1 00:00:02,002 --> 00:00:03,703 -PREVIOUSLY ON NYPD BLUE. - How about James? 2 00:00:03,703 --> 00:00:05,271 NEWS IS ALL OVER THE CITY. 3 00:00:05,772 --> 00:00:07,807 "MARTINEZ ELECTED DELEGATE IN MILD UPSET." 4 00:00:07,807 --> 00:00:10,610 She bought the dog 19 days before she was killed. 5 00:00:10,610 --> 00:00:13,847 DID SHE MENTION ANYTHING AT ALL ABOUT WHAT THE GUY LOOKED LIKE WHO MUGGED HER? 6 00:00:13,847 --> 00:00:16,750 I DON'T LIKE WHAT'S GOING ON HERE. YOU ASK ME TO COME IN HERE, 7 00:00:16,750 --> 00:00:20,520 AND THEN I FIND OUT THAT I MAY HAVE TO DO THIS ALL OVER AGAIN WITH A DETECTIVE SAVINO. 8 00:00:20,520 --> 00:00:25,892 SHE WAS A NICE GIRL, AND SHE WASN'T BOTHERING NOBODY. 9 00:00:25,892 --> 00:00:28,395 I JUST DIDN'T WANNA BELIEVE THAT IT COULD BE CONNECTED. 10 00:00:28,395 --> 00:00:31,264 THAT SOMEONE WOULD DO SOMETHING LIKE THAT TO A STRANGER. SHUT UP. 11 00:00:31,264 --> 00:00:33,767 LOOKIN' GOOD, ANDY. 12 00:00:33,767 --> 00:00:36,136 YOU'RE AWARE I'M A MARRIED GUY, CORRECT, GERI? 13 00:00:36,136 --> 00:00:38,505 - YES, I AM. - ALL RIGHT THEN. 14 00:00:59,759 --> 00:01:01,628 [ Chattering ] 15 00:01:04,631 --> 00:01:07,133 SO, I DID MY FAMOUS ITALIAN DETECTIVE PHONE IMPERSONATION... 16 00:01:07,133 --> 00:01:10,503 LAST NIGHT WITH THAT DOG BREEDER. YOU SAID YOU WERE SAVINO? 17 00:01:10,503 --> 00:01:13,039 TOLD HIM WE WERE VERY GRATEFUL FOR HIS COOPERATION, 18 00:01:13,540 --> 00:01:15,542 WOULDN'T NEED TO SPEAK WITH HIM AGAIN. 19 00:01:16,543 --> 00:01:18,978 THIS HENRY FINALLY ADMITS TO ME THAT HE OWES SHYS. 20 00:01:18,978 --> 00:01:21,448 THINKS THEY WERE INVOLVED KILLING THE GIRL? 21 00:01:21,448 --> 00:01:22,949 JUST THREE PAYMENTS LATE. 22 00:01:22,949 --> 00:01:25,618 THERE'S A BEATING IN IT FOR HIM BEFORE THEY WHACK A STRANGER. 23 00:01:25,618 --> 00:01:28,655 YEAH. WHAT DO WE GOT? ROBBERY-ASSAULT. 24 00:01:28,655 --> 00:01:31,291 PRINCE LASZLO FORSMANN AND CAROLYN WHITEHALL. 25 00:01:31,791 --> 00:01:33,793 THEY GOT BEAT UP AND HOG-TIED. SHE MIGHT BE CHECKING OUT. 26 00:01:34,294 --> 00:01:37,197 BUT HE CAN TALK? YEAH. HE'S GONNA BE TREATED AND RELEASED. 27 00:01:39,466 --> 00:01:41,468 YOU DIDN'T PASS GAS IN FRONT OF THE PRINCE, I HOPE. 28 00:01:41,968 --> 00:01:44,304 NO, I CONTROLLED MYSELF. 29 00:01:48,208 --> 00:01:50,343 - PRINCE FORSMANN? - YES. 30 00:01:50,844 --> 00:01:51,845 HAVE YOU MADE AN ARREST? NO, SIR. NOT YET. 31 00:01:51,845 --> 00:01:54,414 I'M DETECTIVE SIMONE. THIS IS DETECTIVE SIPOWICZ. 32 00:01:54,914 --> 00:01:58,418 SHE'S IN A COMA. SHE MIGHT DIE. AND THEY EXPECT ME JUST TO SIT HERE. 33 00:01:58,885 --> 00:02:00,887 WELL, WE'LL TRY NOT TO KEEP YOU AWAY FROM HER TOO LONG, SIR. 34 00:02:00,887 --> 00:02:04,124 CAN YOU HELP US WITH, UH, HOW THE ROBBERY HAPPENED? OF COURSE. 35 00:02:04,124 --> 00:02:06,726 I WAS WATCHING TELEVISION, AND SOMEHOW THE DOORS WERE UNLOCKED... 36 00:02:06,726 --> 00:02:08,661 BECAUSE THEY JUST WALKED IN. 37 00:02:09,162 --> 00:02:10,597 HOW MANY OF THEM WERE THERE? TWO. 38 00:02:10,597 --> 00:02:13,867 ONE WAS BIGGER AND TALLER. HE PULLED MY WIFE FROM THE BEDROOM. 39 00:02:13,867 --> 00:02:16,536 HE BEAT HER BECAUSE SHE WAS FIGHTING HIM. 40 00:02:17,036 --> 00:02:19,038 THEY BEAT ME WHEN I TRIED TO HELP. 41 00:02:19,038 --> 00:02:21,975 AFTER THAT I WAS UNCONSCIOUS. I DID EVERYTHING I COULD. 42 00:02:21,975 --> 00:02:26,212 DID IT SEEM LIKE THEY WERE LOOKING FOR SOMETHING PARTICULAR OR JUST RANSACKING THE PLACE? 43 00:02:26,212 --> 00:02:28,014 I SAW THE PAINTINGS WERE MISSING. 44 00:02:28,515 --> 00:02:31,317 VERY EXPENSIVE PAINTINGS, ALL PRECIOUS TO MY WIFE. 45 00:02:31,317 --> 00:02:33,853 WHEN YOU SAY EXPENSIVE, ANY IDEA HOW MUCH THEY WERE WORTH? 46 00:02:34,087 --> 00:02:36,022 OH, MAYBE SEVEN FIGURES. I DON'T KNOW FOR SURE. 47 00:02:36,523 --> 00:02:39,592 WE'RE GONNA NEED YOU TO WRITE DOWN YOUR INSURANCE CARRIER SO WE CAN MAKE A LIST. 48 00:02:39,592 --> 00:02:42,929 WELL, GIVE ME SOMETHING. 49 00:02:42,929 --> 00:02:46,366 ANY, UH, WORKMEN IN THE APARTMENT LATELY? 50 00:02:46,599 --> 00:02:48,601 ONLY THE MAID. 51 00:02:48,601 --> 00:02:51,437 SHE HASN'T BEEN IN FOR TWO DAYS. SHE'S BEEN OUT SICK. 52 00:02:51,437 --> 00:02:53,640 YOU THINK SHE MIGHT BE INVOLVED? NO. 53 00:02:54,140 --> 00:02:56,142 SHE'S BEEN WITH MY WIFE FOR 11 YEARS. 54 00:02:56,643 --> 00:02:58,978 I NEED TO GO TO MY WIFE NOW. SHE'S SUFFERED ENOUGH. 55 00:02:59,279 --> 00:03:02,182 ALL RIGHT. WE'RE GONNA BE HANDLING THE CASE FROM HERE ON IN. 56 00:03:02,615 --> 00:03:05,251 ANYTHING FURTHER COMES TO MIND, WE'D REALLY APPRECIATE YOU CALLING US. 57 00:03:05,251 --> 00:03:07,086 I DON'T WANT THEM TORMENTING HER HERE. 58 00:03:07,086 --> 00:03:09,756 - WHAT KINGDOM ARE YOU FROM? - I'M A PRINCE OF HOLSTEIN. 59 00:03:09,756 --> 00:03:15,061 MY WIFE IS AMERICAN. LET ME COLLECT MYSELF. THEN I NEED TO BE WITH HER. 60 00:03:15,495 --> 00:03:17,497 SURE. 61 00:03:22,001 --> 00:03:25,004 STAY HERE. SEE HOW THIS GUY ACTS WITH HIS WIFE. SURE. 62 00:03:28,408 --> 00:03:30,910 YOU THINK HE WAS IN ON IT? 63 00:03:30,910 --> 00:03:33,913 ANY PRINCE VICINITY OF A CRIME, I GOTTA LOOK HARD AT. 64 00:04:50,757 --> 00:04:54,427 - EXCUSE ME A MINUTE. JAMES. - YEAH. 65 00:04:54,427 --> 00:04:56,462 GOT A MINUTE? SURE. 66 00:04:56,829 --> 00:04:57,797 SEE YOU UP THERE. ALL RIGHT. 67 00:04:58,197 --> 00:05:00,633 I'M TRYING TO KEEP THE SARGE OUT OF THIS. WHAT'S GOIN' ON? 68 00:05:00,633 --> 00:05:04,704 WE'RE CALLED TO A DISTURBANCE AT A BEAUTY PARLOR, TWO WOMEN TEARING EACH OTHER'S HAIR OUT. 69 00:05:04,704 --> 00:05:08,041 WHAT I GET THROUGH THE SCREAMING, THEY'RE BOTH MARRIED TO JESSE ORTIZ. 70 00:05:08,541 --> 00:05:11,144 OUR JESSE ORTIZ? THEY BOTH GOT RINGS, THE WHOLE SHOT. 71 00:05:11,144 --> 00:05:14,881 THE MRS. ORTIZ IN THE 124 ROOM IS ROSARIO. I THINK SHE'S GOT SENIORITY. 72 00:05:15,381 --> 00:05:18,584 SHE'S WORKING AT THE SALON. SHE HEARS THIS OTHER WOMAN TALKING ABOUT HER NEW HUSBAND. 73 00:05:18,584 --> 00:05:21,521 A DETECTIVE. HOW SHE DON'T LIKE HIM DOING NIGHT TOURS. 74 00:05:21,521 --> 00:05:23,790 AND THEY'RE BOTH REFERRING TO JESSE? YEAH. 75 00:05:24,223 --> 00:05:26,159 I'VE GOT HER IN THE RADIO ROOM. THE MORE RECENT MRS. ORTIZ. 76 00:05:26,559 --> 00:05:29,829 -WHAT DO YOU GOT ON PAPER? - NOTHING. THAT'S WHY I'M DUCKING THE SARGE. 77 00:05:29,829 --> 00:05:32,699 THEY BOTH WANNA FILE FOR ASSAULT. I FIGURED THE SITUATION NEEDS A DELEGATE. 78 00:05:33,066 --> 00:05:36,035 HAS ORTIZ BEEN CONTACTED? YEAH. I LEFT A MESSAGE. HE BETTER GET IN. 79 00:05:36,035 --> 00:05:39,806 AH. ALL RIGHT. I APPRECIATE YOU KEEP THEM ON ICE TILL I TALK TO HIM. 80 00:05:40,239 --> 00:05:42,575 ALL RIGHT. GREAT TO BE A DELEGATE, HUH? YEAH. 81 00:05:43,076 --> 00:05:45,745 MAKE A MEMO BOOK ENTRY SO IF IT GOES TO WORK, YOU'RE COVERED. 82 00:05:45,745 --> 00:05:47,580 ALL RIGHT, THANKS. 83 00:05:48,981 --> 00:05:51,384 [ Russell ] DOORMAN AT FORSMANN'S BUILDING SAYS TWO MOVING GUYS... 84 00:05:51,384 --> 00:05:54,220 SHOW UP THIS MORNING, SAY THEY'RE ON A PICKUP FROM THE MUSEUM. 85 00:05:54,220 --> 00:05:56,556 TWENTY MINUTES LATER, THEY WALK FIVE PAINTINGS OUT THE FRONT DOOR. 86 00:05:57,056 --> 00:06:00,126 - DOORMAN SAID HE CALLED UP TO ANNOUNCE 'EM? - HE SAYS HE DID. 87 00:06:00,126 --> 00:06:04,964 - GOT THE PLATE OFF THEIR VAN. -INSURANCE COMPANY FAXED US PHOTOCOPIES OF THE PAINTING. 88 00:06:05,231 --> 00:06:07,600 ART EXPERT FROM MAJOR CASE GOT US A FENCE LIST, AND THE STATE DEPARTMENT... 89 00:06:08,067 --> 00:06:10,503 WANTS TO BE KEPT ON TOP OF THE PRINCE'S CONDITION. 90 00:06:10,503 --> 00:06:12,004 GUY'S LOOKING TO TOE-TAG HIS WIFE. 91 00:06:12,271 --> 00:06:14,407 YEAH. HE WANTS A "DO NOT RESUSCITATE" ON HER CHART... 92 00:06:14,907 --> 00:06:16,709 SO SHE DON'T HAVE TO BE TORMENTED NO MORE. 93 00:06:16,943 --> 00:06:19,379 IS THAT SO SHE CAN'T GIVE EVIDENCE? 94 00:06:19,379 --> 00:06:21,381 ANYONE IN THE BUILDING GIVE ANYTHING ON THE PRINCE? 95 00:06:21,381 --> 00:06:24,851 NO ONE'S TOO FORTHCOMING. VERY BIG ON PRIVACY. 96 00:06:24,851 --> 00:06:28,488 OKAY. WORK ON THE VAN PLATE, AND CHECK ON THOSE FENCES. 97 00:06:28,488 --> 00:06:30,590 WAS HOLSTEIN IN THE OLYMPICS? 98 00:06:30,590 --> 00:06:33,025 - I DON'T KNOW. - YEAH, 99 00:06:33,526 --> 00:06:35,528 I DON'T WATCH THE GYM EVENTS. 100 00:06:43,736 --> 00:06:46,739 HEY, MARTINEZ, WHAT'S GOING ON? LET'S TALK IN HERE, JESSE. 101 00:06:46,739 --> 00:06:50,243 I GET THIS MESSAGE FROM SHANNON. NOBODY'S HURT, BUT I SHOULD COME IN. 102 00:06:50,243 --> 00:06:53,379 LET'S TALK INSIDE. 103 00:06:55,548 --> 00:06:59,385 SHANNON'S GOT TWO WOMEN DOWNSTAIRS, BOTH OF THEM SAY THEY'RE MARRIED TO YOU, JESSE. 104 00:06:59,385 --> 00:07:02,488 - THEY GOT INTO IT THIS MORNING AT A BEAUTY SALON. - WHOA. 105 00:07:02,488 --> 00:07:05,724 - WHOA, HUH? - ANNA AND ROSARIO? 106 00:07:05,724 --> 00:07:07,759 - YOU GOT MORE CANDIDATES? - [ Sighs ] 107 00:07:08,260 --> 00:07:12,147 WHAT THE HELL'S ANNA DOING DOWN THERE? SHE GETS HER HAIR DONE BY HER WORK. 108 00:07:12,147 --> 00:07:14,149 I WANTED TO GET YOUR STORY BEFORE I TALK TO 'EM. 109 00:07:14,149 --> 00:07:17,152 I'M IN THE DARK. UH-- 110 00:07:17,152 --> 00:07:19,437 LOOK, I GOT A GIRL ON THE SIDE, ANNA. 111 00:07:19,437 --> 00:07:23,358 SHE DOESN'T SAY SHE'S YOURGOOM,JESSE. SHE SAYS SHE'S MARRIED TO YOU. 112 00:07:23,358 --> 00:07:27,112 OH, MARTINEZ, COME ON. I TELL HER WHAT SHE WANTS TO HEAR. 113 00:07:27,112 --> 00:07:30,749 YOU KNOW WHAT THAT'S ABOUT. THESE WOMEN WANNA FILE ASSAULT CHARGES ON EACH OTHER. 114 00:07:30,749 --> 00:07:34,002 COMPLAINTS GO TO PAPERWORK. THE 61's ARE GONNA HAVE YOUR NAME ON IT. 115 00:07:34,002 --> 00:07:38,290 - AND THAT GOES STRAIGHT TO I.A.B. - OH, MAN, THIS IS CRAZY! 116 00:07:38,790 --> 00:07:41,793 IF YOU TELL ME THE TRUTH, MAYBE I CAN STRAIGHTEN THINGS OUT. 117 00:07:44,212 --> 00:07:47,632 ALL RIGHT. I'M MARRIED TO ROSARIO. MM-HMM. 118 00:07:47,632 --> 00:07:51,686 I TOLD ANNA THAT THERE'S A POSSIBILITY OF A DIVORCE. 119 00:07:52,187 --> 00:07:54,889 AND IF THAT WENT DOWN, THEN WE'D BE GETTING MARRIED. 120 00:07:54,889 --> 00:07:57,776 AND THAT'S THE TRUTH? THAT'S WHAT I TOLD HER. YEAH. 121 00:07:57,776 --> 00:08:00,312 YES. SO, UH-- 122 00:08:00,312 --> 00:08:03,565 ANNA'S WEARING A WEDDING RING. THAT'S LIKE WHAT, WISHFUL THINKING? 123 00:08:04,065 --> 00:08:07,569 I GAVE HER THAT LIKE AN ADVANCE PRESENT. 124 00:08:07,569 --> 00:08:09,704 LIKE A DOWN PAYMENT ON THE MARRIAGE. 125 00:08:11,206 --> 00:08:14,459 ALL RIGHT, JESSE. LET ME, UH-- LET ME GO TALK TO THE WOMEN IN YOUR LIFE. 126 00:08:14,459 --> 00:08:17,879 FINE. YOU GET THE WORD 'CAUSE I DON'T KNOW WHAT THE HELL'S GOING ON HERE. 127 00:08:18,880 --> 00:08:21,166 YOU MARRIED? NO. 128 00:08:22,584 --> 00:08:24,469 IT'S A BEAUTIFUL THING, BUT IT'S A MINEFIELD. 129 00:08:24,469 --> 00:08:28,006 DON'T GO DOWNSTAIRS FOR NO SODAS, ALL RIGHT? 130 00:08:28,006 --> 00:08:30,008 GOT YA. 131 00:08:31,309 --> 00:08:34,512 HI. YEAH. I WAS WONDERING-- 132 00:08:34,512 --> 00:08:37,148 WHAT'S GOING ON, JAMES? I HAD A LITTLE UNION BUSINESS, LIEU. 133 00:08:37,649 --> 00:08:39,651 YEAH. OKAY. CALL DETECTIVE SIMONE, 15th SQUAD. 134 00:08:40,151 --> 00:08:41,653 THANKS. 135 00:08:42,153 --> 00:08:43,989 THE VAN'S REGISTERED TO A DONALD CARTER IN NASSAU. 136 00:08:43,989 --> 00:08:46,441 I LEFT WORD FOR HIM TO CONTACT BOBBY. 137 00:08:46,441 --> 00:08:49,194 THEY'RE TALKING TO FENCES. WHAT'S UP? 138 00:08:49,194 --> 00:08:52,280 YOU GOT NEXT TO A JIMMY LIERY WHEN YOU WERE WITH VICE? 139 00:08:52,280 --> 00:08:54,032 YOU KNOW TERRY NORTON, GOT WHACKED? 140 00:08:54,032 --> 00:08:57,168 YEAH, WEST SIDE GUY. WE WANTED TO FLIP LIERY TO GET TO NORTON. 141 00:08:57,669 --> 00:08:59,454 WHEN NORTON GOT WHACKED, THEY PULLED ME OUT. 142 00:08:59,454 --> 00:09:02,674 ORGANIZED CRIME BUREAU WANTS YOU BACK ON HIM. YOU WANT TO DO THAT? 143 00:09:02,674 --> 00:09:06,628 WHY DO THEY WANT HIM? HE'S INVOLVED WITH SOME CARGO THEFT AT KENNEDY. 144 00:09:06,628 --> 00:09:08,680 THEY DIDN'T GIVE ME A LOT OF DETAILS. 145 00:09:09,180 --> 00:09:11,016 I DON'T KNOW IF I STILL FIT THE SKIRT. 146 00:09:11,016 --> 00:09:14,686 WELL, IF YOU DON'T WANT TO DO IT, DIANE, I'LL SAY YOU'RE IN THE MIDDLE OF SOMETHING HERE. 147 00:09:14,686 --> 00:09:17,605 I CAN STILL WORK OUT OF THE OFFICE, RIGHT? MM-HMM. 148 00:09:18,106 --> 00:09:19,941 I'M NOT DETAILED OVER? NO. 149 00:09:19,941 --> 00:09:23,144 YEAH, THAT'S OKAY. 150 00:09:23,144 --> 00:09:25,947 YOU THINK I'D LET 'EM TAKE YOU AWAY FROM HERE? THANKS, BOSS. 151 00:09:45,500 --> 00:09:49,003 YOU KNOW, STATISTICS SHOW 85% OF THESE ART GUYS ARE HOMOS. 152 00:09:49,003 --> 00:09:51,056 YEAH, HUH? YEAH. 85% MINIMUM. 153 00:09:51,056 --> 00:09:52,674 EXCUSE ME. CAN I HELP YOU? 154 00:09:52,674 --> 00:09:55,677 I'M DETECTIVE SIMONE, AND THIS IS DETECTIVE SIPOWICZ. 155 00:09:55,677 --> 00:09:57,512 HERE IN WHAT CONNECTION? 156 00:09:58,012 --> 00:09:59,514 [ No Audible Dialogue ] 157 00:09:59,514 --> 00:10:02,984 WE'RE MAKING ALL THE GALLERIES AWARE HERE THAT THESE PAINTINGS WERE JUST STOLEN. 158 00:10:02,984 --> 00:10:06,688 THANK YOU, STEVEN. COULD I GET YOU GENTLEMEN SOME COFFEE? 159 00:10:06,688 --> 00:10:08,823 THEY DON'T NEED ANY COFFEE, STEVEN. 160 00:10:09,324 --> 00:10:10,325 WHAT'S IN THE TRUCK? EXCUSE ME? 161 00:10:10,825 --> 00:10:12,277 LETRUCK. WHAT'S IN IT? 162 00:10:12,777 --> 00:10:15,447 THEY'RE PHOTOGRAPHS FROM A RECENT INSTALLATION. 163 00:10:15,447 --> 00:10:19,334 I'M, UH, VICTOR CHARLES. I OWN THIS GALLERY. ARE YOU WITH THE POLICE? 164 00:10:19,334 --> 00:10:21,503 YEAH. THOSE PAINTINGS WERE STOLEN. 165 00:10:21,503 --> 00:10:23,922 - WELL, WE DON'T DEAL IN STOLEN PROPERTY. - AS OF WHEN? 166 00:10:23,922 --> 00:10:27,876 WELL, WE SHOW THAT YOU WERE ARRESTED FOR CRIMINAL RECEIVING FIVE YEARS AGO, MR. CHARLES. 167 00:10:27,876 --> 00:10:30,128 THAT WAS A COMPLETELY INADVERTENT INCIDENT. BRYCE-- 168 00:10:30,128 --> 00:10:33,515 THAT'S VERY COMMENDABLE. DO YOU ALSO SHOW THAT I WASN'T CONVICTED? 169 00:10:33,515 --> 00:10:37,051 ANY TIME THERE'S A CRIMINAL RIPPLE IN THE ART COMMUNITY, YOU FACE HARASSMENT. 170 00:10:37,051 --> 00:10:40,805 THE PEOPLE THESE PAINTINGS BELONG TO HERE, THEY WERE BOTH ASSAULTED, OKAY? 171 00:10:40,805 --> 00:10:42,557 AND ONE OF THEM, SHE LOOKS LIKE SHE'S GONNA DIE. 172 00:10:42,557 --> 00:10:45,727 - ARE YOU TALKING ABOUT CAROLYN WHITEHALL? - HOW'D YOU COME TO THAT? 173 00:10:45,727 --> 00:10:48,947 I'M FAMILIAR WITH THE CONTENTS OF SERIOUS COLLECTIONS, DETECTIVE. 174 00:10:49,447 --> 00:10:52,784 - SHE'S GOING TO DIE? - THE PEOPLE THAT STOLE THESE PAINTINGS BEAT HER UP BAD. 175 00:10:52,784 --> 00:10:54,953 AND, UH, WAS THE PRINCE HURT AS WELL? 176 00:10:54,953 --> 00:10:57,906 - HE WAS ROUGHED UP SOME. - LOOK, THE POINT IS HERE, MR. CHARLES, 177 00:10:58,406 --> 00:11:01,793 THAT IF ANYONE APPROACHES YOU ABOUT THESE PAINTINGS, YOU'RE GONNA BE IN TOUCH. 178 00:11:01,793 --> 00:11:06,080 BEING AS HOW THAT BEEF FIVE YEARS AGO WAS SO INADVERTENT. 179 00:11:06,080 --> 00:11:07,999 OF COURSE. 180 00:11:08,500 --> 00:11:11,302 THANKS FOR YOUR TIME. I COULD HAVE USED THAT CUP OF COFFEE. 181 00:11:13,087 --> 00:11:16,508 TOLD YOU, BOBBY. THREE OUT OF THREE. STATISTICS DON'T LIE. 182 00:11:36,027 --> 00:11:38,163 EXCUSE ME. 183 00:11:38,163 --> 00:11:40,782 GOOD LUCK. HOW YOU DOING, MRS. ORTIZ? 184 00:11:40,782 --> 00:11:42,584 I WANT TO TALK TO MY HUSBAND. 185 00:11:42,584 --> 00:11:45,003 I WAS HOPING WE'D TALK FIRST ABOUT THE BEAUTY PARLOR. 186 00:11:45,003 --> 00:11:47,922 HE CHEATED ON ME AGAIN. THAT'S WHAT HAPPENED. AND WHILE I'M WORKING, 187 00:11:47,922 --> 00:11:50,124 HE'S GIVING HER MONEY SO SHE CAN GET HER HAIR DONE. 188 00:11:50,124 --> 00:11:52,460 - YOU AND JESSE BEEN MARRIED HOW LONG? - EIGHT YEARS. 189 00:11:52,460 --> 00:11:56,130 - AND THAT'S CONSECUTIVE, RIGHT? - WHAT DO YOU MEAN? 190 00:11:56,130 --> 00:11:59,350 - YOU WERE NEVER DIVORCED? - SOMEONE SAID WE'RE DIVORCED? 191 00:11:59,350 --> 00:12:01,469 I'M JUST TRYING TO GET THINGS STRAIGHT. HEY, LISTEN. 192 00:12:01,469 --> 00:12:04,272 WE ARE MARRIED. ALL RIGHT? I DON'T KNOW WHAT HE'S GOT WITH HER. 193 00:12:04,272 --> 00:12:06,140 BUT IT'S NOTHING LEGAL. I CAN TELL YOU THAT. 194 00:12:06,140 --> 00:12:10,478 SO, THAT'S REGARDING YOU MATRIMONIAL SITUATION. 195 00:12:10,478 --> 00:12:12,780 ON THE, UH, SALON INCIDENT, UH-- 196 00:12:12,780 --> 00:12:16,651 YOU'RE GONNA DO WHAT YOU THINK IS RIGHT. I JUST WANT YOU AWARE THAT IF A COMPLAINT IS PURSUED, 197 00:12:16,651 --> 00:12:18,903 IT COULD BE HIGHLY DAMAGING TO JESSE'S CAREER. 198 00:12:18,903 --> 00:12:21,239 I DON'T WANT TO FILE A REPORT. 199 00:12:21,239 --> 00:12:24,042 ME AND JESSE CAN TAKE CARE OF THIS AT HOME. BUT HE'S GONNA PAY. 200 00:12:24,042 --> 00:12:27,045 - OF COURSE, THAT'S BETWEEN YOU AND HIM. - BELIEVE ME, HE'S PAYING. 201 00:12:27,545 --> 00:12:29,547 BUT IN TERMS OF POLICE INVOLVEMENT WITH THIS INCIDENT, 202 00:12:29,547 --> 00:12:31,583 YOU, UH, BE WILLING NOT TO PURSUE THAT? 203 00:12:32,083 --> 00:12:33,585 HOW'S HE GONNA PAY SUSPENDED? HMM? 204 00:12:35,587 --> 00:12:37,922 OKAY. JUST GIVE ME A COUPLE MINUTES. 205 00:12:50,818 --> 00:12:54,272 I'M DETECTIVE MARTINEZ. I'M ASSIGNED TO RESOLVE YOUR DISPUTE. 206 00:12:54,272 --> 00:12:56,274 YOU WANNA RESOLVE IT? LOOK AT THESE PHOTOS, 207 00:12:56,274 --> 00:12:58,409 'CAUSE THESE WILL PROVE WHO'S BEING TRUTHFUL. 208 00:12:58,409 --> 00:13:01,529 WHAT ARE THESE GONNA BE? WEDDING PHOTOS OF ME AND JESSE. 209 00:13:01,529 --> 00:13:04,449 - REALLY? - LOOK. 210 00:13:04,949 --> 00:13:06,751 THAT'S FATHER VEGA DOING THE CEREMONY. 211 00:13:06,751 --> 00:13:09,037 JESSE AND ME CUTTING THE CAKE. 212 00:13:09,037 --> 00:13:11,422 - THAT'S SOME BIG CAKE. - FOUR TIERS. 213 00:13:11,422 --> 00:13:14,342 BEST WEDDING I EVER BEEN TO. 214 00:13:14,342 --> 00:13:17,045 SO, ANNA, WHEN'D YOU GET MARRIED? 215 00:13:17,045 --> 00:13:20,765 SIX MONTHS AGO. TWO WEEKS AFTER THE DIVORCE CAME OFFICIAL. 216 00:13:20,765 --> 00:13:23,268 WHEN YOU SAY IT CAME OFFICIAL, IS THAT WHAT JESSE TOLD YOU? 217 00:13:23,268 --> 00:13:25,637 I GOT THE PAPERS IN MY PANTY DRAWER. 218 00:13:25,637 --> 00:13:29,641 IS THAT RIGHT? NOW, I'M RETURNING MY GIRLFRIEND'S WALLET, 219 00:13:29,641 --> 00:13:31,526 RIGHT, WHO'S THE MANICURIST OVER THERE? 220 00:13:31,526 --> 00:13:34,395 HERE'S THE OTHER ONE TALKING LIKE HER AND JESSE ARE STILL MARRIED, 221 00:13:34,395 --> 00:13:40,318 WHICH I WALKED ON EGGSHELLS FOR THAT WOMAN THREE AND HALF YEARS WHILE SHE WAS HIS LEGAL SPOUSE. 222 00:13:40,318 --> 00:13:42,320 ANNA, IF I SENT YOU HOME WITH OFFICER SHANNON, 223 00:13:42,320 --> 00:13:45,290 WOULD YOU BE ABLE TO GET THOSE DIVORCE PAPERS AND THE WEDDING LICENSE? 224 00:13:45,290 --> 00:13:47,125 THAT OUGHT TO HELP SOME PEOPLE BACK TO REALITY. 225 00:13:47,125 --> 00:13:50,295 UH-HUH. YOU KNOW, JERRY SPRINGER DID A WHOLE THEME SHOW... 226 00:13:50,295 --> 00:13:53,548 ON WHAT'S UP WITH HER-- "DENIAL'S NOT A RIVER IN EGYPT." 227 00:13:57,385 --> 00:13:59,637 DETECTIVE SIPOWICZ FROM THE 15th SQUAD. 228 00:13:59,637 --> 00:14:02,507 WE JUST FAXED YOU SOME PHOTOCOPIES OF STOLEN PAINTINGS... 229 00:14:02,507 --> 00:14:04,509 ALONG WITH THE SQUAD PHONE NUMBER. 230 00:14:05,009 --> 00:14:07,428 APPRECIATE YOUR RETURNING THE CALL FROM THE GALLERY THERE... 231 00:14:07,428 --> 00:14:10,064 WHEN YOU RETURN FROM YOUR LONG LUNCH. 232 00:14:10,064 --> 00:14:12,433 THANKS VERY MUCH. 233 00:14:12,433 --> 00:14:15,603 HI, MY NAME'S DONALD CARTER. I WAS CONTACTED CONCERNING MY VAN? 234 00:14:15,603 --> 00:14:17,905 WHO CONTACTED YOU, SIR? I'M DETECTIVE SIMONE, MR. CARTER. 235 00:14:17,905 --> 00:14:20,775 - YOU CALLED ABOUT MY VAN? - YEAH, UH, WHY DON'T WE GO AND HAVE A CUP OF COFFEE? 236 00:14:20,775 --> 00:14:23,611 ANDY, THIS IS MR. CARTER. HOW'S IT GOING? 237 00:14:23,611 --> 00:14:26,114 WAS IT INVOLVED IN SOMETHING? 238 00:14:26,114 --> 00:14:28,916 VAN'S NOT IN YOUR POSSESSION? NO, IT WAS STOLEN. 239 00:14:28,916 --> 00:14:32,286 BY A GUY NAMED LARRY DUNCAN. HAVE A SEAT. 240 00:14:32,286 --> 00:14:35,707 HE'S A HOD CARRIER. HE WORKED FOR ME, LIKE, FIVE YEARS AGO. 241 00:14:35,707 --> 00:14:39,010 CALLS ME LAST MONTH, AND I HIRE HIM BACK, JERK THAT I AM. 242 00:14:39,010 --> 00:14:41,512 HE MUST'VE STOLEN IT FROM THE SITE LAST NIGHT. 243 00:14:41,512 --> 00:14:43,848 - SO, THIS GUY WAS AWAY? - JUST GOT OUT OF RIKERS. 244 00:14:43,848 --> 00:14:47,301 YOU'RE SURE HE TOOK IT? I LEAVE THE VAN AT THE SITE. 245 00:14:47,802 --> 00:14:51,022 I SEEN HIM WATCH ME STASH THE KEY IN THE VISOR, LIKE THE JERK I AM. 246 00:14:51,522 --> 00:14:53,024 HE'S BEEN STEALING STUFF THE LAST WEEK. 247 00:14:53,024 --> 00:14:55,777 SO WHY DIDN'T YOU REPORT THE VAN STOLEN THIS MORNING? 248 00:14:55,777 --> 00:14:59,397 I WAS HOPING HE'D DO WHAT HE HAD TO AND BRING IT BACK, AND THEN I COULD FIRE HIS ASS. 249 00:14:59,397 --> 00:15:01,616 HE DO SOMETHING REAL BAD? 250 00:15:01,616 --> 00:15:04,068 YOUR VAN WAS INVOLVED IN A ROBBERY WHERE SOME PEOPLE GOT HURT. 251 00:15:04,068 --> 00:15:08,873 THE TITLE'S IN MY NAME, BUT I WAS HOME WITH MY PREGNANT WIFE. SHE'LL CONFIRM IT. 252 00:15:08,873 --> 00:15:11,576 WERE THE PEOPLE HURT BAD? 253 00:15:11,576 --> 00:15:14,879 - WHERE CAN WE FIND DUNCAN? - ALLS I GOT'S A BEEPER NUMBER. 254 00:15:22,387 --> 00:15:25,890 UH, I WENT OUT ONCE LAST NIGHT... 255 00:15:25,890 --> 00:15:27,842 TO THE GROCERY FOR, LIKE, 15 MINUTES. 256 00:15:27,842 --> 00:15:30,311 MY WIFE'S PREGNANT. 257 00:15:30,311 --> 00:15:33,264 ALL SHE DOES IS EAT TANG TANG NOODLES. 258 00:15:44,106 --> 00:15:46,108 I'M AT A LOSS. 259 00:15:46,108 --> 00:15:49,111 HEY, JESSE, GIVE ME A BREAK. THAT'S NOT YOUR SIGNATURE? 260 00:15:49,111 --> 00:15:51,614 IT LOOKS CLOSE. 261 00:15:51,614 --> 00:15:54,834 THAT'S YOUR SIGNATURE, JESSE. AND THAT'S WHERE YOU SIGNED ROSARIO'S NAME. 262 00:15:54,834 --> 00:15:56,669 WHAT, ARE YOU TAKING THEIR SIDE, MARTINEZ? 263 00:15:56,669 --> 00:15:58,921 WHOSE DELEGATE ARE YOU? I'M YOUR DELEGATE, JESSE. 264 00:15:58,921 --> 00:16:01,123 TRYING TO GET YOU TO ACKNOWLEDGE THE SITUATION. 265 00:16:01,123 --> 00:16:03,042 YOU'VE BEEN TELLING HALF-TRUTHS ALL DAY. 266 00:16:03,542 --> 00:16:05,544 EITHER COME CLEAN NOW, OR I WASH MY HANDS OF IT. 267 00:16:05,544 --> 00:16:07,930 YOU COULD LOSE YOUR SHIELD AND EVERYTHING ELSE. 268 00:16:07,930 --> 00:16:09,715 I'M ON THE PROMOTION LIST FOR A SECOND GRADE. 269 00:16:09,715 --> 00:16:12,518 YOU DID A FORGERY HERE. GRADE PROMOTION IS OUT THE WINDOW... 270 00:16:12,518 --> 00:16:15,771 AND YOUR FREEDOM IN GENERAL, UNLESS YOU STAND UP. 271 00:16:17,556 --> 00:16:20,860 I'M MARRIED TO ROSARIO. I SAID THAT. MM-HMM. 272 00:16:20,860 --> 00:16:25,281 WE ARE NOT DIVORCED, AND ANNA AND I ARE NOT MARRIED. 273 00:16:25,281 --> 00:16:27,650 WHERE DID YOU GET THE DIVORCE PAPERS? 274 00:16:29,151 --> 00:16:31,320 I MADE 'EM UP. 275 00:16:33,155 --> 00:16:35,458 THERE'S NO SEAL, BUT ANNA DIDN'T KNOW THE DIFFERENCE. 276 00:16:35,458 --> 00:16:37,376 YOU GOT A JUDGE'S NAME IN HERE. WHO'S THAT? 277 00:16:37,376 --> 00:16:40,212 THAT'S THE FIRST JUDGE I EVER WON A CASE WITH. FIGURED IT'D BRING ME LUCK. 278 00:16:40,212 --> 00:16:44,216 WHAT ABOUT THE WEDDING? IT WAS JUST A BIG PARTY. 279 00:16:44,216 --> 00:16:47,053 THE PRIEST WAS A FRIEND WHO'S TRYING TO BE AN ACTOR. 280 00:16:47,553 --> 00:16:50,556 SO YOU TRICKED ANNA? IF YOU WANT TO PUT IT IN THOSE WORDS. 281 00:16:50,556 --> 00:16:53,559 ARE YOU PREPARED TO MAKE SOME SORT OF GESTURE TOWARDS HER... 282 00:16:54,060 --> 00:16:56,178 NOT TO PURSUE HER LEGAL REMEDIES? 283 00:16:58,180 --> 00:17:00,983 I GOT TO BE WITH ROSARIO. SHE'S MY WIFE. 284 00:17:00,983 --> 00:17:03,853 I WAS GONNA DIVORCE ANNA IN A FEW MONTHS ANYWAY. 285 00:17:03,853 --> 00:17:07,690 JESSE, WHAT ARE YOU PREPARED TO DO FOR ANNA TO SMOOTH THE WATERS? 286 00:17:07,690 --> 00:17:11,410 SHE CAN KEEP THE RING. 287 00:17:11,911 --> 00:17:14,413 I'LL TAKE HER ON A TRIP. YOU'RE NOT GONNA TAKE HER ON A TRIP. 288 00:17:14,413 --> 00:17:16,665 WELL, WHAT'S YOUR CONCEPT, JAMES? WHAT'RE YOU GOING FOR? 289 00:17:17,166 --> 00:17:20,419 I'M THINKING SOME FINANCIAL GESTURE WITH A SINCERE APOLOGY. 290 00:17:22,371 --> 00:17:26,042 I CAN DO THAT. I'M PAYING TWO UPKEEPS AS IT IS. 291 00:17:26,042 --> 00:17:28,010 OKAY. OKAY, THAT'S WHAT I'M GOING FOR... 292 00:17:28,511 --> 00:17:30,513 IN EXCHANGE FOR BOTH OF THEM WITHDRAWING THEIR COMPLAINTS. 293 00:17:30,513 --> 00:17:33,799 OKAY? BEAUTIFUL. 294 00:17:33,799 --> 00:17:36,602 YEAH. 295 00:17:36,602 --> 00:17:41,307 AGAIN, DETECTIVE SIPOWICZ. IF YOU WOULD PLEASE CALL WHEN YOU RECEIVE THIS MESSAGE. 296 00:17:41,307 --> 00:17:43,609 ALL RIGHT. GOT IT. THANKS. 297 00:17:43,609 --> 00:17:46,562 THESE GALLERY HUMPS, THEY OPEN AT 11:00, THEY EAT FIVE-HOUR LUNCHES. 298 00:17:46,562 --> 00:17:50,900 HOW THEY DO ANY BUSINESS? LARRY DUNCAN'S GOT TWO COLLARS FOR GRAND LARCENY. 299 00:17:50,900 --> 00:17:53,486 DETECTIVES, THERE'S A MIKE ROBERTS ON THE PHONE. 300 00:17:53,486 --> 00:17:55,871 DOES HE SOUND LIKE HE'S SELLING RAFFLE TICKETS? 301 00:17:55,871 --> 00:17:58,240 HE SAYS IT'S REGARDING THE FORSMANN CASE. 302 00:17:58,240 --> 00:18:01,077 WHAT LINE? TWO. 303 00:18:01,077 --> 00:18:04,880 ROBERTS. YEAH. WHAT DO YOU GOT? 304 00:18:06,882 --> 00:18:08,884 HI. HOW'S IT GOING? 305 00:18:08,884 --> 00:18:11,670 THAT VAN OWNER DO YOU ANY GOOD? YEAH. HE GAVE US A GUY TO LOOK AT. 306 00:18:11,670 --> 00:18:14,140 GOOD. 307 00:18:14,640 --> 00:18:16,926 O.C.C.B. WANTS ME BACK ON A GUY I GOT NEXT TO. 308 00:18:16,926 --> 00:18:19,562 YEAH, HUH? YEAH. WHEN I WORKED VICE. 309 00:18:19,562 --> 00:18:21,897 HE WAS, UH, HOOKED UP WITH TERRY NORTON. 310 00:18:21,897 --> 00:18:24,233 NOW THEY'RE LOOKING AT HIM FOR CARGO HIJACKS. 311 00:18:24,233 --> 00:18:26,735 NORTON'S THE GUY WHO GOT SHOT OVER IN SUNNYSIDE, RIGHT? MM-HMM. 312 00:18:26,735 --> 00:18:29,688 MY GUY'S JIMMY LIERY. YOU'RE GONNA DO IT? 313 00:18:29,688 --> 00:18:33,109 - YEAH. THEY WERE JUST FILLING ME IN. -[ Sipowicz ] ALL RIGHT, BYE. 314 00:18:33,109 --> 00:18:37,446 [ Exhales ] VERY MYSTERIOUS, ROBERTS. 315 00:18:37,446 --> 00:18:40,116 VERY BIG DEAL. SOMETHING VERY TASTY FOR US. 316 00:18:40,116 --> 00:18:43,002 - YEAH, HUH? -YEAH. PROBABLY YESTERDAY'S LUNCH. 317 00:18:45,254 --> 00:18:47,373 SEE YA. YEAH. 318 00:19:09,728 --> 00:19:11,697 MY PREVIOUS COLLEAGUES. HOW'S IT GOING, ROBERTS? 319 00:19:11,697 --> 00:19:14,700 REAL GOOD, ANDY. HOW'S IT GOING, SIMONE? GOOD, MIKE. 320 00:19:14,700 --> 00:19:16,368 HEY, COME ON. LET'S HAVE A BIG LUNCH, HUH? 321 00:19:16,869 --> 00:19:18,871 - JUST COFFEE FOR ME. - [ Woman ] YES. 322 00:19:19,371 --> 00:19:22,374 I DON'T KNOW IF YOU GOT MY NOTE, ANDY, HOW SORRY I WAS ABOUT YOUR BOY. 323 00:19:22,374 --> 00:19:24,543 NO. WE'D HAVE WROTE YOU BACK. 324 00:19:24,543 --> 00:19:26,912 OH, GOD, YOU DIDN'T GET IT? 325 00:19:27,413 --> 00:19:28,914 YEAH, I SENT YOU A LETTER OF CONDOLENCE. 326 00:19:28,914 --> 00:19:31,884 ANYWAY, HOW'S THE BABY, HUH? 327 00:19:31,884 --> 00:19:34,336 - FINE. - MIKEY, WE'RE KINDA PRESSED FOR TIME HERE. 328 00:19:34,837 --> 00:19:37,006 SORRY, SIMONE. I'M TRYING TO CATCH UP WITH THIS GUY. 329 00:19:37,006 --> 00:19:39,141 ANDY AND I GOT A LITTLE HISTORY, YOU KNOW? 330 00:19:39,141 --> 00:19:41,477 YOU SAID YOU HAD SOMETHING ON THESE ROYAL PEOPLE? 331 00:19:41,477 --> 00:19:44,263 YEAH, THREE WEEKS AGO, SHE CALLED ME UP. 332 00:19:44,597 --> 00:19:46,932 I DID SOME WORK FOR ONE OF HER FRIENDS. 333 00:19:46,932 --> 00:19:49,685 GAVE ME THE STRONGEST POSSIBLE RECOMMENDATION. 334 00:19:49,685 --> 00:19:51,353 THE PRINCESS, SHE CALLED YOU UP? 335 00:19:51,353 --> 00:19:53,606 THINKS HER HUSBAND'S SQUIRING EXTRACURRICULAR NOOKY, 336 00:19:54,023 --> 00:19:56,075 WANTS ME TO CHECK HIM OUT. 337 00:19:56,075 --> 00:19:58,077 LOOK AT THAT. A RAINBOW COALITION. 338 00:19:58,577 --> 00:20:00,362 THE PRINCE IS A BUSY BOY, HUH? 339 00:20:00,362 --> 00:20:04,750 I THINK THE ONE'S WORTH A CONVERSATION IS THE BLONDE WITH THE EIGHT-FOOT LEGS. 340 00:20:05,251 --> 00:20:08,871 SHE'S A HOSTESS DOWN AT THE TRIBECA GRILL. TWO COLLARS FOR SHOPLIFTING. 341 00:20:08,871 --> 00:20:10,706 HERE YOU GO. 342 00:20:10,706 --> 00:20:13,008 SEE THE GUY THERE? 343 00:20:13,008 --> 00:20:15,678 THAT'S HER MOPE BROTHER, LARRY DUNCAN. 344 00:20:15,678 --> 00:20:18,464 WE'LL LOOK HIM UP. THE PRINCESS SAW THESE PICTURES? 345 00:20:18,464 --> 00:20:21,300 OH, YEAH. THE PHOTOS AND THE RECORD. SHE DID HANDSTANDS. 346 00:20:21,300 --> 00:20:24,019 SO, I GUESS WE GOT TO LIKE THIS PRINCE, HUH? 347 00:20:24,019 --> 00:20:26,222 GOT A PEDIGREE ON THIS GIRL? YEAH. 348 00:20:26,222 --> 00:20:28,607 IN THE ENVELOPE, ADDRESS AND EVERYTHING. 349 00:20:29,108 --> 00:20:31,977 ALL RIGHT, THANKS, ROBERTS. HEY, WE SCRATCH EACH OTHER'S BACKS, RIGHT? 350 00:20:31,977 --> 00:20:35,531 HEY, YOU KNOW, I'M REALLY SICK YOU DIDN'T GET THAT LETTER OF CONDOLENCE. 351 00:20:38,534 --> 00:20:40,619 - HEY, DID YOU KNOW HIS KID? - YEAH. 352 00:20:41,120 --> 00:20:43,489 WASN'T HE A HELL OF A SWEET KID? YEAH, ABSOLUTELY. 353 00:20:43,489 --> 00:20:48,244 YOU KNOW, CONNIE'S MAKING NOISES ABOUT GETTING BACK TOGETHER AGAIN. 354 00:20:48,244 --> 00:20:52,331 SHE'S DISCOVERED SOME GOOD NEW QUALITIES ABOUT MY CHARACTER. 355 00:20:54,633 --> 00:20:56,502 TAKE CARE OF YOURSELF, ROBERTS. 356 00:20:56,502 --> 00:20:59,171 THANKS FOR YOUR HELP. 357 00:20:59,171 --> 00:21:00,923 YEAH. DON'T MENTION IT. 358 00:21:00,923 --> 00:21:03,142 THANK FANCY FOR ALL THE PHONE CALLS... 359 00:21:03,142 --> 00:21:05,894 TO SEE HOW I WAS DOING TOO, HUH? 360 00:21:08,264 --> 00:21:10,266 YOU THINK THE POST OFFICE SCREWED UP ON THAT CONDOLENCE NOTE... 361 00:21:10,766 --> 00:21:13,269 OR THIS GUY'S FULL OF CRAP? OH, MY MONEY'S ON MIKE. 362 00:21:37,409 --> 00:21:39,611 HOW'S IT GOING? THIS IS A BAD GUY. 363 00:21:39,611 --> 00:21:42,831 -[ Sipowicz ] WHAT'S HE DOING? - BIG SHOW EVERY 10 MINUTES, THEY GO CHECK ON HER-- 364 00:21:42,831 --> 00:21:45,367 "WHAT'RE YOU DOING?" THIS AND THAT, PULLING HIS HAIR. 365 00:21:45,367 --> 00:21:50,205 THEN HE GOES TO PULL THE RESPIRATOR TWICE SINCE THEY SAID SHE'S MORE RESPONSIVE. 366 00:21:50,205 --> 00:21:52,374 - ALL RIGHT, THANKS. - ALL RIGHT. 367 00:21:56,378 --> 00:21:58,380 PRINCE, HOW ARE YOU DOING, SIR? 368 00:21:58,881 --> 00:22:03,185 I CAN'T STAND SEEING HER SUFFER. THIS IS HER WORST NIGHTMARE. SHE TOLD ME SO, MANY TIMES. 369 00:22:03,185 --> 00:22:06,472 COME ON OVER HERE. YOU'RE NOT SO TORMENTED LOOKING AT HER. 370 00:22:06,472 --> 00:22:09,358 GOING TO END A VEGETABLE, THIS WAY? IS SHE, UH, ANY MORE RESPONSIVE? 371 00:22:09,358 --> 00:22:12,194 THEY HAVE NO IDEA. THIS IS TECHNOLOGY RUN AMOK. 372 00:22:12,194 --> 00:22:16,482 PRINCE, ANYONE YOU COULD BE WITH NOW? SOME SUPPORT FOR YOU? 373 00:22:16,482 --> 00:22:20,152 I HAVE NO FAMILY IN THIS COUNTRY. CAROLYN WAS MY FAMILY. 374 00:22:20,152 --> 00:22:22,454 [ Simone ] NO CHILDREN, HUH? NO. 375 00:22:22,454 --> 00:22:25,574 GOD FORBID YOUR WIFE PASSES, IS THERE SOMEONE ON THE HORIZON? 376 00:22:25,574 --> 00:22:29,461 - WHAT DO YOU MEAN? - WELL, MAYBE SOMEONE TO TAKE HER PLACE IN YOUR HEART? 377 00:22:29,461 --> 00:22:32,915 - YOU INSULT BOTH OF US. - SOMETIMES WE DO SEEM INSENSITIVE. 378 00:22:32,915 --> 00:22:35,134 YOU ARE THE SOLE HEIR TO YOUR WIFE'S ESTATE? 379 00:22:35,634 --> 00:22:38,387 THE MEN WHO DID THIS ARE ON THE STREET, AND YOU'RE ASKING STUPID QUESTIONS? 380 00:22:38,387 --> 00:22:41,223 - DO YOU KNOW AN AMELIA DUNCAN, PRINCE? - NO. 381 00:22:41,223 --> 00:22:44,476 PRINCE, AMELIA DUNCAN-- YOUR NUMBER ONE BANG ON THE SIDE. 382 00:22:44,476 --> 00:22:47,262 YOU THINK I TRIED TO MURDER MY WIFE? 383 00:22:47,262 --> 00:22:49,732 ROBBED MY HOME, BEAT MY WIFE AND MYSELF? 384 00:22:49,732 --> 00:22:51,934 WELL, MAYBE AMELIA CAN STRAIGHTEN OUT OUR THINKING. 385 00:22:51,934 --> 00:22:55,404 OH, FINE. LET'S CALL HER. THANKS. SHE'S ALREADY AT OUR STATION HOUSE. 386 00:22:55,404 --> 00:22:58,574 BELIEVE ME, SHE WILL MAKE NO CONNECTION. SHE HAS NOTHING TO DO WITH THIS. 387 00:22:59,074 --> 00:23:00,993 - THEN SHAME ON US. - EXACTLY! EXACTLY! 388 00:23:00,993 --> 00:23:03,946 YOU'RE EXACTLY WHAT PEOPLE SAY YOU ARE. 389 00:23:03,946 --> 00:23:05,614 KEEP THIS ASSHOLE AWAY FROM HER. 390 00:23:05,614 --> 00:23:07,866 YEAH. 391 00:23:15,374 --> 00:23:18,260 THIS JUDGE, WHO SUPPOSEDLY SIGNED, 392 00:23:18,260 --> 00:23:20,712 HE DON'T ISSUE DIVORCE DECREES. 393 00:23:20,712 --> 00:23:24,383 AND FOR THIS DOCUMENT TO BE OFFICIAL, THERE'D HAVE TO BE A SEAL OVER HERE. 394 00:23:25,384 --> 00:23:27,386 SO THE DIVORCE WASN'T REAL? 395 00:23:27,886 --> 00:23:30,389 JESSE'S A BIGAMIST. HMM. 396 00:23:30,389 --> 00:23:33,275 I THINK TECHNICALLY HE ISN'T, IN THE LEGAL SENSE. 397 00:23:33,275 --> 00:23:35,778 HE IS MARRIED TO TWO WOMEN. 398 00:23:35,778 --> 00:23:38,280 PAST THE DIVORCE DECREE NOT BEING REAL, 399 00:23:38,280 --> 00:23:40,699 THE MARRIAGE SUBSEQUENTLY WASN'T 100% GENUINE EITHER. 400 00:23:40,699 --> 00:23:42,568 WE WERE MARRIED BEFORE WITNESSES THOUGH. 401 00:23:42,568 --> 00:23:47,072 THE CLERGYMAN WAS AN ACTOR MORE THAN A GENUINE PRIEST. 402 00:23:47,072 --> 00:23:49,541 AN ACTOR? 403 00:23:49,541 --> 00:23:51,910 I KNOW THIS IS UPSETTING TO YOU, AND SO DOES JESSE. 404 00:23:52,411 --> 00:23:55,747 WHAT? BEING TAKEN FOR A FOOL, MY WHOLE LIFE TURNED INTO A JOKE? 405 00:23:56,248 --> 00:23:58,250 I THINK IT'S MORE A CASE WHERE JESSE GOT CARRIED AWAY... 406 00:23:58,250 --> 00:24:00,719 WITH HIS FEELINGS FOR YOU AND WOULDN'T FACE REALITY. 407 00:24:00,719 --> 00:24:02,721 YOU KNOW, "DENIAL'S NOT A RIVER IN EGYPT," RIGHT? 408 00:24:03,222 --> 00:24:04,556 HE'S GONNA FACE SOME REALITY NOW. 409 00:24:04,556 --> 00:24:07,309 I'M NOT TAKING A POSITION ON THIS, ANNA. 410 00:24:07,309 --> 00:24:10,312 BUT, UH, JESSE WANTS YOU TO KNOW THAT, 411 00:24:10,312 --> 00:24:13,315 IF YOU SAW YOUR WAY CLEAR OF NOT INVOLVING THE DEPARTMENT, 412 00:24:13,315 --> 00:24:15,684 HE ABSOLUTELY INTENDS LOOKING OUT FOR YOU. 413 00:24:15,684 --> 00:24:18,153 JESSE THINKS HE KEEPS TAKING SEX OFF OF ME, HE'S DREAMING. 414 00:24:18,153 --> 00:24:22,324 I'M TALKING ABOUT FINANCIALLY. JESSE'S GOT NO MORE IDEAS IN THAT OTHER AREA. 415 00:24:22,324 --> 00:24:24,910 NO, HUH? 416 00:24:24,910 --> 00:24:27,996 MM-MMM. 417 00:24:27,996 --> 00:24:30,082 I MEAN, MY POINT IS, ANNA, 418 00:24:30,082 --> 00:24:35,587 ASSUMING HE'S FINANCIALLY SUPPORTIVE, 419 00:24:35,587 --> 00:24:38,090 WOULD YOU, UH, KEEP THE JOB OUT OF THIS? 420 00:24:38,090 --> 00:24:39,925 UH, ALTERED DOCUMENTS AND SO FORTH. 421 00:24:39,925 --> 00:24:44,379 I WANT A THREE-WAY CONVERSATION BEFORE I LEAVE THIS BUILDING. 422 00:24:44,379 --> 00:24:46,682 I WANT AN APOLOGY IN FRONT OF HIS WIFE, 423 00:24:46,682 --> 00:24:49,384 THAT SHE UNDERSTANDS I WAS MISLED. 424 00:24:49,384 --> 00:24:53,355 YOU DON'T FIGURE IT'D BE BETTER MORE OR LESS TO LET THE WATERS CALM DOWN? 425 00:24:53,355 --> 00:24:55,807 SHE HEARS HIM APOLOGIZE TO ME, 426 00:24:55,807 --> 00:24:59,144 OR EITHER I BLOW THE WHISTLE ON HIM TO HIS BOSSES AND EVERYONE ELSE. 427 00:24:59,144 --> 00:25:03,365 WELL, THE ASSAULT COMPLAINT, THAT-- THAT YOU'VE AGREED TO DROP? 428 00:25:03,365 --> 00:25:07,236 I'M HER IN THAT SHOP THINKING I'M STILL MARRIED, 429 00:25:07,236 --> 00:25:09,037 I'D HAVE SWUNG AT ME MYSELF. 430 00:25:12,374 --> 00:25:15,377 [ Exhales ] OKAY, UH-- 431 00:25:15,377 --> 00:25:17,379 JUST LET ME SET UP THE APOLOGY. 432 00:25:22,217 --> 00:25:25,387 JUST A MOMENT. AMELIA DUNCAN IS IN THE COFFEE ROOM, 433 00:25:25,387 --> 00:25:27,973 - AND THIS IS DETECTIVE SAVINO. - ALL RIGHT. THANKS, GERI. 434 00:25:31,643 --> 00:25:34,563 HEY, SAVINO, WHAT'S DOING? 435 00:25:34,563 --> 00:25:36,848 [ Geri ] DO YOU HAVE JUST A MINUTE FOR ME? 436 00:25:36,848 --> 00:25:38,850 WHAT'S UP? 437 00:25:39,851 --> 00:25:41,853 DO YOU SEE WHAT'S UNDER MY BLOUSE? 438 00:25:43,355 --> 00:25:45,240 WHAT, ARE YOU CRAZY? 439 00:25:45,240 --> 00:25:47,192 OH, I'M NOT TALKING ABOUT MY BREASTS. 440 00:25:47,192 --> 00:25:51,697 BUTTON YOUR BLOUSE. MY UNDERGARMENT IS RUBBER. 441 00:25:51,697 --> 00:25:54,616 - [ Clears Throat ] - IT'S HOLDING ALL MY FLUIDS IN. 442 00:25:54,616 --> 00:25:57,586 ALL RIGHT. 443 00:25:57,586 --> 00:26:00,872 ANDY, YOU WANT TO TALK TO THIS GIRLFRIEND? YEAH. 444 00:26:04,710 --> 00:26:07,512 BOBBY-- [ Clears Throat ] 445 00:26:07,512 --> 00:26:09,381 THAT WOMAN IS A MENACE. GERI? 446 00:26:09,881 --> 00:26:12,768 JUST MADE A PASS AT ME. SAID SHE'S WEARING A DIVING SUIT UNDER HER CLOTHES. 447 00:26:12,768 --> 00:26:16,355 - HOW IS THAT A PASS? - I'M TELLING YOU WHAT HER INTENTIONS WERE. 448 00:26:17,856 --> 00:26:20,609 THANKS, JOSH. HOW'S IT GOING, AMELIA? 449 00:26:20,609 --> 00:26:22,811 GREAT. 450 00:26:22,811 --> 00:26:26,198 WE'LL TRY NOT TO HOLD YOU HERE TOO LONG, OKAY? 451 00:26:26,198 --> 00:26:28,951 YEAH. THAT'S WHY I'VE BEEN SITTING HERE AN HOUR AND 10 MINUTES. 452 00:26:28,951 --> 00:26:32,621 YOU GOT A RECORD, AMELIA? I LIFTED SOME C.D.'s. 453 00:26:32,621 --> 00:26:34,323 I WASN'T WORKING. 454 00:26:34,323 --> 00:26:37,292 WELL, YOU WEREN'T WORKING IN '88 AND AGAIN IN '93. 455 00:26:37,292 --> 00:26:39,795 SOME SPECIAL GROUP YOU WANTED TO LISTEN TO? 456 00:26:41,129 --> 00:26:43,215 YOU KNOW A PRINCE LASZLO FORSMANN? 457 00:26:43,215 --> 00:26:46,084 - WHAT'S THAT? - ANSWER HIS QUESTION. 458 00:26:46,084 --> 00:26:51,089 - NO. - HE'S THE GENTLEMAN SQUEEZING YOUR ASS HERE, AMELIA. 459 00:26:51,089 --> 00:26:53,809 THE PRINCE'S APARTMENT WAS ROBBED THIS MORNING. 460 00:26:53,809 --> 00:26:55,927 I DIDN'T HAVE ANYTHING TO DO WITH IT. 461 00:26:55,927 --> 00:26:58,730 YOU GOT A BROTHER LARRY, AMELIA? TOOK TWO COLLARS FOR G.L.A.? 462 00:26:58,730 --> 00:27:02,184 SO I DATED LASZLO, AND MY BROTHER'S GOT A RECORD. 463 00:27:02,184 --> 00:27:04,486 BIG DEAL. I-- I DON'T EVEN KNOW WHERE LARRY IS. 464 00:27:04,486 --> 00:27:07,522 HE'S RIGHT NEXT TO YOU AND THE PRINCE THERE, AMELIA. 465 00:27:07,522 --> 00:27:11,026 THAT'S LARRY SUPERVISING LASZLO'S GRAB-ASS. 466 00:27:11,410 --> 00:27:14,696 WHAT IS ANY OF THIS HAVE TO DO WITH A ROBBERY? LARRY DIDN'T DO ANYTHING. 467 00:27:14,696 --> 00:27:16,198 CUT THE CRAP, AMELIA. 468 00:27:16,198 --> 00:27:19,868 LARRY DROVE THE VAN FOR THE ROBBERY, AND HE LOADED ON THE PAINTINGS... 469 00:27:19,868 --> 00:27:22,287 BELONGED TO THE PRINCE'S WIFE-- THAT'S MINIMUM. 470 00:27:22,788 --> 00:27:26,958 GIRL LIKE YOURSELF, AMELIA-- YOU KNOW, FREQUENT ACCESS TO THE PRINCE'S PANTS. 471 00:27:27,459 --> 00:27:28,960 MAYBE YOU LIFTED THE APARTMENT KEY. 472 00:27:28,960 --> 00:27:31,963 WELL, I DIDN'T. WELL, YOU BETTER TELL US WHAT YOU DID DO, ALL RIGHT? 473 00:27:32,464 --> 00:27:35,050 BECAUSE RIGHT NOW YOU'RE LOOKING REAL GOOD FOR ACTING IN CONCERT, 474 00:27:35,050 --> 00:27:39,021 AND THAT LADY MIGHT DIE. I JUST TRIED TO HELP SOME PEOPLE. 475 00:27:39,021 --> 00:27:44,309 STARTING WITH WHO? MY BROTHER WAS WORKING FOR THIS GUY WHO WAS GONNA FIRE HIM. 476 00:27:44,309 --> 00:27:46,895 LARRY'S GOT A RECORD, AND IT'S HARD FOR HIM TO FIND A JOB. 477 00:27:46,895 --> 00:27:49,231 YOU FIGURED TO TIDE LARRY OVER WITH A ROBBERY? 478 00:27:49,231 --> 00:27:52,484 I DIDN'T FIGURE ANYTHING. LASZLO WANTED TO RIP HIMSELF OFF. 479 00:27:52,484 --> 00:27:55,954 HIS WIFE DOESN'T PAY HIM ENOUGH, AND GETTING FOUND OUT WITH ME DID NOT HELP HIS SITUATION. 480 00:27:55,954 --> 00:27:58,957 HIS WIFE'S GOT HIM ON ALLOWANCE? SHE DOESN'T EVEN GIVE HIM AN ALLOWANCE. 481 00:27:58,957 --> 00:28:02,794 [ Gasps ] CAN YOU IMAGINE? HE HAS TO BEG HER ALL THE TIME. 482 00:28:02,794 --> 00:28:06,164 HE DECIDED HE WAS SICK OF IT. SO HE DECIDED TO SELL SOME OF HER PAINTINGS. 483 00:28:06,665 --> 00:28:08,884 - BUT FIRST HE HAD TO GET 'EM STOLEN? - HE WORKED THAT OUT WITH LARRY. 484 00:28:09,384 --> 00:28:12,054 - I DON'T KNOW ABOUT THAT. - AND DID HE WORK OUT GETTING HER SKULL BEAT IN? 485 00:28:12,054 --> 00:28:14,389 LASZLO WOULDN'T DO SOMETHING LIKE THAT. 486 00:28:14,389 --> 00:28:16,675 HOW 'BOUT LARRY? 487 00:28:17,676 --> 00:28:21,396 LARRY'S GOT A REALLY BAD TEMPER. UM-- [ Sniffs ] 488 00:28:21,396 --> 00:28:24,766 IT ALWAYS SCREWS HIM UP. 489 00:28:24,766 --> 00:28:27,436 HOW AM I GONNA GET MYSELF OUT OF THIS? 490 00:28:27,436 --> 00:28:29,271 WHERE ARE WE GOING TO FIND LARRY, AMELIA? 491 00:28:32,190 --> 00:28:34,693 COLLINS SELF STORAGE. IT'S, UM-- 492 00:28:34,693 --> 00:28:36,912 IT'S ON AVENUE "D." 493 00:28:37,412 --> 00:28:39,414 THEY'VE GOT PACKING STUFF THERE FOR THE PAINTINGS. 494 00:28:39,414 --> 00:28:42,417 - YOU KNOW WHO THEY'RE GONNA SELL 'EM TO? - NO. 495 00:28:42,417 --> 00:28:45,003 - [ Sighs ] - I DON'T, OKAY? I SWEAR. 496 00:28:45,003 --> 00:28:48,006 I JUST WAS TRYING TO HELP MY BROTHER. 497 00:28:48,006 --> 00:28:51,126 YOU DIDN'T WANT THE PRINCE TO CUT YOU IN ON THE PROFITS? 498 00:28:51,126 --> 00:28:53,595 THAT WAS BETWEEN HIM AND HIS CONSCIENCE. 499 00:28:55,263 --> 00:28:56,598 MM-HMM. 500 00:28:56,598 --> 00:29:00,802 THE PRINCE ISN'T A COLLAR OFF WHAT THE GIRLFRIEND GAVE YOU. 501 00:29:00,802 --> 00:29:03,305 WE GET LARRY TO CORROBORATE. TELL HIM HIS SISTER GAVE HIM UP, 502 00:29:03,805 --> 00:29:06,108 HE'LL TRY TO LIE HIS WAY OUT OF IT. 503 00:29:06,108 --> 00:29:09,144 - BETTER SAY THE PRINCE DID IT. - HE'S GOT TO KNOW THAT SCUMBAG'S ELIGIBLE. 504 00:29:09,144 --> 00:29:11,113 TAKE GREG AND DIANE. 505 00:29:11,113 --> 00:29:15,700 - WHAT'S JAMES DOING? - SOME KIND OF UNION BUSINESS, HELPING JESSE ORTIZ. 506 00:29:15,700 --> 00:29:18,487 THAT ORTIZ ALWAYS LOOKS LIKE HE NEVER SLEEPS. 507 00:29:30,582 --> 00:29:32,250 PUT THAT DOWN. 508 00:29:32,250 --> 00:29:35,303 [ Medavoy ] PUT YOUR HANDS UP. COME HERE. 509 00:29:35,303 --> 00:29:36,805 -FOR WHAT? - JUST PUT 'EM UP. 510 00:29:36,805 --> 00:29:38,924 - WHAT'S YOUR NAME? - LARRY. LARRY DUNCAN. 511 00:29:40,142 --> 00:29:41,843 THIS IS ONE OF 'EM. 512 00:29:42,394 --> 00:29:44,346 WHAT DO YOU KNOW ABOUT THAT PAINTING THERE, LARRY? 513 00:29:44,346 --> 00:29:45,847 NOTHIN'. IT'S STOLEN. 514 00:29:45,847 --> 00:29:48,650 -YOU GOT FIVE STOLEN PAINTINGS THERE. -HOW AM I SUPPOSED TO KNOW THAT? 515 00:29:48,650 --> 00:29:53,321 - DON'T KNOW MUCH, DO YOU? LIKE WHICH PRINCES RAT. - THAT SCUMBAG GAVE ME UP? 516 00:29:53,321 --> 00:29:55,991 - NO, WE SHOWED UP OFF A GOOD GUESS. - THAT PRINCE GAVE YOU UP. 517 00:29:55,991 --> 00:29:58,193 I HOPE HE TOLD YOU THIS IS 100% HIM, EVERYTHING THAT WENT DOWN. 518 00:29:58,193 --> 00:30:00,579 NO, BUT MAYBE YOU'LL HELP US FLESH OUT THE PRINCE'S ROLE. 519 00:30:00,579 --> 00:30:03,615 TURN AROUND. 520 00:30:36,781 --> 00:30:40,202 THOSE ART FRUITS AND THE GIRLFRIEND'S BROTHER BOTH GIVE THIS GUY UP. 521 00:30:40,202 --> 00:30:42,204 -SO YOU'RE BRINGING HIM IN? -YEAH. 522 00:30:42,704 --> 00:30:45,507 THEY'RE BRINGING HIM FROM THE HOSPITAL. 523 00:30:52,380 --> 00:30:54,599 - WHAT ELSE? - [ Sighs ] 524 00:30:55,600 --> 00:30:58,386 NOTHIN'. 525 00:31:01,523 --> 00:31:03,358 COME HERE. 526 00:31:13,785 --> 00:31:17,072 YOU AND ME ARE GONNA COME TO AN UNDERSTANDING 'CAUSE THIS CAN'T GO ON NO MORE. 527 00:31:17,072 --> 00:31:20,375 I'M SORRY I SURPRISED YOU. I WANTED YOU TO KNOW OUR BOND. 528 00:31:20,375 --> 00:31:24,829 YOU'RE ALL CONFINED INSIDE. I FELT THAT COMING OFF YOU THE MINUTE WE MET. 529 00:31:24,829 --> 00:31:27,832 GERI, MY OPINION, YOU'RE 100% NUT JOB, 530 00:31:27,832 --> 00:31:29,834 BUT WE DON'T HAVE TO GET INTO THAT. 531 00:31:29,834 --> 00:31:33,922 I WANT YOU TO KNOW RESTRAINT AS FREEDOM AND PLEASURE INSTEAD OF HURT FROM THE PAST. 532 00:31:33,922 --> 00:31:35,807 AND I'M TELLING YOU WE'RE THROUGH TALKING ABOUT... 533 00:31:36,308 --> 00:31:39,427 WHAT YOU'RE WEARING OR NOT WEARING AND WHAT'S HOLDING YOUR FLUIDS IN. 534 00:31:39,427 --> 00:31:41,313 CAN'T WE DO THIS SOMEWHERE ELSE? NO, WE CAN'T. 535 00:31:41,313 --> 00:31:44,766 THIS IS OUR LAST PERSONAL CONVERSATION. 536 00:31:44,766 --> 00:31:46,902 ANDY. 537 00:31:46,902 --> 00:31:49,604 RIGHT DOWN THIS WAY, PRINCE. GO AHEAD. 538 00:31:53,325 --> 00:31:55,193 RUBBER'S GREAT FOR WEIGHT LOSS. 539 00:31:58,330 --> 00:32:00,865 SIT RIGHT THERE. 540 00:32:00,865 --> 00:32:03,168 DON'T TOUCH ME. 541 00:32:04,035 --> 00:32:06,955 PLEASE, DON'T TOUCH THE PRINCE. 542 00:32:18,016 --> 00:32:20,018 HMM. HERE IN AMERICA, PRINCE, 543 00:32:20,518 --> 00:32:23,021 THE EXPRESSION FOR YOUR SITUATION IS "TOTALLY SCREWED." 544 00:32:23,021 --> 00:32:26,024 OH, YOU ARE VERY PROUD OF "HERE IN AMERICA" AND YOUR LITTLE CULTURAL JOKES. 545 00:32:26,024 --> 00:32:28,526 "HERE IN AMERICA" IS THE TOILET 2,000 YEARS IS FLUSHED DOWN. 546 00:32:28,526 --> 00:32:31,613 - WHAT DOES HE MEAN BY THAT? -WE'LL SEE MY LAWYER'S DESCRIPTION OF MY SITUATION. 547 00:32:32,113 --> 00:32:33,865 I'M NOT SOME IGNORANT MONKEY TO BE TRICKED. 548 00:32:33,865 --> 00:32:36,451 OH, YEAH, A LAWYER'LL BEAT THIS FOR YOU, PRINCE. NO PROBLEM. 549 00:32:36,451 --> 00:32:41,072 YOU GOT YOUR GIRLFRIEND GIVING YOU UP, HER BROTHER SAYING THAT YOU PUT HIM UP TO IT. 550 00:32:41,072 --> 00:32:43,908 NOT TO MENTION SIEGFRIED AND ROY PAINTING A TARGET ON YOUR HEINIE. 551 00:32:43,908 --> 00:32:47,078 YOUR ART DEALER PALS SAID THAT YOU REPRESENTED THOSE PAINTINGS... 552 00:32:47,078 --> 00:32:50,081 WERE YOURS TO SELL. HOW IT STANDS NOW, PRINCE, 553 00:32:50,081 --> 00:32:55,053 JURY LOOKS AT YOU, THEY SEE A SPOILED LEECH TRIED TO MURDER HIS WIFE FOR HER MONEY. 554 00:32:55,303 --> 00:32:58,473 WHEN SHE DIDN'T CROAK IN THE APARTMENT, YOU TAKE ANOTHER RUN AT HER IN THE HOSPITAL. 555 00:32:58,473 --> 00:33:00,675 OH, YES, THEY WON'T BE FOR ME HOW THEY WERE FOR 0.J. SIMPSON. 556 00:33:00,675 --> 00:33:04,429 YOU DIDN'T BRING THEM THE SAME KIND OF WONDERFUL THRILLS ON THE FOOTBALL FIELD. 557 00:33:04,429 --> 00:33:06,481 YOU DON'T KNOW WHAT FOOTBALL IS. 558 00:33:06,481 --> 00:33:09,567 SEE, I DON'T THINK YOU WERE LOOKING TO HURT YOUR WIFE THERE, PRINCE. 559 00:33:09,567 --> 00:33:12,070 BUT THE FACT IS THAT SHE IS HURT, VERY BADLY, 560 00:33:12,070 --> 00:33:14,406 AND YOU'RE THE ONLY ONE THAT CAN EXPLAIN HOW THAT HAPPENED. 561 00:33:14,906 --> 00:33:17,993 BECAUSE OF SOME MORON WITH NO SELF-CONTROL-- THE WHORE'S BROTHER. 562 00:33:17,993 --> 00:33:21,162 MY ONLY CRIME IS A WEAKNESS FOR WHAT A WOMAN HAS BETWEEN HER LEGS. 563 00:33:21,162 --> 00:33:23,498 YEAH? WELL, THAT'S A BIG CLUB. 564 00:33:23,498 --> 00:33:26,284 SEE, THE ANGLE YOU WOULD PLAY IS, UH, 565 00:33:26,284 --> 00:33:28,953 A LITTLE MORE REMORSE? 566 00:33:28,953 --> 00:33:33,258 THE MORON, HE HITS ME. THE BRUISE ON MY HEAD IS REAL. YEAH, BUT REMORSE, PRINCE. 567 00:33:33,758 --> 00:33:35,593 A LITTLE MORE REMORSE FOR WHAT HAPPENED TO YOUR WIFE. 568 00:33:38,263 --> 00:33:41,349 DUMB AMERICAN JURY, YOU MAY GET AWAY WITH IT. 569 00:33:45,103 --> 00:33:47,105 YES. 570 00:33:48,106 --> 00:33:52,110 YES. I AM VERY SORRY. 571 00:34:07,459 --> 00:34:11,296 ANNA, I WANT TO APOLOGIZE TO YOU-- 572 00:34:11,296 --> 00:34:16,301 MISLEADING YOU ON THE WEDDING CEREMONY AND ON MY DIVORCE SITUATION WITH ROSARIO. 573 00:34:16,301 --> 00:34:19,054 SO, SHE UNDERSTANDS MY THOUGHTS YOU WERE SINGLE... 574 00:34:19,054 --> 00:34:22,807 -AND NOT BEING ANY HOME-WRECKER. -OH, LIKE SHE MET HIM THE DAY THEY HAD THE CEREMONY. 575 00:34:22,807 --> 00:34:25,093 I BELIEVED HE WAS DIVORCED. 576 00:34:25,093 --> 00:34:27,312 WHICH LEAVES HER A TRAMP FOR WHEN SHE STARTED BANGING HIM. 577 00:34:27,812 --> 00:34:31,566 SO, BUT IS THAT SATISFACTORY, AS FAR AS JESSE APOLOGIZING IN FRONT OF ROSARIO? 578 00:34:31,566 --> 00:34:33,601 YEAH, 'CAUSE SHE DON'T WANNA HEAR REASON ANYWAY. 579 00:34:34,102 --> 00:34:35,904 WE SHOULD TAKE CARE OF THE REST AMONGST OURSELVES. 580 00:34:35,904 --> 00:34:38,106 AM I RIGHT, JAMES? THAT'S WHAT I RECOMMEND. 581 00:34:38,106 --> 00:34:40,692 -I WANNA RETAIN THE DIVORCE DOCUMENTS. -HOW IS SHE GONNARETAINTHEM... 582 00:34:40,692 --> 00:34:43,912 - IF I GOT THEM IN MY PANTY DRAWER? -IT'S A FORGERY ANYWAY, HONEY. 583 00:34:43,912 --> 00:34:46,081 I WANT A RECORD OF WHAT YOU TRIED TO DO HERE. 584 00:34:46,081 --> 00:34:47,916 POSSESSION'S NINE POINTS OF THE LAW. 585 00:34:47,916 --> 00:34:50,418 -YOU WANNA HOLD IT OVER ME, THAT'S WHAT YOU WANT. - LET'S CALM DOWN. 586 00:34:50,919 --> 00:34:52,620 THIS IS SO SHE CAN JAM ME UP IN THE FUTURE. 587 00:34:52,620 --> 00:34:55,039 - THAT'S WHAT YOU WANNA GO HOME TO. - YOU JUST SAID A MOUTHFUL. 588 00:34:55,039 --> 00:34:57,509 COME ON. LET'S NOT LET THINGS UNRAVEL HERE. 589 00:34:57,509 --> 00:35:00,678 I CAN ONLY HAVE YOU IF I LET YOU WALK ALL OVER ME, JESSE, 590 00:35:00,678 --> 00:35:03,598 -AND I GIVE UP MY SELF-RESPECT? - I DON'T THINK THAT'S WHAT JESSE'S SAYING HERE. 591 00:35:03,598 --> 00:35:06,101 WHAT I THINK IS YOU COULD SHOW SOME COMMON COURTESY... 592 00:35:06,101 --> 00:35:07,936 WHEN PEOPLE TRY TO MEET YOU HALFWAY. 593 00:35:07,936 --> 00:35:10,305 - THAT'S WHAT HE WANTS TO GO HOME TO. - HEY-- 594 00:35:10,805 --> 00:35:13,191 - KNOW WHAT? MAKE THOSE DIVORCE PAPERS REAL. - CAREFUL WHAT YOU'RE SAYING. 595 00:35:13,691 --> 00:35:17,946 OH, I KNOW WHAT I'M SAYING. MAKE THE PAPERS REAL, AND YOU CAN KISS MY ASS. 596 00:35:17,946 --> 00:35:20,648 BUT IN TERMS OF THE ASSAULT CHARGES, UH, THOUGH, WE'RE STILL QUITS? 597 00:35:20,648 --> 00:35:25,487 NO CHARGES, NO TROUBLE WITH THE DEPARTMENT. I WANT HIS PAYCHECK FOR ALIMONY. 598 00:35:25,487 --> 00:35:28,540 YOU WANT HIM, YOU GOT HIM. 599 00:35:28,540 --> 00:35:32,577 BUT HE'S GONNA HAVE YOU DOING HAIR INSTEAD OF GETTING IT DONE, SAME AS HE DID ME. 600 00:35:37,415 --> 00:35:40,335 ARE YOU ALL RIGHT, JESSE? 601 00:35:40,335 --> 00:35:42,387 SOME DELEGATE YOU ARE. 602 00:35:42,887 --> 00:35:44,889 HEY, JESSE, YOU CAN KISS MY ASS TOO. 603 00:36:12,450 --> 00:36:14,169 HEY, GINA. HI, JAMES. 604 00:36:14,169 --> 00:36:17,005 HOW'D IT GO TODAY? MY BOSS SAID BEFORE LUNCH I'M DOING A PRETTY GOOD JOB. 605 00:36:17,505 --> 00:36:19,007 YEAH, SERGEANT LORENZO? UH-HUH. 606 00:36:19,007 --> 00:36:22,343 I'LL TELL YOU, HE DON'T THROW AROUND COMPLIMENTS. HOW WAS YOUR DAY? 607 00:36:22,343 --> 00:36:27,715 I, UH, HAD DELEGATE BUSINESS. IT WAS, UH, WILD. 608 00:36:27,715 --> 00:36:29,517 GUY MARRIED TO TWO DIFFERENT WOMEN. 609 00:36:29,517 --> 00:36:33,805 WOW. I ALWAYS FIGURED ONE MARRIAGE WOULD BE COMPLICATED ENOUGH. 610 00:36:33,805 --> 00:36:37,141 A DETECTIVE IN THIS PRECINCT? I DON'T WANT TO SAY ANY NAMES. 611 00:36:37,141 --> 00:36:42,113 I GUESS IT'S HOW LAWYERS WORK, THE SENSE I DIDN'T APPROVE OF THIS GUY VERY MUCH, 612 00:36:42,113 --> 00:36:45,116 BUT I STILL FELT HE DESERVED A DELEGATE. 613 00:36:45,116 --> 00:36:47,118 YEAH, BUT YOU'RE A BETTER GUY THAN A LAWYER. 614 00:36:47,118 --> 00:36:50,071 YEAH, I-- I HOPE SO. 615 00:36:52,574 --> 00:36:55,076 SO, I WAS, UH, WONDERING-- 616 00:36:55,076 --> 00:36:58,079 YOU KNOW, I DON'T KNOW HOW YOU'RE GONNA FEEL ABOUT THIS, 617 00:36:58,079 --> 00:37:01,082 BUT I THOUGHT YOU MIGHT ENJOY GOING SOMEWHERE AFTER WORK. 618 00:37:01,082 --> 00:37:04,886 JUST THE TWO OF US. WE COULD HAVE A BEER OR WHATEVER YOU LIKE. 619 00:37:04,886 --> 00:37:09,340 I DON'T DRINK, BUT I'D LIKE TO GO OUT WITH YOU. 620 00:37:09,340 --> 00:37:12,560 WOULD YOU LIKE TO GET SOME DINNER? ENJOY SPANISH FOOD, ITALIAN? 621 00:37:12,560 --> 00:37:14,896 THAT'D BE GREAT. ALL RIGHT. 622 00:37:14,896 --> 00:37:17,065 I'LL BE THROUGH IN ABOUT 20 MINUTES. DON'T RUSH NOTHING. 623 00:37:17,065 --> 00:37:21,236 KEEP ON THE SARGE'S GOOD SIDE. 624 00:37:21,236 --> 00:37:24,239 I'LL MEET YOU DOWNSTAIRS? YEAH. I'LL MEET YOU ON THE FIRST FLOOR. ALL RIGHT? 625 00:37:26,741 --> 00:37:29,244 LET ME GET MYSELF SOME OF THIS WOMAN TROUBLE. 626 00:37:40,622 --> 00:37:42,924 SO, DID YOU GET OVER TO HEADQUARTERS? YEAH. 627 00:37:42,924 --> 00:37:47,095 THEY'LL LOOK TO HOOK ME INTO THE GUY ONE OF THE NEXT COUPLE NIGHTS. 628 00:37:47,095 --> 00:37:50,715 I CAN WORK MY CHART THOUGH, BOSS, AT LEAST TILL WE SEE WHERE IT GOES. 629 00:37:50,715 --> 00:37:52,467 SO, WHAT'S THE DOWNSIDE, DIANE? 630 00:37:52,467 --> 00:37:55,353 YOU KNOW, THERE'S, UH-- THERE'S SOME BEHAVIOR. 631 00:37:55,853 --> 00:37:57,388 NOT TOO MUCH BEHAVIOR. 632 00:37:57,889 --> 00:38:00,775 NOT UNLESS THE GUY'S READY FOR A HELL OF A SLAP ON HIS WRIST. 633 00:38:02,277 --> 00:38:04,145 HOW'S THE PRINCE? 634 00:38:04,145 --> 00:38:08,116 WANTS ME TO ASK THE GIRLFRIEND TO GIVE UP THE WATCH HE GAVE SO HE DON'T HAVE TO USE LEGAL AID. 635 00:38:08,616 --> 00:38:12,153 - SHE'S GOT TO GO FOR THAT PROPOSITION? - HE'S GOT TWO WEAK CASES. 636 00:38:12,153 --> 00:38:14,989 YOU CALL THE TUNE ON THE BEHAVIOR. 637 00:38:14,989 --> 00:38:16,991 RIGHT. 638 00:38:16,991 --> 00:38:18,993 GOOD NIGHT. GOOD NIGHT, LIEU. 639 00:38:22,497 --> 00:38:24,799 - CALL THE TUNE ON WHAT? - LIERY. 640 00:38:24,799 --> 00:38:28,136 - OH, YEAH, WHAT'S HIS ACT? - I'M A BIG GIRL, BOBBY. 641 00:38:28,136 --> 00:38:30,888 [ Scoffs ] WELL, WHAT'S HIS BEHAVIOR? 642 00:38:34,142 --> 00:38:36,427 WE'RE A COUPLE MICKS. WE DRANK. 643 00:38:36,427 --> 00:38:38,313 GREAT. 644 00:38:38,313 --> 00:38:41,065 I'LL FIND OTHER WAYS TO KEEP HIM AMUSED. 645 00:38:42,433 --> 00:38:44,936 GOOD NIGHT. YEP, GOOD NIGHT. 646 00:38:46,187 --> 00:38:48,323 GOOD NIGHT, BOBBY. 647 00:38:50,992 --> 00:38:52,994 YEAH, GREG. GOOD NIGHT. 648 00:38:59,417 --> 00:39:01,753 HEY, JAMES. HEY, GREG. 649 00:39:04,172 --> 00:39:06,674 I HEAR JESSE ORTIZ HAD YOU RUNNING AROUND ALL DAY, HUH? 650 00:39:06,674 --> 00:39:09,677 YEAH. MY GRANDMOTHER USED TO TELL ME... 651 00:39:09,677 --> 00:39:12,680 GOD COULDN'T THINK UP THE TROUBLE FOR US WE GET INTO OURSELVES. 652 00:39:12,680 --> 00:39:14,682 YEAH. THAT'S WHAT THIS PUT ME IN MIND OF. 653 00:39:15,183 --> 00:39:17,185 SO, DID YOU GET HIS PROBLEM STRAIGHTENED OUT? 654 00:39:17,185 --> 00:39:20,188 I THINK I KEPT HIM FROM GETTING JAMMED UP DEPARTMENTALLY. 655 00:39:20,188 --> 00:39:22,690 EINSTEIN COULDN'T STRAIGHTEN HIS PROBLEMS OUT. 656 00:39:26,194 --> 00:39:29,697 YOU KNOW, I-- I THINK I'VE LOST SIGNIFICANTLY MORE WEIGHT. 657 00:39:29,697 --> 00:39:32,200 YEAH? WHY DON'T YOU STEP ON THE SCALE? 658 00:39:32,533 --> 00:39:34,402 IT'S RIGHT IN THERE, JAMES, BUT I'M NOT GETTING ON. 659 00:39:34,402 --> 00:39:38,539 NO INTERIM WEIGHT-CHECKING WAS MY APPROACH COMING IN, AND I'M KEEPING TO THAT. 660 00:39:39,040 --> 00:39:43,161 AND-AND WHAT'S INTERESTING, THAT THE DISCIPLINE I'VE GOTTEN OFF DIETING, 661 00:39:43,161 --> 00:39:45,630 NOW MAKES ME CAPABLE OF KEEPING THAT WORD. OH, YEAH? 662 00:39:45,630 --> 00:39:47,632 THINGS MIGHT BE LOOKING SOMEWHAT UP FOR ME TOO. 663 00:39:47,632 --> 00:39:50,134 YEAH? GOOD. IN WHAT SENSE? 664 00:39:50,134 --> 00:39:52,136 I'M TAKING GINA OUT FOR DINNER. 665 00:39:52,136 --> 00:39:53,755 YEAH? THAT'S GREAT, JAMES. 666 00:39:54,255 --> 00:39:56,591 - I'M LOOKING FORWARD TO IT. -YEAH. 667 00:39:56,591 --> 00:40:00,595 SO, WHAT-WHAT TYPE OF A MEAL DO YOU ANTICIPATE HAVING? 668 00:40:00,595 --> 00:40:03,598 OH, WE'RE THINKING ALONG THE LINES OF SPANISH OR ITALIAN. 669 00:40:03,598 --> 00:40:06,434 AND YOU KNOW WHAT, JAMES? EITHER OF THOSE NATIONALITIES, 670 00:40:06,434 --> 00:40:08,770 IT'S ABSOLUTELY FEASIBLE TO DINE SENSIBLY. 671 00:40:10,688 --> 00:40:12,690 YEAH. WELL, ANYWAYS, I'LL LET YOU KNOW HOW IT TURNS OUT. 672 00:40:12,690 --> 00:40:14,525 PROVIDING I CAN STILL SEE YOU. 673 00:40:14,525 --> 00:40:17,995 JAMES, I TURN SIDEWAYS, PEOPLE QUESTION WHERE I WENT. 674 00:40:17,995 --> 00:40:20,948 [ Chuckles ] NIGHT, GREG. ATTABOY. 675 00:40:36,297 --> 00:40:38,299 WHAT DID THE GIRLFRIEND SAY ON THE WATCH? 676 00:40:38,800 --> 00:40:40,601 SHE SAID THE PRINCE COULD GO SCREW HIMSELF. 677 00:40:40,601 --> 00:40:43,387 DID YOU TELL HER THAT WAS AN "A" ANSWER? [ Chuckles ] 678 00:40:44,856 --> 00:40:47,358 WHERE'D YOU GO WITH SAVINO AND THOSE LOAN SHARKS? 679 00:40:47,358 --> 00:40:50,895 YOU KNOW, SAVINO, HE DON'T THINK THEY'RE RIGHT. SAYS THEY STOOD A GOOD TUNE-UP. 680 00:40:50,895 --> 00:40:52,814 WHAT'S THE MATTER? 681 00:40:55,817 --> 00:40:58,319 THEY GOT THIS ONE GOING OUT ON AN UNDERCOVER. 682 00:40:58,319 --> 00:41:00,621 WHY? SOME GUY SHE WORKED BEFORE. 683 00:41:00,621 --> 00:41:02,740 I GUESS HE'S DOING SOME BIG STUFF OVER AT KENNEDY. 684 00:41:02,740 --> 00:41:05,960 YOU MIGHT WANT TO HAVE A TALK WITH HER, CONNECTION WITH YOUR PROGRAM. 685 00:41:05,960 --> 00:41:08,412 - BEHIND WHAT? - WELL, LET HER TELL YOU. 686 00:41:11,382 --> 00:41:13,384 THE GUY LIKED TO DRINK. 687 00:41:13,885 --> 00:41:15,636 HEY, I DON'T KNOW HOW TO TALK TO HER. 688 00:41:15,636 --> 00:41:19,507 I DON'T KNOW HOW TO TALK ABOUT HER. YOU'RE IN LOVE WITH HER, 689 00:41:19,507 --> 00:41:22,510 AND SHE IS BACK. 690 00:41:22,510 --> 00:41:24,979 YOU'RE TRYING TO WORK IT OUT. 691 00:41:26,481 --> 00:41:28,483 NOT CLEARING MANY CASES LATELY. 692 00:41:28,483 --> 00:41:32,236 DID WE NOT JUST GET OVER ON THE PRINCE? 693 00:41:32,236 --> 00:41:34,489 THERE YOU GO. 694 00:41:34,489 --> 00:41:39,160 THAT MAN PROBABLY HAD PRIVATE TUTORS HIS WHOLE LIFE. 695 00:41:51,539 --> 00:41:55,042 ???? [ Jazz ] [ Chattering ] 696 00:42:20,985 --> 00:42:22,987 HIYA, MOUSE. 697 00:42:22,987 --> 00:42:24,989 HI, JIMMY. 698 00:42:31,495 --> 00:42:33,915 ONE FOR HER, SAME WAY. 699 00:42:33,915 --> 00:42:35,917 HANG ON. LET'S SIT DOWN. 700 00:42:36,417 --> 00:42:38,920 WE'LL NEGOTIATE. SURE. 701 00:42:57,905 --> 00:43:00,908 HOW ABOUT MY CHRISTIAN FORGIVENESS? 702 00:43:00,908 --> 00:43:03,995 DROP ME, DROP BACK IN, I DON'T YELL, RAISE MY HAND. 703 00:43:03,995 --> 00:43:06,497 I DIDN'T DROP YOU, JIMMY. 704 00:43:06,998 --> 00:43:09,250 I DIDN'T RECEIVE ANY LONG, TEARY LETTERS FROM YOU. 705 00:43:09,250 --> 00:43:12,420 DID YOU WANT TO MOVE TO OMAHA? COULD'VE HAPPENED. 706 00:43:12,420 --> 00:43:15,873 I'D HAVE LIKED THE CHANCE TO CHOOSE, YOU KNOW, BUT-- 707 00:43:18,376 --> 00:43:20,761 I HARBOR NO ILL WILL, WHICH IS ANOTHER CONNECTION BETWEEN... 708 00:43:20,761 --> 00:43:23,714 ME AND THE LADY IN CALCUTTA. 709 00:43:24,215 --> 00:43:27,351 - AND NOW I'M BACK. - THERE'S TALK THAT I'M HER BASTARD CHILD, YOU KNOW. 710 00:43:27,351 --> 00:43:29,854 AND NOW... I'M BACK. 711 00:43:37,695 --> 00:43:40,564 YOU GOTTA DRINK WITH ME, MOUSE. 712 00:43:49,490 --> 00:43:51,375 I'LL DANCE WITH YOU. 713 00:43:53,377 --> 00:43:55,713 THAT'S ONE WAY TO GET A HUG. 714 00:43:56,714 --> 00:43:58,716 [ Man ] ?? BABY ?? 715 00:43:58,716 --> 00:44:02,970 ?? NOW THAT WE'RE HERE ?? 716 00:44:02,970 --> 00:44:05,756 SO, WHAT YOU BEEN UP TO? OH, THIS AND THAT. 717 00:44:05,756 --> 00:44:07,591 OH, YEAH? 718 00:44:08,092 --> 00:44:11,595 ?? IT'S EASY TO SEE ?? 719 00:44:12,096 --> 00:44:16,100 ?? AND PERFECTLY CLEAR ?? 720 00:44:16,600 --> 00:44:22,440 ?? I KNOW WHAT I HAVE TO DO ?? 721 00:44:23,441 --> 00:44:27,945 ?? I WILL SPEND MY LIFE ?? 722 00:44:27,945 --> 00:44:33,801 ?? LOVING YOU ????