1 00:00:02,435 --> 00:00:04,270 -PREVIOUSLY ON NYPD BLUE. - AM I CHARGED WITH A CRIME? 2 00:00:04,637 --> 00:00:06,606 DON'T BE FLAILIN' YOUR ARMS AROUND. I DON'T HAVE TO GO WITH YOU. 3 00:00:06,606 --> 00:00:08,975 YOU DEALING WITH THAT ONE NIGGER IN A THOUSAND WHO KNOWS WHAT YOU CAN AND CANNOT DO. 4 00:00:09,309 --> 00:00:12,445 - I'M DEALING WITH THE NIGGER WHOSE BIG MOUTH IS RESPONSIBLE-- - SHUT UP, ANDY. 5 00:00:12,712 --> 00:00:15,715 - BACK OFF! - WHAT YOU SAID IN THAT ELEVATOR-- 6 00:00:15,715 --> 00:00:18,518 ABOUT THOSE LOWLIFE HOMEYS DECIDIN' TO ACT BLACK. 7 00:00:18,518 --> 00:00:21,087 SO YOU GOT A PROBLEM WITH ME TOO? PARTNER, 8 00:00:21,087 --> 00:00:23,590 I WAS NOT COMFORTABLE WITH THOSE WORDS. 9 00:00:23,590 --> 00:00:26,493 I AM NOT COMFORTABLE WITH THE THOUGHTS BEHIND IT. I JUST WANT YOU TO UNDERSTAND THAT. 10 00:00:26,493 --> 00:00:29,696 YOU GOT PEOPLE WORKING FOR YOU THAT LIKE TO TOSS AROUND "NIGGER"... 11 00:00:29,696 --> 00:00:31,765 JUST LIKE SAYING, "HOW YOU DOIN'?" 12 00:00:31,765 --> 00:00:34,334 I'VE SAID THAT WORD. I'VE THOUGHT IT PLENTY. 13 00:00:34,334 --> 00:00:38,371 BUT I'VE NEVER USED IT ON THE JOB TILL YOUR HUMP PAL PUT US ON THAT ROAD. 14 00:01:14,074 --> 00:01:16,609 HUH? IT LOOKS LIKE SOME KIND OF DRIVE-BY. 15 00:01:16,609 --> 00:01:20,113 D.O.A. IN THE BACK'S HOLDING A NINE-MILLIMETER AND MAYBE HALF A GRAM OF COKE. 16 00:01:20,113 --> 00:01:23,416 HALF A GRAM, HUH? WHAT'D YOU DO, WEIGH IT? 17 00:01:23,416 --> 00:01:25,752 YOU SAFEGUARD THE CRIME SCENE. YOU DON'T GO THROUGH NOBODY'S POCKETS. 18 00:01:26,019 --> 00:01:28,555 - I HAPPENED TO NOTICE. - ANDY. 19 00:01:33,026 --> 00:01:37,430 MY MAN, KWASI. WE HAPPEN TO KNOW THIS WAS A WONDERFUL COMMUNITY ACTIVIST, 20 00:01:37,430 --> 00:01:39,799 OTHERWISE THIS COULD LOOK DRUG RELATED. 21 00:01:39,799 --> 00:01:42,368 "AISHA, 10:30." 22 00:01:42,368 --> 00:01:44,938 - WHAT, IS THAT SOME TRIBAL NAME? - IT'S A WOMAN'S NAME. 23 00:01:44,938 --> 00:01:47,240 SUSAN'S A WOMAN'S NAME. 24 00:01:47,674 --> 00:01:50,610 [ Officer ] I'VE GOT THE ADDRESS OF THE D.O.A. IN THE FRONT SEAT. 25 00:02:05,291 --> 00:02:08,661 AW, MAN, I DON'T WANT THIS TO BE AISHA. 26 00:02:18,338 --> 00:02:21,007 [ Simone ] HI. HI. 27 00:02:25,411 --> 00:02:28,481 -[ Doorbell Buzzes ] - ARE YOU LOOKING FOR MY DAD? 28 00:02:28,915 --> 00:02:31,618 BECAUSE HE'LL BE BACK AT 10:30. 29 00:02:33,419 --> 00:02:35,522 WE'RE-WE'RE POLICEMEN. 30 00:02:35,522 --> 00:02:38,258 - IS YOUR DAD KWASI OLUSHOLA? - MM-HMM. 31 00:02:38,258 --> 00:02:41,361 - WHAT'S YOUR NAME? - I'M HANNA. 32 00:02:41,728 --> 00:02:44,964 - HANNA, HUH? -WELL, MY DAD CALLS ME AISHA. 33 00:02:46,900 --> 00:02:49,302 UH, IS YOUR MOMS AROUND HERE? 34 00:02:49,302 --> 00:02:52,172 NAH, SHE LIVES IN THE BRONX. 35 00:02:52,172 --> 00:02:55,675 MY DADDY'S TAKING ME TO MY BASEBALL GAME. 36 00:02:55,675 --> 00:03:00,013 HANNA, WE WERE SUPPOSED TO TELL YOU THAT YOUR DAD'S INVOLVED WITH SOMETHING ELSE JUST NOW. 37 00:03:00,013 --> 00:03:02,982 DO YOU KNOW YOUR MOM'S PHONE NUMBER? YOU CAN WRITE IT DOWN HERE. 38 00:03:05,418 --> 00:03:07,253 WHAT'S MY DAD INVOLVED WITH? 39 00:03:07,253 --> 00:03:11,858 YOU KNOW, HANNA, WE ACTUALLY DIDN'T GET TO TALK WITH HIM. 40 00:03:12,292 --> 00:03:16,763 RIGHT NOW WE HAVE TO CALL YOUR MOMS AND THEN SHE'LL EXPLAIN TO YOU WHAT'S GOING ON. 41 00:03:17,263 --> 00:03:20,700 WELL, UH, YOU WANT TO COME IN MY DAD'S APARTMENT AND USE HIS PHONE? 42 00:03:20,700 --> 00:03:25,004 YEAH, THAT-- THAT'D BE GOOD. THANKS. YOU'RE WELCOME. 43 00:04:45,151 --> 00:04:49,322 SOME SKELL WINO SAW A LATE-MODEL CAR PULL UP TO THE CAR KWASI'S IN. 44 00:04:49,622 --> 00:04:52,725 GUYS IN THAT CAR START BLASTIN'. KWASI TRIES TO PULL AWAY, DRIVES INTO THE STOOP. 45 00:04:52,992 --> 00:04:56,629 SKELL SAYS TWO BLACK GUYS IN THE HIT CAR, THREE GUYS IN THE CAR KWASI'S IN. 46 00:04:56,963 --> 00:05:00,833 THREE GUYS? YEAH. HE ALSO SAYS THE HIT CAR WAS GREEN OR RED. 47 00:05:00,833 --> 00:05:03,069 SO I DON'T MAKE HIM THAT RELIABLE. 48 00:05:03,069 --> 00:05:05,938 CRIME SCENE RECOVERED 11 .380 CASINGS OFF THE STREET. 49 00:05:05,938 --> 00:05:09,976 LIFTED SOME PAINT OFF THE RIGHT FRONT OF KWASI'S CAR. IT COULD HAVE COME FROM THE HIT CAR. 50 00:05:09,976 --> 00:05:13,913 D.O.A. IN THE BACKSEAT'S, UH, MARCUS CAMERON. STREET NAME'S "PRINCE." 51 00:05:14,347 --> 00:05:19,852 THREE COLLARS FOR SALE. ONE PENDING'S AN "A" FELONY, SO IT HAD TO BE A DECENT WEIGHT. 52 00:05:20,153 --> 00:05:23,289 NARCOTICS IS COMING UP WITH THE GUY'S ASSOCIATES. KWASI YOU KNOW. 53 00:05:23,790 --> 00:05:26,292 [ Phone Rings ] 54 00:05:26,292 --> 00:05:29,362 - YEAH? - I GUESS THE ONE D.O.A.-- 55 00:05:29,362 --> 00:05:31,931 HE'S NOW THE DEALER FORMERLYKNOWN AS PRINCE. 56 00:05:31,931 --> 00:05:34,567 [ Fancy ] OKAY. YEAH. GOT IT. 57 00:05:36,669 --> 00:05:39,105 BODEGA SHOOTING ON AVENUE "D," ONE D.O.A. 58 00:05:39,505 --> 00:05:42,008 [ Martinez ] I'M UP. OKAY. NARCOTICS'LL BE HELPING WITH THEIRS. 59 00:05:42,008 --> 00:05:44,210 - YOU WANT TO WORK THE BODEGA WITH JAMES AND GREG? - SURE. 60 00:05:44,510 --> 00:05:47,013 HEY, BOSS, YOU MIND VERY MUCH IF DIANE STAYS ON OURS? 61 00:05:47,013 --> 00:05:50,083 WE WERE WITH HIS LITTLE GIRL TILL THE MOTHER GOT THERE. 62 00:05:50,083 --> 00:05:54,387 WE DIDN'T REALLY TELL HER KWASI WAS DEAD. SHE MIGHT NOT WANT TO TALK TO US NO MORE. 63 00:05:54,887 --> 00:05:56,789 NO PROBLEM. JUST GIVE ME A SECOND. 64 00:05:56,789 --> 00:05:59,492 OKAY. LET ME KNOW IF YOU NEED HELP ON CANVASS. 65 00:05:59,726 --> 00:06:03,763 - OKAY, LIEU. - CAN YOU GIVE US ANY HELP WITH KWASI'S WIFE? 66 00:06:04,030 --> 00:06:06,032 NO. THEY MUST'VE SPLIT UP BEFORE I KNEW HIM. 67 00:06:06,032 --> 00:06:09,235 SHE LEFT HIM EARLY? MAYBE SHE'S GOT SOME SENSE. 68 00:06:09,736 --> 00:06:13,306 WAIT A MINUTE. THAT'S THE LAST BALL-BREAKIN' ABOUT KWASI. 69 00:06:13,306 --> 00:06:15,475 YOU HAD THIS GUY UP FOR SAINTHOOD. 70 00:06:15,742 --> 00:06:19,011 I NEVER HAD HIM UP FOR SAINTHOOD, AND I DON'T KNOW THAT HE'S COMING OUT OF THIS WRONG. 71 00:06:19,512 --> 00:06:22,048 I'M TELLING YOU, YOU'RE DONE PISSIN' ON HYDRANTS TILL WE FIND OUT. 72 00:06:22,548 --> 00:06:24,917 NOBODY'S LOOKING TO MAKE HIM WRONG IF HE'S NOT. 73 00:06:30,723 --> 00:06:32,625 [ Man ] WORK TOGETHER ON THIS, GUYS. 74 00:06:32,625 --> 00:06:35,495 HI, HANNA. MRS. TORRENCE. 75 00:06:35,495 --> 00:06:37,445 WHAT DO YOU WANT TO ASK ME? 76 00:06:37,445 --> 00:06:41,032 WELL, WE WANTED TO TELL YOU HOW SORRY WE WERE ABOUT YOUR DAD, FIRST THING. 77 00:06:41,032 --> 00:06:44,285 AND WE NEED TO TALK TO YOU ABOUT WHAT YOUR DAD WAS DOING BEFORE HE LEFT THE APARTMENT. 78 00:06:44,285 --> 00:06:47,956 AND THERE'S SOME OTHER THINGS. WE ALSO NEED TO TALK TO YOUR MOM. 79 00:06:47,956 --> 00:06:50,625 WE WANTED TO GIVE BOTH OF YOU A LITTLE BIT OF TIME TO YOURSELVES BEFORE WE DID THAT. 80 00:06:50,625 --> 00:06:52,927 SO YOU LIED THAT HE WAS ALIVE? 81 00:06:52,927 --> 00:06:57,599 -WE TALKED ABOUT THAT, HANNA. - WE THOUGHT YOUR MOM SHOULD TELL YOU ABOUT YOUR DAD. 82 00:06:57,599 --> 00:07:00,301 I FOUND OUT WHO YOU ARE. I DON'T WANT YOU TALKING WITH HER. 83 00:07:00,301 --> 00:07:03,972 THIS IS DETECTIVE RUSSELL. MAYBE YOU COULD TALK WITH HER WHILE WE TALK WITH YOUR MOM. 84 00:07:03,972 --> 00:07:09,027 DIANE RUSSELL. I'M SORRY ABOUT YOUR DAD, HANNA. 85 00:07:09,027 --> 00:07:11,613 YOU WANT ME WITH YOU WHILE YOU TALK TO HER? 86 00:07:11,613 --> 00:07:14,199 YOU WEREN'T WITH DADDY. 87 00:07:14,199 --> 00:07:17,485 HANNA, UM, WHY DON'T WE TALK BACK HERE, ALL RIGHT? 88 00:07:19,454 --> 00:07:23,124 I DON'T KNOW IF YOU'RE HUNGRY, BUT WE'VE GOT SOME THINGS IN THE REFRIGERATOR. 89 00:07:23,124 --> 00:07:27,495 -[ Hanna ] OKAY. -WOULD YOU FEEL COMFORTABLE TALKING IN HERE? 90 00:07:27,495 --> 00:07:30,215 - OR WOULD YOU RATHER GO INTO AN INTERVIEW ROOM? - WE CAN TALK HERE. 91 00:07:30,215 --> 00:07:33,301 - RIGHT THIS WAY. -[ Door Creaks ] 92 00:07:33,301 --> 00:07:36,921 - YOU WANT ME TO EXCUSE MYSELF? - I'VE DEALT WITH PEOPLE LIKE YOU BEFORE. 93 00:07:36,921 --> 00:07:38,757 IT'S HANNA WE WERE TRYING TO PROTECT. 94 00:07:38,757 --> 00:07:41,843 MA'AM, RIGHT HERE. 95 00:07:45,330 --> 00:07:48,349 DO YOU HAVE ANY IDEA WHY THIS HAPPENED TO YOUR HUSBAND, MRS. TORRENCE? 96 00:07:48,349 --> 00:07:53,238 - NO. - DO YOU KNOW MARCUS CAMERON, THE MAN WHO WAS SHOT WITH HIM? 97 00:07:53,238 --> 00:07:56,608 WE DIDN'T HAVE MANY FRIENDS IN COMMON, AND WE'D BEEN SEPARATED THREE AND A HALF YEARS. 98 00:07:56,608 --> 00:07:59,277 HIS STREET NAME WAS PRINCE, THIS MARCUS CAMERON. I DIDN'T KNOW HIM. 99 00:07:59,277 --> 00:08:01,996 DO YOU MIND IF I ASK YOU ABOUT YOU AND KWASI NOT HAVING FRIENDS IN COMMON? 100 00:08:01,996 --> 00:08:06,251 I'M A NURSING SUPERVISOR. IT TAKES A LOT OF TIME. SO DID HANNA. 101 00:08:06,251 --> 00:08:11,122 WE FOUND A NOTE IN KWASI'S POCKET ABOUT, UH, YOUR DAUGHTER'S BASEBALL GAME. 102 00:08:11,122 --> 00:08:14,042 HE CALLED HER AISHA. WHAT DO YOU WANT TO KNOW ABOUT THAT? 103 00:08:14,542 --> 00:08:17,095 WELL, ACTUALLY, I'M INTERESTED TO KNOW WHY YOU BOTH CALL HER DIFFERENT NAMES. 104 00:08:17,595 --> 00:08:20,932 DON'T PLAY DETECTIVE GAMES WITH ME, PLEASE. PEOPLE SEPARATE FOR REASONS. 105 00:08:20,932 --> 00:08:24,686 NONE OF THE THINGS KWASI AND I DISAGREED ABOUT HAD ANYTHING TO DO... 106 00:08:24,686 --> 00:08:27,272 -WITH YOUR INVESTIGATION. - YOU SURE ABOUT THAT? 107 00:08:27,272 --> 00:08:29,607 -I'M SURE. - IS THAT 'CAUSE YOU KNOW WHY HE WAS MURDERED? 108 00:08:30,108 --> 00:08:32,477 I KNOW HE WASN'T MURDERED FOR ANY OF THE REASONS YOU'D LIKE TO THINK. 109 00:08:32,477 --> 00:08:35,313 MY HUSBAND WAS AN HONORABLE, GOOD-HEARTED MAN, 110 00:08:35,313 --> 00:08:39,367 AND HE WAS BRAVE ENOUGH TO BELIEVE IN PEOPLE OTHERS WANTED TO KEEP IN THE JUNK HEAP. 111 00:08:39,617 --> 00:08:43,488 THAT'S WHAT GOT HIM KILLED SOMEHOW-- TRYING TO HELP. 112 00:08:43,488 --> 00:08:45,657 [ Simone ] WHAT WORK WAS KWASI INVOLVED WITH MOST RECENTLY? 113 00:08:45,657 --> 00:08:50,912 HE WAS INVOLVED WITH HANNA. THAT'S WHAT I KNOW ABOUT. OKAY. 114 00:08:50,912 --> 00:08:56,134 HANNA WANTS TO SAY SOMETHING TO HER MOM. 115 00:08:56,634 --> 00:09:02,090 I'M SORRY, MOM, FOR WHAT I SAID TO YOU. AND I'M SORRY IF I HURT YOUR FEELINGS. 116 00:09:02,090 --> 00:09:05,560 IT'S OKAY, PUMPKIN. 117 00:09:05,560 --> 00:09:08,897 PLEASE DON'T BE MAD AT ME AND GO AWAY TOO. 118 00:09:08,897 --> 00:09:13,434 COME HERE. IT'S ALL RIGHT. I UNDERSTAND. I'M NOT GOING ANYWHERE. 119 00:09:13,434 --> 00:09:16,154 HANNA WANTED HER MOM TO KNOW THAT. 120 00:09:16,154 --> 00:09:19,774 - UH-HUH. -AND SHE WAS TELLING ME ABOUT HER UNCLE, TOO, 121 00:09:19,774 --> 00:09:22,944 AND HOW HER DAD WAS TRYING TO HELP HIM. 122 00:09:24,279 --> 00:09:28,199 WHO WAS DADDY TRYING TO HELP? UNCLE JEROME. 123 00:09:28,199 --> 00:09:31,953 - HE CALLED DADDY. [ Sniffles ] - JEROME'S KWASI'S BROTHER? 124 00:09:31,953 --> 00:09:34,706 - NO. - MY BROTHER. 125 00:09:34,706 --> 00:09:39,878 DADDY WENT TO MEET HIM IN HIS CAR AND SAID HE'D BE BACK IN TIME FOR MY GAME. 126 00:09:39,878 --> 00:09:44,015 HANNA, DID YOUR DAD SAY WHAT HE WAS TRYING TO HELP YOUR UNCLE ABOUT? 127 00:09:44,015 --> 00:09:47,635 NO. HE JUST SAID HE'LL BE BACK. 128 00:09:50,271 --> 00:09:54,442 WHERE ARE WE GOING TO FIND YOUR BROTHER, MRS. TORRENCE? 129 00:09:54,442 --> 00:09:58,696 I DON'T KNOW. I HAVEN'T BEEN ABLE TO REACH HIM IN TWO DAYS. 130 00:09:58,696 --> 00:10:02,784 I CAN SHOW YOU WHERE HIS APARTMENT IS. 131 00:10:20,101 --> 00:10:23,571 HEY. WHAT DO YOU GOT? 911 FROM AN ANONYMOUS MALE. 132 00:10:23,571 --> 00:10:25,356 PLACE IS EMPTY WHEN WE GET HERE EXCEPT THE D.O.A.... 133 00:10:25,356 --> 00:10:27,775 AND SOME FOUR-YEAR-OLD KID WANDERED IN FROM NEXT DOOR, 134 00:10:28,276 --> 00:10:30,995 AND THIS GUY, SOME KIND OF JUICEHEAD. 135 00:10:30,995 --> 00:10:34,532 THIS GUY SAYS HE SAW A WOMAN RUN OFF RIGHT WHEN THE SHOTS WENT OFF. 136 00:10:36,034 --> 00:10:41,673 [ Clears Throat ] HEY, CHAMP. HOW'S IT GOING? [ Grunts ] 137 00:10:41,673 --> 00:10:44,592 AH, WHO'D YOU SEE? LISA. DOES THIS. 138 00:10:45,093 --> 00:10:49,347 - YEAH? WAS SHE IN THE STORE WHEN THE SHOTS WENT OFF? - I THINK SHE WAS DOING THIS. 139 00:10:49,347 --> 00:10:53,885 - COUPLE GUYS IN NICE CLOTHES. - THAT'S THE FIRST HE SAID ABOUT THE GUYS. 140 00:10:53,885 --> 00:10:58,139 - WHO IS THIS GUY? IS THIS THE OWNER? - 'SWALDO'S THE OWNER. 141 00:10:58,139 --> 00:11:02,143 OSWALDO MENDOZA. WE GOT HIS NUMBER OFF THE BEER LICENSE. NO ANSWER AT HIS HOUSE. 142 00:11:02,143 --> 00:11:05,196 HOW-HOW ARE WE GONNA FIND "LISA, DOES THIS"? 143 00:11:05,697 --> 00:11:08,700 I'M NOT LOOKING FOR TROUBLE. I'M ILL. [ Coughs ] 144 00:11:08,700 --> 00:11:11,903 - YEAH? HOW ARE YOU ILL? - I NEED COUGH MEDICATION. 145 00:11:11,903 --> 00:11:15,073 GOT A SCRIP AND NO MONEY. 146 00:11:15,073 --> 00:11:18,242 OKAY. TEN BUCKS FOR THE SCRIP IF YOU TAKE US TO LISA'S STROLL. 147 00:11:18,242 --> 00:11:22,296 I NEED THE FULL CHARGE ON THE SCRIP, $14. 148 00:11:22,296 --> 00:11:25,883 ALL RIGHT. SO THERE'S $14 IN IT. LET'S GO BACK INSIDE. LET'S GO. 149 00:11:25,883 --> 00:11:29,087 ALL RIGHT. YOU STAY HERE. OKAY? STAY RIGHT HERE. 150 00:11:31,005 --> 00:11:33,725 HEY. 151 00:11:33,725 --> 00:11:35,927 LOOK AT THIS. 152 00:11:35,927 --> 00:11:39,897 NOTHING ON THE SHELVES BUT CONDOMS, GARBAGE BAGS, 153 00:11:40,398 --> 00:11:42,433 SWEET PICKLES. 154 00:11:42,433 --> 00:11:45,436 WHAT MORE WOULD A SHOPPER NEED? WE GET HERE, THERE'S A FOUR-YEAR-OLD... 155 00:11:45,436 --> 00:11:47,522 STANDING TWO FEET FROM THE BODY, THREE FEET FROM THE GUN. 156 00:11:47,522 --> 00:11:50,908 YEAH. HOORAY FOR NEIGHBORHOOD WATCH. 157 00:12:05,923 --> 00:12:07,925 HE'S VERY GOOD ABOUT HIS RESPONSIBILITIES. 158 00:12:08,426 --> 00:12:12,430 HE'S WORKED AT THIS BUILDING FOR SIX YEARS. I DON'T KNOW WHERE HE WOULD BE. 159 00:12:12,430 --> 00:12:17,351 YOU, UH, SAID YOUR BROTHER HAD THAT ONE PROBLEM A WHILE BACK. 160 00:12:17,351 --> 00:12:20,138 THAT WAS 22 YEARS AGO. THEY ASKED HIM TO BE A LOOKOUT. 161 00:12:20,138 --> 00:12:22,273 HE DIDN'T KNOW WHAT THEY WERE DOING NECESSARILY. 162 00:12:22,273 --> 00:12:24,392 IF JEROME WAS INVOLVED WITH KWASI GETTING HURT-- 163 00:12:24,392 --> 00:12:26,978 I DON'T KNOW. THEN I DON'T KNOW ANYTHING. 164 00:12:26,978 --> 00:12:31,065 [ Sniffing ] [ Whimpering ] 165 00:12:31,065 --> 00:12:32,984 BOBBY. 166 00:12:35,787 --> 00:12:39,624 OH, GOD. OH, DON'T KILL ANYBODY. 167 00:12:39,624 --> 00:12:43,578 IT'S THE POLICE, AND IT'S YOUR SISTER. I'M GONNA OPEN THIS DOOR. 168 00:12:47,248 --> 00:12:49,550 -[ Mrs. Torrence ] JEROME. -[ Sipowicz ] COME ON OUT OF THERE. 169 00:12:49,550 --> 00:12:53,504 -COME ON. - [ Crying ] I MESSED MYSELF. 170 00:12:53,504 --> 00:12:57,975 JEROME, WHAT HAPPENED? HOW'D KWASI GET SHOT? 171 00:13:00,595 --> 00:13:04,816 I'M ASHAMED. I'M ASHAMED OF EVERYTHING. 172 00:13:07,185 --> 00:13:09,987 TURN AROUND. 173 00:13:23,251 --> 00:13:25,453 HE DIDN'T GIVE YOU ANYTHING IN THE CAR? 174 00:13:25,453 --> 00:13:27,338 JUST SOME STAINS TO CLEAN UP. 175 00:13:27,338 --> 00:13:30,758 JOSH IS WITH HIM IN THE LOCKER ROOM UNTIL HE GETS TOGETHER. 176 00:13:30,758 --> 00:13:34,762 NARCOTICS SAYS, UH, MARCUS CAMERON, THE D.O.A. IN THE CAR WITH KWASI, 177 00:13:34,762 --> 00:13:37,181 WAS IN GERARD MARKHAM'S CREW. THIS IS PRINCE? 178 00:13:37,181 --> 00:13:40,384 YEAH. MARKHAM'S STREET NAME'S "FAT CAT." THEY GAVE US HIS USUAL PLACES. 179 00:13:40,384 --> 00:13:45,940 - YOU RUN JEROME THROUGH B.C.I.? - SIX MONTHS FOR BURGLARY WHEN HE WAS 18. CLEAN SINCE. 180 00:13:46,440 --> 00:13:48,442 HE'S BEEN A SUPER AT THE SAME BUILDING FOR THE PAST SEVEN YEARS. 181 00:13:48,442 --> 00:13:50,194 FROM WHAT HIS SISTER SAYS, HE'S A REGULAR AT CHURCH. 182 00:13:50,194 --> 00:13:51,863 ANYTHING PASS BETWEEN THEM IN THE CAR? 183 00:13:51,863 --> 00:13:54,949 HE TOLD HER THAT HE WAS ASHAMED AND VERY SORRY. [ Knocking ] 184 00:13:54,949 --> 00:13:57,869 YEAH? HE'S CLEANED UP. I GOT HIM IN 2. 185 00:14:04,292 --> 00:14:06,794 SHE OUGHTA TAKE THAT GIRL HOME. 186 00:14:06,794 --> 00:14:11,999 SHE, UH, DON'T WANT TO LEAVE UNTIL SHE FINDS OUT WHAT HER BROTHER HAS TO DO WITH IT. 187 00:14:16,254 --> 00:14:18,589 HOW'S IT GOING, JEROME? 188 00:14:19,590 --> 00:14:22,476 YOU WANT A SODA OR SOMETHING? 189 00:14:22,476 --> 00:14:25,263 - YOU SURE YOU DON'T WANT ANYTHING TO DRINK? - NO. 190 00:14:25,263 --> 00:14:27,565 LOOK, 'CAUSE, JEROME, WE-- 191 00:14:27,565 --> 00:14:30,818 WE GOTTA KNOW WHAT YOUR PART IN THIS WAS, AND WE NEED YOU PULLED TOGETHER. 192 00:14:30,818 --> 00:14:34,238 OKAY? NOW, HANNA, YOUR NIECE-- 193 00:14:34,238 --> 00:14:38,659 SHE PUTS YOU WITH HER DAD JUST BEFORE HIM AND ANOTHER GUY GOT MURDERED. 194 00:14:38,659 --> 00:14:41,445 THERE'S A WITNESS ON THE SCENE THAT SAID THERE WAS A THIRD GUY... 195 00:14:41,445 --> 00:14:44,365 IN THE CAR PAST THE TWO VICTIMS, SO WE GOTTA MAKE THAT GUY YOU. 196 00:14:44,866 --> 00:14:47,251 WHY DID THE SHOOTERS LET YOU GET AWAY? WERE YOU THE SETUP GUY? 197 00:14:47,251 --> 00:14:51,539 - NO. - JEROME, SAY SOMETHING PAST "NO" HERE, OKAY? 198 00:14:51,539 --> 00:14:53,841 I'M AFRAID TO SAY. 199 00:14:53,841 --> 00:14:56,093 WELL, YOU'RE GONNA HAVE TO GET OVER THAT. 200 00:14:56,093 --> 00:14:59,764 'CAUSE I GOT HIM KILLED, AND IF MORE IS GONNA HAPPEN-- 201 00:14:59,764 --> 00:15:02,967 - YOU GOT KWASI KILLED? - YES. 202 00:15:02,967 --> 00:15:06,387 TELL US HOW YOU THINK YOU GOT HIM KILLED. 203 00:15:06,387 --> 00:15:10,391 I HAD FOUND SOME DRUGS IN MY BUILDING. 204 00:15:10,391 --> 00:15:13,778 THEY WERE HIDDEN IN A BOOM BOX UNDER THE LANDING, 205 00:15:13,778 --> 00:15:18,115 AND I CALLED IT TO THE POLICE ATTENTION. WHEN WAS THIS? 206 00:15:18,115 --> 00:15:23,070 FOUR NIGHTS, WHICH LATER I FOUND OUT WAS COCAINE. 207 00:15:23,070 --> 00:15:26,290 AND I LEFT A NOTE TO TELL 'EM WHERE TO FIND IT. 208 00:15:26,290 --> 00:15:28,826 THIS WAS AT THE 27 YOU LEFT THE NOTE? 209 00:15:28,826 --> 00:15:33,164 I COULDN'T-- I COULDN'T LOOK TO SEE WHAT HAPPENED AFTER, 'CAUSE I'M DOWNSTAIRS. 210 00:15:33,164 --> 00:15:36,050 BUT NEXT DAY IT WAS GONE. 211 00:15:36,050 --> 00:15:39,637 THEN HERE COME THE DRUG DEALER LOOKING FOR ME, 212 00:15:39,637 --> 00:15:45,226 SAY HE GONNA KILL ME EITHER IF I DON'T GIVE HIM HIS DRUGS OR MONEY, $37,000. 213 00:15:45,226 --> 00:15:48,229 SAY HE KNEW IT WAS ME 'CAUSE OF THE STORAGE AREA. 214 00:15:48,229 --> 00:15:50,932 WHAT WAS HIS NAME? HE DIDN'T SAY. 215 00:15:50,932 --> 00:15:53,234 HE'S THE GUY THAT WAS IN THE CAR WITH YOU AND KWASI? YEAH. 216 00:15:53,234 --> 00:15:57,855 HOW'D KWASI GET INTO IT? I HAD WENT TO HIM, 'CAUSE I WAS AFRAID. 217 00:15:57,855 --> 00:16:02,410 I WAS SUPPOSED TO MEET HIM TODAY AT FOURTH AND "B." 218 00:16:02,410 --> 00:16:05,162 WAIT A MINUTE. THIS IS PRINCE, THE GUY WHO WANTED HIS DRUGS BACK? 219 00:16:05,162 --> 00:16:07,832 OR EITHER HE WAS GONNA KILL ME. 220 00:16:07,832 --> 00:16:12,003 I BEEN AFRAID TO TELL HIM THAT I HAD TOLD THE POLICE, 221 00:16:12,003 --> 00:16:15,373 AND I DIDN'T KNOW WHAT TO DO. 222 00:16:15,373 --> 00:16:17,708 AND I CALLED KWASI. DID HE KNOW PRINCE? 223 00:16:17,708 --> 00:16:22,596 UH-UH. I JUST WANTED KWASI TO TELL WHAT HAPPENED. 224 00:16:22,596 --> 00:16:26,934 AND HE DID IT FOR ME. THE OTHER GUY MET YOU? 225 00:16:26,934 --> 00:16:32,640 HE GOT OUT OF HIS CAR AT FOURTH AND "B," GOT IN KWASI'S BACKSEAT. 226 00:16:32,640 --> 00:16:38,479 KWASI SAID THAT I CALLED 911 TO TAKE THE DRUGS AWAY, AND THAT THAT WAS THE RIGHT THING TO DO. 227 00:16:38,479 --> 00:16:42,616 AND THAT IF HE HARMED ME OVER IT, KWASI WOULD CALL THE POLICE HIMSELF. 228 00:16:43,117 --> 00:16:44,986 THEN HE SAID THAT HE HAD BEEN FRONTED... 229 00:16:44,986 --> 00:16:48,622 FOR HALF THOSE DRUGS, AND THAT WHO HE OWED WAS AFTER HIM. 230 00:16:48,622 --> 00:16:51,709 KWASI'S SAYING, "WELL, THAT'S BETWEEN Y'ALL." 231 00:16:52,209 --> 00:16:54,211 THEN HELL BROKE LOOSE. 232 00:16:54,211 --> 00:16:57,214 A CAR DROVE UP DOING WEIRD STUFF WITH THEIR DOORS-- 233 00:16:57,214 --> 00:16:59,216 CLOSING 'EM, OPENING 'EM WEIRD. 234 00:17:00,217 --> 00:17:03,220 THEN THE SHOOTING STARTED. 235 00:17:03,220 --> 00:17:07,558 KWASI DROVE OFF, BUT HE JUST DROVE INTO THE FRONT OF THE BUILDING. 236 00:17:07,558 --> 00:17:10,261 HE MUST'VE ALREADY BEEN SHOT. 237 00:17:10,261 --> 00:17:15,766 THEN THEY CAME OVER AND SHOT THE GUY IN THE BACKSEAT FROM CLOSE, 238 00:17:15,766 --> 00:17:19,103 THEN DROVE OFF. BUT THEY DIDN'T TRY AND SHOOT YOU. 239 00:17:19,103 --> 00:17:23,574 [ Snorts ] KWASI FELL OVER ME IN THE SEAT. 240 00:17:23,574 --> 00:17:25,409 I DON'T KNOW IF THEY EVEN SAW ME. 241 00:17:25,409 --> 00:17:28,829 SEEMED LIKE THEY WAS AFTER THE OTHER ONE. 242 00:17:28,829 --> 00:17:32,033 - DID YOU GET ANY KIND OF LOOK AT THEM? - NOT MUCH. 243 00:17:32,033 --> 00:17:35,002 - JEROME, WHAT DOES THAT MEAN? - I DON'T KNOW HOW MUCH A LOOK I GOT. 244 00:17:35,002 --> 00:17:39,790 I GOT A LOOK AT 'EM, BUT I DON'T KNOW HOW MUCH IN TERMS OF RECOGNIZING. 245 00:17:39,790 --> 00:17:44,428 I'M NOT TRYING TO LIE TO YOU. I'LL HELP YOU IF I CAN. 246 00:17:45,212 --> 00:17:47,548 YOU KNOW SOMEONE NAMED FAT CAT? NO. 247 00:17:47,548 --> 00:17:49,934 BUT HE SAID SOMETHING ABOUT HIM-- THE PRINCE. 248 00:17:50,368 --> 00:17:54,722 SAID HIS NAME ABOUT THE DRUGS. FAT CAT WAS WHO FRONTED HIM. 249 00:17:58,359 --> 00:18:01,562 COULD I GET A SODA? YEAH. 250 00:18:03,481 --> 00:18:05,483 [ On Speaker ] YEAH, WE'LL GET YOU A SODA. 251 00:18:10,404 --> 00:18:12,206 YOU BUY THAT? DO YOU? 252 00:18:13,374 --> 00:18:15,993 SOUNDS PRETTY GOOD. 253 00:18:16,494 --> 00:18:18,079 TAKE HIM HOME, JOSH. LET HIM KNOW WE'LL NEED HIM BACK... 254 00:18:18,579 --> 00:18:21,549 TO TRY TO MAKE I.D.'s IF WE COME UP WITH FAT CAT'S BUTTON GUYS. 255 00:18:21,549 --> 00:18:23,551 ALL RIGHT. SAYS HE WANTS A CAN OF SODA. 256 00:18:23,551 --> 00:18:26,003 I'LL GET IT ON THE WAY OUT. 257 00:18:26,003 --> 00:18:28,889 SO WE'RE GONNA RUN IT FOR THE MOTHER? YEAH. GET HER TO GO HOME. 258 00:18:28,889 --> 00:18:32,143 [ Door Closes ] THAT LITTLE GIRL DOESN'T NEED TO BE HANGIN' AROUND HERE. 259 00:18:33,477 --> 00:18:36,814 [ Man Chattering ] 260 00:18:36,814 --> 00:18:40,901 YEAH, THANKS FOR CALLING BACK. I JUST WANTED TO ASK YOU A FEW QUESTIONS. 261 00:18:44,155 --> 00:18:47,575 WHAT DID MY BROTHER SAY? WAS HE INVOLVED? 262 00:18:48,826 --> 00:18:51,579 [ Door Closes ] IT'S ALL RIGHT. 263 00:18:51,579 --> 00:18:57,201 YOUR BROTHER TURNED IN SOME DRUGS TO THE POLICE THAT HE HAD FOUND IN HIS BUILDING. 264 00:18:57,201 --> 00:19:00,204 WHEN THE DEALER WHO HAD STASHED THE DRUGS FIGURED OUT IT WAS JEROME WHO'D FOUND THEM, 265 00:19:00,204 --> 00:19:02,423 HE STARTED THREATENING JEROME. 266 00:19:02,923 --> 00:19:04,925 THEN JEROME ASKED KWASI TO TALK TO THE DEALER. 267 00:19:04,925 --> 00:19:07,678 KWASI-- HE, UH, STOOD UP FOR YOUR BROTHER. 268 00:19:07,678 --> 00:19:11,182 HE TOLD THE DEALER TO LEAVE JEROME ALONE, AND WHILE THIS ALL WAS HAPPENING... 269 00:19:11,182 --> 00:19:15,686 IT LOOKS LIKE THE PEOPLE WHO THE DEALER HAD GOTTEN THE DRUGS FROM CAME AND THEY SHOT 'EM. 270 00:19:15,686 --> 00:19:20,107 - AND THEY SHOT KWASI TOO. - THAT'S WHAT IT LOOKS LIKE. 271 00:19:20,107 --> 00:19:22,860 SO MY DAD WAS BEING A GOOD PERSON. 272 00:19:22,860 --> 00:19:26,113 THAT'S RIGHT, HANNA. 273 00:19:28,315 --> 00:19:30,701 ALL RIGHT. ALL RIGHT. 274 00:19:30,701 --> 00:19:32,903 WELL, I KNOW YOU PROBABLY WANT TO GET HOME NOW. 275 00:19:32,903 --> 00:19:35,706 I WANT TO KNOW MY HUSBAND'S KILLERS ARE GONNA BE ARRESTED. 276 00:19:35,706 --> 00:19:40,461 WE GOT A GOOD IDEA WHO TO LOOK FOR, AND WE'RE GONNA NOTIFY YOU WHEN ANYTHING HAPPENS. 277 00:19:40,461 --> 00:19:44,415 DO YOU HAVE SOMEONE TO BE WITH YOU, MARGARET? 278 00:19:44,415 --> 00:19:48,719 I DON'T WANT YOU ALL ARRANGING MY GRIEVING ANY MORE THAN MY HUSBAND WOULD. 279 00:20:01,982 --> 00:20:04,518 BYE. 280 00:20:09,440 --> 00:20:11,859 SURE HOPE WE GET THIS FAT CAT'S PLACES FROM THE BOSS. 281 00:20:11,859 --> 00:20:14,912 PROBABLY NO USE LOOKING TILL MIDNIGHT. 282 00:20:14,912 --> 00:20:19,283 YEAH, THEY DON'T LIKE BEING OUT EARLY IF THEY'RE NOT DOING MURDERS. 283 00:20:19,283 --> 00:20:23,254 ANYONE GOT SOME SLEEPING BLANKETS? I DON'T THINK WE'RE GOING HOME TONIGHT. 284 00:20:23,254 --> 00:20:26,757 [ Man Chattering ] [ Phone Ringing ] 285 00:20:26,757 --> 00:20:30,261 I'M GIVING YOU FULL COOPERATION. WHATEVER YOU WANT TO KNOW. THAT'S GREAT, LISA. 286 00:20:30,261 --> 00:20:34,181 I DON'T KNOW NOTHIN' ABOUT WHAT HAPPENED. COME ON. SIT OVER HERE. 287 00:20:37,635 --> 00:20:42,473 LISA, A GUY WHO HANGS ON THE STREET OUTSIDE A BODEGA SAYS THAT RIGHT AFTER THE MURDER, 288 00:20:42,473 --> 00:20:44,808 YOU CAME RUNNING OUT, RIGHT AFTER THE SHOTS WERE FIRED. 289 00:20:44,808 --> 00:20:48,145 WELL, IF YOU WANT TO BELIEVE A COUGH-SYRUP JUNKIE AND A JUICEHEAD-- 290 00:20:48,145 --> 00:20:50,314 YOU'RE SAYING YOU WEREN'T IN THE BODEGA? 291 00:20:50,314 --> 00:20:52,816 NO, I'M JUST TELLING YOU WHAT LONNY IS. 292 00:20:52,816 --> 00:20:55,619 AND I HAPPENED TO HAVE BEEN IN THE BODEGA TO GET A FEMALE PRODUCT. 293 00:20:55,619 --> 00:20:57,871 LONNY SAYS YOU WERE DOING SOME GUYS IN THERE. 294 00:20:57,871 --> 00:21:00,874 YEAH, WELL, LONNY WOULDN'T KNOW SEX FROM AN UPTOWN BUS. 295 00:21:00,874 --> 00:21:03,460 YOU DON'T MAKE YOURSELF A WITNESS, LISA, WE'RE GONNA MAKE YOU AN ACCOMPLICE. 296 00:21:03,460 --> 00:21:06,130 SO STOP BUM-RAPPING LONNY AND TELL US WHAT WENT ON. 297 00:21:06,130 --> 00:21:09,500 I WAS IN THE BODEGA TO GET A FEMALE PRODUCT. 298 00:21:09,500 --> 00:21:12,836 TWO GENTLEMEN ASKED TO ASK ME SOMETHING IN THE BASEMENT. 299 00:21:12,836 --> 00:21:18,475 SO I GO DOWN THERE WITH ONE AFTER THE OTHER ONE, AND THE OTHER ONE YELLS, "IT'S HIM." 300 00:21:18,475 --> 00:21:22,896 - WHICH WAS OSWALDO MENDOZA. - NOT OSWALDO, THE FIRST GENTLEMAN IN THE BASEMENT. 301 00:21:22,896 --> 00:21:24,982 LISA, THE GUY YOU WERE DOWN THERE WITH THAT WENT BACK UPSTAIRS-- 302 00:21:25,482 --> 00:21:28,068 - I'M ASKING YOU: WHO WAS HE TALKING ABOUT? - NOT OSWALDO. 303 00:21:28,068 --> 00:21:30,354 THEY WERE WAITING FOR SOMEONE TO COME IN. 304 00:21:30,354 --> 00:21:32,656 THE WELL-DRESSED GUYS WERE WAITING FOR THE GUY WHO GOT MURDERED? 305 00:21:32,656 --> 00:21:36,327 THAT'S WHAT I WOULD GATHER. AND WHAT DID OSWALDO HAVE TO DO WITH IT? 306 00:21:36,327 --> 00:21:38,327 OSWALDO SAID I SHOULD PARTY WITH THEM. 307 00:21:38,327 --> 00:21:41,780 SO NOW YOU'RE DONE PARTYING WITH THE GUY, WHO ALREADY WENT BACK UPSTAIRS, 308 00:21:41,780 --> 00:21:44,283 AND HE SHOUTS OUT, "IT'S HIM." 309 00:21:44,283 --> 00:21:48,120 -WHAT'S THE OTHER GUY YOU'RE STILL DOING DO? -HE'S STRAIGHTENIN' HIMSELF OUT. 310 00:21:48,120 --> 00:21:52,341 THEN THERE IS SHOTS AND CRYIN' AND MOANIN'. 311 00:21:52,341 --> 00:21:57,462 AND HE RUNS UPSTAIRS, AND I GATHER THAT THEY BOTH RUN OUT THE ALLEY DOOR. 312 00:21:57,462 --> 00:22:00,516 - AND WHERE'S OSWALDO? - OSWALDO'S GONE. 313 00:22:00,516 --> 00:22:02,801 AND THE TWO WELL-DRESSED GUYS OSWALDO HAD YOU PARTY WITH-- 314 00:22:02,801 --> 00:22:06,188 THEY WERE GONE. IT'S JUST THE GUY THAT'S WHACKED THAT'S LEFT. 315 00:22:06,188 --> 00:22:08,524 YEAH, BLEEDIN' AND CRYIN' "MADRE"IN SPANISH. 316 00:22:08,524 --> 00:22:12,194 - AND YOU BOOK? - YEAH, AND THAT TURD LONNY GIVES ME UP. 317 00:22:14,530 --> 00:22:17,316 I COOPERATED FULLY. I WANT TO GO. 318 00:22:17,316 --> 00:22:19,868 YOU'RE STAYING HERE TILL WE FIND OSWALDO. 319 00:22:20,369 --> 00:22:24,623 OH, BROTHER. CAN I AT LEAST GET SOME STUFF FROM MY GIRLFRIEND'S? 320 00:22:24,623 --> 00:22:27,709 WHO'RE YOU KIDDING, LISA? FORGET ABOUT YOUR CRACK PIPE... 321 00:22:27,709 --> 00:22:30,546 TILL WE GET OSWALDO IN HERE. [ Sighs ] 322 00:22:30,546 --> 00:22:35,751 WELL, UNDER THOSE CIRCUMSTANCES, OSWALDO'S PROBABLY OVER AT HIS NUMBERS ROOM, 323 00:22:35,751 --> 00:22:37,803 OVER HERE ON NINTH. 324 00:22:48,931 --> 00:22:50,816 [ Metal Detector Chirps ] 325 00:22:50,816 --> 00:22:53,602 - BACK OFF, BACK OFF. - WHAT'S GOIN' ON, FELLAS? 326 00:22:53,602 --> 00:22:56,021 WE'RE PICKIN' UP A GUY. WHO YOU LOOKING FOR? 327 00:22:56,521 --> 00:22:59,825 TURN THE MUSIC OFF, TURN THE LIGHTS ON AND STAY OUT OF OUR WAY. 328 00:22:59,825 --> 00:23:01,994 I THINK THAT GUY'S ON THE JOB. 329 00:23:01,994 --> 00:23:04,363 [ No Audible Dialogue ] 330 00:23:05,864 --> 00:23:08,166 ???? [ Funk ] 331 00:23:11,169 --> 00:23:14,623 ALL RIGHT. BACK OFF. EVERYBODY, BACK OFF. TURN THAT MUSIC OFF! 332 00:23:14,623 --> 00:23:18,877 COME ON. EVERYBODY, GET YOUR HANDS IN THE AIR! COME ON. GET OFF ME. BACK OFF. 333 00:23:18,877 --> 00:23:20,712 HANDS WHERE WE CAN SEE 'EM. HANDS OUT, EVERYBODY. 334 00:23:20,712 --> 00:23:22,798 [ Simone ] HANDS UP. PUT YOUR HANDS UP. 335 00:23:22,798 --> 00:23:25,100 - WHAT'S GOIN' ON, MAN? - GERARD MARKHAM? 336 00:23:25,100 --> 00:23:28,353 [ Chuckles ] OH, YOU CALL ME THAT, MY MAMA MUST'VE SENT YOU. 337 00:23:28,353 --> 00:23:31,106 - GET UP! - [ Russell ] YOU DROP THIS? 338 00:23:31,106 --> 00:23:33,892 - FROM WHERE? - STAND UP. 339 00:23:33,892 --> 00:23:37,729 [ Sipowicz ] YOU TOO, PEEWEE. GET UP. COME ON. STAND UP. OVER HERE. COME HERE. 340 00:23:37,729 --> 00:23:39,615 THIS MEAN WE GOING IN? 341 00:23:40,115 --> 00:23:42,618 THAT'S RIGHT, FAT CAT. WE ARE GOING IN. I NEED ANOTHER PAIR OF CUFFS HERE. 342 00:23:42,618 --> 00:23:45,370 SEE, YOU CALL ME THAT, NOW I KNOW WHO YOU'RE TALKING ABOUT. 343 00:23:45,871 --> 00:23:47,956 YOU KEEP TALKING LIKE WE'RE CHUMS, BLIMPY. 344 00:23:47,956 --> 00:23:49,791 WE'LL GIVE YOU THE SECRET HANDSHAKE AT THE STATION HOUSE. 345 00:23:49,791 --> 00:23:52,411 ALL RIGHT. COME ON. GO FOR A WALK. 346 00:23:59,885 --> 00:24:01,637 DAMN. 347 00:24:04,172 --> 00:24:06,391 [ Chattering ] 348 00:24:09,728 --> 00:24:12,431 I WANT TO TELL YOU, I SEARCHED 'EM ALL BEFORE THEY WENT IN. 349 00:24:12,431 --> 00:24:14,733 YOU WANT TO BE A DEFENSE WITNESS FOR THESE GUYS? 350 00:24:14,733 --> 00:24:17,235 I WAS JUST CONCERNED YOU HAD PROBABLE CAUSE. 351 00:24:17,736 --> 00:24:19,237 THEY GOT YOU WAY IN THEIR POCKET, DON'T THEY, BROTHER? 352 00:24:19,237 --> 00:24:21,490 MY C.O. KNOWS THAT I DO OFF-DUTY SECURITIES. 353 00:24:21,490 --> 00:24:24,159 IN AN UNLICENSED PREMISES, SERVES LIQUOR TO FELONS. 354 00:24:24,159 --> 00:24:28,330 I DON'T GO UPSTAIRS TOO MUCH. YEAH, WELL, THAT'S WHAT'S GOING ON UP THERE. 355 00:24:28,330 --> 00:24:32,367 NOW, I'M COMING BACK OFF DUTY, SO YOU CAN PICK BETWEEN AN ASS-WHIPPIN'... 356 00:24:32,367 --> 00:24:35,337 OR HAVING YOUR C.O. IN MY OFFICE WHILE I.A.B. TAKES YOUR STATEMENT. 357 00:24:36,672 --> 00:24:39,424 THIS GUY'S A COLLAR. I HOPE YOU ALREADY GOT YOUR BRIBE. 358 00:24:54,439 --> 00:24:57,826 HEY, HEY. LET'S TALK, FELLAS. I DON'T NEED THIS CAGE. 359 00:25:00,779 --> 00:25:03,865 - [ Simone ] YEAH. COME HERE. -[ Sipowicz ] STAND OVER THERE. 360 00:25:03,865 --> 00:25:06,118 YOU KNOW, I GET CLAUSTROPHOBIC JUST TAKING A WALK IN THE PARK. 361 00:25:06,118 --> 00:25:09,121 - YOU'RE A COLLAR FOR THE GUN, FAT CAT. - NO, THE GUN WAS ON THE FLOOR. 362 00:25:09,621 --> 00:25:11,456 - I DON'T THINK YOU CAN PUT THAT ON ME. - HE'S TELLING YOU SOMETHING. 363 00:25:11,456 --> 00:25:14,209 WHY DON'T YOU SHUT YOUR MOUTH, OR I'M GONNA START BEATIN' ON YOU. 364 00:25:14,209 --> 00:25:16,344 [ Clears Throat ] I'M GONNA GET A COKE. 365 00:25:16,344 --> 00:25:19,047 YOU'RE A COLLAR FOR THE GUN, FAT CAT. 366 00:25:19,047 --> 00:25:21,516 BUT THE CONVERSATION'S NOT ABOUT THE GUN. THE CONVERSATION'S ABOUT PRINCE. 367 00:25:21,516 --> 00:25:24,853 - CONNECTION WITH WHAT? - CONNECTION WITH SELLING COKE FOR YOU, FAT CAT. 368 00:25:24,853 --> 00:25:28,774 WHEN HE COMES UP LATE PAYING OFF A FRONT, YOU GET SOME OTHER GUYS IN YOUR CREW TO TAKE HIM OUT. 369 00:25:28,774 --> 00:25:33,061 HEY, YOU KNOW, I WAS AT THE JAVITS BOAT SHOW ALL YESTERDAY WITH MY MOTHER. 370 00:25:33,061 --> 00:25:35,647 SO YOU KNOW HE GOT HIT YESTERDAY? NEWSPAPER SAID. 371 00:25:35,647 --> 00:25:38,066 OH, NEGROES READ. [ Laughs ] 372 00:25:38,567 --> 00:25:41,570 HOW ABOUT THEM MODELS AT THAT BOAT SHOW WITH THEIR TITTIES HANGING OUT? 373 00:25:41,570 --> 00:25:45,207 MAN, WHITE WOMEN SMILIN' AT THE BROTHERS. HUH! 374 00:25:45,207 --> 00:25:49,044 GOT ME ALL EXCITED, DETECTIVE SIPOWICZ. 375 00:25:49,044 --> 00:25:54,416 DID YOU GET EXCITED, FAT CAT? HOW COULD YOU TELL WITH YOUR BELLY HANGING OVER YOUR JOINT? 376 00:25:54,416 --> 00:25:56,468 BACK IN THE CAGE. COME ON. 377 00:25:56,968 --> 00:25:59,221 AW, FAT CAT GETS CLAUSTROPHOBIC IN THERE. 378 00:25:59,221 --> 00:26:03,058 I'M GONNA ASK MY LAWYER WHAT TIME WE GOT HERE. YOU BETTER TELL HIM WHERE I'M AT TOO. 379 00:26:03,058 --> 00:26:05,977 SHUT YOUR MOUTH. 380 00:26:10,849 --> 00:26:13,852 THAT'S MY THIRD PILL SUBLINGUAL. YOU'RE BOTH WITNESS. 381 00:26:13,852 --> 00:26:16,905 WHAT BROUGHT ON THE PRESSURE, OSWALDO? WAITING FOR THE BROOKLYN NUMBER? 382 00:26:17,405 --> 00:26:20,442 - HOW ABOUT ACTING IN CONCERT ON A MURDER? - I GOT ANGINA. 383 00:26:20,442 --> 00:26:23,612 UP FOR A BYPASS. YEAH? RIGHT OVER HERE. 384 00:26:23,612 --> 00:26:26,615 WHY'D THAT GUY IN YOUR BODEGA GET SHOT? DON'T ASK ME. 385 00:26:27,115 --> 00:26:29,117 OSWALDO, YOU WERE HAVING THAT WHORE... 386 00:26:29,117 --> 00:26:32,754 KEEP THOSE BUTTON GUYS HAPPY IN YOUR GROCERY'S BASEMENT. 387 00:26:32,754 --> 00:26:35,173 YOU WANT US TO BELIEVE THAT YOU DON'T KNOW WHAT THEY WERE DOING THERE? 388 00:26:35,674 --> 00:26:38,176 I GOT TIGHTNESS IN MY CHEST AND THE NITRO ISN'T RELIEVING IT. 389 00:26:38,176 --> 00:26:40,462 THAT'S FROM NOT TELLING THE TRUTH. THAT SHUTS YOUR SYSTEM DOWN. 390 00:26:40,462 --> 00:26:44,766 YOU'RE NEVER GONNA HEAR THIS IN A COURTROOM. 391 00:26:44,766 --> 00:26:48,603 - WE'RE NOT IN A COURTROOM. - THE GUY WHO WAS SHOT WAS SHAKING ME DOWN. 392 00:26:48,603 --> 00:26:52,274 WHAT HAPPENED WAS BEYOND MY CONTROL, BUT THAT'S WHAT HE WAS THERE FOR. 393 00:26:52,274 --> 00:26:54,559 MY UNDERSTANDING, THEY WAS GONNA TALK TO HIM. THE OTHER HAPPENED. 394 00:26:55,010 --> 00:26:57,946 - IT WAS LIKE A HORSE WAS ON ME, THE MIDDLE OF MY CHEST. - YOU HIRED THESE TWO GUYS? 395 00:26:57,946 --> 00:27:01,817 -I DID NOT HIRE THEM. - SO WHO WERE THEY, OSWALDO? CONCERNED RELATIVES? 396 00:27:01,817 --> 00:27:04,786 I PAY A GUY TO LOOK OUT FOR ME, ALL RIGHT? I ALREADY PAY SOMEBODY. 397 00:27:04,786 --> 00:27:07,739 AND? AND THOSE GUYS WORK FOR HIM. 398 00:27:07,739 --> 00:27:09,991 YOU GOTTA FIND A WAY TO GIVE 'EM UP, OSWALDO. 399 00:27:09,991 --> 00:27:13,795 IF YOU THINK I'M GONNA GET BETWEEN THAT-- I GOT ENOUGH DEATH LOOKING ME IN THE FACE. 400 00:27:13,795 --> 00:27:17,465 OTHERWISE, YOU'RE OUR CHIEF SUSPECT. THEN PROSECUTE ME. 401 00:27:17,465 --> 00:27:21,303 I HAVE TO SEE MY PHYSICIAN. I DON'T WANT TO BE HINDERED. 402 00:27:21,303 --> 00:27:24,306 DR. FELIX MOSCOSO. I DON'T WANT NO TROUBLE. 403 00:27:26,091 --> 00:27:28,643 AM I PALE? 404 00:27:28,643 --> 00:27:30,762 I DON'T KNOW WHAT YOUR NATURAL COLOR IS. 405 00:27:48,330 --> 00:27:51,449 THEY CAN'T SEE YOU, JEROME. YOU TAKE ALL THE TIME YOU NEED. 406 00:27:59,040 --> 00:28:01,927 IT'S NUMBER THREE OR NUMBER FOUR. 407 00:28:04,930 --> 00:28:07,182 JEROME, I'M NOT TELLING YOU HOW TO ANSWER HERE, 408 00:28:07,182 --> 00:28:10,101 BUT I DID EXPLAIN TO YOU THAT IF YOU'RE NOT SURE PICKING ONE GUY OUT, 409 00:28:10,101 --> 00:28:12,470 THEN THE I.D. DON'T HELP US NONE. 410 00:28:19,728 --> 00:28:23,315 I'M GOING WITH NUMBER THREE. 411 00:28:23,315 --> 00:28:25,200 AND WHERE DO YOU RECOGNIZE HIM FROM? 412 00:28:25,200 --> 00:28:28,069 SHOOTIN' UP THE CAR I WAS IN WHERE MY BROTHER-IN-LAW GOT KILLED-- 413 00:28:28,069 --> 00:28:30,822 MY FORMER BROTHER-IN-LAW. 414 00:28:30,822 --> 00:28:33,325 IS THAT RIGHT? 415 00:28:35,543 --> 00:28:40,465 DON'T WORRY. I WASN'T DOING ANYTHING ANYWAY. IF YOU NEED ME, I'LL BE ON THE UPSTAIRS COT. 416 00:28:40,465 --> 00:28:43,218 WASTE OF TIME TRYING HIM ON THE SECOND HITTER. 417 00:28:43,218 --> 00:28:47,138 HEY, LIEU. I JUST GOT A PHONE TIP. SOME DRUNK'S BRAGGING ON A BODEGA WHACK. 418 00:28:47,138 --> 00:28:50,091 WHERE'S THIS? UP ON NINTH, A DOMINICAN BAR. 419 00:28:50,091 --> 00:28:52,010 WANT US TO TAKE A LOOK? YEAH, GO AHEAD. 420 00:28:52,010 --> 00:28:54,980 WHAT ABOUT THE IDEA OF E.S.U. FOR BACKUP? 421 00:28:55,480 --> 00:28:57,148 HEY, GREG, THAT'LL TAKE THREE HOURS. 422 00:28:57,649 --> 00:29:00,602 YEAH, I'D HATE TO SIT AROUND HERE ON OVERTIME. 423 00:29:00,602 --> 00:29:04,189 WHICH HITTER YOU WANT TO FLIP? WHO DO YOU THINK'S DUMBER? 424 00:29:04,189 --> 00:29:06,074 GOT A NICE DOPEY VIBE OFF THAT HOLLIS. 425 00:29:06,074 --> 00:29:11,279 IF WE KEEP TRENTON, TOO, MAYBE WE CAN MAKE HIM THINK HOLLIS GAVE HIM UP. 426 00:29:11,279 --> 00:29:14,082 WON'T THAT MAKE TRENT DUMBER? 427 00:29:16,368 --> 00:29:19,454 -THANKS, HAROLD. - WANT HIM UNCUFFED? 428 00:29:19,454 --> 00:29:21,873 YEAH, TAKE HIS CUFFS OFF. 429 00:29:33,935 --> 00:29:35,804 [ Door Closes ] 430 00:29:38,306 --> 00:29:43,862 I'M A FRIEND OF YOUR BOSS, HOLLIS. WE'RE BOTH ON THE SAME TEAM. 431 00:29:43,862 --> 00:29:46,231 - YOU UNDERSTAND WHAT I'M SAYIN'? - YEAH. 432 00:29:46,231 --> 00:29:48,650 WELL, THEN YOU'RE ONE UP ON YOUR BUDDY IN THERE, 433 00:29:48,650 --> 00:29:50,452 SO YOU'RE THE ONE THAT'S GOTTA SET HIS MIND STRAIGHT. 434 00:29:50,452 --> 00:29:52,821 OKAY? I CAN WALK YOU BOTH OUT OFF AN ILLEGAL SEARCH, 435 00:29:52,821 --> 00:29:55,790 BUT TRENT IS SAYING HE DON'T EVEN WORK FOR FAT CAT. 436 00:29:56,291 --> 00:29:59,794 - DO WHAT YOU GOTTA DO, CHIEF. - I CAN'T, BECAUSE YOUR ASSHOLE BUDDY ISN'T LETTING ME. 437 00:30:00,295 --> 00:30:02,964 I'M TELLING YOU, THE D.A. DON'T HEAR YOU VOUCH FOR THIS OTHER GUY, 438 00:30:02,964 --> 00:30:07,302 THE WRONGFUL SEARCH GOES AWAY, THEN MY HUSTLE IS GONE, AND I'LL BLOW YOUR HEAD OFF. 439 00:30:07,302 --> 00:30:09,304 I DON'T KNOW WHAT YOU'RE TELLING ME. 440 00:30:09,804 --> 00:30:12,891 YOU VOUCH TRENT WORKS FOR FAT CAT. THE D.A. IS WATCHING THROUGH THE MIRROR. 441 00:30:12,891 --> 00:30:16,261 THEN WE GO WITH ILLEGAL SEARCH. VOUCH HOW? 442 00:30:16,261 --> 00:30:19,597 I LEAD YOU INTO THE ROOM. YOU VOUCH HE WORKS FOR FAT CAT. I LEAD YOU OUT. 443 00:30:19,597 --> 00:30:23,318 I DON'T KNOW HOW TO VOUCH. "YES, THAT'S HIM." "HE'S THE ONE WHO WAS WITH ME." 444 00:30:23,318 --> 00:30:26,154 IS THAT TOO TOUGH FOR YOU, HOLLIS? WHAT THE HELL DO I CARE HOW YOU VOUCH? 445 00:30:26,654 --> 00:30:29,024 ALL RIGHT. YOU VOUCH, AND YOU GET OUT. 446 00:30:29,024 --> 00:30:32,327 ALL RIGHT. RIGHT. COME ON. 447 00:30:43,621 --> 00:30:45,673 THAT'S HIM. 448 00:30:45,673 --> 00:30:47,926 I-I VOUCH HE'S THE GUY. 449 00:30:51,796 --> 00:30:54,632 YOUR BUDDY JUST GIVE YOU UP, TRENT, OR AM I TAKING THAT WRONG? 450 00:30:54,632 --> 00:30:56,468 IS THERE ANYTHING YOU WANT TO DO ABOUT THAT, 451 00:30:56,968 --> 00:31:01,856 OR, UH, YOU WANT TO START THINKING ABOUT BEING A HUSBAND TO SOME GUY NAMED JOE? 452 00:31:01,856 --> 00:31:05,360 NO. I WANT TO DO SOMETHING ABOUT IT. WHO I GOTTA TALK TO? 453 00:31:05,360 --> 00:31:07,729 I'M A WONDERFUL LISTENER. 454 00:31:07,729 --> 00:31:10,532 [ Chuckles ] WHAT A COUNTRY. 455 00:31:10,532 --> 00:31:15,370 COPS AT THE 27 COME UP WITH THE NOTE THAT SUPER SAID HE LEFT ABOUT THE DRUGS? 456 00:31:15,370 --> 00:31:18,239 NO NOTE, NO VOUCHERED DRUGS. 457 00:31:18,239 --> 00:31:23,378 YOU THINK SOMEONE DOWN AT THE 27 HAS AN INTERESTING SECOND JOB? 458 00:31:23,378 --> 00:31:25,246 I DON'T KNOW, COHEN. 459 00:31:31,753 --> 00:31:34,506 ???? [ Latin ] 460 00:31:41,563 --> 00:31:45,233 WHAT'RE YOU DRINKING? TWO DIFFERENT GUYS AT THE END OF THE BAR FIT A CALL WE GOT. 461 00:31:45,233 --> 00:31:48,403 - I DON'T KNOW ABOUT NO CALL. -YEAH, YOU DO. YOU MADE IT. 462 00:31:48,403 --> 00:31:52,273 LOOK, I DON'T WANT THE GUY IN MY BAR, BUT I'M NOT GETTING INVOLVED PAST THAT. 463 00:31:52,273 --> 00:31:55,777 ALL I'M ASKING IS, POINT THE GUY OUT. 464 00:31:55,777 --> 00:32:00,665 DON'T COME BACK FOR NO I.D. I DIDN'T HEAR NOTHING, AND I DIDN'T SEE NOTHING. 465 00:32:00,665 --> 00:32:02,667 THE GUY ALL THE WAY AT THE END IS THE GUY. 466 00:32:04,119 --> 00:32:06,087 [ Man ] PACK OF SMOKES. 467 00:32:06,087 --> 00:32:08,540 KEEP YOUR HANDS ON THE BAR. AY, ¿¿QUEÉÉ PASA? 468 00:32:08,540 --> 00:32:11,126 -WHAT'S GOING ON? - [ Martinez ] SHUT UP. WE'RE GOING IN. 469 00:32:11,126 --> 00:32:14,095 FOR WHAT? WHAT'S GOING ON? I SAID, SHUT UP. 470 00:32:14,095 --> 00:32:16,464 DOMINGO. [ Speaking Spanish ] HEY. SOME BROAD YOU KISSED OFF GAVE YOU UP. 471 00:32:16,965 --> 00:32:19,350 SO DON'T PISS ME OFF OR I'LL KICK YOUR ASS. ALL RIGHT, ALL RIGHT. 472 00:32:19,350 --> 00:32:22,220 SOME BROAD, HUH? SOME BROAD, DOMINGO? 473 00:32:36,951 --> 00:32:39,787 THIS REINTERVIEW-- HE'S GONNA THINK I'M DOING IT LOOKIN' TO HURT THE OTHER GUY. 474 00:32:39,787 --> 00:32:42,991 WE GOTTA DO THE REINTERVIEW. I'M TELLING YOU WHAT FANCY'S GONNA THINK. 475 00:32:42,991 --> 00:32:45,877 WITH HIM EVERYTHING'S RACIAL. 476 00:32:48,246 --> 00:32:50,715 IF YOU SEE GREG, HE NEEDS TO CALL HIS SUPER. 477 00:32:50,715 --> 00:32:55,503 I THINK HE WENT WITH JAMES TO COURT. HE'S LOOKING FOR THAT HOOKER IN THE BODEGA HOMICIDE. 478 00:32:56,004 --> 00:32:59,424 [ Spits ] REGARDS TO THIS REINTERVIEW WITH JEROME, WE KNOW WE GOT THE COLLARS. 479 00:32:59,924 --> 00:33:03,311 IF IT TURNS OUT SOME COP DIDN'T LOG THE COKE IN, THE D.A. AND THE I.A.B.... 480 00:33:03,311 --> 00:33:05,813 ARE GONNA TURN THE 27 UPSIDE DOWN. 481 00:33:05,813 --> 00:33:09,184 I JUST DON'T WANNA LEAVE NO STONE UNTURNED, ALTERNATIVE POSSIBILITIES. 482 00:33:09,184 --> 00:33:11,569 I AGREE. NO ONE'S UNWILLING TO ACCEPT... 483 00:33:11,569 --> 00:33:13,938 THIS OTHER GUY WAS DOING GOOD-- KWASI. 484 00:33:15,440 --> 00:33:18,243 PICKED UP JEROME. HE'S IN 2. ALL RIGHT. THANKS, JOSH. 485 00:33:18,243 --> 00:33:21,746 ASTRACHAN'S SHUTTLE SERVICE. 486 00:33:26,284 --> 00:33:28,086 SIT OVER THERE. HUH? 487 00:33:28,086 --> 00:33:30,755 SIT OVER THERE. [ Door Closes ] 488 00:33:32,624 --> 00:33:34,509 WE GOT TO KNOW MORE ABOUT THAT NOTE, JEROME, 489 00:33:34,509 --> 00:33:36,878 WHERE YOU TOLD THE POLICE ABOUT THE DRUGS. 490 00:33:37,378 --> 00:33:39,881 I WROTE IT AND I LEFT IT AT THE DESK. 491 00:33:39,881 --> 00:33:44,052 YOU WROTE IT AND LEFT IT ON THE DESK AT THE 27 STATION HOUSE? 492 00:33:44,052 --> 00:33:48,306 TWO BLOCKS UP AND ONE OVER FROM MY BUILDING. I DON'T KNOW THE NUMBER. 493 00:33:48,306 --> 00:33:50,975 - WAS THE SERGEANT AT THE DESK? - NOBODY WAS AT THE DESK. 494 00:33:50,975 --> 00:33:54,562 YOU LYING PIECE OF CRAP! THERE'S ALWAYS SOMEBODY AT THE DESK! 495 00:33:54,562 --> 00:33:56,781 DESCRIBE THE DESK THAT YOU'RE TALKING ABOUT, JEROME. 496 00:33:56,781 --> 00:34:00,952 IT'S A LITTLE DESK JUST WHEN YOU WALK IN. 497 00:34:00,952 --> 00:34:03,988 - GOT FLYERS ON IT. - COMMUNITY RELATIONS DESK. 498 00:34:05,990 --> 00:34:08,793 WHAT IF I TOLD YOU, JEROME, 499 00:34:08,793 --> 00:34:12,163 THAT WE HEARD THAT YOU AND KWASI WERE BOTH IN ON THIS DRUG DEAL? 500 00:34:12,163 --> 00:34:15,416 - THAT'S NOT TRUE. - NOBODY'S LOOKING TO HURT YOU HERE, JEROME. 501 00:34:15,416 --> 00:34:18,553 THERE'S NO EVIDENCE THAT WE CAN USE. BUT IF YOU WERE INVOLVED IN THIS, 502 00:34:18,553 --> 00:34:20,755 WE GOTTA KNOW ABOUT IT FOR WHAT WE TAKE TO THE D.A. 503 00:34:20,755 --> 00:34:24,342 -IT'S NOT TRUE. -MAYBE KWASI WAS INVOLVED AND YOU JUST TOOK THE RIDE? 504 00:34:24,342 --> 00:34:26,677 DIDN'T EVEN KNOW WHAT IT WAS ABOUT? HE WASN'T. 505 00:34:26,677 --> 00:34:28,930 HE DIED TRYING TO HELP ME. 506 00:34:28,930 --> 00:34:34,518 IF I SHOULD'VE SIGNED MY NAME OR TOOK THE DRUGS IN MYSELF, 507 00:34:34,518 --> 00:34:36,938 THAT'S ON ME. 508 00:34:36,938 --> 00:34:39,740 DON'T DO THAT TO HIM. 509 00:34:48,749 --> 00:34:52,036 SEE, THAT IS BLACKMAIL. I KNOW YOU TALKED TO THE JUDGE. RELAX, LISA. 510 00:34:52,036 --> 00:34:55,289 IF YOU'RE MAKING LONNY THE TRICK ON THE COMPLAINT AGAINST ME, THAT IS A JOKE. 511 00:34:55,289 --> 00:34:58,042 SHUT YOUR MOUTH, LISA, AND WE'LL STRAIGHTEN THIS OUT. I WANT OUT! 512 00:34:58,542 --> 00:35:00,544 I'M SUPPOSED TO SEE MY GIRLFRIEND! 513 00:35:00,544 --> 00:35:03,431 WHAT YOU WANT TO DO ON THE OUTSIDE CAN PROBABLY HAPPEN, BUT FIRST YOU DO SOMETHING FOR US. 514 00:35:03,431 --> 00:35:06,884 I SHOWED YOU WHERE TO FIND OSWALDO. I DID SOMETHING FOR YOU YESTERDAY. 515 00:35:09,887 --> 00:35:13,140 LISA, WE PICKED UP A GUY LAST NIGHT. SOMEONE DROPPED A DIME, 516 00:35:13,140 --> 00:35:17,478 HEARD HIM TALKING IN A BAR HOW HIM AND A BUDDY WHACKED A GUY IN A BODEGA. 517 00:35:17,895 --> 00:35:21,115 - UH-UH. FORGET IT. NO WAY. - WE JUST WANT YOU TO LOOK AT THIS GUY IN A LINEUP. 518 00:35:21,115 --> 00:35:23,067 NO WAY. I WOULDN'T RECOGNIZE HIM. 519 00:35:23,067 --> 00:35:25,903 NO ONE'S GOING TO ASK YOU TO TESTIFY, LISA. YOU DIDN'T SEE THE SHOOTING. 520 00:35:25,903 --> 00:35:28,572 WE JUST WANT TO KNOW: DID YOU BANG THIS GUY IN THE BASEMENT? 521 00:35:28,572 --> 00:35:31,459 I DIDN'T BANG ANYONE, OKAY? I CAN PROVE I HAD A FEMALE SITUATION! 522 00:35:31,459 --> 00:35:35,913 WHATEVER YOU DID IN THE BASEMENT. NO! NO! NO WAY! 523 00:35:35,913 --> 00:35:39,300 WHY DON'T YOU TALK TO OSWALDO INSTEAD OF JAMMING ME UP. YOU TALK TO THAT ASSHOLE LONNY. 524 00:35:39,300 --> 00:35:43,304 - LONNY DIDN'T SEE NOTHING. - WELL, I DIDN'T EITHER. 525 00:35:43,304 --> 00:35:46,974 I DON'T WANT TO MAKE AN I.D. 526 00:35:51,679 --> 00:35:54,015 GENTLEMEN. 527 00:35:54,015 --> 00:35:56,067 [ Fancy ] CHARGE FAT CAT AND THE TWO SHOOTERS ON THE HOMICIDE. 528 00:35:56,567 --> 00:35:59,236 ON THE DRUG NOTE, WE THINK THE SUPER'S TELLING THE TRUTH. 529 00:35:59,737 --> 00:36:01,605 MEANING ONE CORRUPT COP MINIMUM. 530 00:36:02,106 --> 00:36:04,108 [ Fancy ] THAT PART DOESN'T WORK OUT OF THIS OFFICE. I.A.B. AND THE 27. 531 00:36:04,108 --> 00:36:05,860 AND IT DON'T GIVE YOU NO REASON TO GET IN BED WITH FAT CAT. 532 00:36:05,860 --> 00:36:07,945 BE INTERESTING TO HEAR WHO WAS ON HIS PAYROLL. 533 00:36:07,945 --> 00:36:11,248 LOOKS TO PIGGYBACK ONE CASE ON THE OTHER... 534 00:36:11,248 --> 00:36:14,085 TO GET A BIGGER SPLASH FOR HIS BOSS, THIS GREASY LITTLE TWERP. 535 00:36:14,085 --> 00:36:17,755 -DON'T BRING IT INTO THIS OFFICE. -HOW DO I GET TO BE THE BAD GUY? 536 00:36:17,755 --> 00:36:20,841 ASK YOUR PARENTS. 537 00:36:20,841 --> 00:36:23,377 HI. YOU CALLED IN THAT MRS. TORRENCE AND HER DAUGHTER? 538 00:36:23,377 --> 00:36:26,013 UH, YEAH. YEAH. DO THIS WITH ME. 539 00:36:31,185 --> 00:36:33,137 MRS. TORRENCE. 540 00:36:33,137 --> 00:36:37,608 WHEN THERE'S DEVELOPMENTS IN A CASE WE TRY TO LET YOU KNOW ABOUT THEM. 541 00:36:38,109 --> 00:36:39,977 HAVE THERE BEEN ARRESTS? THERE HAVE BEEN, YES. 542 00:36:39,977 --> 00:36:43,364 WE'VE ARRESTED TWO MEN WE BELIEVE DID THE ACTUAL SHOOTINGS, 543 00:36:43,364 --> 00:36:47,201 AND WE PUT A WARRANT OUT FOR A MAN WE THINK GAVE THE ORDER. 544 00:36:47,702 --> 00:36:49,787 HIS LAWYER'S BRINGING HIM IN. 545 00:36:49,787 --> 00:36:53,574 WHY DID YOU ACCUSE MY BROTHER OF BEING INVOLVED AGAIN? 546 00:36:53,574 --> 00:36:57,128 WE WERE VERIFYING THAT HE WASN'T INVOLVED. SOMETIMES YOU TAKE INTERVIEW TECHNIQUES, 547 00:36:57,128 --> 00:36:59,497 YOU MAKE IT SEEM THAT YOU THINK SOMETHING THAT YOU DON'T. 548 00:36:59,497 --> 00:37:02,216 TAKING HIS WORD WOULD'VE BEEN OUT OF THE QUESTION. 549 00:37:02,216 --> 00:37:04,385 UNDER THESE CIRCUMSTANCES, YES, IT WOULD HAVE, MA'AM. 550 00:37:05,586 --> 00:37:07,805 EXCUSE ME. 551 00:37:07,805 --> 00:37:10,591 WE WANTED TO TELL YOU ABOUT THE ARREST, 552 00:37:10,591 --> 00:37:14,261 AND WE UNDERSTOOD AND APPRECIATED WHAT KWASI'S ROLE HAD BEEN. 553 00:37:14,261 --> 00:37:17,898 YESTERDAY HANNA SAID SHE BELIEVED THAT HER DAD WAS A HERO, 554 00:37:17,898 --> 00:37:20,484 AND THAT'S WHAT OUR INVESTIGATION PROVED. 555 00:37:20,484 --> 00:37:25,189 [ Clears Throat ] WHAT IT'S WORTH, UH, I HAD SOME RESPECT FOR HIM TOO. 556 00:37:25,656 --> 00:37:29,243 HE COULD'VE JAMMED ME UP ON THIS JOB WHEN HIM AND ME GOT INTO IT, 557 00:37:29,243 --> 00:37:33,531 BUT HE SAID HIS PIECE TO ME MAN-TO-MAN AND LEFT IT THERE. 558 00:37:33,531 --> 00:37:36,117 - CAN WE GO? -I'D ALSO SAY TO HANNA... 559 00:37:36,617 --> 00:37:41,922 IT'S HARD TO LOSE A DAD BEFORE HIS TIME, 'CAUSE THAT HAPPENED WITH MY SON, 560 00:37:41,922 --> 00:37:44,625 AND I'M SORRY FOR YOU ON THAT SCORE. 561 00:37:45,126 --> 00:37:47,428 YOU JUST REMEMBER THAT'S THE MAN WHO CALLED YOUR FATHER A NIGGER. 562 00:37:47,428 --> 00:37:50,548 PLEASE, DON'T SAY THAT TO HER. 563 00:37:50,548 --> 00:37:54,018 IT, UH-- IT WAS CIRCUMSTANCES THAT I THINK YOU KNOW ABOUT, 564 00:37:54,018 --> 00:37:57,805 BUT I DON'T THINK SHE COULD UNDERSTAND THAT. 565 00:37:57,805 --> 00:38:00,391 I DON'T EVER WANT HER TO UNDERSTAND SOMEONE USING THAT WORD. 566 00:38:00,891 --> 00:38:02,943 YOU CALLED HIM A NIGGER. 567 00:38:02,943 --> 00:38:06,280 ARE YOU A BIGOT AND A HYPOCRITE TOO? I APOLOGIZE THEN. 568 00:38:06,280 --> 00:38:09,900 PEOPLE WHO HATED HIM ALIVE DON'T GET TO SAY NICE THINGS NOW. 569 00:38:09,900 --> 00:38:12,620 HANNA, I-- 570 00:38:12,620 --> 00:38:18,292 I APOLOGIZE FOR USING THAT WORD ABOUT YOUR FATHER. 571 00:38:20,711 --> 00:38:23,130 ALL RIGHT. 572 00:38:52,159 --> 00:38:55,696 I'M LEONARD MOSCOSO, OSWALDO MENDOZA'S ATTORNEY. 573 00:38:55,696 --> 00:38:58,749 I THOUGHT MOSCOSO'S HIS DOCTOR. I BELIEVE FELIX MOSCOSO IS HIS DOCTOR. 574 00:38:59,250 --> 00:39:01,202 MR. MENDOZA'S ILL AND CAN'T LOOK AT YOUR LINEUP. 575 00:39:01,702 --> 00:39:04,455 YEAH? CAN WE BRING HIM A PHOTO ARRAY? AT PRESENT, HE'S TOO ILL. 576 00:39:04,455 --> 00:39:07,842 HE CAN MAKE THE I.D.'s OFF THE RECORD IF HE WANTS. WE'LL GO AT THESE GUYS A DIFFERENT WAY. 577 00:39:07,842 --> 00:39:11,262 - WE WANT AN INDICATION WE'RE LOOKING AT THE RIGHT PEOPLE. - MM-MM. TOO ILL. 578 00:39:11,262 --> 00:39:15,216 SO HOW COME HE PICKED UP THE PHONE AT HOME WHEN WE ASKED HIM TO COME IN? 579 00:39:15,216 --> 00:39:18,135 PEOPLE DON'T HAVE TO BE IN HOSPITALS TO BE SICK. 580 00:39:18,135 --> 00:39:21,388 WE'RE GONNA HAVE TO KICK THIS GUY WHO COULD'VE GIVEN UP HIS ACCOMPLICE. 581 00:39:21,388 --> 00:39:24,024 TWO MURDERERS YOUR CLIENT CAN GET OFF THE STREETS. WE'RE GONNA HAVE TO TURN 'EM LOOSE. 582 00:39:24,024 --> 00:39:27,027 DON'T PRETEND YOUR CLIENT OSWALDO WASN'T WORKING DRUG DEALS OUT OF THAT BODEGA, 583 00:39:27,027 --> 00:39:29,980 MR. MOSCOSO, NOT WITH THAT GROCERY SELECTION. 584 00:39:29,980 --> 00:39:33,534 AS LONG AS YOU'RE RUNNING ERRANDS, YOU TELL OSWALDO HE'S A LYING, GUTLESS SCUMBAG. 585 00:39:33,534 --> 00:39:36,620 IT'S EASY TO HAVE OPINIONS NOT HAVING TO LIVE AND DO BUSINESS IN THE NEIGHBORHOOD. 586 00:39:36,620 --> 00:39:38,989 MY OPINIONS DON'T DEPEND WHERE I LIVE. 587 00:39:38,989 --> 00:39:41,742 TELL HIM HE'S A SCUMBAG, AND HE GETS THE NEIGHBORHOOD HE DESERVES. 588 00:39:41,742 --> 00:39:43,577 GOOD DAY. GOOD DAY. 589 00:39:43,577 --> 00:39:46,497 HEY, HOW'S IT GOING? GOOD. HOW'S YOURSELF? 590 00:39:46,497 --> 00:39:48,499 ALL RIGHT. 591 00:39:48,999 --> 00:39:51,635 I GUESS WE GOTTA GO KICK THIS GUY. 592 00:39:51,635 --> 00:39:53,888 [ Hand Thuds ] 593 00:40:01,262 --> 00:40:05,266 DID YOU HEAR HER TELL THAT LITTLE GIRL TO HATE ME? 594 00:40:05,766 --> 00:40:07,768 YEAH. 595 00:40:13,274 --> 00:40:15,776 COME BACK FROM VIETNAM, 596 00:40:15,776 --> 00:40:18,779 I GO RIGHT ON THE JOB. 597 00:40:18,779 --> 00:40:22,283 JOB DON'T SEND ME TO THE ACADEMY OR NOTHING. 598 00:40:22,283 --> 00:40:26,787 PUTS ME UNDERCOVER RIGHT AWAY, 'CAUSE-- CAUSE I'M WHO THEY'RE LOOKING FOR. 599 00:40:26,787 --> 00:40:30,291 JUST OUT OF THE SERVICE, WORKING-CLASS GUY-- 600 00:40:30,291 --> 00:40:35,296 ALL THE CREDENTIALS FOR BEING SOME DISILLUSIONED ASSHOLE WHO WANTS TO PISS ON EVERYTHING... 601 00:40:35,296 --> 00:40:39,800 I JUST SPENT TWO AND A HALF YEARS GETTING SHOT AT ABOUT. 602 00:40:39,800 --> 00:40:43,804 I DON'T EVEN GET TO BE WITH COPS WHEN I'M DEBRIEFED. 603 00:40:43,804 --> 00:40:46,523 SOME GUY IN THE BOTTOM OF THE POST OFFICE BUILDING... 604 00:40:46,523 --> 00:40:49,526 TAKES MY INFORMATION AND TELLS ME WHAT TO DO. 605 00:40:50,027 --> 00:40:53,314 JERK IN A SUIT-- HE DON'T EVEN TELL ME HIS NAME. 606 00:40:53,314 --> 00:40:55,733 HE HAS ME JOIN THE YOUNG PATRIOTS. 607 00:40:55,733 --> 00:40:59,987 IT'S-- IT'S LIKE THE WOMEN'S AUXILIARY FOR THE BLACK PANTHERS. 608 00:40:59,987 --> 00:41:05,459 I GET TO BRING THE PANTHERS COFFEE AND LEAD CHEERS. 609 00:41:05,459 --> 00:41:08,963 "RIGHT ON," YOU KNOW. "OH, YOU SAID A MOUTHFUL, BROTHER." 610 00:41:08,963 --> 00:41:11,915 "LET'S DEFINITELY TAKE THAT BANK OFF." 611 00:41:13,917 --> 00:41:16,420 THEN I GO WORK MY COVER JOB UNLOADING FURNITURE. 612 00:41:16,920 --> 00:41:21,925 AND THEN I GO HOME AND I DRINK MYSELF STUPID SO AS NOT TO RUN MY HEAD INTO THE WALL, 613 00:41:21,925 --> 00:41:23,677 THINKING HOW MUCH I HATE WHAT I'M DOING. 614 00:41:23,677 --> 00:41:28,065 I SAT IN RICE PADDIES THE NIGHT SO DARK YOU DIDN'T KNOW WHICH WAY WAS UP, 615 00:41:28,565 --> 00:41:32,653 WANTING TO SCREAM AND SHOOT YOUR GUN OFF FOR LIGHT AND YOU'D KNOW WHERE THE HELL YOU WERE, 616 00:41:32,653 --> 00:41:37,441 SO I COULD COME HOME AND DO CHORES AND HEAR MY COUNTRY GET PISSED ON BY A BUNCH OF SPADES! 617 00:41:37,441 --> 00:41:41,328 HEY, ANDY! DON'T START TALKING LIKE THAT, ALL RIGHT? 618 00:41:43,614 --> 00:41:45,866 I'M TRYING TO EXPLAIN SOMETHING TO YOU. 619 00:41:45,866 --> 00:41:49,036 AND I'M TELLING YOU THAT WHEN YOU USE THAT KIND OF LANGUAGE, 620 00:41:49,036 --> 00:41:52,256 I CAN'T GET TO WHAT YOU'RE SAYING. 621 00:41:52,256 --> 00:41:54,758 YOU DON'T HAVE TO CALL 'EM SPADES TO TELL WHAT HAPPENED. 622 00:41:54,758 --> 00:41:58,345 - SPADES IS HOW I FEEL. - YOU CALL THAT LITTLE GIRL A SPADE? 623 00:41:58,345 --> 00:42:00,014 SHE'S NOT WHO I WAS TALKING ABOUT. 624 00:42:00,014 --> 00:42:03,350 WELL, THAT'S WHO I SEE WHEN YOU'RE TALKING. YOU FOLLOW MY PROBLEM? 625 00:42:03,350 --> 00:42:06,470 HEY, FORGET ABOUT IT. YOU HAVE A NICE NIGHT. 626 00:42:06,470 --> 00:42:09,356 I WAS TRYING TO EXPLAIN SOMETHING TO YOU. EXCUSE ME FOR-- 627 00:42:09,356 --> 00:42:12,142 FOR TRYING TO TALK TO MY PARTNER. 628 00:42:12,142 --> 00:42:13,894 [ Scoffs ] 629 00:42:15,779 --> 00:42:19,233 GO AHEAD, PARTNER. 630 00:42:19,233 --> 00:42:22,736 [ Sniffs ] IT WAS HARD FOR ME. YOU UNDERSTAND THAT, HUH? 631 00:42:22,736 --> 00:42:26,740 COME BACK TO THE WORLD-- LEAST I-- I THOUGHT I COULD TALK TO SOMEBODY, 632 00:42:26,740 --> 00:42:30,461 AND MAYBE SOMEBODY, UH, RESPECTS WHAT I DID. 633 00:42:30,461 --> 00:42:32,629 I DREAMT OF BEING A COP. 634 00:42:32,629 --> 00:42:36,633 NOW A COP SEES ME ON THE STREET HE SPITS-- HE SPITS ON THE GROUND. 635 00:42:36,633 --> 00:42:40,137 AND I KNOW HE'S SUPPOSED TO, 'CAUSE I'M KISSING BASTARDS' ASSES... 636 00:42:40,137 --> 00:42:44,007 WANT TO BLOW UP THE BANK THAT MY MOTHER PAYS HER HOUSE LOANS AT. 637 00:42:44,007 --> 00:42:48,011 AND I'M TELLING THESE BASTARDS HOW BRAVE AND GREAT I THINK THEY ARE. 638 00:42:48,011 --> 00:42:51,231 HOW I LOVED IT WHEN MY DAD-- HE-HE FINALLY SAVED ENOUGH... 639 00:42:51,732 --> 00:42:54,234 AFTER HE'S IN THE SERVICE TO MOVE US FROM THE QUONSETS. 640 00:42:54,735 --> 00:42:57,488 AND WE'RE FINALLY IN A DECENT NEIGHBORHOOD UNTIL THEY MOVE IN. 641 00:42:57,488 --> 00:43:01,692 I GOTTA FIGHT TO KEEP MY LUNCH MONEY, AND THE PROJECT TURNS INTO A STY. 642 00:43:01,692 --> 00:43:04,695 AND HE GETS HIS EYE PUT OUT BY ONE OF 'EM DRUNK WITH A HAMMER... 643 00:43:04,695 --> 00:43:07,915 WHO DON'T WANT HIS GAS METER READ. 644 00:43:10,084 --> 00:43:14,922 TO HAVE HER TELL THAT LITTLE GIRL TO HATE ME-- 645 00:43:16,423 --> 00:43:18,425 I TRY TO DO MY JOB. 646 00:43:18,425 --> 00:43:22,429 PUT YOUR OWN FEELINGS ASIDE UNLESS THEY SHOW YOU THEY'RE WRONG. 647 00:43:22,429 --> 00:43:26,216 AND THAT SWEET LITTLE GIRL IS TOLD TO HATE ME. 648 00:43:26,216 --> 00:43:31,305 BUT WHAT IS SHE SUPPOSED TO DO, ANDY? SHE SUPPOSED TO FEEL SORRY FOR YOU? 649 00:43:31,805 --> 00:43:34,308 SHE'S SUPPOSED TO THINK IT'S OKAY YOU CALL HER FATHER A NIGGER... 650 00:43:34,308 --> 00:43:36,560 BECAUSE YOU HAD BAD TIMES GROWING UP? 651 00:43:36,560 --> 00:43:40,647 I HAD BAD TIMES FROM THEM PEOPLE MY WHOLE LIFE. 652 00:43:41,648 --> 00:43:43,650 HEY, MY DAD GOT HIS ASS KICKED AT SHAPE-UPS... 653 00:43:44,151 --> 00:43:46,987 BY WHITE LONGSHOREMEN FOR BEING DARK-SKINNED. 654 00:43:47,488 --> 00:43:51,959 I DON'T HATE THEM PEOPLE, AND I DON'T HATE YOU. 655 00:43:51,959 --> 00:43:56,914 BUT I'M SUPPOSED TO CARE WHAT HAPPENED TO HER PEOPLE 300 YEARS AGO. 656 00:43:58,916 --> 00:44:00,717 THERE YOU GO. 657 00:44:03,086 --> 00:44:05,088 AT LEAST SHE SHOOK MY HAND. 658 00:44:06,089 --> 00:44:07,925 YEAH. 659 00:44:09,393 --> 00:44:11,895 I DON'T THINK SHE HATED ME THAT MUCH. 660 00:44:21,822 --> 00:44:24,158 [ Door Closes ]