,329 I DIDN'T SHOOT THAT DRIVER. 372 00:24:28,914 --> 00:24:30,949 - BILLY SHOT HIM. - WHAT'S BILLY'S REAL NAME? 373 00:24:30,949 --> 00:24:32,784 - BILL LYNCH. - WHY'D HE SHOOT THE DRIVER? 374 00:24:32,784 --> 00:24:37,505 DIDN'T WANT TO DRIVE US, AFTER LARRY HAD PAID HIM. TRIED TO THROW US OUT OF HIS CAR. 375 00:24:37,505 --> 00:24:40,709 WAS THERE SOME KIND OF DISAGREEMENT THERE? 'CAUSE THAT COULD BE SIGNIFICANT. 376 00:24:40,709 --> 00:24:43,261 THERE WAS. THERE WAS. BILLY HAD SOME SPEED. 377 00:24:43,261 --> 00:24:45,630 AND HE WAS SNORTING IT IN THE BACKSEAT, 378 00:24:45,630 --> 00:24:47,549 AND THE DRIVER PULLED OVER AND HE SAID, "GET THE HELL OUT." 379 00:24:47,549 --> 00:24:51,970 BILLY WAS LIKE, "NO WAY. THAT OLD GUY JUST PAID YOU $100 TO TAKE US WHERE WE WANTED TO GO." 380 00:24:51,970 --> 00:24:55,640 SO, ME AND BILLY, WE WOULDN'T GET OUT OF THE CAR. 381 00:24:55,640 --> 00:24:58,727 WELL, FINALLY WE DID. I GOT OUT FIRST AND THEN BILLY. 382 00:24:58,727 --> 00:25:00,946 I THOUGHT WE WERE JUST GONNA TALK IT OUT. 383 00:25:00,946 --> 00:25:04,232 MM-HMM. AND THEN WHAT HAPPENED? 384 00:25:04,232 --> 00:25:08,453 BILLY SAID, "WELL, YOU'RE NOT GONNA DRIVE US LIKE THE OLD GUY SAID. 385 00:25:08,954 --> 00:25:12,791 THEN GIVE US THAT $100 HE GAVE YOU." THEN THE DRIVER STARTED NAME-CALLING. 386 00:25:12,791 --> 00:25:17,045 AND THAT'S WHEN BILLY TOOK OUT THIS GUN THAT HE'S GOT AND HE SAID, 387 00:25:17,045 --> 00:25:22,083 "OKAY, HOW ABOUT THIS?" THAT SHUT THAT SUCKER UP. HE GAVE UP THE $100 THAT POINT. 388 00:25:22,083 --> 00:25:24,886 NO SHOOTING AT THAT POINT, THOUGH? 389 00:25:24,886 --> 00:25:28,223 ABSOLUTELY NOT. AND I THOUGHT IT WAS SETTLED. 390 00:25:28,223 --> 00:25:31,559 BUT BILLY MUST'VE HAD TROUBLE ON HIS MIND, HUH? 391 00:25:31,559 --> 00:25:33,428 BILLY TOLD THE DRIVER TO MOVE AWAY FROM THE CAR. 392 00:25:33,428 --> 00:25:35,764 SO, THE DRIVER, HE STEPS AWAY, BUT BILLY-- 393 00:25:35,764 --> 00:25:39,150 BILLY FIRES A SHOT ANYWAY. 394 00:25:39,150 --> 00:25:41,186 NOW, I SWEAR, I DIDN'T KNOW HE WAS LIKE THAT. 395 00:25:41,403 --> 00:25:43,738 - HE JUST FIRES THE ONE SHOT? - THE DRIVER GOES DOWN. BUT THE GUY, 396 00:25:43,738 --> 00:25:47,025 HE STARTS GROPING FOR HIS ANKLE AND BILLY PUMPED A FEW MORE SHOTS INTO HIM. 397 00:25:47,025 --> 00:25:51,780 REACHED DOWN, HE TOOK THE GUY'S GUN OUT OF HIS THING. HE SAID, "LET'S GO." 398 00:25:51,780 --> 00:25:55,166 I'M TOTALLY NUMB AT THAT POINT. HOW'S THE DRIVER'S GUN GET IN YOUR POCKET? 399 00:25:55,166 --> 00:25:59,788 BILLY SAID THAT YOU NEED SOMETHING ON THE STREET TO HANDLE YOURSELF. 400 00:25:59,788 --> 00:26:03,174 HE KNOWS MORE THAN I DO. I'VE ONLY BEEN OUT THERE, LIKE, A COUPLE OF MONTHS. 401 00:26:03,174 --> 00:26:05,126 HE'S BEEN OUT THERE, LIKE, A COUPLE OF YEARS. SO, HE GAVE IT TO ME. 402 00:26:05,627 --> 00:26:08,430 - WHERE'S BILLY NOW? - HE WAS HEADED FOR JERSEY. 403 00:26:08,430 --> 00:26:10,765 EVENTUALLY HE WAS HEADED FOR FLORIDA, BUT HE SAID HE'D GET HIMSELF PICKED UP... 404 00:26:10,765 --> 00:26:12,968 AT A TRUCK STOP AND LEAVE THE LIMO THERE. 405 00:26:12,968 --> 00:26:15,220 WHAT WAS HE GONNA GO TO FLORIDA FOR? 406 00:26:15,220 --> 00:26:19,024 HE'S POSITIVE. YOU KNOW, THE H.I.V. BUG. 407 00:26:19,024 --> 00:26:21,810 HE'S GOT THIS GUY IN DAYTONA HE WAS SCREWING FOR HIS MEDS. SOME KIND OF NEW INHIBITORS. 408 00:26:21,810 --> 00:26:24,980 - YOU KNOW THAT GUY'S NAME? - NO, I-- 409 00:26:24,980 --> 00:26:28,483 I GOT THE GUY'S PHONE CREDIT CARD. 410 00:26:28,483 --> 00:26:32,120 THAT WOULD BE IN YOUR WALLET. YOU GUYS TOOK THAT, YOU PUT IT IN A MANILA ENVELOPE. 411 00:26:32,120 --> 00:26:35,290 - YOU'RE GONNA HAVE TO WRITE ALL THIS DOWN FOR US. - WE GOT IN THE LIMO... 412 00:26:35,290 --> 00:26:37,292 AND BILLY WAS DRIVING AND HE'S FREAKING OUT, RIGHT? 413 00:26:37,792 --> 00:26:41,296 HE'S SAYING, "WE GOTTA GET OUT OF NEW YORK." I'M LIKE, I JUST GOT TO NEW YORK. 414 00:26:41,296 --> 00:26:45,467 PLUS I DIDN'T SHOOT ANYBODY, SO I DON'T GOTTA RUN. 415 00:26:48,420 --> 00:26:51,306 SO, YOU WANT ME TO STRESS HOW SHOOTING THAT GUY-- THAT THAT WAS ALL BILLY, RIGHT? 416 00:26:51,306 --> 00:26:53,675 AND THAT I WAS TRYING TO SETTLE THE ARGUMENT? 417 00:26:53,675 --> 00:26:57,178 WE'RE DESPERATE TO HAVE YOU DO THAT. 418 00:26:57,178 --> 00:26:59,814 I'M GLAD I TOLD YOU WHAT HAPPENED. 419 00:26:59,814 --> 00:27:02,567 I FEEL A LITTLE BIT BETTER. I FEEL LESS REMORSE. 420 00:27:12,610 --> 00:27:15,330 THAT'S NICE OF YOU. I'LL THINK ABOUT IT. 421 00:27:15,697 --> 00:27:19,034 LIEU, MORNING. MORNING. HOW'D YOU DO WITH MISSING PERSONS? 422 00:27:19,034 --> 00:27:21,503 ONE POSSIBLE. A BLACK WOMAN CHECKED OUT... 423 00:27:21,503 --> 00:27:23,288 OF ROOSEVELT HOSPITAL LAST WEEK WITH A NEWBORN. 424 00:27:23,288 --> 00:27:25,423 HER MOTHER REPORTED HER MISSING THREE DAYS AGO, 425 00:27:25,423 --> 00:27:27,842 BUT NOW SHE THINKS SHE MIGHT'VE GONE TO NORTH CAROLINA. 426 00:27:27,842 --> 00:27:30,128 CAN'T MOVE ON THAT. I'M GONNA PUT YOU INTO THE CATCHING ORDER. 427 00:27:30,128 --> 00:27:34,299 - OKAY. - NO MORE SOCIAL WORK FOR THIS GUY. 428 00:27:35,800 --> 00:27:38,219 ARIES, WHAT'S GOING ON? 429 00:27:38,720 --> 00:27:40,722 BERNARD ROLLED UP ON ME IN HIS RAGGEDY-ASS PONTIAC. 430 00:27:41,222 --> 00:27:44,726 SLAMMED ME UP AGAINST A BRICK WALL WANTING TO KNOW WHY DID I BRING THE COPS INTO IT. 431 00:27:44,726 --> 00:27:48,063 HE WOULD'VE KILLED ME RIGHT THERE IF I DIDN'T SAY I WOULD MARRY BRENDA. 432 00:27:48,063 --> 00:27:51,316 WHEN YOU BROKE UP WITH BRENDA, SHE DIDN'T SAY ANYTHING ABOUT BEING PREGNANT? 433 00:27:51,316 --> 00:27:55,787 YOU DON'T SEEM TOO IMPRESSED ABOUT ME GETTING SLAPPED UP. HE CHOKED ME BY MY NECK. 434 00:27:55,787 --> 00:27:57,572 I'M GONNA LOOK AT THAT. 435 00:27:58,039 --> 00:28:00,542 FAR AS BEING PREGNANT, I RAN INTO HER TWO MONTHS AGO, SHE DIDN'T HAVE TWO WORDS TO SAY. 436 00:28:00,542 --> 00:28:04,546 HOW DID SHE LOOK? DIDN'T LOOK PREGNANT. SHE'S SO DAMN BIG THOUGH, WHO'S TO SAY. 437 00:28:04,546 --> 00:28:07,248 ARE YOU WILLING TO PRESS CHARGES AGAINST BERNARD? 438 00:28:07,248 --> 00:28:11,669 WHAT CHOICE DO I GOT? I AIN'T MARRYING HIS SISTER. 439 00:28:11,669 --> 00:28:15,723 - WE'RE GONNA PICK HIM UP. - YOU THINK THEY'RE SCAMMING? 440 00:28:15,723 --> 00:28:19,594 - THAT BABY AIN'T EVEN HERS? - I'M NOT SURE WHAT'S GOING ON. 441 00:28:19,594 --> 00:28:22,480 MAKE YOURSELF COMFORTABLE. WHERE DID THE KID COME FROM THEN? 442 00:28:22,480 --> 00:28:26,985 4:00, HENRY. THAT'S RIGHT. YOU DON'T SHOW UP HERE, I'M COMING TO BROOKLYN. 443 00:28:26,985 --> 00:28:29,988 I'M GONNA PADLOCK YOUR APARTMENT AND YOUR ASS IS GONNA BE OUT ON THE STREET. 444 00:28:29,988 --> 00:28:32,157 HI, BOBBY. 445 00:28:34,275 --> 00:28:36,528 UNFAMILIAR FACE. 446 00:28:36,528 --> 00:28:39,197 THERE'S ANOTHER ONE. 447 00:28:39,197 --> 00:28:44,702 JILL, UH, KIRKENDALL. CAME OVER FROM DEPARTMENT OF INVESTIGATIONS. 448 00:28:44,702 --> 00:28:49,457 WHAT'S SHE LIKE? I DON'T KNOW. I HAVEN'T GOTTEN A CHANCE TO WORK WITH HER YET. 449 00:28:49,457 --> 00:28:51,960 SO, HOW'S YOUR STUFF GOING WITH JIMMY LIERY? 450 00:28:52,460 --> 00:28:53,962 HE'S EXPANDED HIS CIRCLE OF FRIENDS. 451 00:28:54,462 --> 00:28:56,848 I GUESS HANGING AROUND THE AIRPORT WILL DO THAT FOR YOU. 452 00:28:56,848 --> 00:28:59,184 I DON'T KNOW WHAT THAT MEANS, DIANE. 453 00:28:59,184 --> 00:29:03,438 HE'S NOT JUST HANGING OUT WITH RUSTY STICKUP GUYS ANYMORE. 454 00:29:07,692 --> 00:29:12,697 YOU GONNA TELL ME ANY MORE OR YOU JUST GONNA SAY ENOUGH TO MAKE ME CRAZY HERE? 455 00:29:12,697 --> 00:29:15,867 I DON'T KNOW HOW TO TALK TO YOU ABOUT IT, BOBBY. 456 00:29:15,867 --> 00:29:18,069 IT'S NOT A LOT OF FUN FOR ME. YOU SHOULD TELL THAT TO THE BOSS. 457 00:29:18,069 --> 00:29:21,206 - I'M ON THE GUY FOR REASONS. - YOU SCREW THEIR REASONS. 458 00:29:21,206 --> 00:29:24,792 THIS GUY LIERY'S NOT SETTING UP TO DYNAMITE THE WORLD TRADE CENTER, IS HE? 459 00:29:24,792 --> 00:29:27,662 I'M NOT SURE WHAT HE'S SETTING UP TO DO YET. 460 00:29:27,662 --> 00:29:32,133 I'M NOT DRINKING WITH HIM AND I'M NOT SLEEPING WITH HIM, OKAY? 461 00:29:35,553 --> 00:29:39,057 MUGGING IT UP A LITTLE BIT WITH HIM, MAYBE? OH, BOBBY. 462 00:29:39,057 --> 00:29:42,810 [ Fancy ] GO OUT WITH JILL. PICK A GUY UP. 463 00:29:42,810 --> 00:29:46,431 I GOTTA GO MEET LIERY. OKAY, EVERYONE BUT DIANE. 464 00:29:46,431 --> 00:29:48,933 - DIANE RUSSELL. - JILL KIRKENDALL. 465 00:29:48,933 --> 00:29:52,570 I'M SORRY, I'M ON A CASE. LOOK FORWARD TO WORKING WITH YOU. 466 00:29:52,570 --> 00:29:54,906 [ Sipowicz ] ALL SET? I GOT THE KEYS. 467 00:30:14,008 --> 00:30:16,844 ACTS LIKE SHE'D JUST AS SOON BE CHANGING A TIRE. 468 00:30:18,296 --> 00:30:20,632 SO, HOW'S DIANE LIKING THAT UNDERCOVER SHE'S ON? 469 00:30:20,632 --> 00:30:23,851 I'M NOT TOO SURE. SHE'S NOT TOO COMFORTABLE TALKING ABOUT IT. 470 00:30:23,851 --> 00:30:28,056 YEAH, I DON'T KNOW HOW COMFORTABLE I'D BE WORKING LIKE THAT. 471 00:30:28,056 --> 00:30:29,974 GUYS PUTTING THEIR HANDS ON, SO FORTH. 472 00:30:30,475 --> 00:30:32,977 IT'S NOT SOMETHING YOU GOTTA WORRY ABOUT, RIGHT, GREG? 473 00:30:36,281 --> 00:30:39,484 THERE HE IS. 474 00:30:41,536 --> 00:30:44,989 [ Bernard ] WHAT YOU DOIN'? I'M TRYING TO PUT THIS-- 475 00:30:44,989 --> 00:30:47,208 YOU GOTTA COVER THE BABY'S HEAD, MAN. 476 00:30:47,208 --> 00:30:50,461 OH, I DON'T-- WELL, COVER HIS HEAD FOR ME. 477 00:30:50,461 --> 00:30:52,046 - DON'T EVEN THINK ABOUT RUNNING. - FREEZE! 478 00:30:52,046 --> 00:30:55,049 PUT YOUR HANDS FLAT AGAINST THE CAR. PUT YOUR HANDS ON THE CAR! 479 00:30:55,049 --> 00:30:57,835 - NOW, BERNARD, DO IT! -PUT YOUR HANDS FLAT ON THE TOP! 480 00:30:57,835 --> 00:31:01,556 WHAT ARE YOU DOING TO HIM? WHY ARE YOU ALL LANDING ON ME? 481 00:31:01,556 --> 00:31:04,225 ARIES SAID HE GONNA MARRY HER, SO THERE AIN'T EVEN A ISSUE NO MORE. 482 00:31:04,225 --> 00:31:06,844 WHAT SOMEBODY SAYS WITH YOUR HANDS AROUND THEIR THROAT, THAT CAN'T BE HELD TO THEM. 483 00:31:06,844 --> 00:31:09,597 - THAT PUNK BETTER NOT BACK OUT. - SHUT UP. 484 00:31:09,597 --> 00:31:13,985 - BRENDA, WE'RE TAKING YOU IN ALSO. - BERNARD. 485 00:31:13,985 --> 00:31:16,988 YOU DON'T WANNA KNOW WHAT I'D DO YOU DIDN'T HAVE THAT BADGE AND GUN. 486 00:31:16,988 --> 00:31:20,908 THAT'S GONNA REMAIN ONE OF THOSE THEORETICAL QUESTIONS, BERNARD. 487 00:31:31,453 --> 00:31:34,122 RIGHT THIS WAY. 488 00:31:37,492 --> 00:31:40,245 I'D LIKE TO TALK TO YOU, DETECTIVE. JUST HANG ON A SECOND. 489 00:31:43,548 --> 00:31:46,218 - COFFEE ROOM? - YEAH. LET ME JUST TALK TO THE BOSS. 490 00:31:46,218 --> 00:31:48,220 [ Kirkendall ] OKAY. ANY PROBLEMS? 491 00:31:48,220 --> 00:31:51,890 THERE MIGHT BE SOME THINKING THAT THIS BABY GOT STOLEN. 492 00:31:51,890 --> 00:31:54,676 THERE'S A REAL WEIRD HIT COMING OFF THIS GIRL. 493 00:31:54,676 --> 00:31:58,980 SO WHY IS THIS GUY WHO HIRED THE LIMO BACK HERE? 494 00:31:58,980 --> 00:32:02,150 HE BROUGHT A LAWYER FOR THE PERP, ASKED TO TALK TO YOU AND ANDY. 495 00:32:02,150 --> 00:32:04,986 LAWYERS UP THE KID WHO DOES THE MURDER. 496 00:32:04,986 --> 00:32:08,490 YOU SHOULD'VE HEARD THIS GUY IN THE INTERVIEW. HE'S ALL TORN UP THE D.O.A. GOT MURDERED. 497 00:32:08,490 --> 00:32:10,692 LOOKS LIKE HE GOT OVER IT. 498 00:32:10,692 --> 00:32:15,080 DON'T SPEND TOO MUCH TIME WITH THIS ASSHOLE. I WANT YOU IN WITH KIRKENDALL. 499 00:32:18,533 --> 00:32:22,454 - WHAT DO YOU WANT? - I ENGAGED A LAWYER ONLY ON THE BASIS... 500 00:32:22,454 --> 00:32:25,206 OF LUKE HAVING NOTHING TO DO WITH THIS SHOOTING. 501 00:32:25,206 --> 00:32:27,876 HE SAID HE MADE YOU UNDERSTAND THIS. 502 00:32:27,876 --> 00:32:31,296 YOU'RE NOT AS STUPID AS YOU'D NEED TO BE TO BELIEVE WHAT YOU'RE SAYING TO ME RIGHT NOW. 503 00:32:31,296 --> 00:32:34,766 - ARE YOU SAYING YOU DIDN'T BELIEVE LUKE'S STORY? - YOU KNOW I DIDN'T. 504 00:32:34,766 --> 00:32:37,519 THAT'S ABSOLUTELY NOT TRUE. LUKE TOLD ME... 505 00:32:37,519 --> 00:32:41,056 IT WAS BILLY WHO POINTED THE GUN AND BILLY WHO SHOT IT. 506 00:32:41,056 --> 00:32:43,892 NOW, UNDER THOSE CIRCUMSTANCES, I WANTED TO MAKE SURE... 507 00:32:43,892 --> 00:32:47,896 LUKE DOESN'T GET USED AS A PATSY BECAUSE HE'S IN CUSTODY AND BILLY GOT AWAY. 508 00:32:47,896 --> 00:32:51,900 NAH, US EVIL, LAZY COPS DON'T NEED TO USE LUKE AS A PATSY, MR. CURRY. 509 00:32:52,400 --> 00:32:54,903 SEE, 'CAUSE BILLY'S BANGING A SCUMBAG A LOT LIKE YOU DOWN IN FLORIDA. 510 00:32:54,903 --> 00:32:57,405 WE GOT WAYS TO REACH OUT FOR BILLY. 511 00:32:59,908 --> 00:33:04,245 AND YOU'RE NOT HERE TO PROTECT LUKE. YOU'RE HERE TO GET OFF ON HIM. 512 00:33:06,047 --> 00:33:08,583 TO SIT THERE ALL EXCITED IN THE VISITORS' ROOM, 513 00:33:09,084 --> 00:33:11,419 REALLY COMING TO UNDERSTAND LUKE'S AWFUL LIFE GROWING UP. 514 00:33:11,419 --> 00:33:13,838 NO WONDER HE TURNED OUT TO BE A MURDERING WHORE. 515 00:33:13,838 --> 00:33:17,642 HE SEEMS TO HAVE CAPTURED YOUR IMAGINATION AS WELL. 516 00:33:17,642 --> 00:33:20,011 HMM. 517 00:33:21,012 --> 00:33:23,014 WELL, THERE YOU GO, MR. CURRY. 518 00:33:23,014 --> 00:33:27,485 ALL THAT A.C.L.U. STUFF, THAT'S OUT THE WINDOW, JUST YOU AND YOUR DIRTY SOUL. 519 00:33:27,485 --> 00:33:31,906 GERI. YOU CALL ME IF THIS DEGENERATE DON'T LEAVE. 520 00:33:39,030 --> 00:33:42,167 WHERE'S BERNARD? 521 00:33:42,167 --> 00:33:44,452 SOME OTHER DETECTIVES ARE TALKING TO HIM RIGHT NOW. 522 00:33:44,452 --> 00:33:47,839 I'M ASKING ABOUT YOUR BABY. I'D THINK YOU'D BE MORE WORRIED ABOUT HIM. 523 00:33:47,839 --> 00:33:50,675 [ Cooing ] 524 00:33:50,675 --> 00:33:53,595 I'M ASKING WHERE HE WAS BORN. WHAT HOSPITAL? 525 00:33:53,595 --> 00:33:56,181 BETH ISRAEL. WHAT DAY? 526 00:33:56,181 --> 00:33:59,267 LAST WEEK. HOW LONG WAS YOUR LABOR? 527 00:34:02,721 --> 00:34:07,058 BRENDA, ME AND DETECTIVE SIMONE BOTH GOT KIDS. 528 00:34:07,058 --> 00:34:09,194 IT'S WRITTEN ALL OVER YOUR FACE THIS IS NOT YOUR BABY. 529 00:34:09,194 --> 00:34:13,114 WHEN CAN I SEE BERNARD? TELL ME ABOUT THE BABY. 530 00:34:13,114 --> 00:34:15,817 THAT'S THE ONLY WAY WE CAN KEEP YOU TOGETHER. 531 00:34:15,817 --> 00:34:18,486 ME AND BERNARD? THAT'S RIGHT. 532 00:34:20,989 --> 00:34:22,991 OH. 533 00:34:22,991 --> 00:34:26,461 BERNARD THOUGHT TO DO IT. 534 00:34:26,461 --> 00:34:30,832 'CAUSE THIS WAY ARIES WOULD MARRY ME 'CAUSE I LIKED HIM. 535 00:34:31,332 --> 00:34:33,385 TELL ME HIS PLAN. 536 00:34:34,886 --> 00:34:37,889 UM, UH-- 537 00:34:37,889 --> 00:34:41,676 HUNG AROUND THE HOSPITAL, OUT THE ENTRANCE. 538 00:34:41,676 --> 00:34:43,978 AND WHEN THE GIRLS WOULD COME OUT WITH THEIR BABIES, 539 00:34:43,978 --> 00:34:48,266 I'D SAY THAT THEY COULD RIDE IN BERNARD'S CAR FOR A DOLLAR TO WHERE THEY LIVED. 540 00:34:48,266 --> 00:34:51,236 AND THIS GIRL WANTED A RIDE. 541 00:34:51,236 --> 00:34:54,739 SO, BERNARD LIED IN THE CAR. 542 00:34:54,739 --> 00:34:59,911 HE SAID I COULDN'T HAVE BABIES AND SHE COULD HAVE $500 FOR HERS. 543 00:35:01,830 --> 00:35:04,165 AND THEN SHE WANTED TO GET OUT OF THE CAR. 544 00:35:04,165 --> 00:35:09,087 AND THEN THIS GIRL STARTED YELLING. 545 00:35:09,087 --> 00:35:14,092 SO, HE GOT HER AROUND THE THROAT IN THE ALLEY SO SHE'D BE QUIET. 546 00:35:16,211 --> 00:35:18,012 AND YOU TOOK HER BABY. 547 00:35:24,352 --> 00:35:26,221 [ Sniffles ] 548 00:35:26,221 --> 00:35:29,224 WHERE'S THE WOMAN'S BODY? 549 00:35:30,475 --> 00:35:33,278 [ Sniffles ] SHE'S IN THE ALLEY. 550 00:35:33,278 --> 00:35:37,115 BERNARD WAS GONNA PAY HER. HE HAD A MONEY ORDER TO FILL OUT. 551 00:35:37,115 --> 00:35:40,819 YOU GOTTA TAKE US TO THE ALLEY BEFORE YOU CAN SEE BERNARD. 552 00:35:40,819 --> 00:35:43,488 THEN I CAN SEE HIM? 553 00:35:43,488 --> 00:35:45,373 ABSOLUTELY. 554 00:35:46,825 --> 00:35:48,660 OKAY. I THINK I CAN FIND IT. 555 00:35:50,078 --> 00:35:53,715 [ Knocking ] EXCUSE ME. 556 00:35:53,715 --> 00:35:55,884 IS THAT HENRY? YEAH. 557 00:35:55,884 --> 00:35:58,002 JILL'S GONNA NEED YOU TO TAKE A RIDE WITH HER AND BRENDA. 558 00:35:58,002 --> 00:35:59,804 SURE. 559 00:35:59,804 --> 00:36:02,173 NICE PIECE OF CONVERSATION THERE, DETECTIVE. 560 00:36:12,100 --> 00:36:14,402 SOMEONE USING MY ROOM? WHAT DO YOU MEAN? 561 00:36:14,402 --> 00:36:19,274 I WAS SAYING, IS SOMEONE USING THE COFFEE ROOM? NOPE. 562 00:36:19,274 --> 00:36:22,777 SO, WHAT DID THOSE BROOKLYN DETECTIVES THINK OF THOSE GUYS? 563 00:36:22,777 --> 00:36:25,580 WHAT DID THEY THINK ABOUT THE SHYLOCKS YOU OWED? SOLESTRI AND LEONE. 564 00:36:27,582 --> 00:36:31,002 THEY WEREN'T INVOLVED IN THE HOMICIDE. 565 00:36:31,002 --> 00:36:32,837 YOU SURE ABOUT THAT? 566 00:36:32,837 --> 00:36:35,290 YEAH, THEY'RE SURE AND I'M SURE ABOUT IT, HENRY, 567 00:36:35,290 --> 00:36:39,344 SO SHUT YOUR MOUTH ABOUT SOLESTRI AND LEONE. 568 00:36:39,344 --> 00:36:42,964 WHO ARE YOU, THE BAD GUY INHOGAN'S HEROES? 569 00:36:44,265 --> 00:36:46,551 WHO ELSE SHOULD WE BE LOOKING AT, HENRY? 570 00:36:46,551 --> 00:36:48,186 YOU WANT TO GIVE ME MY GLASSES BACK? 571 00:36:48,186 --> 00:36:50,722 WHO ELSE SHOULD WE BE LOOKING AT FOR KILLING THIS GIRL? 572 00:36:50,722 --> 00:36:54,192 I'VE TOLD EVERYONE I COULD THINK OF INCLUDING THOSE SHYLOCKS. 573 00:36:54,192 --> 00:36:56,477 YOU WANT, I'LL PICK SOME NAMES OUT OF THE PHONE BOOK. 574 00:36:56,477 --> 00:36:58,897 NO, HENRY, WHAT YOU SAID FIRST... 575 00:36:58,897 --> 00:37:01,399 WAS THAT YOU DIDN'T KNOW ANYONE THAT COULD'VE BEEN INVOLVED. 576 00:37:01,399 --> 00:37:03,902 THAT WAS IN THE HALLWAY WHEN THAT GIRL WAS LYING THERE DEAD. 577 00:37:03,902 --> 00:37:08,740 THEN YOU GIVE DETECTIVE SAVINO ABOUT A HALF DOZEN NAMES. PEOPLE YOU COP REEFER FROM. 578 00:37:08,740 --> 00:37:11,709 PEOPLE YOU COP SPEED FROM. PEOPLE FROM THE O.T.B. 579 00:37:11,709 --> 00:37:15,380 YOU GAVE HIM A HALF DOZEN ZEROS IS WHAT YOU DID, HENRY. 580 00:37:17,999 --> 00:37:22,420 SO, NOW YOU'RE HUMILIATING ME? YOU TAKE MY GLASSES OFF MY FACE? 581 00:37:22,420 --> 00:37:25,590 WHAT, YOU WANT TO MAKE ME FEEL BAD? I LOOK LIKE A MOLE. 582 00:37:25,590 --> 00:37:28,309 I KNOW WHAT I LOOK LIKE. SEE, WHAT I'M WONDERING, 583 00:37:28,309 --> 00:37:31,396 A GUY WHO CAN'T KEEP AN APPOINTMENT UNTIL HE STIFFS ON A FEW FIRST, 584 00:37:31,396 --> 00:37:33,181 MAYBE HE CAN'T COME UP WITH THE RIGHT SUSPECTS... 585 00:37:33,181 --> 00:37:36,601 UNTIL HE STIFFS OUT ON A FEW OF THEM TOO. 586 00:37:36,601 --> 00:37:39,988 I DON'T EVEN UNDERSTAND WHAT YOU'RE SAYING, AND I THINK YOU'RE A TOTAL ASSHOLE. 587 00:37:46,694 --> 00:37:49,581 I'M DONE PLAYING WITH YOU, 588 00:37:49,581 --> 00:37:51,416 YOU TWITCHY LITTLE CREEP. 589 00:37:51,416 --> 00:37:55,420 I'VE TOLD YOU EVERYTHING I COULD THINK OF, YOU SON OF A BITCH! 590 00:37:55,420 --> 00:37:59,374 NOW, GIVE ME MY GLASSES! I WILL BREAK YOUR GLASSES IN TWO, HENRY! 591 00:37:59,874 --> 00:38:02,126 I WILL TAKE YOUR SHOES FROM YOUR FEET... 592 00:38:02,126 --> 00:38:04,429 AND I WILL KICK YOU OUT OF THIS BUILDING BAREFOOT. 593 00:38:04,429 --> 00:38:08,216 I DON'T KNOW WHO IT COULD'VE BEEN! OH, YES, YOU DO. YOU DO! 594 00:38:08,216 --> 00:38:10,268 YOU'RE LOOKING FOR THE GUTS TO COME UP WITH IT. 595 00:38:10,268 --> 00:38:14,555 I DON'T. I LIKED HER SO MUCH. I RESPECT YOU. 596 00:38:14,555 --> 00:38:17,191 I WILL HUMILIATE YOU, HENRY. 597 00:38:17,191 --> 00:38:19,694 I WILL PUT YOU OUT THERE NAKED IN THE STREET. 598 00:38:19,694 --> 00:38:22,814 IT MUST HAVE BEEN SOME CRAZY OFF OF HER LIVING UP THERE. WHO? 599 00:38:22,814 --> 00:38:26,034 SHE USED TO LIVE THERE BEFORE HER. WHO DID? 600 00:38:26,034 --> 00:38:30,371 MY MOTHER. BEFORE SARA MOVED IN THE BUILDING, MY MOTHER LIVED UP THERE. 601 00:38:30,371 --> 00:38:33,041 WHEN SHE GOT SICK, I MOVED HER DOWNSTAIRS. 602 00:38:33,041 --> 00:38:35,877 HOW DOES THAT FIT IN, HENRY? I DON'T KNOW. 603 00:38:35,877 --> 00:38:37,712 I DON'T KNOW. 604 00:38:38,212 --> 00:38:40,798 IF THERE WAS, LIKE, THIS JUNK LETTER ADDRESSED "SUPER"... 605 00:38:40,798 --> 00:38:42,717 WITH MY MOTHER'S OLD APARTMENT NUMBER, 606 00:38:42,717 --> 00:38:45,470 SOME GUY LOOKING FOR ME PICKS THAT UP. 607 00:38:45,470 --> 00:38:49,223 WHO WOULD HAVE KNOWN YOU LIVED IN THAT BUILDING, BUT NOT WHAT APARTMENT YOU LIVED IN? 608 00:38:49,223 --> 00:38:51,342 HOW THE HELL WOULD I KNOW? 609 00:38:51,342 --> 00:38:54,429 SOMEONE I WAS BEING A BIG SHOT WITH! 610 00:38:54,429 --> 00:38:57,649 SOMEONE I TOLD I WAS GETTING THAT BUILDING, AND THEN MAYBE I BACKED OUT. 611 00:38:57,649 --> 00:38:59,734 ON WHAT? ON THE DEAL. 612 00:39:03,521 --> 00:39:08,159 TELL ME WHAT HAPPENED, HENRY. PLEASE GIVE ME MY GLASSES. 613 00:39:08,159 --> 00:39:11,446 COME ON. TELL ME WHAT HAPPENED. TELL ME WHAT HAPPENED. YOU'RE ALMOST THERE. 614 00:39:11,446 --> 00:39:13,748 YOU'RE ALMOST THERE. TELL ME. 615 00:39:13,748 --> 00:39:17,752 I WAS SUPPOSED TO FRONT MONEY FOR COKE OFF OF SELLING THE BUILDING! 616 00:39:17,752 --> 00:39:22,674 AND I WANTED TO BE A BIG SHOT. AND I'D ALREADY BORROWED MONEY AGAINST THE BUILDING. 617 00:39:23,174 --> 00:39:27,011 I WAS SUPPOSED TO BE A BIG SHOT. BUT MAYBE WHEN I BACKED OUT, THAT SCREWED THE GUY... 618 00:39:27,011 --> 00:39:32,350 AND THE BASTARD CAME AFTER ME HOW HE SAID HE WAS GONNA, BUT HE HAD THE WRONG NUMBER... 619 00:39:32,350 --> 00:39:36,137 FROM THE JUNK MAIL AND HE SHOT SARA THROUGH THE DOOR. 620 00:39:41,142 --> 00:39:43,644 MAYBE THAT'S WHAT HAPPENED. 621 00:40:03,297 --> 00:40:06,167 HEY, GINA. HI, JAMES. 622 00:40:06,167 --> 00:40:08,886 WHAT'S UP? DO YOU KNOW WHY I'M SUPPOSED TO SEE HIM? 623 00:40:09,387 --> 00:40:12,390 - LIEUTENANT FANCY? UH-UH. -SERGEANT LORENZO SAID I WAS SUPPOSED TO SEE HIM. 624 00:40:12,390 --> 00:40:15,727 YEAH, I DON'T KNOW. 625 00:40:15,727 --> 00:40:18,179 WELL, GO AHEAD IN. HE WON'T BITE YOU. 626 00:40:18,679 --> 00:40:20,681 MIGHT AS WELL SEE WHAT IT'S ABOUT. YEAH. 627 00:40:20,681 --> 00:40:23,935 HELLO, LIEUTENANT. OH, HI, GINA. 628 00:40:23,935 --> 00:40:26,354 THANKS FOR STOPPING BY. 629 00:40:27,855 --> 00:40:30,358 SERGEANT LORENZO SAID I SHOULD STOP IN. 630 00:40:30,775 --> 00:40:34,579 YEAH, I, UM, SPOKE WITH SERGEANT LORENZO A LITTLE WHILE AGO... 631 00:40:34,579 --> 00:40:37,281 ABOUT YOUR POSSIBLY WORKING IN THE SQUAD. 632 00:40:37,281 --> 00:40:39,700 US AND ANTICRIME EXCHANGING P.A.A.'s. 633 00:40:39,700 --> 00:40:41,953 WHAT WOULD BE YOUR FEELINGS ABOUT THAT? 634 00:40:41,953 --> 00:40:46,007 IS SERGEANT LORENZO DISSATISFIED WITH MY WORK PERFORMANCE? HE THINKS YOUR WORK'S FINE. 635 00:40:46,007 --> 00:40:48,843 HE TOLD ME A FEW WEEKS AGO HE THOUGHT MY PERFORMANCE WAS SATISFACTORY. 636 00:40:48,843 --> 00:40:52,296 THIS DOESN'T REFLECT BADLY ON YOU AT ALL. 637 00:40:54,298 --> 00:40:56,684 UNDER THOSE CIRCUMSTANCES, WHEREVER I'D BE MOST USEFUL. 638 00:40:56,684 --> 00:40:59,637 THERE'S A BIG OVERLAP BETWEEN YOUR RESPONSIBILITIES IN ANTICRIME... 639 00:40:59,637 --> 00:41:02,023 AND WHAT YOU'D BE DOING IN THE SQUAD. 640 00:41:02,023 --> 00:41:05,943 AND I'M A GOOD LEARNER TOO, I THINK. I'D HOPE I'D PICK THINGS UP. 641 00:41:05,943 --> 00:41:08,196 I'M SURE YOU WILL. WELL, THAT'S GREAT. 642 00:41:09,397 --> 00:41:12,366 UNLESS YOU HEAR DIFFERENTLY, WORK YOUR SHIFT TOMORROW HERE. 643 00:41:12,366 --> 00:41:16,204 - ALL RIGHT. THANK YOU. - I LOOK FORWARD TO WORKING WITH YOU. 644 00:41:19,407 --> 00:41:23,077 I'M TRANSFERRED DOWN HERE, JAMES. GO ON. 645 00:41:23,077 --> 00:41:26,547 LIEUTENANT FANCY SAID TO WORK MY SHIFT DOWN HERE TOMORROW UNLESS I'M TOLD DIFFERENT. 646 00:41:26,547 --> 00:41:28,749 THAT'S GREAT, GINA. THAT'S TERRIFIC. 647 00:41:28,749 --> 00:41:32,086 GUESS I'LL BE WORKING IN THE SAME OFFICE WITH YOU. 648 00:41:32,086 --> 00:41:35,506 I'M REALLY DELIGHTED. WONDER WHERE GERI'S GOING? 649 00:41:35,506 --> 00:41:38,426 I THINK TO ANTICRIME. LIEUTENANT FANCY SAID WE'RE LIKE AN EVEN TRADE. 650 00:41:38,426 --> 00:41:42,180 THAT'S NOT AN EVEN TRADE. WE OUGHT TO HAVE TO BUY ANTICRIME'S COFFEE... 651 00:41:42,180 --> 00:41:44,432 AND FILL THEIR FRIDGE FOR, LIKE, THREE AND HALF YEARS. GOOD NIGHT. 652 00:41:44,432 --> 00:41:47,235 GOOD NIGHT, LIEUTENANT. GOOD NIGHT, BOSS. 653 00:41:47,235 --> 00:41:49,770 - I SHOULDN'T STAND HERE TALKING TO YOU. I'LL SEE YOU TOMORROW. - YEAH, YOU BET. 654 00:41:49,770 --> 00:41:52,190 I'LL SEE YOU BEHIND THAT DESK. 655 00:41:52,190 --> 00:41:54,358 GERI. WHAT IS IT? 656 00:41:54,358 --> 00:41:56,911 GOOD NIGHT. GOOD NIGHT. 657 00:41:56,911 --> 00:42:01,616 GERI, I'VE THOUGHT ABOUT THIS MORE... 658 00:42:01,616 --> 00:42:06,621 AND I'M NOT SATISFIED YOU CAN SUCCESSFULLY WORK IN PROXIMITY TO DETECTIVE SIPOWICZ. 659 00:42:06,621 --> 00:42:10,508 I'M CERTAINLY CAPABLE OF IT. I'VE SPOKEN WITH SERGEANT LORENZO IN ANTICRIME... 660 00:42:10,508 --> 00:42:13,427 AND ARRANGED FOR YOU TO WORK UP THERE. THAT'S AN EXTRA FLIGHT. 661 00:42:13,427 --> 00:42:16,214 I'D PREFER TO DO THIS IN-HOUSE, BUT IF YOU'D LIKE, WE CAN APPROACH THIS OFFICIALLY. 662 00:42:16,214 --> 00:42:19,800 MEANING WHAT? MEANING I COULD WRITE UP YOUR BEHAVIOR... 663 00:42:19,800 --> 00:42:22,553 AND WE CAN SEE WHERE THAT COMES OUT. 664 00:42:24,355 --> 00:42:26,357 I'M REALLY HAVING A LOT OF DIFFICULTY BELIEVING... 665 00:42:26,357 --> 00:42:28,359 ADULTS CAN'T DEAL WITH SOMETHING LIKE THIS. 666 00:42:28,359 --> 00:42:32,780 - ARE YOU WILLING TO ACCEPT THE TRANSFER? - YES. 667 00:42:32,780 --> 00:42:35,950 OKAY. THAT'LL BE EFFECTIVE TOMORROW MORNING. 668 00:42:35,950 --> 00:42:38,786 GOOD NIGHT. GOOD NIGHT, LIEUTENANT. 669 00:42:46,711 --> 00:42:49,630 YOU CAN COME OUT NOW. YOUR BOSS HAS DONE YOUR DIRTY WORK FOR YOU. 670 00:42:49,630 --> 00:42:52,300 ARE YOU LEAVING HERE? 671 00:42:52,300 --> 00:42:56,254 I'M TRANSFERRED UPSTAIRS, EFFECTIVE TOMORROW MORNING. 672 00:42:56,254 --> 00:42:58,089 GOOD. 673 00:43:00,808 --> 00:43:04,178 - HEY, ANDY. - HI. SIMONE'S GOT YOUR GUY IN INTERVIEW 2. 674 00:43:04,178 --> 00:43:07,231 COME ON. 675 00:43:11,519 --> 00:43:13,821 I'M FROM SOCIAL SERVICES. I'M HERE FOR THE BABY. 676 00:43:15,022 --> 00:43:18,326 I'M DETECTIVE KIRKENDALL. THIS IS THE CHILD. 677 00:43:18,326 --> 00:43:20,995 [ Baby Cries ] 678 00:43:23,114 --> 00:43:25,416 [ Medavoy ] COME ON. 679 00:43:28,703 --> 00:43:30,838 GOT HIM? YEAH. 680 00:43:34,258 --> 00:43:36,127 GOOD-BYE, SWEETHEART. 681 00:43:45,052 --> 00:43:48,522 JUST GIVE US A SECOND, HENRY, HUH? 682 00:43:49,023 --> 00:43:53,027 BOBBY, I APPRECIATE THE CONSIDERATION, LETTING ME TAKE IT ON PAPER. 683 00:43:53,311 --> 00:43:55,780 THE GUY YOU'RE LOOKING AT IS JIMMY CORTEZ FOR THROWING THE SHOTS. 684 00:43:55,780 --> 00:43:58,899 THAT'S THE NAME HE'LL COME BACK TO. 685 00:43:58,899 --> 00:44:02,403 YOU SHOULD, UH, HOLD ONTO THESE UNTIL HE SIGNS. 686 00:44:02,403 --> 00:44:05,072 THEY WON'T SEND ME TO JAIL, WILL THEY? 687 00:44:05,573 --> 00:44:08,075 YOU JUST ANSWER DETECTIVE SAVINO'S QUESTIONS, HENRY. I WAS TRYING TO. 688 00:44:08,075 --> 00:44:12,079 I WASN'T... LETTING MYSELF REMEMBER. 689 00:44:12,079 --> 00:44:14,081 ALL RIGHT. 690 00:44:16,083 --> 00:44:18,085 I CAN STILL LIVE THERE? 691 00:44:18,085 --> 00:44:20,004 YEAH. I'LL TALK TO YOU, HENRY. 692 00:44:26,394 --> 00:44:29,063 SO, YOU'RE BATTING A THOUSAND TODAY, HUH? 693 00:44:29,563 --> 00:44:30,931 I HEARD YOU DID A GOOD INTERVIEW YOURSELF. 694 00:44:30,931 --> 00:44:33,234 BUT I STOPPED BATTING A THOUSAND A LONG TIME AGO. 695 00:44:33,234 --> 00:44:36,020 I'M SO GLAD BEING BACK IN A SQUAD. 696 00:44:36,020 --> 00:44:38,322 - IT'S A GOOD ONE TO BE IN. - YEAH. 697 00:44:38,322 --> 00:44:40,658 - GOOD NIGHT, ANDY. - GOOD NIGHT. 698 00:44:40,658 --> 00:44:43,744 NIGHT. GUESS YOU HELD UP YOUR END TODAY. 699 00:44:43,744 --> 00:44:46,197 YEAH, I GOT LUCKY. 700 00:44:46,197 --> 00:44:49,834 WE GENERALLY CLEAR AT LEAST ONE HOMICIDE A DETECTIVE PER SHIFT. 701 00:44:49,834 --> 00:44:54,205 - DON'T BE LOUSING UP OUR PERCENTAGE. - I'LL TRY NOT TO, ANDY. 702 00:44:54,205 --> 00:44:55,840 ALL RIGHT. 703 00:45:01,462 --> 00:45:04,265 IT'S SICK, LIKING IT SO MUCH. 704 00:45:09,937 --> 00:45:12,189 NIGHT.